Amsterdam Short Quotes

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The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies.
Geoffrey Blainey (A Short History of the World)
It was in December. I stood in the back of the tram, all the way in the back. It drove through the country and stopped and started again, it took hours, the countryside was endless. And the sky got bluer and bluer and the sun shone until it seemed like flowers would have to start sprouting out of the country bumpkins. And the red roofs in the villages and the black trees and the fields, most of them covered with straw, had it nice and warm, and the dunes sat bareheaded in the sun. And the road lay there, white and smarting, it couldn't bear the sunlight, and the glass panes of the village streetlamp flashed, they had trouble withstanding the glare too. But I got colder and colder. And the tram ran as long as the sun shone. It's a long ride from Hillegom to Leiden and the days are short in December. By the end, a block of ice was standing there on the tram staring into the big stupid cold sun that was flaming red as though the revolution was finally starting, as though offices were being blown up all over Amsterdam, but still it couldn't bring a spark of life back to my cold feet and stiff legs. And it kept getting bigger and colder, the sun, and I got colder and stayed the same size, and the blue sky looked down very disapprovingly: What are you doing on that tram?
Nescio (Amsterdam Stories)
short time ago, while making researches in the Royal Library for my History of Louis XIV, I stumbled by chance upon the Memoirs of M. d’Artagnan, printed—as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille—at Amsterdam, by Pierre Rouge.
Alexandre Dumas (The Three Musketeers)
And yet—and yet—she enchants me, intrigues me, draws me like sin to hellfire. The infernal regions in the hollow between her breasts, wet and warm, dark and dense, offers delicious emptiness, captivating, overpowering, like the bottom of a well, the abyss beneath a hanging bridge on a dreary, gloomy day when all hope is gone and death is like the serpent in Eden.
A.A. Patawaran (Manila Was A Long Time Ago - Official)
For the rest, however, one might say that Mother is looking particularly well. But there is something that makes me think of what I told you. I don’t think it would be a bad idea at all if Mother made a few trips shortly, to Anna, to Amsterdam, to Cor - especially as she seems to be resolved on it and to long to see them all once more. But it might well be that she herself has a presentiment that at the same time it will be a leave-taking.
Vincent van Gogh (Delphi Complete Works of Vincent van Gogh (Illustrated) (Masters of Art Book 3))
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
In all the occupations throughout the United States and around the world, from Rio de Janeiro to Ljubljana, from Oakland to Amsterdam, even in cases when they lasted only a short time, the participants experienced the power of creating new political affects through being together.
Michael Hardt (Declaration)
According to Ivar, he and Dr Glowacki reached a final agreement on July 2, 1925, just days before the new participating preferred shares were to be sold. Ivar’s assistant, Karin Bökman, said she witnessed the signatures to the secret deal; she certified the translation of the original contract, as did a Polish notary. Dr Glowacki signed on behalf of the “Treasury of the Polish State,” and Ivar signed on behalf of International Match Corporation.32 Ivar apparently didn’t need to use the stamp he had prepared with a facsimile of Dr Glowacki’s signature. Like the B Shares, this contract was a marvel of financial innovation. First, the agreement provided for the creation of a new Dutch company called N.V. Maatschappij Garanta, or Garanta for short. Garanta would be incorporated in Amsterdam, and its shares would be owned by Polish citizens nominated by Dr Glowacki. Garanta would take over the entire match industry in Poland, from production to sale. Garanta also would assume “certain exchange losses which have been sustained by International Match Corporation in connection with financial transactions in Poland. This item is to be carried as an asset on the books of Garanta.”33 Apparently, Ivar had continued gambling on foreign exchange rates during 1925. This time, though, he had used International Match’s money, and this time he had lost. The secret agreement shifted those losses from International Match to Garanta. Durant and Berning were unaware of these losses, or their transfer.
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
Sebastien recognized the rangy, beaky man within. He was perhaps thirty-three, thirty-five. His eyes were lined with kohl, his cheeks rouged, his forehead pale with powder. But he wore a dark worsted suit, a good waistcoat crossed with a platinum chair, and his hair was cropped quite short and oiled back from a razor-line part. He moved painfully, as if he had been sitting for too long and he stretched against the stiffness of his muscles.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
For example, in 1602 when the United Dutch Chartered East India Company (Dutch East India Company, for short) became the first company to issue stock,1 the shares were extremely illiquid. When first issued, no stock market even existed, and purchasers were expected to hold on to the shares for 21 years, the length of time granted to the company by the Netherlands’ charter over trade in Asia. However, some investors wanted to sell their shares, perhaps to pay down debts, and so an informal market for the stock (the very first stock market) developed in the Amsterdam East India House. As more joint-stock equity companies were founded, this informal location grew, and was later formalized as the Amsterdam Stock Exchange, the oldest “modern” securities exchange in the world.2 Despite the structure of the shares of the Dutch East India Company not changing much, their market liquidity and trading volumes changed considerably.
Chris Burniske (Cryptoassets: The Innovative Investor's Guide to Bitcoin and Beyond)
Suddenly, far off at sea, I perceived a black speck on the steel-gray ocean. I turned at once and my heart began to beat wildly. When I forced myself to look, the black speck had disappeared. I was on the point of shouting, of stupidly calling for help, when I saw it again. It was one of those bits of refuse that ships leave behind them. Yet I had not been able to endure watching it; for I had thought at once of a drowning person. Then I realized, as calmly as you resign yourself to the idea the truth of which you have long known, that that cry which had sounded over the Seine behind me years before had never ceased, carried by the river to the waters of the Channel, to travel throughout the world, across the limitless expanse of the ocean, and that it had waited for me there until the day I had encountered it. I realized likewise that it would continue to await me on seas and rivers, everywhere, in short where lies the bitter water of my baptism. Here, too, by the way, aren't we on the water? On this flat, monotonous, interminable water whose limits are indistinguishable from those of the land? Is it credible that we shall ever reach Amsterdam? We shall never get out of this immense holy-water font. Listen. Don't you hear the cries of invisible gulls? If they are crying in our direction, to what are they calling us? But they are the same gulls that were crying, that were already calling over the Atlantic the day I realized definitively that I was not cured, that I was still cornered and that I had to make shift with it. Ended the glorious life, but ended also the frenzy and the convulsions. I had to submit and admit my guilt. I had to live in the little-ease.
Albert Camus (The Fall)
The Rome Treaty implicitly recognized this principle in distinguishing between two kinds of EU act: the Regulation, which is ‘binding in its entirety’ on all the member states; and the Directive, which is binding only ‘as to the result to be achieved’, leaving each state to choose the ‘form and methods’. But this was a very partial application of the principle; and Directives were sometimes enacted in such detail as to leave little choice to the states. So the Maastricht Treaty defined subsidiarity and the Amsterdam Treaty laid down detailed procedures aiming to ensure that the principle would be practised by the EU institutions. The inclusion in the Lisbon Treaty of a list of which competences are exclusive to the EU, which are shared with member states, and which are supporting state action has further ensured that there are multiple safeguards against overcentralization
Simon Usherwood (The European Union: A Very Short Introduction (Very Short Introductions))
The first such example was the article on equal pay in the Treaty of Rome. France was ahead of other founder states in having legislated that women be paid equally with men for equal work. In order to keep sectors that employed a high proportion of women competitive, France demanded that its partners introduce equal pay too. With the general movement towards gender equality, this was to become one of the most popular European laws. By the time of the Amsterdam Treaty, there was ready agreement to extend the principle from equal pay to equal opportunities and equal treatment in all matters relating to employment.
Simon Usherwood (The European Union: A Very Short Introduction (Very Short Introductions))
In many ways, Kaua‘i is the ultimate example of what a world would look like if plants were in charge. The whole island is covered in the surreal products of total floral freedom. When plants are allowed to evolve without fear, they get scrupulously and flamboyantly specific. Take the Hibiscadelphus genus, for example. Found only in Hawai‘i, these plants have long tubular flowers, custom-made to fit the hooked beak of the honeycreeper, the precise bird that pollinates them. Then there is the vulcan palm, Brighamia insignis, or ‘Ōlulu in Hawaiian, a short tree best described by its nickname, “cabbage on a stick.” Over tens of thousands of years, it has evolved to be pollinated only by the extremely rare fabulous green sphinx moth (its real name). The vulcan palm, still critically endangered in the wild, was saved from total extinction by Perlman’s work in the early days of the extinction prevention program, when he made his own harness out of knotted ropes and used it to hang over the Nā Pali Coast cliffs. There, four thousand feet in the air, he would use a small cosmetic brush borrowed from his wife to imitate the moth, carefully transferring the pollen from the males to the females. “You’d know if you did it well,” Perlman said. “When you’d go back, there’d be fruits just bursting open with seed.” (The vulcan palm is now cultivated as a houseplant in the Netherlands, where there are greenhouses full of them. I wonder if a person with a potted Vulcan palm on their Amsterdam windowsill knows of the drama it took to get it there.)
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
At the same time they turned over the whole province to the city of Amsterdam; but the effort was vain; the colony of the south continued feeble and languishing, and the temporary success against Lord Baltimore was soon clouded by events at the north. In the charter which Winthrop obtained from Charles II., Connecticut and New Haven were consolidated, and all Long Island and the northern New Netherlands were declared within the Connecticut boundaries.
Henry Cabot Lodge (A Short History of the English Colonies in America)
God carries us up to the heights only to hurl us back down again. The path over the summit is short but the valleys are long. Anyone who has been to the mountaintop spends the rest of his days in misery.
Nescio (Amsterdam Stories)
For pretty much my whole life, I thought I was living to better myself, to create the best life possible. About a year ago, that mindset changed. I now believe I’m here to create the best world possible. This shift from me to everyone is what altered my entire understanding of passion, and my purpose. Ben Horowitz is one of my digital mentors (meaning I follow his blog). I find him very insightful. Whenever he says (or writes about) anything, I inevitably start nodding my head until my neck is sore. Here’s an excerpt from the commencement speech he gave at Columbia, his alma mater: “Following your passion is a very me centered view of the world, and as you go through life, what you’ll find is that what you take out of the world over time—be it…money, cars, stuff, accolades—is much less important than what you put into the world. And so my recommendation would be to follow your contribution. Find the thing that you’re great at, put that into the world, contribute to others, help the world be better. That is the thing to follow." Most of the time, if you follow your contribution, it’s either already a passion, or likely to become one. Doing something you’re good at is intoxicating, as is contributing to the world. Writing and launching The Connection Algorithm was a full year of hard work. It was the result of countless hours of reflection, deeply philosophical thinking, and brutal honesty. Throughout the entire process, I felt driven, passionate, and motivated. At first, I thought this was because I was doing it on my own. But I’ve come to realize it was something else—something far more profound. Shortly after the book was released, I began receiving emails from people who had read the book and been deeply impacted by it. A highschooler in Miami. An entrepreneur in Amsterdam. A small business owner in the midwest. People were also leaving reviews on Amazon—people I didn’t know, saying the book helped them live a better life. And on my Kindle, I could see passages that people were highlighting. People weren’t just reading my book, they were taking notes on useful things to remember. The craft of writing has been unbelievably fulfilling for me. And so I’m continuing the pursuit. My motivation is no longer to make a buck, or “win at life.” Rather, I’m working to improve the world. I think of myself as an inventor, creating a new piece of art for the world to discover. When you make the world better, you get rewarded. So find your craft, and then determine the best contribution you can make with it.
Jesse Tevelow (Hustle: The Life Changing Effects of Constant Motion)
however, the round trip was a very long one (fourteen months was in fact well below the average). It was also hazardous: of twenty-two ships that set sail in 1598, only a dozen returned safely. For these reasons, it made sense for merchants to pool their resources. By 1600 there were around six fledgling East India companies operating out of the major Dutch ports. However, in each case the entities had a limited term that was specified in advance – usually the expected duration of a voyage – after which the capital was repaid to investors.10 This business model could not suffice to build the permanent bases and fortifications that were clearly necessary if the Portuguese and their Spanish allies* were to be supplanted. Actuated as much by strategic calculations as by the profit motive, the Dutch States-General, the parliament of the United Provinces, therefore proposed to merge the existing companies into a single entity. The result was the United East India Company – the Vereenigde Nederlandsche Geoctroyeerde Oostindische Compagnie (United Dutch Chartered East India Company, or VOC for short), formally chartered in 1602 to enjoy a monopoly on all Dutch trade east of the Cape of Good Hope and west of the Straits of Magellan.11 The structure of the VOC was novel in a number of respects. True, like its predecessors, it was supposed to last for a fixed period, in this case twenty-one years; indeed, Article 7 of its charter stated that investors would be entitled to withdraw their money at the end of just ten years, when the first general balance was drawn up. But the scale of the enterprise was unprecedented. Subscription to the Company’s capital was open to all residents of the United Provinces and the charter set no upper limit on how much might be raised. Merchants, artisans and even servants rushed to acquire shares; in Amsterdam alone there were 1,143 subscribers, only eighty of whom invested more than 10,000 guilders, and 445 of whom invested less than 1,000. The amount raised, 6.45 million guilders, made the VOC much the biggest corporation of the era. The capital of its English rival, the East India Company, founded two years earlier, was just £68,373 – around 820,000 guilders – shared between a mere 219 subscribers.12 Because the VOC was a government-sponsored enterprise, every effort was made to overcome the rivalry between the different provinces (and particularly between Holland, the richest province, and Zeeland). The capital of the Company was divided (albeit unequally) between six regional chambers (Amsterdam, Zeeland, Enkhuizen, Delft, Hoorn and Rotterdam). The seventy directors (bewindhebbers), who were each substantial investors, were also distributed between these chambers. One of their roles was to appoint seventeen people to act as the Heeren XVII – the Seventeen Lords – as a kind of company board. Although Amsterdam accounted for 57.4 per cent of the VOC’s total capital, it nominated only eight out of the Seventeen Lords.
Niall Ferguson (The Ascent of Money: A Financial History of the World)
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pta amsterdam
One such Protestant setting was the Dutch capital of Amsterdam. It was there that Spanish exiles made their way in the sixteenth century, creating a rich cultural and commercial center. In fact, it was from Amsterdam that Jewish representatives of the Dutch West Indies
David N. Myers (Jewish History: A Very Short Introduction (Very Short Introductions))
he painted A View of Delft, The Girl with a Pearl Earring, The Milkmaid, and some thirty more. The work met a respectful welcome, but no one was bowled over. Certainly no one spoke of Vermeer as a genius. But his work commanded high fees, and it continued to do so in the years shortly after his death, in 1675. At an Amsterdam auction in 1696, for example, twenty-one Vermeers sold at an average price of 72 guilders apiece. The Lacemaker, now at the Louvre, brought only 28 guilders, but the Milkmaid brought 175 guilders, and A View of Delft the highest price of all, 200 guilders.
Edward Dolnick (The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (P.S.))