Alloys Quotes

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The mark of a great man is one who knows when to set aside the important things in order to accomplish the vital ones.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
That hat looks ridiculous.” “Fortunately, I can change hats,” Wayne said, “while you, sir, are stuck with that face.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
As a nation, we began by declaring that 'all men are created equal.' We now practically read it 'all men are created equal, except negroes.' When the Know-Nothings get control, it will read 'all men are created equal, except negroes, and foreigners, and Catholics.' When it comes to this I should prefer emigrating to some country where they make no pretense of loving liberty – to Russia, for instance, where despotism can be taken pure, and without the base alloy of hypocrisy.
Abraham Lincoln (Lincoln Letters)
The habit of reading is the only enjoyment in which there is no alloy; it lasts when all other pleasures fade.
Anthony Trollope
I am of the theory that all of our transcendental connections, anything we're drawn to, be it a person, a song, a painting on a wall--they're magnetic. The art is the alloy, so to speak. And our souls are equipped with whatever properties are required to attract that alloy. I'm no scientist so I don't really know what the hell these properties are, but my point is we're drawn to stuff we've already got a connection to. Part of the thing is already inside of us.
Tiffanie DeBartolo (How to Kill a Rock Star)
Wayne's a little attached to that hat," Waxillium said. "He thinks it's lucky." Wayne: "It is lucky. I ain't never died while wearing that hat." Marasi frowned. "I ... I'm not sure I know how to respond." Wax: "That's a common reaction to Wayne.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Wayne: You wanna know why I really came to find you? Waxilliam: Why? Wayne: I thought of you happy in a comfy bed, resting and relaxing, spending the rest of your life sipping tea and reading papers while people bring you food and maids rub your toes and stuff. Waxilliam: And? Wayne: And I just couldn't leave you to a fate like that...I'm too good a friend to let a mate of mine die in such a terrible situation. Waxilliam: Comfortable? Wayne: No. Boring.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
It's all right Wayne," Waxillium said softly. "I've made a promise. I told Lord Harms I'd return Steris to him. And I will. That is that." "Then I will remain and help," Marasi said. "That is that." "And I could really use some food," Wayne added. "Fat is fat.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.
Mary Wollstonecraft Shelley (Frankenstein)
Well,” Waxillium said. “Perhaps I should begin by asking after your health.” “Perhaps you should,” Steris replied. “Er. Yes. How’s your health?” “Suitable.” “So is Waxillium,” Wayne added. They all turned to him. “You know,” he said. “He’s wearing a suit, and all. Suitable. Ahem. Is that mahogany?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
I really am impressed that you have been shot so often. Really.” “Getting hit’s not really that impressive,” Wayne noted. “It don’t take much skill to get shot. It’s avoiding the bullets that’s tough.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Gold medals aren't really made of gold. They're made of sweat, determination, and a hard-to-find alloy called guts.
Dan Gable
Mr. Smith yelled at the doctor, What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender.
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
Obviously I was missing the whole picture. Any minute now he would leap up, wrench the two-inch silver alloy bars apart despite the fact that silver was toxic to shapeshifters, and heroically kick Saiman's ass. Any minute now. Any minute.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
A human being in perfection ought always to preserve a calm and peaceful mind and never to allow passion or a transitory desire to disturb his tranquility. I do not think that the pursuit of knowledge is an exception to this rule. If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind. If this rule were always observed; if no man allowed any pursuit whatsoever to interfere with the tranquillity of his domestic affections, Greece had not been enslaved, Caesar would have spared his country, America would have been discovered more gradually, and the empires of Mexico and Peru had not been destroyed.
Mary Wollstonecraft Shelley (Frankenstein)
The ways of Wayne are mysterious and incomprehensible.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Actually, [Wax] said, we came here because we needed someplace safe to think for a few hours." Ranette: "Your mansion isn't safe?" Wax: "My butler failed to poison me, then tried to shoot me, then set off an explosive in my study" Ranette: "Huh.... You need to screen these people better, Wax.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Why do they call it research if I've only done it this one time?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
So,” Marasi said, “you traded a dead man’s scarf for another dead man’s gun. But…the gun itself belonged to someone dead, so by the same logic—” “Don’t try,” Waxillium said. “Logic doesn’t work on Wayne.” “I bought a ward against it off a traveling fortune-teller,” Wayne explained. “It lets me add two ’n’ two and get a pickle.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The measure of a person is not how much they have lived. It’s in how they make use of what life has shown them.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
I need something, Wax. A place to look. You always did the thinking.” “Yes, having a brain helps with that, surprisingly.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
I was a little busy being shot at.” “Busy? Aw, mate. It doesn’t take any effort at all to get shot at.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Once one becomes a man, he can and must make his own decisions. But I do offer warning. Even a good thing can become destructive if taken to excess.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Why is it,” Marasi said angrily, “that small-minded men must destroy that which they know is better, and greater, than they?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
And don't waste time worshipping Harmony. Doing good was the worship.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
It’s what happens when you shoot someone,” Wayne pointed out. “At least, usually someone has the good sense to get dead when you go to all the trouble to shoot them.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
People today...it seems they are good, or sometimes evil, mostly by inertia, not by choice.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Oh, Wax has always been solemn, but when he's at his best, there's a smirk underneath.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Doesn't matter how good your bullets are if you don't aim carefully.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
To be of use in even a single burst of flame and sound is worth more than a lifetime of achieving nothing.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The love, born of beauty was not mine; I had nothing in common with it: I could not dare to meddle with it, but another love, venturing diffidently into life after long acquaintance, furnace-tried by pain, stamped by constancy, consolidated by affection’s pure and durable alloy, submitted by intellect to intellect’s own tests, and finally wrought up, by his own process, to his own unflawed completeness, this Love that laughed at Passion, his fast frenzies and his hot and hurried extinction, in this Love I had a vested interest; and whatever tended either to its culture or its destruction, I could not view impassibly.
Charlotte Brontë (Villette)
You are inexperienced. So was I, once. So is every man. The measure of a person is not how much they have lived. . . It's in how they make us of what life has shown them.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Our progress in degeneracy appears to me to be pretty rapid. As a nation, we began by declaring that 'all men are created equal.' We now practically read it, 'all men are created equal, except negroes.' When the Know-Nothings get control, it will read, 'all men are created equal, except negroes, and foreigners, and Catholics.' When it comes to this I should prefer emigrating to some country where they make no pretense of loving liberty—to Russia, for instance, where despotism can be taken pure, and without the base alloy of hypocrisy.
Abraham Lincoln (Speeches and Writings 1832–1858)
If you remove the foundation of trust from a relationship, then what is the point of that relationship?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Funny, how quickly someone can stop calling you a miscreant and a rogue when they want your help,
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Some mistakes, though, you can’t fix by being sorry. Can’t fix them, no matter what you do.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Wayne claimed to have memorized the names of all of the different possible combinations of Twinborn. Of course, Wayne also claimed to have once stolen a horse that belched in perfect musical notes, so one learned to take what he said with a pinch of copper.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Why is your species so dissatisfied?” “How so?” “Humans are individuals, quite social in nature. You strive to become more than yourselves using Silicon reconstructions in your bodies and filaments in your brains connecting you, unnaturally, to the NET.” “Our bodies are mortal. We employ silicon and alloys to extend our bodies’ existence.” “You appear to be attempting the same strategy with your brains’ architectures.” “By using the NET? Is that what you mean?” “You will never accomplish this. You must know it.” “Surely you can understand that as we are now, we have what we consider a limited lifespan, and, it seems, so does this planet. When the inevitable happens, we will not be able to travel any substantial distance in space. We cannot escape our dying planet. Humanity will cease to exist if we fail. We face our ultimate existential crisis as a species. Our most basic instinct is the survival of our species, so you see we must try. It is in our nature. It is evolution or elimination.
Brian Van Norman (Against the Machine: Evolution)
Huh" Wayne said thoughtfully "Tea's poisoned." With that, he toppled to the ground.
Brandon Sanderson
Nothing else dangerous we could find. Other than Wayne’s body odor.” “That’s the smell of incredibleness,” Wayne called from inside.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Robot Boy Mr. an Mrs. Smith had a wonderful life. They were a normal, happy husband and wife. One day they got news that made Mr. Smith glad. Mrs. Smith would would be a mom which would make him the dad! But something was wrong with their bundle of joy. It wasn't human at all, it was a robot boy! He wasn't warm and cuddly and he didn't have skin. Instead there was a cold, thin layer of tin. There were wires and tubes sticking out of his head. He just lay there and stared, not living or dead. The only time he seemed alive at all was with a long extension cord plugged into the wall. Mr. Smith yelled at the doctor, "What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, "What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender." The Smith's lives were now filled with misery and strife. Mrs. Smith hated her husband, and he hated his wife. He never forgave her unholy alliance: a sexual encounter with a kitchen appliance. And Robot Boy grew to be a young man. Though he was often mistaken for a garbage can.
Tim Burton
Every desired renewal of an existence is debased by being half alloy.
Thomas Hardy (Jude the Obscure)
Harmony protect us from small-minded men with too much power.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Most Allomancers didn’t use whiskey in their metal vials. Most Allomancers were missing out on a perfect opportunity
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Could beauty be caught and hurt they had done her to death with their sneers in ages and ages past, could beauty be sacrificed for a thrust of a sword, for a piece of thin money tossed up to fall half alloy— then beauty were dead long, long before we saw her face.
H.D. (Collected Poems, 1912-1944)
Wasing the where of needing,” she read, forming the unfamiliar words. The lofty tongue was used for old documents dating to the time of the Origin, and occasionally for government ceremony.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
What wasdat, sir? What wazzat sir? What wassat, sir?” “Wayne, what are you babbling about?” Waxillium asked. “Practicing my pretzel guy,” Wayne said. “He had a great accent...” Waxillium glanced at him. "That hat looks ridiculous.” “Fortunately, I can change hats,” Wayne said in the pretzel-guy accent, “while you, sir, are stuck with that face.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Act like you were important, act like you were angry, and people just wanted to get out of your way.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Nature forms patterns. Some are orderly in space but disorderly in time, others orderly in time but disorderly in space. Some patterns are fractal, exhibiting structures self-similar in scale. Others give rise to steady states or oscillating ones. Pattern formation has become a branch of physics and of materials science, allowing scientists to model the aggregation of particles into clusters, the fractured spread of electrical discharges, and the growth of crystals in ice and metal alloys. The dynamics seem so basic—shapes changing in space and time—yet only now are the tools available to understand them.
James Gleick (Chaos: Making a New Science)
The more alone you are,” Waxillium said softly, “the more important it is to have someone you can rely upon.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Greet every morning with a smile. That way it won't know what you're planning to do to it?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
My lord. There is great importance to tea. It should never merely be ‘whatever.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
So, Wax,” Wayne butted in. “Where did you say that bloke was who had my hat?” “I told you that he got away after I shot him.” “I was hoping he’d dropped my hat, you know. Getting shot makes people drop stuff.” Waxillium sighed. “He still had it on when he left, I’m afraid.” Wayne started cursing. “Wayne,” Marasi said. “It’s only a hat.” “Only a hat?” he asked, aghast. “Wayne’s a little attached to that hat,” Waxillium said. “He thinks it’s lucky.” “It is lucky. I ain’t never died while wearing that hat.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
There isn’t much time for a plan. This is more of a hunch with scaffolding.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
A visit to the cinema is no longer that: it is less, a tarnished thing, an alloyed pleasure.
Rachel Cusk (A Life's Work: On Becoming a Mother)
They’re all Allomancers,” Waxillium guessed. “More than that,” Wayne said. “They’re all relatives.” “It’s only been three hundred years since the Originators, Wayne. We’re all relatives.” “Does that mean you’ll take responsibility for me?” “No.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
A pure heart is like pure gold—soft, tender, and pliable. Hebrews 3:13 states that hearts are hardened through the deceitfulness of sin! If we do not deal with an offense, it will produce more fruit of sin, such as bitterness, anger, and resentment. This added substance hardens our hearts just as alloys harden gold. This reduces or removes tenderness, creating a loss of sensitivity. We are hindered in our ability to hear God’s voice. Our accuracy to see is darkened. This is a perfect setting for deception.
John Bevere (The Bait of Satan: Living Free from the Deadly Trap of Offense)
Too much in high society is built around the idea of making certain you don't need to trust anyone," Waxillium said. "Contracts, detailed operating reports, not being seen alone with an eligible member of the opposite gender. If you remove the foundation of trust from a relationship, then what is the point of that relationship?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
We are not immortal ourselves, my friend; how can we expect our enjoyments to be so? We have no rose without its thorn; no pleasure without alloy. It is the law of our existence; and we must acquiesce.
Jon Meacham (Thomas Jefferson: The Art of Power)
Pure gold does not rust. Only gold alloys do so. You may have golden dreams. But if you go in the company of toxic people, your become "a gold alloy" and what that means is that you can rust at any time!
Israelmore Ayivor (The Great Hand Book of Quotes)
They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
You are inexperienced. So was I, once. So is every man. The measure of a person is not how much they have lived. It is not how easily they jump at a noise or how quick they are to show emotion. It’s in how they make use of what life has shown them.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
But the mark of a great man is one who knows when to set aside the important things in order to accomplish the vital ones.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
My association with you has been convincing people I'm insane for years now.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
He was honest,” Wayne said. “I got a sense for that sort of thing.” He sneezed. “You believed that Lessie really was a dancer, the first time we met her,” Waxillium said, rising. “That’s different. She was a woman. Good at lying, they are. The God Beyond made’m that way.” “I’m … not certain how I should take that,” Marasi said. “With a pinch of copper,” Waxillium said. “And a healthy dose of skepticism. Just like anything Wayne says.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.
Mary Wollstonecraft Shelley (Frankenstein)
The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.
Jane Austen (Emma)
The rest of the time, I don't do so much thinkin'. 'Cuz if I did, I'd go running back to where things is simple. You see?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
You have a plan?” she asked. “There isn’t much time for a plan. This is more of a hunch with scaffolding.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Most people, they didn’t understand hats, and Wayne didn’t really blame them. Until you’d had a good, lucky hat, you wouldn’t understand the value of it.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
And she went on in this vein for a minute or two; she could talk about alloys the way some girls talked about shoes.
Neal Stephenson (Anathem)
Waxillium found himself nodding. “You can be very wise sometimes, Wayne.” “It’s onnacount of my thinkin’, mate,” Wayne said, tapping his head, increasing the thickness of his accent. “It’s what I do wif my brain. Somma the time, at least.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
People, they misunderstood the word “accent.” They thought accents were those things everybody else had.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
I need you to stick your head in a bucket of water and slowly count to a thousand!
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Marvelously clear-fretted in the unsmoked air, the Abbey rose, silver-grey. It stood detached by the serenity of age from the ephemeral growths around it. It was solid on a foundation of centuries, destined, perhaps, for centuries yet to preserve within it the monuments to those whose work was now all destroyed. I did not loiter there. In years to come I expect some will go o look at the old Abbey with romantic melancholy. But romance of that kind is an alloy of tragedy with retrospect. I was too close.
John Wyndham (The Day of the Triffids)
The measure of a person is not how much they have lived. It is not how easily they jump at a noise or how quick they are to show emotion. It’s in how they make use of what life has shown them.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The mists seemed to draw back. Waxillium stood there, wearing a large, dusterlike coat, cut into strips below the waist. A pair of revolvers gleamed in holsters at his hips, and he rested a shotgun on each shoulder. His face was bloodied, but he was smiling.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge-there’s no revenge in the world that could return the tiniest fraction of what they’ve lost-and not justice, whatever that means, but the one thing left to give them: the truth. I was good at it. I had one, at least, of the things that make a great detective: the instinct for truth, the inner magnet whose pull tells you beyond any doubt what’s dross, what’s alloy, and what’s the pure, uncut metal. I dug out the nuggets without caring when they cut my fingers and brought them in my cupped hands to lay on graves, until I found out-Operation Vestal again-how slippery they were, how easily they crumbled, how deep they sliced and, in the end, how very little they were worth.
Tana French (The Likeness (Dublin Murder Squad, #2))
24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
It was night again. The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle #1))
Van Eck keeps the seal in a safe?” said Jesper with a laugh. “It’s almost like hewants us to take it. Kaz is better at making friends with combination locks than with people.” “You’ve never seen a safe like this,” Wylan said. “He had it installed after the DeKappel was stolen. It has a seven-digit combination that he resets every day, and the locks are built with false tumblers to confuse safecrackers.” Kaz shrugged. “Then we go around it. I’ll take expediency over finesse.” Wylan shook his head. “The safe walls are made of a unique alloy reinforced with Grisha steel.” “An explosion?” suggested Jesper. Kaz raised a brow. “I suspect Van Eck will notice that.” “A very small explosion?” Nina snorted. “You just want to blow something up.” “Actually…” said Wylan. He cocked his head to one side, as if he were listening to a distant song. “Come morning, there would be no hiding we’d been there, but if we can get the refugees out of the harbor before my father discovers the theft … I’m not exactly sure where I can get the materials, but it just might work.…” “Inej,” Jesper whispered. She leaned forward, peering at Wylan. “Is that scheming face?” “Possibly.” Wylan seemed to snap back to reality. “It is not. But … but I do think I have an idea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.” His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.” “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
So impossible it is for a man who looks no further than the present world to fix himself long in a contemplation where the present world has no part; he has no sure hold, no firm footing; he can never expect to remove the earth he rests upon while he has no support besides for his feet, but wants, like Archimedes, some other place whereon to stand. To talk of bearing pain and grief without any sort of present or future hope cannot be purely greatness of spirit; there must be a mixture in it of affectation and an alloy of pride, or perhaps is wholly counterfeit. It is true there has been all along in the world a notion of rewards and punishments in another life, but it seems to have rather served as an entertainment to poets or as a terror of children than a settled principle by which men pretended to govern any of their actions. The last celebrated words of Socrates, a little before his death, do not seem to reckon or build much upon any such opinion; and Caesar made no scruple to disown it and ridicule it in open senate.
Jonathan Swift (Three Sermons, Three Prayers)
The city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were dammed off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things. Until it was no more. Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone. The birth of a city... It had become the death of a world.
Charles Beaumont (Perchance to Dream: Selected Stories)
But in the end you cannot serve two masters, Theos and Elohim, the god of the Greco-Roman philosophers and Caesars and the God of Abraham, Isaac, and Jacob, the violent god of profit proclaimed by the empire and the compassionate God of justice proclaimed by the prophets. You can try to hybridize them and compromise them for centuries, but like oil and water they eventually separate and prove incompatible. They refuse to alloy. They produce irreconcilable narratives and create different worlds.
Brian D. McLaren (A New Kind of Christianity: Ten Questions That Are Transforming the Faith)
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it. One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
Mark Twain (The Adventures of Tom Sawyer)
Wayne recognized him. The fellow had tried to shoot him, so Wayne had broken his arm with a dueling cane. Downright rude, trying to shoot like that. When a fellow pulls out a dueling cane, you should respond with one of your own—or at least a knife. Trying to shoot Wayne was like bringing dice to a card game. What was the world coming to?
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
... I was perturbed by the suspicion that the anguish of love contemned was alloyed in her broken heart with the pangs, sordid in my young mind, of wounded vanity. I had not yet learnt how contradictory is human nature; I did not know how much pose there is in the sincere. how much baseness in the noble, nor how much goodness in the reprobate.
W. Somerset Maugham
But you know what I think? I think you're looking for excuses to not let go. This thing, it's who you are. And no mansion, no marriage, and no mere title is going to change that." Wayne tipped his hat. "You're meant to be helping people, mate. It's what you do.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Logic doesn’t work on Wayne.” “I bought a ward against it off a traveling fortune-teller,” Wayne explained. “It lets me add two ’n’ two and get a pickle.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
He’s like a rash. The more you scratch him, the more irritating he gets.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
To think that just when one's happiness is full to overflowing, and one is thoroughly in love with life, there should come upon one a taint of sorrow!" she murmured. Yes; such is the payment exacted for the Promethean fire. You must not only endure, you must even love and respect, the sorrow and the doubts and the self-questionings of which you have spoken: for they constitute the excess, the luxury, of life, and show themselves most when happiness is at its zenith, and has alloyed with it no gross desires. Such troubles are powerless to spring to birth amid life which is ordinary and everyday; they cannot touch the individual who is forced to endure hardship and want. That is why the bulk of the crowd goes on its way without ever experiencing the cloud of doubt, the pain of self-questioning. To him or to her, however, who voluntarily goes to meet those difficulties they become welcome guests, not a scourge. But one can never get even with them. To almost every one they bring sorrow and indifference. Yes; but that does not last. Later they serve to shed light upon life, for they lead one to the edge of the abyss whence there is no return--then gently force one to turn once more and look upon life. Thus they seem to challenge one's tried faculties in order that the latter may be prevented from sinking wholly into inertia.
Ivan Goncharov (Oblomov)
I suggested she write down her thoughts" He said, "...and, well, my daughter is a very thorough woman." "I can see that." Waxillium said. "I suggest that you never ask her to pass the milk" Wayne added under his breath, so only Waxillium could hear "She seems likely to throw a cow at you just to be certain the job is done thoroughly.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Now in the earthly likenesses of justice and temperance and all other prized possessions of the soul there dwells no luster; nay, so dull are the organs wherewith men approach their images that hardly can a few behold that which is imaged, but with beauty it is otherwise. Beauty it was ours to see in all its brightness in those days when, amidst that happy company, we beheld with our eyes that blessed vision, ourselves in the train of Zeus, others following some other god; then were we all initiated into that mystery which is rightly accounted blessed beyond all others; whole and unblemished were we that did celebrate it, untouched by the evils that awaited us in days to come; whole and unblemished likewise, free from all alloy, steadfast and blissful were the spectacles on which we gazed in the moment of final revelation; pure was the light that shone around us, and pure were we, without taint of that prison house which now we are encompassed withal, and call a body, fast bound therein as an oyster in its shell
Plato (Phaedrus (Hackett Classics))
If dogs had gods, those they worshiped would wag their tails and bark. If sheep had gods, they would follow woolly deities who grazed. As the world is, almost all folk have many things in common, as if the gods who shaped them were using certain parts of a pattern over and over again. The folk striding towards us through the green, green grass might have been the pattern itself, the pattern from whose rearranged pieces the rest of us had been clumsily reassembled. As bronze, which had brought us here, is an alloy of copper and tin, so I saw that sirens were an alloy of these folk and birds, sphinxes of them and birds and lions, satyrs of them and goats, fauns of them and horses. And I saw that we centaurs blended these folk and horses as well, though in different proportions, as one bronze will differ from another depending on how much is copper and how much tin. Is it any wonder, then, that, on seeing this folk, I at once began to wonder if I had any true right to exist? “Who are you? What is your folk?” I asked him. “I am Geraint,” he answered. “I am a man.
Harry Turtledove (Atlantis and Other Places: Stories of Alternate History)
Overnight, however, he apparently had second thoughts, or did some textbook reading on his own, and at the next meeting he turned to me as the first order of business. “On the black paint,” he said, “you were right about the advantages and I was wrong.” He handed me a quarter. It was a rare win. So Kelly approved my idea of painting the airplane black, and by the time our first prototype rolled out the airplane became known as the Blackbird. Our supplier, Titanium Metals Corporation, had only limited reserves of the precious alloy, so the CIA conducted a worldwide search and, using third parties and dummy companies, managed to unobtrusively purchase the base metal from one of the world’s leading exporters—the Soviet Union. The Russians never had an inkling of how they were actually contributing to the creation of the airplane being rushed into construction to spy on their homeland.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
What is the result of constant practice of this higher concentration? All old tendencies of restlessness and dullness will be destroyed, as well as the tendencies of goodness too. The case is similar to that of the chemicals used to take the dirt and alloy off gold. When the ore is smelted down, the dross is burnt along with the chemicals. So this constant controlling power will stop the previous bad tendencies, and eventually, the good ones also. Those good and evil tendencies will suppress each other, leaving alone the Soul, in its own splendour untrammelled by either good or bad, the omnipresent, omnipotent, and omniscient. Then the man will know that he had neither birth nor death, nor need for heaven or earth. He will know that he neither came nor went, it was nature which was moving, and that movement was reflected upon the soul. The form of the light reflected by the glass upon the wall moves, and the wall foolishly thinks it is moving.
Swami Vivekananda (Complete Works of Swami Vivekananda)
FILL THE GOBLET AGAIN A Song Fill the goblet again! for I never before Felt the glow which now gladdens my heart to its core; Let us drink! — who would not? — since, through life’s varied round, In the goblet alone no deception is found. I have tried in its turn all that life can supply; I have bask’d in the beam of a dark rolling eye; I have loved! — who has not? — but what heart can declare That pleasure existed while passion was there? In the days of my youth, when the heart’s in its spring, And dreams that affection can never take wing, I had friends! — who has not? — but what tongue will avow, That friends, rosy wine! are so faithful as thou? The heart of a mistress some boy may estrange, Friendship shifts with the sunbeam — thou never canst change; Thou grow’st old — who does not? — but on earth what appears, Whose virtues, like thine, still increase with its years? Yet if blest to the utmost that love can bestow, Should a rival bow down to our idol below, We aree jealous! — who is not? — thou hast no such alloy; For the more that enjoy thee, the more we enjoy. Then the season of youth and its vanities past, For refuge we fly to the goblet at last; There we find — do we not? — in the flow of the soul, That truth, as of yore, is confined to the bowl. When the box of Pandora was opened on earth, And Misery’s triumph commenced over Mirth, Hope was left, — was she not? — but the goblet we kiss, And care not for Hope, who are certain of bliss. Long life to the grape! for when summer is flown, The age of our nectar shall gladden our own: We must die — who shall not? — May our sins be forgiven, And Hebe shall never be idle in heaven.
Lord Byron (Delphi Complete Works of Lord Byron)
I am Shiloh, whose box you stole. Your godmother's sickness lies in your own keeping, you can heal her in a moment. Make me your slave, and I must do your will.' 'You can do this,' Sheila said, 'without my taking a gift from you; you are wise and skilled. O do it, sir, and I will bless your name for ever.' 'Pooh! what is the good of that?' said he. 'No, I serve a master, the King of Kings, but we are emptiness itself without your mortal alloy. Do as I bid and I will serve you like a queen. And if you fear me you have only to put me to sleep and I shall sleep for seven hundred years.' 'No,' said the tempted girl slowly, 'not even for godmother can I do this; you are full of evil. Lies, lies! Why do you lie so?' 'O,' Shiloh said, 'because I am weary, and dissimulation is stimulation.' 'I don't understand that.' 'Well, it is so.' He yawned and yawned. 'Besides, I am the Other Side of things. All you think good may be bad, all you think bad may be good.' 'And I don't understand that.' Shiloh replied: 'Strong meat for men and lily buds for maids; did Ajax feed on apples?' 'I beg your pardon, sir,' said Sheila.
A.E. Coppard (Dusky Ruth and Other Stories)