Air Jordan Quotes

We've searched our database for all the quotes and captions related to Air Jordan. Here they are! All 100 of them:

I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, my eyes wide and aching. "You're not some well-trained puppy content to go along with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting.
Sophie Jordan (Firelight (Firelight, #1))
I've failed over and over and over again in my life... and that is why I succeed”—Michael Jordan
Michael Jordan (I'm Back!: More Rare Air)
When I shoot, the ball bounces hard against the backboard, and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you.
Sophie Jordan (Firelight (Firelight, #1))
When you move, everything is up in the air, at least for a while. It’s stressful, but in the chaos there are new possibilities. People, including you, can’t hem you in with their old notions. You get shaken out of your ruts
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Hands still in the air, Jordan reached back and gently caressed her cheek. Dying for this woman would be no hardship. He'd die a thousand times over if it would take away her pain. Since he had every intention of living a long and healthy life with Eden at his side, he sincerely hoped Noah was on his way and dying wouldn't be necessary.
Christy Reece (Rescue Me (Last Chance Rescue, #1))
At least Aielwomen did not walk around with their noses in the air, or think you should jump just because they said so. Of course, some of their games were on the rough side, and they did have the habit of trying to kill you now and again.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
Poem for My Love How do we come to be here next to each other in the night Where are the stars that show us to our love inevitable Outside the leaves flame usual in darkness and the rain falls cool and blessed on the holy flesh the black men waiting on the corner for a womanly mirage I am amazed by peace It is this possibility of you asleep and breathing in the quiet air
June Jordan (Directed by Desire: The Collected Poems)
Unlike perfume, handbags are visible on the body, and--like Air Jordans for teenagers--give the wearer the chance to brandish the logo and publicly declare her status or aspiration.
Dana Thomas (Deluxe: How Luxury Lost Its Luster)
That one you have tried to kill many times, Rand said, that one who lost his kingdom, that one from whom you took everything... Lurching, bloodied from the sword strike to his side, the last king of the Malkieri stumbled to his feet. Lan thrust his hand into the air, holding by its hair the head of Demandred, general of the Shadow's armies. That man, Rand shouted. That man still fights!
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Pleasure suffused her and she snuggled deeper into his arms, her heart clenching when he tightened his hold on her. After a while his breathing slowed and his hold relaxed. Convinced he slept, she whispered, "You should have been my first." A small ache pinched her heart. His chest vibrated beneath her hand, sending a thrilling shiver up her spine as his deep voice rumbled through the air, "I'll be your last.
Sophie Jordan (One Night With You (The Derrings #3))
My wings grow, slightly longer than the length of my back. The gossamer width of them pushes free. They unfurl with a soft whisper on the air—a sigh. As if they, too, seek relief. Freedom.
Sophie Jordan (Firelight (Firelight, #1))
Jordan gets it. Or, he used to get it. But that limbo, the space between the people we used to be and the people we are now feels like it’s always going to hang in the air between us.
Leah Johnson (You Should See Me in a Crown)
When you move, everything is up in the air, at least for a while. It’s stressful, but in the chaos there are new possibilities. People, including you, can’t hem you in with their old notions. You get shaken out of your ruts. You can make new, better ruts, with people aiming at better things.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Everyone does this shit.’” I paused, letting Elliot's words hang in the air. Then I said, “There's no denying that he had a point. You see it in jewelry stores all the time: They inflate their price tags and then mark things down right in front of you so you think you're getting a good deal.” I paused again, then: “And all this business about an overorder isn't much different than all those stores you see advertising ‘ going-out-of-business sales.’ Most of them have been advertising the same going-out-of-business sale for the last ten years, and in ten more years they'll still be going out of business!
Jordan Belfort (Catching the Wolf of Wall Street: More Incredible True Stories of Fortunes, Schemes, Parties, and Prison)
Almost everyone stopped when he did, but Enaila and Jalani exchanged glances and kept on right past him toward the garden. He raised his voice a fraction and hardened it considerably more. “The Maidens here will come with me. Anyone who wants to put on a dress and discuss matchmaking can stay behind.” .................................. Bashere motioned, and one of the younger Saldaeans loped ahead in that rolling stride of a man more used to a saddle. “A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.” “Young men,” Bael said indulgently. “A young man chases shadows and runs from moonlight, and in the end he stabs himself in the foot with his own spear.” Some of the other Aiel chuckled, Maidens and Knife Hands alike. The older ones did. Irritated, Rand looked over his shoulder again. “Neither of you would look well in a dress.” Surprisingly, the Maidens and Knife Hands laughed again, more loudly. Maybe he was getting a grip on Aiel humor.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
Air struggles up my throat and past my lips as Mom talks with our new landlady. Even with the air conditioner working at full blast, the air is thin, dry, and empty. I imagine this is how it feels for someone with asthma, this constant fight for breath. As if you can't ever fill your lungs with enough air. I glare at Mom. Of all the places in the world to relocate, she had to choose a desert. I'm certain she's a sadist.
Sophie Jordan (Firelight (Firelight, #1))
As he was putting his books in his locker one day, a white male student pointed at Izaiah’s brand-new Air Jordans and said, “Those are some real nigger shoes.” What was most disturbing about this incident was that it wasn’t an aberration but a regular occurrence.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
You must know this. People disappear. They just go puff. Thin air. Every time you see someone, you never know if you're seeing them for the last time. Drink them in, Alec. Kiss them. It's very important. Never let anyone say goodbye, even for a little while, without kissing them. Press your lips against the people you love. Hands, they can touch anything. Open doors, hold cameras, hang clothes on the line. It's lips that matter.
Toni Jordan (Nine Days)
Couldn’t we camp down by the lakes?” Nynaeve asked, patting her face with her kerchief. “It must be cooler down by the water.” “Light,” Mat said, “I’d just like to stick my head in one of them. I might never take it out.” Just then something roiled the waters of the nearest lake, the dark water phosphorescing as a huge body rolled beneath the surface. Length on man-thick length sent ripples spreading, rolling on and on until at last a tail rose, waving a point like a wasp’s stinger for an instant in the twilight, at least five spans into the air. All along that length fat tentacles writhed like monstrous worms, as many as a centipede’s legs. It slid slowly beneath the surface and was gone, only the fading ripples to say it had ever been. Rand closed his mouth and exchanged a look with Perrin. Perrin’s yellow eyes were as disbelieving as he knew his own must be. Nothing that big could live in a lake that size. Those couldn’t have been hands on those tentacles. They couldn’t have been. “On second thought,” Mat said faintly, “I like it right here just fine.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Bars of sunlight cast through rents in the walls made motes of dust glitter where they yet hung in the air.
Robert Jordan (The Eye of the World (The Wheel of Time #1))
When you move, everything is up in the air, at least for a while. It’s stressful, but in the chaos there are new possibilities.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.
Ernest Hemingway (For Whom The Bell Tolls - The Snows Of Kilimanjaro - Fiesta - The Short Happy Life Of Francis Macomber - Across The River And Into The Trees - The Old Man And The Sea)
I don’t see why one can’t simply rely on the telegram,” Whyborne said, eyeing the telephone with an air of distrust. “Why on earth must you talk to people when you can simply write a short message?
Jordan L. Hawk (Maelstrom (Whyborne & Griffin, #7))
Physical deprivation and hunger are one thing; the poverty of the mind and psyche is quite another. Crashing Costco to find bulk beans and rice is not the same as flash-mobbing for Air Jordans and iPhones. How odd that our cultural elite and our dependent poor are somewhat alike, in a symbiotic relationship in which the latter guilt-trip the former for entitlements, with the assurance that the top of the pyramid is safe and free to fritter about far from those they worry about. No wonder those in between who lack the romance of the poor and the privileges and power of the elite are shrinking. We are entering the age of the bread-and-circuses Coliseum: luxury box seats for the fleshy senatorial class, free food and tickets for the rest—and the shrinking middle out in the sand of the arena providing the entertainment.
Victor Davis Hanson (The Decline and Fall of California: From Decadence to Destruction (Victor Davis Hanson Collection Book 2))
Early mornings were given over to Bartok and Schoenberg. Midmorning I treated myself to the vocals of Billy Eckstine, Billie Holiday, Nat Cole, Louis Jordan and Bull Moose Jackson. A piroshki from the Russian delicatessen next door was lunch and then the giants of bebop flipped through the air. Charlie Parker and Max Roach, Dizzy Gillespie, Sarah Vaughan and Al Haig and Howard McGhee. Blues belonged to late afternoons and the singers’ lyrics of lost love spoke to my solitude.
Maya Angelou (Singin' & Swingin' and Gettin' Merry Like Christmas)
She held herself with a grace and air of command that made him feel awkward and stumble-footed. She was barely tall enough to come up to his chest, but her presence was such that her height seemed the proper one, and he felt ungainly in his tallness.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
Sophie Jordan (Firelight (Firelight, #1))
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
Mis alas agitaron el aire y me llevaron cada vez más alto. Era como si estuviera alejándome del pueblo a toda velocidad, esforzándome por llegar lo más lejos posible. Cerré los ojos y saboreé el viento fuerte que azotaba mi rostro. Por un instante llegué a pensar en seguir de largo y desvanecerme, esfumarme en el cielo. No volver a descender jamás.
Sophie Jordan (Vanish (Firelight, #2))
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate. When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again. That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
Rand noticed trees split open as if struck by lightning. “The cold,” Lan answered when he asked. “Sometimes the winter is so cold here the sap freezes, and trees burst. There are nights when you can hear them cracking like fireworks, and the air is so sharp you think that might shatter, too. There are more than usual, this winter past.” Rand shook his head. Trees bursting? And that was during an ordinary winter. What must this winter have been like? Surely like nothing he could imagine.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Angry heat tightens my skin. “Never took you for a coward,” I blurt. His head snaps in my direction. “What do you mean by that?” “You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?” Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all. His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him. His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.” He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.” At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse. I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs. His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder. “Your skin,” he whispers against my mouth,” it’s so . . .” I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back. He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
Sophie Jordan (Firelight (Firelight, #1))
You are no one in my life,” she said in a voice fraught with tension. “You cannot tell me what to—” “Oh, I can,” he bit out, his voice a gravelly purr that abraded her skin and sparked something inside her. His hand slid around her nape and hauled her closer. His pirate’s eyes swallowed her up and forced all the air out from her lungs in one great rush. “I will.” She opened her mouth to protest, but his mouth covered hers. Claimed her. It was the only word for it. This was a taking. And she the taken.
Sophie Jordan (While the Duke Was Sleeping (The Rogue Files, #1))
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Today, more then ever, the chance to confront one's own dragons, to travel into one's own dark wood is truly possible. It requires the inner journey that awaits all of us at every moment of our lives. It involves as much grandeur, suspense, and need for courage as any story of medieval knights. To travel to the unknown parts of yourself, that is something not even Michael Jordan in his Nike Airs can do for you. At the same time, that journey is precisely what gives you more importance than a Michael Jordan, for you are the only one breathing with your lungs and living your life.
Michael Brant DeMaria (Ever Flowing On: On Being and Becoming Oneself)
Fifteen brooms rose up, high, high into the air. They were off. “And the Quaffle is taken immediately by Angelina Johnson of Gryffindor — what an excellent Chaser that girl is, and rather attractive, too —” “JORDAN!” “Sorry, Professor.” The Weasley twins’ friend, Lee Jordan, was doing the commentary for the match, closely watched by Professor McGonagall. “And she’s really belting along up there, a neat pass to Alicia Spinnet, a good find of Oliver Wood’s, last year only a reserve — back to Johnson and — no, the Slytherins have taken the Quaffle, Slytherin Captain Marcus Flint gains the Quaffle and off he goes — Flint flying like an eagle up there — he’s going to sc– no, stopped by an excellent move by Gryffindor Keeper Wood and the Gryffindors take the Quaffle — that’s Chaser Katie Bell of Gryffindor there, nice dive around Flint, off up the field and — OUCH — that must have hurt, hit in the back of the head by a Bludger — Quaffle taken by the Slytherins — that’s Adrian Pucey speeding off toward the goalposts, but he’s blocked by a second Bludger — sent his way by Fred or George Weasley, can’t tell which — nice play by the Gryffindor Beater, anyway, and Johnson back in possession of the Quaffle, a clear field ahead and off she goes — she’s really flying — dodges a speeding Bludger — the goalposts are ahead — come on, now, Angelina — Keeper Bletchley dives — misses — GRYFFINDOR SCORE!” Gryffindor
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
When Michael received a pass at the top of the key in full flight and he left the ground, he defied gravity, floated through the air, let that ball roll off his fingertips and into the basket. Tongue unconsciously extended. When he did that, he had to be in the zone. He could not be thinking about what he was doing. But to make his zone exactly analogous to the art zone, you have to add this: every time he shoots, in order to make a basket Michael Jordan would have to confront, without flinching, the moment when his father’s chest was blown apart by the shotgun held by his kidnapper. You know that happened in Michael Jordan’s life. Well, Michael would have to confront that in order to make a basket every time. Without flinching. Now his zone is equal to the artist’s zone. And now you understand the challenge of being an artist. 2
Robert Olen Butler (From Where You Dream: The Process of Writing Fiction)
What was it you told me Old Mongwe said?" she asked suddenly. "About guilt?" "That it's useless." I sighed, remembering the hermit's opaque words: Guilt is self-centered, and leads only to destructive obsession. But conviction brings balance-a sense of purpose beyond oneself. "And what you said," Kirah pressed. "When you convinced Thaddace to leave that prison?" I blinked in confusion. She gripped my shoulders, hazel eyes alight. "It was important, Tarisai. You said you heard it from someone-someone powerful." I remembered then-the voice from the shrine at Sagimsan, turning my limbs to water as the breath of the Storyteller swelled on the mountain air. "Do not ask how many people you will save," I murmured: "Ask, the what world will you save them? what makes a world worth surviving in?" "That's right." Kirah nodded fervently. "And what made Thaddace keep going-what made him try-it wasn't guilt. It was love." She reached out and squeezed my hand. "It was love, Tarisai.
Jordan Ifueko (Redemptor (Raybearer, #2))
Lan leaned against his saddle with apparent casualness, but one hand rested ostentatiously on the long hilt of his sword. There was an air about him of a metal spring, compressed, waiting. Rand hurriedly copied the Warder’s pose—at least insofar as putting his hand on his sword. He did not think he could achieve that deadly-seeming slouch. They’d probably laugh if I tried. Perrin eased his axe in its leather loop and planted his feet deliberately. Mat put a hand to his quiver, though Rand was not sure what condition his bowstring was in after being out in all this damp. Thom Merrilin stepped forward grandly and held up one empty hand, turning it slowly. Suddenly he gestured with a flourish, and a dagger twirled between his fingers. The hilt slapped into his palm, and, abruptly nonchalant, he began trimming his fingernails. A low, delighted laugh floated from Moiraine. Egwene clapped as if watching a performance at Festival, then stopped and looked abashed, though her mouth twitched with a smile just the same.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Reece’s face loomed over me. “Pepper? Pepper?” He sounded so panicked. I wanted to tell him everything was going to be all right. That I was fine. I wanted to thank him for coming, for giving me the strength to keep going, to keep fighting. I wanted to say all these things. All these things and more. But I couldn’t. I couldn’t catch my breath. My hand drifted to my chest, as though I could find some switch there to help open up my oxygen-starved lungs. There was no switch. I wheezed, terrible little sounds escaping my lips as I struggled for more air. Spots danced before my eyes, and I hated that most of all. The edges of my vision grayed. I could barely see Reece anymore. My gaze strained, as if struggling to memorize his face. Overheated and marred with soot, it was the most beautiful thing I had ever seen. I could hear him, though, screaming my name again and again. Could feel him. His hands on my arms, my face. My vision went dark, and just before that darkness rolled in on my mind, I got out two words. Just two words. But they were good ones. I hoped he heard them. “Love. You.
Sophie Jordan
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
The Biggest Property Rental In Amsterdam Amsterdam has been ranked as the 13th best town to live in the globe according to Mercer contacting annual Good quality of Living Review, a place it's occupied given that 2006. Which means that the city involving Amsterdam is among the most livable spots you can be centered. Amsterdam apartments are equally quite highly sought after and it can regularly be advisable to enable a housing agency use their internet connections with the amsterdam parkinghousing network to help you look for a suitable apartment for rent Amsterdam. Amsterdam features rated larger in the past, yet continuing plan of disruptive and wide spread construction projects - like the problematic North-South town you live line- has intended a small scores decline. Amsterdam after rated inside the top 10 Carolien Gehrels (Tradition) told Dutch news company ANP that the metropolis is happy together with the thirteenth place. "Of course you want is actually the first place position, however shows that Amsterdam is a fairly place to live. Well-known places to rent in Amsterdam Your Jordaan. An old employees quarter popularised amang other things with the sentimental tunes of a quantity of local vocalists. These music painted an attractive image of the location. Local cafes continue to attribute live vocalists like Arthur Jordaan and Tante Leeni. The Jordaan is a network of alleyways and narrow canals. The section was proven in the Seventeenth century, while Amsterdam desperately needed to expand. The region was created along the design of the routes and ditches which already existed. The Jordaan is known for the weekly biological Nordermaarkt on Saturdays. Amsterdam is famous for that open air market segments. In Oud-zuid there is a ranging Jordan Cuypmarkt open year long. This part of town is a very popular spot for expats to find Expat Amsterdam flats due in part to vicinity of the Vondelpark. Among the largest community areas A hundred and twenty acres) inside Amsterdam, Netherlands. It can be located in the stadsdeel Amsterdam Oud-Zuid, western side from the Leidseplein as well as the Museumplein. The playground was exposed in 1865 as well as originally named the "Nieuwe Park", but later re-named to "Vondelpark", after the 17th one hundred year author Joost lorrie den Vondel. Every year, the recreation area has around 10 million guests. In the park can be a film art gallery, an open air flow theatre, any playground, and different cafe's and restaurants.
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He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
Philip Pullman (His Dark Materials)
CITY OF SCREAMS October 23, 2:09 P.M. Kabul, Afghanistan IT STARTED WITH the screams. Sergeant Jordan Stone listened again to the snippet of an SOS that had reached the military command in Kabul at 4:32 that morning. He rested his elbows on the battered gray table, his palms pressing the oversize headphones against his ears, trying to draw out every clue the recording might offer. A lunch of lamb kebabs and local lavash bread sat forgotten, though the smell of curry and cardamom still permeated the air, contributing to the nausea he felt as he listened. He sat alone in a small, windowless room at the Afghan Criminal Techniques Academy, a one-story nondescript building at the edge of Bagram airport outside Kabul. But his mind was out there, lost in that firefight recorded on tape. He strained, his eyes closed, listening for the fourteenth time.
James Rollins (City of Screams (The Order of the Sanguines, #0.5))
What the hell?” Two men stepped through the shattered glass door. They were wearing dark blue bulletproof vests emblazoned with the letters FBI. “Get your hands in the air!” “Do you know who I am?” Pollard snarled at the pistol aimed at his face. The agent smiled. “I know exactly who you are, you piece of shit. Jordan Pollard, you're under arrest for accessory to murder of Mexican and Venezuelan citizens, blackmail, and securities fraud. I could go on but I think you get the drift.” Strong hands hauled him from his desk and pressed him against the wall. Metal handcuffs restrained his hands behind his back. “You're making a big mistake, gentlemen! I have powerful friends.” “So do we, ours is a Supreme Court judge. Maybe we should get them together some time.
Jack Silkstone (PRIMAL Nemesis (PRIMAL #6))
You almost had me convinced, you know.” A small shiver ran through me as I searched his face, so unbearably close I could see the tiny flecks of gold in his eyes. Our breaths panted, mingling between us. Even though a whisper inside me warned that I should just let the subject drop, I demanded, “Convinced of what?” “That I should quit. That I should give up on you. That’s what you wanted me to do.” He paused, letting the words sink in the thick air between us. “But now I’ve seen your painting and I know better.
Sophie Jordan (Tease (The Ivy Chronicles, #2))
A long, white banner spread out, lifting on the air. Rand could only stare. The whole thing seemed of a piece, neither woven, nor dyed, nor painted. A figure like a serpent, scaled in scarlet and gold, ran the entire length, but it had scaled legs, and feet with five long, golden claws on each, and a great head with a golden mane and eyes like the sun. The stirring of the banner made it seem to move, scales glittering like precious metals and gems, alive, and he almost thought he could hear it roar defiance.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
When Jordan took the court for the first time wearing his special red-and-black shoes, the NBA fined the Bulls $1,000 for violating the league’s uniform dress code. Nike cleverly seized on the fine as a publicity opportunity, producing a television commercial that showed Jordan bouncing a ball as a voice said: “On September 15, Nike created a revolutionary new basketball shoe. On October 18, the NBA threw them out of the game. Fortunately, the NBA can’t keep you from wearing them. Air Jordans from Nike.
Aaron Frisch (The Story of Nike)
In Libya in 2011, fourteen NATO members and four partner countries prevented Muammar Qaddafi from carrying out a promise to slaughter tens of thousands of his own people—and then they removed him from power. France, Britain, Italy, Canada, Denmark, Norway, Belgium, and others struck 90 percent of all NATO targets. Spain, the Netherlands, Turkey, Greece, and Romania enforced an arms embargo at sea. Sweden, not a NATO member, contributed naval and air force personnel and equipment. The United Arab Emirates, Qatar, Jordan, and Morocco also contributed.18 There was not a single U.S. casualty.19 The point is not that Washington should persuade others to do all the heavy lifting. NATO jets were able to hit their targets only because U.S. cruise missiles had already wiped out Libya’s air defenses. When Europeans ran short on precision-guided missiles, Washington sent them more.20 Without the United States, there would have been no mission. Critics carp that while NATO rid the world of a dangerous monster, it hasn’t created a stable Libya. That charge misses the point. From a Moneyball perspective, the goal was not to bomb Libya into democracy, start a war, or launch another improvisational bout of nation-building. It was to give Libyans a chance to escape the fate Qaddafi intended for them, and to enable them to begin the long-term process of building their own future.
Ian Bremmer (Superpower: Three Choices for America's Role in the World)
Whether the army was capable of carrying out such an operation was a question never asked. The officer corps had been repeatedly purged, those ousted replaced by some 2,000 Ba’thist-indoctrinated ‘educators.’ “I worked as a teacher in the staff college,” remembered Ibrahim Isma’il Khahya who, in 1966, became commander of the 8th Infantry Brigade. “My officers were mostly teachers, too. They weren’t ready for war.” The head of intelligence for the Golan district, Col. Nash’at Habash, had been kicked out and replaced by a mere captain, brother of a high-ranking Ba’th official. Ahmad Suweidani, the former military attaché in Beijing, had been boosted from colonel to lieutenant general and chief of staff. Though Syria’s 250 tanks and 250 artillery pieces were generally of more recent vintage than Israel’s, their maintenance was minimal. Supply, too, could be erratic; deprived of food, front-line troops had been known to desert their posts. The air force was particularly substandard. An internal army report rated only 45 percent of Syria’s pilots as “good,” 32 percent as “average,”‘ and the remainder “below average.” Only thirty-four of the forty-two jets at the Dmair and Saiqal airfields were operational. Yet, within the ranks, morale had never been higher. Capt. Muhammad ‘Ammar, an infantry officer serving in the fortress of Tel Fakhr, recalled: “We thought we were stronger, that we could cling to our land, and that the Golan was impenetrable. We were especially heartened by the unity between Syria, Egypt, and Jordan.” Another captain, Marwan Hamdan al-Khuli, heard that “we were much stronger and would defeat the enemy easily.
Michael B. Oren (Six Days of War: June 1967 and the Making of the Modern Middle East)
A Doorway Opens October 13 AT ITS HEART, I think, religion is mystical. Moses with his flocks in Midian, Buddha under the Bo tree, Jesus up to his knees in the waters of Jordan: each of them responds to something for which words like shalom, oneness, God even, are only pallid, alphabetic souvenirs. “I have seen things,” Aquinas told a friend, “that make all my writings seem like straw.” Religion as institution, as ethics, as dogma, as social action—all of this comes later and in the long run maybe counts for less. Religions start, as Frost said poems do, with a lump in the throat, to put it mildly, or with the bush going up in flames, the rain of flowers, the dove coming down out of the sky. As for the man in the street, any street, wherever his own religion is a matter of more than custom, it is likely to be because, however dimly, a doorway opened in the air once to him too, a word was spoken, and, however shakily, he responded. The debris of his life continues to accumulate, the Vesuvius of the years scatters its ashes deep and much gets buried alive, but even under many layers the tell-tale heart can go on beating still. Where it beats strong, there starts pulsing out from it a kind of life that is marked by, above all things perhaps, compassion: that sometimes fatal capacity for feeling what it is like to live inside another’s skin and for knowing that there can never really be peace and joy for any until there is peace and joy finally for all. Where it stops beating altogether, little is left religiously speaking but a good man, not perhaps in Mark Twain’s “the worst sense of the word” but surely in the grayest and saddest: the good man whose goodness has become cheerless and finicky, a technique for working off his own guilts, a gift with no love in it which neither deceives nor benefits any for long.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
The murmuring grew louder. Shapes formed in the air around me, like simple, transparent faces stretched into exaggerated frowns. They
J.L. Bryan (Ellie Jordan, Ghost Trapper (Ellie Jordan, Ghost Trapper, #1))
Rand thrust his hands high and channeled. “I am the Dragon Reborn!” The words boomed across the square, amplified by Air and Fire, and flames shot up from his hands a hundred feet. Behind him, the Asha’man filled the sky with balls of fire streaking in every direction. All save Dashiva, who made blue lightnings crackle in a jagged web above the square.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Actually, not smoke, no. They’ve gone up in Air Jordans and a fistfight
Aminah Mae Safi (This Is All Your Fault)
The writers chose a gem of an image reflecting the duration of Alice’s talkathon, that of Wilcox planting a redwood which will get to the sawmill before she relinquishes the phone. In their respectful closing the Jordans extend best wishes to Harry Truman who became president after Roosevelt’s death five days before this broadcast.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
No commercials are heard on this broadcast. It is clear, from Harlow’s announcement about the end of the war in Europe before the program begins to the reminder by the Jordans in the tag that the job is not finished, that commerce and comedy take a back seat to the state of the world. Jim again shows his quick wit with an ad-lib
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Fibber’s statement of “If I ever get to be 91…” is prophetic for that is the age Jim Jordan was when he died in 1988. The Old Timer celebrates his birthday on January 1st and claims to be 89 years old. Judging by the cost of the dinner, an evening of food and film for three adults in 1954 was about $6.00, less than the price of admission for one at a cineplex today.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Date: June 6, 1944 Title: Salute to D-Day Invasion Cast: Jim Jordan, Marian Jordan, Harlow Wilcox Summary: With no audience or commercials, the Jordans and Harlow introduce musical numbers which are interrupted by news about the invasion.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
There are two seas in Palestine. One fresh, and fish are in it. Splashes of green adorn its banks. Trees spread their branches over it and stretch out their thirsty roots to sip of its healing waters. Along its shores the children play, as children played when He was there. He loved it. He could look across its silver surface when He spoke His parables. And on a rolling plain not far away He fed five thousand people. The river Jordan makes this sea with sparkling water from the hills. So it laughs in the sunshine. And men build their houses near to it, and birds their nests; and every kind of life is happier because it is there. The river Jordan flows on south into another sea. Here is no splash of fish, no fluttering leaf, no song of birds, no children's laughter. Travelers choose another route, unless on urgent business. The air hangs heavy above its water, and neither man nor beast nor fowl will drink. What makes this mighty difference in these neighbor seas? Not the river Jordan. It empties the same good water into both. Not the soil in which they lie; not in the country round about. This is the difference. The Sea of Galilee receives but does not keep the Jordan. For every drop that flows into it another drop flows out. The giving and receiving go on in equal measure. The other sea is shrewder, hoarding its income jealously. It will not be tempted into any generous impulse. Every drop it gets, it keeps. The Sea of Galilee gives and lives. This other sea gives nothing. It is named The Dead. There are two kinds of people in the world. There are two seas in Palestine.
Stephen R. Covey (The Divine Center)
that the five-part taijitu (referred to in Chapter 1 and the source of the simpler yin/yang symbol) expresses the origin of the cosmos as, first, originating in the undifferentiated absolute, then dividing into yin and yang (chaos/order, feminine/masculine), and then into the five agents (wood, fire, earth, metal, water) and then, simply put, “the ten thousand things.” The Star of David (chaos/order, feminine/masculine) gives rise in the same way to the four basic elements: fire, air, water and earth (out of which everything else is built).
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
You’re trying to change the subject, aren’t you?” “Definitely. In hindsight, that assistant comment probably wasn’t so slick. I should warn you—I may have these momentary Cro-Magnon lapses from time to time. Bygones.” Jordan opened her mouth to say something, then shut it. She threw her hands into the air. “How do you always do that? You tiptoe right to the edge of thoroughly pissing me off, then somehow you sweet-talk your way out of it.” Nick grinned. “Aha. I told you when we met that you’d know if I was sweet-talking you.” Jordan stared out the front windshield, shaking her head. “Seriously, I must’ve killed somebody’s prized goat or something in a former life. And this is my penance.” He laughed. “Oh, admit it. You love it.” “That’s the penance part. My slow descent into madness.” Seeing the grin curling at the edges of her lips, Nick leaned forward in his seat to kiss her. “Aw, you say the sweetest things.” And he wouldn’t have it any other way.
Julie James (A Lot like Love (FBI/US Attorney, #2))
The palace still shook occasionally as the earth rumbled in memory, groaned as if it would deny what had happened. Bars of sunlight cast through rents in the walls made motes of dust glitter where they yet hung in the air. Scorch-marks marred the walls, the floors, the ceilings. Broad black smears crossed the blistered paints and gilt of once-bright murals, soot overlaying crumbling friezes of men and animals which seemed to have attempted to walk before the madness grew quiet. The dead lay everywhere, men and women and children, struck down in attempted flight by the lightnings that had flashed down every corridor, or seized by the fires that had stalked them, or sunken into stone of the palace, the stones
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
I was suspended in mid- air, clinging to a chandelier, many stories above the ground, directly under the dome of a massive cathedral. The people on the floor below were distant and tiny. There was a great expanse between me and any wall— and even the peak of the dome itself. I have learned to pay attention to dreams, not least because of my training as a clinical psychologist.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
While Spirit was found equally in men and in women, great ability with Earth and/or Fire was found much more often among men; with Water and/or Air among women. There were exceptions, but it was so often so that Earth and Fire came to be regarded as male Powers, Air and Water as female. Generally, no ability is considered stronger than any other, though there is a saying among Aes Sedai: “There is no rock so strong that water and wind cannot wear it away, no fire so fierce that water cannot quench it or wind snuff it out.” It should be noted this saying came into use long after the last male Aes Sedai was dead. Any equivalent saying among male Aes Sedai is long lost.
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
Warder’s blade met black steel from the forges at Thakan’dar with a clang like a great bell, the toll echoing in the hollow, a flash of blue light filling the air like sheet lightning.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Every Farmer Understands Every Tear from Every Eye Becomes a Babe in Eternity This is caught by Females bright And returnd to its own delight The Bleat the Bark Bellow & Roar Are Waves that Beat on Heavens Shore The Babe that weeps the Rod beneath Writes Revenge in realms of Death The Beggars Rags fluttering in Air Does to Rags the Heavens tear The Soldier armd with Sword & Gun Palsied strikes the Summers Sun The poor Mans Farthing is worth more Than all the Gold on Africs Shore One Mite wrung from the Labrers hands Shall buy & sell the Misers Lands Or if protected from on high Does that whole Nation sell & buy He who mocks the Infants Faith Shall be mockd in Age & Death He who shall teach the Child to Doubt The rotting Grave shall neer get out He who respects the Infants faith Triumphs over Hell & Death —William Blake, “Auguries of Innocence” (lines 67–90)
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
We cannot live without food, water, clean air, and shelter. Less self-evidently, we require companionship, play, touch, and intimacy. These are all biological as well as psychological necessities (and this is by no means a comprehensive list).
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
—No son espadas ni fuerza muscular lo que necesitamos ahora —discrepó Nynaeve—, sino inteligencia. Los hombres suelen pensar con el pelo que tienen en el pecho. —Se tocó el pecho con aire ausente, como si palpara algo debajo de la chaqueta—. La mayoría de ellos lo hacen.
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
I'm the grandmother who wears Air Jordans, sweetie. It's fine. I'll be fine.
Kevin Wilson
1 It is of great interest, in this regard, that the five-part taijitu (referred to in Chapter 1 and the source of the simpler yin/yang symbol) expresses the origin of the cosmos as, first, originating in the undifferentiated absolute, then dividing into yin and yang (chaos/order, feminine/masculine), and then into the five agents (wood, fire, earth, metal, water) and then, simply put, “the ten thousand things.” The Star of David (chaos/order, feminine/masculine) gives rise in the same way to the four basic elements: fire, air, water and earth (out of which everything else is built).
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Hermes therefore serves to exemplify one of the Royal Navy’s key problems during the interwar period: without influential aviators in its ranks the navy was poorly placed to anticipate technical and tactical developments in aviation, and preferred to design ships in which seagoing qualities, protection and anti-aircraft capabilities took precedence over the size, capability and ease of operation of the air group.
John Jordan (Warships After Washington: The Development of Five Major Fleers, 1922–1930)
...[H]e thought he could still smell Bonnie's ass though he knew it was probably just the aroma of hotdogs and gyros in the air.
Jordan Krall (Squid Pulp Blues)
That was Lyra’s world and her delight. She was a coarse and greedy little savage, for the most part. But she always had a dim sense that it wasn’t her whole world; that part of her also belonged in the grandeur and ritual of Jordan College; and that somewhere in her life there was a connection with the high world of politics represented by Lord Asriel. All she did with that knowledge was to give herself airs and lord it over the other urchins. It had never occurred to her to find out more.
Philip Pullman (The Golden Compass)
When Marian was diagnosed with ovarian cancer, the Jordans in essence retired and closed the hall closet for good. She died on April 7, 1961. Jim lived to be 91, succumbing on a date in 1988 that seems appropriate for one of radio’s best jokers: April 1st.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
When the Jordans stepped to the footlights in the tag and spoke to us from the heart about buying war bonds or donating to a charity, the words carried a sincerity that could come only from our kind of people, not from stars reading a mimeographed sheet handed to them just before the broadcast.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
When Fibber would say, “I was born in a little white house on top of Kickapoo Hill back in Peoria of poor but honest parents,” he could have been speaking about James Jordan who was born near Peoria on November 16, 1896. (On the December 12, 1939 episode of Fibber McGee and Molly Teeny correctly guesses Fibber’s birthday of November 16th.) Marian Driscoll was born not far away from Jim’s birthplace on April 15, 1898. The couple dated in their teens and were married on August 31, 1918. After Jim returned from brief service with the army at the end of World War I (which, Fibber would always insist, was the big war), the pair began touring as a musical act with Marian as pianist and Jim assisting on the singing.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Date: August 26, 1935 Title: Win House in Wistful Vista Cast: Jim Jordan (Fibber), Marian Jordan (Molly), Harlow Wilcox, Charlie Wilson (Hagglemeyer) Summary: Fibber and Molly win their dream house when the ticket they hold in a real estate raffle (number 131313) is selected.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
As a makeup artist, I have learned to do mental cheerleading flips and cartwheels in mid-air. Statistics show cheerleading carries the highest rate of catastrophic injury in sports.
Trista Jordan (Mirror Mirror: Confessions of a Celebrity Makeup Artist)
Although some of the predicaments McGee found himself in were downright silly, they never seemed as contrived as those entangling the Aldrich and Bumstead families. Once listeners bought Fibber, they bought the whole package. What sold the show was Fibber and Molly and, in Jim and Marian Jordan, the writers had two of the best comic actors on the air to bring their dialogue to life and get the maximum effect from the lines.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Jim Jordan’s assertion in interviews recorded in his later years that the episode with Gildersleeve acting as butler (December 26, 1939) was the funniest in the series is questioned when an actual listening to that show reveals it to be just fair Fibber McGee and Molly fare.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
De pronto, el aire empezó a soplar a su alrededor, en torno a un hombre al que habían llamado lord, Dragón Renacido, rey, asesino, amante, amigo. El viento se levantó, alto y libre, para remontar el vuelo hacia un cielo abierto, despejado de nubes. Sopló sobre un paisaje fracturado, sembrado de cadáveres que aún no habían sido enterrados. Un paisaje repleto, al mismo tiempo, de celebraciones. Acarició árboles en los que por fin crecían brotes. El viento sopló hacia el sur, a través de frondas de árboles nudosos, por encima de llanuras, y hacia tierras inexploradas. Ese viento no fue un final. Porque no existen finales, y nunca existirán, en el eterno girar de la Rueda del Tiempo. Pero aquél fue un final
Robert Jordan & Brandon Sanderson
The next morning, Roy traded seats on the school bus to be closer to the front door. When the bus turned onto the street where he had seen the running boy, Roy slipped his backpack over his shoulders and scouted out the window, waiting. Seven rows back, Dana Matherson was tormenting a sixth grader named Louis. Louis was from Haiti and Dana was merciless. As the bus came to a stop at the intersection, Roy poked his head out the window and checked up and down the street. Nobody was running. Seven kids boarded the bus, but the strange shoeless boy was not among them. It was the same story the next day, and the day after that. By Friday, Roy had pretty much given up. He was sitting ten rows from the door, reading an X-Man comic, as the bus turned the familiar corner and began to slow down. A movement at the corner of his eye made Roy glance up from his comic book—and there he was on the sidewalk, running again! Same basketball jersey, same grimy shorts, same black-soled feet. As the brakes of the school bus wheezed, Roy grabbed his backpack off the floor and stood up. At that instant, two big sweaty hands closed around his neck. “Where ya goin’, cowgirl?” “Lemme go,” Roy rasped, squirming to break free. The grip on his throat tightened. He felt Dana’s ashtray breath on his right ear: “How come you don’t got your boots on today? Who ever heard of a cowgirl wearing Air Jordans?” “They’re Reeboks,” Roy squeaked. The bus had stopped, and the students were starting to board. Roy was furious. He had to get to the door fast, before the driver closed it and the bus began to roll. But Dana wouldn’t let go, digging his fingers into Roy’s windpipe. Roy was having trouble getting air, and struggling only made it worse. “Look at you,” Dana chortled from behind, “red as a tomato!” Roy knew the rules against fighting on the bus, but he couldn’t think of anything else to do. He clenched his right fist and brought it up blindly over his shoulder, as hard as he could.
Carl Hiaasen (Hoot)
The Goblet of Fire now shone more brightly than anything in the whole Hall, the sparkling bright, bluey-whiteness of the flames almost painful on the eyes. Everyone watched, waiting. . . . A few people kept checking their watches. . . . “Any second,” Lee Jordan whispered, two seats away from Harry. The flames inside the goblet turned suddenly red again. Sparks began to fly from it. Next moment, a tongue of flame shot into the air, a charred piece of parchment fluttered out of it — the whole room gasped. Dumbledore caught the piece of parchment and held it at arm’s length, so that he could read it by the light of the flames, which had turned back to blue-white. “The champion for Durmstrang,” he read, in a strong, clear voice, “will be Viktor Krum.” “No surprises there!” yelled Ron as a storm of applause and cheering swept the Hall. Harry saw Viktor Krum rise from the Slytherin table and slouch up toward Dumbledore; he turned right, walked along the staff table, and disappeared through the door into the next chamber. “Bravo, Viktor!” boomed Karkaroff, so loudly that everyone could hear him, even over all the applause. “Knew you had it in you!” The clapping and chatting died down. Now everyone’s attention was focused again on the goblet, which, seconds later, turned red once more. A second piece of parchment shot out of it, propelled by the flames. “The champion for Beauxbatons,” said Dumbledore, “is Fleur Delacour!” “It’s her, Ron!” Harry shouted as the girl who so resembled a veela got gracefully to her feet, shook back her sheet of silvery blonde hair, and swept up between the Ravenclaw and Hufflepuff tables. “Oh look, they’re all disappointed,” Hermione said over the noise, nodding toward the remainder of the Beauxbatons party. “Disappointed” was a bit of an understatement, Harry thought. Two of the girls who had not been selected had dissolved into tears and were sobbing with their heads on their arms. When Fleur Delacour too had vanished into the side chamber, silence fell again, but this time it was a silence so stiff with excitement you could almost taste it. The Hogwarts champion next . . . And the Goblet of Fire turned red once more; sparks showered out of it; the tongue of flame shot high into the air, and from its tip Dumbledore pulled the third piece of parchment. “The Hogwarts champion,” he called, “is Cedric Diggory!” “No!” said Ron loudly, but nobody heard him except Harry; the uproar from the next table was too great. Every single Hufflepuff had jumped to his or her feet,
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Unlike during the previous Gaza operation in 2012, the Iron Dome supply did not run out. After Operation Pillar of Defense I had instructed the army to accelerate production of Iron Dome projectiles and batteries. We accomplished this with our own funds and with generous American financial support. I now asked the Obama administration for an additional $225 million package to continue the production line after Protective Edge. He agreed, and with the help of Tony Blinken, the deputy national security advisor who later became Biden’s secretary of state, the funding provision sailed through both houses of Congress. I deeply appreciated this support and said so publicly. I was therefore very disappointed when the administration held back on the IDF’s request for additional Hellfire rockets for our attack helicopters. Without offensive weapons we could not bring the Gaza operation to a quick and decisive end. Furthermore, as the air war lingered, the administration issued increasingly critical statements against Israel, calling some of our actions “appalling”2 and thereby opening the moral floodgates against us. Hamas took note. As long as it believed that we couldn’t deliver more aggressive punches, and that international support was waning, it would continue to rocket our cities. Unfortunately, it was aided in this belief by an international tug-of-war. On one side: Israel and Egypt. On the other: Turkey and Qatar, which fully supported Hamas. I worked in close collaboration with Egypt’s new leader, el-Sisi, who had deposed the Islamist Morsi a few months earlier. Our common goal was to achieve an unconditional cease-fire. The last thing el-Sisi wanted was a Hamas success in Gaza that would embolden their Islamist allies in the Sinai and beyond. Hamas’s exiled leader, Khaled Mashal, who escaped the Mossad action in Jordan, was now in Qatar. Supported by his Qatari hosts and Erdogan and ensconced in his lavish villa in Doha, Mashal egged Hamas to keep on fighting. To my astonishment, Kerry urged me to accept Qatar and Turkey as mediators instead of the Egyptians, who were negotiating with Hamas representatives in Cairo for a possible cease-fire. Hamas drew much encouragement from this American position. El-Sisi and I agreed to keep the Americans out of the negotiating loop. In the meantime the IDF would have to further degrade Hamas’s fighting and crush their expectations of achieving anything in the cease-fire negotiations.
Benjamin Netanyahu (Bibi: My Story)
Aviendha... dijo de repente la voz de Elayne, vacilante. Cree... Cree que la violencia es siempre la respuesta. A veces no piensa más allá de su cuchillo. ¡A veces es como un muchachito que nunca se hará mayor! Elayne sabe que... empezó la voz de Aviendha, que tragó saliva y continuó de corrido. Sabe que es hermosa, sabe el poder que eso le da sobre los hombres. A veces va con la mitad del busto al aire, a la vista de todos, y sonríe para conseguir que los hombres hagan lo que quiere.
Robert Jordan (El corazón del invierno)
—Una trampa no lo es realmente si se sabe que está ahí —respondió con aire absorto mientras doblaba ligeramente la punta de uno de los alambres cortados para que se alinease mejor con su pareja—. Si sabes que está, quizá puede encontrarse el modo de meterte en ella sin que resulte una trampa en absoluto.
Robert Jordan (El corazón del invierno)
Aun medio ocultos por la lluvia, emanaba de ellos orgullo, había arrogancia en el modo en que se sostenían sobre las sillas. Y un aire de desafío. Se enorgullecían de lo que eran.
Robert Jordan (El camino de dagas)
His hands in his lap grasp and clench the air like he’s trying to find the world’s throat and choke it until it’s dead.
Jordan Harper (Everybody Knows)
Where are your demons, Mr. Devil? Surely you want to go play with them in the dungeon, or purgatory, or some other equally evil room in the back.” Another one of his sexy chuckles brushed the air. “This devil sent his demons away to play on their own. I've got a sudden taste for something more…heavenly…tonight.
Skye Jordan (Relentless (Renegades, #4))
Am I a distraction?” he asked curiously without taking his eyes from mine. Again the air was filled with that intense magnetism, an underlying current of electricity that seemed to resonate between us. My skin had become suddenly warm and it was with great effort that my voice remained even in tone. “Yes you are, but a good one I hope.
Jane Jordan (Ravens Deep (Ravens Deep #1))
I had a vision, once, of an immense landscape, spread for miles out to the horizon before me. I was high in the air, granted a bird’s-eye view. Everywhere I could see great stratified multi-storied pyramids of glass, some small, some large, some overlapping, some separate—all akin to modern skyscrapers; all full of people striving to reach each pyramid’s very pinnacle. But there was something above that pinnacle, a domain outside each pyramid, in which all were nested. That was the privileged position of the eye that could or perhaps chose to soar freely above the fray; that chose not to dominate any specific group or cause but instead to somehow simultaneously transcend all. That was attention, itself, pure and untrammeled: detached, alert, watchful attention, waiting to act when the time was right and the place had been established.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There's something above even the pinnacle of the highest of dominance hierarchies, access to which should not be sacrificed for mere proximal success. It's a real place, too, although not to be conceptualized in the standard geographical sense of place we typically use to orient ourselves. I had a vision, once, of an immense landscape, spread for miles out to the horizon before me. I was high in the air, granted a bird's-eye view. Everywhere I could see great stratified multi-storied pyramids of glass, some small, some large, some overlapping, some separate—all akin to modern skyscrapers; all full of people striving to reach each pyramid's very pinnacle. But there was something above that pinnacle, a domain outside each pyramid, in which all were nested. That was the privileged position of the eye that could or perhaps chose to soar freely above the fray; that chose not to dominate any specific group or cause but instead to somehow simultaneously transcend all watchful attention, waiting to act when the time was right and the place had been established.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
They reworked their fibber-man, Uncle Luke, named him Uncle Luke Gray, and moved him into a store that would be called Smackout, at the junction known as The Crossroads of the Air. The series opened under that title March 2, 1931. Broadcast from WMAQ to a national CBS audience, Smackout was the direct forerunner of Fibber McGee and Molly: many of the characterizations were developed in its four-year run. The show moved to NBC with the sale of WMAQ to that network in late 1931; it ran on the Blue Network, weekdays at noon in the east. Jordan continued to play Uncle Luke; and he and Marian also played themselves, in their natural voices. In
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Jim Jordan as Fibber McGee of 79 Wistful Vista, teller of tall tales, incurable windbag. Marian Jordan as Molly McGee, his long-suffering wife. Marian Jordan as Teeny, the little girl who dropped in frequently to pester McGee. Isabel Randolph in miscellaneous “snooty” parts, beginning Jan. 13, 1936, and culminating in her long-running role as the highbrow Mrs. Abigail Uppington. Bill Thompson as Greek restaurateur Nick Depopoulous, first heard Jan. 27, 1936. Bill Thompson in various con man roles, first named Widdicomb Blotto and later Horatio K. Boomer, mimicking W. C. Fields from the show of March 9, 1936. Bill Thompson as the Old Timer, beginning May 31, 1937. Bill Thompson as Wallace Wimple, henpecked husband and bird fancier, introduced April 15, 1941.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The story of Jim and Marian Jordan has probably been told and retold more than any other tale of the microphone: how two ordinary people from the heartland, through tenacity and hard work, climbed to the heights and showed the Hollywood insiders how radio should be done.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
A company of solid Chicago regulars was established in support: Isabel Randolph, Bill Thompson, and Harold Peary. Jordan would need all this support and more: the show was still building in 1937, when Marian suddenly dropped out of it. She was gone for 18 months, from Nov. 15, 1937, until April 18, 1939. Her absence was explained to the press as fatigue. In some quarters it was believed that she had suffered a nervous breakdown. In fact, she was engaged in a long and difficult battle with alcohol, a problem that was kept under wraps for 30 years after her death. It was hoped, most ardently by Jordan himself, that her recovery would be quick.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
All the principals are dead now. Arthur Q. Bryan died Nov. 30, 1959. Harlow Wilcox died Sept. 24, 1960. Marian Jordan died April 7, 1961. Bill Thompson died July 15, 1971. Billy Mills died Oct. 20, 1971. Don Quinn died Jan. 11, 1973. Harold Peary died March 30, 1985. Jim Jordan married Gretchen Stewart after Marian’s death and lived in semi-retirement for almost 30 years. He died April 1, 1988, at 91. After Jordan’s death, his widow and children donated the bound volumes of Smackout and Fibber scripts to the Museum of Broadcast Communications in Chicago, where they may be read by students of comedy. The museum also has a Fibber closet exhibit.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Joyce Jordan progressed slowly from Girl Interne to M.D., the change becoming complete around 1942. But the theme of a woman’s difficulty in a man’s world remained. In the earliest days it was a progression of suitors. Then Joyce faced the “necessity of choosing between a brilliant career as a physician or becoming the wife of a wealthy man,” hospital trustee Neil Reynolds. At last, married to foreign correspondent Paul Sherwood, Joyce found happiness threatened by Paul’s bitter and neurotic sister, Margot. Eventually Paul was written out of the script, and Joyce practiced medicine in the little town of Preston, becoming a surgeon at Hotchkiss Memorial Hospital.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)