Almost Weekend Quotes

We've searched our database for all the quotes and captions related to Almost Weekend. Here they are! All 100 of them:

If I had a nickel for every time I almost died, I would have been driving to school in a Ferrari and flying off to Bora-Bora on the weekends.
Jennifer Lynn Barnes (Every Other Day)
Through Nic's drug addiction, I have learned that parents can bear almost anything....I shock myself with my ability to rationalize and tolerate things once unthinkable. The rationalizations escalate....It's only marijuana. He gets high only on weekends. At least he's not using hard drugs....
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
It hasn't been just a weekend for me, Wilson. I've wanted you for so long. I fought off the thoughts every day, exhausting every option to keep you off my mind; I can't do it anymore. I want you right here.
Gretchen de la O (Almost Eighteen (Wilson Mooney, #1))
My heart races and I look away. “Well I care. So, write it down. For nine weekends and eight thousand dollars, what's yours is mine including your friends.” I throw in a little sarcastic eye flutter. “We're going to be so head-over-heels-in-love. I can't wait to see how romantic you are!” “Oh no. I refuse to be your kind of bumper-sticker-romantic. Don't mistake me for Mr. Darcy.” I gasp. “You don't know Hunger Games or Forks, Washington, but you know Mr. Darcy? Start talking.” “Crap! My grandmother's a fan. She's tortured me since birth with Mr. Darcy. Thanks to her DVD collection, I can quote Jane Austen faster than the Elmo song.” I laugh, surprised again. “Prove it.” “Elizabeth, daaarling!” He's launched into a breathless English accent. “I love, love, love you, and I never want to be parted from you from this day forward. Pardon me, whilst I puke…” “No way!” I beam. “Let the contract state that I want the Mr. Darcy accent once a week!” I can't help but laugh again because he's shaking his head and laughing back.
Anne Eliot (Almost)
Over the weekend, Bruce introduced me to the game of backgammon, which was enjoying almost cult-like popularity in Los Angeles. He told me about a private club called PIPS that held tournaments on the weekends and was all the rage. Though I had never played the game before, something about backgammon brought the two hemispheres of my brain together, as Stuart had described. To win at backgammon, one needs strategy and luck. Bruce reveled in the role of playing teacher, and I knew if I put my mind to it, I could learn the game and become a fierce opponent, which I hoped would amuse Bruce and help keep a roof over my head. We stayed awake until dawn, snorting coke and playing backgammon. I don’t know if it was the game or the cocaine, but something made me intent on becoming the best.
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
What’s wrong with Tuesdays?” Trent asks. “Everything. Monday’s always Monday, but at least it’s the start of something new. Wednesday is hump day, Thursday’s almost Friday, and Friday brings the weekend. But Tuesday? Nada.
Steven Rowley (Lily and the Octopus)
For in those days love was ruled by a different convention to ours. In those days it was chivalrous, adult, long, religious, almost platonic. It was not a matter about which you could make accusations lightly. It was not, as we take it to be nowadays, begun and ended in a long week-end.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
It’s the first time Alex has seen Henry in person since the weekend in London and the hundreds of texts and weird in-jokes and late-night phone calls that came after, and it almost feels like meeting a new person. He knows more about Henry, understands him better, and he can appreciate the rarity of a genuine smile on the same famously beautiful face.
Casey McQuiston (Red, White & Royal Blue)
It was a girl playing a harp, like in an orchestra. It was in this tree at our campsite. And since it was breezy weather that weekend, the girl's arms were almost always turning.
Paul Fleischman (Whirligig)
There's something almost tedious about disaster," Miranda said. "Don't you find? I mean, at first it's all dramatic, 'Oh my god, the economy collapsing, there was a run on my bank so my bank ceased to exist over the weekend and got swallowed up by JPMorgan Chase,' but then that keeps happening, it just keeps collapsing, week after week, and at a certain point...
Emily St. John Mandel (The Glass Hotel)
To read Salinger is to engage in an act of such intimacy that it, at times, makes you uncomfortable. In Salinger, characters don't sit around contemplating suicide. They pick up guns and shoot themselves in the head. All through that weekend, even as I ripped through his entire oeuvre, I kept having to put the books down and breathe. He shows us his characters at their most bald, bares their most private thoughts, most telling actions. It's almost too much. Almost.
Joanna Rakoff (My Salinger Year)
Consider this: Most people live lives that are not particularly physically challenging. They sit at a desk, or if they move around, it’s not a lot. They aren’t running and jumping, they aren’t lifting heavy objects or throwing things long distances, and they aren’t performing maneuvers that require tremendous balance and coordination. Thus they settle into a low level of physical capabilities—enough for day-to-day activities and maybe even hiking or biking or playing golf or tennis on the weekends, but far from the level of physical capabilities that a highly trained athlete possesses.
K. Anders Ericsson (Peak: How to Master Almost Anything)
As the black of night transformed into the distinct deep blue of morning twilight, Trevor traded the well-worn accoutrements of a humble adult life for the highly specialized gear of a weekend warrior, giddily exchanging the daily grind for the enthrallment of the almighty Saturday.  Almost enough to make a grown man weep in gratitude.
Justine Avery (The End: A Novelette of Haunting Omens & Harrowing Discovery)
Well I want something to do, to create, to achieve, to whatever.... Something I can’t get enough of. You know something that I can't wait to get up in the morning to do something I can't get enough of, something that brings me joy and makes my heart sing. It could be anything, could be more than one thing but something that grabs me. Even a job, if it grabs me so that I could hardly wait to get there. Something that makes me feel good, allows me to be me, gives me freedom to grow and expand, something that grasps my heart, my joy, my excitement and leads me down the path to more joyful things, exciting challenges and challenging things. Barely stopping to take a breath I continued. Need a new journey a new destination, I want to grow to be or become, tread a new path, see what I haven't seen be what I haven't been ask what I haven't asked dare to what I haven't dared to . . . I don't even think it is so much a physical thing or mental it's just sort of un-learning some of what I learned It’s being happy, while I am happy but I want something to do that creates even more. (..) Doing it for the joy of doing it not for any other reason; also I want it from and un-edited creativity free flowing something… I have some things that seem very interesting and somehow just don’t feel right almost like I’m taking the wrong path and yet there are other things that I could be doing like writing but it seems that it does not feel good to sit and write but yet some part of me seems to love it and something in me hates it sort of like it could be the thing for me to do and yet it might not be.
Klaus J. Joehle (A Weekend With 'a' Drunken Leprechaun: "Finding Your Joy")
I promised myself that I would educate myself, and that I would never stop educating myself. It was my responsibility to keep learning. I would spend hours at the library on the weekends and read everything I could get my hands on. Books on dinosaurs. Books on history. I almost read the entire Encyclopaedia Britannica. And all for free. The reason I’m telling all of you this is that I want you to take this point to heart and make you understand that it’s your responsibility to educate yourself.
Gene Simmons (Me, Inc.: Build an Army of One, Unleash Your Inner Rock God, Win in Life and Business)
As I sailed down the road people began screaming to get away. You know, from the vomit. I realised that this vomiting caper was almost like having a super power. Maybe I could get people to do what I wanted or threaten to drown them in vomit. I could rule the world! Or, even better, I could steer my raft to McDonalds and demand a year’s supply of free cheese burgers or I’d fill the drive-thru with vomit!
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Richard found himself, on otherwise sensible weekends, accompanying her to places like the National Gallery and the Tate Gallery, where he learned that walking around museums too long hurts your feet, that the great art treasures of the world all blur into each other after a while, and that it is almost beyond the human capacity for belief to accept how much museum cafeterias will brazenly charge for a slice of cake and a cup of tea.
Neil Gaiman (Neverwhere)
In fact, the only rash, ill-advised thing of any import he’d done in recent years was his behavior the weekend he’d met Elizabeth Cameron.
Judith McNaught (Almost Heaven (Sequels, #3))
Just as quickly as it came, the wave of excitement turned bittersweet. It was all happening so fast. My baby was growing up. First teeth, then braces, then I'll turn around and she'll be filling out college applications. I can almost see he driving away in a car packed to the brim with boxes, off to start her life...away from me. Only to come home on the odd weekend.
Bunmi Laditan (Confessions of a Domestic Failure)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Early June, Providence, Rhode Island, the sun up for almost two hours already, lighting up the pale bay and the smokestacks of the Narragansett Electric factory, rising like the sun on the Brown University seal emblazoned on all the pennants and banners draped up over campus, a sun with a sagacious face, representing knowledge. But this sun--the one over Providence--was doing the metaphorical sun one better, because the founders of the university, in their Baptist pessimism, had chosen to depict the light of knowledge enshrouded by clouds, indicating that ignorance had not yet been dispelled from the human realm, whereas the actual sun was just now fighting its way through cloud cover, sending down splintered beams of light and giving hope to the squadrons of parents, who'd been soaked and frozen all weekend, that the unseasonable weather might not ruin the day's activities.
Jeffrey Eugenides (The Marriage Plot)
Fitzgerald's work was almost entirely out of print when 'The Lost Weekend' was published in 1944—even 'Gatsby' seemed well on its way to being forgotten—and Jackson had meant to be 'deliberately prophetic' in calling attention to a writer he considered the foremost chronicler of 'the temper and spirit of the time.' More than twenty years later he finally received credit, in writing, for having played a key role in the so-called Fitzgerald Revival.
Blake Bailey (Farther and Wilder: The Lost Weekends and Literary Dreams of Charles Jackson)
Ever think about how much that sucks? Sunday is the weekend, but it's also a school night. Kind of ruins the whole day. Like if you get quiet enough on a Sunday night, you can almost hear Monday taunting you with the theme from Jaws.
Caprice Crane (Confessions of a Hater)
Stolen time became the engine that powered her world; on weekends, when hours without Matthew stretched out before her, she felt an almost unbearable need to leave the homestead, run to him, find a way to steal just ten more minutes. The
Kristin Hannah (The Great Alone)
When someone went too long without touch, they became hypersensitive to the slightest graze. There was truth to it. Last weekend, Eva had almost had an orgasm when her hairstylist shampooed her. And her hairstylist was a grandmother of six.
Tia Williams (Seven Days in June)
You know,” a low voice drawls as a warm hand squeezes my shoulder. “There’s time to feed the kitty before we get dressed for the big day.” He’s so near that parts of me tingle even in my outrage. “Blake,” I say, my voice almost a whisper. “Yes,” he breathes beside my ear. “I don’t have a cat.” He lets out a sexy rumble, his thumb trailing down my arm. And it’s then that I realize feed the kitty means… “We aren’t feeding the kitty or hiding the salami or anything else you can think of to call it. We’re just not. There will be no repeats this weekend.” He reaches beneath my wet hair and cups the back of my head, his long fingers trailing across my skull. Goosebumps break out all over my body. “Never say never, J-Babe.
Sarina Bowen (Good Boy (WAGs, #1))
One of the foster carers kept a video library of musicals that we worked our way through en famille at weekends, and so, although I fervently wish that I wasn’t, I’m very familiar with the work of Lionel Bart, Rodgers and Hammerstein et al. Knowing I was here on the street where he lived was giving me a funny feeling, fluttery and edgy, verging on euphoric. I could almost understand why that frock-coated buffoon from My Fair Lady had felt the need to bellow about it outside Audrey Hepburn’s window.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Piece of cake," she said. "Your mother's just lonely." I was dumbfounded. Malabar had dinner parties almost every weekend; she had been juggling two men for years. "My mother's not lonely," I said. "You're wrong," said Kyra. "Loneliness is not about how many people you have around. It's about whether or not you feel connected. Whether or not you're able to be yourself." I was at a loss for words. Was Malabar not being herself when she was being Malabar? "You know what I mean," Kyra said, breaking it down for me. "The lonely feeling comes from not being known.
Adrienne Brodeur (Wild Game: My Mother, Her Lover, and Me)
email, that ingenious twentieth-century invention whereby any random person on the planet can pester you, at any time they like, and at almost no cost to themselves, by means of a digital window that sits inches from your nose, or in your pocket, throughout your working day, and often on weekends, too. The “input” side of this arrangement—the number of emails that you could, in principle, receive—is essentially infinite. But the “output” side—the number of messages you’ll have time to read properly, reply to, or just make a considered decision to delete—is strictly finite.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
I love church buildings. I spend almost every weekend in one. The problem is, God said He doesn’t dwell in buildings made by men; instead, we can find Him in the people He made who want their lives to look like His. Does He use the buildings? You bet. Does He love it when we gather for worship in them? Absolutely. Nothing delights Him more. Does He need them? Not for a minute. He’s got us, we’ve got Him, and He’s given us each other. It’s been His plan from the beginning. Should we meet together as a community around Jesus? Yes, constantly. Where? Everywhere. You pick. He wants our hearts; He doesn’t care about the address where it happens.
Bob Goff (Everybody, Always: Becoming Love in a World Full of Setbacks and Difficult People)
though the ENIAC had been designed by men, this gruelling, fiddly job of actually building it was almost exclusively the work of women, who laboured nights and weekends until it was complete.11 Buried in the project’s payroll records are the names of nearly fifty women and perhaps many more who were only listed by their initials.
Ananyo Bhattacharya (The Man from the Future: The Visionary Ideas of John von Neumann)
He liked too the specific and unexpected companionability of the place. There were times on the weekends when everyone was there at the same time, and at moments, he would emerge from the fog of his painting and sense that all of them were breathing in rhythm, panting almost, from the effort of concentrating. He could feel, then, the collective energy they were expending filling the air like gas, flammable and sweet, and would wish he could bottle it so that he might be able to draw from it when he was feeling uninspired, for the days in which he would sit in front of the canvas for literally hours, as though if he stared long enough, it might explode into something brilliant and charged.
Hanya Yanagihara (A Little Life)
We had almost exactly a year together as a couple after that. She wanted to swim the Great Barrier Reef. I wish we had gone. I wish we had read books to each other. We had one weekend of sexy-times in New York City while her father looked after the kids. I wish we’d had more. I wish we’d walked more. I wish we hadn’t sat in front of the TV so much. It was nice, we cuddled, we laughed at Stephen Colbert and Seth Meyers, but it didn’t make much in the way of memories. We did such ordinary, banal things. Ordered pizza and played Trivial Pursuit with her sister and her dad. Helped the kids with homework. We did dishes together more than we ever made love. What kind of life is that?” “Real life,” Harper said.
Joe Hill (The Fireman)
While eating dessert, we ponder what we should do afterward. After that evening, it’s “What should we do this weekend?” After we’ve been out, we walk into the house and immediately turn on the television, pick up the phone, open a book, or start cleaning. It’s almost as though we’re frightened at the thought of not having something to do, even for a minute.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff)
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
We almost always seem to be waiting to be happy. We are either waiting for the next fun moment to distract ourselves from our discontent, or we are waiting to achieve the “perfect” circumstances. We might be waiting for work to be over, waiting for the weekend, waiting for our next vacation, waiting to find our soul mate, waiting for our children to get through their
Noah Elkrief (A Guide to the Present Moment)
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since. I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since. But it came to me very simply one day at school, aged only sixteen. As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal. But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong. Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant. The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too. The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up. I mean, what does a child know about faith? It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known. Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about. Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg. I was devastated. I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life. ‘Please, God, comfort me.’ Blow me down … He did. My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.) To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies. This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes. The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life. This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being. Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree. I had found a calling for my life.
Bear Grylls (Mud, Sweat and Tears)
You have two choices, [Plouffe] told Obama. You can stay in the Senate, enjoy your weekends at home, take regular vacations, and have a lovely time with your family. Or you can run for president, have your whole life poked at and pried into, almost never see your family, travel incessantly, bang your tin cup for donations like some street-corner beggar, lead a lonely, miserable life.
John Heilemann (Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime)
…But Jessica changed all that. Richard found himself, on otherwise sensible weekends, accompanying her to places like the National Gallery and the Tate Gallery, where he learned that walking around museums too long hurts your feet, that the great art treasures of the world all blur into each other after a while, and that it is almost beyond the human capacity for belief to accept how much museum cafeterias will brazenly charge for a slice of cake and a cup of tea. "Here's your tea and your éclair," he told her. "It would have cost less to buy one of those Tintorettos." "Don't exaggerate," said Jessica cheerfully. "Anyway, there aren't any Tintorettos at the Tate." "I should have had that cherry cake," said Richard. "Then they would have been able to afford another Van Gogh.
Neil Gaiman (Neverwhere (London Below, #1))
You’re unhappy and you feel like a failure. PERFECT! Use that sad/angry/disappointed energy. Channel it into what you know, deep down in your heart, you love. Spend the next six months in a state of total obsession. Get up two hours earlier than usual and write before you go to work. Come home and exercise (not optional, sorry), then write for another hour. Read or watch the kind of comedy you love before bed. Don’t waste all your time socializing. Do a little socializing on weekends, but focus. Focus! Save your money. Research part-time work you could do for your company; use your slackness as a way to sell a new position where your boss would get your best from you every hour that you’re there. Pitch it as a win-win. Or pitch working from home half the time to cure your blahs and jack up your productivity. Then overproduce at work, but fit all of your work into a part-time schedule, and fill your prime working hours with writing/comedy. Almost any capable human with a not-that-taxing job can pull this off if they put their mind to it. If you’re a manager, investigate other roles or sell your boss on the fact that you’re managing via e-mail most of the time anyway.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
We journeyed from different corners of the country to be there. We came together for her. Because we loved her. In a hundred different ways we adored her. We wanted her light to shine on us. We wanted to make it special for her, so she’d see how much we loved her. At a hen party, the bride-to-be takes on an almost celestial, golden status. That weekend, she was the celebrity, and we were her fans and paparazzi.
Lucy Clarke (One of the Girls)
I come from the heart land of New Zealand. A place where men are men and there is no such thing as a latte. Where a day’s work is only done one way. THE HARD WAY. Where the vehicle you drive doesn’t symbolize who you are. A place where a beer is a beer and it comes only one way, ICE COLD. Yes the great land I like to call home the Waikato but yes all this beauty comes at a price obviously where men actually act like men not knob head; makeup wearing, tight jean wearing homos there will always be a shortage of real women. So just as the last generation of real men, almost every weekend we head into every bar, club, party or music festival we can in the hopes of finding a real women. Don’t get me wrong, bars clubs a music fests are the best fun ever. And I drink alcohol like it’s going out of fashion not that we care about fashion round here. See you in the heart land
Daniel Anderson
The noise from outside is now almost unbearable; neighbours in the street are waking up in their beds. Paul stirs once more. He is now out of the REM sleep stage and is in the next stage of waking up. His conscious mind is aware of the external environment and he is now awake enough to work out what the noise is: it’s a car alarm; the same one that goes off every time a strong enough wind current passes it, triggering its ultra-sensitive setting. Paul curses the car alarm for waking him up out of his slumber. For all the noise they create, he wonders if there is any point to car alarms. Thieves intentionally trip them to mask the sound of breaking glass and can disable them in seconds, and alarms go off so often these days that most people ignore them when they hear them, assuming the owner has accidentally triggered the alarm and will switch it off any second; in reality the owner is normally the last one to realise it is, in fact, their car alarm that is going off annoying everyone, so what is really the point of them?
Ross Lennon (The Long Weekend)
I had been nervous about not doing well in college. During my first class, I looked at the notes the boy next to me was taking. His supply and demand curves seemed more neatly drawn than mine. Nearly everyone appeared to have gone to preparatory schools and already knew such odd things as the fact that there was no inflation during the Middle Ages. Very few, however, were willing to work the way I did. When I would come out of Firestone Library at two in the morning, walk past the strange statues scattered around campus, and then sit at my desk in my room till the trees in the yard appeared out of the darkness, I felt that I was achieving something, that every hour I worked was generating almost physical value, as if I could touch the knowledge I was gaining through my work. One weekend, I came home to my parents and worked all Saturday night. In the morning, my mother saw me at my desk and brought me a glass of milk. Later, in Birju’s room, she said to him, “Your brother can eat pain. He can sit all day at his desk and eat pain.
Akhil Sharma (Family Life)
often tell me how lucky I am, to live in a country where cheap flights to dozens of exciting destinations are so readily available. They never understand why England doesn’t completely empty into Prague or Budapest every weekend. What they don’t appreciate is that to take advantage of these cheap flights, one must generally get to London; and that getting to London, from almost anywhere else in the country, is either dramatically more expensive, or considerably less pleasant, than the flights in question. Usually both.
Tony James Slater (Can I Kiss Her Yet?: A True Tale of Love, Marriage... and Camels)
He used to bake on weekends and on the days when he did not have much homework. He used to bake all the time, and how could we reproduce all the time? Butter and cream and honey and cinnamon and vanilla and nutmeg and clove and all the jars and bottles on his baking shelf: No one's words, Proust's included, could bring back to life their warm fragrance mixed with the scents of the winter rain of California and the wet eucalyptus leaves. You almost an invention to immortalize scents, Mr. Edison. Without that our memory is incomplete.
Yiyun Li (Where Reasons End)
Back then the towering gums marched down to the water and the area was sparsely populated with fibro weekenders - simple cottages and boat sheds - mainly owned by coal miners from the nearby Hunter Valley. My grandfather worked in the mines. He'd lend my family the one room boffy attached to his boasted almost every school holiday, and I have such vivid memories of jumping off his jetty and boiling crabs for dinner and fishing with a line wrapped around a piece of cork and playing in the rock pools and parking about in his tin runabout.
Nikki Gemmell (Why You Are Australian: A Letter to My Children)
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?” Violet almost rolled her eyes. “I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?” Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed. “I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?” Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it. Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.” Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away. “So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway. “The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.” “Then, why?” “I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.” Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference. Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business. He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait. He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third. When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.
Hanya Yanagihara (A Little Life)
In the house Jake shoved his hands deep in his pockets as he stood at the window watching the women, his expression a mixture of stupefaction and ire. “Gawdamighty,” he breathed, glancing at Ian, who was scowling at the unopened, note in his hand. “The women are chasin’ you clear into Scotland! That’ll stop soon as the news is out that yer betrothed.” Reaching up, he idly scratched his bushy red hair and turned back to the window, peering down the path. The women had vanished from view, and he left the window. Unable to hide a tinge of admiration, he added, “Tell you one thing, that blond gel had spunk, you have to give her that. Cool as can be, she stood there tauntin’ you with your own words and callin’ you a swine. I don’t know a man what would dare to do that!” “She’d dare anything,” Ian said, remembering the young temptress he’d known. When most girls her age were blushing and simpering, Elizabeth Cameron had asked him to dance at their first meeting. That same night she’d defied a group of men in the card room; the next day she’d risked her reputation to meet him in a cottage in the woods-and all that merely to indulge in what she’d described in the greenhouse as a “little weekend dalliance.
Judith McNaught (Almost Heaven (Sequels, #3))
I take 1 gram (1,000 mg) of NMN every morning, along with 1 gram of resveratrol (shaken into my homemade yogurt) and 1 gram of metformin.7 • I take a daily dose of vitamin D, vitamin K2, and 83 mg of aspirin. • I strive to keep my sugar, bread, and pasta intake as low as possible. I gave up desserts at age 40, though I do steal tastes. • I try to skip one meal a day or at least make it really small. My busy schedule almost always means that I miss lunch most days of the week. • Every few months, a phlebotomist comes to my home to draw my blood, which I have analyzed for dozens of biomarkers. When my levels of various markers are not optimal, I moderate them with food or exercise. • I try to take a lot of steps each day and walk upstairs, and I go to the gym most weekends with my son, Ben; we lift weights, jog a bit, and hang out in the sauna before dunking in an ice-cold pool. • I eat a lot of plants and try to avoid eating other mammals, even though they do taste good. If I work out, I will eat meat. • I don’t smoke. I try to avoid microwaved plastic, excessive UV exposure, X-rays, and CT scans. • I try to stay on the cool side during the day and when I sleep at night. • I aim to keep my body weight or BMI in the optimal range for healthspan, which for me is 23 to 25.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
Utah. By the time the wedding came around, I was almost more comfortable with him than I was around Caleb, who I absolutely adored as a friend. Grace, August 2nd, 8: 14 am: Hey, Soy! The wedding of the year is this weekend; want to hang out before? Sawyer, August 4th, 9: 03 pm: What time was your layover in SLC? Grace, August 4th, 9: 05 pm: Why, you planning on changing flights ;) Sawyer, August 4th, 9: 16 pm: Would be more enjoyable……. That weekend brought the slightest of changes to our friendship. Sex did that. Yes, I slept with the guy and while that could have done disasters for our growing friendship, it actually brought us closer. Gone were the sometimes
Mignon Mykel (Saving Grace (Loving Meadows, #1))
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
A-Actually, the flower that sprang up would have been the iris or larkspur, not the modern hyacinth, but that is how it earned its name.” “Fascinating.” His unfathomable eyes locked onto hers. Elizabeth knew he was referring to her and not the history of the hyacinth, and though she commanded herself to move out of his reach, her legs refused to budge. “Absolutely fascinating,” he murmured again, and in slow motion she watched his hands reach out and gently grasp her shoulders, rubbing lightly. “Last night you were ready to do battle with a roomful of men because they dared believe I’d cheated, yet now you’re afraid. Is it me you fear, sweetheart? Or something else?” The endearment spoken in his rich baritone voice had the same stirring effect on her as the touch of his lips. “I’m afraid of the things you make me feel,” she admitted desperately, trying to get control of herself and the situation. “I realize that this is merely a-a little weekend dalliance-“ “Liar,” he teased, and he took her lips in a sweet, swift kiss. Her mind reeled from the brief touch, but the moment he lifted his mouth from hers she rushed into frightened speech. “Thank you,” she blurted inanely. “H-Hyacinths are not the only flower with an interesting history. There are lilies, too, which are also part of the genus-“ A lazy, seductive grin swept across his handsome face, and, to Elizabeth’s helpless horror, her gaze fastened on his mouth. She couldn’t still the shiver of anticipation as he bent his head.
Judith McNaught (Almost Heaven (Sequels, #3))
At some point, Sabine began spending most of her weekends in Arklow, and they started going to the farmers’ market together on Saturday mornings. She didn’t seem to mind the expense and bought freely: loaves of sourdough bread, organic fruits and vegetables, plaice and sole and mussels off the fish van, which came up from Kilmore Quay. Once, he’d seen her pay three euros for an ordinary-looking head of cabbage. In August, she went out along the back roads with the colander, picking blackberries off the hedges. Then, in September, a local farmer told her that she could gather the wild mushrooms from his fields. She made blackberry jam, mushroom soup. Almost everything she brought home she cooked with apparent light-handedness and ease, with what Cathal took to be love.
Claire Keegan (So Late in the Day)
After Wilmington, the daily drinking stopped. He’d go a week, sometimes two, without anything stronger than diet soda. He’d wake up without a hangover, which was good. He’d wake up thirsty and miserable—wanting—which wasn’t. Then there would come a night. Or a weekend. Sometimes it was a Budweiser ad on TV that set him off—fresh-faced young people with nary a beergut among them, having cold ones after a vigorous volleyball game. Sometimes it was seeing a couple of nice-looking women having after-work drinks outside some pleasant little café, the kind of place with a French name and lots of hanging plants. The drinks were almost always the kind that came with little umbrellas. Sometimes it was a song on the radio. Once it was Styx, singing “Mr. Roboto.” When he was dry, he was completely dry. When he drank, he got drunk. If he
Stephen King (Doctor Sleep (The Shining, #2))
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.” “Why did you stay,” he countered smoothly, “when you realized I was still there?” In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.” “You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.” “I was wrong,” she protested a little wildly. “Dangerous and-foolish!” “Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice. “Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.” Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively. He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.” “Why?” she whispered shakily. “So that we can finish what we began that weekend.” Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal. “I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.” Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry. “There are four steps separating us and a year and a half of wanting drawing us together,” he said. Elizabeth swallowed. “Couldn’t you meet me halfway?” The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.” “I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path. “Come here,” he invited huskily, “and I’ll show you.” It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
Judith McNaught (Almost Heaven (Sequels, #3))
Her brassiere's snaps are in the front. His own forehead snaps clear. He thinks to kneel. But he knows what she might think if he kneels. What cleared his forehead's lines was a type of revelation. Her breasts have come free. He imagines his wife and son. Her breasts are unconfined now. The bed's comforter has a tulle hem, like a ballerina's little hem. This is the younger sister of his wife's college roommate. Everyone else has gone to the mall, some to shop, some to see a movie at the mall's multiplex. The sister with breasts by the bed has a level gaze and a slight smile, slight and smoky, media-taught. She sees his color heighten and forehead go smooth in a kind of revelation--why she'd begged off the mall, the meaning of certain comments, looks, distended moments over the weekend he'd thought were his vanity, imagination. We see these things a dozen times a day in entertainment but imagine we ourselves, our own imaginations, are mad. A different man might have said what he'd seen was: Her hand moved to her bra and freed her breasts. His legs might slightly tremble when she asks what he thinks. Her expression is from Page 18 of the Victoria's Secret catalogue. She is, he thinks, the sort of woman who'd keep her heels on if he asked her to. Even if she'd never kept heels on before she'd give him a knowing, smoky smile, Page 18. In quick profile as she turns to close the door her breast is a half-globe at the bottom, a ski-jump curve above. Figure skaters have a tulle hem, as well. The languid half-turn and push at the door are tumid with some kind of significance; he realizes suddenly she's replaying a scene from some movie she loves. In his imagination's tableau his wife's hand is on his small son's shoulder in an almost fatherly way.
David Foster Wallace (Brief Interviews with Hideous Men)
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Two seconds went by before I got a response. Lenny: The offer stands, bish. Lenny: You’re the best person I know, fyi. I smiled down at my phone. Me: I love you too Lenny: [eye rolling emoji] Lenny: I was texting you because Grandpa G is making margaritas and he was asking where you were. Me: Tell him I love him. Lenny: I will. You find Rip? Me: I’m watching him. Lenny: Stalker Me: He’s standing in front of me, I can’t help it. Lenny: Pretty sure that’s what every stalker thinks. I chanced another glance at the man and held back a sigh. Me: Sometimes I don’t understand why him. Lenny: Because he looks like he’s been in jail and that’s about as far away from what every jackass you’ve ever dated looks like? Lenny: Grandpa G says he loves you too and to come over and bring the girl with you if she’s around. I didn’t tell him you’re at the bar, otherwise he’d want to invite himself. You know how that man gets in public. I almost laughed at the first comment and definitely laughed at the second one. Rip did look like he’d done time. That was unfair, but it was the truth. For all I knew, he probably had. Then again, I was probably judging him by a face he had no say in. For all I knew, he had a marshmallow heart and rescued and rehabilitated small animals when he wasn’t at work. Deep down, he might have a caring and loving disposition that he only shared around very few people—people who had won his trust. You never knew. The idea of that put a small smile on my face and kept it there as I typed a message back, leaving the first comment alone. Me: I don’t know how much longer I’ll be here, but if I leave soon, I’ll drop by. Tell Grandpa G that the girl is working tonight. You’re all coming for the graduation, right? Lenny: Yes. I’m legit ready to cry this Saturday. Lenny: I’ve got the blow horn ready by the way. TOOT TOOT, bish. She wasn’t the only one preparing herself to cry this weekend, and that made me happy for some reason.
Mariana Zapata (Luna and the Lie)
While most of us go through life feeling that we are the thinker of our thoughts and the experiencer of our experience, from the perspective of science we know that this is a distorted view. There is no discrete self or ego lurking like a minotaur in the labyrinth of the brain. There is no region of cortex or pathway of neural processing that occupies a privileged position with respect to our personhood. There is no unchanging “center of narrative gravity” (to use Daniel Dennett’s phrase). In subjective terms, however, there seems to be one — to most of us, most of the time. Our contemplative traditions (Hindu, Buddhist, Christian, Muslim, Jewish, etc.) also suggest, to varying degrees and with greater or lesser precision, that we live in the grip of a cognitive illusion. But the alternative to our captivity is almost always viewed through the lens of religious dogma. A Christian will recite the Lord’s Prayer continuously over a weekend, experience a profound sense of clarity and peace, and judge this mental state to be fully corroborative of the doctrine of Christianity; A Hindu will spend an evening singing devotional songs to Krishna, feel suddenly free of his conventional sense of self, and conclude that his chosen deity has showered him with grace; a Sufi will spend hours whirling in circles, pierce the veil of thought for a time, and believe that he has established a direct connection to Allah. The universality of these phenomena refutes the sectarian claims of any one religion. And, given that contemplatives generally present their experiences of self-transcendence as inseparable from their associated theology, mythology, and metaphysics, it is no surprise that scientists and nonbelievers tend to view their reports as the product of disordered minds, or as exaggerated accounts of far more common mental states — like scientific awe, aesthetic enjoyment, artistic inspiration, etc. Our religions are clearly false, even if certain classically religious experiences are worth having. If we want to actually understand the mind, and overcome some of the most dangerous and enduring sources of conflict in our world, we must begin thinking about the full spectrum of human experience in the context of science. But we must first realize that we are lost in thought.
Sam Harris
People work, not me. I look out the window, look out the window, out the window. Outside it's winter, and it's sunny. The doors don't shut properly, they don't shut, they're old. A phone rings through the wall. How come it takes such daunting effort to do what one likes? It's daunting, daunting to begin. I find it daunting to get started, and that seems not to be a fixable thing. The road to success, the road to success. Who knows? I get tired of myself. As pleasant as I find it here, as pleasant as a I find it. Did anyone pick up? In any case, the phone stopped ringing. What works better in fiction? Past or present tense? Weekends make me cranky, I don't like them, that imperative to have a good time, do things, do something special, the notion of free time. I prefer to seek out those things while other people work. People relaxing tend to look ridiculous, like out of place, grotesque. I'm unmotivated, a little, I realize, bored, overly calm, almost comfortable. I don't like where I live anymore, I'm fed up, I'm fed up with where I live. I want, somehow, to live differently. I'd take care of it, I'd take care of that baby if he gave it to me, if he wanted to give it to me, if he wanted.
Romina Paula (Agosto)
It takes no skill to find a bald eagle. You look for flat rabbits on country roads. Wait a while and the national emblem will appear, menace anything that got there first, and plunge his majestic head deep in a mass of entrails. Alternatively, you can follow some industrious hawk through swamp or bottomland forest until he dispatches a squirrel; an eagle is likely to descend, savage the smaller bird, and steal his prize. The eagle can hunt, of course; he just prefers not to. Benjamin Franklin called him a bird of bad moral character. It takes no skill to find the nest, either. Look for a shipwreck in a tree, layered in feces . . . The likeliest impediment to (the eagles’) reproductive success was a human observer bungling around twice a day, but their welfare was almost incidental anyway. The point was for patriotic human hearts to swell with pride on outdoor weekends, and convincing replicas would have sufficed; the compulsive monitoring was not good husbandry, just an expression of national guilt. I did what I was paid for. Privately I sided with the furred and feathered residents of the area who must have wondered why humans were loosing winged hyenas in their midst . . . They’re glorified vultures. An apex predator that never hunts. Absurd.
Brian Kimberling (Snapper)
He could also be terrible romantic and thoughtful. My job was a real challenge. The work was difficult and the boss demanding: he thought nothing of calling or emailing at odd hours, even on the weekend; you ignored him at your peril. There was a point at which everything got to me. And it was exactly at that moment that Chris stepped in and planned a weekend getaway. He found a little cabin out in the woods where there was no cell phone reception-yes!-and without telling anyone, we made our getaway. Almost. I actually called the boss and told him my cell reception was giving out, and so I wouldn’t be able to check messages, something he expected even on the weekends. As soon as we got to the cabin, I headed to the bedroom. Inside, I opened my suitcase and changed into sexy white Victoria’s Secret-style lingerie, complete with corset and thigh-highs. Feeling a little shy and silly, I walked out and leaned against the doorway of the living room where he was sitting. “Hey!” “Yeah?” he mumbled from the couch, not bothering to look up from the magazine he was reading. “Turn around,” I said. He turned around-slowly at first. But as soon as he caught sight of me in that lingerie, he hopped clear over the couch and chased me down the hall to the bedroom. I squealed and giggled the whole way.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.” Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.” “I don’t think you’re reassuring me,” Alex said shakily. “I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.” “What on earth makes you think that?” “For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.” She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.” “He certainly didn’t protect her with his life two years ago, when she was ruined.” Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.” “Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth. Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.” “What is that?” “Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.” “Barbaric,” Alexandra said with a shiver of alarm. “Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
Judith McNaught (Almost Heaven (Sequels, #3))
Religious people, the “people of God,” the people of the impossible, impassioned by a love that leaves them restless and unhinged, panting like the deer for running streams, as the psalmist says (Ps. 42:1), are impossible people. In every sense of the word. If, on any given day, you go into the worst neighborhoods of the inner cities of most large urban centers, the people you will find there serving the poor and needy, expending their lives and considerable talents attending to the least among us, will almost certainly be religious people — evangelicals and Pentecostalists, social workers with deeply held religious convictions, Christian, Jewish, and Islamic, men and women, priests and nuns, black and white. They are the better angels of our nature. They are down in the trenches, out on the streets, serving the widow, the orphan, and the stranger, while the critics of religion are sleeping in on Sunday mornings. That is because religious people are lovers; they love God, with whom all things are possible. They are hyper-realists, in love with the impossible, and they will not rest until the impossible happens, which is impossible, so they get very little rest. The philosophers, on the other hand, happen to be away that weekend, staying in a nice hotel, reading unreadable papers on “the other” at each other, which they pass off as their way of serving the wretched of the earth. Then, after proclaiming the death of God, they jet back to their tenured jobs, unless they happen to be on sabbatical leave and are spending the year in Paris.
John D. Caputo (On Religion (Thinking in Action))
I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?
Judith McNaught (Almost Heaven (Sequels, #3))
On Friday, August 9, for example, amid a rising tide of urgent war matters, he found time to address a minute to the members of his War Cabinet on a subject dear to him: the length and writing style of the reports that arrived in his black box each day. Headed, appropriately enough, by the succinct title “BREVITY,” the minute began: “To do our work, we all have to read a mass of papers. Nearly all of them are far too long. This wastes time, while energy has to be spent in looking for the essential points.” He set out four ways for his ministers and their staffs to improve their reports. First, he wrote, reports should “set out the main points in a series of short, crisp paragraphs.” If the report involved discussion of complicated matters or statistical analysis, this should be placed in an appendix. Often, he observed, a full report could be dispensed with entirely, in favor of an aide-mémoire “consisting of headings only, which can be expanded orally if needed.” Finally, he attacked the cumbersome prose that so often marked official reports. “Let us have an end to phrases such as these,” he wrote, and quoted two offenders: “It is also of importance to bear in mind the following considerations…” “Consideration should be given to the possibility of carrying into effect…” He wrote: “Most of these woolly phrases are mere padding, which can be left out altogether, or replaced by a single word. Let us not shrink from using the short expressive phrase, even if it is conversational.” The resulting prose, he wrote, “may at first seem rough as compared with the flat surface of officialese jargon. But the saving of time will be great, while the discipline of setting out the real points concisely will prove an aid to clear thinking.” That evening, as he had done almost every weekend thus far, he set off for the country.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
Yes,” Andy said. “But I’ll be hiring a lawyer, you know.” “What in God’s name for?” “I think we can put it together,” Andy said. “With Tommy Williams and with my testimony and corroborative testimony from records and employees at the country club, I think we can put it together.” “Tommy Williams is no longer an inmate of this facility.” “What?” “He’s been transferred.” “Transferred where?” “Cashman.” At that, Andy fell silent. He was an intelligent man, but it would have taken an extraordinarily stupid man not to smell deal all over that. Cashman was a minimum-security prison far up north in Aroostook County. The inmates pick a lot of potatoes, and that’s hard work, but they are paid a decent wage for their labor and they can attend classes at CVI, a pretty decent vocational-technical institute, if they so desire. More important to a fellow like Tommy, a fellow with a young wife and a child, Cashman had a furlough program . . . which meant a chance to live like a normal man, at least on the weekends. A chance to build a model plane with his kid, have sex with his wife, maybe go on a picnic. Norton had almost surely dangled all of that under Tommy’s nose with only one string attached: not one more word about Elwood Blatch, not now, not ever. Or you’ll end up doing hard time in Thomaston down there on scenic Route 1 with the real hard guys, and instead of having sex with your wife you’ll be having it with some old bull queer. “But why?” Andy said. “Why would—” “As a favor to you,” Norton said calmly, “I checked with Rhode Island. They did have an inmate named Elwood Blatch. He was given what they call a PP—provisional parole, another one of these crazy liberal programs to put criminals out on the streets. He’s since disappeared.” Andy said: “The warden down there . . . is he a friend of yours?” Sam Norton gave Andy a smile as cold as a deacon’s watchchain. “We are acquainted,” he said.
Stephen King (Different Seasons: Four Novellas)
Anyone reading or rereading Infinite Jest will notice an interesting pertinence: throughout the book, Wallace’s flat, minor, one-note characters walk as tall as anyone, peacocks of diverse idiosyncrasy. Wallace doesn’t simply set a scene and novelize his characters into facile life; rather, he makes an almost metaphysical commitment to see reality through their eyes. A fine example of this occurs early in Infinite Jest, during its “Where was the woman who said she’d come” interlude. In it we encounter the paranoid weed addict Ken Erdedy, whose terror of being considered a too-eager drug buyer has engendered an unwelcome situation: he is unsure whether or not he actually managed to make an appointment with a woman able to access two hundred grams of “unusually good” marijuana, which he very much wants to spend the weekend smoking. For eleven pages, Erdedy does nothing but sweat and anticipate this woman’s increasingly conjectural arrival with his desired two hundred grams. I suspect no one who has struggled with substance addiction can read this passage without squirming, gasping, or weeping. I know of nothing else in the entirety of literature that so convincingly inhabits a drug-smashed consciousness while remaining a model of empathetic clarity. The literary craftsman’s term for what Wallace is doing within the Erdedy interlude is free indirect style, but while reading Wallace you get the feeling that bloodless matters of craftsmanship rather bored him. Instead, he had to somehow psychically become his characters, which is surely why he wrote so often, and so well, in a microscopically close third person. In this very specific sense, Wallace may be the closest thing to a method actor in American literature, which I cannot imagine was without its subtle traumas. And Erdedy is merely one of Infinite Jest’s hundreds of differently damaged walk-on characters! Sometimes I wonder: What did it cost Wallace to create him?
David Foster Wallace (Infinite Jest)
I open the box, and there are notes. Notes and notes and notes. Peter’s notes. Peter’s notes I threw away. “I found them when I was emptying your trash,” she says. Hastily she adds, “I only read a couple. And then I saved them because I could tell they were important.” I touch one that Peter folded into an airplane. “Kitty…you know Peter and I aren’t getting back together, right?” Kitty grabs the bowl of popcorn and says, “Just read them.” Then she goes into the living room and turns on the TV. I close the hatbox and take it with me upstairs. When I am in my room, I sit on the floor and spread them out around me. A lot of the notes just say things like “Meet you at your locker after school” and Can I borrow your chemistry notes from yesterday?” I find the spiderweb one from Halloween, and it makes me smile. Another one says, “Can you take the bus home today? I want to surprise Kitty and pick her up from school so she can show me and my car off to her friends.” “Thanks for coming to the estate sale with me this weekend. You made the day fun. I owe you one.” “Don’t forget to pack a Korean yogurt for me!” “If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over.” I laugh out loud. And then, the one I read over and over: “You look pretty today. I like you in blue.” I’ve never gotten a love letter before. But reading these notes like this, one after the other, it feels like I have. It’s like…it’s like there’s only ever been Peter. Like everyone else that came before him, they were all to prepare me for this. I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you. And Peter does. He sees me, and I see him. Love is scary: it changes; it can go away. That’s part of the risk. I don’t want to be scared anymore. I want to be brave, like Margot. It’s almost a new year, after all.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Behind her, where Tony had been standing, shadows moved, then a hand gently grasped Elizabeth’s elbow, and a deep, husky voice said near her ear, “Dance with me, Elizabeth.” Shock stiffened her body, slamming against the barricade of numbness that Elizabeth was trying to keep intact. Still gazing straight ahead, she said very calmly and politely, “Would you do me a great service?” “Anything,” he agreed. “Go away. And stay away.” “Anything,” he amended with a solemn smile in his voice, “but that.” She felt him move closer behind her, and the nervous quaking she’d conquered hours before jarred through her again, awakening her senses from their blissful anesthesia. His fingers lightly caressed her arm, and he bent his head closer to hers. “Dance with me.” In the arbor two years ago, when he had spoken those words, Elizabeth had let him take her in his arms. Tonight, despite the fact that she was no longer being totally ostracized, she was still teetering on the edge of scandal, and she shook her head. “I don’t think that would be wise.” “Nothing we’ve ever done has been wise. Let’s not spoil our score.” Elizabeth shook her head, refusing to turn, but the pressure on her elbow increased until she had no choice. “I insist.” Reluctantly she turned and looked at him. “Why?” “Because,” he said, smiling tenderly into his eyes, “I’ve already danced seven dances, all of them with ugly women of unimpeachable reputations, so that I’d be able to ask you, without causing more gossip to hurt you.” The words, as well as his softness, made her wary. “What do you mean by the last part of that?” “I know what happened to you after the weekend we were together,” he said gently. “Your Lucinda laid it all out for Duncan. Don’t look so hurt-the only thing she did wrong was to tell Duncan rather than me.” The Ian Thornton who was talking to her tonight was almost achingly familiar; he was the man she’d met two years ago. “Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.
Judith McNaught (Almost Heaven (Sequels, #3))
Treating Abuse Today 3(4) pp. 26-33 TAT: I see the agenda. But let's go back: one of the contentions the therapeutic community has about the Foundation's professed scientific credibility is your use of the term "syndrome." It seems to us that what's happening here is that based solely on anecdotal, unverified reports, the Foundation has started a public relations campaign rather than a bonafide research effort and simply announced to the world that an epidemic of this syndrome exists. The established scientific and clinical organizations are taking you on about this and it's that kind of thing that makes us feel like this effort is not really based on science. Do you have a response to that? Freyd: The response I would make regarding the name of the Foundation is that it will certainly be one of the issues brought up during our scientific meeting this weekend. But let me add that the term, "syndrome," in terms of it being a psychological syndrome, parallels, say, the rape trauma syndrome. Given that and the fact that there are seldom complaints over the use of the term "syndrome" for that, I think that it isn't "syndrome" that's bothering people as much as the term "false." TAT: No. Frankly it's not. It is the term "syndrome." The term false memory is almost 100 years old. It's nothing new, but false memory syndrome is newly coined. Here's our issue with your use of the word "syndrome." The rape trauma syndrome is a good example because it has a very well defined list of signs and symptoms. Having read your literature, we are still at a loss to know what the signs and symptoms of "false memory syndrome" are. Can you tell us succinctly? Freyd: The person with whom I would like to have you discuss that to quote is Dr. Paul McHugh on our advisory board, because he is a clinician. TAT: I would be happy to do that. But if I may, let me take you on a little bit further about this. Freyd: Sure, sure that's fair. TAT: You're the Executive Director of the False Memory Syndrome Foundation - a foundation that says it wants to disseminate scientific information to the community regarding this syndrome but you can't, or won't, give me its signs and symptoms. That is confusing to me. I don't understand why there isn't a list.
David L. Calof
Why should he treat Elizabeth as if he harbored any feelings for her, including anger? Elizabeth sensed that he was wavering a little, and she pressed home her advantage, using calm reason: “Surely nothing that happened between us should make us behave badly to each other now. I mean, when you think on it, it was noting to us but a harmless weekend flirtation, wasn’t it?” “Obviously.” “Neither of us was hurt, were we?” “No.” “Well then, there’s no reason why we should not be cordial to each other now, is there?” she demanded with a bright, beguiling smile. “Good heavens, if every flirtation ended in enmity, no one in the ton would be speaking to anyone else!” She had neatly managed to put him in the position of either agreeing with her or else, by disagreeing, admitting that she had been something more to him than a flirtation, and Ian realized it. He’d guessed where her calm arguments were leading, but even so, he was reluctantly impressed with how skillfully she was maneuvering him into having to agree with her. “Flirtations,” he reminded her smoothly, “don’t normally end in duels.” “I know, and I am sorry my brother shot you.” Ian was simply not proof against the appeal in those huge green eyes of hers. “Forget it,” he said with an irritated sigh, capitulating to all she was asking. “Stay the seven days.” Suppressing the urge to twirl around with relief, she smiled into his eyes. “Then could we have a truce for the time I’m here?” “That depends.” “On what?” His brows lifted in mocking challenge. “On whether or not you can make a decent breakfast.” “Let’s go in the house and see what we have.” With Ian standing beside her Elizabeth surveyed the eggs and cheese and bread, and then the stove. “I shall fix something right up,” she promised with a smile that concealed her uncertainty. “Are you sure you’re up to the challenge?” Ian asked, but she seemed so eager, and her smile was so disarming, that he almost believed she knew how to cook. “I shall prevail, you’ll see,” she told him brightly, reaching for a wide cloth and tying it around her narrow waist. Her glance was so jaunty that Ian turned around to keep himself from grinning at her. She was obviously determined to attack the project with vigor and determination, and he was equally determined not to discourage her efforts. “You do that,” he said, and he left her alone at the stove.
Judith McNaught (Almost Heaven (Sequels, #3))
Between 2003 and 2008, Iceland’s three main banks, Glitnir, Kaupthing and Landsbanki, borrowed over $140 billion, a figure equal to ten times the country’s GDP, dwarfing its central bank’s $2.5 billion reserves. A handful of entrepreneurs, egged on by their then government, embarked on an unprecedented international spending binge, buying everything from Danish department stores to West Ham Football Club, while a sizeable proportion of the rest of the adult population enthusiastically embraced the kind of cockamamie financial strategies usually only mooted in Nigerian spam emails – taking out loans in Japanese Yen, for example, or mortgaging their houses in Swiss francs. One minute the Icelanders were up to their waists in fish guts, the next they they were weighing up the options lists on their new Porsche Cayennes. The tales of un-Nordic excess are legion: Elton John was flown in to sing one song at a birthday party; private jets were booked like they were taxis; people thought nothing of spending £5,000 on bottles of single malt whisky, or £100,000 on hunting weekends in the English countryside. The chief executive of the London arm of Kaupthing hired the Natural History Museum for a party, with Tom Jones providing the entertainment, and, by all accounts, Reykjavik’s actual snow was augmented by a blizzard of the Colombian variety. The collapse of Lehman Brothers in late 2008 exposed Iceland’s debts which, at one point, were said to be around 850 per cent of GDP (compared with the US’s 350 per cent), and set off a chain reaction which resulted in the krona plummeting to almost half its value. By this stage Iceland’s banks were lending money to their own shareholders so that they could buy shares in . . . those very same Icelandic banks. I am no Paul Krugman, but even I can see that this was hardly a sustainable business model. The government didn’t have the money to cover its banks’ debts. It was forced to withdraw the krona from currency markets and accept loans totalling £4 billion from the IMF, and from other countries. Even the little Faroe Islands forked out £33 million, which must have been especially humiliating for the Icelanders. Interest rates peaked at 18 per cent. The stock market dropped 77 per cent; inflation hit 20 per cent; and the krona dropped 80 per cent. Depending who you listen to, the country’s total debt ended up somewhere between £13 billion and £63 billion, or, to put it another way, anything from £38,000 to £210,000 for each and every Icelander.
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.
Judith McNaught (Almost Heaven (Sequels, #3))
Once back in Castine, I knew that I had to get serious. I was lucky that studying came easy for me. Perhaps in a way I should have seen it as a curse, since I could grasp what was required of me without too much effort. Although I had to study, I still always had time to fool around. During the final weeks I pored over my books, but on weekends when my classmates continued to study, I hitchhiked to Portland. Ann knew that graduation was near and mentioned that she wanted to go to New York, where we could remain closer to each other after graduation. It sounded good, but I reminded her that I would be going to sea and that it could be with almost any shipping company, and for extended periods of time. I had no idea where in the world I would be going and to me it didn’t really matter. We decided that after taking my Coast Guard Exams, we would take a bus to New York City and she could stay in a room at the YWCA near Journal Square.
Hank Bracker
The secret is in the details and in observing a lot. You have to pay a great deal of attention, constantly, to what happens every day, more so than to the weekend’s game: we are always aware of every aspect, of a player’s moods, their expressions, of thousands of almost unfathomable things that could make a difference. Observation is key.
Guillem Balagué (Pep Guardiola: Another Way of Winning: The Biography)
One widespread stereotype about people in Japan is that they're exceptionally dedicated and hardworking, even though some Japanese people say they look like they're working harder than they really are. There is no doubt, though, about their ability to be completely absorbed in a task, or about their perseverance when there is a problem to be solved. One of the first words one learns when starting Japanese lessons is ganbaru, which means "to persevere" or "to stay firm by doing one's best." Japanese people often apply themselves to even the most basic tasks with an intensity that borders on obsession. We see this in all kinds of contexts, from the "retirees" taking meticulous care of their rice fields in the mountains on Nagano to the college students working the weekend shift in convenience stores known as kobinis. If you go to Japan, you'll experience this attention to detail firsthand in almost every transaction.
Héctor García (Ikigai: Los secretos de Japón para una vida larga y feliz)
Now that I had found my mother, I started going to school again and went to see her almost every afternoon as soon as classes finished. Sometimes, on the weekend or on public holidays, I took my younger sisters with me.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
He supposed it was comic after all, but comic on a scale so vast there was no basis for human comprehension—it was only awful and stunning. Re-living the torment of those first few blocks (remembering how, at 59th, he couldn’t go another step, and did; recalling his fright at every street-crossing; seeing again in his mind’s eye how far the next pawnbroker’s sign had been, hanging far up the street; how much farther the next), he would never have believed he could have made it. Not all this distance. Soaked with the sweat of that inhuman effort, he stood in the uproar of the traffic almost in smiling wonder and marveled at his feat.
Charles Jackson (The Lost Weekend)
But oh, this is not the end he had imagined for himself as a kid! or even at thirty. To the adolescent boy, dreaming romantically of the gifted tormented men who had thrown their lives away, suicide had been a glamorous thing, a gallant flinging down of the glove, a refusal to submit, to conform, to endure, a demonstration that the spirit with honor is unwilling to go on except in its own way: almost a gesture debonair.
Charles Jackson (The Lost Weekend)
It was probably a moment he would remember all his life long, with tears; or was he just being maudlin, now, in drink? No, it was a moment of awful clarity, it was too real for that, his heart almost died in ache for his brother and for himself, for the two of them together, and he wept as he had not wept since he was a child. Would nothing stop the weeping? His brother sat there above, so near him, so unaware that all the time he was sitting here below, watching, knowing that Wick was wondering where he was, wondering what to do about him, how to help—go or stay?
Charles Jackson (The Lost Weekend)
It was exhaustion. Physically he had reached bottom. Bottom, hell! There was no bottom as long as you still had the desire the urge the intention the need. Your heart and lungs still functioned—after a fashion; your eyes were wide open, you could hear and think; what more did you want. These were faculties. To be used. He got up. But it was no use. He stood there weaving, faint and sick. He sat down again. Could you possibly make 58th Street? If your life depended on it? Carrying a typewriter besides? Not only make it but get back again? And on top of all that: the traffic that would scare you out of your wits, the noise and the uproar of the too-lively city, the sound and fury that frightened the living daylights out of you. Frightened you almost as much as the thought of the afternoon ahead, here, alone, without anything.
Charles Jackson (The Lost Weekend)
It was an interesting face, no question about it. The mirror was just dark enough so that he seemed to be seeing a stranger rather than himself. Completely objective, he looked at the face in the glass and began to study it so intently that he was almost surprised to see its expression change under his gaze to one of searching concern.
Charles Jackson (The Lost Weekend)
He thumbed through the drab pages, stopping now and again to linger over some scene of a deserted melancholy street, or a little grey lane hemmed in by sad plaster walls, and a feeling of almost intolerable loneliness came over him. Even the village squares or the open places in front of churches had this loneliness, this desertion, as if everyone had gone off for the day to attend some brilliant fair, leaving the town desolate and empty behind. In imagination, in memory, he stood in just such a little street now, as he had when he was a child—at sundown, after supper, on a summer evening, standing alone in the quiet street and listening to a steam calliope playing far away on the edge of the town, at the fairgrounds, before the evening performance of the circus. He closed the book and put it back on the shelf, remembering that moment so clearly and well that tears of pity came to his eyes—for the child, for himself, for the painter, he did not know whom.
Charles Jackson (The Lost Weekend)
When the economy of work infects one’s early morning dreams, spills over into booze-soaked weekends and reduces almost every social relation to a cold cash exchange, workers are the first to realize that life becomes evacuated, a perpetual living absence no matter how many smiley-faces dot the cubicle.
Carl Cederström (Dead Man Working)
Matt Swierad has been broadcasting minor-league baseball for twenty-three years—ever since he graduated from Jacksonville University with a degree in history. He spent seven years in the Class A South Atlantic League before landing the job in Charlotte in 1998. He was only thirty-one at the time and was on the path he wanted to be to get to the major leagues. Seven years later, Swierad was still in Charlotte and beginning to wonder if the major leagues were just a pipe dream. Then came an unexpected—if temporary—opportunity. Jerry Coleman, who had been doing play-by-play for the San Diego Padres forever, was being inducted into the Hall of Fame. The Padres needed someone to fill in for the three games that Coleman would miss during Hall of Fame weekend and put out a notice that anyone interested in the three-day job could send in an application. Swierad almost didn’t bother. “I figured there was no chance, that someone who had an in with someone out there would probably get it,” he said. “My wife finally convinced me that I should at least give it a shot.” The Knights were in Buffalo on a long road trip and had gotten to the hotel early one morning to find that they couldn’t check into their rooms right away—a frequent occurrence of Triple-A travel. When they finally got in their rooms, Swierad walked over to a nearby food court to get some lunch.
John Feinstein (Where Nobody Knows Your Name: Life In the Minor Leagues of Baseball)
I wish I could have just skipped elementary school and junior high. Outside school, I loved talking to people and learning from them. I would spend time visiting with old people in their gardens and on their porches. I liked to play with little kids and chat with patients who came to my mother's office. Almost every day, I learned things about the natural world and animals, and I read more books on weekends and during the summer than I could possibly read at school. I believe I would have learned more if I had just been left alone to educate myself.
Mary Pipher (Seeking Peace: Chronicles of the Worst Buddhist in the World)
Even all these years later, don’t expect Chris to start hijacking Vampire Weekend concerts by launching into twenty-minute drum solos. That’s fine for some, but as Chris says: “I always felt if a show went by and I was not particularly noticed, that was a successful show for me. I feel like it’s almost cooler and more badass as a drummer to be ego-less about it. It’s not about showing off. It’s about serving totally the band context and the song.” So what can a business leader learn from the drummer of Vampire Weekend? A lot, it turns out. Because every leader has to create a cultural drumbeat for their company—one that can, in Chris’s words, get the whole band in sync. A great leader’s drumbeat doesn’t force people to follow them; it inspires them to want to move in the same direction.
Reid Hoffman (Masters of Scale: Surprising Truths from the World's Most Successful Entrepreneurs)
What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.
Kayla Cunningham
Our quality of life has skyrocketed and our once staunch London loyalism has been replaced by an almost embarrassing enthusiasm for everything “Dansk.” The greatest change has been the shift in work–life balance. Whereas previously we might snatch dinner once Duncan escaped from work at around nine, he now leaves his desk at five. Work later than 5.30, and the office is a morgue. Work at the weekend, and the Danes think you are mad. The idea is that families have time to play and eat together at the end of the day, every day. And it works. Duncan bathes and puts our 14-month-old daughter Liv to bed most nights. They are best buddies, as opposed to strangers who try to reacquaint at the weekend. Cathy Strongman, The Guardian
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
But the skull was laughing again; this time making a thoughtful, almost kindly noise. "Remember what I told you about time," it said. "When I was alive, I believed -- as you do -- that time was at least as real and solid as myself, and probably more so. I said 'one o'clock' as though I could find it on the map; and I let myself be hurried along from minute to minute, day to day, year to year, as though I were actually moving from one place to another. Like everyone else, I lived in a house bricked up with seconds and minutes, weekends and New Year's Days, and I never went outside until I died, because there was no other door. Now I know that I could have walked through the walls.
Peter S. Beagle (The Last Unicorn)
Because a good regret was one you aired every now and again. Replaying it in your mind. Imagining how things would have played out if you’d done things differently. In a way, regrets almost became your friends, ones whom you met during the small hours of the night, or during a weekend sunset, or over a glass of wine.
Mike Omer (A Burning Obsession (Abby Mullen #3))
Now Where Do You Find Customers? When novice entrepreneurs search for opportunities, they too often look beyond their Zone of Influence. They think the action is happening somewhere else, in some other location or industry. But seasoned entrepreneurs almost always find and create opportunities within the context of who they are, what they know, and especially who they know. In each of the examples above, the business validation process begins with potential customers in the entrepreneur’s orbit. Actual people with names. Tribes you belong to or are interested in, most of whom are already self-organized online. People you know how to reach, today. Though it’s rarely a part of their official origin stories, the biggest companies in the world—even the viral apps now worth billions—started through personal networks and real human connections. Mark Zuckerberg started Facebook in a weekend by emailing friends to use it. Version 1 did well, validating it. And Microsoft started with Bill Gates building software for a guy in Albuquerque. He had a CUSTOMER FIRST. In the beginning, founders should reach out to their friends, their former colleagues, their communities. You may think your business is unique, but trust me, it’s not. Every successful business can start this way. For example, Anahita loves her dogs and wanted healthier snacks for them. She started taking her homemade organic dog treats to her local dog park. She would sell out every time. A year later she now has a store called the Barkery, a dog bakery. Before you even think about picking a business idea, make sure you have easy access to the people you want to help. An easy way to do this is to think about where you have easy access to a targeted group of people whom you really want to help—like, say, new moms in Austin, cyclists, freelance writers, and taco obsessives (like me!). CHALLENGE Top three groups. Let’s write out your top three groups to target. Who do you have easy access to that you’d be EXCITED to help? This can be your neighbors, colleagues, religious friends, golf buddies, cooking friends, etc. The better you understand your target group, the better you can speak to them. The more specifically you can speak to their problems, the better and easier you can sell (or test products). Note how this process prioritizes communication with people, through starting (taking the first iteration of your solution straight to customers) and asking (engaging them in a conversation to determine how your solution can best fix their problem). Business creation should always be a conversation! Nearly every impulse we have is to be tight with our ideas by doing more research, going off alone to build the perfect product—anything and everything to avoid the discomfort of asking for money. This is the validation shortcut. You have to learn to fight through this impulse. It won’t be easy, but it’ll be worth it.
Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
It’s been almost four weeks now. He never showed up to run with me again and he never apologized. He doesn’t sit by me in class or in the cafeteria. He doesn’t send me insulting texts and he doesn’t show up on weekends as a different person. The only thing he does, at least I think he’s the one that does it, is remove the sticky notes from my locker. They’re always crumpled in a wad on the hallway floor at my feet. I continue to exist, and he continues to exist, but we don’t exist together. Days continue to pass no matter who I exist with, though. And each additional day that plants itself between the present and that weekend with him just leaves me with more and more questions that I’m too stubborn to ask. I want to know what set him off that day. I want to know why he didn’t just let it go instead of storming off like he did. I want to know why he never apologized, because I’m almost positive I would have given him at least one more chance. What he did was crazy and strange and a little possessive, but if I weighed it on a scale against all the wonderful things about him, I know it wouldn’t have weighed nearly as much. Breckin doesn’t even try to analyze it anymore so I pretend not to, either. But I do, and the thing that eats at me the most is the fact that everything that happened between us is starting to seem surreal, like it was all just a dream. I catch myself questioning whether that weekend even happened at all, or if it was just another invalidated memory of mine that may not even be real.
Colleen Hoover (Hopeless)
For a moment, I almost say yes. But the wording isn't quite right. There's a difference. I remember the feeling in my stomach whenever my family passed advertisements for performances at the West End Theater, showing women dressed as men. I remember Father's newspapers - the sensationalist ones he bought for fun on the weekends - languishing over bizarre stories of "female husbands" and cross-dressing. I remember desperately wanting to be something other than what I was. I don't want to be a boy. I already am. And the world will do anything to stop you. "I think it just takes some boys longer than others to figure it out," I say.
Andrew Joseph White, The Spirit Bares Its Teeth