Akai Quotes

We've searched our database for all the quotes and captions related to Akai. Here they are! All 8 of them:

The Jaghut drew weapons. Beside Onos Toolan, Haut said, ‘Join us, First Sword. If we must die, must it be on the back step? I think not.’ His eyes flashed from the shadows of his helm. ‘First Sword – do you see? Forkrul Assail, K’Chain Che’Malle, Imass and now Jaghut! What a fell party this is!’ Gedoran grunted and said, ‘All we now need are a few Thel Akai, Haut, and we can swap old lies all night long!
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Bookstores are wondrous places, are they not?
Higasa Akai (The Royal Tutor Vol. 2)
Kesabaran itu pasti mengalahkan hari yg terberat sekalipun Hanya yg kurang bersyukur yg kalah Hanya yg kurang mengerti yg putus asa
akai enoch
Others? Other dragons? I think not, and let us be clear here, Kanyn Thrall, your other victories have all the bravado of rats crunched underfoot. I make breakfast of mortal heroes and shit out pitted iron at day’s end. I make morsels of Tiste champions, snacks of Thel Akai hunters, paltry meals of Jhelarkan, Dog-Runners, Thelomen and Jheck.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
fight for it ? i say no...but I'd say I let it go because why holding embers when I can see you from a distance
akai enoch
fear of death is worse than death itself...
Shuichi Akai
Some of the guys had been to Japan, Hong Kong, the Philippines and Vietnam on deployments. Invariably they had multicomponent stereo systems with Pioneer amps, Akai tape decks, and seventy-pound Wharfdale speakers.
Bernie Fipp (Triple Sticks: Tales of a Few Young Men in the 1960s)
While I waited for my food I padded in my slippers down the hallway to my studio and turned on the equipment. First the power strips, then the synths and samplers. Then I loaded the discs into my Akai samplers, listening to them whir and click quietly as they took code from the discs and loaded it into their Japanese sampler brains. I climbed under a table and turned on my Soundcraft twenty-four-channel mixing desk, and finally I turned on the power amplifier for the speakers. My studio was up and running and making the calm hum that is the quiet background noise of a studio, like distant traffic or a beach at night. I didn’t know what I was going to work on, so I loaded up some old gospel samples I’d had for years but never figured out how to use. Years ago I’d written a fast euro track called “Why Does My Heart?” that used these samples. Luckily I’d never released it, as it was pretty bad.
Moby (Porcelain)