β
My experience of life is that it is not divided up into genres; itβs a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.
β
β
Alan Moore
β
People shouldn't be afraid of their government. Governments should be afraid of their people.
β
β
Alan Moore (V for Vendetta)
β
Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.
β
β
Alan Moore (V for Vendetta)
β
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
β
β
Alan Moore (V for Vendetta)
β
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
β
β
Alan Moore (V for Vendetta)
β
You wear a mask for so long, you forget who you were beneath it.
β
β
Alan Moore (V for Vendetta)
β
The past can't hurt you anymore, not unless you let it.
β
β
Alan Moore (V for Vendetta)
β
Knowledge, like air, is vital to life. Like air, no one should be denied it.
β
β
Alan Moore (V for Vendetta)
β
Remember, remember the fifth of November of gunpowder treason and plot. I know of no reason why the gun powder treason should ever be forgot.
β
β
Alan Moore (V for Vendetta)
β
Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.
β
β
Alan Moore (Watchmen)
β
All we ever see of stars are their old photographs.
β
β
Alan Moore (Watchmen)
β
All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day.
β
β
Alan Moore (Batman: The Killing Joke)
β
Happiness is the most insidious prison of all.
β
β
Alan Moore (V for Vendetta)
β
None of you understand. I'm not locked up in here with YOU. You're locked up in here with ME.
β
β
Alan Moore (Watchmen)
β
My mother said I broke her heart...but it was my integrity that was important. Is that so selfish? It sells for so little, but it's all we have left in this place. It is the very last inch of us...but within that inch we are free.
β
β
Alan Moore (V for Vendetta)
β
No. Not even in the face of Armageddon. Never compromise.
β
β
Alan Moore (Watchmen)
β
Love your rage, not your cage.
β
β
Alan Moore (V for Vendetta)
β
God is in the rain.
β
β
Alan Moore (V for Vendetta)
β
I shall die here. Every last inch of me shall perish. Except one. An inch. It's small and it's fragile and it's the only thing in the world worth having. we must never lose it, or sell it, or give it away. We must never let them take it from us.
β
β
Alan Moore (V for Vendetta)
β
They say that life's a game, & then they take the board away.
β
β
Alan Moore (V for Vendetta)
β
Our masters have not heard the people's voice for generations and it is much, much louder than they care to remember.
β
β
Alan Moore (V for Vendetta)
β
We're all puppets, Laurie. I'm just a puppet who can see the strings.
β
β
Alan Moore (Watchmen)
β
We gaze continually at the world and it grows dull in our perceptions. Yet seen from another's vantage point, as if new, it may still take the breath away.
β
β
Alan Moore (Watchmen)
β
If I have to have a past, then I prefer it to be multiple choice.
β
β
Alan Moore (Batman: The Killing Joke)
β
The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
β
β
Alan Moore (V for Vendetta)
β
It seems strange that my life should end in such a terrible place, but for three years I had roses, and apologized to no one.
β
β
Alan Moore (V for Vendetta)
β
There's a notion I'd like to see buried: the ordinary person. Ridiculous. There is no ordinary person.
β
β
Alan Moore (Watchmen)
β
Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
β
β
Alan Moore (V for Vendetta)
β
Once you realize what a joke everything is, being the Comedian is the only thing that makes sense.
β
β
Alan Moore (Watchmen)
β
Why do we argue? Life's so fragile, a successful virus clinging to a speck of mud, suspended in endless nothing.
β
β
Alan Moore (Watchmen)
β
VI VERI VENIVERSUM VIVUS VICI.
By the Power of Truth, I, while living, have Conquered the Universe.
β
β
Alan Moore (V for Vendetta #2)
β
So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit.
β
β
Alan Moore (Batman: The Killing Joke)
β
It is the oldest ironies that are still the most satisfying: man, when preparing for bloody war, will orate loudly and most eloquently in the name of peace.
β
β
Alan Moore (Watchmen)
β
Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.
β
β
Alan Moore (V for Vendetta)
β
Sexually progressive cultures gave us literature, philosophy, civilization and the rest, while sexually restrictive cultures gave us the Dark Ages and the Holocaust.
β
β
Alan Moore (25,000 Years of Erotic Freedom)
β
There is no future. There is no past. Do you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every facet.
β
β
Alan Moore (Watchmen)
β
There's no flesh or blood within this cloak to kill. There's only an idea. Ideas are bulletproof.
β
β
Alan Moore (V for Vendetta)
β
The ending is nearer than you think, and it is already written. All that we have left to choose is the correct moment to begin.
β
β
Alan Moore (V for Vendetta)
β
Equality and freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
β
β
Alan Moore (V for Vendetta)
β
In an era of stress and anxiety, when the present seems unstable and the future unlikely, the natural response is to retreat and withdraw from reality, taking recourse either in fantasies of the future or in modified visions of a half-imagined past.
β
β
Alan Moore (Watchmen)
β
Evey Hammond: Who are you?
V: Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey Hammond: Well I can see that.
V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
β
β
Alan Moore (V for Vendetta)
β
But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
β
β
Alan Moore (V for Vendetta)
β
Authority, when first detecting chaos at its heels, will entertain the vilest schemes to save its orderly facade.
β
β
Alan Moore (V for Vendetta)
β
Nite Owl II: But the country's disintegrating. What's happened to America? What's happened to the American dream?
The Comedian: It came true. You're lookin' at it.
β
β
Alan Moore (Watchmen)
β
Real life is messy, inconsistent, and it's seldom when anything ever really gets resolved. It's taken me a long time to realize that.
β
β
Alan Moore (Watchmen)
β
We have laboured long to build a heaven, only to find it populated with horrors.
β
β
Alan Moore (Watchmen)
β
You know what I wish? I wish all the scum of the Earth had one throat and I had my hands about it.
β
β
Alan Moore (Absolute Watchmen)
β
Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night.
Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else.
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. Itβs us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world.
Was Rorschach.
Does that answer your Questions, Doctor?
β
β
Alan Moore (Watchmen)
β
Nothing ends, Adrian. Nothing ever ends.
β
β
Alan Moore (Watchmen)
β
I didn't put you in a prison, Evey. I just showed you the bars.
β
β
Alan Moore (V for Vendetta)
β
Authority allows two roles: the torturer and the tortured. Twists people into joyless mannequins that fear and hate, while culture plunges into the abyss.
β
β
Alan Moore (V for Vendetta)
β
Rorschach's Journal: October 12th, 1985
Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face.
The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown.
The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout "Save us!"... and I'll look down and whisper "No.
β
β
Alan Moore (Watchmen)
β
As I see it, part of the art of being a hero is knowing when you don't need to be one anymore.
β
β
Alan Moore (Watchmen)
β
A live body and a dead body contain the same number of particles. Structurally, there's no discernible difference. Life and death are unquantifiable abstracts. Why should I be concerned?
β
β
Alan Moore (Watchmen)
β
Everybody has their story to tell.
β
β
Alan Moore (V for Vendetta)
β
Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. You can lock them awayβ¦forever."
The Joker
β
β
Alan Moore (Batman: The Killing Joke)
β
I live my life free of compromise, and step into the shadows without complaint or regret.
β
β
Alan Moore (Watchmen)
β
Is it meaningless to apologize?
Never.
β
β
Alan Moore (V for Vendetta)
β
Who makes the world? Perhaps the world is not made. Perhaps nothing is made. Perhaps it simply is, has been, will always be thereβ¦a clock without a craftsman.
β
β
Alan Moore (Watchmen)
β
Look at him now, poor fellow. That's what a dose of reality does for you...Never touch the stuff myself, you understand. Find it gets in the way of the hallucinations.
β
β
Alan Moore
β
How can two people hate so much without knowing each other?
β
β
Alan Moore (Batman: The Killing Joke)
β
No one will ever forget that night, and what it meant for this country. But I will never forget the man and what he meant to me.
β
β
Alan Moore (V for Vendetta)
β
With so much chaos, someone will do something stupid. And when they do, things will turn nasty
β
β
Alan Moore (V for Vendetta)
β
There, did you think to kill me? There's no flesh or blood within this cloak to kill. There's only an idea.
Ideas are bulletproof.
Farewell.
β
β
Alan Moore (V for Vendetta)
β
Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance and oppression. And where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well certainly there are those more responsible than others, and they will be held accountable, but again truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. There were a myriad of problems which conspired to corrupt your reason and rob you of your common sense.
β
β
Alan Moore (V for Vendetta)
β
The main thing that I learned about conspiracy theory, is that conspiracy theorists believe in a conspiracy because that is more comforting. The truth of the world is that it is actually chaotic. The truth is that it is not The Iluminati, or The Jewish Banking Conspiracy, or the Gray Alien Theory.
The truth is far more frightening - Nobody is in control.
The world is rudderless.
β
β
Alan Moore
β
That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.
β
β
Alan Moore
β
It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
β
β
Alan Moore (Batman: The Killing Joke)
β
Who imprisoned me here? Who keeps me here? Who can release me? Who's controlling and constraining my life except...me?
β
β
Alan Moore (V for Vendetta)
β
Never despair. Never surrender.
β
β
Alan Moore (Watchmen)
β
There are people.
There are stories.
The people think they shape the stories, but the reverse if often closer to the truth.
Stories shape the world. They exist independently of people, and in places quite devoid of man, there may yet be mythologies.
β
β
Alan Moore (Swamp Thing, Vol. 2: Love and Death)
β
Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.
β
β
Alan Moore (Watchmen)
β
I'm 65 years old. Everyday the future looks a little bit darker. But the past, even the grimy parts of it, well, it just keeps on getting brighter all the time.
β
β
Alan Moore (Watchmen)
β
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant.
Away with our explosives, then!
Away with our destroyers! They have no place within our better world.
But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable.
Let's drink their health... then meet with them no more.
β
β
Alan Moore (V for Vendetta)
β
Who? Who is but the form following the function of what, and what I am is a man in a mask.
β
β
Alan Moore (V for Vendetta)
β
American love β like coke in green glass bottles...they don't make it anymore.
β
β
Alan Moore (Watchmen)
β
Eve: All this riot and uproar, V... is this Anarchy? Is this the Land of Do-As-You-Please?
V: No. This is only the land of take-what-you-want. Anarchy means "without leaders", not "without order". With anarchy comes an age or ordnung, of true order, which is to say voluntary order... this age of ordung will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course... This is not anarchy, Eve. This is chaos.
β
β
Alan Moore (V for Vendetta)
β
The world's a stage, & everything else is Vaudeville.
β
β
Alan Moore (V for Vendetta)
β
The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is.
It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end."
That's how much better it is.
β
β
Warren Ellis
β
In order to be able to make it, you have to put aside the fear of failing and the desire of succeeding. You have to do these things completely and purely without fear, without desire. Because things that we do without lust of result are the purest actions we shall ever take.
β
β
Alan Moore
β
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
β
β
Alan Moore (Watchmen)
β
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
β
β
Alan Moore (Watchmen)
β
MEMORY'S SO
TREACHEROUS.
ONE MOMENT YOU'RE LOST IN A
CARNIVAL
OF
DELIGHTS,
WITH POIGNANT CHILDHOOD
AROMAS
, THE FLASHING NEON OF
PUBERTY,
ALL THAT SENTIMENTAL
CANDY-FLOSS
...
THE
NEXT
, IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO...
...SOMEWHERE
DARK
AND
COLD,
FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE
FORGOTTEN.
MEMORIES
CAN BE
VILE, REPULSIVE
LITTLE
BRUTES.
LIKE
CHILDREN,
I SUPPOSE.
HAHA.
BUT CAN WE LIVE
WITHOUT
THEM?
MEMORIES
ARE WHAT OUR
REASON
IS BASED UPON. IF WE CAN'T
FACE
THEM, WE DENY REASON ITSELF!
ALGHOUGH, WHY
NOT?
WE AREN'T
CONTRACTUALLY TIED DOWN
TO
RATIONALITY!
THERE
IS
NO
SANITY CLAUSE!
SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS
UNBEARABLE,
REMEMBER THERE'S ALWAYS
MADNESS.
MADNESS
IS THE
EMERGENCY EXIT...
YOU CAN JUST STEP
OUTSIDE,
AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM
AWAY...
FOREVER.
β
β
Alan Moore (Batman: The Killing Joke)
β
It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.
β
β
Alan Moore (V for Vendetta)
β
To me, all creativity is magic. Ideas start out in the empty void of your head - and they end up as a material thing, like a book you can hold in your hand. That is the magical process. It's an alchemical thing. Yes, we do get the gold out of it but that's not the most important thing. It's the work itself.
β
β
Alan Moore
β
The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout 'SAVE US!'...and I'll look down and whisper 'No.
β
β
Alan Moore (Watchmen)
β
Truth is a well-known pathological liar. It invariably turns out to be Fiction wearing a fancy frock. Self-proclaimed Fiction, on the other hand, is entirely honest. You can tell this, because it comes right out and says, "I'm a Liar," right there on the dust jacket.
β
β
Alan Moore
β
You see, Doctor, God didn't kill that little girl. Fate didn't butcher her and destiny didn't feed her to those dogs. If God saw what any of us did that night he didn't seem to mind. From then on I knew... God doesn't make the world this way. We do.
β
β
Alan Moore (Watchmen)
β
I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
β
β
Alan Moore
β
Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the gunpowder treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, tβwas his intent
To blow up the King and Parliβment.
Three-score barrels of powder below
To prove old Englandβs overthrow;
By Godβs providence he was catchβd
With a dark lantern and burning match.
Holloa boys, holloa boys, let the bells ring.
Holloa boys, holloa boys, God save the King!
β
β
Alan Moore (V for Vendetta)
β
I sat on the bed. I looked at the Rorschach blot. I tried to make it look like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that isn't the real horror. The horror is this: in the end, it is simply a picture of empty meaningless blackness.
β
β
Alan Moore (Watchmen)
β
I'm disappointed in you, Adrian. I'm very disappointed. Reassembling myself was the first trick I learned. It didn't kill Osterman. Did you really think it would kill me? I have walked across the surface of the sun. I have witnessed events so tiny and so fast, they could hardly be said to have occurred at all. But you, Adrian, you're just a man. The world's smartest man poses no more threat to me than does its smartest termite.
β
β
Alan Moore (Watchmen)
β
See, there were these two guys in a lunatic asylum... and one night, one night they decide they don't like living in an asylum any more. They decide they're going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moon light... stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his friend didn't dare make the leap. Y'see... Y'see, he's afraid of falling. So then, the first guy has an idea... He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk along the beam and join me!' B-but the second guy just shakes his head. He suh-says... He says 'Wh-what do you think I am? Crazy? You'd turn it off when I was half way across!
β
β
Alan Moore (Batman: The Killing Joke)
β
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
β
β
Alan Moore (V for Vendetta)
β
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.'
'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?'
'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
β
β
Alan Moore (V for Vendetta)
β
Evey: Who are you?
V. : Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey: Well I can see that.
V. : Of course you can, Iβm not questioning your powers of observation, Iβm merely remarking upon the paradox of asking a masked man who he is.
Evey: Oh, right.
V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the βvox populiβ now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition.
The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that itβs my very good honour to meet you and you may call me V.
Evey: Are you like a crazy person?
V. : Iβm quite sure they will say so.
β
β
Alan Moore (V for Vendetta)
β
Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the βvox populiβ now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that itβs my very good honour to meet you and you may call me V.
β
β
Alan Moore (V for Vendetta)
β
If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns...
And somebody falls off...
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick."
"The world keeps turning."
Oh Alecβ
Alec's dead.
β
β
Alan Moore (Swamp Thing, Vol. 5: Earth to Earth)
β
I've proved my point. I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day. You had a bad day once, am I right? I know I am. I can tell. You had a bad day and everything changed. Why else would you dress up as a flying rat? You had a bad day, and it drove you as crazy as everybody else... Only you won't admit it! You have to keep pretending that life makes sense, that there's some point to all this struggling! God you make me want to puke. I mean, what is it with you? What made you what you are? Girlfriend killed by the mob, maybe? Brother carved up by some mugger? Something like that, I bet. Something like that... Something like that happened to me, you know. I... I'm not exactly sure what it was. Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice! Ha ha ha! But my point is... My point is, I went crazy. When I saw what a black, awful joke the world was, I went crazy as a coot! I admit it! Why can't you? I mean, you're not unintelligent! You must see the reality of the situation. Do you know how many times we've come close to world war three over a flock of geese on a computer screen? Do you know what triggered the last world war? An argument over how many telegraph poles Germany owed its war debt creditors! Telegraph poles! Ha ha ha ha HA! It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
β
β
Alan Moore (Batman: The Killing Joke)
β
Remembering's dangerous. I find the past such a worrying, anxious place. "The Past Tense," I suppose you'd call it. Memory's so treacherous. One moment you're lost in a carnival of delights, with poignant childhood aromas, the flashing neon of puberty, all that sentimental candy-floss... the next, it leads you somewhere you don't want to go. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten. Memories can be vile, repulsive little brutes. Like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit⦠you can just step outside, and close the door on all those dreadful things that happened. You can lock them away⦠forever.
β
β
Alan Moore (Batman: The Killing Joke)