Alpine Glow Quotes

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The race across the mountain continued, but the mountains still glowed when it was their time to glow. They still cried when it was time for rain. And they still told you stories, if you only knew how to listen to them. But I was no longer one of those who knew how to listen … who knew how to laugh and cry with them … I was an athlete … I was an alpinist. I spoke of walls and overhangs. I ran and trained and counted my ascents. I fell prey to the folly of categorization, adding up points, comparing myself to others and making myself poorer and poorer. I was turning into a shallow and stupid craftsman. All I saw were numbers, summit heights, sizes of walls, estimations of difficulty. I only saw Roman and Arabic numerals, commas and plus and minus signs. My hands and legs were strong and unstoppable but my head became empty and my heart no longer beat faster because it was being overwhelmed by beauty – only because of physical effort. My path was rapidly turning downhill while the curve of my success continued to rise. One climb became indistinguishable from another. I functioned like a well-oiled machine that will continue to run on empty if no one stops it. And thus the wheels of my machine kept turning without purpose, faster and faster, until my children reminded me that the birds in the forest were still singing.” Excerpt From: Bernadette McDonald. “Alpine Warriors.
Nejc Zaplotnik, Pot
Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you
Hoshang Merchant (The Book of Chapbooks (Collected Works Volume IV))
Somewhere between brute silence and last Sunday's Thirteen hundred thousand sermons; Somewhere between Calvin on Christ (God help us!) and the lizards; Somewhere between seeing and speaking, somewhere Between our soiled and greasy currency of words And the first star, the great moths fluttering About the ghosts of flowers, Lies the clear place where I, no longer I, Nevertheless remember Love's nightlong wisdom of the other shore; And, listening to the wind, remember too That other night, that first of widowhood, Sleepless, with death beside me in the dark. Mine, mine, all mine, mine inescapably! But I, no longer I, In this clear place between my thought and silence See all I had and long, anguish and joys, Glowing like gentians in the Alpine grass, Blue, unpossessed and open.
Aldous Huxley (Island)
There are plenty of variants of Krampus runs scattered through Europe, especially in the Alpine regions. In some, the performers are separated from the public by metal fencing and the worst the monsters can do is rattle the railings or swipe at the spectators standing too close. Given the mayhem of Salzburg, I can see why some town councils and attendees prefer to be a little safer and a little more removed from the Krampuses (though if I’m entirely honest, it sounds a lot less fun). In other places, the spectacle is more stage managed, with pyrotechnics, fog effects, and a soundtrack of heavy metal rather than clanking cow bells. In some places, modern additions to the Krampus outfits, like glowing LED eyes, are forbidden, in others they’re happily embraced. Plenty of Krampus groups do house calls as well as the main run (some, joyously, allow for house visits to be booked online on the Krampus group’s website). In other places, the Krampuses take part in a short play with St Nicholas before they rampage through the town.
Sarah Clegg (The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures)