America Singer Quotes

America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning.

Maxon, some of those marks are on your back so they wouldn’t be on mine, and I love you for them.” He stopped breathing for a second. “What did you say?” I smiled. “I love you.” “One more time, please? I just—” I took his face in both of my hands. “Maxon Schreave, I love you. I love you.” “And I love you, America Singer. With all that I am, I love you.

I want everything with you, America. I want the holidays and the birthdays, the busy season and lazy weekends. I want peanut butter fingertips on my desk. I want inside jokes and fights and everything. I want a life with you.

Just that. Your family must be very different from mine." "I’d say so." I laughed. "For one, no one wears their tiaras to breakfast." Maxon smiled. "More of a dinner thing at the Singer house?” “Of course.

Oh, yes. She’s still here,” Maxon said, not letting his eyes wander from Gavril’s face. “And I plan on keeping her here for quite a while.

America Singer, you get back here." He ran in front of me, wrapping an arm around my waist as we stood, chest to chest. "Tell me," he whispered. I pinched my lips together. "Fine, then I shall have to rely on other means of communication." Without any warning, he kissed me.

What am I supposed to call you?" "Your Royal Husbandness. It's required by law, I'm afraid.

You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.

And Carolina will be cheering on the beautiful daughter of Magda and Shalom Singer, the new Lady America Singer!

You know how your mother and I met,” Dad began. I rolled my eyes. “Everyone does. You two are practically a fairy tale.

I couldn’t help but notice it was always this way. At state events or important dinners, Mom was beside Dad or situated right behind him. But when they were just husband and wife—not king and queen—he followed her everywhere.

Our friendship--if I could even call it that--was obviously awkward and flawed, but at least it was honest. "~America Singer,

He gave a dark chuckle. “But you’re not, so you had absolutely no qualms about kneeing me in the groin, right?” “I hit your thigh!” “Oh, please. A man doesn’t need that long to recover from a knee to the thigh,” he replied, his voice full of skepticism.

It's hard to get a hug wrong.

Should I get more butter?" "Shut up, Eadlyn,

I love you, America Singer. As long as I live, I'll love you." There was some deep emotion in his voice, and it caught me off guard. "I love you, Aspen. You'll always be my prince.

You were the one who changed us when you left me in the tree house; and you keep thinking that if you push hard enough, you can make everything go back to before that moment. It doesn't work that way. Give me a chance to choose you.

I do intend on giving you things, but that's not what I mean. I'm going to love you more that any man has ever loved a woman, more than you ever dreamed you could be loved. I promise you that.

I always wondered if they’d change you.

Don't tug your ear with anyone else. That's mine.

He wasn't my boyfriend, he wasn't me husband, and he wasn't my friend. He was family.

Prince Maxon surveyed the room and found me. Our eye met for a moment, and he smiled.

Thank you,” he whispered. “At least I can know for certain that, for one brief moment of our time together, you and I felt the same thing.

If this were a simple matter, I'd have eliminated everyone else by now. I know how I feel about you. Maybe it's impulsive of me to think I could be so sure, but I'm certain I would be happy with you. -Prince Maxon, The Selection

And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.

America Singer, llegará el día en que te duermas entre mis brazos cada noche. El día en que te despierte con mis besos cada mañana

It wasn’t all that long ago that he’d stood where I did, that my mom’s face was one of many in his world. And yet, despite all the impediments and all the time that had passed, they were still deeply in love. It was obvious in everything, from their shared room to the way they fretted over each other to the way they seemed to be incapable of not flirting with each other even after being married so long.

America, my dear, I hope you find something, in this cage worth fighting for.

It was over, and I knew that. But you don't love someone for almost two years and then turn it off overnight...

Say it, America. Please. Tell me you love me, that you want to be mine alone.

You were my pick. My only pick.

There were so many beautiful women here. I got the sense that a few of these girls had been on dates before and, perhaps foolishly, I was intimidated. And then there was America, her mouth stuffed with a strawberry tart, her eyes rolling like she was in heaven. I stifled laugh, and suddenly I had a plan.

I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art. LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN. I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.* Who are you? Are you in touch with all your darkest fantasies? Have you created a life for yourself where you’re free to experience them? I Have. I Am Fucking Crazy. But I Am Free.

What are these?" Maxon asked, brushing across the tips of my fingers as we walked. "Calluses. They're from pressing down on violin strings four hours a day." "I've never noticed them before." "Do they bother you?" I was the lowest caste of the six girls left, and I doubted any of them had hands like mine. Maxon stopped moving and lifted my fingers to his lips, kissing the tiny, worn tips. "On the contrary. I find them rather beautiful." I felt myself blush. "I've seen the world – admittedly mostly through bulletproof glass or from the tower of some ancient castle – but I've seen it. And I have access to the answers of a thousand questions at my disposal. But this small hand here?" He looked deeply into my eyes. "This hand makes sounds incomparable to anything I've ever heard. Sometimes I think I only dreamed that I heard you play the violin, it was so beautiful. These calluses are proof that it was real.

December 27, Noon. America, I might as well tell you this since your maids will tell you anyway. I've been thinking of the little things you do. Sometimes you hum when you walk around the palace. Sometimes when I come up to your room, I hear the melodies you've saved up in your heart spill out the doorway. The palace seems empty without them. I also miss your smell. I miss your perfume drifting off your hair when you turn to laugh at me or your scent radiating on your skin when we walk through the garden. It's intoxicating. So I went to your room to spray your perfume on my handkerchief, another silly little trick to make me feel like you were here. And as I was leaving your room, Mary caught me. I'm not sure what she was looking after since you're not here; but she saw me, shrieked, and a guard came running in to see what was wrong. He had his staff gripped, and his eyes flashed threateningly. I was nearly attacked. All because I missed your smell.

You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.

I got through breakfast and most of a meeting before thoughts of you consumed me. I told everyone I was sick and am now hiding in my room, writing to you, hoping this will make me feel like your home again. -Maxon

I know. But sometimes it’s about what you want to do, not what you have to.

Just remember, your mother doesn't let things happen to her. When something tries to ruin her life, she drags it into the street.

I want you to be mine alone and I want to give you everything.

You are all dear to me. it is simply a matter of discovering who shall be the dearest.

Maxon Schreave, I love you. I love you.” “And I love you, America Singer. With all that I am, I love you.

I've seen so much, America, had access to the corners of out planet. But never have I come across anything so painfully beautiful as that kiss. I wish it was something I could catch with a net or place in a book. I wish it was something I could save and share with the world so I could tell the universe: this is what it's like; this is how it feels when you fall. These letters are so embarrassing. I'll have to burn them before you get home. Maxon

My Selection wasn’t a farce, but it wasn’t that far off. My father chose all the contestants by hand, picking young women with political alliances, influential families, or enough charm to make the entire country worship the ground they walked on. He knew he had to make it varied enough to seem legit, so there were three Fives thrown into the mix but nothing below that. The Fives were meant to be little more than throwaways to keep anyone from being suspicious.” I realized my mouth was gaping open and shut it immediately. “Mom?” “Was meant to be gone almost immediately. Truth be told, she barely made it past my father ’s attempts to sway my opinion or remove her himself. And look at her now.” His whole face changed. “Though it was hard for me to imagine, she is even more beloved as queen than my mother. She has made four beautiful, intelligent, strong children. And she has been the source of every happiness in my life.

Siempre has sido guapa; siempre has tenido talento. Y ahora sé que tu talla moral está a la misma altura, que ves claramente cuando algo no está bien y que haces todo lo que puedes por combatirlo. Como padre, no puedo pedir más. Te quiero, America. Y estoy muy muy orgulloso. PAPÁ

America Singer, one day you will fall asleep in my arms every night. And you’ll wake up to my kisses every morning. And then some.” I bit my lip at the thought. “But now I have to go. We’re pushing our luck.

I didn't want to be a princess.' 'Really?' 'Really.' She smiled. 'Not wanting the crown means you're probably the best person to have it.

I love you, America Singer. As long as I live, I’ll love you.” There was some deep emotion in his voice, and it caught me off guard. “I love you, Aspen. You’ll always be my prince.

Miss America Singer of Carolina, Five.” I

Carolina'dan America Singer, Beş." Kafamı geriye çevirdim ve ışte oradaydı. Bu, Aspen'in benimle evlenmek için birikim yaptığını öğrendiğimde çekilen fotoğrafımdı. Fotoğraftaki kız ışıldıyordu, umutlu ve güzeldi. Âşık gibiydi. Ve ahmaklardan biri bu aşkin Prens Maxon'a duyulan aşk olduğunu düşünmüştü.

In an earlier stage of our development most human groups held to a tribal ethic. Members of the tribe were protected, but people of other tribes could be robbed or killed as one pleased. Gradually the circle of protection expanded, but as recently as 150 years ago we did not include blacks. So African human beings could be captured, shipped to America, and sold. In Australia white settlers regarded Aborigines as a pest and hunted them down, much as kangaroos are hunted down today. Just as we have progressed beyond the blatantly racist ethic of the era of slavery and colonialism, so we must now progress beyond the speciesist ethic of the era of factory farming, of the use of animals as mere research tools, of whaling, seal hunting, kangaroo slaughter, and the destruction of wilderness. We must take the final step in expanding the circle of ethics. -

What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.

As far as food is concerned, the great extravagance is not caviar or truffles, but beef, pork and poultry. Some 38 percent of the world's grain crop is now fed to animals, as well as large quantities of soybeans. There are three times as many domestic animals on this planet as there are human beings. The combined weight of the world's 1.28 billion cattle alone exceeds that of the human population. While we look darkly at the number of babies being born in poorer parts of the world, we ignore the over-population of farm animals, to which we ourselves contribute...[t]hat, however, is only part of the damage done by the animals we deliberately breed. The energy intensive factory farming methods of the industrialised nations are responsible for the consumption of huge amounts of fossil fuels. Chemical fertilizers, used to grow the feed crops for cattle in feedlots and pigs and chickens kept indoors in sheds, produce nitrous oxide, another greenhouse gas. Then there is the loss of forests. Everywhere, forest-dwellers, both human and non-human, can be pushed out. Since 1960, 25 percent of the forests of Central America have been cleared for cattle. Once cleared, the poor soils will support grazing for a few years; then the graziers must move on. Shrub takes over the abandoned pasture, but the forest does not return. When the forests are cleared so the cattle can graze, billions of tons of carbon dioxide are released into the atmosphere. Finally, the world's cattle are thought to produce about 20 percent of the methane released into the atmosphere, and methane traps twenty-five times as much heat from the sun as carbon dioxide. Factory farm manure also produces methane because, unlike manured dropped naturally in the fields, it dies not decompose in the presence of oxygen. All of this amounts to a compelling reason...for a plant based diet.

Miss Fiona Castley of Paloma, Three.” A brunette with smoldering eyes this time. Maybe my age, but she seemed more . . . experienced. I turned to Mom and May on the couch. “Doesn’t she seem awfully—” “Miss America Singer of Carolina, Five.

I sense that you won't let the world push you into a life you don't want. Maybe I'm wrong, so let me at least say this: fight, America. You might not want to fight for the things that most others fight for, like money or notoriety, but fight all the same. Whatever it is that you want, America, go after it with all that you have in you. If you can do that, if you can keep from letting fear make you settle for second best, then I can't ask for anything more from you as a parent. Live your life. Be as happy as you can be, let go of the things that don't matter, and fight.

He'd do anything for the people he loved, and I knew without question that I was the person he loved the most.

Maxon smiled effortlessly. “America Singer,” he announced, “my closest friend.” “That’s right.” I rolled my eyes.

Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer comes in and they ship the tape somewhere. Well, none of the musicians have played together. You can’t play jazz music that way. In order for you to play jazz, you’ve got to listen to them. The music forces you at all times to address what other people are thinking and for you to interact with them with empathy and to deal with the process of working things out. And that’s how our music really could teach what the meaning of American democracy is.

Me quedé despierta un rato más, pensando en él y en lo mucho que le quería, y en la sensación que me producía su amor. Me sentía especial, incomparable, única. Ninguna reina, en ningún trono, podía sentirse más importante que yo.

Americans were no more shallow than any other people, just more pampered, so they had come to treasure their shallowness, making pop singers and television actors their most revered leaders. Pampered but lovable. He loved America, even though he held it in contempt. Love and contempt were not incompatible. In fact, one was rarely found without the other.

Nuestras miradas se cruzaron por un momento, y yo sabía que, a sus ojos, ya no podría pasar desapercibida nunca más.

I've heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake; I'd called him Maxon.

Espero que encuentres a alguien que te haga sentir que no puedes vivir sin ella. De verdad. Y espero que nunca experimentes lo que puede ser vivir sin esa persona, todo el esfuerzo que conlleva.

A majority of people in these surveys also said that America gives too much aid--but when they were asked how much America should give, the median answers ranged from 5 percent to 10 percent of government spending. In other words, people wanted foreign aid 'cut' to an amount five to ten times greater than the United States actually gives!

I LOVE YOU, AMERICA. AND I'M SO, SO PROUD. -DAD

Politicians, singers, and preachers are in the same business, using sound to move hearts and change minds.

Penster, Shallow from A Star is Born.

I love you America Singer. As long as I live, I'll love you.-Maxon

Not even much survives as memory. Many of the most notable names of the summer—Richard Byrd, Sacco and Vanzetti, Gene Tunney, even Charles Lindbergh—are rarely encountered now, and most of the others are never heard at all. So it is perhaps worth pausing for a moment to remember just some of the things that happened that summer: Babe Ruth hit sixty home runs. The Federal Reserve made the mistake that precipitated the stock market crash. Al Capone enjoyed his last summer of eminence. The Jazz Singer was filmed. Television was created. Radio came of age. Sacco and Vanzetti were executed. President Coolidge chose not to run. Work began on Mount Rushmore. The Mississippi flooded as it never had before. A madman in Michigan blew up a school and killed forty-four people in the worst slaughter of children in American history. Henry Ford stopped making the Model T and promised to stop insulting Jews. And a kid from Minnesota flew across an ocean and captivated the planet in a way it had never been captivated before. Whatever else it was, it was one hell of a summer.

-En esos segundos, lloraba todas mis pérdidas. El no llegar a verte nunca recorriendo el pasillo hacia el alatar, el no ver tu rostro reflejado en nuestros hijos, el no ver los primeros mechones plateados en tu cabello. Pero, al mismo tiempo, no me importaba. Si muriendo conseguía que tú siguieras viva, ¿Qué de malo tenía aquello?

Do you know what is America’s greatest export?” Links’s eyes narrowed. “Biggest, or greatest? Sometimes they’re not the same thing. Biggest by the numbers? Oil and gas. Greatest? Democracy,” said Links. “No, no, no,” said Sechin. “It is an idea, really. A dream: Star Trek.

A 389-page audit released in 2020 found that money overseen by the Mississippi Department of Human Services (DHS) and intended for the state’s poorest families was used to hire an evangelical worship singer who performed at rallies and church concerts; to purchase a Nissan Armada, Chevrolet Silverado, and Ford F-250 for the head of a local nonprofit and two of her family members; and even to pay the former NFL quarterback Brett Favre $1.1 million for speeches he never gave.

Pero que sepas que no quiero ser ninguna princesa. Lo único que deseo es ser tu esposa.

His eyes reflected a softness I had already forgotten in America.

Now this little gal isn’t much of a singer,” she would say. “She learned singing by a correspondence course, and she missed a coupla lessons, but she’s the nicest little gal in the whole show, so I want ya to give her a big hand.

machines again, and radios, and the latest Chevrolet. General Electric flooded the country with luxury gadgets: food processors, toasters, floor-polishing machines, FM radios, electric blankets, and so on. These were all products promoted by that epitome of the television salesman Ronald Reagan, a popular actor whose work in advertising eventually taught him to sell himself, too. Traditional ideals were put on hold and ‘selling out’ became a catchphrase – you accepted a job that gave you no satisfaction because the pay was good. These were the months and years when British singer Vera Lynn touched American hearts with ‘A kiss won’t mean “Goodbye” but “Hello to love”’. Yes, that’s when it started, with that kiss on Times Square.

I couldn’t go on saying, “Let’s get a couple of grams of blow (cocaine) and write a song. Let’s get stoned before the gig. Let’s get stoned after the gig. I’m in town, where are the girls?” I was living the classic wild style, and that was no longer working for me. I’m not AA or anything. My ethic is that I work hard, do what I do under my own power, and at the end of the day, like everybody else in the world, I do what I can get away with. —Iggy Pop, rock singer

And then there’s Mississippi. A 389-page audit released in 2020 found that money overseen by the Mississippi Department of Human Services (DHS) and intended for the state’s poorest families was used to hire an evangelical worship singer who performed at rallies and church concerts; to purchase a Nissan Armada, Chevrolet Silverado, and Ford F-250 for the head of a local nonprofit and two of her family members; and even to pay the former NFL quarterback Brett Favre $1.1 million for speeches he never gave. (Favre later returned the money.) There’s more.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

Mia has already persevered through so much. One of our biggest fears when she was born was that she wouldn’t be able to talk or sing. My wife loves to sing, and she’s a world-class singer. Through speech therapy, Mia talks well and can hold a normal conversation with anyone. There isn’t an ounce of shyness in her bones! When Mia was four years old, she sang “God Bless America” on one of our Duckmen hunting DVDs. I’m sure most people who watched it thought, Hey, isn’t that cute? They’ve got a little girl singing on the DVD. But when she did it, there wasn’t a dry eye in my family. We knew that Mia was born without the ability to sing, and we realized the pain and suffering she endured to be able to sing. It was a huge moment for our family.

Richie Royal, age 15, is an up-and-coming young teen idol in China who has a hit record and many endorsements. He is considered the ideal idol for many young people in China as he is handsome, talented, comes from a good family, and smart. Born in the United States of America and went to school in Arcadia, California until he was 10 years old. He and his family relocated to China and established one of the largest beauty and fashion companies in Asia. “Okay!” I said. “I should be excited to see an actual teen idol here, but I’m not,” I said, looking at Mom, Dad, Auntabelle and Trent. “I don’t know how long this traffic jam is going to be, but we have to make it to Grandpa’s house before the birthday, don’t we, Dad?” - Amazon Lee Adventures in China by Kira G. and Kailin Gow

Bingo Junio-Julio-Agosto  Lord Voldemort (un libro que trate sobre la muerte): Un mosntruo viene a verme de Patrick Ness. Conor tiene que lidiar con el temor constante de que su madre muera a causa del cancer y es ahí cuando aparece el monstruo que le hace ver la realidad  Regulus Black (libro que el protagonista tenga un familia rara/malvada/numerosa): La tempestad de Shakespeare. Prospero es traicionado por su hermano y es mandando a una isla en el medio de la nada; Prospero jura venganza mediante sus poderes mágicos.  Barty Crouch Jr (libro que el/la protagonista participe en una secta o investigue sobre las mismas): Las chicas de Emma Cline. Evie se ve envuelta en una secta cuando es abandonada por su mejor amiga y su unica amiga en el mundo.  Fenrir Breyback (libro que tenga licántropos): Luna Nueva de Stephenie Meyer. Bella es abandonada por Edward, se acerca mas a jacob y descubre que el es un hombre lobo  Bellatrix Lestrange (libro en el que el romance tóxico sea lo principal) La selección de Kiera Cass. America Singer se ve envuelta en un triangulo amoroso entre el principe de Íllea, Maxon, y su amor de la ciudad, Aspen.  Draco Malfoy (libro que el/la protagonista sea desertor): Tres espejos; espada de Sebastián Vargas. Jian era un campesino que perdió al amor de su vida y se convierte en un pirata perseguido por el pueblo por ser desertor y huir de luchar en la guerra.  Lucius Malfoy (libro con puterio de ricos) Mansfield Park de Jane Auste. Fanny es adoptada por sus tios ricos y la llevan a vivir a Mansfield Park, ella se ve envuelta en todos los lios, complicaciones y preocupaciones de los ricos, donde cada acción tiene que ser friamente calculada  Petter Pettigrew (libro con animales como protagonistas): El principito de Antoine de Saint-Exupéry. El principito, un hombrecito de traje azul y pelo rubio se hace amigo de un zorro que lo aconseja sobre la vida.  Marietta (libro en que el/la protagonista tenga una doble vida/vida oculta): Heartsong de T.J Klune. Robbie se encuentra en otra manada, con sueño recurrente sobre unos lobos corriendo... Con el paso del tiempo, descubre que la vida que esta viviendo no era su vida.

If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.

There is always a tradeoff. As music gets disseminated, and distinct regional voices find a way to be more widely heard, certain bands and singers (who might be more creative, or possibly have just been marketed by a bigger company) begin to dominate, and peculiar regional styles—what writer Greil Marcus, echoing Harry Smith, called the “old weird America”—eventually end up getting squashed, neglected, abandoned, and often forgotten. This dissemination/homogenization process runs in all directions simultaneously; it’s not just top-down repression of individuality and peculiarity. A recording by some previously obscure backwoods or southside singer can find its way into the ear of a wide public, and an Elvis, Luiz Gonzaga, Woody Guthrie, or James Brown, can suddenly have a massive audience—what was once a local style suddenly exerts a huge influence. Pop music can be thrown off its axis by some previously unknown and talented rapper from the projects. And then the homogenization process begins again. There’s a natural ebb and flow to these things, and it can be tricky to assign a value judgment based on a particular frozen moment in the never-ending cycle of change.

FOLKSBIENE, an impoverished, frail Yiddish theater company in constant danger of annihilation, had outlasted all the giants. The year of Schwartz's death the little troupe moved into the Forward building, guaranteeing it a permanent home with four walls and a roof, plus heat in the winter, fans in the summer, and best of all, continuing subsidies from the newspaper and the Workmen's Circle. Sporadically, other Yiddish productions would take place in New York, but they were one-shots, musicals, and charity fund-raisers. Ensconced in their new place, Folksbiene managers claimed that theirs was the oldest continuously operating Yiddish theater in the world. As proof, all past productions were listed year by year, ranging all the way back to 1915. It was an impressive roster. Among the authors included were Sholem Aleichem, Leon Kobrin, and both Singer brothers, Israel Joshua and Isaac Bashevis; also the Russians Alexander Pushkin and Maxim Gorki; and such American authors as Theodore Dreiser, Eugene O'Neill, Sherwood Anderson, and Clifford Odets. It didn't matter how well attended those shows were, or how well acted, or the duration of their runs. The point was that the Folksbiene had survived, just as the Jewish people had survived. Together, they were the keepers of the flame. It was a very small candle in a very big city.

It's true that Lucinda had once spent hours of her own time putting together a research memo on the Canadian rock band Barenaked Ladies, specifically investigating whether then lead singer Steven Page was purposefully singing in a fake American accent for their 1998 hit single "One Week." She'd notice that the song loudly announces itself with the lyric "IT'S BEEN," but the word "been" is pronounced *bin*, which is the American pronunciation, as opposed to the more Canadian way of saying it, *bean*. Even more notably, the oft-repeated lyric "sorry" is also pronounced the American way, *sawry*, instead of a round Canadian *soary*. After scouring the internet for video and audio interviews with Steven Page, she discovered that he did in fact pronounce "been" the Canadian way in casual conversation, which meant he (intentionally or not) was putting on a fake America accent when he recorded the song. Lucinda couldn't find any literature or analysis on this subject, so she was forced to conjure her own theories, which included: a. Steven Page was actively suppressing his Canadian accent because someone told him his music would be more successful worldwide if he sounded more American, b. he was subconsciously suppressing his accent because he'd already internalized this idea, or c. the song itself is sung from the point of view of a character who lives in the United States and is in fact a subtle satire of American culture.

The Gates of Eden,” as he called it that night, took us furthest out into the realm of the imagination, to a point beyond logic and reason. Like “It’s Alright, Ma,” the song mentions a book title in its first line, but the song is more reminiscent of the poems of William Blake (and, perhaps, of Blake’s disciple Ginsberg) than it is of Tolstoy’s War and Peace, vaunting the truth that lies in surreal imagery. After an almost impenetrable first verse, the song approaches themes that were becoming familiar to Dylan’s listeners. In Genesis, Eden is the paradise where Adam and Eve had direct communication with God. According to “Gates of Eden,” it is where truth resides, without bewitching illusions. And the song is basically a list, verse after verse, of the corrosive illusions that Dylan would sing about constantly from the mid-1960s on: illusions about obedience to authority; about false religions and idols (the “utopian hermit monks” riding on the golden calf); about possessions and desire; about sexual repression and conformity (embodied by “the gray flannel dwarf”); about high-toned intellectualism. None of these count for much or even exist inside the gates of Eden. The kicker comes in the final verse, where the singer talks of his lover telling him of her dreams without any attempt at interpretation—and that at times, the singer thinks that the only truth is that there is no truth outside the gates of Eden. It’s a familiar conundrum: If there is no truth, isn’t saying as much really an illusion, too, unless we are all in Eden? (“All Cretans are liars,” says the Cretan.) What makes that one truth so special? But the point, as the lover knows, is that outside of paradise, interpretation is futile. Don’t try to figure out what the song, or what any work of art, “really” means; the meaning is in the imagery itself; attempting to define it is to succumb to the illusion that truth can be reached through human logic. So Dylan’s song told us, as he took the measure in his lyrics of what had begun as the “New Vision,” two and a half miles up Broadway from Lincoln Center at Columbia, in the mid-1940s. Apart from Dylan, Allen Ginsberg and Gregory Corso may have been the only people in Philharmonic Hall who got it. I

Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.

In short, it was entirely natural that the newts stopped being a sensation, even though there were now as many as a hundred million of them; the public interest they had excited had been the interest of a novelty. They still appeared now and then in films (Sally and Andy, the Two Good Salamanders) and on the cabaret stage where singers endowed with an especially bad voice came on in the role of newts with rasping voices and atrocious grammar, but as soon as the newts had become a familiar and large-scale phenomenon the problems they presented, so to speak, were of a different character. (13) Although the great newt sensation quickly evaporated it was replaced with something that was somewhat more solid - the Newt Question. Not for the first time in the history of mankind, the most vigorous activist in the Newt Question was of course a woman. This was Mme. Louise Zimmermann, the manager of a guest house for girls in Lausanne, who, with exceptional and boundless energy, propagated this noble maxim around the world: Give the newts a proper education! She would tirelessly draw attention both to the newts' natural abilities and to the danger that might arise for human civilisation if the salamanders weren't carefully taught to reason and to understand morals, but it was long before she met with anything but incomprehension from the public. (14) "Just as the Roman culture disappeared under the onslaught of the barbarians our own educated civilisation will disappear if it is allowed to become no more than an island in a sea of beings that are spiritually enslaved, our noble ideals cannot be allowed to become dependent on them," she prophesied at six thousand three hundred and fifty seven lectures that she delivered at women's institutes all over Europe, America, Japan, China, Turkey and elsewhere. "If our culture is to survive there must be education for all. We cannot have any peace to enjoy the gifts of our civilisation nor the fruits of our culture while all around us there are millions and millions of wretched and inferior beings artificially held down in the state of animals. Just as the slogan of the nineteenth century was 'Freedom for Women', so the slogan of our own age must be 'GIVE THE NEWTS A PROPER EDUCATION!'" And on she went. Thanks to her eloquence and her incredible persistence, Mme. Louise Zimmermann mobilised women all round the world and gathered sufficient funds to enable her to found the First Newt Lyceum at Beaulieu (near Nice), where the tadpoles of salamanders working in Marseilles and Toulon were instructed in French language and literature, rhetoric, public behaviour, mathematics and cultural history. (15) The Girls' School for Newts in Menton was slightly less successful, as the staple courses in music, diet and cookery and fine handwork (which Mme. Zimmermann insisted on for primarily pedagogical reasons) met with a remarkable lack of enthusiasm, if not with a stubborn hostility among its young students. In contrast with this, though, the first public examinations for young newts was such an instant and startling success that they were quickly followed by the establishment of the Marine Polytechnic for Newts at Cannes and the Newts' University at Marseilles with the support of the society for the care and protection of animals; it was at this university that the first newt was awarded a doctorate of law.

-Somos un desastre, ¿no te parece? -De los gordos. -A veces tengo la sensación de que somos como un nudo, demasiado enredado como para que nos puedan separar. -Es cierto.-Asentí.- Gran parte de mí está ligada a ti. Si no estás cerca me siento perdida. Aspen tiró de mí, me pasó una mano por la sieny ladejó caer por mi mejilla. -Entonces tendremos que quedarnos así, enmarañados.

The Dixie Chicks are another obvious absence, and it is hard not to suspect that they are being ostracized from the museum because of lead singer Natalie Maines’s criticism of George W. Bush for America’s invasion of Iraq in 2003, which provoked a storm of controversy.

Our media also lavish mega attention on our idols, devoting countless hours of coverage to actors and sports figures, much of the coverage about how they get into trouble. Some networks admit to trying to include some daily snippet of “news” about Britney Spears, or Lindsay Lohan, or some other troubled famous young actor, co-enabled by the coverage and public attention, into their behavior. Some of the nation’s bestselling magazines and weekly newspapers exclusively report on the varied activities of public figures, almost all in the entertainment industry. People Magazine recently paid a movie star $4.1 million dollars. To make a movie? No, $4.1 million dollars was paid for the right to publish pictures of her new baby. America’s media covered the unfortunate death of singer Michael Jackson non-stop for days on end. We are “mad upon our idols.

America now had a new kind of logistical backbone the likes of which had never before been seen in war.

Come sempre, quando mi succede qualcosa di propizio, chiesi al mio io interiore se ero finalmente felice. Ma mantenne un silenzio diplomatico. Pareva che avessi un grande talento nel soffrire, ma che nessun risultato potesse mai soddisfarmi

Sagan was perhaps the most eloquent harbinger because his concern came from a place of deep understanding: ‘I have a foreboding of an America in my children’s or grandchildren’s time—when the United States is a service and information economy; when nearly all the key manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.

Precisely what our concern or consideration requires us to do may vary according to the characteristics of those affected by what we do: concern for the well-being of children growing up in America would require that we teach them to read; concern for the well-being of pigs may require no more than that we leave them with other pigs in a place where there is adequate food and room to run freely.

Professor Peter Singer of Princeton University advocates the killing of disabled newborns. Reports the New York Times, “To Singer, a newborn has no greater right to life than any other being of comparable rationality and capacity for emotion, including pigs, cows and dogs.”6 This is evil. Equating newborn humans with animals is absolutely sickening. But that is what Singer is teaching in his course at Princeton.

If Tivo marks the beginning of the shift from the Brand Age to the Product Age, the summer of 2020 saw the Brand Age’s end. The killing of George Floyd and subsequent protests briefly displaced the pandemic in the front and center of our national consciousness, making obvious the passing of the Brand Age into history. Seemingly every brand company did what they always do when America’s sins are pulled out from the back of the closet where we try to keep them hidden: they called up their agencies and posted inspiring words, arresting images, and black rectangles. Message: We care. Only this time, it didn’t resonate. Their brand magic fizzled. First on social media, then tumbling from there onto newspapers and evening news, activists and customers started using the tools of the new age to compare these companies’ carefully crafted brand messages with the reality of their operations. “This you?” became the Twitter meme that exposed the brand wizards. Companies who posted about their “support” for black empowerment were called out when their own websites revealed the music did not match the words. The NFL claimed it celebrates protest, and the internet tweeted back, “This you?” under a picture of Colin Kaepernick kneeling. L’Oréal posted that “speaking out is worth it” and got clapped back with stories about dropping a model just three years earlier for speaking out against racism. The performative wokeness across brands felt forced and hollow. Systemic racism is a serious issue, and a 30-second spot during The Masked Singer doesn’t prove you are serious about systemic racism. That’s always been true, about ads on any issue, but social media and the ease of access to data on the internet has made it much harder for companies to pretend.

Q: Why We Drive is a unique book, combining cartoons, text-form journalism, and photographs. How did it come about? After I did the book CARtoons in 2001, I got invitations to speak at various venues including The Village Building Convergence, bookstores and a few universities. Being a visual artist, I gradually developed a slide talk about the social, environmental, economic and political problems of transportation design in America. I used a mixture of cartoons, photographs and maps because I found it was helpful to give people real-world examples of good and bad urban design. When I got positive feedback from the talk, I became interested in turning it into a book and an interactive website. I still have to build the interactive website but Microcosm helped me create, edit and publish the book. My goal was to explain transportation design issues and politics in a simple way to college students and the general public, as well as put forward a few ideas about why I believe we’re not making more political progress at reforming our transportation system. (2015 interview with Microcosm Publishing)2015

Q: Is there a book from your reading that has been particularly inspirational to you? The Power Broker by Robert Caro is the most inspirational book I've ever read on the subject of transportation and urban planning …but I lived in New York City and knew many of the places and people he was talking about. I'm not sure if it would be as inspirational to others. The book won a Pulitzer Prize when it came out in the 1970s. Caro was a newspaper reporter who wanted to write a book about political power– how it was obtained and wielded and what role agencies played in government. In describing the life of Robert Moses, a highway builder, unelected state bureaucrat and creator of the modern “highway department,” Caro was able to describe (in a microcosm) the transportation and political history of America. Another great book is Ivan Illich's “Energy and Equity.” That one is a quick read. (2015 interview with Microcosm Publishing)