“
I am pressed so hard against the earth by the weight of reality that some days I wonder how I am still able to lift my feet to walk.
”
”
Katja Millay (The Sea of Tranquility)
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I promise, Matthias. I'll take you home."
"Nina," he said, pressing her hand to his heart. "I am already home.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
As things stand now, I am going to be a writer. I'm not sure that I'm going to be a good one or even a self-supporting one, but until the dark thumb of fate presses me to the dust and says 'you are nothing', I will be a writer.
”
”
Hunter S. Thompson (Gonzo)
“
I am worthless and I am nothing, Nesta nearly said. She wasn’t sure why the words bubbled up, pressing on her lips to voice them. I hate everything that I am. And I am so, so tired. I am tired of wanting to be anywhere but in my own head.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Will moved to object, but it was too late; Henry had already pressed the button. There was a blinding flare of light and a whooshing sound, and the room was plunged into blackness. Tessa gave a yelp of surprise, and Jem laughed softly.
"Am I blind?" Will's voice floated out of the darkness, tinged with annoyance. "I'm not going to be at all pleased if you've blinded me, Henry.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I am not the first person you loved.
You are not the first person I looked at
with a mouthful of forevers. We
have both known loss like the sharp edges
of a knife. We have both lived with lips
more scar tissue than skin. Our love came
unannounced in the middle of the night.
Our love came when we’d given up
on asking love to come. I think
that has to be part
of its miracle.
This is how we heal.
I will kiss you like forgiveness. You
will hold me like I’m hope. Our arms
will bandage and we will press promises
between us like flowers in a book.
I will write sonnets to the salt of sweat
on your skin. I will write novels to the scar
of your nose. I will write a dictionary
of all the words I have used trying
to describe the way it feels to have finally,
finally found you.
And I will not be afraid
of your scars.
I know sometimes
it’s still hard to let me see you
in all your cracked perfection,
but please know:
whether it’s the days you burn
more brilliant than the sun
or the nights you collapse into my lap
your body broken into a thousand questions,
you are the most beautiful thing I’ve ever seen.
I will love you when you are a still day.
I will love you when you are a hurricane.
”
”
Clementine von Radics
“
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to … smell flowers, or whatever you wanted to do while you were on that stuff.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I don't know what I'm going to do with you, Trav! I've dumped someone for you-twice-I've picked up and went to Vegas with you-twice-I've literally gone through hell and back, married you and branded myself with your name. I'm running out of ideas to prove to you that I'm yours."
A small smile graced his lips. "I love it when you say that."
"That I'm yours?" I asked. I leaned up on the balls of my feet, pressing my lips against his. "I. Am. Yours. Mrs. Travis Maddox. Forever and always.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
She can't keep writing about what a tragic little hero I am, it'll get boring.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
If I am pressed to say why I loved him, I feel it can only be explained by replying: 'Because it was he; because it was me.
”
”
Michel de Montaigne (The Complete Essays)
“
Shrinking in a corner,
pressed into the wall;
do they know I'm present,
am I here at all?
Is there a written rule book,
that tells you how to be—
all the right things to talk about—
that everyone has but me?
Slowly I am withering—
a flowered deprived of sun;
longing to belong to—
somewhere or someone.
”
”
Lang Leav (Love & Misadventure)
“
Shrinking in a corner,
pressed into the wall;
do they know I'm present,
am I here at all?
”
”
Lang Leav (Love & Misadventure)
“
Simulation Tobias kisses my neck.
I try to think. I have to face the fear. I have to take control of the situation and find a way to make it less frightening.
I look Simulation Tobias in the eye and say sternly, “I am not going to sleep with you in a hallucination. Okay?”
Then I grab him by his shoulders and turn us around, pushing him against the
bedpost. I feel something other than fear—a prickle in my stomach, a bubble of laughter. I press against him and kiss him, my hands wrapping around his arms. He feels strong. He feels…good.
And he’s gone.
I laugh into my hand until my face gets hot. I must be the only initiate with this fear.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I am beginning to remember what it means to need things. Laughter. Companionship. Love. "
He leant forward and pressed his forehead to mine. "And I need you, Merit.
”
”
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
“
Are you hurting anywhere else?" I asked, feeling so emotionally raw after the long night we'd had. He caught my wrist and pulled my hand down to press flat over his heart. "Here." "So am I." He kissed my fingertips, then linked our hands and led me...
”
”
Sylvia Day (Reflected in You (Crossfire, #2))
“
It's not the right word, Eva," he pressed on stubbornly, his lips at my ear. "That's why I haven't said it. It's not the right word for you and what I feel for you."
"Shut up. If you care about me at all, you'll just shut up and go away."
"I've been loved before--by Corinne, by other women...But what the hell do they know about me? What the hell are they in love with when they don't know how fucked up I am? If that's love, it's nothing compared to what I feel for you.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
My eyelids flickered, and Ash made a noise that was almost a growl. "Dammit, Meghan," he snarled, grabbing both my arms. "I am not going to lose you this close to home. Get up!" He rose, pulling me to my feet and, before I could even register what was going on, pressed his lips to mine.
-Ash
”
”
Julie Kagawa (Winter's Passage (Iron Fey, #1.5))
“
I am so in love with you,” I told him.
He smiled graciously and pressed his nose and cheek to mine with a hand on my jaw.
“I'm so in love with you.”
“I know,” I said happily and smiled through the rain on my cheeks.
”
”
Shelly Crane (Accordance (Significance, #2))
“
As a kid, I would count backwards from ten and imagine at one, there would be an explosion–perhaps caused by a rogue planet crashing into Earth or some other major catastrophe. When nothing happened, I'd feel relieved and at the same time, a little disappointed.
I think of you at ten; the first time I saw you. Your smile at nine and how it lit up something inside me I had thought long dead. Your lips at eight pressed against mine and at seven, your warm breath in my ear and your hands everywhere. You tell me you love me at six and at five we have our first real fight. At four we have our second and three, our third. At two you tell me you can't go on any longer and then at one, you ask me to stay.
And I am relieved, so relieved–and a little disappointed.
”
”
Lang Leav (Love & Misadventure)
“
What do you think?" shouted Razumihin, louder than ever, "you think I am attacking them for talking nonsense? Not a bit! I like them to talk nonsense. That's man's one privilege over all creation. Through error you come to the truth! I am a man because I err! You never reach any truth without making fourteen mistakes and very likely a hundred and fourteen. And a fine thing, too, in its way; but we can't even make mistakes on our own account! Talk nonsense, but talk your own nonsense, and I'll kiss you for it. To go wrong in one's own way is better than to go right in someone else's. In the first case you are a man, in the second you're no better than a bird. Truth won't escape you, but life can be cramped. There have been examples. And what are we doing now? In science, development, thought, invention, ideals, aims, liberalism, judgment, experience and everything, everything, everything, we are still in the preparatory class at school. We prefer to live on other people's ideas, it's what we are used to! Am I right, am I right?" cried Razumihin, pressing and shaking the two ladies' hands.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
I don’t belong here. I know that. But I don’t belong anywhere else, either. And that is at the heart of the black depression pressing down on me, flattening me. I have no place. No home. Sex, but no real affection. I am kept, but not cherished.
”
”
Ellen Hopkins (Tricks (Tricks, #1))
“
I live in a world without magic or miracles. A place where there are no clairvoyants of shapeshifters, no angels or superhuman boys to save you. A place where people die and music disintegrates and things suck. I am pressed so hard against the earth by the weight of reality that some days I wonder how I am still able to lift my feet and walk.
”
”
Katja Millay (The Sea of Tranquility)
“
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about?
Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
He presses his mouth to the pulse point of my wrist, racing in time with my heart. “Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips.” His eyes are black with desire. “By you, I am forever undone.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
The truth is, I am yours. Wholly. Inexplicably. Painfully. Unconditionally.” He moves my hand until the dagger presses against his throat. “And if you need to sacrifice my soul so you’re able to live with yours, then do it.
”
”
Emily McIntire (Scarred (Never After, #2))
“
I am alone, I am all alone, I am completely alone. Grasping this reality, I let go of my bag, drop to my knees and press my forehead against the floor. There, I offer up to the universe a fervent prayer of thanks. First in English. Then in Italian. And then - just to get the point across - in Sanskrit.
”
”
Elizabeth Gilbert
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
My misfortune is doubly painful to me because it will result in my being misunderstood. For me there can be no recreation in the company of others, no intelligent conversation, no exchange of information with peers; only the most pressing needs can make me venture into society. I am obliged to live like an outcast.
”
”
Ludwig van Beethoven
“
Jane: Mr. Rochester, if ever I did a good deed in my life-if ever I thought a good thought-if ever I prayed a sincere and blameless prayer-if ever I wished a righteous wish-I am rewarded now. To be your wife is, for me, to be as happy as I can be on earth.
Mr. Rochester: Because you delight in sacrifice.
Jane: Sacrifice! What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value-to press my lips to what I love-to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice.
”
”
Charlotte Brontë (Jane Eyre)
“
I have been made to protect you. Even in death, I will find a way.” He clasped her hand tighter.
“Bury me so I can go to Djel. Bury me so I can take root and follow the water north.”
“I promise, Matthias. I’ll take you home.”
“Nina,” he said, pressing her hand to his heart. “I am already home.”
The light vanished from his eyes. His chest stilled beneath her hands. Nina screamed, a howl that tore from the black space where her heart had beat only moments before.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
He leans down, and his lips hover a hair’s breadth from mine. I close my eyes, feeling the tingle of anticipation.
Then he presses his lips to mine. His warmth spreads out from my lips down into my chest and stomach. Time stops, and I forget about everything else – the apocalypse, my enemies, watching eyes, monsters in the night.
All I feel is the kiss.
All I am is Raffe’s girl.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.”
His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair.
“I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.”
Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine.
When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I’m not, even if you think I am. But no matter what this started out as…an accident, fate, whatever—I’m glad you found me that night. Not because of what happened, but because of now. Because I get to be here with you. And I’m scared, too, but—but thank you for telling me today. Thank you for trusting me with that. I’ve never…” I pressed my lips together, trying to find the right words. “I’ve never felt like this for anyone. And I’m not really sure what falling in love feels like, but I think—I know I have. With you.
”
”
Aimee Carter (The Goddess Test (Goddess Test, #1))
“
he who dictates and formulates the words and phrases we use, he who is master of the press and radio, is master of the mind.
”
”
Joost A.M. Meerloo (The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing)
“
Cooking isn’t taught,” Patch said. “It’s inherent. Either you’ve got it or you don’t. Like chemistry. You think you’re ready for chemistry?” I pressed the knife down through the tomato; it split in two, each half rocking gently on the cutting board.
“You tell me. Am I ready for chemistry?” Patch made a deep sound I couldn’t decipher and grinned.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
You’re my magnum opus, Amara,” he told her, pressing his forehead against hers, a move that always brought the turmoil in him to a standstill. “And I am your humble servant.”
“No,” she whispered, her words falling against his lips. “You are my emperor.
”
”
RuNyx (The Emperor (Dark Verse, #3))
“
Red,' she whispered. 'You don't always have to be okay.' She leaned closer and pressed a kiss to his cheek. He was still for a moment. But then he looked at her, and smiled, and murmured, "I know. But I am okay, with you.
”
”
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
“
I often laughed, and you often gave me a dissatisfied look, till you pressed me to unfold my past before you as if it were a roll of pictures. It was then I felt respect for you. Because you unreservedly showed me your resolution to catch something alive in my being, and to sip the warm blood running in my body, by cutting my heart. At that time, I was still living, and did not want to die. So I rejected your request, promising to satisfy you some day. Now I am going to destroy my heart myself, and pour my blood into your veins. I shall be happy if a new life can enter into your bosom, when my heart has stopped beating.
”
”
Natsume Sōseki (Kokoro)
“
Law enforcement would rather we remember a dull man as brilliant than take a good hard look at the role they played in this absolute sideshow, and I am sick to death of watching them in their pressed shirts and cowboy boots, in their comfortable leather interview chairs, in hugely successful and critically acclaimed crime documentaries, talking about the intelligence and charm and wiliness of an ordinary misogynist. This story is not that. The story is not that.
”
”
Jessica Knoll (Bright Young Women)
“
Ignorance is king. Many would not profit by his abdication. Many enrich themselves by means of his dark monarchy. They are his Court, and in his name they defraud and govern, enrich themselves and perpetuate their power. Even literacy they fear, for the written word is another channel of communication that might cause their enemies to become united. Their weapons are keen-honed, and they use them with skill. They will press the battle upon the world when their interests are threatened, and the violence which follows will last until the structure of society as it now exists is leveled to rubble, and a new society emerges. I am sorry. But that is how I see it.
”
”
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
“
To struggle against censorship, whatever its nature, and whatever the power under which it exists, is my duty as a writer, as are calls for freedom of the press. I am a passionate supporter of that freedom, and I consider that if any writer were to imagine that he could prove he didn't need that freedom, then he would be like a fish affirming in public that it didn't need water.
”
”
Mikhail Bulgakov (Manuscripts Don't Burn: Mikhail Bulgakov A Life in Letters and Diaries)
“
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them.
Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field.
'Why you crying, girl?' Constantine asked me in the kitchen.
I told her what the boy had called me, tears streaming down my face.
'Well? Is you?'
I blinked, paused my crying. 'Is I what?'
'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?'
'I don't know. I don't think so,' I sobbed.
Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me.
'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?'
She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
Civilized people must, I believe, satisfy the following criteria:
1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)
2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)
3) They respect other people's property, and therefore pay their debts.
4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)
5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)
6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)
7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)
8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano.
And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.
[From a letter to Nikolay Chekhov, March 1886]
”
”
Anton Chekhov (A Life in Letters)
“
I remember saying things, but I have no idea what was said. It was generally a friendly conversation.” —Associated Press reporter Jack Sullivan, attempting to recount a 3 A.M. exchange we had at a dinner party and inadvertently describing the past ten years of my life.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
”
”
Jeanette Winterson (Gut Symmetries)
“
The mother memories that are closest to my heart are the small gentle ones that I have carried over from the days of my childhood. They are not profound, but they have stayed with me through life, and when I am very old, they will still be near . . . Memories of mother drying my tears, reading aloud, cutting cookies and singing as she did, listening to prayers I said as I knelt with my forehead pressed against her knee, tucking me in bed and turning down the light. They have carried me through the years and given my life such a firm foundation that it does not rock beneath flood or tempest.
”
”
Margaret Sanger
“
When I am dead--I say it that way because from the things I know, I do not expect to live long enough to read this book in its finished form--I want you to just watch and see if I'm not right in what I say: that the white man, in his press, is going to identify me with "hate". He will make use of me dead, as he has made use of me alive, as a convenient symbol, of "hatred"--and that will help him escape facing the truth that all I have been doing is holding up a mirror to reflect, to show, the history of unspeakable crimes that his race has committed against my race.
”
”
Malcolm X (The Autobiography of Malcolm X)
“
When Thad began nuzzling her neck, pressing his opened lips against her, she smacked him in the back of the head. "Don't go vamp on me now!"
"Whaa!" He shot upright, his fangs sharp. "Where am I?"
She glanced at his fangs, then down. "Oh, my gods, when do you not sport wood? There are bathrooms in the back, so go burp the worm or whatever.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Now that I am alone, I don't have to hide it; I don't have to hide anything any longer. I can let my face go because no one can see me; because there's twenty-one thousand feet between me and them... No, I don't have to press my teeth together or tighten the muscles of my jaw...
”
”
Roald Dahl
“
You want an ending," she says. "Then take my life when I am done with it. You can have my soul when I don't want it anymore."
The shadow tips his head, suddenly intrigued.
A smile - just like the smile in her drawings, askance, and full of secrets - crosses his mouth. And then he pulls her to him. A lover's embrace. he is smoke and skin, air and bone, and when his mouth presses against hers, the first thing she tastes is the turning of the seasons, the moment when dusk gives way to night. And then his kiss deepens. His teeth skim her bottom lip, and there is pain in the pleasure, followed by the copper taste of blood on her tongue.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
and pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beer mats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
”
”
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
“
I nodded. “Where’s your hunter?”
She flinched. “He went home. We thought it would be best.”
Her eyes went from worried to warning. “He’s under Drake protection.”
“So am I, or so I’ve been led to understand.”
“Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.”
Solange quirked a half smile. “You might try complete sentences, Lucy.”
“Can’t. Busy.”
I was curious despite myself. “What are you doing?”
“Drooling,” Solange explained fondly.
”
”
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
“
Yesterday he told me he thought I would have to pretend to be weak, but he was wrong. I am weak already. I brace myself against the wall and press my forehead to my hands. It’s difficult to take deep breaths, so I take short, shallow ones. I can’t let this happen. They attacked me to make me feel weak. I can pretend they succeeded to protect myself, but I can’t let it become true.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
This is for you." i pressed the stone in Kerwyn's hand.
Kerwyn turned it over in his hands, unimpressed. "imatator's gold? It's worthless."
"No, it's real gold. I am real Kerwyn."
...
He pulled a creased and worn paper from his pocket and unfolded it. His hands shook increasingly as he read it. Then he turned to the audience and said,
"This note was given to me by King Eckbert
...
to read it only if someone ever came forward claiming to be the prince. This is what it says." He read aloud,
"'Many may one day claim to be the lost prince of Carthya.
...
You will know the Prince Jaron by one sign alone. He will give you the humblest of rocks and tell you it's gold.'"
...
"Lords and ladies of Carthya, I present to you the son of King Eckbert and Queen Erin. He is the lost royal of Carthya, who lives and stands before you. Hail, Prince Jaron.
”
”
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
“
If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips.
"Are you dying for him?" she whispered.
"And his wife and child. Hush! Yes."
"Oh, you will let me hold your brave hand, stranger?"
"Hush! Yes, my poor sister; to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
But recently I have learned from discussions with a variety of scientists and other non-philosophers (e.g., the scientists participating with me in the Sean Carroll workshop on the future of naturalism) that they lean the other way: free will, in their view, is obviously incompatible with naturalism, with determinism, and very likely incoherent against any background, so they cheerfully insist that of course they don't have free will, couldn’t have free will, but so what? It has nothing to do with morality or the meaning of life. Their advice to me at the symposium was simple: recast my pressing question as whether naturalism (materialism, determinism, science...) has any implications for what we may call moral competence. For instance, does neuroscience show that we cannot be responsible for our choices, cannot justifiably be praised or blamed, rewarded or punished? Abandon the term 'free will' to the libertarians and other incompatibilists, who can pursue their fantasies untroubled. Note that this is not a dismissal of the important issues; it’s a proposal about which camp gets to use, and define, the term. I am beginning to appreciate the benefits of discarding the term 'free will' altogether, but that course too involves a lot of heavy lifting, if one is to avoid being misunderstood.
”
”
Daniel C. Dennett (Consciousness Explained)
“
Prove it!" she hissed. "Prove you are who you are!"
"We don't have time for this! You really want me to prove who I am?" he asked.
"Yes!" she challenged.
In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them....
"Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
Cakes have gotten a bad rap. People equate virtue with turning down dessert. There is always one person at the table who holds up her hand when I serve the cake. No, really, I couldn’t she says, and then gives her flat stomach a conspiratorial little pat. Everyone who is pressing a fork into that first tender layer looks at the person who declined the plate, and they all think, That person is better than I am. That person has discipline. But that isn’t a person with discipline; that is a person who has completely lost touch with joy. A slice of cake never made anybody fat. You don’t eat the whole cake. You don’t eat a cake every day of your life. You take the cake when it is offered because the cake is delicious. You have a slice of cake and what it reminds you of is someplace that’s safe, uncomplicated, without stress. A cake is a party, a birthday, a wedding. A cake is what’s served on the happiest days of your life. This is a story of how my life was saved by cake, so, of course, if sides are to be taken, I will always take the side of cake.
”
”
Jeanne Ray
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
... As Lorcan stared down at Lysandra, his blood-splattered face impassive. "Out of the way, shifter."
Lysandra had held up a slender hand- and Lorcan paused. The shape-shifter pressed her other hand against her stomach, her face blanching. But then she smiled and said, "You forgot to say 'please.' "
Lorcan's dark brows flattened. "I don't have time for this." He made to step around her, shove her aside.
Lysandra vomited black blood all over him.
Rowan didn't know whether to laught or cringe as Lysandra, panting, gaped at Lorcan, and at the blood on his neck and chest. Slowly, too slowly, Lorcan looked down at himself.
She pressed a hand over her mouth. "I am-so sorry-"
Lorcan didn't even step out of the way as Lysandra vomited on him again, black blood and bits of gore now on the warrior and on the marble floor.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I look forward, not to what lies ahead of me in this life and will surely pass away, but to my eternal goal. I am intent upon this one purpose, not distracted by other aims, and with this goal in view I press on, eager for the prize, God's heavenly summons. Then I shall listen to the sound of Your praises and gaze at Your beauty ever present, never future, never past. But now my years are but sighs. You, O Lord, are my only solace. You, my Father, are eternal. But I am divided between time gone by and time to come, and its course is a mystery to me. My thoughts, the intimate life of my soul, are torn this way and that in the havoc of change. And so it will be until I am purified and melted by the fire of Your love and fused into one with You.
”
”
Augustine of Hippo (Confessions)
“
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …”
I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His
hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me.
“I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it.
Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I
think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his
face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I said that I am in love with you. I've tried not to be, I really have, but it's just useless. I know you don't feel the same way about me, but I had to tell you because... well, you're all I think about. All the time. I miss you every second that you're not with me... and I know you won't want to be around me anymore, but, Camilla... you're one of the best friends I've ever had. You're smart and amazing and weird and probably the most beautiful person I've ever seen... and before I met you, all I wanted was just to fast-forward through everything. But, really, I think my life was just paused, or something. You... made me press play. You made everything move. And no matter where you go, or whatever you feel about me... I will love you forever for that.
”
”
Melissa Keil (Life in Outer Space)
“
I believe that the universe was formed around 15 billion years ago and that humans have evolved from their apelike ancestors over the past few million years. I believe we are more likely to live a good life if all humans try to work together in a world community, preserving planet earth. When decisions for groups are made in this world, I believe that the democratic process should be used. To protect the individual, I believe in freedom of speech, freedom of the press, freedom of religion, freedom from religion, freedom of inquiry, and a wall of separation between church and state. When making decisions about what is right or wrong, I believe I should use my intelligence to reason about the likely consequences of my actions. I believe that I should try to increase the happiness of everyone by caring for other people and finding ways to cooperate. Never should my actions discriminate against people simply because of their race, religion, sex, sexual orientation, age, or national origin. I believe that ideas about what is right and wrong will change with education, so I am prepared to continually question ideas using evidence from experience and science. I believe there is no valid evidence to support claims for the existence of supernatural entities and deities. I will use these beliefs to guide my thinking and my actions until I find good reasons for revising them or replacing them with other beliefs that are more valid.
”
”
Ronald P. Carver
“
You don't want me to feel obligated? Well, I'm sorry, Lily. I am here
because I feel obligated." He brought her hand to his chest, pressing her
palm flat against his rapidly thumping pulse. "I'm obligated by my heart. It's
decided you're essential to my existence, you see. And it's threatening to go out on labor strike if I don't make you mine this very day. So yes. I am here on bended knee, acting from a deep, undeniable sense of obligation. I am, quite simply, yours." He swallowed hard. "If you'll have me.
”
”
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
“
And when he presses his lips into the curve of my throat, I can feel his tears on my skin.
“You are an idiot,” I say, even as I guide his face and mouth to mine. I kiss him, not gently, but desperately. Desperately, because he’s worth it—because life is terrifying and short and I don’t know what will happen. All I know is that here and now, I am still alive, and I want to be with Wesley Ayers. Here and now I want to feel his arms wrapped around me. I want to feel his lips on mine. I want to feel his life tangling with mine. Here and now is all we have, and I want to make it worth whatever happens next.
”
”
Victoria E. Schwab (The Unbound (The Archived, #2))
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
„You're Ned Stark's bastard, aren't you?“
Jon felt a coldness pass right through him. He pressed his lips together and said nothing.
„Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“
„Lord Eddard Stark is my father,“ Jon admitted stiffly.
Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“
„Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show.
„Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“
Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“
„All dwarfs are bastards in their father's eyes.“
„You are your mother's trueborn son of Lannister.“
„Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“
„I don't even know who my mother was,“ Jon said.
„Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I’ve got so much inside me I have no idea about. I’m like the mayor of a city I’ve never seen.”
He smiles at my phrasing. “If you knew the kind of little miracles happening every moment you breathe in, you wouldn’t be able to handle it. A valve could close and not open; an artery could split, you could die. At any moment. It’s nothing but miracles inside your tiny city.” He presses a kiss to my temple.
“Holy shit.” I clutch at him.
“You wouldn’t believe the stats on people who go to bed one night and never wake up. Normal, healthy people who aren’t even old.”
“Why would you tell me this? Is this what you think about?”
There’s the longest pause. “I used to. Not so much anymore.”
“I think I preferred it when I thought I was full of white bones and red goo. Why am I now thinking about dying tonight?”
“Now you see why I can’t do small talk.
”
”
Sally Thorne (The Hating Game)
“
Pulling my hand away, he rose, slanting his head to kiss me deeply as he pushed me onto my back, with his weight draped over me. “I’ve never had anything that was my own,” he said against my mouth. “Nothing that was ever for just me and no one else. I’ve never been anyone’s first.” He kissed me and then lifted his head. I stared into his eyes. “I’ve never been anyone’s only.”
That made my heart ache for him as I raised my hand, pressing my palm against his cheek. “You’re my first,” I whispered. “You’re…you’re my only.”
His lips parted. “You can’t say that and not mean it.”
I held his gaze as my chest swelled. “I mean it.”
He smoothed his thumb over my lip. “I really am a lucky son of a bitch.
”
”
Jennifer L. Armentrout (The Return (Titan, #1))
“
To the High Queen of Elfhame,
Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments.
I do not know what keeps you from returning
to the High Court—whether it is vexation
with me, or whether, having spent time in
the mortal world, you have come to believe
that a life free of the Folk is better than one
ruling over them.
In my most wretched hours, I believe you will
never come back.
Why would you, save for your ambition?
You have always known exactly what I am
and seen all my failings, all my weaknesses
and scars. I flattered myself that at moments
you had feelings for me other than contempt,
but even were that true, they would be but
watered wine beside the feast of your other,
greater desires.
And yet my heart is buried with you in the
strange soil of the mortal world, as it was
drowned with you in the cold waters of the
Undersea.
It was yours before I could admit it, and yours
it shall ever remain.
Cardan
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
I am alone. They have gone into the house for breakfast, and I am left standing by the wall among the flowers. It is very early, before lessons. Flower after flower is specked on the depths of green. The petals are harlequins. Stalks rise from the black hollows beneath. The flowers swim like fish made of light upon the dark, green waters. I hold a stalk in my hand. I am the stalk. My roots go down to the depths of the world, through earth dry with brick, and damp earth, through veins of lead and silver. I am all fibre. All tremors shake me, and the weight of the earth is pressed to my ribs. Up here my eyes are green leaves, unseeing.
”
”
Virginia Woolf (The Waves)
“
You were right, you know,” Ty whispered.
“About what?”
Ty swallowed hard. “I sold my soul a long time ago.”
Ty gripped Zane’s shoulder and pressed him down,
laying him out again, then stretched out over Zane, his hand
dragging down Zane’s body to push at his boxers.
“Ty,” Zane gasped.
Ty kissed him. Zane trailed the tips of his fingers down
Ty’s arm, sliding over the tattoo and the scars and the muscles.
“Do you really believe that?” Zane asked.
“I know it. I will never be the man you think I am.”
Zane’s breaths came harder. “We’ve both been trying so
hard to be worthy of each other.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
. . . my obsession with gratefulness. I can't stop. Just now, I press the elevator button and am thankful that it arrives quickly. I get onto the elevator and am thankful that the elevator cable didn't snap and plummet me to the basement. I go to the fifth floor and am thankful that I didn't have to stop on the second or third or fourth floor. I get out and am thankful that Julie left the door unlocked so I don't have to rummage for my King Kong key ring. I walk in, and am thankful that Jasper is home and healthy and stuffing his face with pineapple wedges. And on and on. I'm actually muttering to myself, 'Thank you. . .thank you. . . thank you.' It's an odd way to live. But also kind of great and powerful. I've never before been so aware of the thousands of little good things, the thousands of things that go right every day.
”
”
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible)
“
He quivered on the ground his face pressed to the stone and didn’t rise.
“Did you… did you just stick yourself to the ground?” Kaladin asked.
“Just part of the plan, gon!’ Lopen called back. “If I am to become a delicate cloud upon the sky I must first convince the ground that I am not abandoning her. Like a worried lover, sure, she must be comforted and reassured that I will return following my dramatic and regal ascent to the sky. . . . Nearby, Lopen talked to the ground, against which he was still pressed. “Don’t worry dear one. The Lopen is vast enough to be possessed by many, many forces both terrestrial and celestial! I must soar to the air, for if I were to remain only on the ground, surely my growing magnitude would cause the land to crack and break
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
I’m good at science because I’m not good at listening. I have been told that I am intelligent, and I have been told that I am simple-minded. I have been told that I am trying to do too much, and I have been told that what I have done amounts to very little. I have been told that I can’t do what I want to do because I am a woman, and I have been told that I have only been allowed to do what I have done because I am a woman. I have been told that I can have eternal life, and I have been told that I will burn myself out into an early death. I have been admonished for being too feminine and I have been distrusted for being too masculine. I have been warned that I am far too sensitive and I have been accused of being heartlessly callous. But I was told all of these things by people who can’t understand the present or see the future any better than I can. Such recurrent pronouncements have forced me to accept that because I am a female scientist, nobody knows what the hell I am, and it has given me the delicious freedom to make it up as I go along. I don’t take advice from my colleagues, and I try not to give it. When I am pressed, I resort to these two sentences: You shouldn’t take this job too seriously. Except for when you should.
”
”
Hope Jahren (Lab Girl)
“
I still remember the day I got my first calculator
Teacher: All right, children, welcome to fourth grade math. Everyone take a calculator out of the bin.
Me: What are these?
Teacher: From now on we'll be using calculators.
Me: What do these things do?
Teacher: Simple operations, like multiplication and division.
Me: You mean this device just...does them? By itself?
Teacher: Yes. You enter in the problem and press equal.
Me: You...you knew about this machine all along, didn't you? This whole time, while we were going through this...this charade with the pencils and the line paper and the stupid multiplication tables!...I'm sorry for shouting...It's just...I'm a little blown away.
Teacher: Okay, everyone, today we're going to go over some word problems.
Me: What the hell else do you have back there? A magical pen that writes book reports by itself? Some kind of automatic social studies worksheet that...that fills itself out? What the hell is going on?
Teacher: If a farmer farms five acres of land a day--
Me: So that's it, then. The past three years have been a total farce. All this time I've been thinking, "Well, this is pretty hard and frustrating but I guess these are useful skills to have." Meanwhile, there was a whole bin of these things in your desk. We could have jumped straight to graphing. Unless, of course, there's some kind of graphing calculator!
Teacher: There is. You get one in ninth grade.
Me: Is this...Am I on TV? Is this a prank show?
Teacher: No.
”
”
Simon Rich (Ant Farm and Other Desperate Situations)
“
Tell me not, sweet, I am unkind,” he said, “That from the nunnery, Of they chaste breast and quiet mind.”
I looked up at him, and said the next line, “To war and arms I fly.”
“True, a new mistress now I chase,” he said.
“The first foe in the field,” I said, and let him draw me closer.
“And with a stronger faith embrace,” he said.
“A sword, a horse, a shield.” And the last word was whispered against his chest, still looking up into those eyes, searching his face.
“Yet this inconstancy is such, As thou too shalt adore,” he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. “I could not love thee, dear, so much, Loved I not honor more.
”
”
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
“
I wrote too many poems in a language I did not yet know how to speak
But I know now it doesn't matter how well I say grace
if I am sitting at a table where I am offering no bread to eat
So this is my wheat field
you can have every acre, Love
this is my garden song
this is my fist fight
with that bitter frost
tonight I begged another stage light to become that back alley street lamp that we danced beneath
the night your warm mouth fell on my timid cheek
as i sang maybe i need you
off key
but in tune
maybe i need you the way that big moon needs that open sea
maybe i didn't even know i was here til i saw you holding me
give me one room to come home to
give me the palm of your hand
every strand of my hair is a kite string
and I have been blue in the face with your sky
crying a flood over Iowa so you mother will wake to Venice
Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest
now my heart is a pressed flower and a tattered bible
it is the one verse you can trust
so I'm putting all of my words in the collection plate
I am setting the table with bread and grace
my knees are bent
like the corner of a page
I am saving your place
”
”
Andrea Gibson
“
I’ve gotten my Phosphor to work at last.” Henry proudly brandished the object. “It functions on the principle of witchlight but is five times more powerful. Merely press a button, and you will see a blaze of light the like of which you have never imagined.”
There was a silence. “So,” said Will finally, “it’s a very, very bright witchlight, then?”
“Exactly,” Henry said.
“Is that useful, precisely?” Jem inquired. “After all, witchlight is just for illumination. It’s not as if it’s dangerous… .”
“Wait till you see it!” Henry replied. He held up the object. “Watch.”
Will moved to object, but it was too late; Henry had already pressed the button. There was a blinding flare of light and a whooshing sound, and the room was plunged into blackness. Tessa gave a yelp of surprise, and Jem laughed softly.
“Am I blind?” Will’s voice floated out of the darkness, tinged with annoyance. “I’m not going to be at all pleased if you’ve blinded me, Henry.”
“No.” Henry sounded worried. “No, the Phosphor seems to— Well, it seems to have turned all the lights in the room off.”
“It’s not supposed to do that?” Jem sounded mild, as always.
“Er,” said Henry, “no.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Dev's elbow hits my back and I press forward and she's right there and I'm reaching out and she's right there and right at that moment the amps amplify and the music takes on such a pulse that it becomes my heartbeat and her heartbeat and I know it and she knows it and this is the point where we could break apart and that would be it, totally it. But I look into her eyes and she looks into my eyes and we recognize it--the exitement of being here, the excitement of being now. And maybe I'm realizing what a part of it she is and maybe she's realizing what a part of it I am, because suddenly we're not crashing as much as we're combining. The chords swirling around us are becoming a tornado, tightening and tightening and tightening, and we are at the center of it, and we are at the center of each other. My wrist touches hers right at the point of our pulses, and I swear I can feel it. That thrum. We are moving to the music and at the same time we are a stillness. I am not losing myself in the barrage. I am finding her. And she is--yes, she is finding me.
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
Thomas Merton said it was actually dangerous to put the Scriptures in the hands of people whose inner self is not yet sufficiently awakened to encounter the Spirit, because they will try to use God for their own egocentric purposes. (This is why religion is so subject to corruption!) Now, if we are going to talk about conversion and penance, let me apply that to the two major groups that have occupied Western Christianity—Catholics and Protestants. Neither one has really let the Word of God guide their lives.
Catholics need to be converted to giving the Scriptures some actual authority in their lives. Luther wasn’t wrong when he said that most Catholics did not read the Bible. Most Catholics are still not that interested in the Bible. (Historically they did not have the printing press, nor could most people read, so you can’t blame them entirely.) I have been a priest for 42 years now, and I would sadly say that most Catholics would rather hear quotes from saints, Popes, and bishops, the current news, or funny stories, if they are to pay attention. If I quote strongly from the Sermon on the Mount, they are almost throwaway lines. I can see Catholics glaze over because they have never read the New Testament, much less studied it, or been guided by it. I am very sad to have to admit this. It is the Achilles heel of much of the Catholic world, priests included. (The only good thing about it is that they never fight you like Protestants do about Scripture. They are easily duped, and the hierarchy has been able to take advantage of this.)
If Catholics need to be converted, Protestants need to do penance. Their shout of “sola Scriptura” (only Scripture) has left them at the mercy of their own cultures, their own limited education, their own prejudices, and their own selective reading of some texts while avoiding others. Partly as a result, slavery, racism, sexism, classism, xenophobia, and homophobia have lasted authoritatively into our time—by people who claim to love Jesus! I think they need to do penance for what they have often done with the Bible! They largely interpreted the Bible in a very individualistic and otherworldly way. It was “an evacuation plan for the next world” to use Brian McLaren’s phrase—and just for their group. Most of Evangelical Protestantism has no cosmic message, no social message, and little sense of social justice or care for the outsider. Both Catholics and Protestants (Orthodox too!) found a way to do our own thing while posturing friendship with Jesus.
”
”
Richard Rohr
“
Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more."
She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?"
Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself.
She closed on him. "You know what I could do?"
Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am."
"Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny."
Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless.
For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.
”
”
John Steinbeck (Of Mice and Men)
“
Mouthful of Forevers I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when we’d given up on asking love to come. I think that has to be part of its miracle. This is how we heal. I will kiss you like forgiveness. You will hold me like I’m hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar on your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you. And I will not be afraid of your scars. I know sometimes it’s still hard to let me see you in all your cracked perfection, but please know: Whether it’s the days you burn more brilliant than the sun or the nights you collapse into my lap, your body broken into a thousand questions, you are the most beautiful thing I’ve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.
”
”
Clementine von Radics (Mouthful of Forevers)
“
I nodded. “Where’s your hunter?”
She flinched. “He went home. We thought it would be best.”
Her eyes went from worried to warning. “He’s under Drake protection.”
“So am I, or so I’ve been led to understand.”
“Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.”
Solange quirked a half smile. “You might try complete sentences, Lucy.”
“Can’t. Busy.”
I was curious despite myself. “What are you doing?”
“Drooling,” Solange explained fondly.
“I totally am,” Lucy admitted, unrepentant. “Just look at them.”
Lucy moved over to give me space. She was watching five of the seven Drake boys repairing the outside wall of the farmhouse, under our window."
"Solange leaned back against the wall, bored. “Are you done yet?”
“Hell no,” Lucy said. She’d left nose prints on the glass. Nicholas smirked up at her. She blushed. “Ooops. Busted.”
“I told you they could hear your heartbeat,” Solange said.
“Even from up here.”
“I can’t help it. Even if they all know they’re pretty and are insufferably arrogant,” she added louder. “Can they hear that?”
“Yes.”
“Good.” She glanced at me. “Yummy, right?”
“I’m sure Isabeau would rather recover, not ogle my brothers,”
Solange said. “You remember how stressed you were after the Hypnos?”
“Please,” Lucy scoffed. “This is totally soothing.
”
”
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
“
I had no idea kissing felt like this. Sensory overload.
At some point, Ren reluctantly let me down. He still supported my weight, which was good because I was ready to fall over. He cupped my cheek and ran a thumb slowly across my bottom lip. He stood close to me, keeping one arm wrapped around my waist. His other hand moved to my hair, and his fingers began to slowly twist the loose strands.
I had to blink my eyes a few times to clear my vision.
He laughed quietly. “Breathe, Kelsey.” He had a very self-satisfied, smug grin on his face, which, for some reason, got my ire up.
“You seem very happy with yourself.”
He raised an eyebrow. “I am.”
I smirked back to him and said, “Well, you didn’t ask for permission.”
“Hmm, perhaps we should rectify that.” He trailed his fingers up my arm, swirling little circles as he went. “Kelsey?”
I watched his progress and mumbled, distracted, “Yes?”
He stepped closer. “Do I-“
“Hmm?” I wiggled slightly.
“Have your-“
He started nuzzling my neck then moved up to my ear. His lips ticked me as he whispered, and I felt him smile, “Permission-“
Goose bumps broke out on my arms and I trembled.
“To kiss you?”
I nodded weakly. Standing on my tiptoes, I slipped my arms around his neck showing him that I was definitely giving permission. He trailed kisses from my ear across to my cheek in achingly slow motion, grazing along a path of his choosing. He stopped, hovering just over my lips, and waited.
I knew what he was waiting for. I paused only a brief second before whispering faintly, “Yes.”
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I WANT her though, to take the same from me.
She touches me as if I were herself, her own.
She has not realized yet, that fearful thing, that
I am the other,
she thinks we are all of one piece.
It is painfully untrue.
I want her to touch me at last, ah, on the root and
quick of my darkness
and perish on me, as I have perished on her.
Then, we shall be two and distinct, we shall have
each our separate being.
And that will be pure existence, real liberty.
Till then, we are confused, a mixture, unresolved,
unextricated one from the other.
It is in pure, unutterable resolvedness, distinction
of being, that one is free,
not in mixing, merging, not in similarity.
When she has put her hand on my secret, darkest
sources, the darkest outgoings,
when it has struck home to her, like a death, "this is _him!_"
she has no part in it, no part whatever,
it is the terrible _other_,
when she knows the fearful _other flesh_, ah, dark-
ness unfathomable and fearful, contiguous and concrete,
when she is slain against me, and lies in a heap
like one outside the house,
when she passes away as I have passed away
being pressed up against the _other_,
then I shall be glad, I shall not be confused with her,
I shall be cleared, distinct, single as if burnished in silver,
having no adherence, no adhesion anywhere,
one clear, burnished, isolated being, unique,
and she also, pure, isolated, complete,
two of us, unutterably distinguished, and in unutterable conjunction.
Then we shall be free, freer than angels, ah, perfect.
VIII
AFTER that, there will only remain that all men
detach themselves and become unique,
that we are all detached, moving in freedom more
than the angels,
conditioned only by our own pure single being,
having no laws but the laws of our own being.
Every human being will then be like a flower, untrammelled.
Every movement will be direct.
Only to be will be such delight, we cover our faces
when we think of it
lest our faces betray us to some untimely fiend.
Every man himself, and therefore, a surpassing
singleness of mankind.
The blazing tiger will spring upon the deer, un-dimmed,
the hen will nestle over her chickens,
we shall love, we shall hate,
but it will be like music, sheer utterance,
issuing straight out of the unknown,
the lightning and the rainbow appearing in us
unbidden, unchecked,
like ambassadors.
We shall not look before and after.
We shall _be_, _now_.
We shall know in full.
We, the mystic NOW.
(From the poem the Manifesto)
”
”
D.H. Lawrence
“
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
”
”
Rupi Kaur (The Sun and Her Flowers)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest.
His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes.
"What? What's wrong?"
I shake my head.
"Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me."
I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me.
"Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is."
"What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris."
"I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..."
"What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to."
I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him.
"I'm going to leave now," I say quietly. And I turn toward the door.
"No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us.
"I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you."
"You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?"
"What?" He releases my wrists, and the hurt look is back. "You're afraid of me?"
"Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..."
"Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too."
"Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know."
"Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise."
I believe him.But this has nothing to do with his kindness.
He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me.
Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down.
The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway.
Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing.
And then rising from within me is a single thought:
I don’t want to die.
All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no.
Burning and boiling inside me is the desire to live.
I don’t want to die I don’t want to die I don’t want to!
Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes.
Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live.
Jeanine holds my head steady with one hand and inserts the needle into my neck with the other.
I’m not done! I shout in my head, and not at Jeanine. I am not done here!
She presses the plunger down. Peter leans forward and looks into my eyes.
“The serum will go into effect in one minute,” he says. “Be brave, Tris.”
The words startle me, because that is exactly what Tobias said when he put me under my first simulation.
My heart begins to race.
Why would Peter tell me to be brave? Why would he offer any kind words at all?
All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move.
Then the heart monitor stops beeping.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be."
"That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?"
He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?"
"I like to observe people."
"Maybe you were cut out for Candor, Four, because you're a terrible liar."
He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things.
"Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again."
Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias."
He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?"
"I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-"
He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple.
"Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty."
"Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something."
"Well," I say. "You're not."
For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine.
I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair.
For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))