“
The shortest horror story:
The last man on Earth sat alone in a room. There was a knock on the door.
”
”
Fredric Brown
“
The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone."
Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
”
”
James Finn Garner (Politically Correct Bedtime Stories)
“
It’s funny, for all it took was a broken heart and that alone was enough, enough for her to do everything she ever dreamed of.
”
”
Robert M. Drake
“
Keep up," said an irritable voice in her ear. It was Jace, who had dropped back to walk beside her. "I don't want to have to keep looking behind me to make sure nothing's happened to you."
"So don't bother."
"Last time I left you alone, a demon attacked you," he pointed out.
"Well, I'd certainly hate to interrupt your pleasant night stroll with my sudden death."
He blinked. "There is a fine line between sarcasm and outright hostility, and you seem to have crossed it.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
girls
please give your
bodies and your
lives
to
the young men
who
deserve them
besides
there is
no way
I would welcome
the
intolerable
dull
senseless hell
you would bring
me
and
I wish you
luck
in bed
and
out
but not
in
mine
thank
you.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
No. Because it's so stupid no Dauntless with any sense would speak it, let alone think it. Pansycake. What are you, twelve?"
"And a half," he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
You think you’re funny,” she said coldly. “But you’re just an arrogant, bullying toerag, Potter. Leave him alone.”
“I will if you go out with me, Evans,” said James quickly. “Go on . . . Go out with me, and I’ll never lay a wand on old Snivelly again.”
“I wouldn’t go out with you if it was a choice between you and the giant squid,” said Lily.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
I paid, got up, walked
to the door, opened
it.
I heard the man
say, "that guy's
nuts."
out on the street I
walked north
feeling
curiously
honored.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
What did that stupid deserting crap-bag ex-boyfriend, ex-best friend with the most perfect stupid hair do? He DIDN'T delete his crap off the desktop before he fled my life and left me all alone. That's what he did.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense. Alone, the world offers itself freely to us. To be unmasked, it has no choice.
”
”
Tom Robbins (Still Life with Woodpecker)
“
What the hell is so funny?"
"First of all," she said, her confidence growing, "they're not my MASTERS. I don't have a MASTER. Second, they don't need a battalion to take you down. And third -- and this is really the most important point -- whoever said I came alone?
”
”
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
“
No,” Shane said. “I’m not leaving you two here alone. We stick together.”
“I’m still not kissing you,” Michael said.
“Tease.
”
”
Rachel Caine (Last Breath (The Morganville Vampires, #11))
“
She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for eighty years expecting to find him there, and only slowly growing accustomed to the fact that that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that like the sound of Jem's violin, they had faded into the distance where memories are silent.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I feel no grief for being called something
which
I am not;
in fact, it's enthralling, somehow, like a good
back rub
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
sometimes when everything seems at
its worst
when all conspires
and gnaws
and the hours, days, weeks
years
seem wasted –
stretched there upon my bed
in the dark
looking upward at the ceiling
i get what many will consider an
obnoxious thought:
it’s still nice to be
Bukowski.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
Here," Myrnin said, his voice still gentle and low. "Amelie said you had to work. No one said you had to work alone." He picked up the next part and slotted it in, took the screwdriver from Claire's numbed fingers, and fastened it with a couple of deft, fast movements. "I'll be your hands."
She wanted to cry, because it was so sweet, but it wouldn't do any good.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Ooh, big day in town for our park warden,” I said. “They’re even making you wear the uniform.
Hayley’s mom will be happy. She thinks you look hot in it.”
Dad turned as red as his hair.
Mom’s laugh floated out from her studio. “Maya Delaney. Leave your father alone.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
One of the most amazing things that we often forget is this: God never forgets us! Face it; you could hide under a rock, BUT, God will still be beside you saying, "Rock bottom, already?
”
”
NOT A BOOK
“
What I said was
I’ll miss you
what I meant to say was
I love you
what I wanted to say was
that I meant what I said
and it’s funny
how all those things I
could have said
flooded my head after we said goodbye
and I should have told you
I’d be willing to hold you
until my flesh crumbles into bone
because I’m willing to die alone
but god knows I don’t want to live that way.
”
”
Shane L. Koyczan
“
When they were introduced, he made a witticism, hoping to be liked. She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces.
The man who'd introduced them didn't much like either of them, though he acted as if he did, anxious as he was to preserve good relations at all times. One never knew, after all, now did one now did one now did one.
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Pay attention to what's happening around you. Read the book before you see the movie. Remember, though you, alone, are responsible for your own happiness, its still okay to feel responsible for someone else's. Live and to learn.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
“
St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer.
It's a freaking soap opera.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
Will. For a moment her heart hesitated. She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for years expecting to find him there, and only slowly growing accustomed to the fact that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that, like the sound of Jem's violin music, they had faded into the distance where memories are silent.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Funny, now that I’m dying, my ghosts decide to leave.
I wish they would come back.
I wish I didn’t have to die alone.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
”
”
Shonda Rhimes (Year of Yes)
“
I’m sorry I ever asked you guys to be friends. You don’t have to be friends. You don’t even have to like each other. Forget I said anything.”
Warner drops his crossed arms.
Kenji raises his eyebrows.
“I promise,” I say. “No more forced hangout sessions. No more spending time alone without me. Okay?”
“You swear?” Kenji says.
“I swear.”
“Thank God,” Warner says.
“Same, bro. Same.”
And I roll my eyes, irritated. This is the first thing they’ve managed to agree on in over a week: their mutual hatred of my hopes for their friendship.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
I should go in alone," Valkyrie said, speaking loudly to be heard. "If we both go in, it'll look to official."
"So I'll just stay out here?" Skulduggery asked. "But what'll I do? There's no one to talk to. It's boring."
"You're standing on the roof of a train," Valkyrie pointed out. "If you find this boring, you really need your head examined. Just wait here. I'll do what has to be done and I'll be find out.
"Fine," he said, sounding grumpy. "Don't be long.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
Things were always stranger in retrospect, which was a funny little consequence of time.
”
”
Olivie Blake (Alone With You in the Ether)
“
Women got that feeling about him, that funny one we all get when we know something isn't right, but we don't know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.
”
”
Jessica Knoll (Bright Young Women)
“
Sometimes, when I find it hard to sleep, I’ll think of when we first met, of the newness of each other’s body, and my impatience to know everything about this person. Looking back, I should have taken it more slowly, measured him out over the course of fifty years rather than cramming him in so quickly. By the end of our first month together, he’d been so thoroughly interrogated that all I had left was breaking news—what little had happened in the few hours since I’d last seen him. Were he a cop or an emergency-room doctor, there might have been a lot to catch up on, but, like me, Hugh works alone, so there was never much to report. “I ate some potato chips,” he might say, to which I’d reply, “What kind?” or “That’s funny, so did I!” More often than not we’d just breathe into our separate receivers.
Are you still there?”
I’m here.”
Good. Don’t hang up.”
I won’t.
”
”
David Sedaris
“
I said alone!”
He nodded in agreement. “Aye, you usually say that, and I still stay. It’s our way.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
Hanged"
I hung myself today. Hanged? Whatever,
the point is I hanged myself today and I’m still
hanging.
I feel fine. Just bored. I keep hoping that
someone will come home and cut me down
but then I keep remembering that if I knew
someone like that I wouldn’t be up here. Bit
ironic, right? Or is that not ironic? I read
somewhere that, like, anything funny is,
in some way, ironic. But I don’t know if it's
funny or not. I don’t think my brain owns
“funny”, you know?
I feel taller. I like that.
I’ve never been away from my shadow for
this long. It had always clung to my feet,
parting momentarily for a quick dive into
the swimming pool. But never for five
hours. I like it. There’s three feet of space
between my two and the floor.
I wanted something this morning. I may be
stuck. But at least I’m three feet closer to it.
”
”
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
“
Don't bite the hand that feeds you - especially if you're dining alone.
”
”
Kevin Ansbro
“
Artemis grit her teeth. "I need a favor. I have some hunting to do, alone. I need you to take my companions to Camp Half-Blood."
"Sure Sis!" then he raised his hands in a "stop everything" gesture. "I feel a haiku comIng on."
The Hunters all groaned. Apparently they'd met Apollo before.
He cleared his throat and held up one hand dramatically.
"Green grass breaks through snow.
Artemis pleads for my help.
I am so awesome.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Arjuro made a scoffing sound. ‘You think Lumatere will invade because of you? Are you that important?’
Froi looked away. ‘Isaboe would invade if you kidnapped a servant, let alone a friend.’
‘Isaboe? We’re on first-name terms with the Queen of Lumatere, are we?’ Gargarin asked.
Froi found himself bristling. ‘What? Do you think I’m some cutthroat for hire who they found hanging around the palace walls with the words “I want
to kill a Charynite King” tattooed on my arse?
”
”
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
“
Do you feel insecure because you keep getting the nagging feeling that you're not that smart? Well, I've got good news for you, my friend. You have no need to be insecure. That nagging feeling is absolutely right on target. You are not that smart. But I have more good news for you. You are also not alone.
”
”
Ellen DeGeneres (The Funny Thing Is...)
“
When we share our struggles we let others know it’s okay to share theirs. And suddenly we realize that the things we were ashamed of are the same things everyone deals with at one time or another. We are so much less alone than we think.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.”
Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.”
Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Most of the time romance isn't even about love, anyway. It's about escape. Fantasy. Salvation from the mundane. Save me from boredom, from exhaustion, from my undersexed body, from microwave dinners and reality TV, from going to bed alone with a vibrator or a cat. Save me from my desperately ordinary life.
”
”
Leah Raeder (Black Iris)
“
Secrets. Funny how, when you're about to be given something precious, something you've wanted for a long time, you suddenly feel nervous over taking it.
Everyone wants more than anything to be allowed into someone else's most secret self. Everyone wants to allow someone into their most secret self. Everyone feels so alone inside that their deepest wish is for someone to know their secret being, because then they are alone no longer. Don't we all long for this? Yet when it's offered it's frightening, because you might not live up to the desires of the one who bestows the gift. And frightening because you know that accepting such a gift means you'll want-perhaps be expected- to offer a similar gift in return. Which means giving your *self* away. And what's more frightening than that?
”
”
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
“
I'm going to have to give him shit for all this,' Shane said, as he wandered around. 'He lives alone and makes his bed? Who does that?'
'People who like things neat?'
'Its not natural.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
Lovers do things together! They rent videos, they ride Ferris wheels, they go out for pizza, they play Scrabble. They . . . they talk!'
'Talk?' He lifted his head and frowned, his eyes puzzled. 'We talk all the time, Raine. I've never had such talkative sex.'
'That's just it!' She wiggled, flailed, but couldn't budge him. 'Two minutes alone with you, and I'm flat on my back. Every single time!'
A slow, knowing grin spread over his face. 'Is this your way of telling me you want to be on top?
”
”
Shannon McKenna (Behind Closed Doors (McClouds & Friends #1))
“
My particular dread--the vivid possibility that left me staring at tree shadows on the bedroom ceiling night after night--was having to lie in a small tent, alone in an inky wilderness, listening to a foraging bear outside and wondering what its intentions were. I was especially riveted by an amateur photograph in Herrero's book, taken late at night by a camper with a flash at a campground out West. The photograph caught four black bears as they puzzled over a suspended food bag. The bears were clearly startled but not remotely alarmed by the flash. It was not the size or demeanor of the bears that troubled me--they looked almost comically nonaggressive, like four guys who had gotten a Frisbee caught up a tree--but their numbers. Up to that moment it had not occurred to me that bears might prowl in parties. What on earth would I do if four bears came into my camp? Why, I would die, of course. Literally shit myself lifeless. I would blow my sphincter out my backside like one of those unrolling paper streamers you get at children's parties--I daresay it would even give a merry toot--and bleed to a messy death in my sleeping bag.
”
”
Bill Bryson (A Walk in The Woods: Rediscovering America on the Appalachian Trail)
“
There is a certain delightful sort of hope which the introvert can receive only by having company over...the hope that they will leave soon.
”
”
Criss Jami (Healology)
“
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
”
”
John Green (Paper Towns)
“
You're right, my problems are the biggest problems ever," George said. "No, honestly, it's horrible to be me. I'm rich, talented, and I make girls cry."
"How do you make girls cry, exactly?"
George turned to her. His blue eyes widened. His lovely face took on a forlorn, deeply troubled expression. He leaned forward, and, in a theatrical whisper, said, "My past is tragic. I wouldn't want to burden you with it. It's a pain I must suffer alone. In the rain. In silence.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
This is precisely why I loathed being a teacher! Young people are so infernally convinced that they are absolutely right about everything. Has it not occurred to you, my poor puffed-up poppinjay, that there might be an excellent reason why the Headmaster of Hogwarts is not confiding every tiny detail of his plans to you? Have you never paused, while feeling hard-done-by, to note that following Dumbledore's orders has never yet led you into harm? No. No, like all young people, you are quite sure that you alone feel and think, you alone recognise danger, you alone are the only one clever enough to realise what the Dark Lord may be planning.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Buck is a mammoth, like a yeti. A huge perverted, hairy whore of a yeti. According to the sportscasters, Buck's an excellent hockey player. I'd agree, based on his yearly salary alone. No one gets much money for sucking, not even extremely skilled prostitutes.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
I feel all the same things when I do things alone as when Ole Golly was here. The bath feels hot, the bed feels soft, but I feel there's a funny little hole in me that wasn't there before, like a splinter in your finger, but this is somewhere above my stomach.
”
”
Louise Fitzhugh (Harriet the Spy)
“
You said not to do anything that might accidentally contribute to the apocalypse,” Magnus said. “I know you were joking. But it’s less funny when I can’t rid myself of the feeling that the apocalypse is coming, somehow. Valentine Morgenstern nearly wiped out the Shadowhunters, and his son is twice as clever and six times as evil. And he will not come alone. He has help, from demons greater than my father, from others—
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Once I got away from him, I was smart enough to stay away from him. To hunt that one is as wise as to go hunting a porcupine.
I cannot leave this alone, Nighteyes.
I understand. I am the same about porcupines.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
I don’t think I want to visit your house anymore.” “Sometimes neither do I.” “And your grandfather….” “Leave my Papaw alone.” “He’s crazy.” “We don’t hide crazy,” I said. “We put it on the porch and let it entertain the neighbors.
”
”
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
“
Cooking without wine is like sex alone. You may get the job done, but you don't really care once it's over.
”
”
Andrew Grey
“
Next time a stranger talks to you when you're alone, just look at them shocked and whisper "You can see me?
”
”
Skylar Blue
“
I don't want any funny business, and above all I don't want to be dragged into other people's funny business. If it's to be my head on the block, I want to know that it's doing there, and not that it's some stupid things that other people have done.
”
”
Hans Fallada (Every Man Dies Alone)
“
Adventures are funny things.
Many are merely happy accidents—a single spark that ignites an unexpected chain of events.
But some adventures are meant for you and you alone.
And whether you want them or not, they seek you out of a great crowd and take you somewhere you never thought you’d go.
Often, these unlooked for adventures require a sacrifice too great to imagine.
”
”
Wayne Thomas Batson
“
For if it is rash to walk into a lion's den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on top of St. Paul's, it is still more rash to go home alone with a poet.
”
”
Virginia Woolf (The Waves)
“
It's all chop-change chop-change with you. Either go out with me and treat me nicely, or leave me alone. As I say, I am not interested in fuckwittage.
”
”
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
“
It’s funny how I can be surrounded by so many people who profess to love me and still feel so utterly alone.
”
”
Elsie Silver (Wild Eyes (Rose Hill, #2))
“
SUBJECT: Real original
Dear Dark Assholes,
I get the point. Showing me that you know how to log onto a computer and utilize Google must’ve taken some pretty keen strategizing on your part.
Really, really cool trick. Now leave me the hell alone.
-The DL
”
”
S.L. Jennings (The Dark Prince (Dark Light, #2))
“
In other words, stop judging yourself against shiny people. Avoid the shiny people. The shiny people are a lie. Or get to know them enough to realize they aren’t so shiny after all. Shiny people aren’t the enemy. Sometimes we’re the enemy when we listen to our malfunctioning brains that try to tell us that we’re alone in our self-doubt, or that it’s obvious to everyone that we don’t know what the shit we’re doing. Hell, there are probably people out there right now who consider us to be shiny people (bless their stupid, stupid hearts) and that’s pretty much proof that none of our brains can be trusted to accurately measure the value of anyone, much less ourselves. How can we be expected to properly judge ourselves? We know all of our worst secrets. We are biased, and overly critical, and occasionally filled with shame. So you’ll have to just trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Just leave me alone, I want to be alone,” she said when Jack tried to open the car door. She hit the lock, and wound the window up. Since the roof was down, it was a fairly pointless exercise.
”
”
Sarah Mayberry (Can't Get Enough)
“
Had there been a lunatic asylum in the suburbs of Jerusalem, Jesus Christ would infallibly have been shut up in it at the outset of his public career. That interview with Satan on the pinnacle of the Temple would alone have damned him, and everything that happened after could but have confirmed the diagnosis.
”
”
H. Havelock Ellis (Impressions and Comments)
“
Depression is a funny thing. Some days you have the strength to get up out of bed and attempt to live your life as a normal human being, but others…you just don’t want to leave your room and socialize with the outside world—the world that you hate on days like this. You stay secluded in a tiny space, left alone to the thoughts that eat at your brain until you finally sit down and let them be thought.
”
”
Ashley Earley (The Darkest Light)
“
Sitting alone in the cafeteria would just scream “I’m the new girl. Everyone stare at me while I eat.
”
”
Kristi Cook (Haven (Winterhaven, #1))
“
I FEEL ALL THE SAME THINGS WHEN I DO THINGS ALONE AS WHEN OLE GOLLY WAS HERE. THE BATH FEELS HOT, THE BED FEELS SOFT, BUT I FEEL THERE’S A FUNNY LITTLE HOLE IN ME THAT WASN’T THERE BEFORE, LIKE A SPLINTER IN YOUR FINGER, BUT THIS IS SOMEWHERE ABOVE MY STOMACH.
”
”
Louise Fitzhugh (Harriet the Spy)
“
It's enough to make me laugh. I close the door behind me and sit down again, considering this, and truly, I find it so funny that I laugh until I cry.
And when the tears come I think aah...
So this is what it means to be alone.
”
”
John Boyne (The House of Special Purpose)
“
He opened the door wearing an oversized wife-beater and dirty trunks to match. Funny, but he recognized me withouta struggle. Immediately, I assumed he was sober, which was a good thing. Yet, seeing me wasn’t expected or desired. For sure, I was the last person on his list of surprises. Jerry adjusted his head and sharpened his bloodshot eyes. It wasthen his booze-bated breath greeted me well before he did. Ok, he was in a stupor or maybe on the rebound. Next, soiled diapers stole the little oxygen I had left—and I was still OUTDOORS.
Yet somehow, I mustered enough wind to greet my brother. I tried to beat him to the punch and said, “What’s up bruh?” What happened next stomped my soul me for years to come! He never bothered to truly acknowledge me. Yet, heresponded without hesitation, “You know I can’t have
any company!” Then he violently slammed the door shut! Jerry was gone! I couldn’t differentiate
from being stupid or dumbstruck. I just stood silent on his porch all alone for about five minutes. I’d dealt with Jerry’s nastiness many times before. But he would initially warm up before dropping his hammer. Without a doubt, l was lost, confused, and bewildered like a teen-age boy losing a prom date. Foolishly, I used logic to dissect my embarrassment.
First, the guy scolded me as if I should’ve known better! To be fair, Jerry was the breadwinner. His wife left him years ago. That part I understood. Only a fool would have hung around his crazy ass. It was amazing they got together, let alone stayed that way long enough to create those children. Yet, all his kids were pushing the ages of twenty andabove. What the hell did he mean, “I can’t receive any company!” Of course, I heard those crying babies which madehim a granddaddy. That was strangely obvious to his existence. Yes, the cycle continues!
Second, I really didn’t care to go inside. I didn’t want to be in his business. I just wanted his input on Aunt Kathy’s memorial.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
But after a while, someone either finally sees you or they don’t, and either way it fucking sucks. Because if they see you, and it’s not what they signed up for, then they’re out of there. And if they never see you… it’s worse. Because you’re just alone.
”
”
Emily Henry (Funny Story)
“
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us.
”
”
Osamu Dazai (Schoolgirl)
“
Understanding America for the Non-American Black: Thoughts on the Special White Friend
One great gift for the Zipped-Up Negro is The White Friend Who Gets It. Sadly, this is not as common as one would wish, but some are lucky to have that white friend who you don’t need to explain shit to. By all means, put this friend to work. Such friends not only get it, but also have great bullshit-detectors and so they totally understand that they can say stuff that you can’t. So there is, in much of America, a stealthy little notion lying in the hearts of many: that white people earned their place at jobs and schools while black people got in because they were black. But in fact, since the beginning of America, white people have been getting jobs because they were white. Many whites with the same qualifications but Negro skin would not have the jobs they have. But don’t ever say this publicly. Let your white friend say it. If you make the mistake of saying this, you will be accused of a curiosity called “playing the race card.” Nobody quite knows what this means.
When my father was in school in my NAB (Non American Black) country, many American Blacks could not vote or go to good schools. The reason? Their skin color. Skin color alone was the problem. Today, many Americans say that skin color cannot be part of the solution. Otherwise it is referred to as a curiosity called “reverse racism.” Have your white friend point out how the American Black deal is kind of like you’ve been unjustly imprisoned for many years, then all of a sudden you’re set free, but you get no bus fare. And, by the way, you and the guy who imprisoned you are now automatically equal. If the “slavery was so long ago” thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery? And have your white friend say how funny it is, that American pollsters ask white and black people if racism is over. White people in general say it is over and black people in general say it is not. Funny indeed. More suggestions for what you should have your white friend say? Please post away. And here’s to all the white friends who get it.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Hm-m," he said. "Lookie, Ma. I been all day an' all night hidin' alone. Guess who I been thinkin' about? Casy! He talked a lot. Used ta bother me. But now I been thinkin' what he said, an' I can remember-all of it. Says one time he went out in the wilderness to find his own soul, an' he foun' he didn' have no soul that was his'n. Says he foun' he jus' got a little piece of a great big soul. Says a wilderness ain't no good, 'cause his little piece of a soul wasn't no good 'less it was with the rest, an' was whole. Funny how I remember. Didn't even think I was listenin'. But I know now a fella ain't no good alone.
”
”
John Steinbeck
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
I had a pain in my neck from sleeping funny, at least five hours’ worth of homework, and a newfound realization that woman cannot live on cherry-flavored lip gloss alone. I dug in the bottom of my bag and found a very questionable breath mint, and figured that if I was going to die of starvation, I should at least have minty-fresh breath for the benefit of whatever classmate or faculty member would be forced to give me CPR.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
We all spend our lives kicking the crap out of ourselves for not being this way or that way, not having this thing or that thing, not being like this person or that person. For not living up to some standard we think applies across the board to all of us. We all spend our lives trying to follow the same path, live by the same rules. I think we believe that happiness lies in following the same list of rules. In being more like everyone else. That? Is wrong. There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
Will. For a moment her heart hesitated. She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for years expecting to find him there, and only slowly growing accustomed to the fact that that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that like the sound of Jem's violin music, they had faded into the distance where memories are silent.
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess, Chapter 21 (The Infernal Devices Serial))
“
Tridentarius,' I said, and I had to take a breath to stop myself from hewing her in half. Then I said:
'If you keep acting like you know her - not even like you care about her, but like you know the first thing about her - I will end you here and now. Everything you did to her, you did because she was alone. You thought nobody gave a shit about Harrowhark Nonagesimus. You played with her because you thought it was funny. But she never gave you anything. You never got anywhere.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
I glared at him. “You didn't leave me alone for five minutes, you left me alone for a week. I could have hacked myself to pieces if there's been more than one mango in the house. You could have come home to a very gory scene. The press would have had a field day ... Gay Houseboy In Mango Tragedy. Bears arrested for leaving cub unattended for seven, almost eight whole days with an armed and dangerous killer mango roaming loose about the house.”
“I'd mercifully forgotten just how much of a loquacious tripe peddler you can be,” Shane took me by the shoulders and kissed me on the lips...
”
”
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
“
You are the smartest of your year. The most cunning.'
I gulp at the compliment, brushing it off. I was trained as a scribe, not a rider.
'You defended the smallest with ferocity. And strength of courage is more important than physical strength. Since you apparently need to know before we land.'
My throat tightens from his words, emotion forming a knot I have to swallow past.
Oh. Shit. I hadn't spoken those words. I'd thought them.
He can read my thoughts.
'See? Smartest of your year.'
So much for privacy.
'You'll never be alone again.'
'That sounds more like a threat than a comfort,' ...
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles."
Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew.
Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here."
And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti.
I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared.
I breathe in the scent of his skin and feel the warmth of his body under mine.
Jared makes everything safe, everything happy. Even houses.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
”
”
Joyce Carol Oates (Blonde)
“
Safe gender is being who and what we want to be when we
want to be that, with no threat of censure or violence.
Safe gender is going as far in any direction as we wish,
With no threat to our health, or anyone else’s.
Safe gender is not being pressured into passing, not
Having to lie, not having to hide.
Sane gender is asking questions about gender - talking
To people who do gender, and opening up about our
Gender histories and our gender desires.
Sane gender is probably very, very funny.
Consensual gender is respecting each others’ definition
Of gender, and respecting the wishes of some to be alone,
And respecting the intentions of others to be inclusive in
Their own time.
Consensual gender is non-violent in that it doesn’t force
Its way in on anyone.
Consensual gender opens its arms and welcomes all
People as gender outcasts - whoever is willing to admit it.
”
”
Kate Bornstein
“
I curled up in the back next to Loki, his arm around me, and my head resting on his shoulder. My body ached all over, but it felt good being with him. He kissed the top of my head, and I snuggled up closer to him. He'd been helping me at the palace, but he'd waited until we were alone in the car to be affectionate. Willa had raised an eyebrow at us, but she said nothing. Later on, back in Forening, I'd have a thousand questions from her. But for now, she let us have our moment together.
"I can't wait until we get home," I said.
"Home,,"Loki said and laughed a little.
"What?" I lifted my head to look up at him. "What's funny about that?"
"Nothing." he shook his head. "i just...I don't think I've ever really felt like I had a home before." He smiled down at me. "Not until I met you."
Loki leaned down, kissing my gently on the mouth. I'm sure he wanted to kiss me more deeply, but he was afraid of hurting me. He continued to kiss me tenderly, and I clung to him as tightly as I could as heat swirled through me.
When he stopped, he rested his forehead against mine and breathed in deeply. "I cannot wait to get home with you, Princess."
"I'm the Queen now, you know," I teased, and he laughed and kissed me again.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
The funny thing about mental hospitals is that they strip away any remaining reason you have to live, but deny you the means to do anything about it. It is fascinating to me that a suicide attempt, by default, legally lands you into the asylum, the psych ward, the loony bin, the nut house—call it what you will, it’s all the same. Perhaps you are crazy, perhaps you are not, but I do not believe that, in itself alone, attempting suicide proves anything at all about your mental state, save that, upon weighing the merits of living and dying, you found that one outweighed the other. Is this crazy? I see nothing insane about it at all. Socially unacceptable to be sure, but not mad.
”
”
Emilie Autumn (The Asylum for Wayward Victorian Girls)
“
When alone in a dark forest waiting for an audience with an evil god, the most prudent course of action is to be quiet and wait. ‘Prudent’ wasn’t one of my favourite words.
“Hello? I’ve come to borrow a cup of sugar. Anybody? Perhaps there is an old woman with a house made of candy who could help me?”
“Marrying for love isn’t wise.”
The voice came from somewhere to the left. Melodious, but not soft, definitely female and charged with a promise of hidden power. Something told me that hearing her scream would end very badly for me.
I stopped and pivoted toward the voice.
“Marry for safety. Marry for power. But only fools marry for love.”
When a strange voice talks to you in the black woods, only idiots answer.
I was that idiot. “Thank you, counsellor. How much do I owe you for this session?
”
”
Ilona Andrews (Magic Binds (Kate Daniels, #9))
“
Hey, sweetheart. All alone in this palace?"
She arched a brow when she felt the hand on her bottom and turned her head slowly to stare at McNab.
He went red, then white, then red again. "Christ! Lieutenant. Sir."
"Your hand's on my ass, McNab. I don't think you want it to be there."
He snatched it away as if scorched. "God. Man. Shit. Beg your pardon. I didn't recognize you. I mean..." He jammed the hand he sincerely hoped she'd allow him to keep in his pocket. "I didn't know it was you. I thought... You look..." Words failed him.
"I believe Detective McNab is trying to compliment you, Eve." Roarke slipped up beside them and, because it was too much to resist, stared hard into McNab's panicked eyes. "Weren't you, Ian?"
"Yeah. That is..."
"And if I believed he'd realized it was your ass he was fondling, I'd just have to kill him. Right here." Roarke reached out and flicked at the strings of McNab's snazzy red tie. "Right now."
"Oh, I'd have already taken care of that myself," Eve said dryly. "You look like you could use a drink,Detective."
"Yes, sir. I could."
"Roarke, why don't you take care of him? Mira just came in. I want to talk to her."
"Delighted." Roarke draped an arm around McNab's shoulder and squeezed just a little harder than comfort allowed.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
You already made your point,” I say with a mouthful of fruit.
“Did I?”
“Oh, for the love of dick, yes. Now leave me alone.”
“Never. If you want, I’ll fuck you now.”
The gall. I wouldn’t fuck him now if my clit was on fire and needed to be doused with nub-saving cum. I roll my eyes at him.
“No thanks, we have a lifetime of fucking ahead of us,” I say mockingly.
He shrugs and starts to walk away as if it makes no difference to him one way or the other. He’s such a jackass sometimes. Before I can stop myself I throw my half-eaten banana at him and it hits him on the back of his neck.
He spins around, wipes his neck and looks down at the banana on the floor.
“Did you really just fruitally assault me?”
He thinks he’s so damned funny with his wordplay.
”
”
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
“
It seems funny to think that healing or coming to terms with loneliness and loss, or with the damage accrued in scenes of closeness, the inevitable wounds that occur whenever people become entangled with one another, might take place by means of objects. It seems funny, and yet the more I thought about it the more prevalent it was. People make things – make art or things that are akin to art – as a way of expressing their need for contact, or their fear of it; people make objects as a way of coming to terms with shame, with grief. People make objects to strip themselves down, to survey their scars, and people make objects to resist oppression, to create a space in which they can move freely. Art doesn’t have to have a reparative function, any more than it has a duty to be beautiful or moral. All the same, there is art that gestures towards repair; that, like Wojnarowicz’s stitched loaf of bread, traverses the fragile space between separation and connection.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
He rolled his eyes. " What Claire?"Claire snickered. " Corned-beef again?"Henry narrowed his eyes at her. " I like corned-beef, leave me alone."Claire laughed as he took a big bite of his sandwich while glaring at her. Ethan giggled as he watched the two of them. " What's so funny?" Henry asked Ethan around a mouthful of food, making him giggle some more. " Ew, Henry, that's gross," Claire groaned. Then Henry stopped her heart by winking at her. He freaking winked at her! Who the hell is this guy?! Claire gaped at him, trying to figure out who this person was. Henry rolled his green eyes at her. " What now?" he asked after swallowing his food. " Who are you and what have you done with Henry Beck?" Claire demanded. Henry gave her a bored look, but that couldn't hide the slight blush on his cheeks. " Whatever.
”
”
Andria Large (Henry (The Beck Brothers, #1))
“
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly.
At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be.
You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you.
Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
”
”
Christopher Paul Curtis (Bud, Not Buddy)
“
It’s funny, how for an entire lifetime we keep thinking ‘How’ will our life-partner look like, how will he be? How will he react to a particular situation? How will he get angry, and how will we love and pamper him? We have so many questions like if he will accept me the way I am? Or if I have to change for him? We all have made plans for our future, subconsciously. We don’t exactly plan out everything with a pen and paper, it’s something that happens automatically, just like an involuntary action. Whenever we are alone and our mood is good, we usually think about our life with our partner. The days and nights in his arms, and the time that we will reserve for him.
But when all that turns into reality, it’s strikingly different. Everything that you thought, seems to be a joke, and life laughs at you from a distance! You are helpless and can’t do anything about it, but have to accept it the way it is. You are totally caught into a web of dilemmas and problems before you realize that this is the time you waited for, and that this is the time you dreamt about! You have to make efforts, compromises, sacrifices and you have to change yourselves too sometimes to make things work.
You can never expect to get a partner exactly the way you thought or dreamt about. It’s always different in reality and it’s always tough to make both ends meet for a relationship to work, but you have to! It’s your relationship, if you won’t work for it, who else will?
”
”
Mehek Bassi
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Above all, believe. Cultivate your swagger. Make this your new religion: You are funny and talented, and you’re going to try something new. This is the exact right time for that. This is the most important year of your life, and for once you are NOT going to let yourself down. If you fall down and feel depressed, you will get back up. If you feel lethargic and scared, you will try something else: a new routine, a new roommate situation, a healthier diet. You will read books about comedy. You will work tirelessly and take pride in your tireless work. And you will take time every few hours to stop and say to yourself, “Look at me. I’m doing it. I’m chasing my dream. I am following my calling.” It doesn’t matter if your dreams come true, if agents swoon and audiences cheer. Trust me on that: It truly doesn’t matter. What matters is the feeling that you’re doing it, every day. What matters is the work—diving in, feeling your way in the dark, finding the words, trusting yourself, embracing your weird voice, celebrating your quirks on the page, believing in all of it. What matters is the feeling that you’re not following someone else around, that you’re not half-assing this, that you’re not waiting for something to happen, that you’re not waiting for your whole life to start.
What matters is you, all alone at your desk at five in the morning. I write this from my own desk at five in the morning, my favorite place, a place where I know who I am and what I’m meant to accomplish in this life. Savor that precious space. That space will feel like purgatory at first, because you’ll realize that it all depends on you. That space will feel like salvation eventually, because you’ll realize that it all depends on you.
”
”
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
“
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer.
Rachel snorts. "If only you liked sweets."
"I can't wait to see you tonight. Wear that pink shirt I like."
Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?"
"Eight-thirty? That's so far away. Can't I meet you sooner?"
One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited.
"Do you need to be checked out of school, son? Are you feeling ill?"
Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you."
A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago.
"Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do."
"Right now, nothing. But I might change my mind about skipping. I really miss you."
Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?"
Galen hangs up. Why is Emma laughing again? Mark can't be that funny.
The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess."
"Speaking of all these girls, how did they get my phone number?"
She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp.
But what of your question? asks Greta. Should we consider asking the men to leave?
None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body.
Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave?
The women break out laughing again.
They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again.
It's not an option, says Agata, at last.
No, the others (finally in complete accord!) agree. Asking the men to leave is not an option.
Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing.
Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs.
Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour.
This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
”
”
Miriam Toews (Women Talking)
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Will and Lake,
Love is the most beautiful thing in the world. Unfortunately, it's also one of the hardest things in the world to hold on to, and one of the easiest to throw away.
Neither of you has a mother or a father to go to for relationship advice anymore. Neither of you has anyone to go to for a shoulder to cry on when things get touch, and they will get touch. Neither of you has someone to go to when you just want to share the funny, or the happy, or the heartache. You are both at a disadvantage when it comes to this aspect of love. You both only have each other, and because of this, you will have to work harder at building a strong foundation for your future together. You are not only each other's love; you are also one another's sole confidant.
I hand wrote some things onto strips of paper and folded them into stars. It might be an inspirational quote, an inspiring lyric, or just some downright good parental advice. I don't want you to open one and read it until you truly feel you need it. If you have a bad day, if the two of you fight, or if you just need something to lift your spirits...that's what these are for. You can open one together; you can open one alone. I just want there to be something both of you can go to, if and when you ever need it.
Will...thank you. Thank you for coming into our lives. So much of the pain and worry I've been feeling has been alleviated by the mere fact that I know my daughter is loved by you....You are a wonderful man, and you've been a wonderful friend to me. I thank you from the bottom of my heart for loving my daughter like you do. You respect her, you don't need to change for her, and you inspire her. You can never know how grateful I have been for you, and how much peace you have brought my soul.
And Lake; this is me-nudging your shoulder, giving you my approval. You couldn't have picked anyone better to love if I would have hand-picked him myself. Also, thank you for being so determined to keep our family together. You were right about Kel needing to be with you. Thank you for helping me see that. And remember when things get touch for him, please teach him how to stop caring pumpkins...
I love you both and with you a lifetime of happiness together.
-Julia
"And all around my memories, you dance..." ~The Avett Brothers
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
”
”
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))