Ambient Light Quotes

And strong-looking. Like the kind of guy you feel standing next to you before you actually see him, because he’s blocking so much ambient light.

There was no way to explain that the thing about dark is that it’s rare. There’s always some ambient light. There’s always that contrast that helps you understand: This is dark. The pricks of stars, the leak beneath the door, the glow of an appliance, something. Wasn’t its ability to assert itself, and at breakneck speed at that, light’s most remarkable quality?

That hideous face turns to us, and it is now, in the ambient light, that I begin to see the true nature of this nightmare roosting in my home.

'how then does soul differ from spirit?' you're probably asking yourself. although he must have been reasonably sure nobody was. "Well, soul is darker of color, denser of volume, saltier of flavor, rougher of texture, and tends to be more maternalistic than paternalistic: soul is connected to Mother Earth just as spirit is connected to Father Sky. Of course, mothers and fathers are prone to copulation, and in their commingled state, soul and spirit often can be difficult to distinguish the one from the other. Generally, if spirit is the fresh air cent and ambient lighting in the house of consciousness, if the spirit is the electrical system that illuminates that house, then soul is the smoky fireplace, the fragrant oven, the dusty wine cellar, the strange creeks we hear in the floorboards late at night. "It's a bit of a cliche to say it, but when you think of soul, you should think of things that are authentic and things that are deep. Anything superficial is not soulful. Anything artificial, imitative, or overly refined is not soulful. Wood has a stronger connection to soul than does plastic, although, paradoxically, thanks to human interface, a funky wooden table or chair can sometimes exceed in soulfulness the soul that may be invoked by a living tree.

The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere. The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way. The blind will see... the deaf will hear... but those who choose reason will never understand. Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation. We possess the knowledge of the Universe from conception. Once born we are taught to forget. If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise. "Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone." Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence. The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.

In what ambient light seeps here, from the night-lights of the two bedrooms, the murk of the lower floor transforms Flo’s detritus into ominously indistinct humps and heads and silhouettes. Everything appears marginally animated. The dark energy of night suggests myriad presences. Flo’s enigmatic past crowds her, watching her every footfall through the vicarage.

But so much writing is just ambient word static, typographic white noise. Picture your sentence up in lights, a stack of words staring straight back at you, demanding thought, and it focuses the mind.

  Deep under ground, materials dark and crude,   Of spiritous and fierie spume, till toucht   With Heav'ns ray, and temperd they shoot forth   So beauteous, op'ning to the ambient light.   These in thir dark Nativitie the Deep   Shall yeild us, pregnant with infernal flame,   Which into hallow Engins long and round   Thick-rammd, at th' other bore with touch of fire   Dilated and infuriate shall send forth   From far with thundring noise among our foes   Such implements of mischief as shall dash   To pieces, and orewhelm whatever stands   Adverse, that they shall fear we have disarmd   The Thunderer of his only dreaded bolt.

How could one help being nervous in this mind-expanding universe, in which the emerging universe would threaten to change unrecognizably in the course of a generation? How could one avoid the ambient fear of all the noise and speed and light and steam? Humans had never been exposed to such phenomona; they had not learned yet to tolerate them.

Love! What had I to love? Oh many things: there was the moonshine, and the bright stars; the breezes and the refreshing rains; there was the whole earth and the sky that covers it: all lovely forms that visited my imagination, all memories of heroism and virtue. Yet this was very unlike my early life although as then I was confined to Nature and books. Then I bounded across the fields; my spirit often seemed to ride upon the winds, and to mingle in joyful sympathy with the ambient air. Then if I wandered slowly I cheered myself with a sweet song or sweeter day dreams. I felt a holy rapture spring from all I saw. I drank in joy with life; my steps were light; my eyes clear from the love that animated them, sought the heavens, and with my long hair loosened to the winds I gave my body and my mind to sympathy and delight.

Plant biologist Peter Barlow adds that the tips of the roots “form a multiheaded advancing front. The complete set of tips endows the plant with a collective brain, diffused over a large area, gathering, as the root system grows and develops, information” crucial to the plant’s survival.50 And, as he continues: “One attribute of a brain, as the term is commonly understood, is that it is an organ with a definite structure and location which gathers or collects information, which was originally in the form of vibrations (heat, light, sound, chemical, mechanical, . . .) in the ambient environment and somehow transforms them into an output or response.”51 By this definition, plants do have brains just as we do, but given their capacity to live for millennia (in the case of some aspen root systems, over 100,000 years) their neural networks can, in many instances, far exceed our own.

-jeez, these guys, with their on-again, off-again rela­tionships, lutgen said; -Yeah, Dave said: now you see them, now you see them once more; -They're virtual insects!, Jurgen said; -Virtually innumerable, said Dave; -I wonder, though, if we haven't got it wrong, Jurgen said: I mean, I wonder if maybe these guys' natural condition isn't to be lit up-if their ground state isn't actually when they're glowing; -Hm, said Dave: so what they're actually doing is turning off their lights­ -Right: momentarily going under; -Flashing darkness­ -Projecting their inner voids­ -Their repeating, periodic depressions ... -So then, I suppose, we should really call them douse bugs---;. -Exactly... -Or nature's faders---;. -Flying extinguishers­ -Buzzing snuffers-! -Or maybe­ -Or maybe, despite what it looks like, maybe they really are glowing constantly, Jurgen said: but, through some malign unknown mechanism, their everlasting light is peri­odically swallowed up by un-understood atmospheric forces; -So then they're being occluded­ -Rudely occluded­ -Denied their God-given right to shine ... -So that, I suppose, would make them-o horror-victims­ -Yeah: victims of predatory darkness­ -Of uncontrollable flares of night; -So it isn't bioluminescence, but eco-eclipsis­ -Exactly: ambient effacement­ -Nature's station-identification­ -Ongoing lessons in humility ... -In fact, that might explain the nits' efficiency factor, Jurgen Said: you know, these guys burn so cleanly that they produce what's known in the trade as cold light they put together this real slow oxidation reaction within these little cell-structures called photocytes, using a really weird enzyme and substrate that're, like, named for the devil; and the result is virtually 100% efficient: almost no heat is lost at all... -So, in fact, these folks should be our heroes­ -Exactly: our role models­ -Our ego ideals---;. -Hosts of syndicated talk shows­ -Spokes-things for massive advertising campaigns---;. -In fact, children should be forced to leave their families and go be raised by them­-MacArthur winners, all...

tour that I’ve still got my sunglasses on, like some kind of fading starlet. I take them off as he’s patting a rack of devices with knobs all over them. “And these are forty-eight tracks of Neve preamps. I use them on tracking and again on mix for some things. They really sweeten the bottom end. And you’d be amazed at how they work on ambient mics – for acoustic guitar and cymbals.” “That’s great,” I say, quickly running out of terms that don’t make me sound like somebody’s slow cousin. The actual recording room turns out to be three chambers: an isolation booth for vocals, a wood-paneled drum room, and a larger room with sound baffles everywhere for other instruments. There’s a Baldwin baby grand piano in one corner, gleaming like an ebony sentry in the overhead lights. If there’s one word for the studio, it’s ‘impressive.’ Sebastian is equally impressive, and his enthusiasm, his love for what he

Sourdough Starter Ingredients Organic whole rye flour Raw honey Filtered or spring water (so bacteria-killing chlorine is removed) Mix 3 tablespoons (30 grams) lukewarm water (about 80˚ to 90˚F) with 1 teaspoon raw honey. Add 3 tablespoons (20 grams) rye flour and let this sit in a covered container for 1 to 2 days. The amount of time depends on the ambient temperature. If your kitchen is cool, the organisms will be less active and you’ll need more time. Ideally keep it at around 75˚F (24˚C). An oven with the light or pilot light on works well. If you can maintain an ambient temperature of 75˚F (24˚C), this first phase will probably take a day, which would be the case on your kitchen counter in the summer. If you simply ferment it in a cold kitchen in winter, it will likely take two days. When you pass by the starter, give it a mix with a spoon every now and again: your animals like oxygen in the initial stages. If they are happy, you will begin to see tiny bubbles forming on the surface of the starter as the organisms belch out carbon dioxide. This should occur after 1 or 2 days. At this point, add 3 tablespoons of rye flour, 3 tablespoons of water around 75˚F (24˚C), and 1 teaspoon of honey. Let it sit for 24 hours. Stir occasionally. Discard half the starter. Add 3 tablespoons of rye, 3 tablespoons of water, and 1 teaspoon of honey. Repeat this last step every 24 hours until the starter is bubbly and begins to rise noticeably. Once that happens, usually by day 5 or 6, you can stop adding the honey. The starter might weaken at that point (you’ve removed its sugar fix, after all), but proceed anyway. It will come alive again. When the mixture doubles in volume within 12 hours, you can think about making bread. Here’s the test to see if the starter is ready, after it has risen: carefully remove a bit of it (a tablespoon will do) and place it in a bowl of warm water. If it floats to the surface within a couple of minutes, you’ve got an active starter. If it sinks like a stone and remains under water, let the starter mature for another hour and try again. This whole process might take a week or more, especially in the winter. With my kitchen hovering around 65˚F (18˚C), it took me two weeks to achieve a predictable starter, with feedings every one to two days. Once the starter is bubbly and active, you can switch to whole wheat, or a mixture of equal parts white and whole wheat flour, in place of the rye. You can also increase the volume by using, say, 20 grams of the mature starter and then feeding it with 100 grams flour and 100 grams water.

When he entered the anteroom, two women looked up at him. One was Miss Robertson, the governor's secretary; the other he did not recognize till she smiled and said his name in a gentle voice. She was Mrs. Freeman, the wife of the bishop; he saluted her and went to Miss Robertson. 'Will you tell them I'm here?' he said. 'I'm sorry, Mr. Haffner, they don't even want me to take minutes right now.' 'Well, just go tell them I'm out of the running.' There was not so much as a flicker in her eyes. 'They locked the door,' she said, 'and besides, I don't think they'll accept your withdrawal.' 'Won't they though. Just give them my message, Miss Robertson. I'm leaving.' 'Oh, Mr. Haffner, I know they'll want to see you. It's very important.' 'They will, huh. I'll give them half an hour.' He sat down beside her to talk. It was not that he liked Miss Robertson particularly. Her soul had been for a long time smoothed out and hobbled by girdles and high heels as her body; her personality was as blank and brown as her gabardine suit; her mind was exactly good enough to take down 140 any sort of words a minute without error, without boredom, without wincing. But she could talk idly in a bare room like this well enough; he remembered that she liked science-fiction; he drew her out. Besides, she was not Mrs. Freeman. Mrs. Freeman was a good woman; that is, she did good, and did not resent those who did bad but pitied them. For example, now: she was knitting alone while the other two talked, neither trying to join them nor, as John actively knew, making them uncomfortable for not having included her; and she was waiting for the bishop, who for reasons no one understood, hated to drive at night without her. John liked good people—no, he respected them above everyone else, above the powerful or beautiful or rich, whom he knew well, the gifted or learned or even the wise; indeed, he was rather in awe of the good, but their actual sweet presence made him uncomfortable. Mrs. Freeman there: with her hair drawn back straight to a bun, she sat in a steel-tube, leatherette chair, against a beige, fire-resistant, sound-absorbent wall, knitting in that ambient, indirect light socks for the mad; he knew quite well that if he should go over beside her she would talk with him in her gentle voice about whatever he wished to talk about, that she would have firm views which, however, she would never declare harshly against his should they differ, that she would tell him, if he asked about her work with the insane, what she had accomplished and what failed to accomplish, that she would make him acutely uncomfortable. He felt himself deficient not to be living, as people like Mrs. Freeman seemed to live, in an altogether moral world, but more especially he was reluctant to come near such people because he did not want to know more than he could help knowing of their motives; he did not trust motives; he was a lawyer. Therefore, though it was all but rude of him, he sat with Miss Robertson till the door opened.

Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.

In our multifunctional homes, we will need different types of light at different times of day for different moods or tasks. All spaces in the house should have different lighting options so that they can be adapted to fit your needs. This should include: - Good general (or ambient) lighting to aid circulation around the house. This could be dimmable spotlighting so it can be bright for activities and dimmed later in the day. - Task lighting, such as side lamps, standing lamps, and spotlights above or next to specific task areas. - Mood or accent lighting for hosting or simply relaxing.

I looked up at the sky. Somewhere high above the skyscraper lights were stars. Hidden by the ambient light, but always there. And the way out of this mess was like the stars. There and possible to reach, if you could only see beyond the immediate. Good God, one moment in the park, and my brain had turned into romantic mush.

Crystal teeth flashed in the dim light. He saw the yawning mouth-cavern with, far back, the ambient movement of dim flame. The overpowering redolence of the spice swept over him. But the worm had stopped. It remained in front of him as First Moon lifted over the butte. The light reflected off the worm's teeth outlining the faery glow of chemical fires deep within the creature.

If too much time is spent up above, we become uncharacteristically curt with our colleagues, we slip up on our programs, we are rude to waiters, even though one of us (lane seven, little black Speedo, enormous flipper like feet), is a waiter himself. We cease to delight our mates... and even though we resist the urge to descent, it will pass, we tell ourselves. We can feel our panic beginning to rise, as though we were somehow missing out on our own lives. Just a quick dip and everything will be alright. And when we can stand it no longer, we politely excuse ourselves from whatever it is we're doing: discussing this month's book with our book club, celebrating an office birthday, ending an affair, wandering aimlessly up and down the florescent lit aisles of the local Safeway, trying to remember what it is was we came in to buy, (Mallomars, Lorna Doones), and go down for a swim, because there's no place on earth we'd rather be than the pool. Its wide roped off lanes, clearly numbered 1 through 8, its deep, well-designed gutters, its cheerful yellow buoys spaced at pleasingly predictable intervals, its separate, but equal entrances for women and men, the warm ambient glow of its recessed, overhead lights, all provide us with a sense of comfort and order that's missing from our above ground lives.

General lighting / cleaning lighting: A ceiling lamp or light fixture that spreads ambient light over the whole room. Work lighting / task lighting: A reading lamp by the armchair or sofa; lighting over work surfaces in the kitchen; a desk lamp. Spot lighting: Accent lighting or spotlights directed at a wall of pictures, a work of art, a bookcase, or shadow play on the wall. Atmospheric lighting / decorative lighting: Mood lighting, dimmable small lamps, string lights, candles.

Car Camping Tips and Tricks Arrive in camp with a full tank of gas. Gas stations can be few and far between in the mountains. Store food in the car at night to deter bears and critters. Slip a headlamp around a gallon jug of water, with the lens side facing the plastic, to illuminate your tent with ambient light. Freeze water in plastic jugs and bottles and use them in the cooler instead of loose ice. Make fire starters by rubbing petroleum jelly onto cotton balls. Store in a ziplock bag. Bring a Frisbee and after playing, clean it and use as a plate or cutting board. It can also be a shovel in emergencies. Before you leave, crack any eggs you’ll need into a reusable water bottle and store in your cooler. Place spices in a weekly plastic vitamin or medicine container and relabel the top.

Every shop and stall in the caves had different lighting mechanisms to help distinguish themselves from the others. The caves were a cyclone of ambient blues, shifting rainbows, simulated sunrises, projected starfields. Within each shop, the lighting could be appreciated, but in the corridors in between, the overlapping effects created an odd mishmash of color and shadow. It was like walking through a drunk kaleidescope.

Hall had never thought of himself as claustrophobic but as the tunnel narrowed, the walls and ceiling closing in, he fought down the panic. His breathing became ragged, finding it harder to catch a breath. Ahead was darkness, no ambient light to see anything by. He had to trust in Ulysses, which was hard. Bit by bit, he crawled, the floor starting to slope up. Slide the spear forward, crawl along the shaft until he got to the tip and slide it forward again. Repeating the process over and over. The slope got steeper, the floor of the tunnel littered with loose rocks. How long is this tunnel? he thought. His knees were aching, his shoulders hurting. He kept pushing, cursing with each shift of the spear. He could hear the others behind him. The scratching of Leigh and Sabine’s staves against the floor. The screech of Jackoby’s shield as it caught against the ceiling. The scrap of Roxhard’s axe as he pushed it ahead of himself. All echoed loud in the tight space.

Exhibit-focused lighting 1. "Ambient light" describes light thrown onto walls creating an overall brightness. 2. "Accent lighting" describes an object illuminated while the surrounding room is in relative darkness. 3. "Sparkle" describes special coloured or accented light features intended to create a spectacle.

My mother had always been a sweetheart, the ambient lighting that every room needs. Daddy was the spotlight.

Sorry,’ I say again. But I quickly pull back my hand when my fingers encircle something hard, but no thicker than a flute, inside the thin sleeve of a blouse. And even though the tunnel is only illumined by the ambient light spilling from the Bakerloo Line platform, I am sure the figure I have touched has just bent forward at the waist and tried to bite my retreating hand. I hear the sound of something clacking, like two domino pieces in a wooden box. I step away.

The darkness of North Korea by night has an absoluteness that people from the electrified world have never experienced. With no streetlights, no headlights, no ambient light seeping from windows or under doors, the darkness is an all-encompassing shroud.