Airline Stewardess Quotes

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Please relax," said the voice pleasantly, like a stewardess in an airliner with only one wing and two engines one of which is on fire, "you are perfectly safe.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
How much better it would be if they weren't so damn understanding--if they kicked me out of the house. To find yourself out in the street with two dollars to your name, to catch the streetcar downtown and get a job, perhaps as an airline stewardess. Think how wonderful it would be to fly to Houston and back three times a week for the next twenty years. You think I'm kidding? I'm not. It would be wonderful.
Walker Percy (The Moviegoer)
When I started researching airline stewardesses, I found that the topic made for amusing cocktail party banter. “You’re writing a book about that? Wow, what fun!” Yes, it was fun, but it was also serious history. Pretty women do not fit into what we have come to think of as serious history. Real history covers topics like Lincoln, World War II, or, frankly, anything involving powerful white males.
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
Flying United, to me, is like crossing the Andes in a prison bus. There is no question in my mind that somebody like Pat Nixon personally approves every United stewardess. Nowhere in the Western world is there anything to equal the collection of self-righteous shrews who staff the “friendly skies of United.” I do everything possible to avoid that airline, often at considerable cost and personal inconvenience.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
Hey, who are you?” he quacked. “Where are you? What’s going on and is there any way of stopping it?” “Please relax,” said the voice pleasantly, like a stewardess in an airliner with only one wing and two engines, one of which is on fire, “you are perfectly safe.” “But that’s not the point!” raged Ford. “The point is that I am now a perfectly safe penguin, and my colleague here is rapidly running out of limbs!” “It’s all right, I’ve got them back now,” said Arthur. “Two to the power of fifty thousand to one against and falling,” said the voice. “Admittedly,” said Arthur, “they’re longer than I usually like them, but …” “Isn’t there anything,” squawked Ford in avian fury, “you feel you ought to be telling us?
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Please relax,” said the voice pleasantly, like a stewardess in an airliner with only one wing and two engines, one of which is on fire, “you are perfectly safe.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
It is a challenge to believe that there was ever a time that airline food was exciting, when stewardesses were happy to see you, when flying was such an occasion that you wore your finest clothes.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
What a wonderful world that was, and how remote it seems now. It is a challenge to believe that there was ever a time that airline food was exciting, when stewardesses were happy to see you, when flying was such an occasion that you wore your finest clothes. I grew up in a world in which everything was like that: shopping malls, TV dinners, TV itself, supermarkets, freeways, air conditioning, drive-in movies, 3D movies, transistor radios, backyard barbecues, air travel as a commonplace—all were brand-new and marvelously exciting. It is amazing we didn’t choke to death on all the novelty and wonder in our lives. I remember once my father brought home a device that you plugged in and, with an enormous amount of noise and energy, it turned ice cubes into shaved ice, and we got excited about that. We were idiots really, but awfully happy, too. —
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
Between 1970 and 1971, the feminist movement made significant strides. In 1970, the Equal Rights Amendment was forced out of the House Judiciary Committee, where it had been stuck since 1948; the following year, it passed in the House of Representatives. In response to a sit-in led by Susan Brownmiller, Ladies' Home Journal published a feminist supplement on issues of concern to women. Time featured Sexual Politics author Kate Millett on its cover, and Ms., a feminist monthly, debuted as an insert in New York magazine. Even twelve members of a group with which Barbie had much in common—Transworld Airlines stewardesses—rose up, filing a multimillion-dollar sex discrimination suit against the airline. Surprisingly, Barbie didn't ignore these events as she had the Vietnam War; she responded. Her 1970 "Living" incarnation had jointed ankles, permitting her feet to flatten out. If one views the doll as a stylized fertility icon, Barbie's arched feet are a source of strength; but if one views her as a literal representation of a modern woman—an equally valid interpretation— her arched feet are a hindrance. Historically, men have hobbled women to prevent them from running away. Women of Old China had their feet bound in childhood; Arab women wore sandals on stilts; Palestinian women were secured at the ankles with chains to which bells were attached; Japanese women were wound up in heavy kimonos; and Western women were hampered by long, restrictive skirts and precarious heels. Given this precedent, Barbie's flattened feet were revolutionary. Mattel did not, however, promote them that way. Her feet were just one more "poseable" element of her "poseable" body. It was almost poignant. Barbie was at last able to march with her sisters; but her sisters misunderstood her and pushed her away.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
a team of suspected terrorists had boarded an aircraft in London that they were going to hi-jack.  Their target aircraft was a new 747 Jumbo Jet.  The terrorists didn’t realize the aircraft had been switched to a smaller 707 until after they were aboard and the aircraft was taxing.  Airline officials said they had planted a note in the first class bathroom notifying the Captain of their intent to take over the plane.  Sources also revealed that once they realized the aircraft wasn’t a 747 they tried to retrieve the note but it was too late, a stewardess had accidentally discovered it during the climb out while the fasten seat belt lights were still on and people weren’t allowed to move around the cabin.  The aircraft had been diverted to Shannon, and British authorities had taken ten suspected terrorists into custody.  After a slight delay, the aircraft had continued to the United States without further incident.      Marguerite and I looked at one another for several seconds.  She broke into a grin and said, “Well, looks like we sure dodged the bullet on that one and it will make a great story for our grandchildren.”      “Yes, it will.  I wonder if we’d ever known what happened if we hadn’t just happened to catch that news broadcast.
W.R. Spicer (Sea Stories of a U.S. Marine Book 3 ON HER MAJESTY'S SERVICE)
Freddy left the business and went to work as a pilot with Trans World Airlines. At age twenty-three, he married a stewardess, and the couple had two children, Fred and Mary. Freddy seemed far happier than he had been under his father; Donald, however, couldn’t help but pick on Freddy’s run-of-the-mill ambitions, asking him, “What’s the difference between what you do and driving a bus?
Michael Kranish (Trump Revealed: The Definitive Biography of the 45th President)
stewardesses of the 1960s had filed a complaint with the Equal Employment Opportunity Commission (EEOC), trying to change the “no men, no marriage” policy of their job. Aileen Hernandez, the only female or African American on the EEOC, supported them. Years later they finally won, but the airlines called the ruling “improper” because Hernandez, after leaving the EEOC, had become president of the National Organization for Women. A judge actually agreed.
Gloria Steinem (My Life on the Road)
Because neither Ruth nor Charlotte was a housewife. Barbie, from the outset, worked—at both dream and humdrum jobs. She served drinks to thankless travelers as an American Airlines stewardess and emptied bedpans as a registered nurse.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Taking a trip with the Air Force Special Operations Wing folks is not like a flight on a normal airliner. For one thing, passengers and crew are all armed to the teeth. The seating is awful, the noise is incredible, and there is no movie. Your stewardess is likely to be a guy wearing a shoulder holster, and he will not bring you a pillow.
Frank Antenori (Roughneck Nine-One: The Extraordinary Story of a Special Forces A-team at War)
Universal City Oakwood, a complex of furnished temporary-stay apartments on Barham Boulevard. The Oakwood was popular with businessmen, airline pilots and stewardesses, recently divorced fathers, and actors staying in LA for auditions, episodic guest shots, or movie shoots. Visiting assassins liked it, too. The best part of staying there was the sex. Unless you had leprosy, it was almost impossible not to get laid. And even then, your chances were still pretty good.
Lee Goldberg (True Fiction (Ian Ludlow Thrillers #1))