Almond Eyes Quotes

We've searched our database for all the quotes and captions related to Almond Eyes. Here they are! All 100 of them:

You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
People shut their eyes to a distant tragedy saying there’s nothing they could do, yet they didn’t stand up for one happening nearby either because they’re too terrified. Most people could feel but didn’t act. They said they sympathized, but easily forgot. The way I see it, that was not real. I didn’t want to live like that.
Sohn Won-Pyung (Almond)
Strikingly tall, broad, a thick head of silky chestnut hair, olive skin and beautiful almond shaped eyes. His was a strong face, masculine, powerful. I disliked it greatly.
Samantha Young (Slumber (The Fade, #1))
Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.
Ami Blackwelder
and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds... but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pch radieux, had dwindled to its essence: sterile and selfish vice, all that I cancelled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and halfthrottled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque, part o nous ne serons jamais spars; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torneven then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
Cold air clawed at my face, ripping tears from my eyes. I buried my face deep into Daniel's back and breathed in a mixture of familiar scents - almonds, oil paint, earth, and a hint of varnish. I didn't even question why I was on that bike. I just knew I was suppose to be.
Bree Despain
Mom said everything was for my sake, calling it love. But to me, it seemed more like we were doing this out of her own desperation not to have a child that was different. Love, according to Mom’s actions, was nothing more than nagging about every little thing, with teary eyes, about how one should act such and such in this and that situation. If that was love, I’d rather neither give nor receive any. But of course, I didn’t say that out loud. That was all thanks to one of Mom’s codes of conduct—Too much honesty hurts others—which I had memorized over and over so that it was stuck in my brain.
Sohn Won-Pyung (Almond)
Her blue, almond-shaped eyes - now even more elongated - had altered in appearance; they were indeed of the same colour, but seemed to have passed into a liquid state. So much so that, when she closed them, it was as though a pair of curtains had been drawn to shut out a view of the sea.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
So many times during the day, Helen had seen a dark presence take hold of the prince, as though he was haunted by some dire purpose or secret too terrible to bear. As she stared up into his almond eyes, she saw it again, this time recognizing the darkness for what it was: the same abandonment she felt ripping her heart in pieces.
Aria Cunningham (The Princess of Sparta (Heroes of the Trojan War, #1))
Count up the almonds, Count what was bitter and kept you waking, Count me in too: I sought your eye when you glanced up and no one would see you, I spun that secret thread Where the dew you mused on Slid down to pitchers Tended by a word that reached no one’s heart. There you first fully entered the name that is yours, you stepped to yourself on steady feet, the hammers swung free in the belfry of your silence, things overheard thrust through to you, what’s dead put it’s arm around you too, and the three of you walked through the evening. Render me bitter. Number me among the almonds
Paul Celan
He looked me directly in the eye. 'So you live in America?' 'We do.' I smiled. He stopped, opened his backpack, pulled out an empty tear gas grenade and handed it to me. 'I believe it was a present from your country.' Majid smiled. 'Tell your friends thanks. We got their grenade.
Michelle Cohen Corasanti (The Almond Tree)
The letters make words and words make us.
David Almond
Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats. "What's that for?" Valentine asks, when Lindsay finally lets him go. "Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
...maybe one day we all had wings and one day we'll all have wings again." "D'you think the baby had wings?" "Oh, I'm sure that one had wings. Just got to take one look at her. Sometimes I think she's never quite left Heaven and never quite made it all the way here to Earth." She smiled, but there were tears in her eyes. "Maybe that's why she has such trouble staying here," she said.
David Almond (Skellig (Skellig, #1))
Yes, I love your eyes—they are black and deep and almond-shaped but I see the kindness in those eyes I have never seen before,
Durjoy Datta (Our Impossible Love)
Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you? The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity. Settled in slow-motion beauty, heart-breaking beauty.
Craig Raine
One of the odder services the Villa Candessa provided for its long-term guests was its “likeness cakes”—little frosted simulacra fashioned after the guests by the inn’s Camorr-trained pastry sculptor. On a silver tray beside the looking glass, a little sweetbread Locke (with raisin eyes and almond-butter blond hair) sat beside a rounder Jean with dark chocolate hair and beard. The baked Jean’s legs were already missing. A few moments later, Jean was brushing the last buttery crumbs from the front of his coat. “Alas, poor Locke and Jean.” “They died of consumption,” said Locke.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
My sweet strawberry, Your frowning eyebrows, almond eyes, pomegranate lips and cherry nail fingers Does not make me love you limitless Nor your sweet smiles, lovely jokes, and charming glances It is you; that makes smile sweet, glances lovely and eyes gorgeous Over and over again I see thousands everyday smiling and frowning; But they all seem tasteless It is you, as always the most perfect and unique Strawberry!!!
M.F. Moonzajer
Rehv cleared his throat. “What book is that?” The Moor looked up, his almond-shaped eyes focusing with a sharpness Rehv could have done without. “You’re awake.” “What book?” “It’s The Shadow Death Lexicon.” “Light reading. And here I thought you were a Candace Bushnell fan.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another's child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque part oы nous ne serons jamais sиparиs; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torn--even then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
We roamed between the angels and the eagles. Bats flickered against the starry sky. Moonlight poured down
David Almond (Heaven Eyes)
Now her likeness gazed back at him from the bulletin board—her almond-shaped eyes, her pouty lips, her long straight hair swept over one shoulder of her sleeveless dress. He could almost smell her cinnamon fragrance. Her knit brow and the downward turn of her mouth seemed to say: Leo Valdez, you are so full of it.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
We come into the world out of the dark. We haven't got a clue where we've come from. We've got no idea where we're going. But while we're here in the world, if we're brave enough, we flap our wings and fly.
David Almond (Heaven Eyes)
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
Madeline Miller (The Song of Achilles)
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!
E.B. White (Charlotte’s Web)
Nothing had changed and yet everything had changed, and it was this invisibility that he found most disturbing, for it depicted by omission all the old freedoms. The vitality hidden in things that may have once got on his nerves had been snuffed out: there were no groups of tourists taking selfies; no men of God yelling fire and brimstone; no demonstrators marching or chaining themselves onto railings; no feverish sounds, or smells of sugared almonds and poisonous hot dogs – unbelievably no smells at all. The loudness of these absences was unendurable; it was all Mr Rubens could do to click his eyes wide open, and cast around for memories that might oppose the deadly dearth.
Panayotis Cacoyannis (The Coldness of Objects)
When angered she had a terrible eye which could blanch the skin off a bad child as easily as if he were a boiled almond.
John Steinbeck (East of Eden)
I have hair that drifts like seaweed when I swim. I have eyes that shine like rock pools. My ears are like scallop shells. The ripples on my skin are like the ripples on the sand when the tide has turned back again. At night I gleam and glow like sea beneath the stars and moon. Thoughts dart and dance inside like little minnows in the shallows. They race and flash like mackerel farther out. My wonderings roll in the deep like sails. Dreams dive each night into the dark like dolphins do and break out happy and free into the morning light. These are the things I know about myself and that I see when I look in the rock pools at myself.
David Almond
I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.
Marlena de Blasi (A Thousand Days in Tuscany: A Bittersweet Adventure)
Is Obama Anything but Black? So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black. Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says “My grandfather was Native American and I get discrimination too” when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? “Black Man.
Chimamanda Ngozi Adichie (Americanah)
In Italy you learned cunning, but in Antwerp, flexibility. And besides, the shopping! Just step out of your door and you can get a diamond or a broom, you can get knives, candlesticks and keys, ironwork to suit the expert eye. They make soap and glass, they cure fish and they deal in alum and promissory notes. You can buy pepper and ginger, aniseed and cumin, saffron and rice, almonds and figs; you can buy vats and pots, combs and mirrors, cotton and silk, aloes and myrrh.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
Raz was one of those vanguard human beings of indeterminate ethnicity, the magnificent mutts that I hope we are all destined to become given another millennium of intermixing. His skin was a rich pecan color from his dad, who was part African American and part native Hawaiian. His hair, straight and glossy black, and the almond shape of his eyes came from his Japanese grandmother. But their color was the cool blue he'd inherited from his mum, a Swedish windsurfing champion.
Geraldine Brooks (People of the Book)
When Willie was a baby, he used to look into the soft almond eyes of his black-gold mother and in those reflecting mirrors of life and the world, he saw that the earth was a splendid lovely planet.
Thomas S. Klise (The Last Western)
She was slender and dressed like an Edwardian maid, complete with a starched white bib apron over a full black skirt and white cotton blouse. Her face didn’t fit her outfit, being too long and sharp-boned, with black almond-shaped eyes. Despite her mob cap she wore her hair loose, a black curtain that fell to her waist. She instantly gave me the creeps and not just because I’ve seen too many Japanese horror films.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
That air of electric tension, of a great city on the edge of an abyss, is more noticeable than ever at the White Russian cabaret called, not inappropriately, "New York." You wouldn't know you were in China. An almond-eyed platinum-blonde has just finished wailing, with a Mott Street accent, "You're gonna lose your gal." ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
According to my almond-eyed little spy, the great surgeon, may his own liver rot, lied to me when he declared yesterday with a deathhead's grin that the operazione had been perfetta. Well, it had been so in the sense Euler called zero the perfect number. Actually, they ripped me open, cast one horrified look at my decayed fegato, and without touching it sewed me up again.
Vladimir Nabokov (Transparent Things)
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.
Deborah Lawrenson (The Sea Garden)
Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors. " It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .
Ivan Alekseyevich Bunin (The Gentleman from San Francisco and Other Stories)
She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. ‘This is the most beautiful woman I’ve ever seen,’ I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York.
Gabriel García Márquez (Strange Pilgrims: Twelve Stories)
She had the cutest little upturned nose and big almond shaped glittery green eyes
Vivienne Craft (Secrets: Swift Justice (Secrets #3))
whose dark eyes narrowed to lightless almonds,
Charlie N. Holmberg (The Paper Magician (The Paper Magician #1))
eyes like almonds deeply hooded with conviction
Rupi Kaur (milk and honey)
almond-curved gray eyes and dark curls that were pulled back in a tight ponytail, had me frozen.
Charlene Namdhari (Incognito (Serendipity, #2))
He narrows his eyes. “Is this true?” He sighs. “It is, isn’t it? That’s all I need.
David Almond (Raven Summer)
Caro's eyes slid longingly over the display, the pralines, truffles, amandines, and nougats, the éclairs, florentines, liqueur cherries, frosted almonds.
Joanne Harris (Chocolat (Chocolat, #1))
my issue with what they consider beautiful is their concept of beauty centers around excluding people i find hair beautiful when a woman wears it like a garden on her skin that is the definition of beauty big hooked noses pointing upward to the sky like they’re rising to the occasion skin the color of earth my ancestors planted crops on to feed a lineage of women with thighs thick as tree trunks eyes like almonds deeply hooded with conviction the rivers of punjab flow through my bloodstream so don’t tell me my women aren’t as beautiful as the ones in your country
Rupi Kaur (Milk and Honey)
To my surprise and smiling, tearing, eyes, I’ve found that this is by far the best time to be alive.  We can have it all.  Happiness and autonomy.  Financial stability and free time.  It’s all right there if we perfect our skills and create something of value.  The only thing left to do is take whatever it is that keeps you up at night and perfect it until it’s an undeniable force.
Markus Almond (Things To Shout Out Loud At Parties)
When Martha stepped inside the library, she closed her eyes and inhaled the earthy, almond scent of the books. If she could bottle the aroma, she'd wear it as a perfume, L'eau de la Bibliotheque.
Phaedra Patrick (The Library of Lost and Found)
Mom said everything was for my sake, calling it love. But to me, it seemed more like we were doing this out of her own desperation not to have a child that was different. Love, according to Mom’s actions, was nothing more than nagging about every little thing, with teary eyes, about how one should act such and such in this and that situation. If that was love, I’d rather neither give nor receive any.
Sohn Won-Pyung (Almond)
Here we are, squabbling over tuna fucking sandwiches and there she is – almond-shaped green eyes, snub nose, lopsided grin, the hint of a dimple in her cheek. ‘MISSING’ is stamped over her face in large black letters.
Sanjida Kay (The Stolen Child)
Bronze and copper to course through your veins Hair of coal, black as raven Liquid fossils flowing longer than the Nile Rubbies and sapphires inside your chambers And diamonds for pupils in almond set eyes Because I love you
spoken silence
Those eyes in real life were weapons, or possibly anti-weapons. They had kept her out of prison, he was sure of it. Wide-set and oversized and almond-shaped, little picture-boxes of innocence. Frames that made a mockery of everything concealed within.
Olivie Blake (Alone With You in the Ether)
My favorite Etruscans, a man and a woman, recline in the form of a terra-cotta sarcophagus from the sixth century BC in the Villa Giulia, the National Etruscan Museum in Rome. With almond eyes, a narrow face, neatly trimmed beard, long braided locks, and powerful shoulders, he lies casually, naked to the waist, his arm around her shoulder. She, dressed in a flowing gown, with tiny feet tucked into soft slippers with pointed toes, pours perfume—a ritual act—into his hands. I recognize the languorous look on their faces: utter postcoital contentment.
Dianne Hales (La Passione: How Italy Seduced the World)
I closed my eyes and tried to discover where the happy half of me was hiding. I felt the tears trickling through my tightly closed eyelids. I felt Whisper's claws tugging at my jeans. I wanted to be all alone in an attic like Skellig with just the owls and the moonlight and an oblivious heart.
David Almond
The waitress’s name was Kazu Tokita. Kazu was a cousin of the proprietor. She was waitressing while attending Tokyo University of the Arts. She had quite a pretty face, a pale complexion and narrow almond-shaped eyes, yet her features were not memorable. It was the type of face that if you glanced at it, closed your eyes and then tried to remember what you saw, nothing would come to mind. In a word, she was inconspicuous. She had no presence. She didn’t have many friends either. Not that she worried about it—Kazu was the sort of person who found interpersonal relationships rather tedious.
Toshikazu Kawaguchi (Before the Coffee Gets Cold #1)
Integrate at least three of these items into your daily diet to be sure you are eating plenty of whole food. 1. Beans—all kinds: black beans, pinto beans, garbanzo beans, black-eyed peas, lentils 2. Greens—spinach, kale, chards, beet tops, fennel tops 3. Sweet potatoes—don’t confuse with yams. 4. Nuts—all kinds: almonds, peanuts, walnuts, sunflower seeds, Brazil nuts, cashews 5. Olive oil—green, extra-virgin is usually the best. Note that olive oil decomposes quickly, so buy no more than a month’s supply at a time. 6. Oats—slow-cook or Irish steel-cut are best. 7. Barley—either in soups, as a hot cereal, or
Dan Buettner (The Blue Zones Solution: Eating and Living Like the World's Healthiest People (Blue Zones, The))
She flickered then, as Ruby had that morning, and he saw her as she was on that rainy afternoon under his umbrella: almond-shaped dark eyes under long lashes, delicate in her pink cardigan, edges of her mouth upturned at one of her strange jokes. Unaware of the effect she had on people. On him, all these years later.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
It would be easy to attribute Layla's effect on the opposite sex (and the occasional Sapphically inclined female) to her youth or sweet, natural perfume, but the real reason behind her attraction was far more complex. Of course, there was no denying her beauty, the consistency of her angled, porcelain features, that tilt in her almond eyes, which shined like half-moons across her celestial face. Unlike her two older sisters, who sported wayward brown ringlets, Layla had hair that was long and jet black. Tied up or let down, moussed or gelled, nothing could excite her stubbornly straight locks. They were a definite throwback to some latent Oriental chromosomes roaming deep inside of her.
Marsha Mehran (Pomegranate Soup (Babylon Café #1))
Shy Gifts Shy gifts that come to us from a world that may not even know we’re here. Windfalls, scantlings. Breaking a bough like breathy flute-notes, a row of puffed white almond-blossom, the word in hiding among newsprint that has other news to tell. In a packed aisle at the supermarket, I catch the eye of a wordless one-year-old, whale-blue, unblinking. It looks right through me, recognising what? Wisely mistrustful but unwisely impulsive as we are, we take these givings as ours and meant for us — why else so leap to receive them? — and go home lighter of step to the table set, the bed turned down, the book laid open under the desk-lamp, pages astream with light like angels' wings, arched for take-off.
David Malouf (Earth Hour)
Let’s have a closer look at Sue. Appearance-wise, Jerry’s mother was a dark dream with full lips and almond eyes; fashion-wise, she spared no expense but looked as conservative as all the rest; in terms of morals she was entirely conventional; in personality a flirt; in outlook a skeptic; in disposition a bleak and dire depressive; in political mind-set more progressive than most; in matters of sex, boldly forward, then discreetly withholding; she was mercurial at parties and dances (a charmer one night, a mute the next); in love a total slave, but as an object of a man’s desire, she was a merciless and cunning manipulator. If her kindness was subject to moods, she had her table manners down cold, and her telephone etiquette was impeccable.
Joshua Ferris (A Calling for Charlie Barnes)
My eyes slide down the frame of the notorious Dracula. He is one imposing beast. Unusually tall, with the broad shoulders of a warrior who’s worn heavy armor and spun shields in many battles. He has the face of a cruel man, with cleanly cut, angular features, but his eyes could mesmerize anyone. Big like almonds and yet shaped like an Asian’s, they exude cunning and impenetrable depth.
Ana Calin (Prince of Midnight (Dracula’s Bloodline #1))
And are you married, sir?" Mrs Winstanley asked Tom. "Oh no, madam!" said Tom. "Yes," David reminded him. "You are, you know." Tom made a motion with his hand to suggest that it was a situation susceptible to different interpretations. The truth was that he had a Christian wife. At fifteen she had had a wicked little face, almond-shaped eyes and a most capricious nature. Tom had constantly compared her to a kitten. In her twenties she had been a swan; in her thirties a vixen; and then in rapid succession a bitch, a viper, a cockatrice and, finally, a pig. What animals he might have compared her to now no one knew. She was well past ninety now and for forty years or more she had been confined to a set of apartments in a distant part of the Castel des Tours saunz Nowmbre under strict instructions not to shew herself, while her husband waited impatiently for someone to come and tell him she was dead.
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
A few minutes later Agnes had reached the market and was battling through the throng. She stepped over rotting offal and cabbage leaves to prod breasts of pheasant and partridge. She sniffed oysters and herrings and asked the prices of oranges, shouting her requirements over strident cries of "New mackerel!" and "White turnips and fine carrots, ho!" and "Fine China oranges and fresh juicy lemons!" She watched a juggler with blackened teeth catching knives in his mouth, then sampled a corner of gingerbread so spicy tears welled in her eyes. The street child had slipped from her thoughts. Within the hour, Agnes had arranged deliveries with half a dozen tradesmen whose goods she could not carry, and jotted every item and its price in her notebook for Mrs Tooley's accounts. In her basket she had carefully stowed sweet oranges, Jordan almonds, two dozen pullet eggs, a pickled salmon, half a pound of angelica, the same of glacee cherries.
Janet Gleeson (The Thief Taker)
Sixsmith, Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart. Sincerely, R.F.
David Mitchell (Cloud Atlas)
Anouk reads a book of nursery rhymes behind the counter and keeps an eye on the door as I prepare a batch of mendiants- thus named because they were sold by beggars and gypsies years ago- in the kitchen. These are my own favorites- biscuit-sized discs of dark, milk, or white chocolate upon which have been scattered lemon-rind, almonds, and plump Malaga raisins. Anouk likes the white ones, though I prefer the dark, made with the finest seventy-percent couverture.... Bitter-smooth on the tongue with the taste of the secret tropics.
Joanne Harris (Chocolat (Chocolat, #1))
He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing. He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now. He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes. She was stumbling in her own world now, as he sat beside her bed. He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble. He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other. He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world". He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.
Teufel Damon
The flavor that came to me was a luscious Suncrest peach that I once had in California. This heirloom variety needed time to ripen on the tree to achieve its peak flavor. Unlike other peaches that were picked unripe so they would ship more easily. Suncrest peaches had to be eaten right away. But they were worth it- fragrant, luscious, juice-dripping-down-your-chin perfection. The problem was that I didn't have any peach mousse or filling. But I quickly improvised. "You're getting married in August, when peaches are in season," I said. "Taste our browned butter yellow cake with a little apricot and some vanilla-almond buttercream, and see what you think." As they each took a small bite of what I hoped would be their signature cake flavors, I was drawn back into the taste of the peach. It was juicy and sweet, but as I got close to the center of the peach, their was an off flavor of rot. In my mind's eye, I could see a darkened area close to the center that would soon cause the peach to wither. I knew what that meant. I didn't know whose life would be blighted, but these golden days were few. They wouldn't have much time together.
Judith M. Fertig (The Memory of Lemon)
But Zozie was already making plans- seemingly unaware of the impact of that casual word- plans for a line of handmade truffles, the simplest of all chocolates to make; and then, perhaps some mendiants- my own favorites- sprinkled with almonds, sour cherries, and fat yellow sultanas. I could do it with my eyes closed. Even a child can make mendiants, and Anouk had often helped me in the days of Lansquenet, selecting the plumpest raisins, the sweetest cranberries (always keeping a generous portion aside for herself), and arranging them on the discs of melted chocolate, dark or light, in careful designs.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.
Claire-Louise Bennett (Pond)
I keep an eye out for Ann, but instead I catch sight of a hedgehog shuffling into the undergrowth---an unexpected glimpse for they are shy, nocturnal creatures. Something about his gait, his spines, makes me imagine a sweet dish in his image. A hedgehog pudding... How might I make the spikes? Slithers of blanched almonds... impaled in a stiff white icing? Browned in a hot oven to re-create his russet color? And beneath his armor of icing and almonds... a Madeira sponge? A stiff blancmange? As I ponder how to make the hedgehog's body, I notice an apple tree, its boughs stripped of fruit but for a single split pippin at its apex. An apple hedgehog! A thick puree of apples drained until almost dry... with a center of apricot jam flavored with lemons.
Annabel Abbs (Miss Eliza's English Kitchen)
He passed the open library door, then stopped, returned. He pushed the door wider to see Kestrel more fully. A fire burned in the grate. The room was warm, and Kestrel was browsing the shelves as if this were her home, which Arin wanted it to be. Her back to him, she slid a book from its row, a finger on top of its spine. She seemed to sense his presence. She slid the book back and turned. The graze on her cheek had scabbed over. Her blackened eye had sealed shut. The other eye studied him, almond-shaped, amber, perfect. The sight of her rattled Arin even more than he had expected. “Don’t tell people why you killed Cheat,” she said. “It won’t win you any favors.” “I don’t care what they think of me. They need to know what happened.” “It’s not your story to tell.” A charred log shifted on the fire. Its crackle and sift was loud. “You’re right,” Arin said slowly, “but I can’t lie about this.” “Then say nothing.” “I’ll be questioned. I’ll be held accountable by our new leader, though I’m not sure who will take Cheat’s place--” “You. Obviously.” He shook his head. Kestrel lifted one shoulder in a shrug. She turned back to the books. “Kestrel, I didn’t come in here to talk politics.” Her hand trembled slightly, then swept along the titles to hide it. Arin didn’t know how much last night had changed things between them, or in what way. “I’m sorry,” he said. “Cheat should never have been a threat to you. You shouldn’t even be in this house. You’re in this position because I put you there. Here. Forgive me, please.” Her fingers paused: thin, strong, and still. Arin dared to reach for her hand, and Kestrel did not pull away.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Sleeping Wrestler You are a murderer No you are not, but really a wrestler Either way it's just the same For from the ring of your entangled body Clean as leather, lustful as a lily Will nail me down On your stout neck like a column, like a pillar of tendons The thoughtful forehead (In fact, it's thinking nothing) When the forehead slowly moves and closes the heavy eyelids Inside, a dark forest awakens A forest of red parrots Seven almonds and grape leaves At the end of the forest a vine Covers the house where two boys Lie in each others arms: I'm one of them, you the other In the house, melancholy and terrible anxiety Outside the keyhole, a sunset Dyed with the blood of the beautiful bullfighter Escamillo Scorched by the sunset, headlong, headfirst Falling, falling, a gymnast If you're going to open your eyes, nows the time, wrestler
Mutsuo Takahashi
Letter from Town: The Almond Tree" You promised to send me some violets. Did you forget? White ones and blue ones from under the orchard hedge? Sweet dark purple, and white ones mixed for a pledge Of our early love that hardly has opened yet. Here there’s an almond tree—you have never seen Such a one in the north—it flowers on the street, and I stand Every day by the fence to look up for the flowers that expand At rest in the blue, and wonder at what they mean. Under the almond tree, the happy lands Provence, Japan, and Italy repose, And passing feet are chatter and clapping of those Who play around us, country girls clapping their hands. You, my love, the foremost, in a flowered gown, All your unbearable tenderness, you with the laughter Startled upon your eyes now so wide with hereafter, You with loose hands of abandonment hanging down.
D.H. Lawrence (The Complete Poems of D.H. Lawrence)
Letter from Town: The Almond Tree" You promised to send me some violets. Did you forget? White ones and blue ones from under the orchard hedge? Sweet dark purple, and white ones mixed for a pledge Of our early love that hardly has opened yet. Here there’s an almond tree—you have never seen Such a one in the north—it flowers on the street, and I stand Every day by the fence to look up for the flowers that expand At rest in the blue, and wonder at what they mean. Under the almond tree, the happy lands Provence, Japan, and Italy repose, And passing feet are chatter and clapping of those Who play around us, country girls clapping their hands. You, my love, the foremost, in a flowered gown, All your unbearable tenderness, you with the laughter Startled upon your eyes now so wide with hereafter, You with loose hands of abandonment hanging down.
D.H. Lawrence (New Poems)
Add orange peel and cinnamon to milk. Grate the chocolate.' The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar. Into the milk it went. 'Add anise.' Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips.
Erica Bauermeister (The School of Essential Ingredients)
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
Richard Fariña (Been Down So Long It Looks Like Up to Me)
eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring—in the church-porch at that—"The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture—but it was so seldom she could find the duster because it was never in the same place twice. And when
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
His was the sort of physical beauty that attracted even as any great work of art ensnared the eye. One did not have to wish to own such a creation, often it was enough just to study and appreciate it. Only a little above average height, his form was well proportioned and well muscled, with not an extra jot of flesh. He had a fencer’s easy play of movement. But it was his face that first and last attached the eye. It was a lean countenance, the ivory white skin so taut across the fine bone structure as to appear to have been stretched to fit. Feature by feature, it was not a classic visage, but the sum more than compensated for the parts. His cheekbones were high and perhaps too pronounced. The nose was straight, a trifle too long and thin, the mouth not at all the full, plump standard of Greek statuary, for while well cut it was thin as well, and bore at times a half-quirked, sensuous smile. The eyes were long and almond-shaped and pulled down slightly at the corners, rather than tilting upward in classical fashion. But despite the astonishing thick, bright-silver-tipped gilt hair and slightly darker brows, it was the eyes that one’s gaze returned to again and again. From afar, or even in shadow, Lord North’s eyes were unexceptional save for their keen expression. But in clear light and up close it could be seen that they were extraordinary. For to speak with the nobleman from his right side, one would look for answer in his grave gray eye. Yet to approach him from the left, one would seek response from his cool blue orb. His eyes were not so dissimilar as to shock, but seeing him once, the viewer would be troubled by some nagging discrepancy and turn to search his face until his varicolored eyes were at last discovered, and the viewer amazed and enchanted. To see him once was to remember him forever, to hear his name was to recall him instantly. His reputation was as varied and colorful as his strange countenance. He was said to be a libertine, he was whispered to be beyond mere libertine.
Edith Layton (Lord of Dishonor)
How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.
Josip Novakovich (Shopping for a Better Country)
She sent a serving girl out to fetch some food. A beef pie, bread and butter and plenty of the sweet stuff that she loved. She devoured a treacle pudding, closing her eyes to savor every sticky crumb. Sugar. How she had craved the stuff. Though her belly was full, still she helped herself from a paper bag of sugarplums, globes of candied fruits that made her cheeks bulge. Was this happiness, she wondered? She was full of food again, and as sleepy as a suckled child. She pictured a well-stocked larder, and the chance to make all the delights in Mother Eve's Secrets. She would help herself to the best, of course, for she who stirs the pot never starves. A comfortable future lay before her, all for the taking. Mrs. Quin bustled back into the room and began to dress her face. Gone were the worst of the bran-specks and flaking red sores. Instead, she had the prettiness of a portrait on an enameled tin; a smudgy confection of pink and cream. "A rosy blush," Mrs. Quin said benignly, "is the fashion nowadays." While Mrs. Quin deposited her half a crown in a locked trunk, Mary slipped a bottle of Pear's Almond Bloom and a tin of White Imperial Powder into her skirts.
Martine Bailey (A Taste for Nightshade)
Michael Freeman was thirty-five years old – a former Special Forces soldier turned policeman. He was a tall and slim black man, with grey-flecked hair and dark almond-shaped eyes. His smile was tight-lipped – half knowing and half strategic. It hid a mouthful of craggy teeth. A childhood in Detroit's East Side with an aggressive, alcoholic father had taught him to play things close to his chest, to look and listen. His colleagues knew him as a patient thinker, sedulous, missing nothing given time. Intellectually savvy and emotionally guarded, he exuded certitude. In Afghanistan, in the immediate aftermath of 9/11, he spent several weeks as a mounted outlier with the Northern Alliance in the Alma Tak Mountains, beyond the range of reinforcement or rescue – drinking filtered ditchwater and eating nuts scavenged from corpses – and calling down massive airstrikes on Taliban positions. He gained a certain reputation. Word spread the length of the Darya Suf River valley, through the Tiangi Gap to the stronghold at Mazar-i-Sharif that there was a monster loose in the mountains and the Taliban called him ‘bor-buka', which seemed to mean black or devil or whirlwind, and, at times, all of these things.
Simon Conway (Rock Creek Park)
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Zozie was still watching me with that patient half-smile, as if she expected me to say something more. When I didn't, she simply shrugged and held out a dish of mendiants. She makes them as I do myself: the chocolate thin enough to snap but thick enough to satisfy; a generous sprinkle of fat raisins; a walnut, an almond; a violet; a crystallized rose. "Try one," she said. "What do you think?" The gunpowder scent of chocolate arose from the little dish of mendiants, smelling of summer and lost time. He had tasted of chocolate when I first kissed him; and the scent of damp grass had come from the ground where we had lain side by side; and his touch had been unexpectedly soft, and his hair like summer marigolds in the dying light- Zozie was still holding out the dish of mendiants. It's made of blue Murano glass, with a little gold flower on the side. It's only a bauble, and yet I'm fond of it. Roux gave it to me in Lansquenet, and I have carried it with me ever since, in my luggage, in my pockets, like a touchstone. I looked up and saw Zozie looking at me. Her eyes were a distant, fairytale blue, like something you might see in dreams. "You won't tell anyone?" I said. "Of course not." She picked up a chocolate between delicate fingers and held it out for me to take. Rich, dark chocolate, rum-soaked raisins, vanilla, rose, and cinnamon... "Try one, Vianne," she said with a smile. "I happen to know they're your favorites.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
She had grown. Kate's vicious friend, once so elevated, was taller by little more than a head. She drew her brows together, and studied the circles under his eyes. He said lightly, 'My dear girl; it's Almoner's Saturday. With six frails of figs and a sackful of almonds, I am offering you my name.' Philippa's lips parted. The smith in her chest, changing a wooden mallet for a small charge of gunpowder, pulverized brain, lungs and stomach and left her standing, wan as a blown egg. She said shakily, 'How would that help?' Round his mouth, the curled lines deepened, and his eyes, very blue, lit suddenly with something like the flame she had seen struck in them at other times, by other things and other people. 'Stout Philippa,' he said. 'Sit down and hear... There is no guarantee for you now except marriage. Do it now, and you go home a respectable matron of fifteen...sixteen--' 'Nearly seventeen,' said Philippa. 'Yes. Well: with no money but a good many friends and enough property to keep a roof over your head and Kuzum's. Then, as you choose, you may divorce me.' She cleared her throat. 'On what grounds?' He looked at her directly, his voice level. 'On very obvious grounds. We shall find another Kislar Agha, if you like, to give you a guarantee... You must have no fears that this will be anything but a marriage on paper. But I want it done now. Tomorrow, if the Embassy's chaplain can do it.' Philippa's gaze was also direct. 'You think there is a chance we may not all get home?' 'There is a chance some of us may not,' he said quietly. 'I want to do this very much. I have very little to offer you... an irresponsible past, and a name which is .... in some places questionable. But it will shelter you until you can do better.' 'And you?' said Philippa. 'With a fifteen- ... sixteen- ... seventeen-year-old titular wife? What will Sybilla say? It isn't a practical methos of founding a dynasty.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
The soul of a goddess lingered behind the brown veil of her almond shaped eyes.
Felix Alexander (The Romantic)
Sam stood on the second floor veranda of the hotel, across from the pool, and looked out spotting Claire. His heart took a tiny leap in his chest when he first caught sight of her in the crowd around the pool, he zeroed in on her face instantly, like a computer program scanning faces. Her almond-shaped brown eyes captivated him, even at the great distance. When she stood up from the lounger, he instinctively reached down for the railing to grab on to something. It was the first time he'd seen her in a bathing suit. Wow. She looked lovely. Her exposed cafe latte colored skin glowed. Purple was her color, and it showcased her small, but curvy body the one he'd held tightly just a few short hours ago.
Carolyn Gibbs (Murder in Paradise)
Her almond shaped, silver eyes, bronzed skin and long, gleaming red hair were only the tips of her beauty.  Her figure was rounded in beautiful curves and her hazel eyes shown with intelligence. 
Bonnie Lamer (Blood of Sirens)
The woman had long black hair that hung to the middle of her back and smooth, olive skin that clearly suggested she was foreign. Her almond-shaped eyes were beautiful, a rich brown color that suggested vibrance and heat.
Rosetta Bloom (The Princess, the Pea and the Night of Passion)
Growing up I had been ambivalent about being Chinese, occasionally taking pride in my ancestry but more often ignoring it because I disliked the way that Caucasians reacted to my Chineseness. It bothered me that my almond-shaped eyes and straight black hair struck people as “cute” when I was a toddler and that as I grew older I was always being asked, even by strangers, “What is your nationality?”—as if only Caucasians or immigrants from Europe could be Americans. So I would put them in their place by telling them that I was born in the United States and therefore my nationality is U.S. Then I would add, “If you want to know my ethnicity, my parents immigrated from southern China.” Whereupon they would exclaim, “But you speak English so well!” knowing full well that I had lived in the United States and had gone to American schools all my life. I hated being viewed as “exotic.” When I was a kid, it meant being identified with Fu Manchu, the sinister movie character created by Sax Rohmer who in the popular imagination represented the “yellow peril” threatening Western culture. When I was in college, I wanted to scream when people came up to me and said I reminded them of Madame Chiang Kai-shek, a Wellesley College graduate from a wealthy Chinese family, who was constantly touring the country seeking support for her dictator husband in the Kuomintang’s struggles against the Japanese and the Chinese Communists. Even though I was too ignorant and politically unaware to take sides in the civil war in China, I knew enough to recognize that I was being stereotyped. When I was asked to wear Chinese dress and speak about China at a meeting or a social function, I would decline because of my ignorance of things Chinese and also because the only Chinese outfit I owned was the one my mother wore on her arrival in this country.
Grace Lee Boggs (Living for Change: An Autobiography)
Her broad brimmed hat cast a shadow over a pair of almond eyes so smoky they could teach a Navajo communications course,
Matt Abraham (The Coconut Swindle (Black Cape Case Files, #2))
Hair so black it shone blue streamed to her knees, each strand straighter than a soldier’s back. Her age was impossible to gauge beneath the white powder which smoothed her face into a mask. Rouge slashed her cheeks, blood-red ink outlined her lips, and kohl shadowed her almond-shaped eyes. Sapphire powder glittered across her eyelids up to her eyebrows but her eyes were black pits that offered no reassurance.
Wendy Scott (Tiger House (The Chronicles of Jairus Tanner #1))
Rebecca’s image of herself had been stamped in puberty, tall and gangly, skin hyper-pigmented with spots, and soda-bottle bottom bifocals to correct eyes that had crossed at age five. Now thirty-seven years old, she stood a full six feet, with erect posture and a decisive stride. Her fiery red hair, dramatically set off against a canvas of what now registered as sparkling freckles, as the result of a recessive gene on chromosome sixteen. With high cheekbones, a narrow nose, flush lips, she presented a striking image. Her brown, almond-shaped eyes, surgically uncrossed at age twelve, shimmered when she smiled.
Michael Abramson (Rebecca Tree)
The dark-skinned one was Aisha Mahdi. She was a pretty Persian, with long black hair and dark almond eyes. On her brow was a thin, silver-colored diadem. I couldn’t tell if it was connected to her brain as a precept enhancement, or if she was some kind of princess. I decided her petulant lips made her look like royalty. The last girl was, well, she was different—like a golden sunrise is different. She had honey blond curls, freckles, and skin the color of café au lait. She looked like she was actually listening to the instructor. Her nametag said Naomi Parish and, unlike the rest of ours, it had a red star drawn after her name. I had no idea what that meant. But I wanted to know.
J.B. Simmons (Unbound (The Omega Trilogy #1))
But nothing compared to the reality of the magnificent Light Storm of 2015, nothing, that is, except the almond shaped emerald eyes of his passenger.
H.M. Jones (Masters of Time: A Science Fiction and Fantasy Time Travel Anthology)
The poissonnier is delivering some of his beautiful daurades and scallops." I let out a sigh of relief. "Perfect. If there's anything I can handle, it's sea bream, lovely and light," I said, nodding my head. I needed to do this. "It's winter. Fennel is in season, yes?" I asked, thinking about what would plate well with the duck, and she nodded. "Pomegranate? And hazelnuts?" "Of course," said Philippa, rubbing her hands together. "I can't wait to see what you've got up your sleeve." That would make two of us. What was I going to do with the daurade? Something simple like daurade with almonds and a romesco sauce? Did the kitchen even have almonds? The more I thought about this recipe, the more boring it sounded. Roasted daurade with lemon and herbs? Again, typical. I had an opportunity to create something special, something out of this world, on my own terms. I wanted to get creative and do something colorful, playing with the colors of winter and whatever was in season. My imagination raced with all of the possibilities- a slideshow in my mind presenting delicious temptations. A crate of oranges caught my eye. I licked my lips- a light sweet potato purée infused with orange. Braised cabbage. Seared daurade filets. Saffron. The colors, ingredients, and plating came together in my mind.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
Her clear almond eyes and her inborn haughtiness were all that were left to her from her wedding portrait, but what she had been deprived of by age she more than made up for in character and diligence.
Gabriel García Márquez (Love in the Time of Cholera)