Almond Shaped Eyes Quotes

Strikingly tall, broad, a thick head of silky chestnut hair, olive skin and beautiful almond shaped eyes. His was a strong face, masculine, powerful. I disliked it greatly.

Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.

Her blue, almond-shaped eyes - now even more elongated - had altered in appearance; they were indeed of the same colour, but seemed to have passed into a liquid state. So much so that, when she closed them, it was as though a pair of curtains had been drawn to shut out a view of the sea.

Yes, I love your eyes—they are black and deep and almond-shaped but I see the kindness in those eyes I have never seen before,

Rehv cleared his throat. “What book is that?” The Moor looked up, his almond-shaped eyes focusing with a sharpness Rehv could have done without. “You’re awake.” “What book?” “It’s The Shadow Death Lexicon.” “Light reading. And here I thought you were a Candace Bushnell fan.

Now her likeness gazed back at him from the bulletin board—her almond-shaped eyes, her pouty lips, her long straight hair swept over one shoulder of her sleeveless dress. He could almost smell her cinnamon fragrance. Her knit brow and the downward turn of her mouth seemed to say: Leo Valdez, you are so full of it.

Is Obama Anything but Black? So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black. Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says “My grandfather was Native American and I get discrimination too” when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? “Black Man.

Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you? The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity. Settled in slow-motion beauty, heart-breaking beauty.

Raz was one of those vanguard human beings of indeterminate ethnicity, the magnificent mutts that I hope we are all destined to become given another millennium of intermixing. His skin was a rich pecan color from his dad, who was part African American and part native Hawaiian. His hair, straight and glossy black, and the almond shape of his eyes came from his Japanese grandmother. But their color was the cool blue he'd inherited from his mum, a Swedish windsurfing champion.

She was slender and dressed like an Edwardian maid, complete with a starched white bib apron over a full black skirt and white cotton blouse. Her face didn’t fit her outfit, being too long and sharp-boned, with black almond-shaped eyes. Despite her mob cap she wore her hair loose, a black curtain that fell to her waist. She instantly gave me the creeps and not just because I’ve seen too many Japanese horror films.

I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.

Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors. " It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .

She had the cutest little upturned nose and big almond shaped glittery green eyes

The waitress’s name was Kazu Tokita. Kazu was a cousin of the proprietor. She was waitressing while attending Tokyo University of the Arts. She had quite a pretty face, a pale complexion and narrow almond-shaped eyes, yet her features were not memorable. It was the type of face that if you glanced at it, closed your eyes and then tried to remember what you saw, nothing would come to mind. In a word, she was inconspicuous. She had no presence. She didn’t have many friends either. Not that she worried about it—Kazu was the sort of person who found interpersonal relationships rather tedious.

Here we are, squabbling over tuna fucking sandwiches and there she is – almond-shaped green eyes, snub nose, lopsided grin, the hint of a dimple in her cheek. ‘MISSING’ is stamped over her face in large black letters.

Those eyes in real life were weapons, or possibly anti-weapons. They had kept her out of prison, he was sure of it. Wide-set and oversized and almond-shaped, little picture-boxes of innocence. Frames that made a mockery of everything concealed within.

She flickered then, as Ruby had that morning, and he saw her as she was on that rainy afternoon under his umbrella: almond-shaped dark eyes under long lashes, delicate in her pink cardigan, edges of her mouth upturned at one of her strange jokes. Unaware of the effect she had on people. On him, all these years later.

My eyes slide down the frame of the notorious Dracula. He is one imposing beast. Unusually tall, with the broad shoulders of a warrior who’s worn heavy armor and spun shields in many battles. He has the face of a cruel man, with cleanly cut, angular features, but his eyes could mesmerize anyone. Big like almonds and yet shaped like an Asian’s, they exude cunning and impenetrable depth.

And are you married, sir?" Mrs Winstanley asked Tom. "Oh no, madam!" said Tom. "Yes," David reminded him. "You are, you know." Tom made a motion with his hand to suggest that it was a situation susceptible to different interpretations. The truth was that he had a Christian wife. At fifteen she had had a wicked little face, almond-shaped eyes and a most capricious nature. Tom had constantly compared her to a kitten. In her twenties she had been a swan; in her thirties a vixen; and then in rapid succession a bitch, a viper, a cockatrice and, finally, a pig. What animals he might have compared her to now no one knew. She was well past ninety now and for forty years or more she had been confined to a set of apartments in a distant part of the Castel des Tours saunz Nowmbre under strict instructions not to shew herself, while her husband waited impatiently for someone to come and tell him she was dead.

Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.

He passed the open library door, then stopped, returned. He pushed the door wider to see Kestrel more fully. A fire burned in the grate. The room was warm, and Kestrel was browsing the shelves as if this were her home, which Arin wanted it to be. Her back to him, she slid a book from its row, a finger on top of its spine. She seemed to sense his presence. She slid the book back and turned. The graze on her cheek had scabbed over. Her blackened eye had sealed shut. The other eye studied him, almond-shaped, amber, perfect. The sight of her rattled Arin even more than he had expected. “Don’t tell people why you killed Cheat,” she said. “It won’t win you any favors.” “I don’t care what they think of me. They need to know what happened.” “It’s not your story to tell.” A charred log shifted on the fire. Its crackle and sift was loud. “You’re right,” Arin said slowly, “but I can’t lie about this.” “Then say nothing.” “I’ll be questioned. I’ll be held accountable by our new leader, though I’m not sure who will take Cheat’s place--” “You. Obviously.” He shook his head. Kestrel lifted one shoulder in a shrug. She turned back to the books. “Kestrel, I didn’t come in here to talk politics.” Her hand trembled slightly, then swept along the titles to hide it. Arin didn’t know how much last night had changed things between them, or in what way. “I’m sorry,” he said. “Cheat should never have been a threat to you. You shouldn’t even be in this house. You’re in this position because I put you there. Here. Forgive me, please.” Her fingers paused: thin, strong, and still. Arin dared to reach for her hand, and Kestrel did not pull away.

eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring—in the church-porch at that—"The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture—but it was so seldom she could find the duster because it was never in the same place twice. And when

His was the sort of physical beauty that attracted even as any great work of art ensnared the eye. One did not have to wish to own such a creation, often it was enough just to study and appreciate it. Only a little above average height, his form was well proportioned and well muscled, with not an extra jot of flesh. He had a fencer’s easy play of movement. But it was his face that first and last attached the eye. It was a lean countenance, the ivory white skin so taut across the fine bone structure as to appear to have been stretched to fit. Feature by feature, it was not a classic visage, but the sum more than compensated for the parts. His cheekbones were high and perhaps too pronounced. The nose was straight, a trifle too long and thin, the mouth not at all the full, plump standard of Greek statuary, for while well cut it was thin as well, and bore at times a half-quirked, sensuous smile. The eyes were long and almond-shaped and pulled down slightly at the corners, rather than tilting upward in classical fashion. But despite the astonishing thick, bright-silver-tipped gilt hair and slightly darker brows, it was the eyes that one’s gaze returned to again and again. From afar, or even in shadow, Lord North’s eyes were unexceptional save for their keen expression. But in clear light and up close it could be seen that they were extraordinary. For to speak with the nobleman from his right side, one would look for answer in his grave gray eye. Yet to approach him from the left, one would seek response from his cool blue orb. His eyes were not so dissimilar as to shock, but seeing him once, the viewer would be troubled by some nagging discrepancy and turn to search his face until his varicolored eyes were at last discovered, and the viewer amazed and enchanted. To see him once was to remember him forever, to hear his name was to recall him instantly. His reputation was as varied and colorful as his strange countenance. He was said to be a libertine, he was whispered to be beyond mere libertine.

How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.

Michael Freeman was thirty-five years old – a former Special Forces soldier turned policeman. He was a tall and slim black man, with grey-flecked hair and dark almond-shaped eyes. His smile was tight-lipped – half knowing and half strategic. It hid a mouthful of craggy teeth. A childhood in Detroit's East Side with an aggressive, alcoholic father had taught him to play things close to his chest, to look and listen. His colleagues knew him as a patient thinker, sedulous, missing nothing given time. Intellectually savvy and emotionally guarded, he exuded certitude. In Afghanistan, in the immediate aftermath of 9/11, he spent several weeks as a mounted outlier with the Northern Alliance in the Alma Tak Mountains, beyond the range of reinforcement or rescue – drinking filtered ditchwater and eating nuts scavenged from corpses – and calling down massive airstrikes on Taliban positions. He gained a certain reputation. Word spread the length of the Darya Suf River valley, through the Tiangi Gap to the stronghold at Mazar-i-Sharif that there was a monster loose in the mountains and the Taliban called him ‘bor-buka', which seemed to mean black or devil or whirlwind, and, at times, all of these things.

Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

The soul of a goddess lingered behind the brown veil of her almond shaped eyes.

Sam stood on the second floor veranda of the hotel, across from the pool, and looked out spotting Claire. His heart took a tiny leap in his chest when he first caught sight of her in the crowd around the pool, he zeroed in on her face instantly, like a computer program scanning faces. Her almond-shaped brown eyes captivated him, even at the great distance. When she stood up from the lounger, he instinctively reached down for the railing to grab on to something. It was the first time he'd seen her in a bathing suit. Wow. She looked lovely. Her exposed cafe latte colored skin glowed. Purple was her color, and it showcased her small, but curvy body the one he'd held tightly just a few short hours ago.

Her name was Petra Cotes. She had arrived in Macondo in the middle of the war with a chance husband who lived off raffles, and when the man died she kept the business. She was a clean young mulatto woman with yellow almond shaped eyes that gave her face the ferocity of a panther, but she had a generous heart and a magnificent vocation for love.

A man stood in the doorway, solidly built and towered quite a bit over her five feet eight inches, even though she wore heels. He wore a black Las Vegas Sinners T-shirt, cargo shorts to his knees and leather flip-flops. His gelled blond spikes were styled to look unstyled and almond-shaped, hazel eyes took her in with no attempt at subtlety. A small, slashing scar at the outside corner of his left eye as well as some purple-yellow bruising under his right told her who he was. Or at least what he was. Hockey player.

In 1848, the twenty-five-year-old Gage was working on a railroad bed when he was distracted by some activity behind him. As he turned his head, the large rod he was using to pack powder explosives struck a rock, caused a spark and the powder exploded. The rod flew up through his jaw, traveled behind his eye, made its way through the left-hand side of his brain and shot out the other side. Despite his somewhat miraculous survival, Gage was never the same again. The once jovial, kind young man became aggressive, rude and prone to swearing at the most inappropriate times. As a toddler, Alonzo Clemons also suffered a traumatic head injury, after falling onto the bathroom floor. Left with severe learning difficulties and a low IQ, he was unable to read or write. Yet from that day on he showed an incredible ability to sculpt. He would use whatever materials he could get his hands on—Play-Doh, soap, tar—to mold a perfect image of any animal after the briefest of glances. His condition was diagnosed as acquired savant syndrome, a rare and complex disorder in which damage to the brain appears to increase people’s talent for art, memory or music. SM, as she is known to the scientific world, has been held at gunpoint and twice threatened with a knife. Yet she has never experienced an ounce of fear. In fact, she is physically incapable of such emotion. An unusual condition called Urbach-Wiethe disease has slowly calcified her amygdalae, two almond-shaped structures deep in the center of the brain that are responsible for the human fear response. Without fear, her innate curiosity sees her approach poisonous spiders without a second’s thought. She talks to muggers with little regard for her own safety. When she comes across deadly snakes in her garden, she picks them up and throws them away.

She watched as her sister appeared at the kitchen door and, as always, was struck by her beauty; while she was blonde and fair-skinned, Julia was dark and exotic. Her thick mane of mahogany hair framed her fine-featured face, the weight she had recently lost only serving to highlight her luminous, almond-shaped, amber eyes and high cheekbones.

She looked at herself in the smoky elevator mirror. Her mother always said she had the face of an angel: almond-shaped blue eyes, long dark lashes, a small nose dusted with freckles, and God's imprint, a dimple on the side of her mouth. The reflection staring back at her looked more like Snow White just after she realized she'd eaten the poisoned apple.

Miss Josette was an African-American woman, probably in her late seventies, but who could easily pass for early sixties. She had intelligent, almond-shaped eyes, smooth skin the color of rich mahogany

Real fairies from the Kingdom of Adas. Tall, slender green pixies with shimmering wings and black, almond-shaped eyes.

The striking almond shape and easy softness of his eyes draws you in and are likely the most attractive you've ever seen on another person, even if they're eclipsed by darkness from obvious lack of sleep and pupils blown wide from ecstasy. He feels familiar and inexplicably heart-warming, like the anticipated change of seasons or the scent of an extinguished candle after a family holiday, your bed when lined with clean sheets or the sound of a loved one's voice on the phone after not hearing it for some time.

He chuckles as his almond-shaped eyes look into mine. “I hope I won’t have to put up with this attitude all season long. I can’t keep up with your teenage hormones.

Imari looked up to meet almond-shaped brown eyes so dark that they shone like polished river stones. Imari gasped as she took in the woman’s face. She thought she was used to being around beautiful people. Hell, Zephyr was her best friend, after all. But this woman was on another level.

Approaching target area," they heard the pilot say, "Ninety klicks to go, drop-off in one minute thirty-five seconds." However, there was nothing to be heard but the wind rattling against the plane traveling at high velocity across the stormy sky. The voice spoke directly into their heads. "OK, people, get ready," another disembodied voice said. To everyone in each of the three stealth combat aircraft, this voice was almost as familiar as their own. It belonged to Metatron, the commander. "Our scouting drones report no movement whatsoever and minimal security measures. Everyone is sound asleep. They have no idea what's coming at them. Exactly how we like it," he paused for a moment before continuing, and the condescending tone in his voice indicated that he would enjoy the things to come, "Stick to the routine, and this will be a walk in the park. I won't tolerate any casualties today." Nephilim prepared herself, running a final status check on her systems. Her neon-blue eyes were the shape of almonds. When she closed them for a moment, her delicate, pale face appeared to be that of a young woman in her early twenties. Anyone who assumed this, however, couldn't be more wrong. A second later, she was content. All systems were operating within specified parameters. She was ready. Opening her eyes again, she caught a look from Adriel sitting opposite to her. A slight grin flashed over his lips. His deep black skin contrasted with his unnaturally blue eyes, and they outright glowed in the half-dark. He, too, was prepared and agreed with the commander's words. This shouldn't be much more than routine.

She smiled, and there seemed to be only perfection in that smile. Her lips were full and red, and above them, perfectly positioned, was a pert nose and two almond-shaped eyes. The eyes were like sunlight in color, a direct contrast to her glistening mane.

attention and she examines Riham. She shakes her head. “Too itchy,” she declares. She has a bizarrely older voice, nearly sensual, a lounge singer’s voice, hoarse, as though she has spent all of her five years drinking whiskey and lighting cigarettes. In Souad’s features, the dead flicker. His father in the almond-shaped eyes, the color of wet bark—a father Atef barely remembers, knows through old photographs his mother kept in Nablus, the man looking directly into the camera. And in the mouth, the quirk of lips when she smiles, is Mustafa. She is the child they hadn’t intended to have, surprising them and toppling the neat symmetry of their family—Karam and Alia, Riham and Atef—so that even in babyhood she arrived in mutiny, with reincarnated features.

The woman had long black hair that hung to the middle of her back and smooth, olive skin that clearly suggested she was foreign. Her almond-shaped eyes were beautiful, a rich brown color that suggested vibrance and heat.

Growing up I had been ambivalent about being Chinese, occasionally taking pride in my ancestry but more often ignoring it because I disliked the way that Caucasians reacted to my Chineseness. It bothered me that my almond-shaped eyes and straight black hair struck people as “cute” when I was a toddler and that as I grew older I was always being asked, even by strangers, “What is your nationality?”—as if only Caucasians or immigrants from Europe could be Americans. So I would put them in their place by telling them that I was born in the United States and therefore my nationality is U.S. Then I would add, “If you want to know my ethnicity, my parents immigrated from southern China.” Whereupon they would exclaim, “But you speak English so well!” knowing full well that I had lived in the United States and had gone to American schools all my life. I hated being viewed as “exotic.” When I was a kid, it meant being identified with Fu Manchu, the sinister movie character created by Sax Rohmer who in the popular imagination represented the “yellow peril” threatening Western culture. When I was in college, I wanted to scream when people came up to me and said I reminded them of Madame Chiang Kai-shek, a Wellesley College graduate from a wealthy Chinese family, who was constantly touring the country seeking support for her dictator husband in the Kuomintang’s struggles against the Japanese and the Chinese Communists. Even though I was too ignorant and politically unaware to take sides in the civil war in China, I knew enough to recognize that I was being stereotyped. When I was asked to wear Chinese dress and speak about China at a meeting or a social function, I would decline because of my ignorance of things Chinese and also because the only Chinese outfit I owned was the one my mother wore on her arrival in this country.

Rebecca’s image of herself had been stamped in puberty, tall and gangly, skin hyper-pigmented with spots, and soda-bottle bottom bifocals to correct eyes that had crossed at age five. Now thirty-seven years old, she stood a full six feet, with erect posture and a decisive stride. Her fiery red hair, dramatically set off against a canvas of what now registered as sparkling freckles, as the result of a recessive gene on chromosome sixteen. With high cheekbones, a narrow nose, flush lips, she presented a striking image. Her brown, almond-shaped eyes, surgically uncrossed at age twelve, shimmered when she smiled.

But nothing compared to the reality of the magnificent Light Storm of 2015, nothing, that is, except the almond shaped emerald eyes of his passenger.

Her almond shaped, silver eyes, bronzed skin and long, gleaming red hair were only the tips of her beauty.  Her figure was rounded in beautiful curves and her hazel eyes shown with intelligence. 

Hair so black it shone blue streamed to her knees, each strand straighter than a soldier’s back. Her age was impossible to gauge beneath the white powder which smoothed her face into a mask. Rouge slashed her cheeks, blood-red ink outlined her lips, and kohl shadowed her almond-shaped eyes. Sapphire powder glittered across her eyelids up to her eyebrows but her eyes were black pits that offered no reassurance.

He had a satisfying wholeness about him, American good looks like a baseball player's- level shoulders, a pale shock of hair. A good mind and ethical nature: little gave him more pleasure than learning laws and governance- "It shows you the shape of your society." But what drew the deepest sliver of her self toward him, was the weakness in his chin, his slightly disoriented air, like an injury he allowed only Avis to see. Brian was the opposite of her mother. There wasn't a whiff of mystery about him: he was solid, entirely himself. Avis still cooked in those days and she invited him to her minuscule studio. She set a hibachi up on the fire escape and grilled him a marbled, crimson rib-eye, crusty with salt and pepper, its interior brilliant with juices. Some garlicky green beans with pine nuts, rich red wine, mushrooms and onions sautéed in a nut-brown butter. She'd intuited his indifference to chocolate, so dessert was a velvety vanilla bean cake with a toasted almond frosting.

At thirteen, she was already five feet seven, a little hollowed-out by her growth spurt, her chest concave, her eyes with their ineffable violet light enormous, her bangs cut straight across her brow so she looked very young and serious. He realizes only now that as time passed he'd continued to think of Felice as that thirteen-year-old child, preserved like a geranium between the leaves of a book. She is still young and slim, yet changed. Her shoulders are straighter and more refined; the bangs are gone- her hair swings to her shoulders. Her eyes no longer seem overlarge: they are wide, almond-shaped. Nieves stares at her: he'd failed to mention his sister's beauty. Stanley tucks his chin: inside, a ragged blank- the feeling that this couldn't possibly be his sister: 'she' is still out there- a thirteen-year-old, who vanished into the night, a black orchid.

He moved his gaze over the tangles of her long, dark hair. Took in the forest green, almond-shaped eyes that promised revenge...gods, he hoped she was one to go through with it. It had been boring lately.

The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.

The words didn’t speak to me at all, but it didn’t matter. It was enough that my eyes moved along the words. I smelled the books, my eyes slowly tracing the shape and strokes of each letter.

Except, when she reappears, I see that she’s not alone. She’s holding a groggy infant against her chest. A dark-haired boy with deep brown eyes shaped like almonds. Elyssa looks at me with big guilty eyes. And for a moment, my brain feels like it’s short-circuiting. This can’t be happening… “Well?” the brunette asks without a shred of sensitivity. “Aren’t you going to say hello to your son?

A girl with eyes shaped like almonds. Serene on her face, luscious long black hair, one strand of it touching her face gently. Rosy lips and blushed cheeks. The perfect Indian shade and a cute little nose ring. Almost like an Angel. Bringing heaven on earth.

Chace glanced up from the glass of amber beer as his closest friend, Gunner, approached their usual table in the corner of the bar. Unlike Chace, who was a dragon shifter, Gunner was able to transform into a panther the size of a car. He had dark hair and almond-shaped, brown eyes, a muscular frame, a gait worthy of a cat and two pints in his hands. He sat and placed one glass down beside Chace’s untouched drink.

I see.” Julius reclined in the chair and crossed one of his long legs over the other, his face deep in thought. “Your sisters take after your mother more than you do. Although your resemblance of her is still apparent,” he nodded at her, apparently uninhibited by the inappropriate intimacy of the entire conversation. “In what way do I resemble my mother?” she asked cautiously. “You have her lips.” Eden started, and her tea splashed over her saucer. “I—do?” His eyes fell to them, and something in his eyes darkened. “Unfortunately. And you inherited the fine almond shape of her eyes. But the eyebrows, the intelligence in your eyes, the mischief in them—those are from your father.” Eden was astonished. Never had she been thus spoken to. Her face was scarlet. “Are there any other features of mine you wish to trace to their parentage?” she managed. His eyes flicked over her bosom, tightly buttoned up beneath the faded bodice, past her disappearing waist to the curved, perky bottom perched so tensely on the chair. "The curves I must attribute to the mother, but the lightness of figure, the graceful athleticism, and restlessness to the father." A great din of a clanging from outside had drown out his words so she could not hear them. “I beg your pardon?” Eden said over the din. “The stage coach,” was all he said. “Oh,” was her only reply. The clanging finished. “I’m afraid I missed what you said earlier.” "Nothing of import." He leaned forward for another grape.

He was standing very close to her, and she felt something like an electric current running through her body as he held onto her hand. She looked up into his face; long and narrow, except for those cheekbones jutting out of it. Wide, almond-shaped eyes, as pretty as a girl's. They were a shifting, indefinable hue, the color of smoke and shadows.

The first time he had seen her, he had been awestruck. Pang tien, tiok sot, got the electrics. It was the almond-shaped eyes, the cute bangs, and the soft lips that did it for him. They'd met at his favourite club, and he'd played the game that girls liked to play, threw his net, drew her in, then gave the cold shoulder.

But it was not the almond shape of her eyes, or the style of her hair, or even the way her lips moved when she uttered the simplest word causing my heart to stop. No, it was how I was finally home. It was not love at first sight, Mr. Mann. She had always been a part of me. My soul already knew hers, and it was now, in this fucking moment, when we were finally reunited. And there she stood, the girl I belonged to. I was no longer homesick. I was complete.

She had quite a pretty face, a pale complexion and narrow almond-shaped eyes, yet her features were not memorable. It was the type of face that if you glanced at it, closed your eyes and then tried to remember what you saw, nothing would come to mind. In a word, she was inconspicuous. She had no presence. She didn’t have many friends either.

At this point, Mother closes her eyes, eyes that resemble no one else's, sunken and deep like Westerners' yet almond-shaped like ours. I always wish for her eyes, but Mother says no. Eyes like hers can't help but carry sadness; even as a child her parents were alarmed by the weight in her eyes.

look in the mirror and I can see it: brown hair, olive skin. The almond shape of our eyes and the lank hang of our arms by our sides, long and skinny, like we don’t quite know where to put them. And now, whoever this new girl is looks like me.

That face had beguiled princes and kings. It was older now and had lost the soft prettiness of youth, but Tayven Hirantel was still beautiful, his eyes almond shaped and dark, his cheekbones high. He had the look of a cornered animal.

At this point, Mother closes her eyes, eyes that resemble no one else's, sunken and deep like Westerners' yet almond-shaped like ours. I always wish for her eyes, but Mother says no. Eyes like hers can't help by carry sadness; even as a child her parents were alarmed by the weight in her eyes.

But she was Oriental, through and through, and had the face and almond-shaped eyes to match.

Name/ First name: Madeline (mads, or maddy) Middle name: Marie Last name: Fractures --------------------------- Birth/ Age: 17 Date of birth: 9/13 Date of death: none Place of birth: West Place of death: none ---------------------------- Romantic and social/ Gender: Girl Sexuality: heterosexual Friends: 3 Boyfriend/ Girlfriend: none Crush: none ---------------------------- Personality/ Likes:hunting, reading, drawing, knife throwing, music, fighting Dislikes: none can think of Disorders: PTSD (explained in history) Personality: Strong, has had a rough life, may seem stuck up at times, is close to her 3 friends as she can be because she is afraid to loose them if they see her violent side. She has this side because of what happened when she and her twin brother were small. ---------------------------- History/ History: was born in west katos, and lost parents and older brothers when she was five, only she and her twin survived. Was on the streets for one year with her brother before he was found while he was looking for food. They were reunited at the age of 7 one year later. He was living at the palace with a noble family, she was allowed to return with him and stay, she soon became close friends with the secondborn boy Jacob (if this is'nt fine let me know). When she was 13 her brother was kidnapped by a group from the east, she soon discovered that they were the same group that killed their family.4 years later she is still looking. Now she works at the palace as a hunter, archivest, and guard, and does some art. Lore: ( Any lore behind your character?) ---------------------------- Appearance/ Description : Dark brown hari, Forest green eyes, and one scar on the left side of her face from her first fight. Picture: Hair: Dark Brown Eyes: kind of almond shaped but also round and are forest green Skin: lightly tan ---------------------------- Family/ Mother : Deceased Father: Deceased Husband/ Wife: None Sons/ Daughters/ Offspring : None ---------------------------- Other/ Living situation: Small cottage in woods with her 3 friends Money: not rich but not poor either Pets: A wolf named Alla (a-la) Job: Hunter, guard, and archivest Other Side: West

Her bright brown almond shaped eyes look like sunshine shining through a glass of whiskey.

Further studies from Cryan’s lab revealed that germ-free mice had a messed-up relationship with anxiety. One study found that they had reduced anxiety-like behaviour compared with normal mice, which, on the face of it, sounds like a rather good thing. But it soon became clear that their fear-related recall – their ability to recognize threatening stimuli – was impaired.9 When regular mice were given an electric shock directly after a tone, they learned to associate the tone with the shock, to the point that when they heard only the tone they froze, anticipating the shock to come. This is a case of Pavlov’s classical conditioning. Germ-free mice, however, didn’t learn to associate the tone with pain, and continued as normal. If these mice, however, were given gut bacteria, they showed a normal, appropriate anxiety response. But, like their earlier study exploring excessive stress in germ-free mice, these effects were only seen if the gut bacteria were given early on in life, suggesting a critical developmental window. Later studies found a potential source of these odd behaviours: the amygdala, two almond-shaped clusters of nerves located deep within the brain (amygdala being the Greek for ‘almond’), each located a few inches directly behind each eye. These play key roles in emotional response to stimuli, including ‘fight or flight’. The amygdala of germ-free mice, however, is unusually large and has multiple abnormalities in its structure.10