Alternative Girl Quotes

Raya knew this type of girl – they never liked her. Usually they’d make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical – the foster kid – to be of any interest to these social climbers.

Creativity is the catalyst to the future.

In what weird alternative universe would that girl NOT be Sorted into Ravenclaw? If Hermione Granger didn't go to Ravenclaw then there was no good reason for Ravenclaw House to exist.

Where does the family start? It starts with a young man falling in love with a girl - no superior alternative has yet been found.

The more she thought about it, the more she realised both sides had lost an important alternate perspective. And maybe that was what she'd been created for. A girl from both worlds, who'd seen the follies and triumphs of each side. And her job was to shake things up and do something new.

He alternated between ignoring me and shooting me disdainful looks that clearly said “Who is this ugly off-brand non-sorority girl ruining our homo-erotic bro-times?

I wake up like this, this sense that I've somehow been transported to an alternate universe where my life took a left instead of a right beacuse of some seeemingly insignificant yet cosmically crucial choice I've made, about a girl or a kiss or a date or a job or which Starbucks I went into...something.

Thanks for coming," Zach told him. He slapped Jonas on the back. And I felt like I'd fallen into an alternate universe. One where Zach had...friends.

One of the things I’ve read about borderlines is that we alternate between a sense of entitlement and the belief that we’re lower than the dirt under people’s shoes.

But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.

Maybe we slip in and out of alternate worlds through our minds and our imaginations, picking up scar tissue from other dimensions.

When I was younger, one of my favorite activities was imagining alternative-universe versions of myself. Sometimes I was a rosy-cheeked outdoorsy girl who ate flowers and hiked alone, uphill, for miles. Or I was a skydiving, drag-racing, adrenaline-fueled daredevil. Or a chain mail-wearing, sword swinging dragon slayer. It was fun to imagine those things because I already knew who I was. Now I don't know anything. I don't know who I'm supposed to be in my new world.

It was long before the terror of recent events subsided; and to this hour the image of Carmilla returns to memory with ambiguous alternations—sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.

Alternatives to “Bae” The one who wins all of the arguments, the keeper of the remote, the girl who turns my stomach into a butterfly nest, the pink Starburst, the one I will always choose first no matter what else is in the pack, the red Kool-Aid, the right amount of sugar, the pulp, the part that makes the juice seem real.

...sometimes they almost made me feel glad that I had a few extra years to play my depression out with therapy and other means, because I think its useful in youth- unless suicide or drug abuse are the alternatives- to have some faith in the mind to cure itself, to not rush to doctors or diagnosis's...I sometimes worry that part of what creates depression in young people is their own, and their parents, and the whole worlds impatience with allowing the phases of life to run their course. We will very likely soon be living in a society that confuses disease with normal life if the panic and rush to judgment and labeling do not slow down a bit. Somewhere between the unbelievable tardiness that the medical profession was guilty of in administering proper treatment to me and the eagerness to with which practitioners prescribe Ritalin for 8 year old boys and Paxil for 14 year old girls, there is a sane course of action.

Depending on what the body you’re born into looks like, you get put in a box marked either Boy or Girl. That box is packed with expectations and requirements, demands and obligations. The box says you can like This, but not That. The box says you can wear This, but not That. The box might fit you perfectly. In that case, everything will be wonderful. Alternately, the box might be so cramped and tight and full of horrible things that you’d rather be dead than spend another minute in it.

Wicked eyes are not a good prospect for seminary boys. They want a gentle, soft sort of wife, not a wife who looks as though she may sprout wings and carry off the young children of the village. ~Maria "Smythe

Harrison was standing next to the dorm building, checking his Blackberry. She watched him from behind. How was she supposed to be okay just hating him and then loving him on alternate days. What if it never stopped?

Back then I didn't know that I­­ -- or anyone-- ­­could make a life out of boyfriends and literature. As far as I could see, life demanded skills I didn't have. The result was chronic emptiness and boredom. There were more pernicious results as well: self­loathing, alternating with "inappropriately intense anger with frequent displays of temper...

And I suppose I might have grown up better, might have become a proper house girl or even taken Aunt Aggie's place as House Negro. I might have been a good girl if it had been in the cards. But all of that was dashed to hell two days after I was born, when the dead rose up and started to walk on a battlefield in a small town in Pennsylvania called Gettysburg.

Rather than seek to be squired and dated by their rivals why should it not be possible for women to find relaxation and pleasure in the company of their 'inferiors'? They would need to shed their desperate need to admire a man, and accept the gentler role of loving him. A learned woman cannot castrate a truck-driver like she can her intellectual rival, because he has no exaggerated respect for her bookish capacities. The alternative to conventional education is not stupidity, and many a clever girl needs the corrective of a humbler soul's genuine wisdom.

He’d spent the night in the boat. Next to the spaghetti queen. William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air. She saw him looking. Dark eyes regarded him with slight scorn. William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.” She stuck her tongue out. “Maybe after you’re clean,” he said. Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead. Now what? The girl showed him her stained finger and reached toward him slowly, aiming for his face. “No,” William said. “Bad hobo.” The finger kept coming closer.

Dear Miss Sweetie, My sisters and I wonder, why must women suffer a few days each month? Sincerely, Bloated, Crampy, and Spotty Dear Bloated, Cramp, and Spotty, Because the alternative is worse, although they do get to vote. Sincrely, Miss Sweetie

Maybe that's why I prefer this new library to my own bedroom: looking at the million book spines, I can imagine a million alternate endings. It turned out the butler did it all, or I ended up marrying Mr. Darcy, or we went and watched a girl ride the merry-go-round in Central Park, or we beat on against the current in our little boats, or Atticus Finch was there when we woke up in the morning.

The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. ("Speak To Me Of Death")

Do you ever think about the ocean?" Nick asked me. "What about it?" I said. "Like what could live down there? Like how there's as much life down there as up here? Maybe more?" "God Lives Underwater," said someone. "That's the name of a band. They're awesome." "But seriously," Nick said, "it's like an alternate universe. Right here on our own planet." "Right here, a hundred feet from us," said Sheila. "Right here in my hair," said one of the girls who had swum, pulling some sea gunk out of her wet hair. Everyone laughed quietly at that. Nick drank his beer. The wood crackled as it burned. We all stared at the black ocean.

This susceptibility to impressions had been his undoing, no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight of a frump.

Lies as a way of creating chaos and confusion. Lies as an alternative to violence.

You're going to have to find another way to your room... Oh, and Cameron, dear, please make sure your alternative route doesn't involve crawling inside any walls.

The further you conceptually pull away from the cultural norms of monogamy and traditional marriage, the more important it will be to self-examine.

One, you're hiring Lee Nightingale and, girl, you know, that dude has had books written about him. They were fictionalized, but he's also in the paper all the time, so we both know whoever wrote that shit did not tone it down. He's the badass to end all badasses. He's such a badass, he's the freaking definition of badass, and his team of badasses only exist to define alternate nuances of the same thing. Badass.

Back then I didn't know that I­­or anyone­­could make a life out of boyfriends and literature. As far as I could see, life demanded skills I didn't have. The result was chronic emptiness and boredom. There were more pernicious results as well: self­loathing, alternating with "inappropriately intense anger with frequent displays of temper...

Just like I know that the stages of grief - denial, anger, bargaining, acceptance, or whatever - don't come in a neat order. Sometimes they return over and over, like waves that alternate between pulling you under and spitting you back onto the shore" -Piper

The need to be loved and feel like you belong is a biological imperative. That’s why so many people stay in abusive situations for so long: they convince themselves it’s not as bad as it is because the alternative—being alone—feels like a threat as real as death.

[Didn’t Sappho say her guts clutched up like this?]" Didn’t Sappho say her guts clutched up like this? Before a face suddenly numinous, her eyes watered, knees melted. Did she lactate again, milk brought down by a girl’s kiss? It’s documented torrents are unloosed by such events as recently produced not the wish, but the need, to consume, in us, one pint of Maalox, one of Kaopectate. My eyes and groin are permanently swollen, I’m alternatingly brilliant and witless —and sleepless: bed is just a swamp to roll in. Although I’d cream my jeans touching your breast, sweetheart, it isn’t lust; it’s all the rest of what I want with you that scares me shitless.

This susceptibility to impressions had been his undoing no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight of a frump. After

And I am proud, but mostly, I’m angry. I’m angry, because when I look around, I’m still alone. I’m still the only black woman in the room. And when I look at what I’ve fought so hard to accomplish next to those who will never know that struggle I wonder, “How many were left behind?” I think about my first-grade class and wonder how many black and brown kids weren’t identified as “talented” because their parents were too busy trying to pay bills to pester the school the way my mom did. Surely there were more than two, me and the brown boy who sat next to me in the hall each day. I think about my brother and wonder how many black boys were similarly labeled as “trouble” and were unable to claw out of the dark abyss that my brother had spent so many years in. I think about the boys and girls playing at recess who were dragged to the principal’s office because their dark skin made their play look like fight. I think about my friend who became disillusioned with a budding teaching career, when she worked at the alternative school and found that it was almost entirely populated with black and brown kids who had been sent away from the general school population for minor infractions. From there would only be expulsions or juvenile detention. I think about every black and brown person, every queer person, every disabled person, who could be in the room with me, but isn’t, and I’m not proud. I’m heartbroken. We should not have a society where the value of marginalized people is determined by how well they can scale often impossible obstacles that others will never know. I have been exceptional, and I shouldn’t have to be exceptional to be just barely getting by. But we live in a society where if you are a person of color, a disabled person, a single mother, or an LGBT person you have to be exceptional. And if you are exceptional by the standards put forth by white supremacist patriarchy, and you are lucky, you will most likely just barely get by. There’s nothing inspirational about that.

We appeared to be done with the marriage plot. ('What's the alternative to the marriage plot?' She said: ' The alternative is adventure.') My generation (I thought) was the first post-feminist generation. The first to be allowed to see love in terms of adventure and quest, not salvation and redemption.

But I knew it wasn't just the cute girl on the screen that had made Eunice cry. It was her father laughing, being kind, the family momentarily loving and intact - a cruel side trip into the impossible, an alternate history. The dinner was over. The waiters were clearing the table with resignation and without a word. I knew that, according to tradition, I had to allow Dr. Park to pay for the meal, but I went into my apparat and transferred him three hundred yuan, the total of the bill, out of an unnamed account. I did not want his money. Even if my dreams were realised and I would marry Eunice someday, Dr. Park would always remain to me a stranger. After thirty-nine years of being alive, I had forgiven my own parents for not knowing how to care for a child, but that was the depth of my forgiveness.

I wonder how much I can tell Rowan about this. I need another girl’s analysis. My phone pings, and it’s her. RF: Need to skip lunch. Meeting with teacher for Hon French project. You OK? Well, there goes that. I text back that I’m fine. Lunch is grilled cheese, green beans, and Tater Tots. I can already feel my pores clogging, but I didn’t bring anything, and the alternative is ice cream on a stick. I head toward the back of the cafeteria, intending to go outside to sit on the quad and obsess over The Dark’s emails, but I spot Rev and Declan sitting at a table in the corner. Well, I assume it’s Rev. It could be some other broad-shouldered guy in a hoodie, but I doubt it.

Epistrophe is the trope of obsession. It's the trope of emphasizing one point again and again. And it's the trope of not being able to escape that one conclusion, which is one of the reasons that songs are so suited to the idea of obsessive love, political certainty and other such unhealthy ideas. You can't reason in an epistrophic pop song. You can't seriously consider the alternatives, because the structure dictates that you'll always end up at the same point, thinking about the same girl and giving peace a chance.

You should endeavor to give your body what it needs to be healthy, your mind what it needs to be peaceful and focused, and your soul what it needs to feel content.

Heroism was a logical alternative, the only neutralizing agent against the atrocious mundane acceptance that the adult world seemed to operate upon.

Help me. What if he’s one of those white guys who likes black girls who are properly put together, and not ones like me who are a bit “alternative”?

Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.

The implication of the sex ratios, Professor Sen found, is that about 107 million females are missing from the globe today. Follow-up studies have calculated the number slightly differently, deriving alternative figures for ‘missing women’ of between 60 million and 101 million. Every year, at least another 2 million girls worldwide disappear because of gender discrimination.

A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met. An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it is meant. The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by. With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")

Girls like Mia and Shanice draw important connections between their desire to learn and their inability to do so in chaotic learning environments. Across the country, Black girls have repeatedly described “rowdy” classroom environments that prevent them from being able to focus on learning. They also described how the chaotic learning environment has, in some cases, led to their avoidance of school or to reduced engagement in school. In other situations, girls described contentious and negative interactions between teachers and students as the norm. In today’s climate of zero tolerance, where there are few alternatives to punishing problematic student behavior, the prevailing school discipline strategy, with its heavy reliance on exclusionary practices—dismissal, suspension, or expulsion—becomes a predictable, cyclical, and ghettoizing response.

Whether we do it or not, we’ll have to see—but still, just to have an idea, to think it through, work it out, and calculate the alternatives down to the ultimate consequences, that’ll be a pleasure I’d never expected to have.

How else could we identify another weirdo or outlier? These symbols intimated a belief system, a way of thinking not just about music but about school and friends and politics and society. It was also a way to separate yourself, to feel bold or try on boldness without yet possessing it. A little inkling of the nonconformist person you could be—you wanted to be—but weren’t quite ready to commit to. I papered my walls with band posters and what little I could find in mainstream magazines about alternative and punk, maybe a picture of Babes in Toyland from Spin or Fugazi from Option. The iconoclast images and iconography covered my room, a jarring contrast to the preppy blue-and-white-striped wallpaper I’d insisted on in elementary school. I resented the parts of myself that were late to adopt coolness, late to learn—I wanted to have always possessed a savviness and sophistication, even though I clearly had neither.

The copse of trees shut out the sky at intervals. Between them were gaps; snow, tinged with the faint light of the morning sun, alternated with shadows. This reminded her of all life’s joys and sorrows. The trail was Life itself, unfolding.

And there you sit, atop the smoking mountain of rubble that was once your home, covered in gray dust, cradling the mangled corpse of your little girl in your arms, looking south to a Mexican people who, in solidarity with you, have stopped riding Uber.

It was an itinerary for an alternate life. If things had gone according to my wife’s vision, yesterday she would have hovered near me as I read this poem, watching me expectantly, the hope emanating from her like a fever: *Please get this. Please get me.*

Fairy tales, fantasy, legend and myth...these stories, and their topics, and the symbolism and interpretation of those topics...these things have always held an inexplicable fascination for me," she writes. "That fascination is at least in part an integral part of my character — I was always the kind of child who was convinced that elves lived in the parks, that trees were animate, and that holes in floorboards housed fairies rather than rodents. You need to know that my parents, unlike those typically found in fairy tales — the wicked stepmothers, the fathers who sold off their own flesh and blood if the need arose — had only the best intentions for their only child. They wanted me to be well educated, well cared for, safe — so rather than entrusting me to the public school system, which has engendered so many ugly urban legends, they sent me to a private school, where, automatically, I was outcast for being a latecomer, for being poor, for being unusual. However, as every cloud does have a silver lining — and every miserable private institution an excellent library — there was some solace to be found, between the carved oak cases, surrounded by the well–lined shelves, among the pages of the heavy antique tomes, within the realms of fantasy. Libraries and bookshops, and indulgent parents, and myriad books housed in a plethora of nooks to hide in when I should have been attending math classes...or cleaning my room...or doing homework...provided me with an alternative to a reality I didn't much like. Ten years ago, you could have seen a number of things in the literary field that just don't seem to exist anymore: valuable antique volumes routinely available on library shelves; privately run bookshops, rather than faceless chains; and one particular little girl who haunted both the latter two institutions. In either, you could have seen some variation upon a scene played out so often that it almost became an archetype: A little girl, contorted, with her legs twisted beneath her, shoulders hunched to bring her long nose closer to the pages that she peruses. Her eyes are glued to the pages, rapt with interest. Within them, she finds the kingdoms of Myth. Their borders stand unguarded, and any who would venture past them are free to stay and occupy themselves as they would.

I already knew the incredible profits in chemotherapy, and how those profits led to an insidious push for that treatment: when patients suggested another approach, physicians could be condescending, dismissing alternatives as risky, unproven, even quackery.

This susceptibility to impressions had been his undoing, no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight if a frump.

Sometimes to the exhilaration which I derived from being alone would be added an alternative feeling, so that I could not be clear in my mind to which I should give the casting vote; a feeling stimulated by the desire to see rise up before my eyes a peasant-girl whom I might clasp in my arms.

This book is a work of fiction that was given to a pirate after it was retrieved from the future by exotically beautiful Eastern European girls. Then diabolical Eastern European scientists worked tirelessly to ensure that every name, character, place, and incident in the world which, even remotely, resembled one within the book was "erased." (How? Ninjas.) If any similarity still exists, it's purely accidental (and suggests you live in an alternate dimension). Any lingering resemblance to actual events, locales, or persons, living, dead, or undead, is entirely coincidental and highly unlikely.

He believed me, I could tell, or at least he wanted to. I wanted desperately to believe myself. It was better than the alternative: that the ghost of the girl I was still haunted these halls, and she would posses me whenever my body ached like a wound that would let her slip inside. Perhaps she would never let me go.

You’ve been menaced.” Ash scowled. “What is that?” “It’s my new signature phrase. A calling card. Still working on the delivery.” Trevor lowered his voice to a sinister growl, then lifted the same eyebrow. “You’ve”—pause—“been menaced.” Emma pressed her lips together, trying not to laugh. “Or there’s this way. You’ve been”—pause, eyebrow lift—“menaced.” The boy cocked his head. “What do you think?” “I think,” Ash said tightly, “you should take them both and—” “Alternate between them,” Emma interrupted. “They’re both excellent. Quite memorable.” “Thank you, Your Grace.” Trevor bowed over her hand and kissed it. “Until we meet again.

At school, the news that Pia Kolvenbach was moving to England and that her parents were divorcing had circulated with lightening speed. Suddenly I was no longer ostracized for being the Potentially Exploding Girl, but the new attention was worse. I could tell that the girls who sidled up to me and asked with faux-sympathetic smiles whether it was true were doing it on the basis of discussions they had heard between their own parents, to who they would report back like scouts. Soon there would be nothing left of me at all, nothing real: I would be a walking piece of gossip, alternatively tragic and appalling and, worse of all, a poor thing.

My heart swells when she walks in, the infant with the round face and enormous eyes reaching out to touch my face, the little girl lifting herself on her tippy-toes to kiss me with a PBJ-smudged face, the teenager slicing the air with her hand as she argued the merits of alternative-energy incentives at the state debate finals.

When the Wicked Queen calls for Snow White’s heart, because her mir- ror has informed her that she has been outstripped in beauty, the fairy tale warns little girls, even today, that there is danger in beauty. Fairy tales carry the wisdom of the ages; that is why they last and are passed down from generation to generation. So long as the most beautiful woman got the most powerful man and men were women’s only source of power, the role of beauty was too crucial to be discussed. It is only since women have de- veloped alternative sources of economic security and identity that the taboo subject of the power of their beauty has begun to be researched and written about.

At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profile suddenly plunge forward. I owe to such evenings the idea I have of innocence. In any case, I learn not to separate these creatures bursting with violent energy from the sky where their desires whirl.

The summer my daughters were six and four, we were at the beach one day and went for a long walk. It was astonishingly hot, and the sun, bouncing off a clear sea and blinding sand, was relentless. Wearing bikini bottoms but no tops, my children alternated between making sandpiles and running into the sea to cool off. The beach was empty. Eventually a woman and her son appeared in the distance, moving lazily in our direction. The boy seemed to be around the same age. Eventually the children came together, playing in the water with on another but not talking. His mother and I, farther back in each direction, waved and smiled. I thought we would just keep walking, but when we got close to the children, she said loudly, 'You really should put tops on them.' At first, I didn't understand her. 'Thanks,' I replied. 'They're covered in sunscreen.' 'They're girls,' she said. It wasn't until she was near my daughters that she'd realized this. I was dumbfounded. She might have been equally dumbfounded if I had taken the time to explain that her statement was an overtly sexist sexualization. The four children were physically indistinguishable, physically active on a hot beach. When I made no move toward shielding her son from the girls' scary, tempting, and corrupting bodies, she pulled him out of the water by the arm. They rushed down the beach before it crossed my mind to whip off my own top. Aggression takes many forms.

I’m afraid you’ll have to define these things if you want me to have any idea what you’re talking about. Alternatively, you can simply go on talking while I stare at your earlobe.” She blushed. “You needn’t trouble yourself.” “It’s no chore.” He crossed his arms and leaned back against the window casing. “I’m a veritable connoisseur of earlobes, and yours is rather nice.

The good and the bad of him alternated in my thoughts, as I remembered first his scowling expression and his unyielding nature and then his tenderness - he brought me toast to bed once and put lanolin on a welt of mine, and got three pillows so that I could be propped up to read. For a while I welcomed the fact that one day I would be old and dried, and no man would torment my heart.

What up Brit-Boy?" "I was just wondering," he said,"about the significance of your canine collar." Why was the collar such a big deal? Back home, half the girls wore them. "It was a gift from someone with twice the cojones you have." He raised his eyebrows. "You only have the data to validate half of that statement," he said, letting his legs fall apart and glancing downward. "But that could be corrected.

their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like

Forget about showering with my fellow students in Tribeca Alternative’s prison-style showers—one nozzle for four to six girls at a time—in the locker room. It was impossible to work up a sweat during what passed for physical education class at TAHS, so there was no need to shower, anyway. Well, impossible for me, considering that, in the past, whenever a volleyball or whatever came near me, I’d always make sure to step calmly away to avoid it. See? No sweat. No need for a shower. Problem solved.

The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.

And exactly how old are you, MacRieve?” “Twelve hundred, give or take.” She glanced back at him, as though gauging if he was jesting. When he raised his brows, she said, “Great Hekate, you’re a relic. Don’t you have a museum exhibit to be in somewhere?” He ignored her comments. “Another mystery—I dinna find a razor in your bag, but your legs and under your arms are smooth.” “I was lasered,” she said, then added, “I can hear your frown, Father Time,” surprising him because he was. She didn’t explain more, but he didn’t miss a beat. “Makes a man recall where else you’re so well groomed.” She shivered from a mere murmur in her ear. “I’m lookin’ forward tae touchin’ you there again.” “Ha! Why would you think that I would ever let you?” “I happen to ken that you’re a lusty one. And I’ve taken away your wee alternative. Tossed it into a river.” As she gasped, he said, “Took me a minute to figure out what it was—a minute more to believe you actually had it. Then imagining you using it? Had me in such a state, I could scarcely run without tripping over my own feet.” “You’re trying to embarrass me again. Give it up. I’m not going to be ashamed because I’m like every other girl my age.” “I doona want you to be ashamed—never in matters like that. And I ken you’re to turn immortal soon, know the need must be overwhelming. In fact, most females get confused by all their new lustiness,” he said. “Best to have a firm hand to guide them into immortal sex.” “And I’ll just bet that you’re happy to volunteer.” Making his tone aggrieved, he sighed, “If I must . . .

that enflamed itself being here, on hands and knees. Dirty girl. She burned. She made a vow: she would never crawl for another man. [The gods love to fuck with us, Mathilde would say later; she became a wife.] “Another?” Ariel said. He dipped it, put it at the end of the hallway, twenty yards away. “Crawl,” he said. He laughed. — THE WORD wife comes from the Proto-Indo-European weip. Weip means to turn, twist, or wrap. In an alternative etymology, the word wife comes from Proto-etc., ghwibh. Ghwibh means pudenda. Or shame.

The last year had been a series of wrong turns, bad choices, abandoned projects. There was the all-girl band in which she had played bass, variously called Throat, Slaughterhouse Six and Bad Biscuit, which had been unable to decide on a name, let alone a musical direction. There was the alternative club night that no-one had gone to, the abandoned first novel, the abandoned second novel, several miserable summer jobs selling cashmere and tartan to tourists. At her very, very lowest ebb she had taken a course in Circus Skills until it transpired that she had none. Trapeze was not the solution. The much-advertised Second Summer of Love had been one of melancholy and lost momentum. Even her beloved Edinburgh had started to bore and depress her. Living in a her University town felt like staying on at a party that everyone else had left, and so in October she had given up the flat in Rankellior Street and moved back to her parents for a long, fraught, wet winter of recriminations and slammed doors and afternoon TV in a house that now seemed impossibly small.

The parquet pressing into her palms and knees. She hated the part of her, small and hot, that enflamed itself being here, on hands and knees. Dirty girl. She burned. She made a vow: she would never crawl for another man. [The gods love to fuck with us, Mathilde would say later; she became a wife.] "Another?" Ariel said. He dipped it, put it at the end of the hallway, twenty yards away. "Crawl," he said. He laughed. The word wife comes from the Proto-Indo-European weip. Weip means to turn, twist or wrap. In an alternative etymology, the word wife comes from Proto-etc., ghwibh. Ghwibh means pudenda. Or shame.

She knows if the test shows another girl growing in her womb, all of the possible outcomes are wrenching. Jasu can demand she have an abortion, right there at the clinic if they had the money. Or he could simply cast her out, forcing her to endure the shame of raising the child alone. She would be shunned, like the other beecharis in the village. But even this, becoming an outcast from her home and community, would not be as bad as the alternative. She cannot face the agony of giving birth, of holding her baby in her arms, only to have it taken away again. Kavita knows in her soul she simply will not survive that.

I can’t believe this. You go ashore for two hours of trade, and somehow you’ve exchanged an experienced sailor for a governess.” “Well, and goats. I did buy a few goats-the boatman will have them out presently.” “Damn it, don’t try to change the subject. Crew and passengers are supposed to be my responsibility. Am I captain of this ship or not?” “Yes, Joss, you’re the captain. But I’m the investor. I don’t want Bains near my cargo, and I’d like at least one paying passenger on this voyage, if I can get one. I didn’t have that steerage compartment converted to cabins for a lark, you realize.” “If you think I’ll believe your interest in that girl lies solely in her six pound sterling…” Gray shrugged. “Since you mention it, I quite admired her brass as well.” “You know damn well what I mean. A young lady, unescorted…” He looked askance at Gray. “It’s asking for trouble.” “Asking for trouble?” Gray echoed, hoping to lighten the conversation. “Since when does the Aphrodite need to go asking for trouble? We’ve stowed more trouble than cargo on this ship.” He leaned back, propping both elbows on the ship’s rail. “And as trouble goes, Miss Turner’s variety looks a damn sight better than most alternatives. Perhaps you could do with a bit of trouble yourself.

Despite the sisters' pretend rivalry and occasional squabbles, they were each other's staunchest ally and closest friend. Few people in Lillian's life had ever loved her except Daisy, who adored the ugliest stray dogs, the most annoying children, and things that needed to be repaired or thrown out altogether. And yet for all their closeness, they were quite different. Daisy was an idealist, a dreamer, a mercurial creature who alternated between childlike whimsy and shrewd intelligence. Lillian knew herself to be a sharp-tongued girl with a fortress of defenses between herself and the rest of the world- a girl with well-maintained cynicism and a biting sense of humor.

Two fears alternate in marriage, of loneliness and of bondage. The dread of loneliness being keener than the fear of bondage, we get married. For one person who fears being thus tied there are four who dread being set free. Yet the love of liberty is a noble passion and one to which most married people secretly aspire, -- in moments when they are not neurotically dependent -- but by then it is too late; the ox does not become a bull, not the hen a falcon. The fear of loneliness can be overcome, for it springs from weakness; human beings are intended to be free, and to be free is to be lonely, but the fear of bondage is the apprehension of a real danger, and so I find it all the more pathetic to watch young men and beautiful girls taking refuge in marriage from an imaginary danger, a sad loss to their friends ad a sore trial to each other. First love is the one most worth having, yet the best marriage is often the second, for we should marry only when the desire for freedom be spent; not till then does a man know whether he is the kind who can settle down. The most tragic breakings-up are of those couples who have married young and who have enjoyed seven years of happiness, after which the banked fires of passion and independence explode -- and without knowing why, for they still love each other, they set about accomplishing their common destruction.

Oh we’re not together. I mean, we’re sitting together and we came here together but obviously we’re not together-together. How could we be together?  I’m probably never going to see him again after today. We’re not even friends. I don’t even know him. I mean, you know, really-” I inclined my head toward her and a small laugh burst from my lips, “can you even imagine? It’d be like Planet of the Apes- and he’s Charlton Heston with all the muscles and such and I’m that girl ape. They can’t be together because it’d be like a Neanderthal with a human, cross species breeding…and that’s just not right. Although Neanderthals are closely related to humans and are in fact part of the same species- if you want to be precise- they are a sub-species or alternate species of human...

Athletes, by and large, are people who are happy to let their actions speak for them, happy to be what they do. As a result, when you talk to an athlete, as I do all the time in locker rooms, in hotel coffee shops and hallways, standing beside expensive automobiles—even if he’s paying no attention to you at all, which is very often the case—he’s never likely to feel the least bit divided, or alienated, or one ounce of existential dread. He may be thinking about a case of beer, or a barbecue, or some man-made lake in Oklahoma he wishes he was waterskiing on, or some girl or a new Chevy shortbed, or a discothèque he owns as a tax shelter, or just simply himself. But you can bet he isn’t worried one bit about you and what you’re thinking. His is a rare selfishness that means he isn’t looking around the sides of his emotions to wonder about alternatives for what he’s saying or thinking about. In fact, athletes at the height of their powers make literalness into a mystery all its own simply by becoming absorbed in what they’re doing. Years of athletic training teach this; the necessity of relinquishing doubt and ambiguity and self-inquiry in favor of a pleasant, self-championing one-dimensionality which has instant rewards in sports. You can even ruin everything with athletes simply by speaking to them in your own everyday voice, a voice possibly full of contingency and speculation. It will scare them to death by demonstrating that the world—where they often don’t do too well and sometimes fall into depressions and financial imbroglios and worse once their careers are over—is complexer than what their training has prepared them for. As a result, they much prefer their own voices and questions or the jabber of their teammates (even if it’s in Spanish). And if you are a sportswriter you have to tailor yourself to their voices and answers: “How are you going to beat this team, Stu?” Truth, of course, can still be the result—“We’re just going out and play our kind of game, Frank, since that’s what’s got us this far”—but it will be their simpler truth, not your complex one—unless, of course, you agree with them, which I often do. (Athletes, of course, are not always the dummies they’re sometimes portrayed as being, and will often talk intelligently about whatever interests them until your ears turn to cement.)

The instinctive attraction of the daughters of high society to noble ideals was probably reinforced by an idea that, in dedicating themselves to the Church, they could escape the sometimes grim realities of marriage. It was not only the problem of volatile husbands raised in a society that prized aggressive masculinity and constant pregnancy; there was also the painful fact that only a few of the numerous babies would survive to adulthood. Against these harsh realities, the new monastic communities offered an appealing alternative, a rigid but somehow delicious atmosphere similar to that of a girls' boarding school. To a virgin, this must have seemed attractive, and to a teenage Roman widow weighing the dangers of a second marriage, it must have seemed positively utopian. And, of course, there was the chance to do good work. We should not underestimate the delight that these women found in being able to pool their resources in trying to better the lot of the city's poor.

some 70s feminists then seemed to reason in a couple of defective ways about biological determinism and sex. On the one hand, some assumed all binary theories of sex must imply determinism: that is, that these theories must be saying something about the fundamental individual ‘natures’ of males and females in terms of dominance for males, and passivity and submission for females. Working backwards, they therefore concluded that, since biological determinism isn’t true, binary sex must be a myth. Meanwhile, an alternative feminist response from some seemed to go roughly: ‘If there were no natural differences at all between males and females, biological determinism would obviously be false. We all want biological determinism to be false. Hence there are no natural differences between males and females.’ Compare: Jed really wants it to be false that he’s got cancer. If there were no such thing as cancer, it would be false that he’s got it. Hence, Jed concludes, there’s no such thing as cancer.

I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin

Now that I know how birth works-now that I've been talked through labor by that quiet-voiced woman-I feel I've finally been told what my task is. It's simple-so simple I'm amazed I didn't know it before. One morning I am going to wake up, and before I sleep again, I will have to tick off a long list of contractions, one by one. And when I get to the last one, I will have my girl. Each one of these will be a job in itself-a minute-long experience that would alarm anyone suddenly struck by it, without warning-but I know the one fact that makes it easy: there is nothing awry. Everything is as it should be. Unlike some pains, these don't signal something going wrong but something going right. This is what I did not realize the first time, when I prayed wildly for these pains to stop. I didn't know then that these pains were actually the answer, and that their every alternative was much, much worse. Now I know what they are, and what they're for, I greet each one with calm cheer: 60 seconds to breathe through, as limp as a sleeping child, so that there is nowhere for this wash of sensation to snag-no tensed muscle it can get caught on. I am a clear glass of water, leaf-smoke blown sideways in the wind; empty space, for a moon to sail through.

That was one of the most striking things I noticed during my years living among them,' Mr. Forkle agreed. 'Each generation dumps their problems on the next because they simply do not have enough time to deal with them. I suspect that if they could see a bigger picture, they would not destroy themselves and their planet the same way.' Sophie nodded, remembering some of the thoughts she'd heard growing up. Death truly was humans' constant companion. Maybe if it wasn't, they'd care more about others and take the time to do things the right way. And yet, later that night, as she tossed and turned in bed nervous for what the first day at Exillium would bring, Sophie couldn't help wondering if the elves' indefinite lifespan hindered them just as much as the humans' fleeting lives, Would the Council--and even the Black Swan--be so willing to sit back and ignore problems if they couldn't rest so comfortably in the knowledge that they still had centuries and centuries ahead of them? The more she thought about it, the more she realized both sides had lost an important alternate perspective. And maybe that was what she'd been created for. A girl from both worlds, who'd seen the follies and triumphs of each side. And her job was to shake things up and do something new.

Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.

Chubby: A regular-size person who could lose a few, for whom you feel affection. Chubster: An overweight, adorable child. That kid from Two and a Half Men for the first couple of years. Fatso: An antiquated term, really. In the 1970s, mean sorority girls would call a pledge this. Probably most often used on people who aren’t even really fat, but who fear being fat. Fatass: Not usually used to describe weight, actually. This deceptive term is more a reflection of one’s laziness. In the writers’ room of The Office, an upper-level writer might get impatient and yell, “Eric, take your fat ass and those six fatasses and go write this B-story! I don’t want to hear any more excuses why the plot doesn’t make sense!” Jabba the Hutt: Star Wars villain. Also, something you can call yourself after a particularly filling Thanksgiving dinner that your aunts and uncles will all laugh really hard at. Obese: A serious, nonpejorative way to describe someone who is unhealthily overweight. Obeseotron: A nickname you give to someone you adore who has just stepped on your foot accidentally, and it hurts. Alternatively, a fat robot. Overweight: When someone is roughly thirty pounds too heavy for his or her frame. Pudgy: See “Chubby.” Pudgo: See “Chubster.” Tub o’ Lard: A huge compliment given by Depression-era people to other, less skinny people. Whale: A really, really mean way that teen boys target teen girls. See the following anecdote.

everything in our culture tells men and boys to avoid any interest, activity or community dominated by women - and when article after article insists that boys are reading less than girls; when the pop cultural discourse shies away from portraying boys as readers, or closely associates male reading with male unpopularity and outcastness; when the humanities is widely touted as being the feminine alternative to the masculine sciences; when finally, after centuries of exclusion, girls are actually getting a break at something, the consequence is that boys are keeping away in droves. [...]Having been raised to exclude girls from manly pursuits, boys are also reluctant to pursue female ones. If that means reading – and in some cases, sadly, it does, reading and other sedentary or indoor hobbies being viewed as the antithesis of sports, and therefore by extension the enemy of all things masculine – then writing more boy-centric books won’t help. (Unless, of course, your ultimate long-term plan is to take reading away from girls and return it to boys, in which case, you fail everything.) If, on the other hand, you want boys and girls to be reading with equal passion and in equal numbers, then a very clear alternative presents itself: teach your boys that there’s nothing wrong with girls, or girl things, period. Take away the stigma, and let everyone read without judgement. Stories are genderless, no matter who writes or stars in them. And if we can’t bear to teach our teenagers that, then we need to seriously rethink our sstatus as an equal and fair society.

The physical shape of Mollies paralyses and contortions fit the pattern of late-nineteenth-century hysteria as well — in particular the phases of "grand hysteria" described by Jean-Martin Charcot, a French physician who became world-famous in the 1870s and 1880s for his studies of hysterics..." "The hooplike spasm Mollie experienced sounds uncannily like what Charcot considered the ultimate grand movement, the arc de de cercle (also called arc-en-ciel), in which the patient arched her back, balancing on her heels and the top of her head..." "One of his star patients, known to her audiences only as Louise, was a specialist in the arc de cercle — and had a background and hysterical manifestations quite similar to Mollie's. A small-town girl who made her way to Paris in her teens, Louise had had a disrupted childhood, replete with abandonment and sexual abuse. She entered Salpetriere in 1875, where while under Charcot's care she experienced partial paralysis and complete loss of sensation over the right side of her body, as well as a decrease in hearing, smell, taste, and vision. She had frequent violent, dramatic hysterical fits, alternating with hallucinations and trancelike phases during which she would "see" her mother and other people she knew standing before her (this symptom would manifest itself in Mollie). Although critics, at the time and since, have decried the sometime circus atmosphere of Charcot's lectures, and claimed that he, inadvertently or not, trained his patients how to be hysterical, he remains a key figure in understanding nineteenth-century hysteria.

The questing, anxious, exacting way that we have of looking at the person we love, our eagerness for the word which shall give us or take from us the hope of an appointment for the morrow, and, until that word is uttered, our alternative if not simultaneous imaginings of joy and of despair, all these make our observation, in the beloved object’s presence, too tremulous to be able to carry away a clear impression of her. Perhaps, also, that activity of all the senses at once which endeavours to learn from the visible aspect alone what lies behind it is over-indulgent to the thousand forms, to the changing fragrance, to the movements of the living person whom as a rule, when we are not in love, we regard as fixed in one permanent position. Whereas the beloved model does not stay still; and our mental photographs of her are always blurred. I did not rightly know how Gilberte’s features were composed, save in the heavenly moments when she disclosed them to me; I could remember nothing but her smile. And not being able to see again that beloved face, despite every effort that I might make to recapture it, I would be disgusted to find, outlined in my memory with a maddening precision of detail, the meaningless, emphatic faces of the man with the wooden horses and of the barley-sugar woman; just as those who have lost a dear friend whom they never see even while they are asleep, are exasperated at meeting incessantly in their dreams any number of insupportable creatures whom it is quite enough to have known in the waking world. In their inability to form any image of the object of their grief they are almost led to assert that they feel no grief.

As I listened to him describing the scene of the procurer seducing the young girl, I found myself torn between two conflicting emotions, between a powerful desire to laugh and an overwhelming surge of indignation. I was in agony. Again and again a roar of laughter prevented my rage bursting forth; again and again the rage rising in my heart became a roar of laughter. I was dumbfounded by such shrewdness and such depravity; by such soundness of ideas alternating with such falseness; by so general a perversity of feeling, so total a corruption, and so exceptional a candour. He saw how agitated I was. 'What's the matter?' he asked. ME: Nothing. HIM: I think you're upset. ME: Indeed I am. HIM: So what do you think I should do? ME: Talk about something else. What a wretched fate, to have been born and to have fallen so low! HIM: I agree. But don't let my state affect you too much. In opening my heart to you, it was not my intention to upset you. I've managed to save a little, while I was with those people. Remember I wanted for nothing, nothing whatsoever, and they also made me a small allowance for incidentals. [Here he began to strike himself on the forehead with his fist, bite his lips, and roll his eyes like a lunatic, then he said:] What's done is done. I've put a bit aside. Time's passed, so I'm that much to the good. ME: You mean to the bad. HIM: No, to the good. Live one day less, or have an ecu more, it's all the same. The important thing is to open your bowels easily, freely, enjoyably, copiously, every evening; 'o stercus pretiosum!' That's the grand outcome of life in every condition. At the final moment, we're all equally rich - Samuel Bernard who by dint of theft, pillage, and bankruptcy leaves twenty-seven millions in gold, and Rameau who'll leave nothing, Rameau for whom charity will provide the winding-sheet to wrap him in.

Economics today creates appetites instead of solutions. The western world swells with obesity while others starve. The rich wander about like gods in their own nightmares. Or go skiing in the desert. You don’t even have to be particularly rich to do that. Those who once were starving now have access to chips, Coca-Cola, trans fats and refined sugars, but they are still disenfranchized. It is said that when Mahatma Gandhi was asked what he thought about western civilization, he answered that yes, it would be a good idea. The bank man’s bonuses and the oligarch’s billions are natural phenomena. Someone has to pull away from the masses – or else we’ll all become poorer. After the crash Icelandic banks lost 100 billion dollars. The country’s GDP had only ever amounted to thirteen billion dollars in total. An island with chronic inflation, a small currency and no natural resources to speak of: fish and warm water. Its economy was a third of Luxembourg’s. Well, they should be grateful they were allowed to take part in the financial party. Just like ugly girls should be grateful. Enjoy, swallow and don’t complain when it’s over. Economists can pull the same explanations from their hats every time. Dream worlds of total social exclusion and endless consumerism grow where they can be left in peace, at a safe distance from the poverty and environmental destruction they spread around themselves. Alternative universes for privileged human life forms. The stock market rises and the stock market falls. Countries devalue and currencies ripple. The market’s movements are monitored minute by minute. Some people always walk in threadbare shoes. And you arrange your preferences to avoid meeting them. It’s no longer possible to see further into the future than one desire at a time. History has ended and individual freedom has taken over. There is no alternative.

Who that cares much to know the history of man, and how that mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with distinctively human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa’s passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel, and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order. That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.

Immediately my mind had conceived this new idea of "the purest and most exalted manifestation of dramatic art," it, the idea, sped to join the imperfect pleasure which I had felt in the theatre, added to it a little of what was lacking, and their combination formed something so exalting that I cried out within myself: ‘What a great artist!’ It may doubtless be argued that I was not absolutely sincere. But let us bear in mind, rather, the numberless writers who, dissatisfied with the page which they have just written, if they read some eulogy of the genius of Chateaubriand, or evoke the spirit of some great artist whose equal they aspire to be, by humming to themselves, for instance, a phrase of Beethoven, the melancholy of which they compare with what they have been trying to express in prose, are so filled with that idea of genius that they add it to their own productions, when they think of them once again, see them no longer in the light in which at first they appeared, and, hazarding an act of faith in the value of their work, say to themselves: "After all!" without taking into account that, into the total which determines their ultimate satisfaction, they have introduced the memory of marvellous pages of Chateaubriand which they assimilate to their own, but of which, in cold fact, they are not the authors; let us bear in mind the numberless men who believe in the love of a mistress on the evidence only of her betrayals; all those, too, who are sustained by the alternative hopes, either of an incomprehensible survival of death, when they think, inconsolable husbands, of the wives whom they have lost but have not ceased to love, or, artists, of the posthumous glory which they may thus enjoy; or else the hope of complete extinction which comforts them when their thoughts turn to the misdeeds that otherwise they must expiate after death; let us bear in mind also the travellers who come home enraptured by the general beauty of a tour of which, from day to day, they have felt nothing but the tedious incidents; and let us then declare whether, in the communal life that is led by our ideas in the enclosure of our minds, there is a single one of those that make us most happy which has not first sought, a very parasite, and won from an alien but neighbouring idea the greater part of the strength that it originally lacked

She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.

You are a thinker. I am a thinker. We think that all human beings are thinkers. The amazing fact is that we tend to think against artificial intelligence — that various kind of computers or artificial robots can think, but most of us never cast any doubt on human thinking potential in general. If during natural conservation with human any computer or artificial robot could generate human-like responses by using its own ‘brain’ but not ready-form programming language which is antecedently written and included in the brain design and which consequently determine its function and response, then that computer or artificial robot would unquestionably be acknowledged as a thinker as we are. But is it absolutely true that all humans are capable of using their own brain while interpreting various signals and responding them? Indeed, religion or any other ideology is some kind of such program which is written by others and which determines our vision, mind and behavior models, depriving us of a clear and logical thinking. It forces us to see the world with its eyes, to construct our mind as it says and control our behavior as it wants. There can be no freedom, no alternative possibilities. You don’t need to understand its claims, you need only believe them. Whatever is unthinkable and unimaginable for you, is said higher for your understanding, you cannot even criticise what seems to be illogical and absurd for you. The unwritten golden rule of religion and its Holy Scripture is that — whatever you think, you cannot contradict what is written there. You can reconcile what is illogical and absurd in religion with logic and common sense, if it is possible, if not, you should confine your thinking to that illogicality and absurdity, which in turn would make you more and more a muddled thinker. For instance, if it is written there that you should cut head or legs of anyone who dare criticize your religion and your prophet, you should unquestionably believe that it is just and right punishment for him. You can reason in favor of softening that cruel image of your religion by saying that that ‘just and right punishment’ is considered within religious community, but not secular society. However, the absurdity of your vision still remains, because as an advocate of your religion you dream of its spread all over the world, where the cruel and insane claims of your religion would be the norm and standard for everyone. If it is written there that you can sexually exploit any slave girl or woman, especially who doesn’t hold your religious faith or she is an atheist, you should support that sexual violence without any question. After all of them, you would like to be named as a thinker. In my mind, you are a thinker, but a thinker who has got a psychological disorder. It is logical to ask whether all those ‘thinkers’ represent a potential danger for the humanity. I think, yes. However, we are lucky that not all believers would like to penetrate into deeper ‘secrets’ of religion. Many of them believe in God, meditate and balance their spiritual state without getting familiar with what is written in holy scriptures or holding very vague ideas concerning their content. Many believers live a secular life by using their own brain for it. One should love anybody only if he thinks that he should love him/her; if he loves him/her because of God, or religious claims, he can easily kill him/her once because of God, or religious claims, too. I think the grave danger is the last motive which religion cause to arise.

PROLOGUE Some years ago in the Planet Orfheus ... It was dark when Lucius reached the rendezvous which had been chosen to be the new hideout. The latter had been used for several months and they were concerned that they were being followed and were close to being discovered. "I thought you were not coming. I've been waiting for you for almost an hour. I was getting anxious," Sofia said, relieved. "Sorry, love. It is becoming increasingly difficult. I almost didn't make it today. The troops were ambushed in the last invasion. Igor and many warriors returned seriously injured," Lucius replied. He looked worried. Why this sudden encounter? They had agreed that the next would be the following week. Lucius gave her a big hug, pulled her close to him, and remained silent for a few moments. His longing and desire consumed him. She meant the world to him. Without Sofia, his life would never make sense. He would never forget those eyes, serene and sincere, with a blue so bright and clear that were able to see the soul of the tormented warrior that was he. With her golden hair, Sofia looked like an angel. "Is there a problem? You're so quiet and deep in thought," she asked, puzzled. He answered, "I'm thinking about us. How long are we keeping it secret?" He walked away from her, sighing. "We can't keep lying and pretending that all is well. You have no idea how much I have to endure when you are away from me, or when I see you with him." "Love, not now. We have already discussed this subject several times. You know that our only alternative would be to flee and pray they will never find us," she replied. Sofia knew very well that the laws of the kingdom could not be disregarded. Love, respect, and loyalty were key factors that were part of the hierarchy of Orfheus. Although she had always been in love with Lucius who had never shown any interest in her, Sofia was bound to his brother Alex as a result of a pact. Over the centuries, Lucius began to change and express loving feelings for her. She never ceased to love him and both succumbed to the temptation and passion of it. Inevitably, a love affair developed between the two. Interrupting her thoughts, Lucius grabbed her by the hand and led her into the hut. This hut was located inside a vast and beautiful forest. He pulled her by the waist, gave her a passionate kiss, stroked her hair, and said softly, "Love, I missed you so much." "I also felt homesick but the real reason I came here today is to tell you something very important. I need you to listen carefully and keep calm," she said as she ran her hands through her hair which contrasted with her pale skin. Sofia did not want to scare him. However, she imagined that he would be upset and angry with the news. Unfortunately, the revelation was inevitable and sooner or later, everything would come out. "I'm pregnant," she said unceremoniously. For a brief moment, Lucius said nothing. He just stared at her without any reaction. He seemed to be in a silent battle with his own thoughts. "But how?" he babbled, not believing what he had just heard. It was surely a bombshell revelation. That would be the end for them. Sofia said, "Stay calm, love. I know this changes everything. What we were planning for months is no longer possible." She sat on a makeshift stool and continued with tears in her eyes. "With the baby coming, I cannot simply go through the portal. The baby and I would die during the crossing." Lucius replied, "Could we ask for help from Aunt Wilda? She is very powerful. Probably she would be able to break through the magic of the portals." Sofia had already thought of that. She was well aware that it was the only choice left. Aunt Wilda had always been like a mother to her. The sorceress adopted her when she was a girl, soon after her family had died in combat.

If we read Girls in the context of the earlier Sex and the City, the contrast between the two adds a dimension to the later serials's world. The impact of the financial crises has shifted the possibilities that had been opened to the characters. They live in contrast to the dreams they saw represented when they were younger.

The crisis must be examined from different angles. To anyone else but that boy or girl sitting across from you, the crisis may seem trivial. In his or her mind, though, it has taken on monumental proportions. "De-catastrophize" the issues where possible. Identify the most realistic and promising alternatives.