All Kj Quotes

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My life changed four months ago, and I utterly failed to understand that until just recently, and therefore… I may have omitted to tell you that I love you.” He took a breath. “That’s all.
K.J. Charles (A Case of Possession (A Charm of Magpies, #2))
He turned away, and suddenly she thought about the old children's story, where the stupid girl opens the box that God gave her, and all the evils of the world fly out, except Hope, which stays at the bottom; and she wondered what Hope was doing in there in the first place, in with all the bad things. Then the answer came to her, and she wondered how she could've been so stupid. Hope was in there because it was evil too, probably the worst of them all, so heavy with malice and pain that it couldn't drag itself out of the opened box.
K.J. Parker (Sharps)
Stephen can, of course, use my power, for two reasons. Firstly, because it’s his, just as all I am and all I have are his. Not that he ever asks, of course. I’m not sure that he quite believes it.” He looked round at Stephen, a rueful smile dawning, ignoring Fairley’s loud noises of disgust. “But I do hope you are aware, my sweet, somewhere in that absurd heart, that I am ever, entirely, and quite pathetically yours.
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
It’s a bizarre but widespread myth that only heroes have good qualities, and the only qualities heroes have are good; villains are, by definition, all bad. Bullshit.
K.J. Parker (Prosper's Demon)
How can anyone doubt the existence of God when evidence of His sense of humour surrounds us on all sides?
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
I'm a very busy man" Crane said. "But I suppose I could force myself back here, lick you all over till you're begging for my cock, and then fuck you so hard they'll hear you screaming in the street. If you insist
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
I think once an author is attacking people for leaving Amazon reviews, common sense has shut up shop and gone home, and the best thing to do is not engage at all.
K.J. Charles
Arrogant , beautiful, domineering Lord Crane, with the caring that made Stephen’s heart break, and the vicious streak that made his knees bend, had chosen him among all the men’s men of London, and treated him with a loyalty, generosity and almost painful honesty that made Stephen’s heart hurt. And his reward was a few doled-out crumbs of Stephen’s time in a country he hated.
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
See, this is why I hate Google. You come across one site, match one symptom, and all of a sudden you’re dying of carbon monoxide poisoning or cancer of the big toe.
K.J. McPike (Xodus (Astralis #1))
Heroic," Crane told Baines contemptuously. "Old women, idiot children, bound men, you'll take on all comers. There's a three-legged stray dog hangs around the lanes here. Perhaps someday you could work up to kicking that.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
It is my aim, and would be my privilege, to ruin you for all others for a very long time to come.
K.J. Charles (The Ruin of Gabriel Ashleigh (Society of Gentlemen, #0.5))
All pain triggers a reminder, deeper than thought, buzzing through blood and bone, that we are fragile and finite.
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
I really don’t understand why people go on about how wonderful the truth is. In my experience, all it does is make trouble.
K.J. Parker (A Practical Guide to Conquering the World (The Siege, #3))
The last time I knew this much fuck-all, we was on a boat to China.
K.J. Charles
When you get to my age, you’ll find it’s fatally easy to forget to hate all your enemies all the time; and once you’ve slipped up and not hated one of them, it makes it almost impossibly hard to hate the rest of them.
K.J. Parker (The Proof House (Fencer Trilogy, #3))
I couldn’t breathe when I was away from you. It felt as though each breath was just enough to sustain me, but I was slowly dying. When I saw you again, I had a reason to breathe and then I messed up. I’m so sorry for everything I said to you on the pier, and for all of the pain I’ve caused you. I swear I will never leave you again." - Brady
K.J. Bell (Irreparably Broken (Irreparable, #1))
Guy stared at the words. “Broken leg,” he repeated. His voice sounded odd. “I fear so, sir,” the servant said. “Sir Philip and Mr. Raven found Miss Frisby in a field, I understand.” “But—is she all right?” “No, sir. Her leg is broken.
K.J. Charles (Band Sinister)
Such an easy thing, to be liked. All you had to do was make sure people didn’t know you.
K.J. Charles (A Gentleman's Position (Society of Gentlemen, #3))
Time steals from us the capacity to be smitten, does it not? It slowly but surely washes away all your enthusiasm and deposits uncertainty in its place.
K.J. Bishop (The Etched City)
Suffering whispers, shouts, and screams the story no one wants to remember: we are not in control, and we are all going to die.
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
That was the sort of thing people said and then it turned out they hadn’t meant that at all. Clem knew he didn’t recognise sarcasm because he had been told so, repeatedly. Even so, he was very nearly positive that Mr. Green meant every word.
K.J. Charles (An Unseen Attraction (Sins of the Cities, #1))
Listen. Whatever the hell is going on, and I include the Bruton bitch in that, we will face it together. You and me. No more pissing about, Stephen, no more trying to do it all yourself, or to run the world single-handed. You will ask for help, you will take it, and you will put us first. That's not negotiable, understand?
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
I’m well aware of my good fortune. I’m well aware I ought to be happy, we all ought to be happy as the day is long, and dance the night away on the bodies of starving workers. Well, I’m not bloody happy.” He knocked back his gin. It rasped down his throat like a rusty blade. Silas watched him as he tried not to cough it back up. “If you can’t be happy, then be something else. Be useful, that would be good. Decorative, if you like. Selfish, if you must. But don’t whine about it.
K.J. Charles (A Fashionable Indulgence (Society of Gentlemen #1))
I have no quarrel with democrats in principle, except that they are as much frauds and liars as the rest. It is often said that mankind will not be free till the last king is strangled with the guts of the last priest; if you ask me, the man who ordered the strangling would promptly step forth to proclaim himself Lord Protector, and it would all begin again.
K.J. Charles (The Henchmen of Zenda)
I am always a different man; a reinterpretation of the man I was yesterday, and the day before, and all the days I have lived. The past is gone, was always gone; it does not exist, except in memory, and what is memory but thought, a copy of perception, no less but no more replete with truth than any passing whim, fancy, or other agitation of the mind. And if it is actions, words, thoughts that define an individual, those definitions alter like the weather - if continuity and pattern are often discernible, so are chaos and sudden change.
K.J. Bishop (The Etched City)
... why have we all decided that the most important and to-be-respected quality is the one possessed by the worst people?
K.J. Charles (The Gentle Art of Fortune Hunting (Gentlemen of Uncertain Fortune, #1))
all the faith you can muster won’t push your suffering over the edge of the cliff into your past,
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
Because that’s how life tends to work in all its aspects. We try things out, and make mistakes, and recover, and learn from our experiences.
K.J. Charles (Band Sinister)
And if what we hear from God’s people is largely the language of try hard and triumph, the sugar-lipped expectation that we’ll get better and move on, when our efforts are futile and triumph seems distant, we might just believe that the story of Jesus isn’t for us or isn’t even true. Prolonged pain becomes shame, a hidden hurt that we might not be loved by God after all.
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
My guess is, they couldn't sleep, and they had the kind of generous nature that reckons insomnia isn't something you hoard all for yourself, you share it with your friends and loved ones.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
Your people are not unwise, after all: love of the perfect Deity may prevent us from loving imperfect man! But God's will is to restore the lost; and that can't be done without loving them.
K.J. Bishop (The Etched City)
I like you, Hart. You might try believing that, and if you can’t, you’re a fool to consort with me at all. Think about it and make your decision. But don’t shout at me because you’re afraid.
K.J. Charles (The Gentle Art of Fortune Hunting)
He met Kim’s dark eyes. “I think about you all the time. I see you hurt and it makes me want to burn things to the ground. I don’t know what a future’s supposed to look like or how it would work, but I’m not letting you go without a fight, no matter what. I don’t know what I’d do all day.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
To try and rationalise all this in terms of right, wrong, good, evil, is just naive; the very worst things we do, after all, we do for love, and the very worst pain we feel comes from love. She was right about that. In my opinion, love is the greatest and most enduring enemy, because love gives rise to the memories that kill us, slowly, every day. I think a man who never encounters love might quite possibly live forever. He'd have to, because if he died, who the hell would ever remember him?
K.J. Parker (The Last Witness)
He'd always wanted to stand alone ; he'd always thought of reliance on others as a house of cards, a fragile structure that could be pushed over at any time. And that was true : people betrayed, and left, and died. He hadn't been wrong. Only, he hadn't considered that a card on its own couldn't stand at all.
K.J. Charles (An Unnatural Vice (Sins of the Cities, #2))
A future. You know the concept? The shape you want the rest of your life to take? I want mine with you, all of it. A future, a forever. I love you.” He said it quite calmly, as if it was an established fact. “People say I love you to madness, but I love you to sanity, because loving you is the sanest thing I have ever done. You are everything to me, Will, and I cannot lose you to my miserable family and an accident of birth.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
It occurs to me that my thinking has been faulty: we do not feel God's absence. We feel the absence of all that is lost to God, that which has set itself apart and refuses to return, believing itself to be in exile.
K.J. Bishop (The Etched City)
It’s like—all right, supposing there’s a fire. What do you do? You grab everyone and everything you can and you get the hell out of there. You don’t agonise about letting the fire win. Staying alive doesn’t make you the fire’s accomplice.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
But I don’t think you have. I feel more—more loving, in all the different ways, than I ever have in my life. I feel as though, while you love me, I could be better and kinder to the whole world. If that’s not virtue, I don’t know what is.
K.J. Charles (Band Sinister)
When I came to this city, I would have agreed with anyone who said there was little mystery left in the world. But in you, madam, first in your image, then in your living self, I saw the allure of something far away and as secret as the stars. As I reached towards this unknown, I began to feel like a man who has ridden through a vast desert, never knowing anything but the sand around him and the dry road under him, then comes upon the mirage of a garden and a city, and finds that the mirage is real, and that it is bigger than the desert; that the desert was, after all his walking, only a small part of the mirage” “Then you felt love, which is the state of feeling desire and the fulfillment of desire at the same time,” she said.
K.J. Bishop (The Etched City)
Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.
K.J. Bishop (The Etched City)
He was astonished at how calm he found he was. Fear of death had always energised him, making him move far more quickly than his body should have been capable of, accelerating his reactions and his thought process to a quite incredible level. This time, though, he only thought, Oh, and realised that he didn't really care all that much. He could feel his responsibilities, the love of others towards him, the unfulfilled possibilities; they were like a child's hand trying to pull him up, doing its best but simply not strong enough for the job. Above all, there was no blame. I tried to climb a wall, but I couldn't, and there it is.
K.J. Parker (Sharps)
You make it so easy,” Hart whispered, because his throat was closing. “How is all this so easy for you?” “I think I have a different idea of what makes life hard.” Hart couldn’t find a response to that. After a moment Robin said, “Sorry. That didn’t come out quite as I intended.” “Happens to me all the time.” “But it was stupid. Something difficult for you isn’t less difficult because other people have different problems.” “More serious ones.” “It’s your life. You decide what constitutes a problem in it.
K.J. Charles (The Gentle Art of Fortune Hunting (Gentlemen of Uncertain Fortune, #1))
I was holding myself together by my fingernails for a very long time, until the most magnificently stubborn sod of a bookseller came into my life. You treated me, against all the evidence, as if I were something resembling the man I ought to be, with such pertinacious obstinacy I have all but started to believe it myself. I spent the last few months thinking about this as I reordered your outrageous mess of a bookshop. How I came to be where I was, what I’d done to bring it on myself. What I need to do differently.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
I wouldn’t dream of it.” Kim caught his hand and kissed the palm. “I couldn’t. You changed everything, Will. My life, my work, myself. It’s all changed—all better—because of you.” “You did that yourself, you daft sod. I just shouted at you a bit.” “A lot. God, I adore you.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
If you tell me no, I will be silent. If you prefer, I shall never ask again. But you should know that I would plead on my knees. If I thought you wanted me there.' "To win my help?" "Be damned to your help. I want your mouth, and your hands, and your hair, and your eyes. I want to stop feeling as though half of my world has gone missing. That puts no obligation on you, none at all, but it is the truth. Do as you wish with it.
K.J. Charles (A Gentleman's Position (Society of Gentlemen, #3))
He never makes notes, he just remembers it all, like a barmaid.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
You said what you wanted, that’s all, and since it was very easy for me to get what I wanted while giving you what you wanted—
K.J. Charles (An Unseen Attraction (Sins of the Cities, #1))
I’ll manage,” Kim said. “All I need to know is that you’re with me today and will be here tomorrow. If I can have today and tomorrow on a rolling basis—” “Yes.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
Maybe all he could do was be the port in Kim’s storm, but that was what he’d do, for as long as it took.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
You let all your clients rest their hands on your ass?
K.J. Lewis (Taylor Made (Taylor Made #1))
I like that you’re concerned for me but, not to get all puffed up about it—” “If you say, ‘I’m Joss Doomsday’, I will push you off this log.” “I am, though,” Joss said, grinning.
K.J. Charles (The Secret Lives of Country Gentlemen (The Doomsday Books, #1))
The Duke nodded to them all, and walked out. As he left, Leo started to speak. Louisa told him to shut up again.
K.J. Charles (The Duke at Hazard (The Gentlemen of Uncertain Fortune #2))
He'd been apprenticed to a joiner before the war, but that felt like decades ago: all he was good at now was killing people, which was discouraged.
K.J. Charles (Slippery Creatures (The Will Darling Adventures, #1))
We can all kill people. I could have put a pillow over your face while you slept at any time in the last twenty years, and I’m struggling to recall why I haven’t.
K.J. Charles (The Magpie Lord (A Charm of Magpies #1))
Firstly, because it’s his, just as all I am and all I have are his.
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
Men could rant and rave all they chose; if a woman did the same, she showed herself a slave to her emotions.
K.J. Charles (Gilded Cage (Lilywhite Boys, #2))
It’s the way my mind works, when it works at all. Things to do today: settle down, achieve serenity, live happily ever after. Tick the box and move on.
K.J. Parker (Company)
Lets grow old together, away from all the self absorbed losers.
K.J Orchard
All his life he'd dealt in honour and service, the way a furrier deals in furs or a vintner in wine. On his lips the terms had had specialised political meanings, and he'd long since stopped thinking about what the words stood for in the world at large. Now, unfortunately a little bit too late, he'd been granted a little gleam of insight; service is what makes you stand in the line when nobody would try and stop you if you ran away, and honour is what's left when every other conceivable reason for staying there has long since evaporated.
K.J. Parker (Colours in the Steel (Fencer Trilogy, #1))
The people turn out to be—well, people; a collective noun for all those individual men and women, none of them perfect, some of them downright vicious, most of them monumentally stupid. As stupid as the emperor, the great hereditary lords, the priestly hierarchs, the General Staff and the Lords of the Admiralty, the merchant princes and the organised crime barons.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
I don’t aim to be a poster boy for anxiety and depression. Anxiety and depression deserve a collage, a collage of all the amazing people that have to wrestle with these monsters daily
K.J. Redelinghuys (Unfiltered: Grappling with Mental Illness)
Ah, the people. My countrymen, my fellow citizens, my brothers. Mind you, some of them are all right, when you get to know them. But a lot of them aren’t; and here’s a funny thing, because when you mix them together, the ones that are all right and the ones that aren’t, as often as not the resulting blend is far worse than the sum of its parts. Greedier, more cowardly, more stupid.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
Could your god and this infernal be called enemies, then?" "It is more complicated than that. God knew what was going to happen, of course. The divine has a plan for the infernal. Because all is of God and nothing of God can truly be destroyed, the infernal must instead be transmuted. It must realise its error, comprehend the illogicality of its existence, and choose to become part of the divine. When all is converted, the erroneous potential will no longer exist. Perfection will be achieved. We are all subjects, substances, in this greatest alchemy, the Great Work of God.
K.J. Bishop (The Etched City)
The way I see it, the truth is just barren moorland, all useless bog and heather. It’s only when you break it up and turn it over with the ploughshare of the Good Lie that you can screw a livelihood out of it. Isn’t that what humans do? They take a dead landscape and reshape it into what they need, and want, and can use. I’ve never hesitated to adapt the world to suit me, when I can get away with it.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
It occurred to Raule that all children were monsters in the world and were instinctively aware of it. They were reminded of their anomalous nature by adults, whom they failed to resemble, and with whose habitations and tools their bodies were at odds. This was surely why the little girl played with the sequins so solemnly and with such intense concentration. She was doing nothing less than conjuring, out of pattern and colour, a world that conformed to her desires and obeyed her will. The boy, on the other hand, showed with the whole attitude of his being that he knew there was only the one world and he would kill it if he could.
K.J. Bishop (The Etched City)
The girls hurried off in a whirl of goodbyes. Will turned to Kim as the door shut. “Bloody hell.” “Quite. We’re ahead, Will, for the first time in all this. I could sing. I won’t, to spare you distress, but I could.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
Every man, woman and child, regardless of age, ability, nationality, religion, sexual orientation or social class was valuable and must be treated as such. His task, he realised, was finding someone to buy them all.
K.J. Parker (The Two of Swords: Volume Three)
The way you talk to me, the way you think, the ways you lie, even. Every damn thing about you. You drive me out of my mind, Kim. It’s been months and I can’t think of anything but you. And I suppose all that means I love you, but that—the words—” “Not right?” “Not enough. What it comes down to is—” He couldn’t find a better way to say it. “I don’t like it when you aren’t there. It pisses me off; I think it always will. Don’t piss me off?
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
He wanted his secretary. He wasn’t sure how you went about worshipping a man in bed but he wanted to find out and do it. He wanted to know what pleased him and do it all, piece by piece, until one or both of them was a babbling wreck.
K.J. Charles (A Nobleman's Guide to Seducing a Scoundrel (The Doomsday Books, #2))
There’s no point waiting for me to do otherwise. There’s no point waiting for me at all.” “I haven’t been waiting for you,” Will said indignantly. “I haven’t happened to meet anyone else I wanted to fuck, but that’s not the same thing.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
I've always had this theory, that we're all born with a certain optimum age, the age we're really meant to be, and once we reach it we stick there, in our minds, where it counts. Personally I've always been twenty-five. I was good at being twenty-five.
K.J. Parker (The Proof House (Fencer Trilogy, #3))
But during that time, all the wise scholars and profound thinkers who ran the place fell to brooding on the nature of human society, and came to the conclusion that, left to itself, it didn’t work terribly well. And why? Because, they argued, plausibly enough, it tends to be run by idiots; kings (ruled by their own base desires and hopelessly interbred) or dictators (anyone who seizes power by that very act disqualifies himself from being trusted with it) or oligarchies (irredeemably self-serving and corrupt) or, God help us, democracies (in the republic of the stupid, the half-witted man is prime minister) – there had to be a better way, and to the wisest men in the known world, it was painfully obvious what it was. If a job needs doing, do it ourselves.
K.J. Parker (Saevus Corax Deals with the Dead (Corax Trilogy #1))
Kim’s shoulders heaved. “I had an idea that if you were with me it wouldn’t matter. Instead it’s so much worse because I’m seeing it all through your eyes. Christ knows what you must think.” “I think your family are arseholes.” “Apart from that.” “No, that’s pretty much it. Absolute arseholes.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
But (he explained to me, when I objected) what the people want is something that looks at first sight like real life, but which actually turns out to be a fairy tale with virtue triumphant, evil utterly vanquished, a positive, uplifting message, a gutsy, kick-ass female lead and, if at all possible, unicorns.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege #2))
I don't need fidelity, or adoration, or extravagant vows. Those are all will-o'-the-wisps. Whereas good manners require effort." And so we rode on, talking for all the world as though we were not two murderers in the process of committing treason at a funeral, and I can only say, that is what Ruritania and Rupert Hentzau do to a man.
K.J. Charles (The Henchmen of Zenda)
Kim stared at him, eyes wide, and Will didn’t even think. He just kissed him, hard, and felt Kim’s mouth responding desperately, hands clutching his shoulders, hanging on for dear life. Kissing in the open because nothing at all mattered at this moment but to know they were together. The rest could wait for later, if there was a later.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
Everything changes, see above. Nothing changes more often, more rapidly or more radically than the past. Yesterday’s heroes are today’s villains. Yesterday’s eternal truths are today’s exploded myths. Yesterday’s right is today’s wrong, yesterday’s good is today’s evil. And tomorrow it’ll all be one hundred and eighty degrees different, on that you can rely. Which is odd, since the past has already happened; it’s done, complete, finished, signed off, sealed, delivered; dead. But, then, dead things change a hell of a lot, as the smell testifies. I tend to think of the past as compost; drifts of dead yesterdays rotting down into a fine mulch, in which all sorts of weeds germinate, sprout and flourish. Of course, the past changes, it can’t not change, and what was true yesterday— See above, passim. Change and decay in all around I see; everything changes, except for me.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
Lysimachus probably wouldn’t have listened at all. More likely, he’d have smacked her across the face. Funny, really. I could unleash violence and death on women and children in Mahec, but I could no more hit a woman than fly in the air; because I’m civilised, I suppose. I guess the difference is between what happens offstage and on. A manager once told me, you can have your hero butcher entire nations in a messenger’s report, but for God’s sake don’t have him hit a woman or a child on stage. You’d lose all sympathy.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege #2))
Screw all mental illness stigma. Having the courage to admit yourself for psychiatric care to heal is phenomenal. Shrugging off a panic attack is badass. Battling through intense spells of fatigue and demotivation is incredible. Going to the psychologist to attend to your mental health is a boss move. Achieving things despite having little to no interest or pleasure is impressive. Frequently practicing self-care is fantastic. Picking yourself up after hitting rock bottom is exceptional. Openly talking about your mental health struggles is courageous. Don’t let anyone tell you otherwise.
K.J. Redelinghuys (Unfiltered: Grappling with Mental Illness)
The result was a sort of condensed literature, an essence of nutriment, a sublimate of art. It was a device which Mallarmé after first employing it only sparingly in his earlier works, had openly and boldly adopted in a piece he wrote on Théophile Gautier and in the l’Après-midi du faune, an eclogue in which the subtleties of sensual joys were unfolded in mysterious, softly suggestive verses, broken suddenly by this frantic, wild-beast cry of the Faun: "Alors m’éveillerai-je à la ferveur première, Droit et seul sous un flot antique de luminère, Lys! et l’un de vous tous pour l’ingénuité." Then shall I awake to the pristine fervour, standing upright and alone under an old-world flood of light, Flower of the lily! and the one of you all for innocence!
Joris-Karl Huysmans
What did normal people do after dark, the ones who weren’t nameless strangers with no memories, the ones who didn’t earn their livings in the death and intrigue business? He tried to work it out from first principles. The ones who worked hard all day would go home and sleep; if they weren’t tired they’d light a lamp and mend their clothes or their tools, sing, tell stories, make love, whatever. Somehow he couldn’t imagine it, any more than he could imagine what giants or elves or gods did in their spare time when they weren’t being legends. Far more plausible to assume that they didn’t exist in the dark, or if they didn’t simply disappear when nobody could see them they sat still and quiet, inanimate, waiting for daybreak and the turn of the next page.
K.J. Parker (Shadow (Scavenger, #1))
I drew a long breath so I could point out to her all the fallacies in her argument, but then I thought; why? Out of an overwhelming duty to the truth? Fuck, as I may have observed before, the truth. If it was here, would it go out of its way to defend me? Unlikely. The truth is utterly selfish and doesn’t give a damn about anyone else. Serving the truth is like serving the empire. Nobody thanks you for it and you die poor. Besides, what is the truth, anyway? In a court of law, it’s the testimony of credible witnesses corroborating each other. She’d been a witness and she knew what she saw. So was I, but even my mother wouldn’t say I was credible. And there’d been hundreds of people there, all rock-solid upright pillars of Dejauzi society. And when I stabbed myself, there were loads of people watching, and they saw what happened with their own eyes. And, come to that, Alyattes was now the nephew of the old emperor and the rightful heir to the throne. He hadn’t been until quite recently, but pretty soon anyone who could testify against his claim would be dead or singing a very different tune, and what was once a lie would become the truth, official, carved on the lintels of triumphal arches; and if you can’t believe what you read on a government arch, what can you believe? All the books would tell it that way, and in a thousand years’ time it will be the truth, just as what was once the bottom of the sea is now a mountaintop. Ask the wise men at the university what truth is and they’ll tell you it’s the consensus of informed and qualified scholars, based on the best evidence available. Availability is governed by what gets burned in the meanwhile, but I see no real problem with that. All living things change or else they die, and why should the truth be any different?
K.J. Parker (A Practical Guide to Conquering the World (The Siege, #3))
for you?" Robbie asked me quietly. "Good!" I blurted, my heart slamming against my rib cage. It's…it's good." " Good," he replied. My palms were totally slick by now. My pulse a rushing freight train. What was going on here? This was how I felt around Cameron, not Robbie. This was all totally wrong. It's just the slow dance, KJ. It's just because it's your first slow dance. Don't get all carried away. " Okay, here comes the twirl thing," Robbie announced. " Let's try it." He pulled me closer and my breath caught, then he spun me away and I almost lost my balance, but he pulled me back in, slung by his arm around my back, and dipped me, never letting me fall. By the time I stood up again, the whole room was reeling and the people on the screen were kissing passionately and Robbie was holding me, his breath short and quick, his face ever so close to mine. " How was that?" he asked. "That was…that…was" Just the dance. Just the slow dance. Cameron was the guy I liked. Cameron, Cameron, Cameron. "Perfect.
Kieran Scott (Geek Magnet)
There’s a story about a young palace clerk who’d had word that his childhood sweetheart back in his home village was being courted by the local tanner. He couldn’t afford the bribe for a warrant of absence, so he forged despatches from military intelligence, which misled the joint chiefs of the defence staff into thinking the Hasrut were planning to invade. The joint chiefs went to the emperor and persuaded him to levy the biggest conscript army the empire had ever seen, in order to deal with the Hasrut once and for all. The young clerk wangled a posting as a deputy assistant quartermaster with the expeditionary force, which he accompanied just as far as the turning off the Great Military Road that led to his village, two miles away. The army, meanwhile, continued into Hasrut territory, was ambushed at the Two Horns and wiped out to the last man, leading in turn to the fall of the Nineteenth Dynasty and thirty years of civil war. Moral: even the humblest of us can make a difference, and it’s love that makes the world go round, or at least wobble horribly.
K.J. Parker (A Practical Guide to Conquering the World (The Siege, #3))
It’s a bizarre but widespread myth that only heroes have good qualities, and the only qualities heroes have are good; villains are, by definition, all bad. Bullshit. Think about it. Think of the qualities it takes to be a successful or even competent criminal. You need courage—to climb into a stranger’s house, the floor plan of which you don’t know, fully aware that the householder is almost certainly well provided with weapons, large dogs, strong and active servants—would you want to do that?—and for what? A sackful of small, portable artworks, for which you’ll probably get ten groschen on the kreutzer. To which add a calm, deliberate mind, resourcefulness, a steady hand, a delicate touch, the ability to work quickly and methodically. And that’s just for your scum-of-the-earth, back-alley burglar. Take the truly dreadful, evil men of history, slaughters of nations in the name of some twisted idea. Of necessity you must allow them to have had Faith (which moves mountains and without which mere works are in vain) and Hope, Loyalty, and Self-Sacrifice in the Name of the Cause, and practically every other noble and glorious characteristic you can possibly think of, except for the small matter of being in the right…
K.J. Parker (Prosper's Demon)
The Savior came and is coming again, but our healing is in his hands, not our own. If our Savior chose to enter the human story in a human body, then we should enter one another’s places of suffering remembering we carry and extend the presence of Christ. Sin is any Christian’s response to pain, poverty, and weakness that assumes they are individual problems to solve rather than places to patiently embody the solidarity of Jesus. When we reduce pain to an individual problem, we don’t know what to do with ourselves and our stories. In an increasingly individualistic society, where the space between self, tradition, and our embodied connection to each other feels wide, suffering can be a massive assault to our sense of self and our ability to hope. We become lost in a chasm of overspiritualized pain and undervalued physicality, not knowing where our lives fit alongside a Christianity glittering with the veneer of abundance. Already exhausted, we sink under the weight of existing as an aberration of the abundant life our Christian friends and families want us to project. Defeated and lonely, many of us subconsciously attempt to detach from the grief in our bodies, excising it from our minds to feel accepted in the community of the able and successful. We push pain away with effort, pretending to be okay among the shiny, smiling faces at church or work. For if we were honest about how sad or sick or hopeless we really feel, would we be accepted at all?
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
Okay,let's do it," Robbie said, slapping his hands together as he stood. He stepped towards me with his arms outstreched and I tripped back. " What? No" " What? Yes," he said. He hit the rewind button and the tape zipped backward. He paused it right as the dance began. " You don't really expect me to ask Tama to dance with me without any practice. Even I'm not that stupid." I was suddenly very aware of my heartbeat. " There's no way I'm dancing with you." " You really know how to stroke a guy's ego," Robbie joked. "Come on. I'm not that repulsive." "You're not repulsive at all, it's just-" " Well, that's good to hear," Robbie said with a teasing smile. He was enjoying this. "it's just that I don't dance," I admitted. Never had. Not once. Not with a guy. I was a dance free-zone. " Well, neither do II mean, except on stage. But i've never danced like this, so we're even" he said. He hit "play". The music started and Robbie pulled me toward him by my wrist. he grabbed my hand, which was sweating, and held it, then put his other hand on my waist. My boobs pressed sgsinst his chest and I flinched, but Robbie didn't seem to notice. He was too busy consulting the TV screen. " Here goes nothing," he said. "Okay, it's a waltz, so one, two, three,,, one, two, three. Looks like a big step on one and two little steps on two and three. Got it?" "Sure." I so didn't have it. " Okay, go." He started to step in a circle, pulling me with him.I staggered along, mortified. " One, two, three. One two, three," he counted under his breath. My foot caught on his ankle. " Oops! Sorry." I was sweating like mad now, wishing I'd taken off my sweater, at least. " I got ya," he said, his grip tightiening on my hand. " K eep going." " One, two, three," I counted, staring down at our feet. He slammed one of his hip into one of the set chairs. " Ow. Dammit!" " Are you okay?"I asked."Yeah. Keep going," he said through his teeth. " One, two, three," I counted. I glanced up at the Tv screen, and the second I took my eyes off our feet, they got hopelessly tangled. I felt that instant swoop of gravity and shouted as we went down. The floor was not soft. " Oof?" " Ow. Okay, ow," Robbie said, grabbing his elbow. " That was not a good bone to fall on." He shook his arm out and I brought my knees up under my chin. " Maybe this wasn't the best idea." "No! No. We cannot give up that easily," Robbie said, standing. He took my hands and hoisted my up. " Maybe we just need to simplify it a little. " Actually i think its the twirl and the dip at the end that are really important," I theorized. It seemed like the most romantic part to me. " Okay, good." Robbie was phsyched by this development. "So maybe instead of going in circles, we just step side to side and do the twirl thing a couple of times. " Sounds like a plan," I said. " Let's do it." Robbie rewound the tape and we started from the beginning of the music. He took my hand again and held it up, then placed his other hand on my waist. This time we simply swayed back and forth. I was just getting used to the motion, when I realized that Robbie was staring at me.Big time." What?" i said, my skin prickling. " Trying to make eye contact," he said. " I hear eye contact while dancing is key." " Where would you hear something like that?" I said. " My grandmother. She's a wise woman," he said. His grandmother. How cute was that? His eyes were completely focused on my face. I tried to stare back into them, but I keep cracking up laughing. And he thought I'd make a good actress. " Wow. You suck at eye contact," he said. "Come on. Give me something to work here." I took a deep breath and steeled myself. It's just Robbie Delano, KJ. You can do this. And so I did. I looked right back into his eyes. And we continued to sway at to the music. His hand around mine. His hand on my waist. Our chests pressed together. I stared into his eyes, and soon i found that laughing was the last thing on my mind. " How's this working for you?
Kieran Scott (Geek Magnet)
By all appearances, it’s a beautiful day. The sun shines down on us. Birds sing. I look up at the pristine blue sky. There’s not a cloud in it, but all I see is the storm. It’s ugly, and violent, and it’s creeping down on us slowly. Brady and I are together today to mourn our daughter, but what happens next? What happens when we’re done grieving? That’s when the storm will touch down like a tornado and try to destroy us. It’s inevitable. I only hope we’re strong enough to survive, because we’re definitely not prepared for it.
K.J. Bell (Irreversible Damage (Irreparable #2))
Guy stared at the words. “Broken leg,” he repeated. His voice sounded odd. “I fear so, sir,” the servant said. “Sir Philip and Mr. Raven found Miss Frisby in a field, I understand.” “But—is she all right?” “No, sir. Her leg is broken.
K.J. Charles (Band Sinister)
Time moves on, after all. You have to move with it or let the current drown you.
K.J. Emrick (Digging for Trouble (Pine Lake Inn #2))
Properly speaking, since my business in town had finished, I should have gone back to Corps headquarters and got on with my paperwork. Somehow, though, I felt that would be a bad idea. It’s inconceivable that the general, or the admiral or the Chamberlain or one of the divisional chiefs, or one of their many, many staff, would arrange for a serving officer of the empire to be murdered as he rode home alone along the lonely roads across the moors. But even in an empire as well ordered as ours, there are bandits, discharged soldiers, runaway slaves, disaffected serfs, religious zealots and ordinary loons, all manner of bad people who’d cut your throat for the nails in your boots, and from time to time officers who’d made nuisances of themselves had fallen foul of them, and other hazards of long-distance travel.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
Ah well.” Gignomai turned slowly round. “It’s not often commented on, but when you stop and think, mercy is the biggest injustice of them all.
K.J. Parker (The Hammer)
This is the curse of all those who bear great power. Each of us suffer our burdens, and those are stones we carry until we are dead. The greater our strength, the more weight life stacks on our backs.” I
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
We are each born with a destiny,” the old woman finally said. “Yet we must also choose it for ourselves. Fate and free-will, they perform a dance, your whole life long. There is a constant tug of war between the two. Which side wins…well, that depends.” “Depends on what?” Kyra asked. “Your force of will. How desperately you want something—and how graced you are by God. And perhaps most of all, what you are willing to give up.” “I
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
We all have one thing in common, and that is we love our homes. To lose our home is a terrible thing that pains our hearts like the death of a close friend. Physically a home is nothing more than inanimate stone and wood and nails, but it is so much more when surrounded by friends, by family, and by all the things we love. I
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
Within every heart lives two dragons, a dragon of Hope and a dragon of Hate, both mighty and powerful in equal measure. They war constantly, always struggling for dominance to be the rightful ruler of your heart. You feed them with your actions. All that drives us in life is fuelled by either hope or hate. Hate is the dark mirror of hope, empowering our hearts with the same fire and energy but striving for different ends. Hate drives us to bring those above us to ruin, while hope exalts us to raise ourselves up beyond where we are. We want to better ourselves, or drag down someone else so we are on top. The
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
Children, wyrmlings, little ones, younglings…in whatever tongue you call them, the meaning is still the same. They represent the future, the next generation, the continuation and growth of the species. Their importance goes beyond an individual merely passing along our genes. In a sense, they are everything a society must treasure and nurture if the society is to continue to exist in the future. The next generation is everything we fight for every single day, everything we work towards, everything we sacrifice and suffer for. They are us. Killing an adult is a terrible thing, yes, for this act robs a society of its present. To take the life of a child is to rob it of its future. It is a universal constant in almost all civilisations that to harm a child—physically, mentally, or sexually—is an abhorrent act punishable by the harshest
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
a shake. He was a problem, she couldn’t deny it. The infuriating man could unveil her activities without the slightest glance back over his shoulder. One who could destroy her plans—much too easily and much too quickly. Sure, she was an oddity; she knew that. But she should have been inconsequential to a man with his considerable status and power—a hiccup in his life. Maybe he had forgotten their whole little scene on the balcony by now. And with luck, the inconvenience she had caused him the previous night in the street fight would also soon leave his mind. With even more luck, she would find her father’s other murderers tonight, and be done with the whole affair before he exposed her escapades. “Aggie dear, are you all right? You look a bit flushed and preoccupied,” her aunt said, worry evident in her brow. “Does your headache bother you overly much?” Aggie forced a smile. “No, Aunt Bea, I am fine, just a little tired. You saw me earlier, and I could not get back to sleep today.” “Well, no surprise after the last year you
K.J. Jackson (Stone Devil Duke (Hold Your Breath, #1))
The old, the crippled, the children, everyone with their worldly goods on their backs, we’ll all have to fend for ourselves when our own soldiers flood the Marsh, but sheep are valuable. Look, nobody gives a damn for the Marsh except Marshmen. The government and the King don’t care if we starve. They put on the blockade but charge their rents and taxes same as ever, and they’ll let the sea or the French take us if that preserves their skins for another day. So we look after ourselves. And that means trading, and selling wool—some of it wool off the sheep that are going to be saved when old women and children will be left behind, acause if you think those landowners have given up their income for the sake of the war, you’re joking. They want their wool sold, just like the Quality in London want to wear silk and drink brandy, and the merchants want their shelves stocked. We run goods for them, and when they catch us doing it, they hang us for the look of the thing.
K.J. Charles (The Secret Lives of Country Gentlemen (The Doomsday Books, #1))