Alenka Zupancic Quotes

the true choice is between losing it all and creating what we are about to lose: only this could eventually save us, in a profound sense . . . The possible awakening of the bomb is not simply 'let's do all in our power to prevent it before it's too late', but rather 'let's first build this totality (unity, community, freedom) that we are about to lose through the bomb.

it is perhaps worth introducing an elementary theoretical distinction from Lacanian psychoanalysis which Žižek has done so much to give contemporary currency: the difference between the Real and reality. As Alenka Zupancic explains, psychoanalysis’s positing of a reality principle invites us to be suspicious of any reality that presents itself as natural. ‘The reality principle’, Zupancic writes, is not some kind of natural way associated with how things are ... The reality principle itself is ideologically mediated; one could even claim that it constitutes the highest form of ideology, the ideology that presents itself as empirical fact (or biological, economic...) necessity (and that we tend to perceive as non-ideological). It is precisely here that we should be most alert to the functioning of ideology. For Lacan, the Real is what any ‘reality’ must suppress; indeed, reality constitutes itself through just this repression. The Real is an unrepresentable X, a traumatic void that can only be glimpsed in the fractures and inconsistencies in the field of apparent reality. So one strategy against capitalist realism could involve invoking the Real(s) underlying the reality that capitalism presents to us. Environmental

The other concept of truth in Lacan situates the truth, so to speak, in the midst of reality. Here, the discontinuities, ruptures, standstills, and crises of reality are places or points of its truth. The truth is not some impossible and lethal Beyond that can be reached only by transgressing the limits of the Symbolic and the Imaginary –Lacan comes to present it as something that speaks between the lines, detectable in changes of discursivity, in the disturbances, interruptions, and slips of the discourse...

…the expression “beyond good and evil” is all too easily (mis)understood. When we say of someone that he is acting as if he were “beyond good and evil,” we usually mean that, to put it plainly, he doesn’t give a damn about the good. The expression “beyond good and evil,” which has become a kind of ritornello, is typically misused—that is to say, it is used to refer to what would be more correctly referred to as “beyond good.” In other words, it is employed to describe a space where, although the good is no longer taken into consideration, the evil and fascination with evil are still very much at work. In this context (and if we follow Lacan’s thinking to its logical conclusion), even the scandalous Marquis de Sade got no further than merely transgressing the good. In de Sade’s literature, the victims not only remain beautiful throughout the horror to which they are subjected, but even gain in beauty during this process: right up to the end, a sublime beauty “covers” the bodies of the victims, even in their naked exposure. Lacan’s point is that there are walls and defences that humanity has erected as shields against the central field of das Ding (connoted as evil): the first protective barrier is the good; the second is the beautiful or sublime. This is where the intimate link between sublime beauty and evil (or danger) originally springs from. Nietzsche himself develops the idea that, by transgressing (or being indifferent to) the good, we enter the domain of the sublime, although this does not by any means imply that, for all this, we are effectively “beyond good and evil".