“
I already killed you once today, what does it take to teach some people?
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Remember...Whoever is trying to bring you down is already below you.
”
”
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
“
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret.
Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really.
You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge.
There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter.
At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
Kieran's hands came up to cup Mark's face. His touch was gentle. "I am not doing it for you," he said. "This will be what I do for Emma and the others. Then that debt will be paid. You and I, our debts are paid already." He leaned forward and brushed his lips against Mark's. Mark wanted to chase the kiss, the warmth of it, the familiarity. He felt Kieran's hand come down to splay itself over his chest-over the elf-bolt that hung there, below his collarbone. "We will be done with each other".
"No," Mark whispered.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
No orchard's the worse for the wintriest storm;
But one thing about it, it mustn't get warm.
"How often already you've had to be told,
Keep cold, young orchard. Good-bye and keep cold.
Dread fifty above more than fifty below."
I have to be gone for a season or so.
”
”
Robert Frost
“
He’d never given it much thought before, but every second he spent with her, the yearning to connect, to know every chapter of her story, ate at him. He shouldn’t pry. It was none of his business. After tonight, she’d have her replica to sell for the Digi Robins.
For all he knew, she’d go back to being a broker at his firm, nothing more.
His hand slipped off the ratline and he cursed under his breath. “Damn it.”
“If you fall on me, I’m gonna be pissed.” Harmony called from below.
He grinned in spite of himself as he found his rhythm again. “I’m not fallin’ anytime soon, love.”
But truth be told…he was starting to suspect he’d already had.
For her.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
— What were you thinking about, child?
— I was thinking of heaven.
— It’s unnecessary for you to think of heaven: there’s already enough to consider about earth. Are you tired of living, you who have barely been born?
— No, but everyone prefers heaven to earth.
— Well, not I. For since heaven, as well as earth, has been made by God, you may count on encountering up there the very same evils as here below. After your death, you will not be rewarded according to your deserts, for if injustices are done you on this earth (as you will find out later by experience) there is no reason why, in the next life, you will not be further wronged. The best thing for you to do is not think of God, and since it is refused you, to make your own justice.
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
As writers we are always seeking support. First we should notice that we are already supported every moment. There is the earth below our feet and there is the air, filling our lungs and emptying them. We should begin from this when we need support. There is the sunlight coming through the window and the silence of the morning. Begin from these. Then turn to face a friend and feel how good it is when she says, “I love your work.” Believe her as you believe the floor will hold you up, the chair will let you sit.
”
”
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
“
How amazingly far normalcy extends; how you can keep it in sight as if you were on a raft sliding out to sea, the stitch of land growing smaller and smaller. Or in a balloon swept up on a column of prairie air, the ground widening and flattening, growing less and less distinct below you. You notice it, or you don't notice it. But you're already too far away and all is lost.
”
”
Richard Ford (Canada)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
”
”
Leo Tolstoy (A Confession)
“
May the Best Man Wins!? how can you compete if your already below of your Feet?
”
”
kent Ian N. Cny
“
On evenings like this, when the streets below were filled with couples strolling, and laughing people spilled out of pubs, already planning meals, nights out, trips to clubs, something ached inside me, something primal telling me that I was in the wrong place, that I was missing something. These were the moments when I felt most left behind.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
Those were the best nights of my life. I couldn’t say why, exactly, this was so—only that I knew that as an old woman, when I thought back to my youth, I’d remember these nights, sitting with these five people along the harrowing window ledge of the Foreman’s Lookout, gazing into that clear blue lake hundreds of feet below. Our friendship was born there. There we were bound together. Something about seeing each other against that spare, alien backdrop of rock, water, and sky—not to mention the prohibited, dangerous thing we were doing—it X-rayed us, revealed the unspoken questions we each were asking. You could feel life burning us, our scars as real as the wind whipping our faces. We knew that nothing would ever be the same, that youth was here and nearly gone already, that love was fragile and death was real.
”
”
Marisha Pessl (Neverworld Wake)
“
I think it’s time to go ahead and start, don’t you? We don’t want them to have enough time to make a trip back to shore with her.”
Galen swims to within an inch of my face. His lazy grin sends a thousand butterflies whipping up a tornado in my stomach. “Start what? The rescue, or the rest of our lives together?”
Just the words make my heart jump, let alone the look he gives me when he says it. We haven’t had much time to talk about what all this means for us, but at least I know we can be together. On our own terms, in our own time. Finally. “Both,” I breathe.
“This is not the time to be all mushy,” Rayna calls from below us. “I swear you two are expert time wasters. So inconsiderate.”
Galen winks at me and dives to his sister.
“Wait,” I call to him. He stops. “I just wanted to say, I like your big fin. I think it’s sexy.” Which is the truth. Now t’s more than double the size of any other Syrena. I know he’s self-conscious about it; he thinks it makes him stand out more. What Galen doesn’t realize is that he already stood out. He was already special. This new fin doesn’t change anything. Well, except for making me hotter for him than I already was.
“Really?” Galen says.
I nod and blow him a kiss. By his confused expression, he has no idea what I’m doing. My Syrena human ambassador still has a lot to learn about the intimate details of the human world. And I’ll be happy to assist him with that.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?”
He grunted.
“You don’t want to eat anything?”
“No.” He did not want to tax his stomach for the next twelve hours.
“So what now? Are we going on the run?”
He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh.
The sight jolted him out of his lethargy. “Where are your trousers?”
“They had no braces and won’t stay up. Besides, it’s warm enough in here.”
He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement.
He might have been a bit unsteady too, if he were not already lying down.
“You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
”
”
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
“
Twenty million people live and work in Tokyo. It’s so big that nobody really knows where it stops. It’s long since filled up the plain, and now it’s creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it’s already become out of date. It’s a tall city, and a deep one, as well as a spread-out one. Things are always moving below you, and above your head. All these people, flyovers, cars, walkways, subways, offices, tower blocks, power cables, pipes, apartments, it all adds up to a lot of weight. You have to do something to stop yourself caving in, or you just become a piece of flotsam or an ant in a tunnel. In smaller cities people can use the space around them to insulate themselves, to remind themselves of who they are. Not in Tokyo. You just don’t have the space, not unless you’re a company president, a gangster, a politician or the Emperor. You’re pressed against people body to body in the trains, several hands gripping each strap on the metro trains. Apartment windows have no view but other apartment windows.
”
”
David Mitchell (Ghostwritten)
“
Do you think that the day you stop listening to new music is the day you decide you’re on the path to old age? Like you’ve given up on new stuff and you resign yourself to music you’ve already heard? Like you’re through discovering and all you want to do is rummage through your old things?
”
”
C.J. Box (Below Zero (Joe Pickett, #9))
“
Straining to hear, I can make out something acoustic. Coming from...the backyard?
I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve.
But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan.
What an asshole.
The mesh screen and two floors between us don't seem like enough to protect him from my anger.
"Nice apology," I call down to him.
"I've apologised thirteen times," he yells back, "and so far you haven't called me back."
I open my mouth to say it doesn't matter, but he's already redirecting the song.
"Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here."
(...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!"
The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..."
I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him.
(...) "Dad. How did Matt know which window was mine?"
"Well..." he peeks over the sports section. "I reckon I told him."
"You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!"
He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned."
"It's not any of those things! I hate him!
”
”
Emery Lord (Open Road Summer)
“
After having lived life for so many years, you would have learnt that nothing external can give you permanent joy, because it’s all fleeting and temporary. Permanent joy is right here and now, in your being – it’s not out-there in some relationship or material possession. You can have everything you desire, but first you must know that none of it is going to bring you permanent joy. Permanent peace/joy is already present in your being right now, below the surface level thoughts and feelings, recognize that and rest in this place – when you do so, you will be in a place of zero resistance and thus allow swift manifestation of your desires.
”
”
Sen Mani
“
Mountains have long been a geography for pilgrimage, place where people have been humbled and strengthened, they are symbols of the sacred center. Many have traveled to them in order to find the concentrated energy of Earth and to realize the strength of unimpeded space. Viewing a mountain at a distance or walking around its body we can see its shape, know its profile, survey its surrounds. The closer you come to the mountain the more it disappears, the mountain begins to lose its shape as you near it, its body begins to spread out over the landscape losing itself to itself. On climbing the mountain the mountain continues to vanish. It vanishes in the detail of each step, its crown is buried in space, its body is buried in the breath. On reaching the mountain summit we can ask, “What has been attained?” - The top of the mountain? Big view? But the mountain has already disappeared. Going down the mountain we can ask, “What has been attained?” Going down the mountain the closer we are to the mountain the more the mountain disappears, the closer we are to the mountain the more the mountain is realized. Mountain’s realization comes through the details of the breath, mountain appears in each step. Mountain then lives inside our bones, inside our heart-drum. It stands like a huge mother in the atmosphere of our minds. Mountain draws ancestors together in the form of clouds. Heaven, Earth and human meet in the raining of the past. Heaven, Earth and human meet in the winds of the future. Mountain mother is a birth gate that joins the above and below, she is a prayer house, she is a mountain. Mountain is a mountain.
”
”
Joan Halifax (The Fruitful Darkness: A Journey Through Buddhist Practice and Tribal Wisdom)
“
Yet what moved Our Blessed Lord to invective was not badness but just such self-righteousness as this…He said that the harlots and the Quislings would enter the Kingdom of Heaven before the self-righteous and the smug. Concerning all those who endowed hospitals and libraries and public works, in order to have their names graven in stone before their fellow men, He said, “Amen I say to you, they have received their reward” (Matt. 6:2). They wanted no more than human glory, and they got it. Never once is Our Blessed Lord indignant against those who are already, in the eyes of society, below the level of law and respectability. He attacked only the sham indignation of those who dwelt more on the sin than the sinner and who felt pleasantly virtuous, because they had found someone more vicious than they. He would not condemn those whom society condemned; his severe words were for those who had sinned and had not been found out…He would not add His burden of accusation to those that had already been hurled against the winebibbers and the thieves, the cheap revolutionists, the streetwalkers, and the traitors. They were everybody’s target, and everybody knew that they were wrong…And the people who chose to make war against Our Lord were never those whom society had labeled as sinners. Of those who sentenced Him to death, none had ever had a record in the police court, had ever been arrested, was ever commonly known to be fallen or weak. But among his friends, who sorrowed at His death, were coverts drawn from thieves and from prostitutes. Those who were aligned against Him were the nice people who stood high in the community—the worldly, prosperous people, the men of big business, the judges of law courts who governed by expediency, the “civic-minded” individuals whose true selfishness was veneered over with public generosity. Such men as these opposed him and sent Him to His death.
”
”
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
“
The night before Ramona's funeral is the first really cold one of the autumn. Not the first when the temperature falls below freezing, nor even the first with snow, just the first one that can't really be described in words, no matter how many years you've experienced it: the first one when you're already accustomed to it, when the cold feels normal rather than the exception. Summer is long dead, but tonight is when we lose our memory of it, the last light slides away and a sack is pulled over the town. Tomorrow suddenly our fingers won't remember life without gloves, our ears can't quite remember the sound of birdsong, and the soles of our feed have forgotten all about puddles that don't crunch when we step on them.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
company and for similar companies in the same industry. • The percentage of institutional ownership. The lower the better. • Whether insiders are buying and whether the company itself is buying back its own shares. Both are positive signs. • The record of earnings growth to date and whether the earnings are sporadic or consistent. (The only category where earnings may not be important is in the asset play.) • Whether the company has a strong balance sheet or a weak balance sheet (debt-to-equity ratio) and how it’s rated for financial strength. • The cash position. With $16 in net cash, I know Ford is unlikely to drop below $16 a share. That’s the floor on the stock. SLOW GROWERS • Since you buy these for the dividends (why else would
”
”
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
“
Marissa Theodora took out her journal, put it on her lap so Mr. Alva would not see. She penciled thoughts as they came. ‘Picture the classroom plunged into dark,’ she wrote. A touchable darkness, like the fur of a black cat. A thick fog of ink. You can move through it; just not quickly. Can’t shout through it; only talk in low soft tones.’ She frowned. Why ‘plunged into dark’? Why not ‘opened’? Darkness was already everywhere. Under the floor, between the walls. Up in space and below the earth. Everyone’s pockets were full of Dark. Our heads? Stuffed with the stuff. Close your eyelids and roll your eyes inward, and gaze into the cavern of your skull. Behold: your secret vault of Dark. Marissa considered writing that. Decided not. It sounded gloomy, even creepy.
”
”
Raymond St. Elmo (In Theory, it Works (Texas Pentagraph #5))
“
I move in slow motion to roll out of bed, arrange clothing under the covers, and silently remove the screen from my window. Smoothly and soundlessly, I slip out and lower myself to the ground, reaching high above my head to replace the screen. I crouch and skim across the lawn to the street, moving quickly from tree shadow to tree shadow until I reach his car, the passenger door already open and waiting. “Ready?” Steve asks as we synchronize the closing of the door with the starting of the engine. Within moments, we’re on our way to our favorite spot. “You’re awfully quiet tonight, baby.” He parks the car and we both peer out at the lights of the town displayed below us. “Your father get after you again?” It’s a peculiar way to word it, but even my father won’t use words like beat or hit to describe his actions. He’ll use a quote like, “Spare the rod, spoil the child.” Or declare that he is saving my soul. But my silence tonight isn’t about my father’s form of discipline, nor my mother’s sharp tongue. I take a long, slow breath before speaking the words that I’ve rehearsed for over a month. “I’m pregnant.” My voice comes out soft and raspy.
”
”
Diane Winger (The Abandoned Girl)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Nothing outside of you can ever make you feel something. Those emotions (anger, frustration, upset) live in you. Want proof? Have you ever been happily driving your car when someone wants to cut into your lane and you pleasantly oblige? Now, can you also remember a time when someone cut in front of you and you honked, screamed and acted like the poster child for road rage? In the latter experience, chances are you were already upset. You had anger and frustration in you, sitting just below the surface. The event itself doesn’t cause the upset—it merely is a trigger that justifies what’s already happening in you and waiting to get out. So when you blame other people for what you’re feeling, you disempower yourself. You’re operating from confusion and making yourself the victim of those around you.
”
”
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
“
Everything that is universally considered beautiful and most likely everything that turns you on are signs of these things, such as smooth skin, a symmetrical face, relatively big eyes, round perky breasts, lack of body hair below the head, a skinny frame with a narrow waist, or relatively wide hips if you wish, being both better for childbirth and a sign that a woman has not already been impregnated by another male.
”
”
W. Anton (The Manual: What Women Want and How to Give It to Them)
“
Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’”
Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty.
“‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’”
Astrid took a dramatic pause.
“‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’”
Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this.
Redemption. Not a bad concept.
Well, partial redemption.
“It’s signed Caine Soren. And below that, ‘King of the FAYZ.’”
It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted.
Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.
”
”
Michael Grant (Light (Gone, #6))
“
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”
”
Walter Isaacson (Steve Jobs)
“
We were arguing about which beach you wanted me to take you to. We were going swimming after school."
"Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines.
"Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim."
Bells are going off in my head, but not the kind that should be ringing if this were true. I don't remember talking about the beach at all, but I do remember answering the question about the Titanic in Mr. Pinter's class. Even Galen, wielding his smile as a thought deterrent, couldn't have talked me into getting in the water, could he? "I...I don't believe you." I decide as I say it. "I wouldn't get that upset about a date. Historical or otherwise."
He shrugs. "It surprised me, too."
I raise a BS brow. "Why would you argue about the date anyway? You could Google it all over the place and get the same answer.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah."
"Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows.
He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement."
A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with."
His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts.
"So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him.
Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours."
She laughed. "All right,I'm going to let you win this time."
"Would you care for a shower?" he asked solicitously.
When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour.
Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this."
"Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?"
"I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast.
"Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world.
She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic.
“Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure.
His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.”
Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly.
Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.”
“The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories.
No, he doesn’t think I have the red fever.
Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?”
“It’s sore.”
“Have you asked anyone about it?”
“I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else.
Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail.
“I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.”
Galen grins, letting his tail fall. “For a minute there I thought you really cared.”
Toraf shrugs. “Being self-conscious doesn’t suit you.”
Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?”
“I think I know where Nalia and Emma get their temper.”
Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.”
“He’s not very good at interacting with others anymore, is he?”
“I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.”
It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face.
“Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma.
“Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.”
That’s almost as bad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
What were we talking about?” said Caspian. “Have I been making rather an ass of myself?”
“Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.”
“That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.”
But in fact they had not much to tell for the memory of the last hour had all become confused.
“Their Majesties all seemed a bit bewitched when they came aboard,” said Drinian to Rhince some hours later when the Dawn Treader was once more under sail and Deathwater Island already below the horizon. “Something happened to them in that place. The only thing I could get clear was that they think they’ve found the body of one of these lords we’re looking for.”
“You don’t say so, Captain,” answered Rhince. “Well, that’s three. Only four more. At this rate we might be home soon after the New Year. And a good thing too. My baccy’s running a bit low. Good night, Sir.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
So, once more, the question is: Does the Bible forbid homosexual behavior? Well, I’ve already said that it does. The Bible is so realistic! You might not expect it to mention a topic like homosexual behavior, but in fact there are six places in the Bible—three in the Old Testament and three in the New Testament—where this issue is directly addressed—not to mention all the passages dealing with marriage and sexuality which have implications for this issue. In all six of these passages homosexual acts are unequivocally condemned.
In Leviticus 18.22 it says that it is an abomination for a man to lie with another man as with a woman. In Lev. 20.13 the death penalty is prescribed in Israel for such an act, along with adultery, incest, and bestiality. Now sometimes homosexual advocates make light of these prohibitions by comparing them to prohibitions in the Old Testament against having contact with unclean animals like pigs. Just as Christians today don’t obey all of the Old Testament ceremonial laws, so, they say, we don’t have to obey the prohibitions of homosexual actions. But the problem with this argument is that the New Testament reaffirms the validity of the Old Testament prohibitions of homosexual behavior, as we’ll see below. This shows they were not just part of the ceremonial laws of the Old Testament, which were done away with, but were part of God’s everlasting moral law. Homosexual behavior is in God’s sight a serious sin. The third place where homosexual acts are mentioned in the Old Testament is the horrifying story in Genesis 19 of the attempted gang rape of Lot’s visitors by the men of Sodom, from which our word sodomy derives. God destroyed the city of Sodom because of their wickedness.
Now if this weren’t enough, the New Testament also forbids homosexual behavior.
”
”
William Lane Craig
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Most often attention is confused with a kind of muscular effort. If one says to one’s pupils: “Now you must pay attention,” one sees them contracting their brows, holding their breath, stiffening their muscles. If after two minutes they are asked what they have been paying attention to, they cannot reply. They have not been paying attention. They have been contracting their muscles...
Attention is an effort, the greatest of all efforts perhaps, but it is a negative effort. Of
itself, it does not involve tiredness. When we become tired, attention is scarcely possible any more, unless we have already had a good deal of practice. It is better to stop working altogether, to seek some relaxation, and then a little later to return to the task; we have to press on and loosen up alternately, just as we breathe in and out.
Twenty minutes of concentrated, untired attention is infinitely better than three hours of the kind of frowning application which leads us to say with a sense of duty done: “I have worked well!”
But, in spite of all appearances, it is also far more difficult. There is something in our soul which has a far more violent repugnance for true attention than the flesh has for bodily fatigue...
Attention consists of suspending our thought, leaving it detached, empty and ready to be penetrated by the object. It means holding in our minds, within reach of this thought, but on a lower level and not in contact with it, the diverse knowledge we have acquired which we are forced to make use of. Our thought should be in relation to all particular and already formulated thoughts as a man on a mountain who, as he looks forward, sees also below him, without actually looking at them, a great many forests and plains. Above all our thought should be empty, waiting, not seeking anything, but ready to receive in its naked truth the object which is to penetrate it.
”
”
Simone Weil (Waiting for God)
“
He looked sharply towards the pollarded trees.
'Yes, just there,' he said. 'I saw it plainly, and equally plainly I saw it not. And then there's that telephone of yours.'
I told him now about the ladder I had seen below the tree where he saw the dangling rope.
'Interesting,' he said, 'because it's so silly and unexpected. It is really tragic that I should be called away just now, for it looks as if the - well, the matter were coming out of the darkness into a shaft of light. But I'll be back, I hope, in thirty-six hours. Meantime, do observe very carefully, and whatever you do, don't make a theory. Darwin says somewhere that you can't observe without theory, but to make a theory is a great danger to an observer. It can't help influencing your imagination; you tend to see or hear what falls in with your hypothesis. So just observe; be as mechanical as a phonograph and a photographic lens.'
Presently the dog-cart arrived and I went down to the gate with him.
'Whatever it is that is coming through, is coming through in bits,' he said. 'You heard a telephone; I saw a rope. We both saw a figure, but not simultaneously nor in the same place. I wish I didn't have to go.'
I found myself sympathizing strongly with this wish, when after dinner I found myself with a solitary evening in front of me, and the pledge to 'observe' binding me. It was not mainly a scientific ardour that prompted this sympathy and the desire for independent combination, but, quite emphatically, fear of what might be coming out of the huge darkness which lies on all sides of human experience. I could no longer fail to connect together the fancied telephone bell, the rope, and the ladder, for what made the chain between them was the figure that both Philip and I had seen. Already my mind was seething with conjectural theory, but I would not let the ferment of it ascend to my surface consciousness; my business was not to aid but rather stifle my imagination. ("Expiation")
”
”
E.F. Benson (The Collected Ghost Stories of E.F. Benson)
“
I quickly scrambled back up to my feet just in time to see Vinny’s big hand coming right at me. I swiftly ducked underneath it and then swung my sword at the giant’s arm, grazing his right arm. “Ooof!” Vinny groaned and reeled back. I took the opportunity to swing at him with another strike, this time at his feet. Vinny stumbled and shook as he tried to keep his balance. As sneaky as he sometimes can be, Jack had already finished digging a hole behind the giant while he was busy fighting me. Vinny, as he kept taking his steps backwards, tripped on the hole and came crashing down on the ground below. Jack and I both jumped on top of the giant. I smacked him a little with the blunt side of my sword, while Jack slapped the giant with a porkchop. “Ready to answer questions now?” I asked the giant. The giant opened his mouth to reply but was promptly slapped by Jack with another porkchop. “Jack, you have to let him talk first, then smack him if he refuses to answer,” I explained. “Oh, right. My bad. I was really into it,” Jack apologized, “To be fair, I was just tossed through a barn. I feel like I deserve a bit of vengeance.” “Okay, okay. Stop with the porkchop slapping,” Vinny pleaded, “I’m a vegan.” “Oh, sorry,” Jack reached into his pocket and pulled out a roll of bread and then slapped the giant with the bread instead.
”
”
Write Blocked (Champions Royale (Stuck Inside Minecraft #6))
“
Often as she was painting she found herself drifting back through her past like someone wandering through an old house. She thought of her father, who used to take her for neighborhood walks on Sundays when she was a child so that her mother, already an invalid, could get her rest. “Notice the rust stains below those eaves,” he would say. “Below Mrs. Webb’s eaves. I don’t know how often I’ve told her she needs to have her gutters cleaned.” And once, when it began to rain, “Have you ever wondered where rain comes from?” “No, not really,” she had said bluntly, but he had told her anyhow—all about evaporation, condensation…Now she saw that he had adored her, and she felt a deep wave of regret for her failure to realize that before.
”
”
Anne Tyler (French Braid)
“
It looked like every cartoon of a flying saucer Newt had ever seen.
As he stared over the top of his map, a door in the saucer slid aside with a satisfying whoosh, revealing a gleaming walkway which extended automatically down to the road. Brilliant blue light shone out, outlining three alien shapes. They walked down the ramp. At least, two of them walked. The one that looked like a pepper pot just skidded down it, and fell over at the bottom.
The other two ignored its frantic beeping and walked over to the car quite slowly, in the worldwide approved manner of policemen already compiling the charge sheet it their heads. The tallest one, a yellow toad dressed in kitchen foil, rapped on Newt's window. He wound it down. The thing was wearing the kind of mirror-finished sunglasses that Newt always thought of as Cool Hand Luke shades.
'Morning, sir or madam or neuter,' the thing said. 'This your planet, is it?'
The other alien, which was stubby and green, had wandered off into the woods by the side of the road. Out of the corner of his eye Newt saw it kick a tree, and then run a leaf through some complicated gadget on its belt. It didn't look very pleased.
'Well, yes. I suppose so.' he said.
The toad stared thoughtfully at the skyline.
'Had it long, have we, sir?' it said.
'Er. Not personally. I mean, as a species, about half a million years. I think.'
The alien exchanged glances with its colleague. 'Been letting the old acid rain build up, haven't we, sir?' it said. 'Been letting ourselves go a bit with the old hydrocarbons, perhaps?'
'I'm sorry.'
'Could you tell me your planet's albedo, sir?' said the the toad, still staring levelly at the horizon as though it was doing something interesting.
'Er. No.'
'Well, I'm sorry to have to tell you, sir, that your polar ice caps are below regulation size for a planet of this category, sir.'
'Oh, dear,' said Newt. He was wondering who he could tell about this, and realizing that there was absolutely no one who would believe him. [...]
The small alien walked past the car.
'CO2 level up 0.5 percent,' it rasped, giving him a meaningful look. 'You do know you could find yourself charged with being a dominant species while under the influence of impulse-driven consumerism, don't you?
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.”
“Why did you stay,” he countered smoothly, “when you realized I was still there?”
In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.”
“You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.”
“I was wrong,” she protested a little wildly. “Dangerous and-foolish!”
“Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice.
“Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.”
Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively.
He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.”
“Why?” she whispered shakily.
“So that we can finish what we began that weekend.”
Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal.
“I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.”
Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry.
“There are four steps separating us and a year and a half of wanting drawing us together,” he said.
Elizabeth swallowed. “Couldn’t you meet me halfway?”
The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.”
“I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path.
“Come here,” he invited huskily, “and I’ll show you.”
It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice.
Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender."
"Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water.
I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say.
He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office.
Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think."
After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him.
"I noticed. I'll work on it."
"You can start by giving me my backpack."
"Nope."
"Nope?"
"Right-nope. I'm carrying it for you. It's the least I can do."
"Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class."
"I'm late for it too, remember?"
Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office."
"No problem. I'll wait for you here, then I'll walk you to class."
I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno."
He crosses his arms. "Why are you changing your schedule? Is it because of me?"
"No."
"Liar."
"Sort of."
"Emma-"
"Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you."
He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-"
"What were we arguing about anyway? We were arguing, right?"
"You...you don't remember?"
I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though."
He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said."
The way I cross my arms reminds me of my mother. "That's what I'm saying, yes."
"You swear?"
"If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless."
His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school."
"Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines.
"Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Again, the exclusive tendency of richer people—due, no doubt, to the increasing refinement of their education, and the widening gulf between them and the rude violence of the poor—is already leading to the closing, in their interest, of considerable portions of the surface of the land. About London, for instance, perhaps half the prettier country is shut in against intrusion. And this same widening gulf—which is due to the length and expense of the higher educational process and the increased facilities for and temptations towards refined habits on the part of the rich—will make that exchange between class and class, that promotion by intermarriage which at present retards the splitting of our species along lines of social stratification, less and less frequent. So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers getting continually adapted to the conditions of their labour.
”
”
H.G. Wells (The Time Machine)
“
The gables of the houses, like a fading road below a blue sky studded with stars, are dark blue or violet with a green tree. Here you have a night painting without black, with nothing but beautiful blue and violet and green and in this surrounding the illuminated area colours itself sulfur pale yellow and citron green. It amuses me enormously to paint the night right on the spot. Normally, one draws and paints the painting during the daytime after the sketch. But I like to paint the thing immediately. It is true that in the darkness I can take a blue for a green, a blue lilac for a pink lilac, since it is hard to distinguish the quality of the tone. But it is the only way to get away from our conventional night with poor pale whitish light, while even a simple candle already provides us with the richest of yellows and oranges.” Café Terrace at Night is the first painting in which van Gogh used starry backgrounds. Later, he went on to use this technique more prominently in The Starry Night.
”
”
Vincent van Gogh (Delphi Complete Works of Vincent van Gogh (Illustrated) (Masters of Art Book 3))
“
To summarize my trading strategy for VWAP Moving Average Trend trading: When I am monitoring a Stock in Play and notice a trend is establishing around a moving average (usually 9 EMA) in the Late-Morning session, I consider VWAP Moving Average Trend trading. If the stock has already lost the VWAP (from a VWAP False Breakout), it most likely will stay below the VWAP. Similarly, if the stock squeezed above the VWAP in the Late-Morning session, it is most likely that it will stay above the VWAP, as it means the buyers are in control. Once I learn that either 9 or 20 EMA are acting as either a support or resistance, I buy the stock after confirmation of moving averages as a support, but only if I can clearly see it “held” the VWAP. Similarly, I go short below the moving averages if I have the confirmation that it has “lost” the VWAP in the Late-Morning session. I buy or sell short as close as possible to the moving average line (in order to have a small stop). My stop will usually be 5 to 10 cents below the moving average line or, if a candlestick, close below the moving average (for long positions). For short positions, a close above the moving average would stop me out. I ride the trend until the break of 9 or 20 EMA. Usually, 20 EMA is a stronger support or resistance, so it is better to wait for that. I usually do not use trailing stops and I constantly monitor the trend with my eyes, but I know that many traders also use trailing stops. If the stock is moving really high away from the moving average, offering me an equally really nice unrealized profit, I may take some profit, usually at the 1/4 or half-position. I do not always wait until the break of moving average for my exit. Traders will say: you can never go broke by taking good profits. If the price pulls back to the moving average, I may add again to my position and continue the VWAP Moving Average Trend trade. Remember, when you take profit, you should always bring your stop loss to break-even. Never go red on a stock that you already booked some profit on.
”
”
Andrew Aziz (Day Trading for a Living (Stock Market Trading and Investing))
“
Hope there isn’t anyone below us.”
“If so, they’re already asleep. I mean, I’d already be asleep if you weren’t licking my ear. Why are you licking my ear?”
Lex retrieved her tongue. “Because I feel like something awful is going to happen tomorrow. And I’m really hoping it doesn’t involve my grisly demise, or an even grislier demise for you than your last one, but—” She swallowed. “I want this night to be a happy one, because I think they’re going to be in short supply from now on.”
“Yeah, but—” He glanced behind them. “With four friends, one uncle, one Pandora, and a comatose museum curator within hearing range?”
“Good point.” Lex nodded thoughtfully, as if they were debating tax reform. “However: this.” She grabbed his hands and slapped them onto her chest.
His eyes bulged, then met hers. “Compelling rebuttal.”
Lex grinned and dove back into his face while Driggs’s hands reached around her back. “Ah, the over-shoulder boulder holder,” he said in a sneering voice, picking at her bra. “My old nemesis.”
“Okay, don’t panic,” Lex said. “Do it just like we practiced.”
“Right. The hook faces out.”
“The hook faces in.”
“DAMMIT.
”
”
Gina Damico (Rogue (Croak, #3))
“
The Sixers killed my brother last night,” he said, almost whispering. At first, I was too stunned to reply. “You mean they killed his avatar?” I asked, even though I could already tell that wasn’t what he meant. Shoto shook his head. “No. They broke into his apartment, pulled him out of his haptic chair, and threw him off his balcony. He lived on the forty-third floor.” Shoto opened a browser window in the air beside us. It displayed a Japanese newsfeed article. I tapped it with my index finger, and the Mandarax software translated the text to English. The headline was ANOTHER OTAKU SUICIDE. The brief article below said that a young man, Toshiro Yoshiaki, age twenty-two, had jumped to his death from his apartment, located on the forty-third floor of a converted hotel in Shinjuku, Tokyo, where he lived alone. I saw a school photo of Toshiro beside the article. He was a young Japanese man with long, unkempt hair and bad skin. He didn’t look anything like his OASIS avatar. When Shoto saw that I’d finished reading, he closed the window. I hesitated a moment before asking, “Are you sure he didn’t really commit suicide? Because his avatar had been killed?” “No,
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
She had a point,you know," Edward commented a few hours later. "Unnecessarily crude, perhaps, but apt. Our public personas frequently do not match our private ones. You, of all people, should know that."
"This isn't about me," I said grumpily. "This is about needing to find more information about the private you.Something I don't already know."
"I have terribly ugly feet."
"Not what I had in mind.And probably untrue anyway."
Edward glanced down at the empty space below his rib cage. "Probably. So, what did you have in mind?"
"A letter,maybe.From Diana.Something that connected your love to your work."
"I rather thought I did that through my paintings."
"You did.I mean, that's what attracted me to you in the first place.Well, o, that was your smile, probably,but the paintings helped. It's just that I need to know more about your muse."
"Ah, darling Ella, the artist's muse is Ego.Nothing more."
"You don't mean that.You married Diana because she made you feel like no one else in the universe ever did or could."
He nodded. "She was extraordinary."
"But not everyone saw that.Your family went nuts.Half of your friends stopped inviting you over, at least for a while."
"Their loss. She was a woman who comes along once in a lifetime.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Michael held out one hand and made a "come here" motion. "Turn."
Without taking his intense focus from the open sea ahead, he swiftly unfastened the safety harness, then swiveled her face front and worked the closures on the jacket. Cold air bathed Tally's wet clothing and already chilled skin. His fingers felt warm through the wet cloth of her shirt.
"Th-thanks." Instead of feeling cold, she felt a rush of heat and stepped away. All this fear and adrenaline rushing around inside her was screwing up her normal, logical self. Her response to the man was as unexpected as it was intriguing.
Apparently, by the look on his face, he hadn't felt anything. "Get below," he said, voice grim, jaw set. He moved about on bare feet. Moved fast, but efficiently.
"Should I take your cat with me?"
"Don't have a cat."
The black furry thing right in front of him blinked.
"What's that?"
"Snap to it, sweetheart. We've got about seventeen minutes before the tail end of that typhoon hits us."
Tally almost smiled at the precision. "Exactly seventeen minutes? How could you possibly know that?"
"Want to stand there and debate it with a stopwatch?"
"No. What can I do to help?" She had to shout, and even then she wasn't sure he'd heard her.
"Told you. Below.
”
”
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
“
This saying good-bye on the edge of the dark
And cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don't want it girdled by rabbit and mouse,
I don't want it dreamily nibbled for browse
By deer, and I don't want it budded by grouse.
(If certain it wouldn't be idle to call
I'd summon grouse, rabbit, and deer to the wall
And warn them away with a stick for a gun.)
I don't want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard's the worse for the wintriest storm;
But one thing about it, it mustn't get warm.
"How often already you've had to be told,
Keep cold, young orchard. Good-bye and keep cold.
Dread fifty above more than fifty below."
I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an axe--
Maples and birches and tamaracks.
I wish I could promise to lie in the night
And think of an orchard's arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.
”
”
Robert Frost
“
Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861
”
”
Dyrk Ashton (Wrath of Gods (The Paternus Trilogy, #2))
“
Sometimes a man seems
to reverse himself so that you would say, “He can’t do that. It’s out of character.” Maybe it’s not. It could be just another angle, or it might be that the pressures above or below have changed his shape. You see it in war a lot—a coward turning hero and a brave man crashing in flames. Or you read in the morning paper about a nice, kind family man who cuts down wife and children with an ax. I think I believe that a man is changing all the time. But there are certain moments when the change becomes noticeable. If I wanted to dig deep enough, I could probably trace the seeds of my change right back to my birth or before.
But behind these and others, I wanted to consider what was happening to me and what to do about it, so naturally I got out the last thing first and I found that the dark jury of the deep had already decided for me. There it was, laid out and certain. It was like training for a race and preparing and finally being down at start with your spikes set in their holes. No choice then. You go when the pistol cracks. I found I was ready with my spikes set, waiting only for the shot. And apparently I was the last to know.
And if I should put the rules aside for a time, I knew I would wear scars but would they be worse than the scars of failure I was wearing? To be alive at all is to have scars.
”
”
John Steinbeck
“
Your built-in Success Mechanism must have a goal or “target.” This goal, or target, must be conceived of as “already in existence—now” either in actual or potential form. It operates by either (1) steering you to a goal already in existence or (2) “discovering” something already in existence. 2. The automatic mechanism is teleological, that is, it operates or must be oriented to “end results” goals. Do not be discouraged because the “means whereby” may not be apparent. It is the function of the automatic mechanism to supply the means whereby when you supply the goal. Think in terms of the end result, and the means whereby will often take care of themselves. The means by which your Success Mechanism works often take care of themselves and do so effortlessly when you supply the goal to your brain. The precise action steps will come to you without stress, tension, or worry about how you are going to accomplish the result you seek. Many people make the mistake of interfering with their Success Mechanism by demanding a how before a goal is clearly established. After you’ve formed a mental image of the goal you seek to create, the how will come to you—not before. Remain calm and relaxed and the answers will arrive. Any attempt to force the ideas to come will not work. As Brian Tracy wrote, “In all mental workings, effort defeats itself.” 3. Do not be afraid of making mistakes, or of temporary failures. All servo-mechanisms achieve a goal by negative feedback, or by going forward, making mistakes, and immediately correcting course. 4. Skill learning of any kind is accomplished by trial and error, mentally correcting aim after an error, until a “successful” motion, movement, or performance has been achieved. After that, further learning, and continued success, is accomplished by forgetting the past errors, and remembering the successful response, so that it can be imitated. 5. You must learn to trust your Creative Mechanism to do its work and not “jam it” by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it by too much conscious effort. You must “let it” work, rather than “make it” work. This trust is necessary because your Creative Mechanism operates below the level of consciousness, and you cannot “know” what is going on beneath the surface. Moreover, its nature is to operate spontaneously according to present need. Therefore, you have no guarantees in advance. It comes into operation as you act and as you place a demand on it by your actions. You must not wait to act until you have proof—you must act as if it is there, and it will come through. “Do the thing and you will have the power,” said Emerson.
”
”
Maxwell Maltz (Psycho-Cybernetics: Updated and Expanded (The Psycho-Cybernetics Series))
“
Liam was wrenched out of sleep the next morning by Kim banging on the attic door and shouting his name. His instincts had him on his feet and wrenching open the door before his brain even knew he was awake.
He found Kim in the hall, her eyes blazing, in a big black T-shirt with a Guinness logo on it. Kim had obviously slept in the rumpled T-shirt, which she must have found in Liam’s dresser drawer. Liam knew she’d be warm and very naked beneath it, and then he realized he was naked himself, prepared to shift.
One part of him was shifting already. “Gods, Kim, why are you out here yelling like a banshee?”
Kim held up a small bit of satin fabric, her eyes wide with fury. “Who packed this? It was a man, wasn’t it?”
“Probably. Why?”
She shook the red satin patch. “This is a thong. Have you ever worn a thong? Do you know how it feels to have a string up your ass all day?”
Liam sensed the rest of his family listening: Connor sitting up in bed behind him, Sean in the hall below, Dylan behind him in the same clothes he’d worn last night, which meant he’d slept next door.
“What’s wrong with a thong?” Liam asked her. “I bet it’s sexy on you.” He pictured it, and immediately clamped down on his imagination. Gods.
“Oh, right,” Kim said. “I’m standing in a courtroom, trying to think on my feet while the prosecution is laughing its butt off at me, but that’s all right— at least my underwear is sexy.
”
”
Jennifer Ashley (Pride Mates (Shifters Unbound, #1))
“
Often I gazed at you in wonder. I stood at the window begun yesterday,
stood and marvelled at you. Yet the new city
was denied me and the unpersuaded landscape
darkened, as though I were nothing. Nor did things close by
venture to be understood. The street thrust upwards
at the lamp post: I could see it was an alien thing.
Over there a room, sympathetic, clear in the lamplight –
I was already a part; this they sensed, closed the shutters.
Remained there. Then a child cried. I knew the mothers
in the houses around, of what they are capable – and I knew
at once the inconsolable argument behind all weeping.
Or a voice sang out and reached a little beyond
expectation, or down below an old man
who coughed full of reproach, as if his body
were in the right and the gentler world in error. Then the hour struck,
but I counted too late, it fell past me.
Like a boy, a stranger, at last deemed worthy to join in
yet drops the ball and knows none of the games
in which the others indulge with such ease,
stands there, looks away – to where?: I stood and suddenly
became aware, you approached me, played with me, I understood,
grown-up night, and I gazed at you enraptured. Where the towers
raged and, with fate averted, a city loomed over me
and before me were ranged unknowable mountains
and in the narrowing circle of hungering strangeness
welled the random flickering of my feelings
there it was, higher one,
no shame for you, that you know me. Your breath
passed over me, across widening solemn expanses
your smile entered into me.
”
”
Rainer Maria Rilke (Poems to Night)
“
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep.
Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
”
”
Anne Carson (Norma Jeane Baker of Troy)
“
No one acts in a void. We all take cues from cultural norms, shaped by the law. For the law affects our ideas of what is reasonable and appropriate. It does so by what it prohibits--you might think less of drinking if it were banned, or more of marijuana use if it were allowed--but also by what it approves. . . .
Revisionists agree that it matters what California or the United States calls a marriage, because this affects how Californians or Americans come to think of marriage.
Prominent Oxford philosopher Joseph Raz, no friend of the conjugal view, agrees: "[O]ne thing can be said with certainty [about recent changes in marriage law]. They will not be confined to adding new options to the familiar heterosexual monogamous family. They will change the character of that family. If these changes take root in our culture then the familiar marriage relations will disappear. They will not disappear suddenly. Rather they will be transformed into a somewhat different social form, which responds to the fact that it is one of several forms of bonding, and that bonding itself is much more easily and commonly dissoluble. All these factors are already working their way into the constitutive conventions which determine what is appropriate and expected within a conventional marriage and transforming its significance."
Redefining civil marriage would change its meaning for everyone. Legally wedded opposite-sex unions would increasingly be defined by what they had in common with same-sex relationships.
This wouldn't just shift opinion polls and tax burdens. Marriage, the human good, would be harder to achieve. For you can realize marriage only by choosing it, for which you need at least a rough, intuitive idea of what it really is. By warping people's view of marriage, revisionist policy would make them less able to realize this basic way of thriving--much as a man confused about what friendship requires will have trouble being a friend. . . .
Redefining marriage will also harm the material interests of couples and children. As more people absorb the new law's lesson that marriage is fundamentally about emotions, marriages will increasingly take on emotion's tyrannical inconstancy. Because there is no reason that emotional unions--any more than the emotions that define them, or friendships generally--should be permanent or limited to two, these norms of marriage would make less sense. People would thus feel less bound to live by them whenever they simply preferred to live otherwise. . . .
As we document below, even leading revisionists now argue that if sexual complementarity is optional, so are permanence and exclusivity. This is not because the slope from same-sex unions to expressly temporary and polyamorous ones is slippery, but because most revisionist arguments level the ground between them: If marriage is primarily about emotional union, why privilege two-person unions, or permanently committed ones? What is it about emotional union, valuable as it can be, that requires these limits?
As these norms weaken, so will the emotional and material security that marriage gives spouses. Because children fare best on most indicators of health and well-being when reared by their wedded biological parents, the same erosion of marital norms would adversely affect children's health, education, and general formation. The poorest and most vulnerable among us would likely be hit the hardest. And the state would balloon: to adjudicate breakup and custody issues, to meet the needs of spouses and children affected by divorce, and to contain and feebly correct the challenges these children face.
”
”
Sherif Girgis
“
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her.
It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
About two thousand years ago … If you are flying directly into a hurricane, it is probably useful to be a dragon who can see the future. Then again, if you are a dragon who can see the future, you are most likely far too smart to fly directly into a hurricane. And yet, according to Clearsight’s visions, that was exactly what she needed to do. She shook out her black wings, which were already tired from how far she’d flown all morning and the day before. Her talons clung to the slippery wet rock below her. Her scales felt itchy with salt from the ocean spray. Above her, the sun peeked wearily through cracks in the dull gray clouds. She closed her eyes, tracing the future paths ahead of her. In one direction — south and a little east — there was a small island with a warm sandy beach. Two coconut palms nodded toward each other and there were lazy tiger sharks to eat. The hurricane would pass it by completely. If she went there, Clearsight could rest, eat, and sleep in safety. Then she could continue on in two days, after the storm was over. But in the other direction — a long flight west and slightly north — the lost continent was waiting for her. She knew it was real now. When she’d left Pyrrhia to find it, she’d half expected to fly all the way around the world and end up back on Pyrrhia’s other coast. No one was sure another continent even existed . . . and if it did, everyone knew it was too far away to fly to. Any dragon would tire, fall into the sea, and drown before reaching it. But Clearsight wasn’t any dragon. She had something no one else did: the ability to carefully trace the paths of multiple possible futures. Standing on the edge of Pyrrhia, she could see which direction would take her to an island where she could rest. And then the next day: to another island. Shifting her course slightly each day, guided by her visions, she had found a trail of small islands to take her safely across the ocean. A gust of wind roared over her, splattering a handful of raindrops onto her head.
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
TARYN GRANT, DEMOCRATIC CANDIDATE for the U.S. Senate, suffered from narcissistic personality disorder, or so she’d been told by a psychologist in her third year at the Wharton School. He’d added, “I wouldn’t worry too much about it, as long as you don’t go into a life of crime. Half the people here are narcissists. The other half are psychopaths. Well, except for Roland Shafer. He’s normal enough.” Taryn didn’t know Roland Shafer, but all these years later, she sometimes thought about him, and wondered what happened to him, being . . . “normal.” The shrink had explained the disorder to her, in sketchy terms, perhaps trying to be kind. When she left his office, she’d gone straight to the library and looked it up, because she knew in her heart that she was far too perfect to have any kind of disorder. • • • NARCISSISTIC PERSONALITY DISORDER: Has excessive feelings of self-importance. Reacts to criticism with rage. Takes advantage of other people. Disregards the feelings of others. Preoccupied with fantasies of success, power, beauty, and intelligence. • • • EXCESSIVE FEELINGS OF SELF-IMPORTANCE? Did that idiot shrink know she’d inherit the better part of a billion dollars, that she already had enough money to buy an entire industry? She was important. Reacts to criticism with rage? Well, what do you do when you’re mistreated? Shy away from conflict and go snuffle into a Kleenex? Hell no: you get up in their face, straighten them out. Takes advantage of other people? You don’t get anywhere in this world by being a cupcake, cupcake. Disregards the feelings of others? Look: half the people in the world were below average, and “average” isn’t anything to brag about. We should pay attention to the dumbasses in life? How about, “Preoccupied with fantasies of success, power, beauty, and intelligence”? Hey, had he taken a good look at her and her CV? She was in the running for class valedictorian; she looked like Marilyn Monroe, without the black spot on her cheek; and she had, at age twenty-two, thirty million dollars of her own, with twenty or thirty times more than that, yet to come. What fantasies? Welcome to my world, bub. • • • THAT HAD BEEN more than a decade ago.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
We were never introduced, ye know. I’m Mrs. Lord’s brother. You can call me Ruaidri.” “I’m not calling you anything, I’m leaving.” “And what is your name, Sunshine? Ye’re his sister, aren’t ye?” “Yes, I’m his sister, and there is no need for you to know my name, no need for you to be asking me all these questions and trying to detain me, no need for me to stay here when I must go.” He grinned, wickedly. “I won’t tell if you won’t.” “Tell what?” “Yer brother, if you let me steal a kiss.” She gasped, coloring hotly. “You—you are a rogue and a scoundrel to even suggest such a thing!” “I may indeed be a rogue and a scoundrel but if I am, it’s not for wantin’ a kiss from a pretty lass.” He straightened up from the window, his strong, perfect teeth very white in the glint of moonlight. “Oblige me?” “No!” “I’m bettin’ it’ll be far more explosive than what’s about to transpire down there in the garden. Come here, Sunshine. I’ve a mind to see if those lips of yers were made for kissin’.” Nerissa’s mouth fell open. Her face went white, then flooded with color, and she was so shocked she could not even take another step backward. Seeing it, the Irishman laughed and made a little dismissive gesture with his hand. “Ah, don’t mind me, lass. I’m just messin’ about with ye. I’d never hurt ye, not in a million years. I’m perfectly harmless.” “You—you don’t look harmless.” “No?” He arched a brow, his gaze dropping pointedly to her bosom, the nip of her waist and the flare of her hips with undisguised interest. “How do I look?” Dangerous. Virile. Predatory. Fascinating. “I can’t answer that.” “Not scared of me now, are ye?” “After what you just said to me? No, I am not scared. What I am, sir, is offended. Outraged.” “I paid ye a complement and ye’re offended? Outraged? Saint’s alive, what would your reaction be if I paid ye an insult?” “I can’t believe I’m standing here having this absurd conversation with you. You are rude and obnoxious and drunk, and I have already given you far more time and attention than you deserve. Good evening, sir.” He went back to looking down at the garden below, his gaze far more keen and watchful than his drunken state should allow. “’ Twould be a better one if ye came over here and let me give ye that kiss.” “Ohhh!” Incensed, she turned on her heel and hurried for the stairs, hearing his laughter ringing out behind her.
”
”
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
“
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
God damn you!” Alfred said. “You belong in jail!” The turd wheezed with laughter as it slid very slowly down the wall, its viscous pseudopods threatening to drip on the sheets below. “Seems to me,” it said, “you anal retentive type personalities want everything in jail. Like, little kids, bad news, man, they pull your tchotchkes off your shelves, they drop food on the carpet, they cry in theaters, they miss the pot. Put ’em in the slammer! And Polynesians, man, they track sand in the house, get fish juice on the furniture, and all those pubescent chickies with their honkers exposed? Jail ’em! And how about ten to twenty, while we’re at it, for every horny little teenager, I mean talk about insolence, talk about no restraint. And Negroes (sore topic, Fred?), I’m hearing rambunctious shouting and interesting grammar, I’m smelling liquor of the malt variety and sweat that’s very rich and scalpy, and all that dancing and whoopee-making and singers that coo like body parts wetted with saliva and special jellies: what’s a jail for if not to toss a Negro in it? And your Caribbeans with their spliffs and their potbelly toddlers and their like daily barbecues and ratborne hanta viruses and sugary drinks with pig blood at the bottom? Slam the cell door, eat the key. And the Chinese, man, those creepy-ass weird-name vegetables like homegrown dildos somebody forgot to wash after using, one-dollah, one-dollah, and those slimy carps and skinned-alive songbirds, and come on, like, puppy-dog soup and pooty-tat dumplings and female infants are national delicacies, and pork bung, by which we’re referring here to the anus of a swine, presumably a sort of chewy and bristly type item, pork bung’s a thing Chinks pay money for to eat? What say we just nuke all billion point two of ’em, hey? Clean that part of the world up already. And let’s not forget about women generally, nothing but a trail of Kleenexes and Tampaxes everywhere they go. And your fairies with their doctor’s-office lubricants, and your Mediterraneans with their whiskers and their garlic, and your French with their garter belts and raunchy cheeses, and your blue-collar ball-scratchers with their hot rods and beer belches, and your Jews with their circumcised putzes and gefilte fish like pickled turds, and your Wasps with their Cigarette boats and runny-assed polo horses and go-to-hell cigars? Hey, funny thing, Fred, the only people that don’t belong in your jail are upper-middle-class northern European men. And you’re on my case for wanting
”
”
Jonathan Franzen (The Corrections)
“
The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.
”
”
Pixel Ate (Kitsune the Minecraft Ninja: A middle-grade adventure story set in a world of ninjas, magic, and martial arts)
“
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
”
”
Philip Pullman (His Dark Materials)
“
Where to Buy Snapchat Accounts A Step-by-Step Guide
Buy Snapchat Accunts. If you're looking to create or manage such accounts, you typically need to verify each account with a unique phone number to maintain compliance with Snapchat's policies.
Looking to expand your social media presence? Buy Snapchat accounts and start connecting with millions of users. Get secure, instant access to the popular platform and boost your online visibility today!
The Benefits of Buying Snapchat Accounts
In an era when social media presence can directly translate into income, influence, and opportunity, having an established Snapchat account can feel like owning a ready-made storefront on a bustling street. Snapchat - with its ephemeral content, creative lenses, and strong appeal among younger demographics - remains an influential channel for personal branding, marketing, entertainment, and direct-to-consumer commerce. For that reason, some people and businesses consider buying an existing Snapchat account rather than building one from scratch. This composition explores the potential benefits of doing so, balanced with the important legal, ethical, and practical considerations that should guide any decision
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Important note up front: buying or selling social-media accounts commonly violates platform terms of service and carries risks (account bans, scams, identity issues). This piece explains potential benefits people seek, but also clearly outlines the risks and alternatives so you can make an informed, responsible choice.
What people mean by "buying a Snapchat account"
When someone says they want to buy a Snapchat account, they usually mean acquiring access to an existing profile that already has:
a verified login (email/phone) and password,
an established username or display name,
an active friends/followers list (subscribers/viewers),
a history of snaps, stories, or Spotlight posts, and sometimes
positive engagement metrics (views, screenshots, replies).
Some buyers want a personal account with a robust friends list; others want a niche or influencer account that can be used for marketing campaigns, promotions, or monetization. The seller transfers credentials (and sometimes associated contact info) so the buyer can take control.
Why people consider buying instead of building
Building a credible Snapchat presence takes time, consistent content, audience growth, trial-and-error, and often paid promotion. There are scenarios where people believe buying makes strategic sense:
Speed-to-market - launching campaigns or monetized content instantly rather than waiting months to grow an audience.
Credibility - bypassing "new account" friction and benefiting from pre-existing social proof.
Access to followers in a specific niche - instantly tapping an audience relevant to a brand or promotion.
Business continuity - replacing an account that was suspended or lost without disrupting revenue streams.
Testing and scaling - using multiple accounts to A/B test messaging, markets, or creative formats.
Understanding these drivers clarifies why some view acquiring accounts as a business shortcut. Below we unpack the concrete benefits that often motivate buyers.
”
”
Where to Buy Snapchat Accounts A Step-by-Step Guide
“
Someone needs to remain on over-watch. We don’t know when those bats will come back.”
Trenton tilted his head. “That’s already taken care of. A couple of pathfinders and your friend Dane showed up shortly after we started using the Koa to help defend it. They’ll stay here. Braden’s also sent some of his warriors to protect the poor darlings.”
He sent a wicked glance at the woman at his side. The woman rolled her eyes but didn’t contradict him.
Good enough for Shea. She slid the sword into its scabbard as Gawain did the same.
“Let’s see what Fallon wants, then,” she said, clapping Trenton on the shoulder and easing past him.
He barely controlled his wince before he followed her.
“What’s the matter? One of the bats get a little too close?” Gawain asked in a sarcastic tone.
Shea hid her grin when her guard sent the clan leader a nasty glare.
“More than a little close,” Eliza said with a sidelong glance. “When we showed up, one of them had him by the arm and was about to drag him over the cliff. Good thing we arrived when we did or else someone would have had to scrape the poor darling off the rocks below.”
Trenton gave her a dour look and Shea choked back a laugh. She could just imagine how much he hadn’t enjoyed being rescued.
“You’re getting a bit slow from your easy assignment,” Gawain said, prodding the other man.
Trenton slid a dark look his way. “You’ve seen the types of situations she gets herself into. Does this seem like a cushy assignment to you?”
Gawain gave a small shrug, conceding Trenton’s point with a small smirk.
Shea ignored the banter. She did not get herself into situations. She saw a problem and fixed it. Not her fault that things often avalanched from there.
”
”
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
“
As the next page loaded with another set of 25 emails, his eyes were drawn to the bottom of the screen, where for the first time previously-read messages stood out beneath the bold-type unread ones. There was something powerfully sentimental, almost tangible, about the realization that his dad had sat before a computer somewhere ten years earlier and had clicked on these same messages. The most recent one, received just hours before his parents’ death, was from his mom with the subject line, “re: Li’l Ryan’s Bday”. With a lump developing in his throat, he clicked on the message. His mom had written: “That’s something dads should talk to their sons about ;)” Hmm. Didn’t make sense without context. Below the end of the message he found the option to “show quoted text,” which he clicked on to reveal the entire exchange in reverse chronological order. She had been responding to his dad’s message: “I’m sure he’ll get it. I like the idea, but you better be prepared to have a discussion about the birds and bees. You know how his mind works. He’ll want to know how that baby got in there.” Ryan’s palms grew sweaty as he began to infer what was coming next. Not entirely sure he wanted to continue, but certain he couldn’t stop, he scrolled to the end. The thread had started with his mother’s message, “I’m already showing big-time. Sweaters only get so baggy, and it’s going to be warming up soon. I think tonight would be the perfect time to tell Ryan. I wrapped up a T-shirt for him in one of his presents that says ‘Big Brother’ on it. A birthday surprise! You think he’ll get it?” Having trouble taking in a deep breath, he rose to a stand and slowly backed away from his computer. It wasn’t his nature to ask fate “Why?” or to dwell on whether or not something was “fair.” But this was utterly overwhelming – a knife wound on top of an old scar that had never sufficiently healed. ~~~ Corbett Hermanson peered around the edge of Bradford’s half-open door and knocked gently on the frame. Bradford was sitting at his desk, leafing through a thick binder. He had to have heard the knock, Corbett thought, peeking in, but his attention to the material in the binder remained unbroken. Now regretting his timid first knock, Corbett anxiously debated whether he should knock again, which could be perceived as rude, or try something else to get Bradford’s attention. Ultimately he decided to clear his throat loudly, while standing more prominently in the doorway. Still, Bradford kept his nose buried in the files in front of him. Finally, Corbett knocked more confidently on the door itself. “What!” Bradford demanded. “If you’ve got something to say, just say it!” “Sorry, sir. Wasn’t sure you heard me,” Corbett said, with a nervous chuckle. “Do you think I’m deaf and blind?” Bradford sneered. “Just get on with it already.” “Well sir, I’m sure you recall our conversation a few days back about the potential unauthorized user in our system? It turns out...” “Close the door!” Bradford whispered emphatically, waving his arms wildly for Corbett to stop talking and come all the way into his office. “Sorry, sir,” Corbett said, his cheeks glowing an orange-red hue to match his hair. After self-consciously closing the door behind him, he picked up where he’d left off. “It turns out, he’s quite good at keeping himself hidden. I was right about his not being in Indiana, but behind that location, his IP address bounces
”
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Dan Koontz (The I.P.O.)
“
What to do to be an Expert in Freelancing?
What is Freelancing? We already know that, Now let's see What to do to be an Expert in Freelancing -
Things to do for Self Development:
Get positive feedback from clients by practicing what you are good at, and finding work that matches your skills.
This is the key to your improvement and the first step to success. When you start to succeed, choose the opportunities that work best for you. Use the time appropriately and fully.
Some of the processes of Self-Presentation after Self-Development are discussed below -
Process of Introducing Yourself:
1. Enhance your profile and build your portfolio with accurate information about yourself.
2. Create your own signature that will identify you in your work.
3. Always use your own photo and signature for original work.
4. Run your own campaign. For example: commenting on others' posts, making full use of social sites, keeping in touch with others, doing service work, teaching others, participating in various seminars, and distributing leaflets or posters.
Showing Professionalism:
How to express or calculate that you are a professional? There are many ways, by which you can easily express that you are a professional entrepreneur or employee. The ways are:
1. Professionals never work for free, so before starting a job, you must be sure about the remuneration.
2. Professionals don't work on balance, if you want to show professionalism you must pay in cash or promise to pay half in advance and the rest at the end of the job.
3. A professional never lacks any research or communication for his work.
Win the Client's Heart:
There are thousands of freelancers in front of a client for a job, but only one gets the job. The person who got the job got it because he presented himself in the client's mind.
Mistakes to Avoid:
Only humans are fallible. It is natural for people to make mistakes, but if people can't learn from those mistakes then it is better not to make such mistakes.
The Mistakes are:
1. Failure to identify oneself.
2. Show Engagement.
3. Lack of communication with the client etc.
Being Punctual:
It is wise to do the work on time. Never leave work. Because if you leave work, the amount of work will increase and not decrease. Therefore, it is better to do the work of time in time and move towards the formation of life by being respectful of time.
So, if the above tasks are done or followed correctly, achieving success as a freelancer is just a saying. To make yourself a successful and efficient freelancer, the importance and importance of the above topics is immense.
”
”
Bhairab IT Zone
“
The old man smiled at me, dark eyes twinkling over his spectacles. ‘I think God has already sent us angels enough, mon ami. But I shall pray he watch over us this night nevertheless.’ “‘And what’s the point of that, priest?’ “Rafa blinked. ‘What is the point of—’ “‘Praying. Oui.’ “The old man looked at me as if I’d asked the point of breathing. ‘I…’ “‘Two soldiers stand on a field of battle,’ I told him. ‘Both are convinced God is on their side. Both pray to their Lord and Redeemer to smite their enemy low, and to the Mothermaid to protect them from all harm. But somebody’s going to lose. Somebody’s wasting their fucking time. Maybe, just maybe … it’s both of them?’ “The priest frowned. ‘God cannot be said to be on the side of the Dead.’ “‘You’re missing the point, old man. All on earth below and hea’en above is the work of my hand…’ “‘… And all the work of my hand is in accord with my plan.’ “‘You think those refugees we met on the road didn’t pray with everything they had to not lose their homes? You think Lachlunn á Cuinn didn’t pray for his wife and son to stay alive? See, that divine plan shite is what the pulpit-hucksters feed you when things start to go wrong. After they’ve passed around the collection plate, of course. When your crops fail or your cancer spreads or whatever else you’ve begged him for doesn’t come to pass. That’s the solace they’ll offer. It’s God’s will, they’ll tell you. Part of the divine plan. “‘What they don’t point out is, if he has a plan? There’s no sense praying for anything. If His will be done is the golden rule, then God’s going to do what he wants, regardless of how hard you beg him. And imagine, just for a second, the sense of entitlement it takes to ask him for anything in the first place. The fucking ego you’d need to think that this is somehow all for you. What if you ask for something that’s not his will? You want him to alter the course of the divine plan? For you? See, that’s the grift of it all. That’s the genius. You get what you pray for? Huzzah, God fucking loves you. But your prayers go unanswered?’ I snapped my fingers. ‘Just wasn’t part of the plan.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
Idealism is materialism upside down. It proposes that all that exists is pure consciousness. Everything in the physical world, all matter and energy, are emergent properties of consciousness. In its more radical form, it asserts that the entire physical world is a mind-generated illusion, somewhat like the virtual world in the movie The Matrix. Idealism runs into a miracle if it proposes that out of ephemeral nonphysical consciousness there emerges a hard, physical world. How does that happen? Once emerged, is it still connected to mind or does it go on its merry way? On the other hand, if it proposes that everything is an imaginary projection of consciousness, then the miracle is that everyone other than me is also a part of my imagination. Does that mean I still have to pay taxes? Panpsychism is the fourth main worldview. It acknowledges that mind and matter are quite real, but it also proposes that these elements of reality are inseparable and go all the way down to elementary particles and “below,” and also all the way up to the universe and beyond. The idea of a complementary relationship, where something is “both/and” rather than “either/or,” is a core concept within quantum theory. Light, for example, behaves both as a wave and as a particle, depending on how you look at it. The advantage of panpsychism is that no miracles are required to account for how matter can be sentient, or how mind can have physical consequences. It is both/and. But all is not completely rosy. The trouble with panpsychism is called the binding problem. This means that if all matter is already sentient, then every atom of your body, your cells, and your organs should also be sentient. Why then is your sense of self a unity and not a multitude? What binds it all together so that the “I” within you experiences just one self rather than trillions of tiny selves? Dealing with the New Story One of the more interesting takes on the developing new story of reality has been proposed by Rice University’s Jeffrey Kripal, who, as a scholar of comparative religion, has explored the core themes of his discipline—the sacred, the paranormal, the supernormal, the mystical, and the spiritual—in a direction that few academics have dared to tred.80 He views the intense popular interest in the paranormal as more than a mere fascination with fictional miracles, but rather as a sign of the original meaning of fascination—a bewitching accompanied simultaneously by awe and terror. He defines “psychic phenomena” as “the sacred in transit from a traditional religious register into a modern scientific one,” and the sacred as what the German theologian and historian of religions Rudolf Otto meant, that is, a particular structure of human consciousness that corresponds to a palpable presence, energy, or power encountered in the environment.
”
”
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
“
The vote only empowers you to represent abilities, whereas the beauty of work and actuality of capability qualify you as a true leader; otherwise, the majority vote is just a power game, not insight.”
Ziauddin Khawaja, known as Ziauddin Butt, in the military coup against the elected Prime Minister of Pakistan, Nawaz Sharif, on October 12, 1999, under secret and mutual interests, assured the four corps commanders of that time of their loyalty to the army and in favor of General Musharraf. Military treachery was preferred over democratic values and the constitutional protection of the elected Prime Minister.
If General Butt was a patriot, the worst general in history, Musharraf, would never have dared to hand over our beloved country to foreign forces. Every general tries to be a patriot and a hero after retirement.
As many generals as there were in Pakistan and they broke, abrogated, or suspended the constitution from any angle, they were and are complete traitors to the Pakistani state, nation, and constitution, but also to the morale of the great forces, along with the traitorous judges of the judiciary, who participated equally.
Not repeating such factors is a nation’s survival; otherwise, there will be no uniforms and no freedom. Staying within every institution’s limits is patriotism; give exemplary proof of your patriotism, and you are all subservient to the Constitution and those elected under the Constitution. Your oath is your declaration of respect and protection of democratic values; its violation is treason against the country and nation.
On the other hand, Pakistani political parties and their leadership do not qualify in the context of politics since, if they are in power or opposition, they seek favor from the Armed Forces for their democratic dictatorship. The honest fact is that Pakistanis neither wanted nor wished to establish real democratic values and their enforcement. Lawmakers are unqualified and incapable of fulfilling the context of the Constitution, which is the essence of a pure and honest democracy with fair and transparent elections as per the will of voters, which never happened in Pakistan. Examples are visible and open to the world, even though no one feels sorry or ashamed for such an immoral, illegitimate, and unconstitutional mindset and trend of the Pakistani leadership of all political parties.
Huge and widespread corruption is a threat to the Pakistani economy and people’s prosperity. IMF support and other benefits go into the hands of corrupt officials instead of prioritizing the well-being of society or individuals. Imposing taxes without prosperity in society and for people who already live below the poverty line is economic violence, not a beneficial impact.
The fact is bare that the establishment misuses leaders and leaders misuse the establishment, which has become a national trend; consequently, state, nation, and constitution remain football for them, and they have been playing it for more than seven decades, losing the resources of land and people for their conflicts of interest. I can only suggest that you stop such a game before you defeat yourself.
”
”
Ehsan Sehgal
“
How long have you lived here? One hundred and twelve years, I have been god here. Inara blinked. But you have no form? The roses rustled. Gods come before form, said Makioron. Only through people do we take shape in their desires. What is a rose but a rose? I have no need of shape, little one, and it has saved me, these recent years. No one has noticed me since they pulled out the offerings at my roots except those who already know I am here. The voice paused, then said fondly, Not till Solom returned and refreshed my offerings has anyone spoken to me, but I feel their love as they pass below.
”
”
Hannah Kaner (Sunbringer (Fallen Gods #2))
“
Plant proteins are not only free of animal fat and cholesterol; they are also free of two problems caused by animal proteins. First, animal protein is linked to osteoporosis, apparently because it causes the kidneys to lose calcium in the urine. If you were to check urine samples from people following meaty diets—especially high-protein Atkins-style diets—you would find that they lose calcium rapidly.3 Sodium does the same thing, as we’ll see below. Second, animal protein is also linked to gradual loss of kidney function. Harvard researchers studied a group of women who had already lost some kidney function, as many people do, due to high blood pressure, diabetes, urinary infections, or other factors. As the years went by, the researchers found that those women who tended to get their protein from animal products were much more likely to experience continued loss of kidney function.4 Protein from plants did not have this effect. So if you get your protein from beans, grains, vegetables, and other foods from plant sources, your kidneys will breathe a sigh of relief.
”
”
Neal D. Barnard (21-Day Weight Loss Kickstart: Boost Metabolism, Lower Cholesterol, and Dramatically Improve Your Health)
“
Whoever is trying to bring you down is already below you
”
”
Isaac Mustapha
“
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'”
“I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road."
"That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.”
“My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got."
"The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.”
“Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
”
”
Jaroslav Hašek (The Good Soldier Schweik)
“
Often I gazed at you in wonder. I stood at the window begun yesterday,
stood and marvelled at you. Yet the new city
was denied me and the unpersuaded landscape
darkened, as though I were nothing. Nor did things close by
venture to be understood. The street thrust upwards
at the lamp post: I could see it was an alien thing.
Over there a room, sympathetic, clear in the lamplight –
I was already a part; this they sensed, closed the shutters.
Remained there. Then a child cried. I knew the mothers
in the houses around, of what they are capable – and I knew
at once the inconsolable argument behind all weeping.
Or a voice sang out and reached a little beyond
expectation, or down below an old man
who coughed full of reproach, as if his body
were in the right and the gentler world in error. Then the hour struck,
but I counted too late, it fell past me.
Like a boy, a stranger, at last deemed worthy to join in
yet drops the ball and knows none of the games
in which the others indulge with such ease,
stands there, looks away – to where?: I stood and suddenly
became aware, you approached me, played with me, I understood,
grown-up night, and I gazed at you enraptured. Where the towers
raged and, with fate averted, a city loomed over me
and before me were ranged unknowable mountains
and in the narrowing circle of hungering strangeness
welled the random flickering of my feelings – :
there it was, higher one,
no shame for you, that you know me. Your breath
passed over me, across widening solemn expanses
your smile entered into me.
”
”
Rilke Maria Rainer
“
Because my internal baseline is already so calm, when I take something that’s supposed to just relax me, I doze off. Dr. Perry: Right. You probably have friends who take the same amount that puts you to sleep. Oprah: In some cases, they’re taking twice as much. And I’m thinking, How is everybody not just asleep? But if your baseline stress response is already elevated, you need more anxiety medication to get below your base. So even though people may not appear to be in a state of high alert or anxiety, they are biologically revved up.
”
”
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
“
say never start a story with a waking, but when you’ve been hard asleep for thirty years it’s difficult to know where else to begin. Start with a waking, end with a wake, maybe. Hard asleep is, I am informed, the technical term. Hard, because you’re shut down, dried out, frozen for the trip from star to star. They have it down to a fine art—takes eleven minutes, like clockwork. A whole ship full of miscreants who are desiccated down to something that can… well, I was about to say survive indefinitely, but that’s not how it goes, of course. You don’t survive. You die, but in a very specific flash-frozen way that allows for you to be restarted again more or less where you left off at the other end. After all the shunting about that would kill any body—the permanent, non-recoverable kind of kill—who wasn’t withered down. They pump you full of stuff that reinflates you to more or less your previous dimensions—you’ll note there’s a lot of more or less in this process. It is an exact science, just not one that cares about the exact you. Your thought processes don’t quite pick up where they left off. Short-term memory isn’t preserved; more recent mental pathways don’t make the cut. Start with a waking, therefore, because in that instant it’s all you’ve got, until you can establish some connection to older memories. You know who you are, but you don’t know where you are or how you got there. Which sounds terrifying but then let me tell you what you’re waking up into: actual hell. The roaring of colossal structural damage as the ship breaks up all around you. The jostling jolt as the little translucent bubble of plastic you’re travelling in is jarred loose and begins to tumble. A cacophony of vibration coming through the curved surface to you: the death throes of the vessel which has carried you all this way, out into the void, and is now fragmenting. There’s a world below that you know nothing about, not in your head right then. And above you are only the killing fields of space. The fact there’s a below and an above shows that the planet’s already won that particular battle over your soul and you’re falling.
”
”
Adrian Tchaikovsky (Alien Clay)
“
For most, if you are under $10M per year, niching down will make you more money. After that, it will depend on how narrow the niche is, or, what is called TAM (total addressable market). A business can really only grow to meet the total addressable market. That being said, for most people, getting to $10M per year is already a top .4% achievement (only 1 in 250 businesses achieve this). So for 99.6 percent of readers below $10M per year, it’s almost always easier to serve fewer clients more narrowly.
”
”
Alex Hormozi ($100M Offers: How To Make Offers So Good People Feel Stupid Saying No)
“
I knew exactly what was going on, but I unfortunately didn't have a firearm.
(Adam have most likely offered someone 6000 Euros, to end this all, then and there. Tomas. 10%)
Only a mini baseball bat. A Louisville Slugger. And Martina’s weapon of choice: a broom. The witches’ vehicle.
Before I could tell him to go to Hell, a neighbor exited the building and let the stranger claiming to be from the gas company inside. Now the stranger dressed in black was running up the 94 stairs.
I could hear his footsteps approaching. I didn't have time to react, grab the biggest knife from the kitchen, and stand by my entrance door. He was already upstairs, right outside my apartment door.
He began knocking loudly and aggressively, whether with his metal ring or a lighter.
I looked through the peephole, but he had covered it with a black folder, which I soon realized was an iPad. Covering his face. Covering my eyes.
The same speech repeated played through the iPad, ensuring that I wouldn't recognize his voice and open the door.
„I am from the gas company, looking for Tomas Adam Nyapi.”
He kept playing in a prerecorded voice on the iPad outside my door, "Open up", "It's the gas company", and "We are looking for Tomas Adam Nyapi." I was trying to pay attention and make sense of it all, trying to figure out who it could be. But the Catalan girl couldn't keep quiet and yelled at the person in Spanish with her strong Catalan accent, after a minute or two: "Who are you and what do you want? Go away before I call the police!"
Suddenly, the stranger began sprinting down the 94 stairs upon realizing that I wasn't alone. In case the reason for his visit wasn't clear enough.
He was running so fast that he nearly stumbled, clearly determined to prevent me from catching up with him. I swung open my door and peered down the stairwell, straining my eyes to discern his identity, but the darkness obscured any details in the vertical tunnel below.
By the time he reached the bottom of the stairs, I hurried to my loggia to catch a glimpse of him. He was tall and thin, with long legs, and his strides were hurried and distinct, unlike anyone else. Deep inside, I knew it was Mario Larese. Mister Twister. I recognized his movements, but it wasn't until 2023 that I had concrete confirmation. An evidence orgy.
Mario had been sent to either spy on me or seek revenge for my closure of the club, with him being responsible for triggering the landslide, the avalanche. The mafia had dispatched Mario to finish what he/they had started. With Adam and the rest of them.
Mario. Adam. Nico. Ferran. „The Beatles.” „Plus Yoko.”
The Nazi junkies had sent him to deliver the final blow, the fatal shot, the kill. It was Mario who was accountable - the thief, the liar, the "Romanian gypsy."
To deliver „The Final Solution”, to sever ties. And keep that 60,000 as well of course.
Shortly after the stranger (Mario) had left our address Martina called me on the phone.
”
”
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
“
Four of the creatures held Abraham Jarvis, a huge lumberjack of a man, down while four others feasted on him. They had already eaten away the flesh below his right knee, and were starting on the juicy thighbone. Jess winced at the pitiful, frightened stare frozen on Abraham’s partially eaten head. His ears and his nose were gone. Jess knew he would see the horror of that contorted face in his nightmares
”
”
Billy Wells (Don't Look Behind You)
“
Shopping for the essentials of the Eat Clean diet can be tricky. For some people, just the thought of replacing all their “unclean” food scares them. This overwhelming reaction is normal and is typical among those who are still on the adjustment phase of the program. If you find yourself in this stage, you don’t have to fret. Here are some tips to help you get at ease with the process: Take Your Time You don’t have to rush. Take your time in examining each item in your pantry. Bear in mind that it is not necessary to eliminate all the bad foods. You can just eliminate the worst items first, and then gradually get rid of the others in the next few days or weeks. Once you have already discarded some of the worst food items, you may start making your grocery list. Prepare Your Grocery List Preparing your grocery list is the start of this Clean Eating journey. Allow yourself to make necessary adjustments, especially if you personally feel that it is a major transition and you want to tackle it step by step. It’s okay to miss an item or two. The important thing here is to stick to the basic principle of the program. Below are some of the essential items that you should consider when going shopping for this Eat Clean diet: Grains and Protein ·Brown rice ·Millet ·Black beans ·Pinto beans ·Lentils ·Chickpeas ·Raw almonds ·Raw cashews ·Sunflower seeds ·Walnuts ·Almond butter ·Cannellini beans ·Flax seed Vegetables/Herbs ·Kale ·Lettuces ·Onions ·Garlic ·Cilantro ·Parsley ·Tomatoes ·Broccoli ·Potatoes ·Fennel Condiments/Flavoring ·Extra virgin olive oil ·Coconut oil ·Sesame oil ·Black pepper ·Pink Himalayan salt ·Hot sauce ·Turmeric ·Cayenne ·Gomasio ·Cinnamon ·Red pepper flakes ·Maple syrup ·Tamari ·Stevia ·Dijon mustard ·Apple cider vinegar ·Red wine vinegar Fruits ·Lemons ·Avocado ·Apples ·Bananas ·Melon ·Grapes ·Berries Snacks ·Raw chocolate ·Coconut ice cream ·Tortilla chips ·Popcorn ·Pretzels ·Dairy-free cheese shreds ·Frozen fruits for smoothies ·Bagged frozen veggies ·Organic canned soups Beverages ·Coconut water ·Herbal teas ·Almond or hemp milk Pick the Fresh Ones You will know if the fruit or vegetable is fresh through its appearance and texture.
”
”
Amelia Simons (Clean Eating: The Revolutionary Way to Keeping Your Body Lean and Healthy)
“
We walk out of the bathroom, and Mellie grins up at me and hugs my leg, just below my knee. She sits down on my foot, and I take a few steps wearing her like a boot, her clinging to me like Velcro. She thinks it’s hilarious, and the other girls want to take a turn, too. After everyone gets a ride and I make sure they all have snacks, I walk out into the hallway. Emily is standing there, and she looks me up and down and nods. “What?” I ask. “Nothing,” she sings, grinning like a fool. “Say it,” I prompt. She shrugs. But then she looks up into my face. “You’re going to be the best dad ever, Matt,” she says. My heart swells. “Well, at least I don’t have to worry about them turning out like me.” I scratch my belly. “Being this handsome is quite a burden to bear.” She laughs and punches me in the gut. I bend in the middle, clutching my stomach, and that’s when Sky walks around the corner. She looks toward Hayley’s room. “I was just going to check on the girls,” she says. “I just did,” I tell her. Her brow furrows, and she looks so damn pretty that I want to kiss her. “Don’t tell anyone, but Mellie’s pants peed on her,” I whisper dramatically. She turns toward her bag. “Oh, I better get some clothes,” she says. “Already took care of it,” I say, and I wrap my arms around Sky. She hugs me back. “You took care of it?” She lays her face against my chest and nuzzles against me. I could stand here like this all day long. “Of course,” I say. She mumbles something against my chest that sounds like, “You’re really sexy when you take care of children.” “Hey,” I cry. “You should see me when I vacuum. And do dishes. You won’t be able to stand the sexy.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
Lift up.” Green smiled devilishly. “I’m gonna help you relax.” Ruxs was already panting heavily as he rose up and let Green push his pants just below his balls. Green pulled the lever to push the seat all the way back and quickly buried his nose in the thick patch of hair at the base of Ruxs’ dick. He took a long inhale, breathing in his manly scent before closing his mouth over the thick head, sucking gently at first. Even though they were high enough off the ground that if a car drove onto the lot, they wouldn’t be able to see him, he still wanted to get Ruxs off fast. He moaned around the thick girth, taking it all the way to the back of his throat. “Oh
”
”
A.E. Via (Here Comes Trouble (Nothing Special #3))
“
He tried to hide behind a bunch of feathers, but Nikulo stopped and glared at him. “Cowering already? You know you don’t have a chance of winning the Blood Dagger.” The Blood Dagger competition. Talis thought of the sparring competition held once a year and froze, realizing he’d forgotten all about it. Wasn’t it only a few days away? With Mara injured, they had already moved the date, but Talis knew that House Lei and House Storm would never allow Talis and Mara to forfeit to the likes of Nikulo and Rikar, his sparring partner. Claiming rights to hold the Blood Dagger for a year meant far too much to the royal houses, especially since their house had lost claim to the victor’s rights over the last few years. Nikulo’s coffee-brown eyes sparkled as if he were eager to tell a new joke. He waddled close to Talis, holding a porcelain jar in one hand. He yanked up silk pants that kept falling below his protruding belly. He scratched his curly hair and released a smoky fart, blowing the fumes in Talis' direction. Talis coughed, retreating quickly. Nikulo never should have swallowed that last potion he concocted. All his farts smelled like sulfur and spoiled onions. “Thanks for that, just what I needed.” Talis rubbed his stinging eyes. “What are you doing slumming in Fiskar’s Market? Finding more noxious ingredients for your potions?” Nikulo moved the jar away from Talis. “No… nothing of the sort.” He frowned and pursed his lips. “Why are you holding a feather?” “It’s
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
The man who won’t marry you because you chose this adventure doesn’t deserve you,” Milo said. “A man who truly loves you will understand why you ran away. He’ll know who you really are.” His smile was gone. “And if you can’t love him as much as he loves you, he’ll understand that, too.”
“Milo…” I reached out to touch his arm, but just then Tiphys came running up to take back the steering oar. Argus was hot on his tail, calling him and all his ancestors so many foul names that I didn’t know whether to duck out of sight or start memorizing the most impressive ones.
“Is this how you treat my beautiful ship?” Argus yelled, bright red in the face. “Trusting her to an inexperienced boy is bad enough, but at this time?” He gestured to the west, where the sun was already beginning to dip below the sea.” Count yourself lucky that I don’t give you a fine view of Aea from the bottom of her harbor!”
“Gods above, calm yourself,” Tiphys muttered. “It was only for a moment. No harm was done.”
“Why don’t I take you to the roof of the Sun Temple, once we’re ashore, and push you off? You can keep repeating, ‘No harm done, no harm done,’ up to the instant you hit the ground! Of all the miserable, ignorant--!” Argus choked on his own fury. I don’t know how long he would have gone on if a call from the prow hadn’t distracted him.
”
”
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
“
Kelvin, let’s open the lower hatches, we can shout to it
down there, below, maybe it’ll hear us? But what’s its name? Think about it, we’ve
named all the stars and the planets, but maybe they already had names? Such arrogance! Come on, let’s go down there. We can call out to it. . . tell it what it’s turned
us into, it’ll be appalled. . . it’ll build us some silver symmetriads and pray for us in
its own math, and throw bloody angels at us, and its suffering will be our suffering,
its fear our fear, and it’ll beg us for an end. Because everything it is and everything
it does is a plea for an end. Why are you not laughing? I’m just joking around. If we
had more of a sense of humor as a race, things might not have gone this far.
”
”
Stanisław Lem
“
There is an unmarked line in Utah, somewhere among the flatworm lengths of invisible county borders, past the point when you can say you’re headed South and are now already in it and just going further down, where the plain opens forward and the plateaus are too high on either side for you to see the sun and so the sun seems to come from the ground itself. He watched the earth shed its green skin and dry into tan bruises of acacia bramble and sand–the top fingers of the desert, spread upon the map from below like a callus on the earth.
”
”
Rae DelBianco (Rough Animals)
“
I tried to write a story about a reunion between my father and myself in heaven one time. An early draft of this book in fact began that way. I hoped in the story to become a really good friend of his. But the story turned out perversely, as stories about real people we have known often do. It seemed that in heaven people could be any age they liked, just so long as they had experienced that age on Earth. Thus, John D. Rockefeller, for example, the founder of Standard Oil, could be any age up to ninety-eight. King Tut could be any age up to nineteen, and so on. As author of the story, I was dismayed that my father in heaven chose to be only nine years old. I myself had chosen to be forty-four—respectable, but still quite sexy, too. My dismay with Father turned to embarrassment and anger. He was lemur-like as a nine-year-old, all eyes and hands. He had an endless supply of pencils and pads, and was forever tagging after me, drawing pictures of simply everything and insisting that I admire them when they were done. New acquaintances would sometimes ask me who that strange little boy was, and I would have to reply truthfully, since it was impossible to lie in heaven, “It’s my father.” Bullies liked to torment him, since he was not like other children. He did not enjoy children’s talk and children’s games. Bullies would chase him and catch him and take off his pants and underpants and throw them down the mouth of hell. The mouth of hell looked like a sort of wishing well, but without a bucket and windlass. You could lean over its rim and hear ever so faintly the screams of Hitler and Nero and Salome and Judas and people like that far, far below. I could imagine Hitler, already experiencing maximum agony, periodically finding his head draped with my father’s underpants. Whenever Father had his pants stolen, he would come running to me, purple with rage. As like as not, I had just made some new friends and was impressing them with my urbanity—and there my father would be, bawling bloody murder and with his little pecker waving in the breeze. I complained to my mother about him, but she said she knew nothing about him, or about me, either, since she was only sixteen. So I was stuck with him, and all I could do was yell at him from time to time, “For the love of God, Father, won’t you please grow up!” And so on. It insisted on being a very unfriendly story, so I quit writing it.
”
”
Kurt Vonnegut Jr. (Jailbird)
“
On evenings like this, when the streets below were filled with couples strolling, and laughing people spilled out of pubs, already planning meals, nights out, trips to clubs, something ached inside me; something
”
”
Jojo Moyes (After You (Me Before You, #2))
“
You’re awake.” She reached over and brushed his hair back from his forehead and made no protest when he captured her fingers and kissed them. There would be no more cuddling, but no artificial, silently recriminating propriety either. “I am feasting on your morning beauty,” he replied, “but the natives are restless below, and a certain young lady on your couch needs a very stern talking to.” “And a certain gentleman who did not get much dinner needs to break his fast,” Emmie agreed, “and a certain baron needs to heed nature’s call.” “He’s already outside,” St. Just said, his smile not reaching his eyes. “I looked out the window, and nature’s call is attended to.” “Fortunate. I do not want to leave this bed, Devlin.” “Nor I.” The smile did reach his eyes, but it was so, so sad. “Just hold me,” she said, closing her eyes lest he see the desperate plea in them. He settled his naked weight over her one last time, his body caging hers in warmth and tenderness as his cheek rested against hers. “Just for a bit,” he agreed softly, but she clung tightly, and she couldn’t help wishing and wishing… She eased her hold, and he shifted off her and out of the bed. He was a soldier, after all, a man who had done the impossible and suffered the unbearable on so many other occasions. He
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
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John Brooks.’ Immediately, I thought of the odds. First of just surviving in such a place, next of surviving and then becoming a cop. ‘Vertical ghettos, each one of them. Me and John used to say it was the only time when you had to take the elevator up when you were going to hell.’ I just nodded. This was out of my realm completely. ‘And that’s only if the elevators were working,’ he added. I realized that I never considered that Brooks might be a black man. There was no photo in the computer printouts and no reason to mention race in the stories. I had just assumed he was white and it was an assumption I would have to analyze later. At the moment, I was trying to figure out what Washington was trying to tell me by taking me here. Washington pulled into a lot next to one of the buildings. There were a couple of dumpsters coated with decades of graffiti slogans. There was a rusted basketball backboard but the rim was long gone. He put the car in park but left it running. I didn’t know if that was to keep the heat flowing or to allow us a quick getaway if needed. I saw a small group of teenagers in long coats, their faces as dark as the sky, scurry from the building closest to us, then cross a frozen courtyard and hustle into one of the other buildings. ‘At this point you’re wondering what the hell you’re doing here,’ Washington said then. ‘That’s okay, I understand. A white boy like you.’ Again I said nothing. I was letting him run out his line. ‘See that one, third on the right. That was our building. I was on fourteen with my grand-auntie and John lived with his mother on twelve, one below us. They didn’t have no thirteen, already enough bad luck ’round here. Neither of us had fathers. At least ones that showed up.’ I thought he wanted me to say something but I didn’t know what. I had no earthly idea what kind of struggle the two friends must have had to make it out of the tombstone of a building he had pointed at. I remained mute. ‘We were friends for life. Hell, he ended up marrying my first girlfriend, Edna. Then on the department, after we both made homicide and trained with senior detectives for a few years, we asked to be partnered. And damn, it got approved. Story about us in the
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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She got the anchor going, keeping her hands busy and her mind off a naked Cooper in the tiny shower cubicle below. Or you could just get over yourself and go after what you want.
“God, just shut up already,” she snapped.
“I beg your pardon?”
She turned from her spot at the helm, where she’d been white-knuckling the steering wheel, to find a freshly showered, damp-haired, and once again clothed Cooper. His shorts were also damp where he’d washed off the shortcake bits, but she didn’t let her gaze linger there.
“Just muttering to myself,” she said.
He nodded, accepting her explanation.
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Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
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Listed below are three basic rules that will help you become a successful candidate. Remember, however, that you need not be offered a job in every case to consider yourself successful. Rather, you are successful if you keep the job search process going in a professional manner. In working with countless people in the process of looking for a job, I have concluded that, for those who are currently unemployed, the full-time job should be just that: looking for a job. For those who currently have a job, but are openly seeking a better position with new challenges or a higher salary, take comfort in knowing you are working from a position of strength; use that knowledge to add to your self-esteem. In all cases, see yourself from the employer’s point of view. In their eyes, you are a more likely candidate if you behave professionally before and after the interview (with appropriate inquiry and follow-up—more on that later) and if you interact appropriately during the interview itself. As you continue to look for a job, remember the following tips for success:
1. When you call about a job prospect, get as much information as you can about the position and the company—including the name of the person doing the interviewing. Don’t be put off by feelings of anxiety—you have a right to “interview” them too. If possible, go to the library and research the company. By the time of your interview, you will feel more confident—and less anxious—because you will have resources from which to draw during your conversation.
2. If you have time to mail your resume before your scheduled interview, do so. But be sure to include a cover letter as well. While the resume gives background information about you, the cover letter explains why you are writing and briefly describes what makes you a good candidate for the job. Don’t allow low self-esteem to make you afraid to “sell yourself!” Only you can say why you would be an asset to the company. And one more thing—write the letter to a particular person, not “To Whom It May Concern” or “Dear Sir or Madam.” Most of the time, a prospective employer’s receptionist is willing to tell you exactly whom to contact. Use courtesy titles (“Dear Mrs. Smith”), unless the person is someone you already know on a first-name basis.
3. Do follow up. An appropriate measure of assertiveness goes a long way. Most employers appreciate someone who is diligent and communicates a genuine interest in the position. But don’t be aggressive. Limit your contact to a follow-up note, a phone call two weeks later, and perhaps a third one a few weeks after that. Be sure to let them know that if another, more appropriate, position comes along, you would be interested to learn about it. Again, by communicating properly and creating your own opportunities, you can achieve some control over your own destiny.
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Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
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The Pareto Principle, or the 80/20 rule, talks about how 80% of one’s results can be achieved with 20% of one’s effort. Most of us already know that, but that’s not what’s truly important in the image you can see below. Instead, if you move down the line, you’ll see that “50% of one’s results can be achieved with just 1% of one’s effort.”[xvii]
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Zoe McKey (Think In Systems: The Theory and Practice of Strategic Planning, Problem Solving, and Creating Lasting Results - Complexity Made Simple)
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The Pen Made for the White House Presidents come and go, but one thing remains constant in the West Wing BY DAN LEWIS FROM NOW I KNOW PHOTOGRAPH BY ADAM VOORHES The pens read “Skilcraft U.S. Government.” And if you have worked for an American government institution, chances are you’ve used one. About $5 million worth of these pens are sold every year (with 60 percent going to the military), and they have quite the story behind them. To start, they’re assembled by the blind. In 1938, in the midst of the Great Depression, the government stepped in to help blind workers, who were already at a competitive disadvantage. Franklin Delano Roosevelt signed into law the Wagner-O’Day Act, which required that the federal government purchase specific goods manufactured by blind Americans. The law soon included pens. The Skilcraft brand came to be a decade or so later, in 1952. Today, the company employs over 5,500 blind workers in 37 states, producing an arsenal of office supplies, with the pens made in factories in Wisconsin and North Carolina. The pens must be built to the specifications outlined in a 16-page document that was first promulgated more than 50 years ago. Among the requirements? The pens must be able to write continuously for no less than 5,000 feet and in temperatures up to 160 degrees and down to 40 degrees below zero. You know, just in case. Copyright © 2011 by Dan Lewis.
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Anonymous
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So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as…
Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more…
A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like…
“That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.”
Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps…
Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss.
And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin.
She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been.
After a while, his kiss gentled to a tender sweetness that made her ache in a different way.
In her heart. Her stupid, foolish heart.
Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap.
His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting.
He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice.
She nodded. It was all she could manage.
“And if you wish to leave this room an innocent, you’d best go without delay.”
That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin…
No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses.
Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton.
“Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again?
Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that.
“It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.”
She bobbed her head and fled.
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Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))