Aisle Runner Quotes

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was laughable. An aisle stretched down the middle of the ballroom, defined by candelabras topped with more pale orbs, their light flickering like little flames. The aisle runner was black and set with rhinestones in mimicry of the night sky. Or, the always sky, as it was here on Luna. A hush fell over the room, and Kai could tell it was not a normal hush. It was too controlled, too flawless. His heart pounded, uncontrolled in its cage. This was the moment he’d been dreading, the fate he’d fought against for so long. No one was going to interfere. He was alone and rooted to the floor. At the far back of the room, the massive doors opened, chorused with a fanfare of horns. At the end of the aisle, two shadows emerged—a man and a woman in militaristic uniforms carrying the flags of Luna and the Eastern Commonwealth. After they parted, setting the flags into stands on either side of the altar, a series of Lunar guards marched into the room, fully armed and synchronized. They, too, spread out when they reached the altar, like a protective wall around the dais. Next down the aisle were six thaumaturges dressed in black, walking in pairs, graceful as black swans. They were followed by two in red, and finally Head Thaumaturge Aimery Park, all in white. A voice dropped down from some hidden speakers. “All rise for Her Royal Majesty, Queen Levana Blackburn of Luna.” The people rose. Kai clasped his shaking hands behind his back. She appeared as a silhouette first in the lights of the doors, a perfect hourglass dropping off to a full billowing skirt that flowed behind her. She walked with her head high, gliding toward
Marissa Meyer (Winter (The Lunar Chronicles, #4))
OBJECTIVELY SPEAKING, my wedding to Troy Brennan was a beautiful event. Obscenely lavish and obnoxiously wasteful. Brennan spared no expense when it came to what was his. Be it his penthouse, his cars, his women or his wedding. The candles, floral arrangements, aisle runner, soloist, organist, floral archways and extravagantly decorated pews were all impeccable and plush. In fact, I was surprised the altar wasn’t built exclusively from blood diamonds and rolled one-hundred-dollar bills. Nonetheless, to me, it was as pointless as Henry Cavill with a shirt on. So much detail and beauty shouldn’t be wasted on fraud. And that’s what Brennan and I were—a lie. A charade. Doomed people trapped in a marriage built on the ruins of extortion and lies. We
L.J. Shen (Sparrow (Boston Belles, #0.5))
The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.
Mary Hollis Huddleston (Piece of Cake)