Alexandria Quotes

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Does not everything depend on our interpretation of the silence around us?
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
I was gonna be super pissed in the afterlife if I died a virgin in this crap hole.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
There are only three things to be done with a woman. You can love her, suffer for her, or turn her into literature.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
I guess there were two types of people in the world, those who sat around a fire, staring into the flames, and those who started the fire. Seth and I started the fire, and then we danced around it.
Jennifer L. Armentrout (Pure (Covenant, #2))
A city becomes a world when one loves one of its inhabitants.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
No matter how convoluted my life got, one thing remained consistent- my hair looked like a baby opossum had taken refuge in it, invited some friends over, and thrown a party.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
What comes, is called.
Ki Longfellow (Flow Down Like Silver)
We are all hunting for rational reasons for believing in the absurd.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Who invented the human heart, I wonder? Tell me, and then show me the place where he was hanged.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
They say that Caliph Omar, when consulted about what had to be done with the library of Alexandria, answered as follows: 'If the books of this library contain matters opposed to the Koran, they are bad and must be burned. If they contain only the doctrine of the Koran, burn them anyway, for they are superfluous.' Our learned men have cited this reasoning as the height of absurdity. However, suppose Gregory the Great was there instead of Omar and the Gospel instead of the Koran. The library would still have been burned, and that might well have been the finest moment in the life of this illustrious pontiff.
Jean-Jacques Rousseau (Discourse on the Sciences and Arts and Polemics)
We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
Tom Stoppard (Arcadia)
What can I say? I cleaned up nicely
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
What is your name?” I asked, voice hoarse. “Alexandria,” she repeated in a soft voice I’d never heard Alex use in real life. “And who am I?” “Aiden.” She smiled, and I flinched. “You are my Master.
Jennifer L. Armentrout (Elixir (Covenant, #3.5))
My uncle recovered first, stepping forward. "Are you okay, Alexandria?" "Other than the fact I just spewed out two gods like a drunk college chick? I'm feeling fabulous.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
I am quite alone. I am neither happy nor unhappy; I lie suspended like a hair or a feather in the cloudy mixtures of memory.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
And there are always those who would watch Alexandria burn. There always have been. There always will be.
Erin Morgenstern (The Starless Sea)
I’m up for the Julius Caesar Author of the Year Award this year. I’m tremendously proud, considering Caesar is the guy who burned down the Library of Alexandria.
Jarod Kintz (This Book Has No Title)
All formal dogmatic religions are fallacious and must never be accepted by self-respecting persons as final.
Hypatia
Odd, isn't it? He really was the right man for her in a sort of way; but then as you know, it is a law of love that the so-called 'right' person always comes to soon or too late.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
Was not Hypatia the greatest philosopher of Alexandria, and a true martyr to the old values of learning? She was torn to pieces by a mob of incensed Christians not because she was a woman, but because her learning was so profound, her skills at dialectic so extensive that she reduced all who queried her to embarrassed silence. They could not argue with her, so they murdered her.
Iain Pears (The Dream of Scipio)
Gamblers and lovers really play to lose.
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
These are the moments which are not calculable, and cannot be assessed in words; they live on in the solution of memory, like wonderful creatures, unique of their own kind, dredged up from the floors of some unexplored ocean.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Ptolemy II’s far-famed parade, held in Alexandria perhaps in 278, included eighty thousand soldiers; even Adolf Hitler’s fiftieth birthday in 1939 was celebrated by only fifty thousand
Robin Waterfield (Creators, Conquerors, and Citizens: A History of Ancient Greece)
If the world is against the truth, then I am against the world.
Athanasius of Alexandria
Science is the poetry of the intellect and poetry the science of the heart's affections.
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Life would be a lot better if we all spent a little more time staring at the stars.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
A second later, there was a knock on my door and a booming voice. 'Alexandria?' Seth stilled above me, panting. 'You have got to be freaking kidding me.' Leon knocked again. [...] 'Lucian is requesting your presence immediately.' Another gap of silence followed. 'He is also requesting to see you, Seth.' Seth frowned as the gleam in his eyes faded. 'How in the world does he know I'm in here?' 'Leon...just knows.' I pushed at him weakly. 'Get off.' 'I was trying to.
Jennifer L. Armentrout (Deity (Covenant, #3))
Carter got jeans, boots, and a T-shirt that read Property of Alexandria University in English and Arabic. Clearly, even personal shoppers had him pegged as a complete geek.
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
Christ was made man that we might be made God.
Athanasius of Alexandria (On the Incarnation)
Don’t mourn your luck that’s failing now, work gone wrong, your plans all proving deceptive — don’t mourn them uselessly. As one long prepared, and graced with courage, say goodbye to her, the Alexandria that is leaving. Above all, don’t fool yourself, don’t say it was a dream, your ears deceived you: don’t degrade yourself with empty hopes like these.
Constantinos P. Cavafy
إنه لأمر فظيع أن يلوم الإنسان نفسه فوق ما يُعانيه من شقاء وعذاب.
لورنس داريل (Justine (The Alexandria Quartet, #1))
This was pretty much when the Guards behind me decided they were going to try to make me do this. And that is when I decided I was going to be hitting someone again.
Jennifer L. Armentrout (Pure (Covenant, #2))
Love is like trench warfare - you cannot see the enemy, but you know he is there and that it is wiser to keep your head down.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
Ten million light-years from now bathed in the radiation of a time without time are the bones of a girl who loved Ryann Bird. In the dust left over from our supernova atoms spread farther and wider than hope are the pieces of the heart of the girl who loved Alexandria the Great.
K. Ancrum (The Weight of the Stars)
The world is like a cucumber—today it's in your hand, tomorrow up your arse.
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Art like life is an open secret.
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Fables should be taught as fables, myths as myths, and miracles as poetic fancies. To teach superstitions as truths is a most terrible thing. The child mind accepts and believes them, and only through great pain and perhaps tragedy can he be in after years relieved of them. In fact, men will fight for a superstition quite as quickly as for a living truth — often more so, since a superstition is so intangible you cannot get at it to refute it, but truth is a point of view, and so is changeable.
Hypatia
A diary is the last place to go if you wish to seek the truth about a person. Nobody dares to make the final confession to themselves on paper: or at least, not about love.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
You see, nothing matters except pleasure - which is the opposite of happiness, its tragic part, I expect.
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Like all young men I set out to be a genius, but mercifully laughter intervened.
Lawrence Durrell (Clea (The Alexandria Quartet, #4))
Life is more complicated than we think, yet far simpler than anyone dares to imagine
Lawrence Durrell (Clea (The Alexandria Quartet, #4))
Elle loved herself, but what a feeling it must be, being loved by someone else exactly as you are, quirks and warts and all. She wouldn't know.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
Art—the meaning of the pattern of our common actions in reality. The cloth-of-gold that hides behind the sackcloth of reality, forced out by the pain of human memory.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
We are literally made of stardust." Moonlight danced off the tips of Elle's pale blond eyelashes and made her eyes twinkle. If anyone was made of star stuff, it was her.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
Perhaps the various burnings of the Alexandria Library were necessary, like those Australian Forest Fires without which the new seeds cannot burst their shells and make a young, healthy forest.
William Golding (A moving target)
I know how I feel and I'm five hundred percent certain that on a scale of one to ten, I want to be with you, exactly as you are, infinity.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
For God is good - or rather, of all goodness He is the Fountainhead.
Athanasius of Alexandria (On the Incarnation)
I haven't come to you only to take , I haven't come to you empty handed : I bring you poetry as great as yours but in anther tongue , I bring you black eyes and golden skin and curly hair , I bring you Islam and Luxor and Alexandria and Lutes and tambourines and date-palms and silk rugs and sunshine and incense and voluptuous ways
Ahdaf Soueif (In the Eye of the Sun)
Very few people realise that sex is a psychic and not a physical act. The clumsy coupling of human beings is simply a biological paraphrase of this truth - a primitive method of introducing minds to each other, engaging them. But most people are stuck in the physical aspect, unaware of the poetic rapport which it so clumsily tries to teach.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
Look at all the Eastern writers who've written great Western literature. Kazuo Ishiguro. You'd never guess that The Remains of the Day or Never Let Me Go were written by a Japanese guy. But I can't think of anyone who's ever done the reverse-- any Westerner who's written great Eastern literature. Well, maybe if we count Lawrence Durrell - does the Alexandria Quartet qualify as Eastern literature?" "There is a very simple test," said Vikram. "Is it about bored, tired people having sex?" "Yes," said the convert, surprised. "Then it's western.
G. Willow Wilson (Alif the Unseen)
That’s okay,” Apollo replied, smiling at him in a wholly creepy' hide your kids' kind of way. “When you least expect it, I’m going to turn you into a a pink flower that smells like cat pee.
Jennifer L. Armentrout
You are dying. I see in you all the characteristic stigma of decay. I can prove to you that your great wealth and your great poverty, your capitalism and your socialism, your wars and your revolutions, your atheism and your ­pessimism and your cynicism, your immorality, your broken-down marriages, your birth-control, that is bleeding you from the bottom and killing you off at the top in your brains—I can prove to you that those were characteristic marks of the dying ages of ancient States—Alexandria and Greece and neurotic Rome.
Oswald Spengler (The Decline of the West)
It is hard to fight with one's heart's desires; whatever it wishes to get, it purchases at the cost of the soul.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Marco could not have known about the mystical effect of a full moon on cats and books left on their own in the library. Not until he saw the lines breathe, the words unveiled.
Rahma Krambo (Guardian Cats and the Lost Books of Alexandria)
I suppose the secret of his success is in his tremendous idleness which almost approaches the supernatural.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Reserve your right to think, for even to think wrongly is better than not to think at all
Hypatia of Alexandria
Fun fact — the moon doesn't actually produce any light of its own. It reflects light from the sun, making it appear bright at night. So, if I look like the moon, I guess that means I'm reflecting the light thats around me.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
many believe in karma but i take it to a whole different level.
Vincent Alexandria
I have never seen a man break the way he did. And he broke. Set half the damn Covenant on fire. If his brother hadn’t showed up when he had, I’m positive that he would’ve stayed in the burning building. Is that what you wanted to know? Did it make you feel better, Alexandria?
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Five hundred years ago, the Greek philosopher Xenophanes wrote, ‘There is one God, always still and at rest, who moves all things with the thoughts of His mind.’ In this year, I, the philosopher Seth, mathetes of the philosopher Philo Judaeus, teaching my favorite students in Alexandria, would add, it is not that there is one God but that God is One, meaning All There Is.
Ki Longfellow (The Secret Magdalene)
We live" writes Pursewarden somewhere, "lives based upon selected fictions. Our view of reality is conditioned by our position in space and time - not by our personalities as we like to think. Thus every interpretation of reality is based upon a unique position. Two paces east or west and the whole picture is changed.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
I have been thinking about the girl I met last night in the mirror: dark on the marble-ivory white: glossy black hair: deep suspiring eyes in which one's glances sink because they are nervous, curious, turned to sexual curiosity.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
I am just a refugee from the long slow toothache of English life. It is terrible to love life so much you can hardly breathe!
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
I have done so many things in my life," she said to the mirror. "Evil things, perhaps. But never unattentively, never wastefully...was I wrong?
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
The Library of Alexandria?" I ask. "Didn't that burn down?" Mrs Philipoulus scoffs. "Damn fool Hypatia. Athena tried to convince her to install a sprinkler system. But no-o-o, no one was going to tell the librarianatrix how to run her library.
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
الكراهية ما هى إلا حب لم يتحقق.
لورنس داريل (Justine (The Alexandria Quartet, #1))
Love in my world usually ended up with someone hearing “I smite thee!” as she was cursed to be some lame flower for the rest of her life.
Jennifer L. Armentrout (Daimon (Covenant, #0.5))
The right person shouldnt complete you, they should love you the way you are. And it's cool if they make you want to be better, but they should never make you feel like you are too much or not enough exactly as you are.
Alexandria Bellefleur (Count Your Lucky Stars (Written in the Stars, #3))
You are like Odysseus, who could go out onto the great sea, lose all his goods and his friends, come to the boundaries of death, and return still himself.
Gillian Bradshaw (The Beacon at Alexandria)
إننا نستخدم بعضنا البعض كمعاول نهدم بها هؤلاء الذين نحبهم حبا حقيقيا.
لورنس داريل (Justine (The Alexandria Quartet, #1))
There are only three things to be done with a woman’ said Clea once. ‘You can love her, suffer for her, or turn her into literature.
Lawrence Durrell (The Alexandria Quartet)
THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief? SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
Tom Stoppard (Arcadia)
I'd be supper-pissed in the afterlife if I died a virgin in this crap hole.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
What do you believe? You never say anything. At the most you sometimes laugh.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
People only see in us the contemptible skirt-fever which rules our actions but completely miss the beauty-hunger underlying it.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
The Wise are Superb Observers of Nature and Rise Superior to the Blows of Fortune
Philo of Alexandria
Merlin had, according to legend, created the White Council of Wizards from the chaos of the fall of the Roman Empire. He plunged into the flames of the burning Library of Alexandria to save the most critical texts, helped engineer the Catholic Church as a vessel to preserve knowledge and culture during Europe's Dark Ages, and leapt tall cathedrals in a single bound.
Jim Butcher (Cold Days (The Dresden Files, #14))
Let no one reduce to tears or reproach This statement of the mastery of God, Who, with magnificent irony, gave Me at once both books and night Of this city of books He pronounced rulers These lightless eyes, who can only Peruse in libraries of dreams The insensible paragraphs that yield With every new dawn. Vainly does the day Lavish on them its infinite books, Arduous as the arduous manuscripts Which at Alexandria did perish. Of hunger and thirst (a Greek story tells us) Dies a king amidst fountains and gardens; I aimlessly weary at the confines Of this tall and deep blind library. Encyclopedias, atlases, the East And the West, centuries, dynasties Symbols, cosmos and cosmogonies Do walls proffer, but pointlessly. Slow in my shadow, I the hollow shade Explore with my indecisive cane; To think I had imagined Paradise In the form of such a library. Something, certainly not termed Fate, rules on such things; Another had received in blurry Afternoons both books and shadow. Wandering through these slow corridors I often feel with a vague and sacred dread That I am another, the dead one, who must Have trodden the same steps at the same time. Which of the two is now writing this poem Of a plural I and of a single shadow? How important is the word that names me If the anathema is one and indivisible? Groussac or Borges, I see this darling World deform and extinguish To a pale, uncertain ash Resembling sleep and oblivion
Jorge Luis Borges
He thought and suffered a good deal but he lacked the resolution to dare--the first requisite of a practitioner.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Balthazar sighed and said "Truth naked and unashamed. That's a splendid phrase. But we always see her as she seems, never as she is. Each man has his own interpretation.
Lawrence Durrell (Mountolive (The Alexandria Quartet, #3))
Elle was tired of everyone looking at her like she was a mess when she was just trying her best.
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
I, too, know what it’s like to be alone.” His eyes lift, the blue so pure and unguarded I feel as though I am seeing him for the first time. “Maybe we can be alone together.
Alexandria Warwick (The North Wind (The Four Winds, #1))
She took kisses like so many coats of paint […] how long and how vainly I searched for excuses which might make her amorality if not palatable at lest understandable. I realize now the time I wasted in this way; instead of enjoying her and turning aside from these preoccupations with the thought, ‘She is untrustworthy as she is beautiful. She takes love as plants do water, lightly, thoughtlessly.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Love is impatient; love is cruel. It gets your hopes up then tears them down expecting you to be ok; able to cope without that second part of you that belongs to one unique person.
Alexandria Rhodes
For, indeed, everything about is marvelous, and wherever a man turns his gaze he sees the Godhead of the Word and is smitten with awe.
Athanasius of Alexandria (On the Incarnation)
You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?" "I'm not staring. I'm observing." I smiled through my tears. "And what do you observe?" He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?" He drew back to look at me, but I held him closer. "Yes." "Just yes?" I nodded and pressed my lips against his.
Michelle Moran (Cleopatra's Daughter)
أسوأ فشل عانيته هو فشلى مع الناس: ولقد كان ذلك نتاج انفصال روحى أخذ يزداد بالتدريج، انفصال نهائى عن التملك بينما أطلق لى العنان كى أتعاطف مع الناس. وغدوت شيئا فشيئا وعلى نحو لا يمكن تفسيره أشد عجزا عن ممارسة الحب.
لورنس داريل (Justine (The Alexandria Quartet, #1))
The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride, or envy; precede the first declarations which mark the turning point—for from here love degenerates into habit, possession, and back to loneliness.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
We can roam the bloated stacks of the Library of Alexandria, where all imagination and knowledge are assembled; we can recognize in its destruction the warning that all we gather will be lost, but also that much of it can be collected again; we can learn from its splendid ambition that what was one man’s experience can become, through the alchemy of words, the experience of all, and how that experience, distilled once again into words, can serve each singular reader for some secret, singular purpose.
Alberto Manguel (The Library at Night)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once...
James Joyce (Ulysses)
Empty space eventually fills up with something. A void, cultivated in the aftermath of misfortune, begins to attract the wrong kind of attention. Marco knew it was time to leave when disagreeable spirits started roaming freely through the house, as if they owned the place.
Rahma Krambo (Guardian Cats and the Lost Books of Alexandria)
The steward, according to custom, had stopped all the clocks. This, in the language of Narouz, said, "Your stay with us is so brief, let us not be reminded of the flight of the hours. God made eternity. Let us escape from the despotism of time altogether." These ancient and hereditary politenesses filled Nessim with emotion.
Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
The god abandons Antony When at the hour of midnight an invisible choir is suddenly heard passing with exquisite music, with voices ― Do not lament your fortune that at last subsides, your life’s work that has failed, your schemes that have proved illusions. But like a man prepared, like a brave man, bid farewell to her, to Alexandria who is departing. Above all, do not delude yourself, do not say that it is a dream, that your ear was mistaken. Do not condescend to such empty hopes. Like a man for long prepared, like a brave man, like the man who was worthy of such a city, go to the window firmly, and listen with emotion but not with the prayers and complaints of the coward (Ah! supreme rapture!) listen to the notes, to the exquisite instruments of the mystic choir, and bid farewell to her, to Alexandria whom you are losing.
Constantinos P. Cavafy (Selected Poems)
One day in March AD 415, Hypatia set out from her home to go for her daily ride through the city. Suddenly, she found her way blocked by a “multitude of believers in God.”32 They ordered her to get down from her chariot. Knowing what had recently happened to her friend Orestes, she must have realized as she climbed down that her situation was a serious one. She cannot possibly have realized quite how serious. As soon as she stood on the street, the parabalani, under the guidance of a Church magistrate called Peter—“a perfect believer in all respects in Jesus Christ”33—surged round and seized “the pagan woman.” They then dragged Alexandria’s greatest living mathematician through the streets to a church. Once inside, they ripped the clothes from her body and, using broken pieces of pottery as blades, flayed her skin from her flesh. Some say that, while she still gasped for breath, they gouged out her eyes. Once she was dead, they tore her body into pieces and threw what was left of the “luminous child of reason” onto a pyre and burned her.34
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
Kenneth M. Clark (Civilisation)
The Perfect Person's Rule of Life: The perfect person does not only try to avoid evil. Nor does he do good for fear of punishment, still less in order to qualify for the hope of a promised reward. The perfect person does good through love. His actions are not motivated by desire for personal benefit, so he does not have personal advantage as his aim. But as soon as he has realized the beauty of doing good, he does it with all his energies and in all that he does. He is not interested in fame, or a good reputation, or a human or divine reward. The rule of life for a perfect person is to be in the image and likeness of God.
Clement of Alexandria
In these days Melissa's absorbed and provoking gentleness had all the qualities of a rediscovered youth. Her long uncertain fingers - I used to feel them moving over my face when she thought I slept, as if to memorize the happiness we had shared. In her there was a pliancy, a resilience which was Oriental - a passion to serve. My shabby clothes - the way she picked up a dirty shirt seemed to engulf it with an overflowing solicitude; in the morning I found my razor beautifully cleaned and even the toothpaste laid upon the brush in readiness. Her care for me was a goad, provoking me to give my life some sort of shape and style that might match the simplicity of hers. Of her experiences in love she would never speak, turning from them with a weariness and distaste which suggested that they had been born of necessity rather than desire. She paid me the comlpiment of saying: "For the first time I am not afraid to be light-headed or foolish with a man".
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft. There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own." Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well." You will show some respect, Gregori ordered. Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you." Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?" Gregori sighed heavily. "She is impossible." Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are." Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane." "I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so. Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her." Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you." Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you." "I believe you," Aidan agreed. "Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
Christine Feehan (Dark Magic (Dark, #4))
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
Samantha Harvey (Orbital)