Alarm Bell Quotes

We've searched our database for all the quotes and captions related to Alarm Bell. Here they are! All 100 of them:

And what the sharp old medic suggested to the Pentagon sent shivers down their spines and set the alarm bells ringing all the way to the White House
Michael Parker (The Devil's Trinity)
When I see a new face, something sets off an alarm bell inside me. 'slow down! Danger!' Even when the attraction is strongest, I am on my guard.
Albert Camus (The Fall)
Psychologists usually try to help people use insight and understanding to manage their behavior. However, neuroscience research shows that very few psychological problems are the result of defects in understanding; most originate in pressures from deeper regions in the brain that drive our perception and attention. When the alarm bell of the emotional brain keeps signaling that you are in danger, no amount of insight will silence it.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
The drift into authoritarianism doesn’t always set off alarm bells. Citizens are often slow to realize that their democracy is being dismantled even as it happens before their eyes.
Steven Levitsky (How Democracies Die: What History Reveals About Our Future)
- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.
Ken Kesey
Because there is no single moment—no coup, declaration of martial law, or suspension of the constitution—in which the regime obviously “crosses the line” into dictatorship, nothing may set off society’s alarm bells. Those who denounce government abuse may be dismissed as exaggerating or crying wolf. Democracy’s erosion is, for many, almost imperceptible.
Steven Levitsky (How Democracies Die)
Situations produce vibrations. Negative, potentially harmful situations emit slow vibrations. Positive, potentially life-enhancing situations emit quick vibrations. As these vibrations impact on your energy field they produce either resonance or dissonance in your lower and middle tantiens (psychic power stations) depending on your own vibratory rate at the time. When you psychic field force is strong and your vibratory rate is fast, therefore, you will draw only positive situations to you. When you mind is quiet enough and your attention is on the moment, you will literally hear the dissonance in your belly and chest like an alarm bell going off, urging you from deep within your body to move in such and such a direction. Always follow it. At times these urges may come to you in the form of internally spoken dialogue with your higher self, spirit guide, guardian angel, alien intelligence, however you see the owner of the “still, small voice within.” This form of dialogue can be entertaining and reassuring but is best not overindulged in as, in the extreme; it tends to lead to the loony bin. At times you may receive your messages from “Indian signs”, such as slogans on passing trucks or cloud formations in the sky. This is also best kept in moderation, to avoid seeing signs in everything and becoming terribly confused. Just let it happen when it happens and don’t try looking for it.
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
Even here, in the weight machine of a train station, they try to hoodwink us. Here, on the threshold of a man's freedom, just before he boards a train to a new life, these flashing fortune machines are the final alarm bell of the Rooster Coop.
Aravind Adiga (The White Tiger)
Prefacing a sentence with 'I don't want to appear rude, but...' flags up the same alarm bells as 'I am not racist, but...' It's quite simple: if you don't want to appear rude, don't be rude. If you're not a racist, don't behave like a racist.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
I’ve now come to realize that getting excited about a suspect is a lot like that first surge of stupid love in a relationship, in which, despite vague alarm bells, you plow forward convinced that he is the One.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist that they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell.
Ted Chiang (Stories of Your Life and Others)
Our bodies are telling the stories we have avoided or forgotten how to hear - and sometimes our inability to feel our feelings (the messages that precede the alarm bells) means that our bodies have to scream in order to get some attention.
Hillary L. McBride (Wisdom of Your Body)
I didn’t ask for your help,” I muttered, too exhausted to properly argue. “So fuck you.” An alarm bell went off in my head and I bit back a sigh. I swore I sensed the mischievous grin that inevitably crossed his lips. “I already did you.” It was going to be a long drive.
Natasha McNeely (A Glimpse of The Dark)
I switched the light out again. The room was totally dark, not even the starlight showing while my eyes adjusted. Perhaps I would ask for one of those LED alarm radios, though I’m very fond of my old brass alarm clock. Once I tied a wasp tot the striking-surface of each of the copper-coloured bells on top, where the little hammer would hit them in the morning when the alarm went off. I always wake up before the alarm goes, so I got to watch.
Iain Banks (The Wasp Factory)
Dimly, in the back of her head, alarm bells were clamoring, but she didn’t care. To hell with what trouble this would bring, she was alive. She was fucking alive, and Feyi knew that in that moment, she would burn anything, everything, a whole world just to hold on to that feeling.
Akwaeke Emezi (You Made a Fool of Death With Your Beauty)
...as he finally sheds his body's suit, ------ finds his gut and throat again and newly whole, clean and unimpeded, free, catapulted home over fans and the Convexity's glass palisades at desperate speeds, soaring north, sounding a bell-clear and nearly maternal alarmed call-to-arms in all the world's well-known tongues.
David Foster Wallace (Infinite Jest)
Look for the hallmarks of a healthy relationship: Intimacy, commitment, consistency, balance, progression, shared values, love, care, trust and respect. Listen to any alarm bells that go off in your head, and listen to friends and
Adelyn Birch (30 Covert Emotional Manipulation Tactics: How Manipulators Take Control In Personal Relationships)
It's like a cat bell, so pretty yet alarming, because i know I'm letting myself fall when maybe I should fly away. But the loneliness inside, it's so fucking painful. It's that longing feeling that scratches to escape and makes you want to blurt out all kinds of gushy crap just to get the girl to look at you...I hate it. Love its melty-ness and hate its leash around my neck.
Lisa McMann (Dead to You)
With that first touch I. Was. DONE. Ring the bell, south the alarm, turn off the lights and lock the doors. DONE.
Ella Fox
Warning When I am an old woman I shall wear purple With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.
Jenny Joseph
Cal pulled Percy against him, chasing light kisses with deeper ones. Cal cupped his face, thumbs sweeping over his cheekbones. Despite alarm bells warning him this would only be a fling, Percy melted into each kiss.
Anyta Sunday (Scorpio Hates Virgo (Signs of Love, #2))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The alarm bells shriek again, echoing off the walls. “The hell is that?” asks Tattoo. “And why does it keep going off?” “There’s some crazy lady on the loose,” says Doc. “Keeps propping open emergency exits. Triggers the alarm. Are you going to let me go?” Well, at least my mom must be doing okay.
Susan Ee (World After (Penryn & the End of Days, #2))
Two centuries ago, Napoleon warned, “Let China sleep; when she wakes, she will shake the world.” Today China has awakened, and the world is beginning to shake. Yet many Americans are still in denial about what China’s transformation from agrarian backwater to “the biggest player in the history of the world” means for the United States. What is this book’s Big Idea? In a phrase, Thucydides’s Trap. When a rising power threatens to displace a ruling power, alarm bells should sound: danger ahead. China and the United States are currently on a collision course for war— unless both parties take difficult and painful actions to avert it. As a rapidly ascending China challenges America’s accustomed predominance, these two nations risk falling into a deadly trap first identified by the ancient Greek historian Thucydides. Writing about a war that devastated the
Graham Allison (Destined For War: Can America and China Escape Thucydides's Trap?)
When we were cavemen scarcity of food meant we would die fast . Hence scarcity rings alarm bells of anxiety
Dharmendra Rai (Corporate Invisible Selling Behavioural Economics & More)
Leo sounded the alarm bell. He made a dash for the nearest ballista but went down under a pile of chattering dolphin warriors.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
the drift into authoritarianism doesn’t always set off alarm bells.
Steven Levitsky (How Democracies Die)
Are they by any chance a quiverfull ministry?” Pete’s lips thin. “Yes.” The word “quiverfull” sets my alarm bells ringing, and clearly upsets Mo. It goes back to Psalm 127, which refers to having many children as having a full quiver. They’re arrows for the Lord, and a number of evangelical churches have adopted the theory that you can never have too much ammunition.
Charles Stross (The Apocalypse Codex (Laundry Files, #4))
If you are forced to confront your fears on a daily basis, they disintegrate, like illusions when viewed up close. Maybe being always protected made me more fearful, and I would later dip cautiously into the outside world, never allowing myself to be submerged completely, and always jerking back into the familiarity of my own life when my senses were overwhelmed. For years I would stand with a foot in each sphere, drawn to the exotic universe that lay on the other side of the portal, wrenched back by the warnings that sounded like alarm bells in my mind.
Deborah Feldman
He had come home late with take-out Thai and slammed into the sofa and tried to watch a movie, but kept drifting from it to the screen of his laptop. This was part of Corporation 9592’s strategy; they had hired psychologists, invested millions in a project to sabotage movies—yes, the entire medium of cinema—to get their customers/players/addicts into a state of mind where they simply could not focus on a two-hour-long chunk of filmed entertainment without alarm bells going off in their medullas telling them that they needed to log on to T’Rain and see what they were missing.
Neal Stephenson (Reamde)
Did we love so forcefully that night because we knew or because we didn't? Was there an alarm from the future, a furious bell without its clapper? Did this hopeless bell manage to generate a breeze, causing me to reach to the floor to find my slip and use it to cover myself? Did some subtle warning cause Roy to turn and pin me to my side with his heavy arm? In his sleep, he mumbled something but did not wake.
Tayari Jones (An American Marriage)
Should a partner penetrate his armor, unconscious alarm bells go off and he retreats to either aloneness or the safety of companionship with others who do not realize he is not what he appears to be on the surface.
Jeb Kinnison (Avoidant: How to Love (or Leave) a Dismissive Partner)
As alarm bells went off in his mind, Odi wondered if the al-Qaeda sniper had some new high-tech equipment that allowed him to home in on a target using radio waves. He would report that possibility—if he ever got home.
Tim Tigner (Betrayal)
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
Dylan Thomas (Under Milk Wood)
no one could take her away from me alive; I held her pinned to the ground in that beastly grip. The river became silent; the only sound was that of bells within me, unknown and unrung until then, all of my bells, as if they were sounding an alarm. People would gather around; they did not concern me; they did not exist. Oh, my dream, which has become a victim.
Meša Selimović (Death and the Dervish)
He was in the hospital from the middle of Lent till after Easter. When he was better, he remembered the dreams he had had while he was feverish and delirious. He dreamt that the whole world was condemned to a terrible new strange plague that had come to Europe from the depths of Asia. All were to be destroyed except a very few chosen. Some new sorts of microbes were attacking the bodies of men, but these microbes were endowed with intelligence and will. Men attacked by them became at once mad and furious. But never had men considered themselves so intellectual and so completely in possession of the truth as these sufferers, never had they considered their decisions, their scientific conclusions, their moral convictions so infallible. Whole villages, whole towns and peoples went mad from the infection. All were excited and did not understand one another. Each thought that he alone had the truth and was wretched looking at the others, beat himself on the breast, wept, and wrung his hands. They did not know how to judge and could not agree what to consider evil and what good; they did not know whom to blame, whom to justify. Men killed each other in a sort of senseless spite. They gathered together in armies against one another, but even on the march the armies would begin attacking each other, the ranks would be broken and the soldiers would fall on each other, stabbing and cutting, biting and devouring each other. The alarm bell was ringing all day long in the towns; men rushed together, but why they were summoned and who was summoning them no one knew. The most ordinary trades were abandoned, because everyone proposed his own ideas, his own improvements, and they could not agree. The land too was abandoned. Men met in groups, agreed on something, swore to keep together, but at once began on something quite different from what they had proposed. They accused one another, fought and killed each other. There were conflagrations and famine. All men and all things were involved in destruction. The plague spread and moved further and further. Only a few men could be saved in the whole world. They were a pure chosen people, destined to found a new race and a new life, to renew and purify the earth, but no one had seen these men, no one had heard their words and their voices.
Fyodor Dostoevsky (Crime and Punishment)
And as I lay there listening, with the sun filtering across me, I thought this was how it should always be. To be charmed from sleep by a voice like this, eased softly back into life, rather than by the customary brutalities of shouts, knocking, and alarm-bells like blows on the head. The borders of consciousness are anxious enough, raw and desperate places; we shouldn’t be dragged across them like struggling thieves as if sleep was a felony.
Laurie Lee (As I Walked Out One Midsummer Morning)
Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
Walt Whitman
It had become a habit with him lately to listen to his heart's pulsation while lying in bed. As usual, the palpitation was calm and steady. With his hand still on his chest, he tried to imagine the warm, crimson blood flowing leisurely to this beat. This was life, he thought. Now, at this very moment, he held in his grasp the current of life as it flowed by. To his palm it felt like the ticking of a clock. But it was more, it was a kind of alarm that summoned him to death. If it were possible to live without hearing this bell--if only his heart did not measure out time as well as blood--then how carefree he would be! How thoroughly he would savor life! But--and here Daisuke shuddered involuntarily. He was a man so attached to life that he could scarcely bear to picture his heart calmly beating to the coursing of his blood. There were times when, lying in bed, he would place his hand just below his left breast and wonder, what if someone gave me one good blow with a hammer here. Although he lived in sound health, there were instances when his consciousness awakened to the indisputable fact of his being alive as a near-miracle of good fortune.
Natsume Sōseki (And Then)
WHEN I AM AN OLD WOMAN I SHALL WEAR PURPLE With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick the flowers in other people's gardens And learn to spit You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.
Jenny Joseph
In the midst of challenges and stress at work, nothing is more crucial to our success than holding on to the people around us. Yet when the alarm bells at work go off, all too often we become blind to this reality and try to go it alone; and as a result we end up like I did, circling helplessly at some dead-end corner until we run out of air.
Shawn Achor (The Happiness Advantage: How a Positive Brain Fuels Success in Work and Life)
Because a theory is accepted as “true” only when its assertions and predictions are tested over and over again, and confirmed repeatedly, there is no one moment when a scientific theory suddenly becomes a scientific fact. A theory becomes a fact (or a “truth”) when so much evidence has accumulated in its favor—and there is no decisive evidence against it—that virtually all reasonable people will accept it. This does not mean that a “true” theory will never be falsified. All scientific truth is provisional, subject to modification in light of new evidence. There is no alarm bell that goes off to tell scientists that they’ve finally hit on the ultimate, unchangeable truths about nature.
Jerry A. Coyne (Why Evolution Is True)
With the Regional Office breathing down her neck... Corinne had wanted to keep the Drury case low-key, uncontroversial. since Craig's disappearance had set he alarm bells off, Anna was willing to be she'd change tactics, make a noisy show of taking command of the situation. For a while the name of the game at Guadalupe Mountains would be Cover Your Ass.
Nevada Barr (Track of the Cat (Anna Pigeon, #1))
Darcy woke from a sound sleep to see Elizabeth standing beside his bed, staring down at him. He sat up, alarmed. “Hell’s bells. What are you doing here?
Hester Rose (Sleeping with Darcy: A Pride and Prejudice Intimate Variation)
She’d burned so many meals Jake thought the smoke alarm was the dinner bell.
Nancy Naigle (Out of Focus (Adams Grove, #2))
I'll lean over your crib, lift your squalling form out, and sit in the rocking chair to nurse you. The word 'infant' is derived from the Latin word for 'unable to speak,' but you'll be perfectly capable of saying one thing: 'I suffer.,' and you'll do it tirelessly and without hesitation. I have to admire your utter commitment to that statement; when you cry, you'll become outrage incarnate, every fiber of your being employed in expressing that emotion. It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell. At that stage of your life, there'll be no past or future for you; until I give you my breast, you'll have no memory of contentment in the past nor expectation of relief in the future. Once you begin nursing, everything will reverse, and all will be right with the world. NOW is the only moment you'll perceive; you'll live in the present tense. In many ways, it's an enviable state.
Ted Chiang (Stories of Your Life and Others)
they had hired psychologists, invested millions in a project to sabotage movies—yes, the entire medium of cinema—to get their customers/players/addicts into a state of mind where they simply could not focus on a two-hour-long chunk of filmed entertainment without alarm bells going off in their medullas telling them that they needed to log on to T’Rain and see what they were missing.
Neal Stephenson (Reamde)
... the very appearance of the word ‘‘oriental’’ as a serious geographic or cultural term triggers alarm bells for any American academic. The late Edward Said’s Orientalism argued that the word ‘‘oriental’’ is a fundamentally pejorative term for certain parts of the non-Western world, not only indicating that they are inferior but also justifying Western colonization or domination of them.
Peter A. Lorge (The Asian Military Revolution: From Gunpowder to the Bomb (New Approaches to Asian History, Series Number 3))
The Nazis' entrance upon the European stage did not, at first, alarm the British. After all, under the Versailles treaty, the size of the German army and navy was limited and the defeated country was forbidden to maintain air force. The wake-up bell began sounding only when, in March 1935, Hitler renounced the treaty and declared that his country would indeed rebuild its military. The following year, when Germany reoccupied the Rhineland, Britons were unsettled to learn that his army was already three times the legal size and that his air force, or Luftwaffe, would surpass their own.
Madeleine K. Albright (Prague Winter: A Personal Story of Remembrance and War, 1937-1948)
How on earth could he not see it? It stood on the wooden floor behind him, in the corner just inside the door, where the light from the hallway poorly fell: an old-fashioned alarm clock with three blunt stumps for legs and a bell like a Prussian helmet. Its face, a faithful little moon, was turned up to her, its hands were spread to plead innocence, and its inner mechanism emitted without ceasing the rapid ribbon of blows called the passing of time.
Helen Garner (Cosmo Cosmolino)
She’d had it all wrong. The bells in the house weren’t left over from some centuries-old staffing arrangement. And there weren’t levers inside the house to pull. The wires were connected to the fence. The bells were an alarm system.
Darcy Coates (Gallows Hill)
Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin in my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. 0 God, let me stay with the known, and be weary of it. I am content. Agony of pain and suffocation - and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber window, the warmth of the hearth after the frosty air - will darkness close over them for ever? Darkness-darkness-no pain-nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward ... ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
And at a bookstore he plucked a copy of The Bell Jar out of my hands. “I heard that one’s really sad,” he said, handing me Little Women instead. I raised an eyebrow. “And you think this one’s happy?” “Why?” he asked, alarmed. “It’s not?
Jennifer E. Smith (Windfall)
This free use of the line for flirtation purposes has grown to an alarming extent,” he wrote, “and if it is to go on somebody must pay for it.” The Bell companies tried to discourage frivolous telephony, particularly by women and servants.
James Gleick (The Information: A History, a Theory, a Flood)
I once compiled a list of events that frightened her, and it was quite comprehensive: very loud snoring; low-flying aircraft; church bells; fire engines; trains; buses and lorries; thunder; shouting; large cars; most medium-sized cars; noisy small cars; burglar alarms; fireworks, especially crackers; loud radios; barking dogs; whinnying horses; nearby silent horses; cows in general; megaphones; sheep; corks coming out of sparkling wine bottles; motorcycles, even very small ones; balloons being popped; vacuum cleaners (not being used by her); things being dropped; dinner gongs; parrot houses; whoopee cushions; chiming doorbells; hammering; bombs; hooters; old-fashioned alarm clocks; pneumatic drills; and hairdryers (even those used by her).
John Cleese (So, Anyway...)
Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.
George Leonard
Pete never tried anything like that again, and he never will. Now, when he starts acting up during a meeting and they try to hush him, he always hushes. He’ll still get up from time to time and wag his head and let us know how tired he is, but it’s not a complaint or excuse or warning anymore—he’s finished with that; it’s like an old clock that won’t tell time but won’t stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old, worthless clock that just keeps ticking and cuckooing without meaning nothing.
Ken Kesey (One Flew Over the Cuckoo's Nest)
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
The sentries marched back and forth, guarding their tower, for without knowing it, man had made towers, alarm-bells and weapons for one purpose only - to guard the peace of his hearth and home. For this he goes to war, which if the truth be known, is the only cause for which anyone ought to fight.
Mikhail Bulgakov (The White Guard)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
I told the Icelandic prime minister that it appeared that large sums of money had been taken out of the UK from the Kaupthing branches, which was a serious breach of FSA regulations. The FSA had to find out by the end of the afternoon whether or not that breach had taken place. If it had, they would close the bank. He asked whether the money was needed today and how much it was. I said it was about £600 million, small beer for us but a huge amount for him. It was urgent, I said, that he look into it immediately. His response rang alarm bells. He asked if there was any chance that the amount could be negotiated down. I said there was no chance and that the money had to be returned before the end of the weekend. I suspected we would end up having to close the banks the following week.
Alistair Darling (Back from the Brink: 1000 Days at Number 11)
To a chorus of resonant barking, the instruments proceeded to adjust themselves into tune. A billy-goat, alarmed, aroused his harem, and distantly a muffled lowing broke out. Philippa said, ‘Oh dear. It must have cost a fortune. Did Gideon ever do this to you?’ Kate thought. ‘No, but I did it to him. He hadn’t called to see me for a week, so I sent eight bell ringers to serenade him at cock-crow and his mother’s parrot dropped dead, quoting Luther.’ ‘What did it say?’ Philippa said. Sitting on the sill, with her long brown hair falling over her night robe, she looked, in the darkness, like the daughter who had come back from Turkey: calm and smiling and soignée. ‘Music is a fair and lovely gift of God, and deserves to be extolled as the mistress and governess of the feelings of the human heart,’ said Kate, surprised.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
Despite the Bank of England gaining independence for setting UK monetary policy in 1998 and in the process being freed from political meddling; it has recently come under renewed attack from the lunatic fringe within the UK's Conservative Party, especially amongst arch Brexiteers such as Jacob Rees-Mogg (a.k.a. JackOff Grease-Smug to his growing number of detractors) who appear hell-bent on undermining the current bank governor's every move. When Mark Carney rightly sounds the alarm bells of the potential dangers to the UK economy resulting from a 'no deal' Brexit, he should be allowed to offer those wise words of warning without being subjected to Rees-Mogg's tiresome whining and monotonous droning on about politically motivated statements. It's high time this pestilent gnat modified his tune before a large fly swat of public outrage takes him down.
Alex Morritt (Lines & Lenses)
Lucien finally dies, rather a while after he's quit shuddering like a clubbed muskie and seemed to them to die, as he finally sheds his body's suit, Lucien finds his gut and throat again and newly whole, clean and unimpeded, and is free, catapulted over fans and the Convexity's glass palisades at desperate speeds, soaring north, sounding a bell-clear and nearly maternal alarmed call-to-arms in all the world's well-known tongues.
David Foster Wallace
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
Lauren Tarshis (I Survived the Great Chicago Fire, 1871 (I Survived #11))
Things are so relaxed and uneventful that he thinks to himself in passing, “It is times like these that Murphy strikes.” The PJ is thinking about Murphy’s Law: “If anything can go wrong it will.” Murphy’s Law is particularly notorious for rearing its ugly head during complex military operations. Seconds later, Dan’s thoughts of Murphy prove prophetic. Even though he is wearing a noise-canceling headset, Sergeant Houghton hears a loud pop. He is a trained aircrew member and the unusual noise sets off internal alarm bells in his head. He looks around; the rest of the passengers remain oblivious, but Sergeant Houghton notices flight engineers moving around, nervously referring to their checklists. And then he hears the ominous sound of an engine winding down and losing power. He flips up his night vision goggles and mentally takes stock of his situation. Word quickly circulates around the cabin—hold on!
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
For a minute or so the room was silent. I kept still and soaked it up. Since the bang, it felt like there'd be nothing but noise everywhere. The whole world was one big riot of shouts and sirens and voices and ambulance engines and alarms and buzzes and bleeps and elevator bells and footsteps and ringtones and whispers and trolley wheels and gurgling coffee machines. And it was all set to a background beat of seven billion different people breathing. Too many noises. And all of them way too loud.
Hayley Long (The Nearest Faraway Place)
If you’re not sleeping well, your body interprets that as an emergency,” Roxanne said. “You can deprive yourself of sleep and live. We could never raise children if we couldn’t drop down on our sleep, right? We’d never survive hurricanes. You can do that—but it comes at a cost. The cost is [that] your body shifts into the sympathetic nervous system zone—so your body is like, ‘Uh-oh, you’re depriving yourself of sleep, must be an emergency, so I’m going to make all these physiological changes to prepare yourself for that emergency. Raise your blood pressure. I’m going to make you want more fast food, I’m going to make you want more sugar for quick energy. I’m going to make your heart-rate [rise].’…So it’s like all this shifts, to say—I’m ready.” Your body doesn’t know why it’s staying awake. “Your brain doesn’t know you’re sleep-deprived because you’re goofing off and watching Schitt’s Creek, right? It doesn’t know why you’re not sleeping—but the net effect is a physiological sort of alarm bell.” In
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
I knew both from personal experience and by the example of many of my comrades that fighting in a war has an irreparably destructive effect on almost any man. I knew also that the constant proximity of death, the sight of the killed, wounded, dying, hanged and shot, the great red flame in the icy air above blazing villages on a winter’s night, the carcass of a man’s horse and those auditory impressions - the alarm bell, shell explosions, the whistle of bullets, the desperate, unknown cries – none of this ever passes with impunity. I knew that the silent, almost unconscious memory of war haunts the majority of people who have gone through it, leaving something broken in them once and for all. I knew myself that the normal, human ideas regarding the value of life and the necessity for a basic moral code – not to kill, not to steal, not to rape, to show compassion – had been slowly reasserted within me after the war, but they had lost their former persuasiveness and had become merely a system of theoretical morality, with whose correctness and necessity I couldn’t, in principle, disagree. Those feelings that ought to have been inside me and that were a condition of the re-establishment of this code had been razed by war; they no longer existed, and there was nothing to take their place.
Gaito Gazdanov (Het fantoom van Alexander Wolf)
This book festival...grew to attract thousands of visitors every year. Now they felt like they needed a new purpose. The festival’s continuing existence felt assured. What was it for? What could it do? How could it make itself count? The festival’s leadership reached out to me for advice on these questions. What kind of purpose could be their next great animating force? Someone had the idea that the festival’s purpose could be about stitching together the community. Books were, of course, the medium. But couldn’t an ambitious festival set itself the challenge of making the city more connected? Couldn’t it help turn strong readers into good citizens? That seemed to me a promising direction—a specific, unique, disputable lodestar for a book festival that could guide its construction...We began to brainstorm. I proposed an idea: Instead of starting each session with the books and authors themselves, why not kick things off with a two-minute exercise in which audience members can meaningfully, if briefly, connect with one another? The host could ask three city- or book-related questions, and then ask each member of the audience to turn to a stranger to discuss one of them. What brought you to this city—whether birth or circumstance? What is a book that really affected you as a child? What do you think would make us a better city? Starting a session with these questions would help the audience become aware of one another. It would also break the norm of not speaking to a stranger, and perhaps encourage this kind of behavior to continue as people left the session. And it would activate a group identity—the city’s book lovers—that, in the absence of such questions, tends to stay dormant. As soon as this idea was mentioned, someone in the group sounded a worry. “But I wouldn’t want to take away time from the authors,” the person said. There it was—the real, if unspoken, purpose rousing from its slumber and insisting on its continued primacy. Everyone liked the idea of “book festival as community glue” in theory. But at the first sign of needing to compromise on another thing in order to honor this new something, alarm bells rang. The group wasn’t ready to make the purpose of the book festival the stitching of community if it meant changing the structure of the sessions, or taking time away from something else. Their purpose, whether or not they admitted it, was the promotion of books and reading and the honoring of authors. It bothered them to make an author wait two minutes for citizens to bond. The book festival was doing what many of us do: shaping a gathering according to various unstated motivations, and making half-hearted gestures toward loftier goals.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
Every day on our television screens and in our nation's newspapers we are brought news of continued male violence at home and all around the world. When we hear that teenage boys are arming themselves and killing their parents, their peers, or strangers, a sense of alarm permeates our culture. Folks want to have answers. They want to know, Why is this happening? Why so much killing by boy children now, and in this historical moment? Yet no one talks about the role patriarchal notions of manhood play in teaching boys that it is their nature to kill, then teaching them that they can do nothing to change this nature -- nothing, that is, that will leave their masculinity intact.
bell hooks
Recognize the Value of Acting with Uncertainty Anxiety and uncertainty don’t always mean you should stay stuck on pause. If you’re currently stuck in pause mode, and have been for a while, taking some action is usually better than taking no action. When you can recognize the value of acting with uncertainty, you’ll help your brain start to interpret uncertainty as a positive or not-so-terrible state, rather than it causing your alarm bells to ring loudly. The following is a thought experiment that’s aimed at helping you recognize the value of acting even when you don’t feel 100% sure of what the outcome will be or the exact best way to proceed. Experiment: What are some circumstances in which acting with less than 100% certainty of success might be the best option? For example, submitting an application for a grant that will take four hours to prepare. You estimate the likelihood of obtaining the grant is only 10%, but it will be worth $5,000 if you’re successful. Or trying a $50-a-month service that multiple people you trust have recommended. Or spending $100 on paint and painting supplies to see if you like a new room color. You’ve been thinking for years that you want to break out of off-white. Try to come up with three examples of your own. If coming up with three examples is intimidating, come up with just one example. Remember: You can adapt these instructions to suit yourself.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
The Wall is hundreds of years old too; or over a hundred, at least. Like the sidewalks, it's red brick, and must once have been plain but handsome. Now the gates have sentries and there are ugly new floodlights mounted on metal posts above it, and barbed wire along the bottom and broken glass set in concrete along the top. No one goes through those gates willingly. The precautions are for those trying to get out, though to make it even as far as the Wall, from the inside, past the electronic alarm system, would be next to impossible. Beside the main gateway there are six more bodies hanging, by the necks, their hands tied in front of them, their heads in white bags tipped sideways onto their shoulders. There must have been a Men's Salvaging early this morning. I didn't hear the bells. Perhaps I've become used to them. We
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
How many futures - (how many different deaths can I die?) How am I a child? An adult? A woman? My fears, my loves, my lusts - vague, nebulous. And yet, think, think, think - and keep this of tonight, this holy, miraculous resuscitation of the creative integrating blind optimism which was dead, frozen, gone quite away. To love, to be loved. By one; by humanity. I am afraid of love, of sacrifice on the altar. I am going to think, to grow, to sally forth, please, please, unafraid. Tonight, biking home toward midnight, talking to myself, sense of trap, of time, rolled the stone of inertia away from the tomb. Tomorrow I will curse the dawn, but there will be other, earlier nights, and the dawns will be no longer hell laid out in alarms and raw bells and sirens. Now a love, a faith, an affirmation is conceived in me like an embryo.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A
Erich Maria Remarque (The Road Back)
and I entered into sleep, which is like a second apartment that we have, into which, abandoning our own, we go in order to sleep. It has its own system of alarms, and we are sometimes brought violently awake there by the sound of a bell, heard with perfect clarity, even though no one has rung. It has its servants, its particular visitors who come to take us out, so that, just when we are ready to get up, we are obliged to recognize, by our almost immediate transmigration into the other apartment, that of our waking hours, that the room is empty, that no one has come. The race that inhabits it, like that of the earliest humans, is androgynous. A man there will appear a moment later in the aspect of a woman. Objects have the ability to turn into men, and men into friends or enemies. The time that elapses for the sleeper, in sleep of this kind, is utterly different from the time in which a waking man’s life transpires. Its passage may now be far more rapid, a quarter of an hour seeming like a whole day; or at other times much longer, we think we have just dozed off, and have slept right through the day. And then, on sleep’s chariot, we descend into depths where the memory can no longer keep pace with it, and where the mind stops short and is forced to turn back.
Marcel Proust (Sodom and Gomorrah)
And then, without the slightest warning, it became the shimmering, flickering spot of light, floating in the darkness ahead of him. He blinked and shook his head: this wasn’t a good time for spangled rings, but it wouldn’t go. It floated in midair, scintillating and spinning, flashing and turning. “What’s the matter?” said Alice. She must have felt him shaking his head or sensed that his attention was distracted. “Something in my eye. I got to keep still.” He sat there in the wet discomfort and tried to feel calm. He did feel something, the kind of thing Asta had described on that evening when it came on them during his geography homework, a sort of peaceful, disembodied floating, in a space that was immense or even infinite in all directions. The spangled ring grew larger, just like before, and as before, he was helpless and paralyzed while it came closer and closer and expanded to fill the entire circumference of his vision, but he was never frightened; it wasn’t alarming; in a way it was even comforting, that calm, oceanic drifting. It was his aurora: it was telling him that he was still part of the great order of things, and that that could never change. He let the phenomenon run its course and came to himself, exhausted, as if the experience had been strenuous and demanding.
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
who nodded as well. The relief hit Clearsight so hard, she nearly had to lie down again. But the dragons beckoned her to follow them, and they all took off, flying cautiously through the storm-tossed treetops. Dragons appeared between the leaves as she swept through the forest with her two companions, all of them watching her with startled curiosity. Most of them were dark green and brown with leaf-shaped wings. That’s their name in Dragon, she realized from a new cascade of visions. LeafWings. But about a quarter of them were the other tribe, the one Clearsight didn’t have a name for yet, and those glittered like jewels on the branches: gold and blue and purple and orange and every color of the rainbow. She saw a tiny lavender dragonet clinging to a branch, and for a moment Clearsight was alarmed to see that she didn’t have any wings. Then she spotted little wingbuds on the dragonet’s back and remembered—or foresaw, or remembered foreseeing—that the glittering tribe grew their wings a few years after hatching. Growing up wingless . . . that must be so strange. Clearsight’s mind flashed to that other vision, the horrible one, where this dragonet had been one of the many bodies left in the hurricane wreckage. But instead, tomorrow the little dragon would wake up and chase butterflies in the sunlight, complaining that she wanted blackberries for breakfast. I saved her. I did something right. The green dragon called out in a booming voice like a bell tolling. Whatever he said, the dragons around them repeated it, passing it along. Clearsight could hear the echoes of other dragon voices rolling through the forest. She felt the drumming wingbeats behind her as both tribes rose into the air and followed them to safety. “You save us,” said the shimmering dragon, looping around to fly beside Clearsight. He smiled at her again. “You safe now, too.” Maybe I am, she thought. I stopped Darkstalker. I saved Fathom, and the NightWings, and my parents. And now I’ve found a new home, with new dragons to save. I can help them with my visions. I can do everything right this time. New futures exploded in her mind. She might marry this kind, funny dragon, whose name would turn out to be Sunstreak. Or she could end up with a dragon she’d meet in three days, while helping to clean up the forest, whose gentle green eyes were nothing like Darkstalker’s.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Enjoyment requires discernment. It can be a gift to wrap up in a blanket and lose myself in a TV show but we can also amuse ourselves to death. My pleasure in wine or tea or exercise is good in itself but it can become disordered. As we learn to practice enjoyment we need to learn the craft of discernment: How to enjoy rightly, to have, to read pleasure well. There is a symbiotic relationship, cross-training, if you will, between the pleasures we find in gathered worship and those in my tea cup, or in a warm blanket, or the smell of bread baking. Lewis reminds us that one must walk before one can run. We will not be able to adore God on the highest occasions if we have learned no habit of doing so on the lowest. At best our faith and reason will tell us that He is adorable but we shall not have found Him so. These tiny moments of beauty in our day train us in the habits of adoration and discernment, and the pleasure and sensuousness of our gathered worship teach us to look for and receive these small moments in our days, together they train us in the art of noticing and reveling in our God’s goodness and artistry. A few weeks ago I was walking to work, standing on the corner of tire and auto parts store, waiting to cross the street when I suddenly heard church bells begin to ring, loud and long. I froze, riveted. They were beautiful. A moment of transcendence right in the middle of the grimy street, glory next to the discount tire and auto parts. Liturgical worship has been referred to sometimes derisively as smells and bells because of the sensuous ways Christians have historically worshipped: Smells, the sweet and pungent smell of incense, and bells, like the one I heard in neighborhood which rang out from a catholic church. At my church we ring bells during the practice of our eucharist. The acolyte, the person often a child, assisting the priest, rings chimes when our pastor prepares the communion meal. There is nothing magic about these chimes, nothing superstitious, they’re just bells. We ring them in the eucharist liturgy as a way of saying, “pay attention.” They’re an alarm to rouse the congregation to jostle us to attention, telling us to take note, sit up, and lean forward, and notice Christ in our midst. We need this kind of embodied beauty, smells and bells, in our gathered worship, and we need it in our ordinary day to remind us to take notice of Christ right where we are. Dostoevsky wrote that “beauty will save the world.” This might strike us as mere hyperbole but as our culture increasingly rejects the idea and language of truth, the churches role as the harbinger of beauty is a powerful witness to the God of all beauty. Czeslaw Milosz wrote in his poem, “One more day,” “Though the good is weak, beauty is very strong.” And when people cease to believe there is good and evil, only beauty will call to them and save them so that they still know how to say, “this is true and that is false.” Being curators of beauty, pleasure, and delight is therefore and intrinsic part of our mission, a mission that recognizes the reality that truth is beautiful. These moments of loveliness, good tea, bare trees, and soft shadows, or church bells, in my dimness, they jolt me to attention and remind me that Christ is in our midst. His song of truth, sung by His people all over the world, echos down my ordinary street, spilling even into my living room.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
Marvin stood there. ‘Out of my way little robot,’ growled the tank. ‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’ The probe extended again for a quick recheck. It withdrew again. ‘You? Stop me?’ roared the tank, ‘Go on!’ ‘No, really I have,’ said Marvin simply. ‘What are you armed with?’ roared the tank in disbelief. ‘Guess,’ said Marvin. The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation. ‘Guess?’ said the tank. ‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’ ‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’ Marvin shook his head solemnly. ‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded. ‘Far too obvious,’ admonished Marvin. ‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’ This was new to Marvin. ‘What’s that?’ he said. ‘One of these,’ said the machine with enthusiasm. From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled. ‘No,’ said Marvin, ‘not one of those.’ ‘Good though, isn’t it?’ ‘Very good,’ agreed Marvin. ‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’ 'Nice, aren’t they?’ agreed Marvin. ‘That’s what you’ve got?’ said the machine in condiderable awe. ‘No,’ said Marvin. ‘Oh,’ said the machine, disappointed, ‘then it must be …’ ‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’ ‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again. ‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’ ‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’ ‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’ ‘Yes, alright,’ said the battle machine, bracing itself. ‘Nothing,’ said Marvin. There was a dangerous pause. 'Nothing?’ roared the battle machine. ‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’ The machine heaved about with fury. ‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’ ‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’ ‘Makes you spit, doesn’t it?’ ‘Yes,’ agreed Marvin with feeling. ‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’ The electron ram stabbed out another searing blaze of light and took out the wall next to the machine. ‘How do you think I feel?’ said Marvin bitterly. ‘Just ran off and left you did they?’ the Machine thundered. ‘Yes,’ said Marvin. ‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank. It took out the ceiling of the bridge. ‘That’s very impressive,’ murmured Marvin. ‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’ It took out the floor too. ‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below. ‘What a depressingly stupid machine,’ said Marvin and trudged away.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Sadly, part of what Guinier and other parents must prepare their Black sons for is the prospect, and even the probability, that the group he is most likely to experience conflict and hostility with is not the police or the Ku Klux Klan but other Black males. For reasons that can never be fully explained, Black males kill and harm one another at a rate that far exceeds any other segment of the American population (Bell and Jenkins, 1990; Earls, 1994). The alarming homicide rates among young Black males is one of the major factors that has led to Black males being the only segment of the U.S. population with a declining life expectancy (Earls, 1994). Gangs, drug dealing, and the availability of guns are certainly contributing factors, but there is more going on related to the phenomenon of violence among and between Black males that defies easy explanation.
Pedro A. Noguera (The Trouble With Black Boys: ...And Other Reflections on Race, Equity, and the Future of Public Education)
Even if the girl were me, the guy in the story isn’t Hunter. The guy in the story knows all about anatomy.” “Hunter is taking anatomy,” Summer said. My scissors stopped their progress across the magazine page, and the metallic scrapings of Summer’s scissors and Jordis’s filled my ears like alarm bells. I forced myself to start cutting again before they noticed I’d stopped. “No, he isn’t,” I told Summer. “He’s a business major. Why would he take anatomy?” “I don’t know,” she admitted, “but I saw his anatomy book on his bed when I went to Manohar’s room yesterday.” “And why did you go to Manohar’s room yesterday?” Jordis asked with as much innuendo as her Danish accent would allow. “Oh, it was nothing like that,” Summer assured her. “I was pacing in the hall outside his room-“ “Because you just happened to find yourself three flights up on a men’s floor for no apparent reason,” I played along. Laughing, she put her hand over my mouth. “-and he called me inside because he was making mulligatawny and wanted me to sample it.” Jordis and I cracked up, careful to move our sharp scissors aside before we doubled over laughing on the bed. Summer smiled ruefully at us. Finally Jordis managed, “You sampled his mulligatawny! Was it good?” “It was okay,” Summer said. “I would have to get used to it.” That made Jordis and me laugh harder. Coughing through it, I asked Summer, “Are you going to sample his mulligatawny again?” Still smiling, she shook her head. “Sometimes mulligatawny is just mulligatawny.” “Oh,” Jordis and I said together.
Jennifer Echols (Love Story)
This last statement should have sent alarm bells going off in my head, but I was in hock to the guy for a thousand bucks, and he’d been making his living at this for a long time, so I decided to give him the benefit of the doubt. After all, he did have a license to carry one of these things. God, I was naïve back then. We then discussed the finer points of pistol whipping an individual; make sure they’re unarmed and keep your finger off the trigger when smacking a guy.
E.R. White Jr. (Scrambled Hard-Boiled)
There was a fire drill at school the next day. I think I’m more afraid of the fire alarm than I am of a fire. When the fire alarm goes off, you jump out of your skin. Your heart pounds and your ears buzz and your brain melts and all you want to do is get away from that horrible noise. “Get up and walk quickly out the door and to your right,” said Mr. Dooley. “Do not pass go and do not collect two hundred dollars,” said Donald. I held my hands over my ears to drown out the fire alarm. Outside we stood around waiting for the bell that means we could come back in again. “Yay! The roof is on fire! No more school!” someone joked. “Anybody got a match?” said someone else. Mr. Dooley said that wasn’t funny. He said if there really was a fire, we’d be smart to know what to do.
Phyllis Reynolds Naylor (Alice in Blunderland (Alice Prequels #2))
Colds and flu are not just inconveniences; they are alarm bells telling us that all is not well. While seen as a minor illness, each cold does permanent damage to the body, causing us to age prematurely. Yet millions of Americans suffer four to six colds per year, sometimes taking weeks to resolve. Healthy people do not get infections, and, if they do, they recover from them very quickly.
Anonymous
You know what you need?” “What?” she asked. “An ice cream.” “What?” “An ice cream.” He pictured the new ice cream parlor next door to the post office. “Hodde & Kruse opened up today. They’re going to dispense cream, soda, and soft drinks all through the summer.” “Oh my.” “You want some?” “Well, I . . . do you?” “Why, sure. Don’t you?” “I, yes. I love ice cream.” “Then, let’s go get some. Right after work.” “Today?” she squeaked. “Why not?” Every alarm bell in his system rang in earnest. He ignored them all. He was a man. She was a woman. He was interested in her. She was interested in him. He’d told her he wasn’t looking for a wife. She’d not pressed for an explanation. “Well . . . all right,” she said. “After work?” Suddenly, he couldn’t finish fast enough. “Five o’clock. I’ll pick you up.
Deeanne Gist (Love on the Line)
said, “We don’t have an armored vehicle. Therefore we’re pretty much limited to the doors and the windows.” “Which will be wired for alarms.” “Which will be redundant. They won’t need a bell on the roof to tell them we’re there.” “Which is where, exactly? In a house with four remaining guards and two world-class killers? Who collectively outnumber us three to one? In a structure much easier to defend than attack?” “Assuming those questions were rhetorical, I think that’s a fair summary.
Lee Child (Personal (Jack Reacher, #19))
IT WAS FULL DARK OUT NOW AND THE FIRST RUSH OF THE FREE night air roared into my lungs and out through my veins, calling my name with a thundering whisper of welcome and urging me on into the purring darkness, and we hurried to the car to ride away to happiness. But as we opened the car door and put one foot in, some small acid niggle twitched at our coattails and we paused; something was not right, and the frigid glee of our purpose slid off our back and onto the pavement like old snakeskin. Something was not right. I looked around me in the hot and humid Miami night. The neighborhood was just as it had always been; no sudden threat had sprung from the row of one-story houses with their toy-littered yards. There was nothing moving on our street, no one lurking in the shadows of the hedge, no rogue helicopter swooping down to strafe me—nothing. But still I heard that nagging trill of doubt. I took in a slow lungful of air through my nose. There was nothing to smell beyond the mingled odors of cooking, the tang of distant rainfall, the whiff of rotting vegetation that always lurked in the South Florida night. So what was wrong? What had set the tinny little alarm bells to clattering when I was finally out the door and free? I saw nothing, heard nothing, smelled nothing, felt nothing—but I had learned to trust the pesky whisper of warning, and I stood there unmoving, unbreathing, straining for an answer. And then a low row of dark clouds rumbled open overhead and revealed a small slice of silvery moon—a tiny, inadequate moon, a moon of no consequence at all, and we breathed out all the doubt. Of course—we were used to riding out into the wicked gleam of a full and bloated moon, slicing and slashing to the open-throated sound track of a big round choir in the sky. There was no such beacon overhead tonight, and it didn’t seem right somehow to gallop off into glee without it. But tonight was a special session, an impromptu raid into a mostly moonless evening, and in any case it must be done, would be done—but done as a solo cantata this time, a cascade of single notes without a backup singer. This small and wimpish quarter-moon was far too young to warble, but we could do very well without it, just this once. And
Jeff Lindsay (Double Dexter (Dexter #6))
The British lady, trying to make conversation, asked Zoe and me what our parents did if we were “bad girls.” “When I’m bad, I get a time-out,” Zoe said. “When I’m bad,” I announced, “my father sticks a fork in my vagina.” This is hard to share without alarm bells sounding. We’re taught to listen to little girls, particularly when they say things about being sodomized with cutlery. Also my father makes sexually explicit artwork so he’s probably already on the FBI’s fork-in-vagina radar.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
FOR GOD AND COUNTRY: TIME FOR MORE TEA PARTIES! Strike them with terror, Lord; let the nations know they are only mortal. Psalm 9:20 Ronald Reagan promised to restore America as a shining city on a hill. During the 2008 presidential campaign, Barack Obama promised to “fundamentally transform” our nation. He wanted to fundamentally change America—and alarm bells went off all across our nation, and patriotic folks rose up and found their voices. The great grassroots movement known as the Tea Party was born. The Tea Partiers have taken a lot of media flack. I guess you could say I know something about that too. But for all the media hubbub, all the Tea Partiers want is for America’s government to follow American law; they want a return to constitutional principles, inspired by biblical wisdom. Who can forget Benjamin Franklin’s eloquent request for prayer before each session of the Constitutional Convention? In part, it read: “I have lived, Sir, a long time, and the longer I live, the more convincing Proofs I see of this Truth, that God governs in the Affairs of Men. And if a Sparrow cannot fall to the Ground without His Notice, is it probable that an Empire can rise without His Aid?” At the conclusion of the Constitutional Convention, a lady approached Benjamin Franklin with a question. Had a monarchy been born, or a republic? “A republic,” he told her, “if you can keep it.” This profound statement reflects the heart of the Tea Party. SWEET FREEDOM IN Action Our Founding Fathers knew that battles are won with reliance on God. Meditate on Scripture daily. Pray for our nation and her leaders. Defend constitutionalists when you see them besmirched. We serve a faithful God who hears and answers prayer!
Sarah Palin (Sweet Freedom: A Devotional)
The madness of an autumn prairie cold front coming through...ringing throughout the house was an alarm bell that no one but Alfred and Enid could hear directly.
Jonathan Franzen
There was a single upright metal plate, wired to the grid of an enormous vacuum tube. Several smaller tubes behind the detector tube made the instrument more sensitive. "It works," explained Gerry, "like an electric variable condenser --" "But I say, it has only one wall. Surely all condensers have two." "Exactly. Only in this case the second wall is formed by any metallic body which comes within a certain range. When I switch on the current, there'll be a perfect electronic balance in the vacuum-tube set-up. It will be upset by the approach of any metal, which naturally changes the capacity. Any such change is registered on the dial here, and rings an alarm bell." "Very ingenious," drawled Michaels. "Especially for Venus, which is poor in metals. Don't worry, Miss Carlyle; we'll find Mr. Strike all right. That's a pretty tough lad to hurt.
Various (Astounding Science Fiction Stories: An Anthology of 350 Scifi Stories (Halcyon Classics Book 1))
With a masculine, in-control-at-all-times nonchalance that astounded her, Syn approached the guards and exchanged a few words with them. As the guards walked away, he motioned for her to join him. She took a deep breath in relief. "What did you say to them?" That wicked grin returned, flashing his dimple. "I'm not about to repeat it to you." She narrowed her eyes. "Careful, convict, I might finish what the Rits started." He just laughed and threw his right arm over her shoulders. Her alarm bells ringing, she stiffened at his touch. "Relax," he whispered, his breath tickling her neck. "I need a crutch and I can't very well be seen on the street here with one. If one of the natives detects any weakness, we're both roadkill. So just look mean and don't make eye contact with anyone." She smiled seductively. "Gee, hon, you take me to the most wonderful places." "Don't make me laugh. It hurts too much. Now quit talking and start for the door." -Shahara & Syn
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
When I tried to raise the alarm, a remote spell came out of nowhere and I found myself stuck in this stupid ornament.
P.G. Bell (The Train to Impossible Places: A Cursed Delivery)
neuroscience research shows that very few psychological problems are the result of defects in understanding; most originate in pressures from deeper regions in the brain that drive our perception and attention. When the alarm bell of the emotional brain keeps signaling that you are in danger, no amount of insight will silence it.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Dr. Al Rosen. He is a former accounting professor, one of the most reputable forensic accountants in North America. Dr. Rosen has consulted or given independent opinions on over 1,000 litigation-related engagements. In recent years he has written two books, which have sounded alarm bells about the state of the accounting profession, but the profession makes more money by not heeding his warnings. What concerns him should concern us all. His first book was titled “Swindlers” and went into detail about how easy it is to financially dupe investors in Canada and the U.S. His book gave examples from cases he has handled in his career. His second book “Easy Prey Investors” is also a must read for anyone investing in Canada or the U.S. In it he reveals the tricks and traps of the accounting industry that no others in the industry have the courage or the moral freedom to voice. The story below, from the UK, gives a snapshot and a link to the kind of accounting fraud that Dr. Al Rosen has long been warning us about. January 15, 2018 On Monday, Carillion, the U.K.’s second-largest construction company, announced that it would go into compulsory liquidation. Carillion is a construction company, it also provides facilities management and maintenance services such as cleaning and catering in the U.K.’s National Health Service hospitals, providing meals in 900 schools, and maintaining prisons. It holds a number of government contracts, including for the construction of a high-speed rail link and for the maintenance of roads. 43,000 employees worldwide, 20,000 work in the U.K.; the company also has a significant presence in the
Larry Elford (Farming Humans: Easy Money (Non Fiction Financial Murder Book 1))
The Northern Rock debacle, coupled with the $700 billion bailout, has set off alarm bells among the investor class. One billionaire investor, Jim Rogers, was quoted thus: “America is more communist than China is right now. You can see that this is welfare of the rich, it is socialism for the rich—it’s just bailing out financial institutions. This is madness, this is insanity, they have more than doubled the American national debt in one weekend for a bunch of crooks and incompetents. I’m not quite sure why I or anybody else should be paying for them.
Mumia Abu-Jamal (Writing on the Wall: Selected Prison Writings of Mumia Abu-Jamal (City Lights Open Media))
In the summer of 1918 in the U.S., the Spanish influenza first touched someone in Philadelphia. Americans were hoping for an end to the war and the return of their surviving fathers and sons. Many of the nearly 2 million citizens of Philadelphia flocked to theaters to see vaudeville, plays, and big events and concerts, exchanging occasional coughs. Nobody had paid attention to the fact that 8 million Spaniards were sick and dying from a strange new disease named the “Spanish influenza” or that people in Boston had come down with the same thing. The alarm bells were silent.
Jonathan D. Quick (The End of Epidemics: how to stop viruses and save humanity now)