Alpine Mountain Quotes

You need mountains, long staircases don't make good hikers.

Take the case of courage. No quality has ever so much addled the brains and tangled the definitions of merely rational sages. Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. 'He that will lose his life, the same shall save it,' is not a piece of mysticism for saints and heroes. It is a piece of everyday advice for sailors or mountaineers. It might be printed in an Alpine guide or a drill book. This paradox is the whole principle of courage; even of quite earthly or brutal courage. A man cut off by the sea may save his life if we will risk it on the precipice. He can only get away from death by continually stepping within an inch of it. A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine. No philosopher, I fancy, has ever expressed this romantic riddle with adequate lucidity, and I certainly have not done so. But Christianity has done more: it has marked the limits of it in the awful graves of the suicide and the hero, showing the distance between him who dies for the sake of living and him who dies for the sake of dying.

There’s a sense of sovereignty that comes from life on a mountain, a perception of privacy and isolation, even of dominion. In that vast space you can sail unaccompanied for hours, afloat on pine and brush and rock. It’s a tranquillity born of sheer immensity; it calms with its very magnitude, which renders the merely human of no consequence. Gene was formed by this alpine hypnosis, this hushing of human drama.

The simple fact is this: when you goto Alaska, you get your ass kicked.

No single mountain ever came to me... so I always go to them

Ultimately, I wanted to own a big truck, exercise my second Amendment rights, listen to hardcore music, and let my congressman know how poorly he represents me. None of this could occur in France.

Crested Butte is for spectators; Chamonix is for participants.

I have my doubts about all this real value in mountaineering, in getting to the top of everything and overlooking everything. Satan was the most celebrated of Alpine guides, when he took Jesus to the top of an exceeding high mountain and showed him all the kingdoms of the earth. But the joy of Satan in standing on a peak is not a joy in largeness, but a joy in beholding smallness, in the fact that all men look like insects at his feet. It is from the valley that things look large; it is from the level that things look high; I am a child of the level and have no need of that celebrated Alpine guide. I will lift up my eyes to the hills, from whence cometh my help; but I will not lift up my carcass to the hills, unless it is absolutely necessary. Everything is in an attitude of mind; and at this moment I am in a comfortable attitude. I will sit still and let the marvels and the adventures settle on me like flies. There are plenty of them, I assure you. The world will never starve for want of wonders; but only for want of wonder.

I want my prayers, and the prayers of my friends, to ricochet off the rock faces of mountains, reverberate down the corridors of shopping malls, sound ocean deeps, water arid deserts, find a foothold in fetid swamps, encounter poets as they search for the accurate word, mingle their fragrance with wildflowers in Alpine Meadows, sing with the looms of Canadian lakes.

That unique Moscow mix of tackiness and menace. One time I see a poster advertising a new property development that captures the tone nicely. Got up in the style of Nazi propaganda, it shows two Germanic-looking youths against a glorious alpine mountain over the slogan "Life is Getting Better". It would be wrong to say the ad is humorous, but it's not quite serious either. It's sort of both. It's saying this is the society we live in (a dictatorship), but we're just playing at it (we can make jokes about it), but playing in a serious way (we're making money playing it and won't let anyone subvert its rules).

It is said that springs of sweet, fresh water pool up amid the saltiness of the oceans, that the fairest Alpine flowers bloom in the wildest and most rugged mountain passes, and that the most magnificent psalms arose from the most profound agonies of the soul.

Memory is igneous more than ingenious, igneous, and like granite, intrusive, heaved up within oneself, the whole range of one's life, mountains' forbidding height looming over the plains where one lives, mountains formed by the life already lived, but toward which one is always walking, one's own past ahead of him, seeking the improbable path already forged, this path back through oneself, this path we call the present tense, which becomes the continental divide when the tense shifts and the path is lost, path from which the walker emerges only to turn around and see the peaks pulled up by his feet, and the snowy pass, and alpine heights, where those stranded must sometime feed on themselves to survive, where sometimes, through the icy crust, the crocus blooms.

There is an old Arabic story about a man who hears Death is coming for him, so he sneaks away to Samarra. And when he gets there, he finds Death in the market, and Death says, "You know, I just felt like going on vacation to Samarra. I was going to skip you today, but how lucky you showed up to find me!" And the man is taken after all. Arthur Less has traveled halfway around the world in a cat's cradle of junkets, changing flights and fleeing from a sandstorm into into the Atlas Mountains like someone erasing his trail or outfoxing a hunter—and yet Time has been waiting here all along. In a snowy alpine resort. With cuckoos. Of course Time would turn out to be Swiss. He tosses back the champagne. He thinks: Hard to feel bad for a middle-aged white man.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

How does a hardworking sixty-four-year-old-woman end up without a house or a permanent place to stay, relying on unpredictable low-wage work to survive? Living in a mile-high alpine wilderness, with intermittent snow and maybe mountain lions in a tiny trailer, scrubbing toilets at the mercy of employers who, on a whim, could cut her hours or even fire her? What does the future look like for someone like that?

According to your proclivities, you may take a snow-clad Alpine peak, as it rises to the empyrean in radiant majesty, as symbol of man's aspiration to union with the Infinite; or since, if you like to believe that, a mountain range may be thrown up by some violent convulsion in the earth's depths, you may take it as a symbol of the dark and sinister passions of man that lour to destroy him; or, if you want to be in the fashion, you may take it as a phallic symbol.

It’s amazing that God lavishes so much attention to detail in a body that won’t last, but He does that everywhere: in that tiny, delicate, finely veined alpine flower that quivers in the mountain chill and then fades and dies, as well as in my body. I am a wonder!

Satan was the most celebrated of Alpine guides, when he took Jesus to the top of an exceeding high mountain and showed him all the kingdoms of the earth. But the joy of Satan in standing on a peak is not a joy in largeness, but a joy in beholding smallness, in the fact that all men look like insects at his feet. It

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. "He that will lose his life, the same shall save it," is not a piece of mysticism for saints and heroes. It is a piece of everyday advice for sailors or mountaineers. It might be printed in an Alpine guide or a drill book. This paradox is the whole principle of courage; even of quite earthly or quite brutal courage. A man cut off by the sea may save his life if he will risk it on the precipice. He can only get away from death by continually stepping within an inch of it. A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine.

If you could see him,” Serafina went on, “you would see a black bird with red legs and a bright yellow beak, slightly curved. A bird of the mountains.” “An Alpine chough… How can you see him?” “With my eyes half-closed, I can see him. If we had time, I could teach you to see him, too, and to see the dæmons of others in your world. It’s strange for us to think you can’t see them.

But at some point in my midtwenties I abandoned my boyhood fantasy of climbing Everest. By then it had become fashionable among alpine cognoscenti to denigrate Everest as a “slag heap”—a peak lacking sufficient technical challenges or aesthetic appeal to be a worthy objective for a “serious” climber, which I desperately aspired to be. I began to look down my nose at the world’s highest mountain.

There’s a sense of sovereignty that comes from life on a mountain, a perception of privacy and isolation, even of dominion. In that vast space you can sail unaccompanied for hours, afloat on pine and brush and rock. It’s a tranquility born of sheer immensity; it calms with its very magnitude, which renders the merely human of no consequence. Gene was formed by this alpine hypnosis, this hushing of human drama.

I have been to the Alpine countries of Austria and Ardamia before, but never to this corner of the range, and while the journey to St. Liesl, which perches high above sea level, was not a comfortable one, it took my breath away. The path wound up a mountainside still dotted with the last of the summer flowers, snowbells and cheery buttercups. Mountains cluttered every horizon, many crowned in an eternal snow. Below us was the town of Leoburg with its railroad, its neat stone-and-timber buildings, its sharp and commanding steeple, but the higher we went, the more all this was dwarfed by the wildness surrounding it, the railroad a thin line of stitches connecting us to the world we knew. And then we rounded a bend in the path, and we could no longer see the town at all. I understand now why the folklore of the Alps is so rich--- the many folds and crevices in the mountainsides could hide any number of faerie doors opening onto dozens of stories.

My approach to training echoed how I climbed. The romance of climbing didn’t interest me. I didn’t seek harps and wings. I heard no opera up there. Instead, my mountains had teeth. The jagged edge we walked up there dragged itself across my throat, and the throats of my friends and peers. I took the mountains’ indifference to life as aggression, and fought back. I armored myself against that indifference; with training, with thinking, with attitude. I trained with friends who shared a similar approach. Our mantra was dark, but it motivated us. When we ran we breathed in rhythm—no matter the speed—and that beat had words: “They all died.” We inhaled and exhaled the great alpine epics—like the tragedy that befell Walter Bonatti’s party on the Freney Pillar—to push ourselves to a place where we would never come up short, physically. The consequences of falling short made training important. I realized early that controlling the things that I could control gave me greater freedom to address the things that I could not control. And the mountains offered those in spades.

The Same (As revised by Mr. C.D. Locock.) Melodious Arethusa, o'er my verse Shed thou once more the spirit of thy stream: (Two lines missing.) Who denies verse to Gallus? So, when thou Glidest beneath the green and purple gleam Of Syracusan waters, mayest thou flow Unmingled with the bitter Dorian dew! Begin, and whilst the goats are browsing now The soft leaves, in our song let us pursue The melancholy loves of Gallus. List! We sing not to the deaf: the wild woods knew His sufferings, and their echoes answer... Young Naiades, in what far woodlands wild Wandered ye, when unworthy love possessed Our Gallus? Nor where Pindus is up-piled, Nor where Parnassus' sacred mount, nor where Aonian Aganippe spreads its... (Three lines missing.) The laurels and the myrtle-copses dim, The pine-encircled mountain, Maenalus, The cold crags of Lycaeus weep for him. (Several lines missing.) 'What madness is this, Gallus? thy heart's care, Lycoris, mid rude camps and Alpine snow, With willing step pursues another there.' (Some lines missing.) And Sylvan, crowned with rustic coronals, Came shaking in his speed the budding wands And heavy lilies which he bore: we knew Pan the Arcadian with.... ...and said, 'Wilt thou not ever cease? Love cares not. The meadows with fresh streams, the bees with thyme, The goats with the green leaves of budding spring Are saturated not—nor Love with tears.

In Europe, the dimensions of physical space seemed compressed. The looming vertical presence of mountains cut me off from the horizon. I'd not lived with that kind of spatial curtailment before. Even a city of skyscrapers is more porous than a snowcapped range. Alps form a solid barrier, an obstacle every bit as conceptual as visual and physical. Alpine bluffs and crags just don't rear up, they lean outwards, projecting their mass, and their solidity does not relent. For a West Australian like me, whose default setting is in diametric opposition, and for whom space is the impinging force, the effect is claustrophobic. I think I was constantly and instinctively searching for distances that were unavailable, measuring space and coming up short.

There is an old Arabic story about a man who hears Death is coming for him, so he sneaks away to Samarra. And when he gets there, he finds Death in the market, and Death says, “You know, I just felt like going on vacation to Samarra. I was going to skip you today, but how lucky you showed up to find me!” And the man is taken after all. Arthur Less has traveled halfway around the world in a cat’s cradle of junkets, changing flights and fleeing from a sandstorm into the Atlas Mountains like someone erasing his trail or outfoxing a hunter—and yet Time has been waiting here all along. In a snowy alpine resort. With cuckoos. Of course Time would turn out to be Swiss. He tosses back the champagne. He thinks: Hard to feel bad for a middle-aged white man.

The pretty town of Bolzano is in the mountainous northeastern part of the country, in the Trentino-Alto Adige region, a recent addition to Italy that was chipped away from Austria in 1919 by the Allies as a reward to the Italians for fighting the Germans. Its history is complicated. Its boundaries have been rigged and gerrymandered by whoever happened to have the larger army. Many of its residents consider themselves to be of Germanic stock and certainly look like it. Most speak German first and Italian second, often reluctantly. Other Italians are known to whisper, “Those people aren’t real Italians.” Efforts to Italianize, Germanize, and homogenize the population all failed miserably, but over time a pleasant truce evolved, and life is good. The culture is pure Alpine.

She browned onions and garlic, and from the pot on the windowsill, chopped a few winter-sad leaves of tarragon. The smell was green and strong, and she thought of spring. Spring in Dijon, when she and Al would hike into the mountains with the Club Alpin, the old women forever chiding her tentative steps, her newborn French: la petite violette, violette américaine. She would turn back to Al, annoyed, and he would laugh. Hardly his delicate flower. When they stopped for lunch, it was Mary Frances with the soufflé of calves' brains, whatever was made liver or marrow, ordering enough strong wine that everyone was laughing. The way home, the women let her be. If she wanted calves' brains now, she wouldn't even know where to begin to look or how to pay. She and Al seemed to be living on vegetables and books, tobacco, quiet. She blanched a bunch of spinach and chopped it. She beat eggs with the tarragon, heated the skillet once again. There was a salad of avocados and oranges. There was a cold bottle of ale and bread. Enough, for tonight.

Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you

That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.

The Ilyushkin 72 ascended through the kingdom of clouds like a steel dragon, powerful and proud. It roared up and away from the snowy private airstrip, leaving in its wake the black ribbon dividing the alpine snowfields of a classified mountain installation.

Climbers often espouse a purer style of ascent while readily depending on the supplies, lines, and oxygen of larger teams. This is particularly true on K2, where climbers often denounce those who join “assault”-style expeditions for not being true mountaineers, but “austere” alpine climbers often utilize, even demand, the supplies and strength of those larger, well-equipped teams when trouble hits high on the mountain.

Out the plane’s window, flatlands had given way to the rough and rumpled chaos of mountain peaks and alpine valleys.

The race across the mountain continued, but the mountains still glowed when it was their time to glow. They still cried when it was time for rain. And they still told you stories, if you only knew how to listen to them. But I was no longer one of those who knew how to listen … who knew how to laugh and cry with them … I was an athlete … I was an alpinist. I spoke of walls and overhangs. I ran and trained and counted my ascents. I fell prey to the folly of categorization, adding up points, comparing myself to others and making myself poorer and poorer. I was turning into a shallow and stupid craftsman. All I saw were numbers, summit heights, sizes of walls, estimations of difficulty. I only saw Roman and Arabic numerals, commas and plus and minus signs. My hands and legs were strong and unstoppable but my head became empty and my heart no longer beat faster because it was being overwhelmed by beauty – only because of physical effort. My path was rapidly turning downhill while the curve of my success continued to rise. One climb became indistinguishable from another. I functioned like a well-oiled machine that will continue to run on empty if no one stops it. And thus the wheels of my machine kept turning without purpose, faster and faster, until my children reminded me that the birds in the forest were still singing.” Excerpt From: Bernadette McDonald. “Alpine Warriors.

The next stage is a hornfels, a thoroughly recrystallized rock, so named after its supposed resemblance to animal horn. Hornfels has one rather unexpected quality—when suitably shaped, it can produce beautiful musical notes when struck. Indeed, it took central place in an extraordinary narrative of the English Lake District. An eccentric 18th-century inventor, Peter Crosthwaite—a fighter against Malay pirates in his youth and, later in life, the founder of a museum in the town of Keswick—built a kind of xylophone using hornfels from the local Skiddaw mountain. Half a century later, the Keswick stone-maker and musician Joseph Richardson determined to top Crosthwaite’s achievement, and almost ruined his family financially by building an even bigger instrument, which would produce a larger range of musical notes. Once built, though, it was indeed a sensation. Richardson toured England for three years with his sons, playing Handel, Mozart, and dance tunes on his rock creation—though at times restraining the power of the instrument so it would not shatter concert hall windows. Queen Victoria liked the performances so much that she requested extra concerts (although reports from the time do suggest that she was not amused at its imitation of Alpine bells). The harmonious hornfels ‘lithophones’ may still be seen in the Keswick museum—and are to this day occasionally taken on musical tour.

Tibetans also discovered a niche that was almost uniquely their own: collecting medicinal herbs. Herbs were commonly used in both Chinese and Tibetan medicine, and many of the more valuable were found on the Tibetan plateau. Beimu, an alpine lily used to treat coughs, grew at altitudes of more than 10,000 feet, and Tibetan nomads were perfectly situated to collect it. Most lucrative was Cordyceps sinensis, a prized ingredient in traditional medicine, believed to boost immunity, stamina, and lung and kidney function. Tibetans call it yartsa gunbu, meaning “summer grass, winter worm,” or simply bu, “worm,” for short. The worm is actually a fungus that feeds on the larvae of caterpillars. In the past, the worm was commonplace enough that Tibetans would feed it to a sluggish horse or yak, but the Chinese developed a hankering for it that sent prices soaring. Chinese coaches with gold-medal ambitions would feed it to athletes; aging businessmen would eat it to enhance their sexual potency. At one point, the best-quality caterpillar fungus was worth nearly the price of gold, as much as $900 an ounce. Tibetans had a natural monopoly on the caterpillar fungus. Non-Tibetans didn’t have the local knowledge or the lung capacity to compete. The best worm was in Golok, northwest of Ngaba. Nomadic families would bring their children with them, sometimes taking them out of school because their sharp eyesight and short stature allowed them to more easily scan the ground for the worm amid the grasses and weeds. The season ran for approximately forty days of early spring, the time when the melting snow turned the still-brown hills into a spongy carpet. The families would camp out for weeks in the mountains. In a good season, a Tibetan family could make more in this period than a Chinese factory worker could earn in a year. The Communist Party would later brag about how their policies had boosted the Tibetan economy, but the truth was that nothing contributed as much as the caterpillar fungus, which according to one scholar accounted for as much as 40 percent of Tibetans’ cash earnings. Unlike earnings from mining and forestry, industries that came to be dominated by Chinese companies, this was cash that went directly into the pockets of Tibetans. The nomads acquired the spending power to support the new shops and cafés. The golden worm was part of a cycle of rising prosperity.

The tarn was surrounded by tough alpine grasses and thorn bushes with berries of candy pink and cough-drop red. At that camp the party’s fire looked choked and small. And when the moon came out its light shone on and through the blue ice cliffs fastened to the black rock faces of surrounding mountains. The night breeze came as an icy downdraught carrying a scent of hostile nothingness, as if it blew all the way from the stars.

see again, the images swarming and vivid, inlaid at once with such beauty and unbearable regret. Chasing her little boy through an alpine meadow, sunlight caught up in his rusty hair, his high, small laughter resounding off the mountains as she tickles his ribs.

The mountains of Ararat are part of the larger mountain chain called the Alpide Belt or Alpine-Himalayan Belt. This range extends from Spain and North Africa, through the Alps and Middle Eastern ranges (like the mountains of Ararat), and through the Himalayas down the Malay Peninsula and Indonesia, almost reaching Australia. It makes sense that these Alpine mountain ranges were all formed about the same time during the Flood’s mountain-building, which coincides with the valley sinking phase (ocean basins going down).

Alpnizm to głównie emocje. W kilka minut można przeżyć tyle, ile na dole nie przeżyje się przez całe życie.

Unfortunately, America has trouble repairing its magnificent trails, so that collapsed bridges and washed-out sections are sometimes left unrepaired. We were rich enough to construct many of these trails during the Great Depression, yet we’re apparently too poor in the 21st century even to sustain them. The attraction of wilderness has something to do with continuity. I may now have a GPS device that I couldn’t have imagined when I first hiked, but essential patterns on the trail are unchanging: the exhaustion, the mosquitoes, the blisters, and also the exhilaration at reaching a mountain pass, the lustrous reds and blues of alpine wildflowers, the deliciousness of a snow cone made on a sweltering day from a permanent snowfield and Kool-Aid mix. The trails are a reminder of our insignificance. We come and go, but nature is forever. It puts us in our place, underscoring that we are not lords of the universe but components of it.

Just as legendary rivers were used to represent the flow of life, so Mount Athos is a handy image to show human vulnerability. Its minerals themselves reminding us that ours is a planet constituted around Nature’s awesome violence! Struggling to survive then, is integral to our existence. Literature on these issues, transforming rock and boulder into a subjective mountain, where fleshly mountaineers set forth, in the blinding brilliance of an alpine dawn, to ascend their own transgressions, remains telling. Breathing in, when nearing the top, to smell the pure air of spiritual comprehension: of heady intrinsic freedom, only to descend, once more, into the obscure and the pedestrian; albeit existentially transformed! In this way, indeed, Mount Athos transfigures many a man.

The new alpinism comes full circle as small teams of fit, trained athletes emulate Mummery, aspire to Preuss, climb like the young Messner. Because those pioneers knew that alpinism—indeed all mindful pursuits—is at its most simple level the sum of your daily choices and daily practices. Progress is entirely personal. The spirit of climbing does not lie in outcomes—lists, times, your conquests. You do keep those; you will always know which mountains you have climbed, which you have not. What you can climb is a manifestation of the current, temporary, state of your whole self. You can’t fake a sub-four-minute mile just as you can’t pretend to do an asana.

There is no doubt that the GR20, traversing the rugged mountains of Corsica, is one of the top trails of the world. Its reputation precedes it, and most walkers who trek the route describe it afterwards as one of the toughest they have ever completed. Others find they are unable to complete it, having seriously underestimated its nature. The GR20 climbs high into the mountains and stays there for days on end, leading ordinary walkers deep into the sort of terrain usually visited only by mountaineers. The scenery is awe-inspiring, with bare rock and vertical lines in some parts, contrasting with forests, lakes and alpine pastures in other places. Those

You take bits off crickets and they grow new parts,” Edwards explains in his cheery New Zealand accent. “My interest in this alpine work is that you find creatures growing in habitats where you wouldn’t expect anything to be.

From Geneva, we drove for a time on the motorway illegally without buying a vignette, but our consciences got the better of us and we took a slight deviation on minor roads through the towns that line the north of the lake with tantalising glimpses of the water, before picking up the road that would take us through the mountains.  This was quite interesting, but slightly boring after the much more imposing Alps.

The tour of the South Caucasus in 2018 ends where the book began, in the mountains. The extraordinary natural features of the Caucasus cross all political boundaries, and its extraordinary landscape and outstanding biodiversity are its often-hidden glory. Foreign visitors are awestruck by these landscapes, still far less developed than the alpine zones of western Europe. The World Wildlife Fund has named the wider Caucasus region—stretching into Russia and Turkey—one of thirty-five “biodiversity hotspots” on the planet, with over 1,650 indigenous plants and animals in nine climate zones. To name but three examples of this biodiversity: the mountains of Georgia and Azerbaijan contain more species of oak than western Europe, as they survived the last Ice Age; a few mountain leopards still prowl the highlands of Armenia; and less than 200 “goitered gazelles” are to be found on the borders of Azerbaijan and Georgia. Some natural spectacles draw visitors from all over the world. From late August to early October, birdwatchers come to the Black Sea coast of Georgia to see the annual migration southwards of millions of birds of prey through a 10-kilometer-wide corridor between the sea and the Lesser Caucasus Mountains known as the “Batumi bottleneck.” On October 2, 2014, after days of rain kept the gates of the corridor closed, an astonishing 271,000 birds were counted flying through and darkening the skies.

I’m in a copse of ponderosa pine on the edge of an alpine meadow in the Colorado Rocky Mountains. A story emerges from the scrolling graph of the electronic sound probe. The tree is quiet through the morning, signaling an orderly and abundant flow of water from root to needle. If the previous afternoon brought rain, the quiet is prolonged. The tree itself makes this rainfall more likely. Resinous tree aromas drift to the sky, where each molecule of aroma serves as a focal point for the aggregation of water. Ponderosa, like balsam fir and ceibo, seeds clouds with its perfumes, making rain a little more likely. After a rainless day, the root’s morning beverage is brought by the soil community, a moistening without the help of rain. At night tree roots and soil fungi conspire to defy gravity and draw up water from the deeper layers of soil. By noon, the graph tracking ultrasound inflects upward. The soil has dried with the long day’s exposure to dry air and high-altitude sunshine. The species that survive, the gold resting in this alpine crucible, are those who can be miserly with water (with multiple adaptations like the ponderosa.

I wrote against the loneliness of three people becoming one each. I wrote about the high desert and the mountains and alpine meadows while I listened to the rain and drank coffee and lived among wide rivers and Douglas-fir and hawthorn trees. I wrote about motherhood and not spanking and trying not to yell. I wrote bigger things about being free and saying no and about god as something other than stained glass, robe-shrouded men, sin listing, and forgiveness on knees. I wrote about the matriarchy Mom whispered in my ear in the red dust about being in charge of the food source, seeking other gods, and then seeking nothing and untying the knots in my mind, pulling out poetic threads, removing what wasn’t needed.

This exuberant beauty was in the damp spring stars. In the many years of cold rain rippling across the screen of cypresses. In the brambles and the rose bushes. In the rabbit nibbling its way through the garden and the doves murmuring in the vines and shade. In the alpine valleys. In the bays and among the highlands. In the clouds and the eagles, the wind, and the rising sun. In the roots of the chestnut tree, in the ferns and the ghost pipe, in the spores of lion’s mane, in the sterile conk of chaga. In the rocky cliffs that rose sovereign. In the rocks over which mountain goats leaped. In the trenches of seaweed. In the crushed stones and shells from the beach. In the brush-covered resting places of deer. In the hulks and ruins of empty estates, abandoned and alone with lichen on the stucco. In the towns glistening in the heat and in the cheerful, serene sound of cathedral bells. In automobiles and pedestrians. In the children and the old people.

The Planinski Dom na Uskovnici, the Planinski Dom na Kofcah, and the Dom Planika pod Triglavom are a few of the top alpine huts in the Julian Alps.

The advent of low temperature scanning EM led to a study by Bill Wergin and colleagues from NASA in which they collected samples from different types of snow cover found in the prairies, taiga (snow forest), and alpine environments. With snow depths up to a metre, various layers occurred in which the crystals underwent a change in their microscopic shape from the original freshly fallen crystals, to the development of flat faces and sharp edges. It is this metamorphosis of lying snow that determines the likelihood of avalanches, which can be predicted from the crystal structures at various depths. Although scanning EM (electron microscopy) is hardly available as a routine assay in distant mountain regions, this work helped in the use of microwave radiology investigation of the snow water equivalent in the snow pack, as large snow crystals scatter passive microwave more than small crystals. Smaller and more rounded crystals of snow do not interlock, and can slide more easily over each other, increasing the risk of avalanches.

The Bodhisattva rests in glacial air, under a dust of snow, leaves fallen into one arm. This fairyland Buddha sits in an exquisite etched chair, a powdery image of beauty. Winter brings blinding thoughts of flaky falling dreams, slushy icy hard footprints, with crunchy mantras of wind. Forever surrounded by obscuring of days, whiteout of the mundane, penetrating freeze, and blizzard of emptiness. Crystalline diamond Vajra surrounded by endings. Slow drifting meditations that meander to the ground. White snow like bones, cold as death, frozen in compassion. Drifting to enlightenment with vows to return until all are in blessed fields. Icy mantra Om Mani Padme Hum to mountain emptiness, echoing forever in alpine Buddhafields. Not this, nor that— but always something else. These days, we mostly see blessed falling flakes of snow.

A mountain is a mother of alpinism.

After what seemed like a long while, they finally crested a ridge and entered Rockwing’s territory. As they swooped over an alpine lake and a meadow thronging with Mountain Herd steeds, Star looked down to see the herd grazing or preening their feathers. A gold dun mare tilted her head skyward as their shadows crossed the sun. She noticed Star and neighed, “It’s the black foal of Anok!

The Ozarks are mountains in the Deep South sense of the word, not pyramidal peaks or potential ski slopes or alpine crags, but irregular elevations, a succession of low, deep green ridges, a sea of long, lumpy hills to the horizon in a dramatic panorama. That there is an identifiable and sundown-framed horizon in their midst gives the Ozarks their uniqueness: mountains that allow a great, gaudy, and effulgent sunset. No single Ozarkian topographical feature is apparent, but the whole of it – the broad shifting vista of elongated hills – appears like flattened and thickly forested mesas. And the view is especially moving because it seems unpeopled, the isolated communities hidden in hollows and behind the slopes, some of which are bunchy with old-growth trees, still remote and beautiful.

Van Degrift’s Ski Hut in Los Angeles became Southern California’s first ski shop when it began to sell ski equipment in 1931. In 1934, Walter Mosauer, a zoology professor at the University of California–Los Angeles, considered the father of skiing here and an avid proponent of the Arlberg technique, wrote the first instructional ski book to be published in Southern California, On Skis Over Mountains. Mosauer, along with fellow German Otto Steiner, began teaching downhill skiing techniques, launching a change in focus and transition from ski jumping to alpine skiing.

Avenge, O Lord, Thy slaughter'd saints, whose bones Lie scatter'd on the Alpine mountains cold. * * * In Thy book record their groans Who were Thy sheep, and in their ancient fold, Slain by the bloody Piedmontese, That roll'd Mother with infant down the rocks. their moans The vales redoubled to the hills, and they To heaven.

His attitude towards her changed. When they had been settled for less than a month at La Fiorita, as their villa was called, they were sitting out one night in the belvedere at the end of their pergola watching the full moon climb above the mountains of Sorrento. The night was not chilly; but fearing that Willoughby might take cold, she came down the garden with an Alpine cloak that she had bought for him in Munich. She found him rapt, gazing at the snaky track of yellow moonlight on the water. Even before he spoke she was aware of something tense and emotional in the air; but when she threw the cloak over his shoulders he did not thank her as usual. He stood gazing down at her with a look in his eyes that she had never seen before except when he was playing. She felt herself blushing beneath his gaze. Then, clasping her in his arms, he kissed her lips. It was the kiss of a lover, the like of which she had never known before, and she, with her curious, spinsterly instinct, shrank from it. “What are you doing?” he cried. “What’s the matter with you? Can’t I kiss you?” “Julian, you’re so rough. I don’t understand kisses like that.” “Aren’t you my wife?” he said. “Is there any reason why I shouldn’t love you?

Tomaz believed that 80% alpinism was mental and spiritual and that his third eye vision & openness of his mind to the language of the walls were critical

In his Alpine mountain retreat above Berchtesgaden on February 13, Hitler, in a scene probably unique in modern European history, had rudely threatened and badgered Schuschnigg to turn over Austria to the Nazis or face invasion of the German army.

The Kashmir Himalaya is a biodiversity hotspot, home to hundreds of medicinal and aromatic plants used in Ayurveda, Unani, Tibetan, and folk medicine. These herbs grow in pristine alpine meadows, high-altitude valleys, and forest belts, enriched by glacial waters and clean mountain air.

Gelayev’s odyssey lasted over a month, as he and his men zigzagged between Russian posts in the mountains. They climbed impossible peaks with no alpine gear, they lowered their horses and supplies by ropes, and miraculously they all made it. On several occasions they encountered Russian forces and in one case engaged in a real battle near the Osset village of Galashki.

Maybe your wandering time leads you on a wilderness hike when you cross a ridge and are awestruck by a shimmering alpine lake reflecting a snow-covered mountain peak like a mirror. Or maybe you happen upon a firefly at nightfall in your backyard, where that tiny, sudden light blinks up, rises, and settles on your arm. In simple and unexpected moments of epiphany, you will sense that you are connected to creation in ways that bypass your self-protective, preoccupied, rational mind. Your task? Be attentive. Allow your wonder to wander.

AlpineAura: Where Natural Calm Meets Elevated Modern Style As lifestyles become more fast-paced and digital, the desire for calm and authenticity continues to grow. AlpineAura reflects this modern need by drawing inspiration from the purity of alpine landscapes and blending it with contemporary design and living. It represents a balanced approach to life—clean, intentional, and refined. The Inspiration Behind AlpineAura The alpine world is known for its clarity, strength, and timeless beauty. Snow-covered peaks, fresh mountain air, and peaceful surroundings form the foundation of the AlpineAura concept. The word “aura” adds a deeper layer, symbolizing an invisible energy that influences mood, confidence, and well-being. Together, AlpineAura creates a feeling of quiet luxury rooted in nature. This concept fits naturally into wellness, fashion, travel, home décor, and sustainable branding. AlpineAura appeals to people who seek products and experiences that feel genuine, calming, and thoughtfully designed. What Defines the AlpineAura Identity AlpineAura is defined by simplicity and purpose. It avoids unnecessary complexity and focuses on clean lines, natural tones, and high-quality materials. This approach creates a sense of trust and sophistication without being overwhelming. Unlike short-lived trends, AlpineAura embraces a timeless aesthetic. It values long-term quality, ethical choices, and designs that remain relevant across seasons. This makes it especially appealing to modern consumers who prioritize sustainability and mindful living. AlpineAura as a Lifestyle Philosophy Beyond branding, AlpineAura represents a lifestyle centered on balance and awareness. It encourages people to slow down, reconnect with nature, and choose quality over quantity. Whether through minimalist interiors, eco-conscious products, or calming digital spaces, AlpineAura reflects modern values of intentional living. As more people seek meaningful experiences and sustainable solutions, AlpineAura stands out as a concept with enduring appeal. It communicates calm confidence, natural elegance, and a sense of grounded sophistication. In essence, AlpineAura is more than a keyword—it is a reflection of modern living inspired by nature’s clarity and strength.