Alarm Best Quotes

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I saw the best minds of my generation who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade.
Allen Ginsberg (Howl and Other Poems)
He is Monroe's son." I pointed at Ren. "And he's your best hope to win this war." "He's what?" Shay's voice was dead quiet. I'm what?" Ren kept his own voice to a whisper, but the look he'd thrown me was a bit alarmed.
Andrea Cremer (Wolfsbane (Nightshade, #2; Nightshade World, #5))
You think I'm psycho, you think I'm gone Tell the psychiatrist something is wrong Over the bend, entirely bonkers You like me best when I'm off my rocker Tell you a secret, I'm not alarmed So what if I'm crazy? The best people are.
Melanie Martinez
anticipation is the best alarm there is
Lisa Schroeder (The Day Before)
Situations produce vibrations. Negative, potentially harmful situations emit slow vibrations. Positive, potentially life-enhancing situations emit quick vibrations. As these vibrations impact on your energy field they produce either resonance or dissonance in your lower and middle tantiens (psychic power stations) depending on your own vibratory rate at the time. When you psychic field force is strong and your vibratory rate is fast, therefore, you will draw only positive situations to you. When you mind is quiet enough and your attention is on the moment, you will literally hear the dissonance in your belly and chest like an alarm bell going off, urging you from deep within your body to move in such and such a direction. Always follow it. At times these urges may come to you in the form of internally spoken dialogue with your higher self, spirit guide, guardian angel, alien intelligence, however you see the owner of the “still, small voice within.” This form of dialogue can be entertaining and reassuring but is best not overindulged in as, in the extreme; it tends to lead to the loony bin. At times you may receive your messages from “Indian signs”, such as slogans on passing trucks or cloud formations in the sky. This is also best kept in moderation, to avoid seeing signs in everything and becoming terribly confused. Just let it happen when it happens and don’t try looking for it.
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
She thinks she's a siren, but she looks more like a false alarm.
THE CLOWN FACTORY (INSULTS - The Best Insults Ever - Win at any verbal argument!)
yet, sadly, accidental rudeness occurs alarmingly often. Best to say nothing at all, my dear man.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Anticipation is the best alarm there is, and it shook me awake before my phone even had the chance.
Lisa Schroeder (The Day Before)
And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you. Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity. Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must. And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
It’s just a dream, I told myself. I hate when I dream of alarm clocks going off.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
we begin to notice besides our particular sinful act, our sinfulness; begin to be alarmed not only about what we do, but about what we are. This may sound rather difficult, so I will try to make it clear from my own case. When I come to my evening prayers and try to reckon up the sins of the day, nine times out of ten the most obvious one is some sin against charity; I have sulked or snapped or sneered or snubbed or stormed. And the excuse that immediately springs to my mind is that the provocation was so sudden and unexpected; I was caught off my guard, I had not time to collect myself. Now that may be an extenuating circumstance as regards those particular acts: they would obviously be worse if they had been deliberate and premeditated. On the other hand, surely what a man does when he is taken off his guard is the best evidence for what sort of a man he is? Surely what pops out before the man has time to put on a disguise is the truth? If there are rats in the cellar you are most likely to see them if you go in very suddenly. But the suddenness does not creat the rats: it only prevents them from hiding. In the same way the suddenness of the provocation does not make me an ill-tempered man; it only shows me what an ill-tempered man I am. The rats are always there in the cellar, but if you go in shouting and noisily they will have taken cover before you switch on the light.
C.S. Lewis
I stay in bed for as long as possible, but eventually my bladder wins. When I come back from the bathroom, he's looking out my window. He turns around and laughs. "Your hair. It's sticking up in all different directions." St. Clair pronounces it die-rections and illustrates his point by poking his fingers up around his head like antlers. "You're one to speak." "Ah,but it looks purposeful on me. Took me ages to realize the best way to get that mussed look was to ignore it completely." "So you're saying it looks like crap on me?" I glance in the mirror,and I'm alarmed to discover I do resemble a horned beast. "No.I like it.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen." And who gains by it, in the end?" It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization." The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks. But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us." Fake or real?" Fake, certainly, but I don't know whether it belongs to the police or to us.
Italo Calvino (If on a Winter’s Night a Traveler)
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
Isn't the smell of coffee the best alarm clock?
S.A. Tawks (The Spirit of Pessimism (The Spirit of Imagination, #2))
I look out my window a lot. ​It’s just one of those things that keeps me grounded in this weird, one-with-nature kind of way. I hate curtains. They only gather dust. And I hate alarms even more. I enjoy the natural light to whisper across my face in the morning with gentle fingers, not some man-made sound that jars me into life with a harsh slap. It is the quiet moments of the morning that I savor most, in bed, looking out my window. It’s when I write my best work.
R.B. O'Brien
Such is life, marked by the ticking of the clock and the call of the alarm until the day it all falls into perpetual silence. For most of us, certainly for this boy, life is not composed of great deeds, but of small actions, and that’s okay. It’s the best I can give and I like it this way.
Gillibran Brown
Griffin Drake and his MacBook were the best of friends, more intimate than lovers. He slept with it. He cared for it with specially made cleaning cloths and cans of air to keep it dust free. Plants and fish had died under his watch with alarming regularity, but the computer-the computer was tended like a child.
Tere Michaels (Love & Loyalty (Faith, Love, & Devotion, #2))
Perhaps we are not following Christ all the way or in the right spirit. We are likely, for example, to be a little sparing of the palms and hosannas. We are chary of wielding the scourge of small cords, lest we should offend somebody or interfere with trade. We do not furnish up our wits to disentangle knotty questions about Sunday observance and tribute money, nor hasten to sit at the feet of the doctors, both hearing them and asking them questions. We pass hastily over disquieting jests about making friends with the mammon of unrighteousness and alarming observations about bringing not peace but a sword; nor do we distinguish ourselves by the graciousness by which we sit at meat with publicans and sinners. Somehow or other, and with the best intentions, we have shown the world the typical Christian in the likeness of a crashing and rather ill-natured bore---and this in the name of the one who assuredly never bored a soul in those thirty-three years during which he passed through the world like a flame. Let us, in heaven's name, drag out the divine drama from under the dreadful accumulation of slipshod thinking and trashy sentiment heaped upon it, and set it on an open stage to startle the world into some sort of vigorous reaction. If the pious are the first to be shocked, so much worse for the pious---others will pass into the kingdom of heaven before them. If all men are offended because of Christ, let them be offended; but where is the sense of their being offended at something that is not Christ and is nothing like him? We do him singularly little honor by watering down his personality till it could not offend a fly. Surely it is not the business of the Church to adapt Christ to men, but to adapt men to Christ.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
I don’t mean to be rude –’ he began, in a tone that threatened rudeness in every syllable. ‘– yet, sadly, accidental rudeness occurs alarmingly often,’ Dumbledore finished the sentence gravely. ‘Best to say nothing at all, my dear man.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Her partner now drew near, and said, "That gentleman would have put me out of patience, had he stayed with you half a minute longer. He has no business to withdraw the attention of my partner from me. We have entered into a contract of mutual agreeableness for the space of an evening, and all our agreeableness belongs solely to each other for that time. Nobody can fasten themselves on the notice of one, without injuring the rights of the other. I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours." But they are such very different things!" -- That you think they cannot be compared together." To be sure not. People that marry can never part, but must go and keep house together. People that dance only stand opposite each other in a long room for half an hour." And such is your definition of matrimony and dancing. Taken in that light certainly, their resemblance is not striking; but I think I could place them in such a view. You will allow, that in both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty, each to endeavour to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbours, or fancying that they should have been better off with anyone else. You will allow all this?" Yes, to be sure, as you state it, all this sounds very well; but still they are so very different. I cannot look upon them at all in the same light, nor think the same duties belong to them." In one respect, there certainly is a difference. In marriage, the man is supposed to provide for the support of the woman, the woman to make the home agreeable to the man; he is to purvey, and she is to smile. But in dancing, their duties are exactly changed; the agreeableness, the compliance are expected from him, while she furnishes the fan and the lavender water. That, I suppose, was the difference of duties which struck you, as rendering the conditions incapable of comparison." No, indeed, I never thought of that." Then I am quite at a loss. One thing, however, I must observe. This disposition on your side is rather alarming. You totally disallow any similarity in the obligations; and may I not thence infer that your notions of the duties of the dancing state are not so strict as your partner might wish? Have I not reason to fear that if the gentleman who spoke to you just now were to return, or if any other gentleman were to address you, there would be nothing to restrain you from conversing with him as long as you chose?" Mr. Thorpe is such a very particular friend of my brother's, that if he talks to me, I must talk to him again; but there are hardly three young men in the room besides him that I have any acquaintance with." And is that to be my only security? Alas, alas!" Nay, I am sure you cannot have a better; for if I do not know anybody, it is impossible for me to talk to them; and, besides, I do not want to talk to anybody." Now you have given me a security worth having; and I shall proceed with courage.
Jane Austen (Northanger Abbey)
We can now develop methods and experiences that utilize the brain’s own natural neuroplasticity to help survivors feel fully alive in the present and move on with their lives. There are fundamentally three avenues: 1) top down, by talking, (re-) connecting with others, and allowing ourselves to know and understand what is going on with us, while processing the memories of the trauma; 2) by taking medicines that shut down inappropriate alarm reactions, or by utilizing other technologies that change the way the brain organizes information, and 3) bottom up: by allowing the body to have experiences that deeply and viscerally contradict the helplessness, rage, or collapse that result from trauma. Which one of these is best for any particular survivor is an empirical question. Most people I have worked with require a combination.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
They're arguing for giving homework and tests to all young children, or separating them into winners and losers, because these tykes need to get used to such things -- as if exposure itself will inoculate them against the negative effects they would otherwise experience later. If we were interested in helping children to anticipate and deal with unpleasant experiences, it might make sense to discuss the details with them and perhaps guide them through role-playing exercises. But why would we subject kids to those experiences? After all, to teach children how to handle a fire emergency, we talk to them about the dangers of smoke inhalation and advise them where to go when the alarm sounds. We don't actually set them on fire. But the key point is this: From a developmental perspective, BGUTI [Better-Get-Used-To-It worldview] is flat-out wrong. People don't get better at coping with unhappiness because they were because they were deliberately made unhappy when they were young On the contrary, what best prepares children to deal with the challenges of the real world is to experience success and joy, to feel supported and respected, to receive loving guidance and unconditional care and the chance to have some say about what happens to them.
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)
The emotional trauma of a security breach can sometimes stay with a person for the rest of their lives. This is why the best prevention efforts are important for your family.
Franklin Gillette (How to Protect Yourself, Family, Property and Valuables from Crime in Public or at Home)
Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?” He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss. “The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.” Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him. Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“ John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings. “Pierce,” he said. “Do you mean that?” When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned. “You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?” His sudden fierceness was making me nervous. “Of course, John,” I said. “But it’s not like I have a choice.” “What if you did?” he asked, his grip tightening. I blinked. “But I can’t. You said-“ He gave me a little shake. “Never mind what I said. What if I was wrong?” I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me. “I’d come back,” I said, simply, “to stay with you.” A second later, the late-and everything around it-was gone.
Meg Cabot (Underworld (Abandon, #2))
Life is too damn short to live in a mediocre way. Wake up with a purpose and make the best of each day and your short time on this earth. Stop saying, “I’ll do this when I have more money” or “I’ll start when I’m more settled.” Stop making excuses. What if I told you that all you need is what you have right now? That’s all you need to just make a start. It doesn’t matter if you’re 17, 30 or 50—set your alarm for tomorrow morning and wake up with a purpose. Always give your best and live your best life. Don’t let the years just pass you by, because we don’t get another chance.
Charlotte Freeman (Everything You’ll Ever Need: You Can Find Within Yourself)
What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …
David Mitchell (The Bone Clocks)
Second: them poor things well out o' this, and never no more will I interfere with Mrs. Cruncher's flopping, never no more!" "Whatever housekeeping arrangement that may be," said Miss Pross, striving to dry her eyes and compose herself, "I have no doubt it is best that Mrs. Cruncher should have it entirely under her own superintendence.—O my poor darlings!" "I go so far as to say, miss, moreover," proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit—"and let my words be took down and took to Mrs. Cruncher through yourself—that wot my opinions respectin' flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time." "There, there, there! I hope she is, my dear man," cried the distracted Miss Pross, "and I hope she finds it answering her expectations.
Charles Dickens (A Tale of Two Cities)
Witness, too, all human beings, how when herded together in the sheepfold of a theatre's pit, they will, at the slightest alarm of fire, rush helter-skelter for the outlets, crowding, trampling, jamming, and remorselessly dashing each other to death. Best, therefore, withhold any amazement at the strangely gallied whales before us, for there is no folly of the beasts of the earth which is not infinitely outdone by the madness of men.
Herman Melville (Moby Dick: or, the White Whale)
I hear another man cry, “Oh, sir my want of strength lies mainly in this, that I cannot repent sufficiently!” A curious idea men have of what repentance is! Many fancy that so many tears are to be shed, and so many groans are to be heaved, and so much despair is to be endured. Whence comes this unreasonable notion? Unbelief and despair are sins, and therefore I do not see how they can be constituent elements of acceptable repentance; yet there are many who regard them as necessary parts of true Christian experience. They are in great error. Still, I know what they mean, for in the days of my darkness I used to feel in the same way. I desired to repent, but I thought that I could not do it, and yet all the while I was repenting. Odd as it may sound, I felt that I could not feel. I used to get into a corner and weep, because I could not weep; and I fell into bitter sorrow because I could not sorrow for sin. What a jumble it all is when in our unbelieving state we begin to judge our own condition! It is like a blind man looking at his own eyes. My heart was melted within me for fear, because I thought that my heart was as hard as an adamant stone. My heart was broken to think that it would not break. Now I can see that I was exhibiting the very thing which I thought I did not possess; but then I knew not where I was. Remember that the man who truly repents is never satisfied with his own repentance. We can no more repent perfectly than we can live perfectly. However pure our tears, there will always be some dirt in them: there will be something to be repented of even in our best repentance. But listen! To repent is to change your mind about sin, and Christ, and all the great things of God. There is sorrow implied in this; but the main point is the turning of the heart from sin to Christ. If there be this turning, you have the essence of true repentance, even though no alarm and no despair should ever have cast their shadow upon your mind.
Charles Haddon Spurgeon (All of Grace)
She isn’t just any woman. She’s different.” “So every man has said since time immemorial.” “Yes, that’s true. I’ve met plenty of women, Mr. Sutton. From a young age, I have had mistresses whose beauty and skills would astound you. Skills they taught to a young man, because I was ever so rich. I also got to know them—courtesans are living, breathing women, you might be surprised to learn. With dreams and ambitions, some longing for a better life, one in which they won’t have to rely on wealthy men’s sons for survival. I became quite good friends with some of the ladies and am still. And then I met Violet.” Mr. Sutton was listening but striving to look uninterested. “Another courtesan?” “She’s neither one thing nor the other. Which is why I say she’s different. She’s not from the upper-class families whose mothers throw their daughters at me with alarming ruthlessness. She’s not a courtesan, selling her body and skills in exchange for diamonds and riches. She’s not a street girl from the gutter, selling her body to survive. She’s not a middle-class daughter, striving to live spotlessly and not shame her parents. Violet faces the world on her own terms, making a living the best she can with the skills she has. And everywhere, everyone has tried to stop her. They’ve used her body to pay their debts. They’ve used her cleverness to bring them clients. They’ve used her skills at understanding people to make them money. Everyone in her entire life has used her in every capacity she has, and yet, she still stands tall and faces the world. They’ve beaten her down at every turn, and still she rises. This is a woman of indomitable spirit. And I want to set her free.
Jennifer Ashley (The Wicked Deeds of Daniel Mackenzie (MacKenzies & McBrides, #6))
Exaggeration in every sense is as essential to newspaper writing as it is to the writing of plays: for the point is to make as much as possible of every occurrence. So that all newspaper writers are, for the sake of their trade, alarmists: this is their way of making themselves interesting. What they really do, however, is resemble little dogs who, as soon as anything whatever moves, start up a loud barking. It is necessary, therefore, not to pay too much attention to their alarms, and to realize in general that the newspaper is a magnifying glass, and this only at best: for very often it is no more than a shadow-play on the wall.
Arthur Schopenhauer (Essays and Aphorisms)
[Obituary of atheist philosopher Richard Robinson] An Atheist's Values is one of the best short accounts of liberalism (a term Robinson accepted) and humanism (a term he ignored) produced during the present century, all the more powerful for its lucidity and moderation, its wit and wisdom. It may now seem old-fashioned, but during those confused alarms of struggle and fight between the ignorant armies of left and right, thousands of readers must have taken inspiration from Richard Robinson's rational defence of rationalism. It is a pity that it is now out of print, when there is still so much nonsense and so little sense in the world.
Nicolas Walter
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
What worries me is the acceptance of the importance of feelings without any effort to understand their complex biological and sociocultural machinery. The best example of this attitude can be found in the attempt to explain bruised feelings or irrational behavior by appealing to surface social causes or the action of neurotransmitters, two explanations that pervade the social discourse as presented in the visual and printed media; and in the attempt to correct personal and social problems with medical and nonmedical drugs. It is precisely this lack of understanding of the nature of feelings and reason (one of the hallmarks of the "culture of complaint") that is cause for alarm.
António R. Damásio (Descartes' Error: Emotion, Reason and the Human Brain)
Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend. Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted. The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond. One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
We tend to imagine rapists, like terrorists, as an omnipresent and often unidentifiable threat, everywhere and nowhere at once. Since we don't know exactly who will strike or when, we agree that the best we can do is try to avoid victimhood. We put pressure on potential targets to volunteer for safety rituals, that create the illusion of security, while quietly eroding our freedom.
Kate Harding (Asking for It: The Alarming Rise of Rape Culture and What We Can Do about It)
Had these Leviathans been but a flock of simple sheep, pursued over the pasture by three fierce wolves, they could not possibly have evinced such excessive dismay. But this occasional timidity is characteristic of almost all herding creatures. Though banding together in tens of thousands, the lion-maned buffaloes of the West have fled before a solitary horseman. Witness, too, all human beings, how when herded together in the sheepfold of a theatre's pit, they will, at the slightest alarm of fire, rush helter-skelter for the outlets, crowding, trampling, jamming, and remorselessly dashing each other to death. Best, therefore, withhold any amazement at the strangely gallied whales before us, for there is no folly of the beasts of the earth which is not infinitely outdone by the madness of men.
Herman Melville (Moby Dick)
I can make you feel touched.” He paused. “It would be easier if I showed you. Do I have permission?” Yes. “No.” Being touched by Mad Rogan wasn’t a good idea. We kept walking. What would it be like?” “Does it hurt?” “No.” How would it feel? Would it feel . . . oh hell. “Okay.” I stopped. We were in front of a small alcove. Nobody was around. If I made an idiot out of myself, nobody would notice. “Just once.” A soft burst of heat touched the back of my neck. I’d never felt anything like it before. It was as if someone had touched me with a heated mink glove, but the touch wasn’t soft, it was firm. It felt . . . it felt . . . The heat slid down my neck, fast, over my spine, setting every single nerve on fire before melting in the small of my back, its echoes pulsing through me. My body sang. He’d strummed me like I was a guitar. I wanted him and I wanted him now. “That was . . .” I saw his eyes. Words died. All the hardness had vanished from his eyes. They were alive and heated from within. “You want me.” “What?” The magic warmth slid over my shoulders, melting into pure pleasure. “I feel the feedback.” He took a step toward me, grinning. “Nevada, you’re a liar.” Uh-oh. I backed up. “What feedback?” “When I do this . . .” The heated pressure zinged from my back up my ribs. I gasped. Oh dear God. “. . . what you feel loops back to me. I’m partially emphatic.” “You didn’t mention that.” My heart was doing its best to break through my chest, and I couldn’t tell if it was alarm, lust, or some weird mix of both. He grinned, coming closer. “The hotter you are, the hotter I am. And you’re on fire.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Suppose you unexpectedly see a person you care about. Suddenly you feel the love you have, for that person. Let's follow the flow of information from the visual system through the brain to the point of the experience of love as best we can. First of all, the stimulus will flow from the visual system to the prefrontal cortex (putting an image of the loved one in working memory). The stimulus also reaches the explicit memory system of the temporal lobe and activates memories and integrates them with the image of the person. Simultaneously with these processes, the subcortical areas presumed to be involved in attachment will be activated (the exact paths by which the stimulus reaches these areas is not known, however). Activation of attachment circuits then impacts on working memory in several ways. One involves direct connections from the attachment areas to the prefrontal cortex (as with fear, it is the medial prefrontal region that is connected with subcortical attachment areas). Activation of attachment circuits also leads to activation of brain stem arousal networks, which then participate in the focusing of attention on the loved one by working memory. Bodily responses will also be initiated as outputs of attachment circuits, and contrast with the alarm responses initiated by fear and stress circuits. We approach rather than try to escape from or avoid the person, and these behavioral differences are accompanied by different physiological conditions within the body. This pattern of inputs to working memory from within the brain and from the body biases us more toward an open and accepting mode of processing than toward tension and vigilance. The net result in working memory is the feeling of love.
Joseph E. LeDoux
Stewardess!” She came running down the aisle, her face tightened with alarm. When she saw the look on his face, she stiffened in her tracks. “There’s a man out there! A man!” cried Wilson. “What?” Skin constricted on her cheeks, around her eyes. “Look, look!” Hand shaking, Wilson dropped back into his seat and pointed out the window. “He’s crawling on the—” The words ended with a choking rattle in his throat. There was nothing on the wing.
Richard Matheson (The Best of Richard Matheson)
They were going home at last, the graveside ceremony over—actually it was held at the small Mount Hope Chapel; no grave would be dug for Norma until spring—when Ellie suddenly burst into tears. Louis glanced at her, surprised but not particularly alarmed. “Ellie, what is it?” “No more cookies,” Ellie sobbed. “She made the best oatmeal cookies I ever ate. But she won’t make them anymore because she’s dead. Daddy, why do people have to be dead?
Stephen King (Pet Sematary)
That way, when the wolf came, I’d stand a better chance of catching him. Week in and week out they’d raised the alarm, and one sable-black night I lay in ambush for those wolves against whom I’d failed to protect the flock. While the other dogs tore out ahead of me, I lay doggo behind a bush and watched two shepherds mark out one of the best lambs in the fold and kill it—and in such a way that in the morning, everyone would think the wolf had done it.
Miguel de Cervantes Saavedra (The Dialogue of the Dogs (The Art of the Novella))
It had been an early start. Dawn and dusk had always been the best times to catch pike but these days it was a rare occasion when he got out of bed much before 9.00am at the weekend. This morning his alarm had gone off at 5.00am. It was still dark. He had made a thermos flask of coffee and had stopped at the petrol station to get some sandwiches and chocolate. He had put his fishing tackle in the car the night before and had arrived at Gold Corner Pumping Station before sunrise.
Damien Boyd (As The Crow Flies (DI Nick Dixon #1))
[T]he best analogy for the Athenian democracy is a ship without a captain. On such a ship, the crew do their duty outstandingly well as long as fear of the open sea or the threat of a storm induces them to cooperate with one another and obey the helmsman. But when there is no cause for alarm, they start to ignore their superiors and to fall out with one another. . . . And what happens is that often, even after crossing the widest stretches of open sea and surviving the most furious storms, they founder in harbour or close to land.
Polybius
Forty-five minutes and many pairs of kids' pyjamas, handballs and packets of coloured pencils later, I have had to swap my basket for a trolley, but when I get through the self-checkout and find out the total is forty-seven dollars, I'm so horrified by the low price that I abandon it all. That was a pricing mistake they made there. They made it so low it alarmed me and reminded me what a lot of mass-produced tat it was, and how it was possibly made my small exploited children in the third world. If the total had been seventy dollars I probably would have bought the lot.
Jessica Dettmann (How to Be Second Best)
INITIATE Life is too damn short to live in a mediocre way. Wake up with a purpose and make the best of each day and your short time on this earth. Stop saying, “I’ll do this when I have more money” or “I’ll start when I’m more settled.” Stop making excuses. What if I told you that all you need is what you have right now? That’s all you need to just make a start. It doesn’t matter if you’re 17, 30 or 50—set your alarm for tomorrow morning and wake up with a purpose. Always give your best and live your best life. Don’t let the years just pass you by, because we don’t get another chance. This is it.
Charlotte Freeman (Everything You’ll Ever Need: You Can Find Within Yourself)
Describe how you’ve perceived yourself in the following situations over the past several months—with your significant other, at work, with the kids or team, in social situations with strangers. Now ask, “Is that who I really see myself being in the future?” How would my future self look, feel, and behave differently in those situations? If you could describe yourself in just three aspirational words—words that would sum up who you are at your best in the future—what would those words be? Why are those words meaningful to you? Once you find your words, put them in your phone as an alarm label that goes off several times per day.
Brendon Burchard (High Performance Habits: How Extraordinary People Become That Way)
But this occasional timidity is characteristic of almost all herding creatures. Though banding together in tens of thousands, the lion-maned buffaloes of the West have fled before a solitary horseman. Witness, too, all human beings, how when herded together in the sheepfold of a theatre's pit, they will, at the slightest alarm of fire, rush helter-skelter for the outlets, crowding, trampling, jamming, and remorselessly dashing each other to death. Best, therefore, withhold any amazement at the strangely gallied whales before us, for there is no folly of the beasts of the earth which is not infinitely outdone by the madness of men.
Herman Melville (Moby Dick: or, the White Whale)
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
We maintain therefore that in matters of Religion, no man’s right is abridged by the institution of Civil Society, and that Religion is wholly exempt from its cognizance. True it is, that no other rule exists, by which any question which may divide a Society, can be ultimately determined, but the will of the majority; but it is also true, that the majority may trespass on the rights of the minority. ...Because it is proper to take alarm at the first experiment on our liberties. We hold this prudent jealousy to be the first duty of Citizens, and one of the noblest characteristics of the late Revolution. The free men of America did not wait till usurped power had strengthened itself by exercise, and entangled the question in precedents. They saw all the consequences in the principle, and they avoided the consequences by denying the principle. We revere this lesson too much soon to forget it. Who does not see that the same authority which can establish Christianity, in exclusion of all other Religions, may establish with the same ease any particular sect of Christians, in exclusion of all other Sects? that the same authority which can force a citizen to contribute three pence only of his property for the support of any one establishment, may force him to conform to any other establishment in all cases whatsoever? ...Because experience witnesseth that ecclesiastical establishments, instead of maintaining the purity and efficacy of Religion, have had a contrary operation. During almost fifteen centuries has the legal establishment of Christianity been on trial. What have been its fruits? More or less in all places, pride and indolence in the Clergy, ignorance and servility in the laity, in both, superstition, bigotry and persecution. ...What influence in fact have ecclesiastical establishments had on Civil Society? In some instances they have been seen to erect a spiritual tyranny on the ruins of the Civil authority; in many instances they have been seen upholding the thrones of political tyranny: in no instance have they been seen the guardians of the liberties of the people. Rulers who wished to subvert the public liberty, may have found an established Clergy convenient auxiliaries. A just Government instituted to secure & perpetuate it needs them not. Such a Government will be best supported by protecting every Citizen in the enjoyment of his Religion with the same equal hand which protects his person and his property; by neither invading the equal rights of any Sect, nor suffering any Sect to invade those of another. [Memorial and Remonstrance Against Religious Assessments, 20 June 1785. This was written in response to a proposed bill that would establish 'teachers of the Christian religion', violating the 1st Amendment's establishment clause]
James Madison (A Memorial And Remonstrance, On The Religious Rights Of Man: Written In 1784-85 (1828))
Several primate species have communication systems of considerable sophistication. Gelada baboons have 22 different kinds of call, and gorillas have been recorded using some 30 different gestures.34 One of the best studied animal communication systems is the repertoire of alarm calls uttered by the vervet monkeys of East Africa. Vervets lead a perilous existence, at constant risk from eagles, leopards and snakes, and they possess a distinctive warning call for each. When researchers record one of these calls and play it back to other vervets, the monkeys reliably scan the skies in response to the eagle call, look down at the ground at the snake call, and leap into bushes at the leopard call.
Nicholas Wade (Before the Dawn: Recovering the Lost History of Our Ancestors)
Recognize the Value of Acting with Uncertainty Anxiety and uncertainty don’t always mean you should stay stuck on pause. If you’re currently stuck in pause mode, and have been for a while, taking some action is usually better than taking no action. When you can recognize the value of acting with uncertainty, you’ll help your brain start to interpret uncertainty as a positive or not-so-terrible state, rather than it causing your alarm bells to ring loudly. The following is a thought experiment that’s aimed at helping you recognize the value of acting even when you don’t feel 100% sure of what the outcome will be or the exact best way to proceed. Experiment: What are some circumstances in which acting with less than 100% certainty of success might be the best option? For example, submitting an application for a grant that will take four hours to prepare. You estimate the likelihood of obtaining the grant is only 10%, but it will be worth $5,000 if you’re successful. Or trying a $50-a-month service that multiple people you trust have recommended. Or spending $100 on paint and painting supplies to see if you like a new room color. You’ve been thinking for years that you want to break out of off-white. Try to come up with three examples of your own. If coming up with three examples is intimidating, come up with just one example. Remember: You can adapt these instructions to suit yourself.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
I asked her to tell me what the best moment of her life had been Did she? Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school. Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited. That wasn’t it. It wasn’t? No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her. She said that. Yes when I asked her what the best moment of her life had been she had told me that story. But it was nothing. To her it was.
Michelle Richmond (No One You Know)
Tonight she'd share her idea with Chris over a rare family meal. In preparation, she was making scrambled eggs, bacon, and toast, one of the few meals she could cook without setting off the fire alarms. She hated having to come up with meals day after day after day. Chris was the one who could cook- her talent was eating. But it didn't make sense for him to work full time and then cook dinner every night, so she did her best, mastering a few simple dishes like tacos and barbecue pork sandwiches. If it involved more than one pot, forget it. Too many ingredients? No way. Scrambled eggs with cheese and herbs was her specialty. The family called them "Katie eggs" because when Kate was four, it was all she could eat for six months, ergo MJ's mastery of them.
Amy E. Reichert (Luck, Love & Lemon Pie)
The air inside her room was thick with the scent of eucalyptus and lemon. He materialized near her dresser. His hand automatically turned her alarm clock to face the wall, then brushed across a tray filled with Vicks, cough syrup, aspirin, and a thermometer. He tenderly touched the lemon slices near an empty teacup. Could a simple illness have filled him with so much fear that he had risked coming to see her? A dim light from a purple Lava lamp cast an amber glow across the bed where Serena lay, the leopard-print sheets twisted in a knot beside her leg. Her long curly hair was half caught in a scrunchy that matched her flannel pajamas. The words Diamonds are a girl's best friend- they're sharper than knives curled around a dozen marching Marilyns in army fatigues on the blue fabric. Stanton had been with her when she bought the Sergeant Marilyn pajamas three months back.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
Since leaving Moscow I have encountered an alarming level of ignorance about biological weapons. Some of the best scientists I've encountered in the West say it isn't possible to alter viruses genetically to make reliable weapons, or to store enough of a give pathogen for strategic purposes, or to deliver it in a way that assures maximum killing power. My knowledge and experience tell me that they are wrong. I have written this book to explain why. There are some who maintain that discussing the subject will cause needless alarm. But existing defenses against these weapons are dangerously inadequate, and when biological terror strikes, as I am convinced it will, public ignorance will only heighten the disaster. The first step we must take to protect ourselves is to understand what biological weapons are and how they work. The alternative is to remain as helpless as the monkeys in the Aral Sea.
Ken Alibek (Biohazard: The Chilling True Story of the Largest Covert Biological Weapons Program in the World--Told from Inside by the Man Who Ran It)
Stillness pooled like blood and Devon sat, stunned and terrified to move in case her universe tilted again. The aunts were already cleaning up: wiping blood off her legs, changing the sheets around her as best they could. Someone carried the placenta away. “Your milk will be black, when it comes in,” Gailey said. “Don’t be alarmed by that. All perfectly normal.” Devon just nodded, too overwhelmed to speak. Perfectly normal? How could anything be normal ever again? Her life had been a series of twisted fairy tales in which she had imagined herself the princess, but this, here, living and breathing and snuffling in her arms, had more truth than all of her swallowed stories combined. She was her daughter’s whole world, a realization both humbling and empowering. Devon had never been anybody’s world before—had never been anything at all, in fact, except the sum of paper flesh she’d consumed without thought.
Sunyi Dean (The Book Eaters)
operative risk, it was the best kind of tumor to have, and the best place to have it; surgery would almost certainly eliminate her seizures. The alternative was a lifetime on toxic antiseizure medications. But I could see that the idea of brain surgery terrified her, more than most. She was lonesome and in a strange place, having been swept out of the familiar hubbub of a shopping mall and into the alien beeps and alarms and antiseptic smells of an ICU. She would likely refuse surgery if I launched into a detached spiel detailing all the risks and possible complications. I could do so, document her refusal in the chart, consider my duty discharged, and move on to the next task. Instead, with her permission, I gathered her family with her, and together we calmly talked through the options. As we talked, I could see the enormousness of the choice she faced dwindle into a difficult but understandable decision. I had met her in a space where she was a person, instead of a problem to be solved. She chose surgery.
Paul Kalanithi (When Breath Becomes Air)
We live in a time of such great disunity, as the bitter fight over this nomination both in the Senate and among the public clearly demonstrates. It is not merely a case of different groups having different opinions. It is a case of people bearing extreme ill will toward those who disagree with them. In our intense focus on our differences, we have forgotten the common values that bind us together as Americans. When some of our best minds are seeking to develop ever more sophisticated algorithms designed to link us to websites that only reinforce and cater to our views, we can only expect our differences to intensify. This would have alarmed the drafters of our Constitution, who were acutely aware that different values and interests could prevent Americans from becoming and remaining a single people. Indeed, of the six objectives they invoked in the preamble to the Constitution, the one that they put first was the formation of “a more perfect Union.” Their vision of “a more perfect Union” does not exist today, and if anything, we appear to be moving farther away from it.
Susan Collins
I want to convince you that intellectual property is important, that it is something that any informed citizen needs to know a little about, in the same way that any informed citizen needs to know at least something about the environment, or civil rights, or the way the economy works. I will try my best to be fair, to explain the issues and give both sides of the argument. Still, you should know that this is more than mere description. In the pages that follow, I try to show that current intellectual property policy is overwhelmingly and tragically bad in ways that everyone, and not just lawyers or economists, should care about. We are making bad decisions that will have a negative effect on our culture, our kids’ schools, and our communications networks; on free speech, medicine, and scientific research. We are wasting some of the promise of the Internet, running the risk of ruining an amazing system of scientific innovation, carving out an intellectual property exemption to the First Amendment. I do not write this as an enemy of intellectual property, a dot-communist ready to end all property rights; in fact, I am a fan. It is precisely because I am a fan that I am so alarmed about the direction we are taking.
Anonymous
The damned alarm went off in the middle of the hottest fuck Nick had ever had. He came up out of the dream roaring like an angry bear and practically slapped the clock off the nightstand in his efforts to shut it off. There was no going back to sleep, not with his heart hammering and his dick stretching out between his legs like it owned the place. Cursing between his teeth, he stumbled to the bathroom with only one eye half open. Not bothering with the stop at the commode for the piss he knew he couldn’t manage as hard as he was, he shoved his way into the shower and cranked the hot water. No cold showers this morning. He had every intention of giving this dream a good send-off. For a minute he leant against the wall, letting the jets from the shower massage work their magic. Then, when he was nice and wet, he soaped up, still not bothering to open his eyes, still doing his best to capture the vivid images from his dream. Once his chest and armpits, lower back and arse were well lathered, he went to work where he needed it most. And when his pubes felt like they were mounded in thick whipped cream, he closed his fist around his sudsy hard-on and began to stroke, letting the dream flood full-on back into his head.
K.D. Grace (Fulfilling the Contract)
His lordship preserved his control over himself with a strong effort. After a moment of inward struggle, he said: ‘Drawing the bustle with a vengeance, weren’t you? No, don’t cry! It might have been worse. But what possessed you, you little simpleton, to throw good money after bad? For I know very well you went a second night to that curst hell! Had you no more sense than to allow yourself to be plucked again? Good God! is gaming in your blood?’ ‘Oh, no, no, I am sure it is not, for I was never more uncomfortable in my life! Indeed, I wish I had not gone back, but I did it for the best, Sherry, and truly I thought you would have told me to if I could but have asked you!’ ‘Thought I – thought I – ?’ gasped his lordship. ‘Have you gone mad, Hero?’ ‘But, Sherry, you told me yourself, when your uncle Prosper had been teasing you, that the only thing to be done was to continue playing, because a run of bad luck could not last for ever, and –’ She broke off, alarmed by the expression on his face. ‘Oh, what have I said?’ she cried. ‘It’s what I have said!’ replied Sherry. ‘No, no, don’t look like that, Kitten! It’s all my curst fault! Only I never dreamed you’d pay the least heed – Lord, I might have known, though! Kitten, don’t listen to me when I talk such nonsense!
Georgette Heyer (Friday's Child)
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
R.C. Ryan (Montana Destiny)
As a country, as a people, have we changed? On the surface we might appear to have done so, but underneath I think we are still the same. Our change is measurable, but not significant. We remain bent on destroying ourselves. We still kill each other with alarming frequency and for foolish reasons, and we begin the killing at a younger age. We have much to celebrate, but we live in fear and doubt. We are pessimistic about our own lives and the lives of our children. We trust almost no one. “It is the same everywhere. We are a people under siege, walled away from each other and the world, trying to find a safe path through the debris of hate and rage that collects around us. We drive our cars as if they were weapons. We use our children and our friends as if their love and trust were expendable and meaningless. We think of ourselves first and others second. We lie and cheat and steal in little ways, thinking it unimportant, justifying it by telling ourselves that others do it, so it doesn’t matter if we do it, too. We have no patience with the mistakes of others. We have no empathy for their despair. We have no compassion for their misery. Those who roam the streets are not our concern; they are examples of failure and an embarrassment to us. It is best to ignore them. If they are homeless, it is their own fault. They give us nothing but trouble. If they die, at least they will provide us with more space to breathe.” His smile was bitter. “Our war continues, the war we fight with one another, the war we wage against ourselves. It has its champions, good and bad, and sometimes one or the other has the stronger hand. Our place in this war is often defined for us. It is defined for many because they are powerless to choose. They are homeless or destitute. They are a minority of sex or race or religion. They are poor or disenfranchised. They are abused or disabled, physically or mentally, and they have forgotten or never learned how to stand up for themselves.
Terry Brooks (A Knight of the Word (Word & Void, #2))
At the end of the evening, when Winterborne was donning his hat and gloves in the entrance hall, Helen impulsively picked up her potted orchid from a table in the drawing room, and brought it to him. “Mr. Winterborne,” she said earnestly, “I would like very much for you to have this.” He gave her a questioning glance as she pushed the pot into his hands. “It’s a Blue Vanda orchid,” she explained. “What should I do with it?” “You might wish to keep it in a place where you can see it often. Remember that it doesn’t like to be cold and wet, or hot and dry. Whenever it’s moved to a new environment, the Vanda usually becomes distressed, so don’t be alarmed if a flower shrivels and drops off. Generally it’s best not to set it where there may be a draft, or too much sun. Or too much shadow. And never place it next to a bowl of fruit.” She gave him an encouraging glance. “Later, I’ll give you a special tonic to mist over it.” As Winterborne stared at the exotic flower in his hands with perplexed reluctance, Helen began to regret her spontaneous action. He didn’t seem to want the gift, but she couldn’t very well ask to have it back. “You needn’t take it if you don’t want it,” she said. “I would understand--” “I want it.” Winterborne looked into her eyes and smiled slightly. “Thank you.” Helen nodded and watched forlornly as he departed with the orchid caught firmly in his grasp. “You gave him the Blue Vanda,” Pandora said in wonder, coming to stand beside her. “Yes.” Cassandra came to her other side. “The most diabolically temperamental orchid of your entire collection.” Helen sighed. “Yes.” “He’ll kill it within a week,” Kathleen said flatly. “Any of us would.” “Yes.” “Then why did you give it to him?” Helen frowned and gestured with her palms up. “I wanted him to have something special.” “He has thousands of special things from all over the world,” Pandora pointed out. “Something special from me,” Helen clarified gently, and no one asked her about it after that.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Gossip, even malicious rumors, are worth more than the most expensive publicity campaign in the world. What alarmed me most in the course of my stay in the United States was the habit of spending enormous sums of money in order to achieve so little real luxury. America represents the triumph of quantity over quality. Mass production triumphs; men and women both prefer to buy a multitude of mediocre things rather than a smaller number, carefully chosen. The American woman, faithful to the ideal of optimism with the United States seems to have made its rule of life, spends money entirely in order to gratify the collective need to buy. She prefers three new dresses to one beautiful one and does not linger over a choice, knowing perfectly well that her fancy will be of short duration and the dress which she is in the process of buying will be discarded very soon. The prime need of fashion is to please and attract. Consequently this attraction cannot be born of uniformity, the mother of boredom. Contemporary elegance is at once simple and natural. Since there is no patience where vanity is concerned, any client who is kept waiting considers it a personal insult. The best bargain in the world is a successful dress. It brings happiness to the woman who wears it and it is never too dear for the man who pays for it. The most expensive dress in the world is a dress which is a failure. It infuriates the woman who wears it and it is a burden to the man who pays for it. In addition, it practically always involves him in the purchase of a second dress much more expensive - the only thing that can blot out the memory of the first failure. Living in a house which does not suit you is like wearing someone else's clothes. There will always be women who cling to a particular style of dress because they wore it during the time of their greatest happiness, but white hair is the only excuse for this type of eccentricity. The need for display, which is dormant in all of us, can express itself nowadays in fashion and nowhere else. The dresses of this collection may be worn by only a few of the thousands of women who read and dream about them, but high fashion need not be directly accessible to everyone: it need only exist in the world for its influence to be felt.
Christian Dior (Christian Dior and I)
The culture generated by peer-orientation is sterile in the strict sense of that word: it is unable to reproduce itself or to transmit values that can serve future generations. There are very few third generation hippies. Whatever its nostalgic appeal, that culture did not have much staying power. Peer culture is momentary, transient, and created daily, a “culture du jour,” as it were. The content of peer culture resonates with the psychology of our peer-oriented children and adults who are arrested in their own development. In one sense it is fortunate that peer culture cannot be passed on to future generations, since its only redeeming aspect is that it is fresh every decade. It does not edify or nurture or even remotely evoke the best in us or in our children. The peer culture, concerned only with what is fashionable at the moment, lacks any sense of tradition or history. As peer orientation rises, young people's appreciation of history wanes, even of recent history. For them, present and future exist in a vacuum with no connection to the past. The implications are alarming for the prospects of any informed political and social decision-making flowing from such ignorance. A current example is South Africa today, where the end of apartheid has brought not only political freedom but, on the negative side, rapid and rampant Westernization and the advent of globalized peer culture. The tension between the generations is already intensifying. “Our parents are trying to educate us about the past,” one South African teenager told a Canadian newspaper reporter. “We're forced to hear about racists and politics…” For his part, Steve Mokwena, a thirty-six year-old historian and a veteran of the anti-apartheid struggle, is described by the journalist as being “from a different world than the young people he now works with.” “They're being force-fed on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch.on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch. You might argue that peer orientation, perhaps, can bring us to the genuine globalization of culture, of a universal civilization that no longer divides the world into “us and them.” Didn't the MTV broadcaster brag that children all over television's world resembled one another more than their parents and grandparents? Could this not be the way to the future, a way to transcend the cultures that divide us and to establish a worldwide culture of connection and peace? We think not.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
gee i like to think of dead" gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well       it's too cool to be crooked and it's too firm to be hard but it's sharp and it's thick and it loves,      every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they've never met before dead's more even than how many ways of sitting on your head your unnatural hair has in the morning dead's clever too like POF goes the alarm off and the little striker having the best time tickling away every- body's brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you've never met who maybe winks at you in a streetcar and you pretend you don't but really you do see and you are My how glad he winked and hope he'll do it again or if it talks about you somewhere behind your back it makes your neck feel all pleasant and stoopid      and if dead says may i have this one and was never intro- duced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead's fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that's all you see but you don't want to dead's happy like the way underclothes All so differ- ently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead's nice like a dance where you danced simple hours and you take all your prickley-clothes off and squeeze- into-largeness without one word      and you lie still as anything      in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that's not all)because largeness tells you so you can feel what you made,men feel when,you touched,them dead's sorry like a thistlefluff-thing which goes land- ing away all by himself on somebody's roof or some- thing where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(and why ever not)into the round well and see the kitten and the penny and the jackknife and the rosebug                                 and you say Sure you say  (like that)  sure i'll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.
E.E. Cummings (100 Selected Poems)
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
Enjoyment requires discernment. It can be a gift to wrap up in a blanket and lose myself in a TV show but we can also amuse ourselves to death. My pleasure in wine or tea or exercise is good in itself but it can become disordered. As we learn to practice enjoyment we need to learn the craft of discernment: How to enjoy rightly, to have, to read pleasure well. There is a symbiotic relationship, cross-training, if you will, between the pleasures we find in gathered worship and those in my tea cup, or in a warm blanket, or the smell of bread baking. Lewis reminds us that one must walk before one can run. We will not be able to adore God on the highest occasions if we have learned no habit of doing so on the lowest. At best our faith and reason will tell us that He is adorable but we shall not have found Him so. These tiny moments of beauty in our day train us in the habits of adoration and discernment, and the pleasure and sensuousness of our gathered worship teach us to look for and receive these small moments in our days, together they train us in the art of noticing and reveling in our God’s goodness and artistry. A few weeks ago I was walking to work, standing on the corner of tire and auto parts store, waiting to cross the street when I suddenly heard church bells begin to ring, loud and long. I froze, riveted. They were beautiful. A moment of transcendence right in the middle of the grimy street, glory next to the discount tire and auto parts. Liturgical worship has been referred to sometimes derisively as smells and bells because of the sensuous ways Christians have historically worshipped: Smells, the sweet and pungent smell of incense, and bells, like the one I heard in neighborhood which rang out from a catholic church. At my church we ring bells during the practice of our eucharist. The acolyte, the person often a child, assisting the priest, rings chimes when our pastor prepares the communion meal. There is nothing magic about these chimes, nothing superstitious, they’re just bells. We ring them in the eucharist liturgy as a way of saying, “pay attention.” They’re an alarm to rouse the congregation to jostle us to attention, telling us to take note, sit up, and lean forward, and notice Christ in our midst. We need this kind of embodied beauty, smells and bells, in our gathered worship, and we need it in our ordinary day to remind us to take notice of Christ right where we are. Dostoevsky wrote that “beauty will save the world.” This might strike us as mere hyperbole but as our culture increasingly rejects the idea and language of truth, the churches role as the harbinger of beauty is a powerful witness to the God of all beauty. Czeslaw Milosz wrote in his poem, “One more day,” “Though the good is weak, beauty is very strong.” And when people cease to believe there is good and evil, only beauty will call to them and save them so that they still know how to say, “this is true and that is false.” Being curators of beauty, pleasure, and delight is therefore and intrinsic part of our mission, a mission that recognizes the reality that truth is beautiful. These moments of loveliness, good tea, bare trees, and soft shadows, or church bells, in my dimness, they jolt me to attention and remind me that Christ is in our midst. His song of truth, sung by His people all over the world, echos down my ordinary street, spilling even into my living room.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
Nesta, it should not have come out as it did.' 'Did Cassian tell you that?' He'd gone to Feyre, rather than here? 'No, but I can guess as much. He didn't want to keep anything from you.' 'My issue isn't with Cassian.' Nesta levelled her stare at Amren. 'I trusted you to have my back.' 'I stopped having your back the moment you decided to use that loyalty as a shield against everyone else.' Nesta snarled, but Feyre stepped between them, hands raised. 'This conversation ends now. Nesta, go back to the House. Amren, you...' She hesitated, as if considering the wisdom of ordering Amren around. Feyre finished carefully, 'You stay here.' Nesta let out a low laugh. 'You are her High Lady. You don't need to cater to her. Not when she now has less power than any of you.' Feyre's eyes blazed. 'Amren is my friend, and has been a member of this court for centuries. I offer her respect.' 'Is it respect that she offers you?' Nesta spat. 'It is respect that your mate offers you?' Feyre went still. Amren warned, 'Don't you say one more fucking word, Nesta Archeron.' Feyre asked, 'What do you mean?' And Nesta didn't care. Couldn't think around the roaring. 'Have any of them told you, their respected High lady, that the babe in your womb will kill you?' Amren barked, 'Shut your mouth!' But her order was confirmation enough. Face paling, Feyre whispered again, 'What do you mean?' 'The wings,' Nesta seethed. 'The boy's Illyrian wings will get stuck in your Fae body during the labour, and it will kill you both.' Silence rippled through the room, the world. Feyre breathed, 'Madja just said that the labour would be risky. But the Bone Carver... The son he showed me didn't have wings.' Her voice broke. 'Did he only show me what I wanted to see.' 'I don't know,' Nesta said. 'But I do know that your mate ordered everyone not to inform you of the truth.' She turned to Amren. 'Did you all vote on that, too? Did you talk about her, judge her, and deem her unworthy of the truth? What was your vote, Amren? To let Feyre die in ignorance?' Before Amren could reply, Nesta turned back to her sister. 'Didn't you question why your precious, perfect Rhysand has been a moody bastard for weeks? Because he knows you will die. He knows, and yet he still didn't tell you.' Feyre began shaking. 'If I die...' Her gaze drifted to one of her tattooed arms. She lifted her head, eyes bright with tears as she asked Amren, 'You... all of you knew this?' Amren threw a withering glare in Nesta's direction, but said, 'We did not wish to alarm you. Fear can be as deadly as any physical threat.' 'Rhys knew?' Tears spilled down Feyre's cheeks, smearing the paint splattered there. 'About the threat to our lives?' She peered down at herself, at the tattooed hand cradling her abdomen. And Nesta knew then that she had not once in her life been loved by her mother as much as Feyre already loved the boy growing within her. It broke something in Nesta- broke that rage, that roaring- seeing those tears begin to fall, the fear crumpling Feyre's paint-smeared face. She had gone too far. She... Oh, gods. Amren said, 'I think it is best, girl, if you speak to Rhysand about this.' Nesta couldn't bear it- the pain and fear and love on Feyre's face as she caressed her stomach. Amren growled at Nesta, 'I hope you're content now.' Nesta didn't respond. Didn't know what to say or do with herself. She simply turned on her heel and ran from the apartment.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
When Patrick Henry warned his colleagues at the Richmond ratification convention that “the language of We the People, instead of We, the States,” signaled “an alarming transition, from a confederacy to a consolidated government,” James Madison coolly answered that this was among the Constitution’s best features.6 The Articles had been based on “the dependent derivative authority of the legislatures of the states,” he said, but the Constitution would draw its authority “from the superior power of the people.”7 Although it did not consolidate the states in every way, the Constitution, once ratified, would create “a government established by the thirteen States of America, not through the intervention of the Legislatures, but by the people at large.
Timothy Sandefur (The Conscience of the Constitution: The Declaration of Independence and the Right to Liberty)
On one occasion, when in New York City, I was in the night season called upon to behold buildings rising story after story toward heaven. These buildings were warranted to be fireproof, and they were erected to glorify their owners and builders. Higher and still higher these buildings rose, and in them the most costly material was used. Those to whom these buildings belonged were not asking themselves: "How can we best glorify God?" The Lord was not in their thoughts. {9T 12.1} I thought: "Oh, that those who are thus investing their means could see their course as God sees it! They are piling up magnificent buildings, but how foolish in the sight of the Ruler of the universe is their planning and devising. They are not studying with all the powers of heart and mind how they may glorify God. They have lost sight of this, the first duty of man." {9T 12.2} As these lofty buildings went up, the owners rejoiced with ambitious pride that they had money to use in gratifying self and provoking the envy of their neighbors. Much of the money that they thus invested had been obtained through exaction, through grinding down the poor. They forgot that in heaven an account of every business transaction is kept; every unjust deal, every fraudulent act, is there recorded. The time is coming when in their fraud and insolence men will reach a point that the Lord will not permit them to pass, and they will learn that there is a limit to the forbearance of Jehovah. {9T 12.3} The scene that next passed before me was an alarm of fire. Men looked at the lofty and supposedly fire-proof buildings and said: "They are perfectly safe." But these buildings were consumed as if made of pitch. The fire engines could do nothing to stay the destruction. The firemen were unable to operate the engines. {9T 13.1}
Ellen Gould White (The Spirit of Prophecy Publication Library (53 books))
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angeladong
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I tried to slow my racing heartbeat. I didn’t want to alarm her. “Mom, it’s just, the last time I was here you thought I was your best friend.” She smiled. “You are my best friend. You have been ever since you were this high. You and I have always been in this together.” I drank in her words like the parched ground swallows rain. I reached out and took her cool hands in mine. “I’ve missed you so much,” I said, trying to contain the flood of emotion washing over me. “There’s so much I’ve wanted to share with you. To talk with you about.” “Why don’t you start with why you’re so sad?” she said, in that tone that would not be denied.
Roxy Sloane (Explicit)
It is a pleasure to meet you, Miss Sheffield,” he said politely. “I do hope you will favor me with one of your dances this evening.” “I— Of course.” She cleared her throat. “I would be honored.” “Kate,” Mary said, nudging her softly, “show him your dance card.” “Oh! Yes, of course.” Kate fumbled for her dance card, which was tied prettily to her wrist with a green ribbon. That she had to fumble for anything actually tied to her body was a bit alarming, but Kate decided to blame her lack of composure on the sudden and unexpected appearance of a heretofore unknown Bridgerton brother. That, and the unfortunate fact that even under the best of circumstances she was never the most graceful girl in the room. Colin filled his name in for one of the dances later that evening, then asked if she might like to walk with him to the lemonade table. “Go, go,” Mary said, before Kate could reply. “Don’t worry about me. I’ll be just fine without you.” “I can bring you back a glass,” Kate offered, trying to figure out if it was possible to glare at her stepmother without Mr. Bridgerton noticing. “Not necessary. I really should get back to my position with all the other chaperones and mamas.” Mary whipped her head around frantically until she spied a familiar face. “Oh, look, there is Mrs. Featherington. I must be off. Portia! Portia!” Kate watched her stepmother’s rapidly retreating form for a moment before turning back to Mr. Bridgerton. “I think,” she said dryly, “that she doesn’t want any lemonade.” A sparkle of humor glinted in his emerald green eyes. “Either that or she’s planning to run all the way to Spain to pick the lemons herself.” -Colin, Kate, & Mary
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
This is thought to be Jesus’s best-loved parable, usually because our eyes are on the prodigal and his father. But as with jokes, so with parables: there is a principle in both of “end stress.” The “punch line” comes at the end. That being the case the alarming message here is that the spirit of the elder brother, the legalist, is more likely to be found near the father’s house than in the pig farm—or in concrete terms, in the congregation and among the faithful. And sometimes (only sometimes?), it appears in the pulpit and in the heart of the pastor.
Sinclair B. Ferguson (The Whole Christ: Legalism, Antinomianism, and Gospel Assurance—Why the Marrow Controversy Still Matters)
colorblindness is such a bad idea, though, why have people across the political spectrum become so attached to it? For conservatives, the ideal of colorblindness is linked to a commitment to individualism. In their view, society should be concerned with individuals, not groups. Gross racial disparities in health, wealth, education, and opportunity should be of no interest to our government, and racial identity should be a private matter, something best kept to ourselves. For liberals, the ideal of colorblindness is linked to the dream of racial equality. The hope is that one day we will no longer see race because race will lose all of its significance. In this fantasy, eventually race will no longer be a factor in mortality rates, the spread of disease, educational or economic opportunity, or the distribution of wealth. Race will correlate with nothing; it will mean nothing; we won’t even notice it anymore. Those who are less idealistic embrace colorblindness simply because they find it difficult to imagine a society in which we see race and racial differences yet consistently act in a positive, constructive way. It is easier to imagine a world in which we tolerate racial differences by being blind to them. The uncomfortable truth, however, is that racial differences will always exist among us. Even if the legacies of slavery, Jim Crow, and mass incarceration were completely overcome, we would remain a nation of immigrants (and indigenous people) in a larger world divided by race and ethnicity. It is a world in which there is extraordinary racial and ethnic inequality, and our nation has porous boundaries. For the foreseeable future, racial and ethnic inequality will be a feature of American life. This reality is not cause for despair. The idea that we may never reach a state of perfect racial equality—a perfect racial equilibrium—is not cause for alarm. What is concerning is the real possibility that we, as a society, will choose not to care. We will choose to be blind to injustice and the suffering of others. We will look the other way and deny our public agencies the resources, data, and tools they need to solve problems. We will refuse to celebrate what is beautiful about our distinct cultures and histories, even as we blend and evolve. That is cause for despair. Seeing race is not the problem. Refusing to care for the people we see is the problem.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I can read your thoughts. The amusement was soft and caressing, wrapping her up in strong arms. I was perfectly sane and sensible until I met you. Now look at me. I’m crawling around inside a mountain. Suddenly she stopped and held herself perfectly still. I’m hearing something. Tell me you are not taking me into a cave full of bats. Say it right now, Jacques, or I’m out of here. I am not taking you into cave filled with bats. Shea relaxed visibly. She was not squeamish about very many things, but bats were creatures that were on the earth to remain a safe distance away from her. Miles away. Bats were one of those things she could stare up at in the night sky and think how interesting and wonderful they were, as long as they stayed high above her and nowhere close. Her nose wrinkled. The sounds she was trying to ignore were getting louder. Her heart began to pound in alarm. The walls of the passageway were so narrow, she had no way to move fast. All at once she felt trapped, as if she was suffocating. I’m going back, Jacques. I’m not a cave person. She did her best to sound firm and matter-of-fact, not at all as if she were seconds from screaming her head off. She turned her head cautiously to keep from scraping her face on the jutting surfaces. His fingers circled her wrist like a vise. There must be no disturbance. If any creatures exit the cave or warn others of our existence here, we could be found. A piece of paper couldn’t fit in here, certainly not a person. No one is going to look for us here. A vampire would know the moment bats flew from the cave. Bats can’t fly out of here if there aren’t any in here, now, can they? She was sweetly reasonable.
Christine Feehan (Dark Desire (Dark, #2))
My college boyfriend got me more in touch with my gut health (both a blessing and a curse) and made me ask some larger questions about the universe that I had been ignoring in favor of buying US Weekly the moment it hit the stands every Wednesday. Ben taught me the term “self-actualized,” and it became not just a favorite phrase but a goal. Devon made me a pencil case with a built-in sharpener, lent me his watch, showed me how to keep all my wires from getting tangled, and changed my iPhone alarm from marimba to timba so that I wake up happier, more soothed. And now I come to him, whole and ready to be known differently. Life is long, people change, I would never be foolish enough to think otherwise. But no matter what, nothing can ever be as it was. Everything has changed in a way that sounds trite and borderline offensive when recounted over coffee. I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Such a woeful face!" he teased, adjusting the overcoat. "Cheer up, lest they all think you do not want me!" "It's not that, Lord Gareth." "Then what is it?" "It doesn't matter. Come, let's just get on with it." Let's just get on with it. Her air of resigned defeat alarmed and hurt him. What was wrong? Did she find him wanting? Was she angry with him, thinking he was marrying her only to get back at Lucien? Or was she — please God, no — comparing him to Charles and finding him lacking? After all, that's what everyone else had always done. As he offered his elbow, she stayed him with gentle pressure on his arm. "But then again, maybe the reverend's right, Lord Gareth," she said slowly, for his ears alone. "I'm just a colonial nobody, and you can do much better than me." "I'm not even going to honor that remark with an answer," he said with false brightness. Bloody hell. Is it Charles? "And furthermore, I think it's time we dispense with the 'Lord Gareth' and 'Miss Paige' bit, don't you? After all, we shall soon be married." "Marriage is not a union in which to enter lightly —" "I can assure you, my sweet, we are not entering it lightly. You need a husband. Charlotte needs a father. And I —" he grinned and dramatically clapped a hand to his chest before executing a little bow — "am in a position to help you both. One cannot get any more serious than that, eh?" "This isn't funny, Lord Gareth." "It's not so very terrible, either." "I don't think this is quite what Charles had in mind when he bade me to come to England —" "Look Juliet, Charles is dead. Whatever he had in mind no longer matters. You and I are alive, and we must seek the best solution to your — and Charlotte's — predicament."  He lifted her chin with his finger and smiled down into her troubled eyes. "Now, let's see some joy on that pretty face of yours. I don't want my friends to think you're miserable about marrying me." Juliet
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Talon rocked her against his chest, cradling her as one would a feverish child. “Shhh, shhh,” he soothed in Algonquian. “He is not dead.” She opened her eyes, and he knew from her glazed expression that she wasn’t seeing his face, but the haunting shadows of the spirit world. “Nuwi,” he coaxed. “Come back to me.” He dared not handle her roughly. Did not the shamans speak of dreaming souls that broke free from sleepers to drift away into the spirit world and never return? “Nuwi, Becca.” She whimpered and slipped her arms around his neck. He felt the shudders rack her body as she clung to him. “He’s not dead,” she whispered hoarsely. “No,” he repeated in English. “He is not dead.” She took a deep breath and her eyes closed. Her trembling lessened and color flowed into her cheeks. This time when her lashes parted, she saw him. She stiffened and gave a fearful cry, striking at him with her hands and trying to break free. “Ku,” he said. “No—do not be afraid. I will not harm you.” He released her and she tore loose from his arms and scrambled away until she reached the walls of the cave. “Do not be afraid,” he said impatiently. “You . . . you . . .” She gasped, clutching her arms against her body. “You cried out,” he explained, feeling foolish. “You had a dream.” “Yes.” Her voice was dry and rasping, her eyes wide with alarm. “You were very loud,” he chided. “I thought your screeching would bring the Huron.” “You . . . you touched me,” she said accusingly. “I touched you—as I would a terrified child or a startled horse.” “A horse?” He noticed spots of high color in her fair-skinned, oval face, a startling contrast to her vivid blue eyes and dark arching brows. Her fear was quickly turning to indignation. He gazed intensely at her delicate English features. Her nose was thin, sprinkled with freckles and slightly tilted at the tip. Without realizing that he was doing so, he smiled. Such a foolish nose for a woman—he didn’t think he had ever seen one quite like it. Her mouth was full, her lips plump and red as the first wild strawberries in May. “How dare you compare me to a horse?” she demanded hotly. “A horse?” He chuckled, remembering his words. “A horse was not the best comparison,” he conceded. “I may be your prisoner, but I have rights.” His mood shifted. “No,” he said sharply, remembering too how she had fitted neatly into his arms. “No. A prisoner has no rights—none but those her captor gives her. You are the wife of my enemy. Expect nothing from me, and be grateful for what I give.
Judith E. French (This Fierce Loving)
Sitting there, I remembered two things about going to mass with my father: he never took Communion because of his and my mother's divorce, and he always tapped his heart three times, with solemn insistence, after the recitation of the Apostles' Creed. I asked him about his ritual once. His eyes filled with such alarm that I instantly knew his heart tapping had something to do with a loss or devastation: his parents' early death, his divorce, his wounding in Vietnam. There was no reason for me to invade that space. Maybe that was the best simple explanation for religion: it filled our spaces.
Tom Bissell (Apostle: Travels Among the Tombs of the Twelve)
Pike had at least four minutes inside if the breach registered at a top private security firm. The duty monitor would run a system diagnostic to make sure the alarm hadn’t been triggered by a malfunction, then phone the subscriber. If the subscriber could not be reached, the monitor would alert a mobile unit or the police, who would respond only after finishing their current call. Four minutes was the best-case response time, but Pike knew the real-world response times were much longer. Pike
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She
Jen Turano (Playing the Part (A Class of Their Own, #3))
Maintain a big stack. I find that I read much more when I have a pile waiting for me. Right now, I have to admit, my stack is so big that it’s a bit alarming, but I’ll get it down to a more reasonable size before too long.
Gretchen Rubin (The Best of the Happiness Project Blog: Ten Years of Happiness, Good Habits, and More)
HOUSEHOLD MAINTENANCE I’ve written the following list to help you with the maintenance tasks that will have the most impact on the longevity of your belongings. Every day Act fast to clean up spills on furniture or clothing. Update software as needed to avoid getting hacked. Every week Vacuum, dust, and clean the house and furniture. Condition regularly worn shoes. Clean clothes as necessary. Clean out the dishwasher filter. Every month Descale the coffee maker (see this page). Condition regularly used leather bags and shoes worn less often. Fix any garments in the mending pile. Every three months Oil wood cutting boards and spoons. Put frozen vinegar cubes in the garbage disposal. Check the smoke alarms. Check the water softener (if you have one). Every six months Deep clean the house. Turn and vacuum the mattress. Launder the pillows and duvet. Polish wood furniture. Deep clean the fridge. Clean the refrigerator coils. Put petroleum jelly on the fridge seals. Run the cleaning cycle of the dishwasher and washing machine. Inspect the gutters. Every year Take stock of the items in your life (see Chapter 8). Have any leather jackets professionally cleaned. Get the knives sharpened. Clean the filter in the kitchen hood fan. Check the grouting around the tiles in the kitchen and bathroom. Flush the hot-water system and have the boiler serviced. Inspect the roof and exterior of your home (best done in spring/summer). Fix any loose fixings or screws. Clean and consider repainting/resealing the exterior woodwork. Every two years Have a professional deep clean of your upholstery and carpets.
Tara Button (A Life Less Throwaway: The Lost Art of Buying for Life)
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Top Line Tints and Audio
Biomass, which basically is a fancy-sounding name for wood, is one of the old, reliable renewables that can produce energy when it is needed. The problem for the planet is that wood is often imported from US forests in diesel-driven ships, and emits MORE carbon dioxide than even coal when it is burned. Biomass is categorized by the EU only as carbon dioxide free because it is hoped that felled trees will be replanted and over many future decades will soak up as much carbon dioxide as was released by its burning. Needless to say, this is dubious accounting at best.” -p. 108
Bjørn Lomborg
The expanding bull’s eye effect means we’re likely to see much more costly disasters happen over time, even if the climate doesn’t change at all… In reality, much (and often all) we’re seeing is that more people with more stuff live in harm’s way.” -p. 37 “We also need to stop believing that any story with climate in it is best solved through climate policies… Even if we went all-in and spent hundreds of trillions on climate policies, SEA LEVELS WOULD STILL RISE, ONLY SLIGHTLY LESS than if we did nothing. Millions would still get flooded. If we instead went all-in on adaptation, we could for less than a hundredth of the cost save almost everyone. The same with heat deaths; focusing on climate policies costs vastly more yet helps much, much less than air conditioning.” -p. 37
Bjørn Lomborg
Sporadic cases of plague were discovered throughout the summer and fall of 1900. Most alarming, at least to the native-born American population of San Francisco, was the first white plague victim discovered in August. In January 1901, U.S. Secretary of the Treasury Lyman J. Gage, who oversaw both the Marine Hospital Service and the Immigration Bureau, commissioned three nationally prominent plague experts to investigate the health conditions in San Francisco. Their report, using the best bacteriological methods then available, confirmed that plague did, in fact, visit San Francisco. The experts explained that the wisest precaution to take against plague's potential return was not to isolate people based on race but, instead, to intensify cleansing and fumigation efforts in any area where plague was found. Between March 1, 1900 and February 29, 1904, 121 cases of plague were diagnosed in San Francisco with 113 resulting in death. Of these deaths, 107 were Chinese, 4 were Japanese, and 2 were white.59 Alas, this episode hardly brought an end to the all-too-reflexive impulse Americans often have in establishing quarantine or public health policy based on race, ethnicity, or social disen-franchisement.
Howard Markel (When Germs Travel: Six Major Epidemics That Have Invaded America and the Fears They Have Unleashed)