Always On The Back Burner Quotes

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Blue must be worn for protection. Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy. When it came to love, you must always be careful. If you dropped something belonging to the man you loved into a candle flame, then added pine needles and marigold flowers, he would arrive on your doorstep by morning, so you would do well to be certain you wanted him there. The most basic and reliable love potion was made from anise, rosemary, honey, and cloves boiled for nine hours on the back burner of the old stove. It had always cost $9.99 and was therefore called Love Potion Number Nine, which worked best on the ninth hour of the ninth day of the ninth month.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
all small towns, scandal is always simmering on the back burner, like your Aunt Cindy’s baked beans.
Stephen King ('Salem's Lot)
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket. "Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars." The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly. I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees. "Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam." "Elly doesn't like anything anymore." The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot. "Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama." Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran. I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
Katherine Dunn (Geek Love)
As actor and comedian Lily Tomlin once said, “The road to success is always under construction.” So don’t allow yourself to be detoured from getting to your ONE Thing. Pave your way with the right people and place. BIG IDEAS Start saying “no.” Always remember that when you say yes to something, you’re saying no to everything else. It’s the essence of keeping a commitment. Start turning down other requests outright or saying, “No, for now” to distractions so that nothing detracts you from getting to your top priority. Learning to say no can and will liberate you. It’s how you’ll find the time for your ONE Thing. Accept chaos. Recognize that pursuing your ONE Thing moves other things to the back burner. Loose ends can feel like snares, creating tangles in your path. This kind of chaos is unavoidable. Make peace with it. Learn to deal with it. The success you have accomplishing your ONE Thing will continually prove you made the right decision. Manage your energy. Don’t sacrifice your health by trying to take on too much. Your body is an amazing machine, but it doesn’t come with a warranty, you can’t trade it in, and repairs can be costly. It’s important to manage your energy so you can do what you must do, achieve what you want to achieve, and live the life you want to live. Take ownership of your environment. Make sure that the people around you and your physical surroundings support your goals. The right people in your life and the right physical environment on your daily path will support your efforts to get to your ONE Thing. When both are in alignment with your ONE Thing, they will supply the optimism and physical lift you need to make your ONE Thing happen. Screenwriter Leo Rosten pulled everything together for us when he said, “I cannot believe that the purpose of life is to be happy. I think the purpose of life is to be useful, to be responsible, to be compassionate. It is, above all, to matter, to count, to stand for something, to have made some difference that you lived at all.” Live with Purpose, Live by Priority, and Live for Productivity. Follow these three for the same reason you make the three commitments and avoid the four thieves—because you want to leave your mark. You want your life to matter. 18
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
Working with chocolate always helps me find the calm centre of my life. It has been with me for so long; nothing here can surprise me. This afternoon I am making pralines, and the little pan of chocolate is almost ready on the burner. I like to make these pralines by hand. I use a ceramic container over a shallow copper pan: an unwieldy, old-fashioned method, perhaps, but the beans demand special treatment. They have traveled far, and deserve the whole of my attention. Today I am using couverture made from the Criollo bean: its taste is subtle, deceptive; more complex than the stronger flavors of the Forastero; less unpredictable than the hybrid Trinitario. Most of my customers will not know that I am using this rarest of cacao beans; but I prefer it, even though it may be more expensive. The tree is susceptible to disease: the yield is disappointingly low; but the species dates back to the time of the Aztecs, the Olmecs, the Maya. The hybrid Trinitario has all but wiped it out, and yet there are still some suppliers who deal in the ancient currency. Nowadays I can usually tell where a bean was grown, as well as its species. These come from South America, from a small, organic farm. But for all my skill, I have never seen a flower from the Theobroma cacao tree, which only blooms for a single day, like something in a fairytale. I have seen photographs, of course. In them, the cacao blossom looks something like a passionflower: five-petaled and waxy, but small, like a tomato plant, and without that green and urgent scent. Cacao blossoms are scentless; keeping their spirit inside a pod roughly the shape of a human heart. Today I can feel that heart beating: a quickening inside the copper pan that will soon release a secret. Half a degree more of heat, and the chocolate will be ready. A filter of steam rises palely from the glossy surface. Half a degree, and the chocolate will be at its most tender and pliant.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
When an ovulating woman offers herself to you, she's the choicest morsel on the planet. Her nipples are already sharp, her labia already swollen, her spine already undulating. Her skin is damp and she pants. If you touch the center of her forehead with your thumb she isn't thinking about her head—she isn't thinking at all, she's imagining, believing, willing your hand to lift and turn and curve, cup the back of her head. She's living in a reality where the hand will have no choice but to slide down that soft, flexing muscle valley of the spine to the flare of strong hips, where the other hand joins the first to hold both hip bones, immobilize them against the side of the counter, so that you can touch the base of her throat gently with your lips and she will whimper and writhe and let the muscles in her legs go, but she won't fall, because you have her. She'll be feeling this as though it's already happening, knowing absolutely that it will, because every cell is alive and crying out, Fill me, love me, cherish me, be tender, but, oh God, be sure. She wants you to want her. And when her pupils expand like that, as though you have dropped black ink into a saucer of cool blue water, and her head tips just a little, as though she's gone blind or has had a terrible shock or maybe just too much to drink, to her she is crying in a great voice, Fuck me, right here, right now against the kitchen counter, because I want you wrist-deep inside me. I hunger, I burn, I need. It doesn't matter if you are tired, or unsure, if your stomach is hard with dread at not being forgiven. If you allow yourself one moment's distraction—a microsecond's break in eye contact, a slight shift in weight—she knows, and that knowledge is a punch in the gut. She will back up a step and search your face, and she'll feel embarrassed—a fool or a whore—at offering so blatantly what you're not interested in, and her fine sense of being queen of the world will shiver and break like a glass shield hit by a mace, and fall around her in dust. Oh, it will still sparkle, because sex is magic, but she will be standing there naked, and you will be a monster, and the next time she feels her womb quiver and clench she'll hesitate, which will confuse you, even on a day when there is no dread, no uncertainty, and that singing sureness between you will dissolve and very slowly begin to sicken and die. The body knows. I listened to the deep message—but carefully, because at some point the deep message also must be a conscious message. Active, not just passive, agreement. I took her hand and guided the wok back down to the gas burner. Yes, her body still said, yes. I turned off the gas, but slowly, and now she reached for me.
Nicola Griffith (Always (Aud Torvingen, #3))
It wasn’t that her curves were news to him—far from it. But she was such a dynamic force, always moving or hissing or being outrageous, that ogling her generally took a back burner to adapting to her chaos.
Sarah Hawley (A Werewolf’s Guide to Seducing a Vampire (Glimmer Falls, #3))
Even now, after all this time, I remember the heavy scent of smoke and mead in the air. I remember the glints from the hundreds of golden shields on the walls and the ceiling. I remember the look of pride in my father’s eyes looking across the einherjar. I remember the rush of voices when Thor came once in a while and walked through the hall, Mjolnir hanging from his belt and his wealth of red hair lighting up the gloom like another coal burner. And this is my story. I, who have lived across time and space. I, who have jumped worlds and turned back on my choices. I, who gave up one identity for another. I understand now why I chose as I did. It wasn’t a random act or even an unknowing one. I had it all figured out all along. I knew where I was going and I chose every step of the way. The most common mistake is asking: “Why? Why did this happen to me? Why is it this way? Why can’t it be otherwise?” The problem isn’t the why. The problem is that it is turned outwards. Instead, ask: Why did I choose this? The answer will always be: Because this is how I get my thrills. Always. It all comes down to how you want your story to be.
Louise H.A. Trankjær (The End of Immortality)
All right, I’ll play. What are some of the symptoms of OSS?” “Oh, there are plenty. Especially when a parental figure is missing from the equation.” “Enlighten me.” She swirled the bat back and forth between the palms of her hands. “Well, for starters, you are extremely reliable and find yourself responsible for your siblings. Almost as if they are your own kids, seeing how you helped raise them.” I narrowed my brows. “Go on.” “You are overly protective over your family and go out of your way to make sure everyone’s okay. You’re a workaholic. You put your own wants and needs on the back burner in order to make sure everyone else is good. You let your dreams sit on the sidelines if it makes sure others are happier.” My mouth twitched a little. She was hitting a little too close to home. I took the bat from her and grabbed a ball from the bag. I tossed it up and swung, hitting the ball into the distance. “Go on,” I said. She took the bat from me and stepped onto the plate. “You suffer from a hyper-independence, which seems like a good thing, but it’s not.” She tossed a ball up and knocked it out. “It’s actually a trauma response because you feel like you can’t rely on others, seeing how it was always your job to be the reliable source.” “Too loud, Coach.” She handed the bat back to me. We switched positions. “You also worry about messing up and letting people down. Which is why you are so achievement-oriented,” she explained. I hit the next ball. She whistled low. “Nice hit.” “Thanks.” I flicked my thumb against the bridge of my nose. “So with this OSS, what’s the treatment plan?” She shrugged. “Don’t know. Still trying to figure that out myself. Because as someone suffering with OSS, I know that we hate all eyes on us, and we hate the thought of people worrying about us because it shows that we aren’t as strong as we should be, and we should always be strong.” She took the bat from me and performed another hit. “But I think it helps to struggle in numbers. Makes it a little easier to breathe.” “Are you suggesting we start an OSS club?
Brittainy C. Cherry (The Problem with Players)
When he was three years old Jackie ran into the house crying. I asked, "What's happened? What's wrong?" He showed me his bleeding hand - the palm of his hand had been scraped. "How did you do that? It isn't bad! Did you hurt it on something dirty?" I patted the blood away with a tissue. He stopped crying; he pressed against me with his wet face. My husband said, coming into the kitchen, "Let's see what happened -" He took Jackie's hand and stared down at it. Jackie's hand was very small in his; his own hand was not clean. He had been working on the lawn mower. "Should this be washed out or what?" he said, looking at me. "You think there's some germs in it?" "I'd better wash it out." I turned on the hot water. "Maybe it should be sterilised. It should be washed out good," my husband said slowly. He stared down at Jackie's hand and for a few seconds he was silent. He loved Jackie very much; he was always afraid of Jackie getting hit by a car. Now Jackie tried to get away from him, uneasy. My husband looked strange, as if the sight of blood frightened him. "I can wash it out. I'll put a bandage on it," I said. He paid no attention to me. Instead, he turned on one of the electric burners of the stove, still holding Jackie's hand. "If it was something rusty... if it was some dirt, some filth, he could get very sick," my husband said. "The germs should be all killed." "What? What are you going to do?" "I know what to do," he said irritably, vaguely. "All it needs is a bandage...." Jackie began to cry, afraid of his father. He tried to get away. "Goddam it, hold still! You want to get lockjaw or something? Why is this kid always crying?" He pulled Jackie to the stove and before I could stop him he pressed his palm down onto the burner - Jackie screamed, kicked, broke away - it was all over in a second. "You're crazy! You burned him!" I cried. My husband stared at me. Jackie was screaming, gasping for breath, he had backed away against the kitchen table. His screams rose higher and higher. My husband stared at him and at me, very pale. "You're crazy!" I shouted at him. I ran cold water for Jackie to stick his hand under. The burn was not bad - the stove hadn't been hot enough. "I didn't mean to hurt him," my husband said slowly, "I... I don't know what...." "Putting his hand on the stove! God, you must be crazy!" There was something pulsating in me, a bright, thrilling nerve - I wanted to laugh in my husband's face, I wanted to claw at him, I wanted to gather Jackie up in my arms and run out of the house with him! I hated my husband and I was glad that he had made such a stupid mistake. I was glad he had burned Jackie and that Jackie was crying in my arms, pressing against me, terrified of his father. "I don't know what I was thinking off," he said. His voice was vague and slow and surprised. "I didn't mean...I'm sorry...." "Don't scare him anymore!" "I'm sorry. I must be going crazy...." "Where did you ever get such an idea?" He rubbed his hands violently across his face, across his eyes. "Jesus, I must be going crazy," he said. "You're just lucky the stove wasn't hot." Jackie kept crying, frightened. I took him into the bathroom and put a bandage on the cut - only a small scratch - no real burn at all.
Joyce Carol Oates (Marriages and Infidelities)