Alexandria Movie Quotes

We've searched our database for all the quotes and captions related to Alexandria Movie. Here they are! All 6 of them:

I do love it. That big, demonstrative moment where nothing else matters but making sure the person you care about knows it. That you’re in. You’re all in and you want everyone to know, no matter how wild or risky it is. Weddings are like that. The vows are, at least.” Something about the soft look in Annie’s eyes, wistful almost, compelled him to keep going. To confess what he’d never told anyone before. “I don’t have a single memory of my mom and dad saying I love you to each other.” Annie made a soft noise, but he soldiered on, wanting to get this out. “Maybe those movies aren’t perfect, but for most of my life, they were the best proof I had that people could wind up happy together.
Alexandria Bellefleur (Hang the Moon (Written in the Stars, #2))
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
She'd watched enough movies, listened to enough of her friends moon over magical kisses. She'd rolled her eyes at description of toes curling and breaths being snatched, of drowning in someone, that made it sound like a great time. Of hearts galloping like the hooves of a hundred wild horses and colors flashing prismatically behind close lids. She'd laughed at how two people pressing their mouths together could ever be described with the sort of near-orgasmic passion that usually required she have her pants off. [...] But kissing Brendon? That was a revelation. All those clichés? They didn't hold a candle to the way his lips turned her body into a living, breathing live wire of sensation.
Alexandria Bellefleur (Hang the Moon (Written in the Stars, #2))
The sight of a palm tree silhouetted against the sky made even his life feel like a movie
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
ELLE (4:16 P.M.):favorite movie ELLE (4:16 P.M.):go DARCY (4:19 P.M.):Just one? That’s too difficult. ELLE (4:20 P.M.):fine ELLE (4:20 P.M.):action comedy rom-com and idk drama? DARCY (4:25 P.M.):Comedy would be History of the World Part One. Action . . . God, I don’t know. The Mummy, maybe? Rom-com . . . America’s Sweethearts. Drama would have to be Dead Poets Society. ELLE (4:26 P.M.):the mummy?!? ELLE (4:26 P.M.):i credit that movie for my bisexual awakening She waited, watching the little dots dance up and down, up and down . . . DARCY (4:28 P.M.):Oh? ELLE (4:29 P.M.):yeah ELLE (4:30 P.M.):did I want to be evelyn or did i want to ride off into the sunset with her? ELLE (4:30 P.M.):both obviously
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
It wasn’t hard to access back catalogues of stuff from his own time, of course, the big movies, many of the TV series – though there were baffling blanks, and he had the sense that there had been some major loss of data over the centuries. A burning of the library of Alexandria, that had swept away, for instance, a 2030s big-budget remake of Blake’s Seven. He had found a reference to its existence, and that was all. An agonising loss.
Stephen Baxter (World Engines: Destroyer: A post climate change high concept science fiction odyssey)