Ain't Pretty Quotes

Ritie, don't worry 'cause you ain't pretty. Plenty pretty women I seen digging ditches or worse. You smart. I swear to God, I rather you have a good mind than a cute behind.

And babe, when I kissed you and you kissed me back, not knowing that the fuck you were doin’ but doin’ it anyway, not carin’, just feelin’, I fuckin’ lost myself in that kiss. Couldn’t remember ever losin’ myself in a kiss until then. That fuckin’ kiss, Eva, has gotten me through some pretty bad nights. That fuckin’ kiss reminds me that life ain’t all bad.

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

Shit. You so fuckin pretty, Chessie. True thing. So … ain’t even can breathe sometimes.

One man alone can be pretty dumb sometimes, but for real bona fide stupidity, there ain't nothing can beat teamwork.

...A mountain you're plannin' on climbin' ain't the same as the one you ain't. It ain't so pretty...

Some women can handle a one-night stand. Others can’t. And I have definitely been on the wrong end of those who can’t. It ain’t pretty.

You stick a bunch of drunken murderers together, ain't long before some turn to thieving, then to lying, then to bad language, and pretty soon to sobriety, raising families and making an honest living.

You what?" Dale yelped, looking like I'd handed him something dead. "You ain't writing during summer vacation, are you? I'm pretty sure that's against the rules.

and he said: you pretty full of yourself ain’t chu so she replied: show me someone not full of herself and i’ll show you a hungry person

I looked at her, with her hair spilled out on the pillows and the warmth of her body warming mine. And I thought, god-dang, if this ain't a heck of a way to be in bed with a pretty woman. The two of you arguing about murder, and threatening each other, when you're supposed to be in love and you could be doing something pretty nice. And then I thought, well, maybe it ain't so strange after all. Maybe it's like this with most people, everyone doing pretty much the same thing except in a different way. And all the time they're holding heaven in their hands.

Her close friends have gathered. Lord, ain't it a shame Grieving together Sharing the blame. But when she was dying Lord, we let her down. There's no use cryin' It can't help her now. The party's all over Drink up and go home. It's too late to love her And leave her alone. Just say she was someone Lord, so far from home Whose life was so lonesome She died all alone Who dreamed pretty dreams That never came true Lord, why was she born So black and blue? Oh, why was she born So black and blue? Epitaph (Black And Blue) Written by: Kris Kristofferson Note: "Epitaph" is about Janis Joplin.

Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.

Mrs. Lynde says Mrs. Wrights grandfather stole a sheep but Marilla says we mustent speak ill of the dead. Why mustent we, Anne? I want to know. It's pretty safe ain't it?

The Lord don’t like ugly, she say. And he ain’t stuck on pretty.

My momma always said, 'You and Elvis are pretty good, but y'all ain't no Chuck Berry.

Let me say this: being an idiot is no box of chocolates. People laugh, lose patience, treat you shabby. Now they say folks supposed to be kind to the afflicted, but let me tell you this - it ain't always that way. Even so, I got no complaints, cause I reckon I done live a pretty interesting life, so to speak.

I remember the lightning in the air, and the lovers bidding goodbye to each other in the streets, and I can tell you what I think. We went to war because going to war is fun, because there's something in the human breast that trills at the thought, although perhaps not the reality, of murdering its fellows in vast numbers. Fighting a war ain't fun - fighting a war is pretty miserable. But starting a war? Hell, starting a war is better than a night floating on daeva's honey.

Believe me, I ain't pretty enough to be called an Angel. -The Reaper

There's a reason why you never see large-chested women finishing marathons first. They've been beaten to death by their breasts around Mile 5. It ain't pretty.

The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...

Now I seen Mauna Kena from Honokaa b'fore, o'course, but a mountain you're planning on climbin' ain't the same as the one you ain't. It ain't so pretty, nay.

Something just ain't right about thanking the Lord for sending you an opportunistic pretty boy who carried a string of condoms and single use packets of lube in his pocket. Still, I did it.

He flipped the channel to another view of the scorpions swarming over a road downtown toward people who were screaming and running to get away from them.’ “Welcome to the apocalypse. Ain’t she pretty?” – Sundown

I seen fellas like you before. You ain’t askin’ nothin’; you’re jus’ singin’ a kinda song. ‘What we comin’ to?’ You don’ wanta know. Country’s movin’ aroun’, goin’ places. They’s folks dyin’ all aroun’. Maybe you’ll die pretty soon, but you won’t know nothin’. I seen too many fellas like you. You don’t want to know nothin’. Just sing yourself to sleep with a song—‘What we comin’ to?

Well, hell, if people keep telling you you ain’t no good’ - she [Leona] tried to laugh - ‘you bound to turn out pretty bad.

How’d this happen?” Melody asked in a stunned whisper. She never expected to fall in love and certainly not this swiftly or with this much finality. “We just met.” “I don’t believe that,” Clay argued as he turned her palm over in his and traced the lines of it with the pad of his finger. “I’m pretty sure we’ve known each other forever. Seeing you the first time was like coming home, and there ain’t been anything to happen since that’s disabused me of the notion.” “Yeah,” Melody agreed, the bright skyline blurring to a sea of vibrant color. She remembered seeing Clay in Hal’s Diner the first time. Alone and eating his turkey, she’d been compelled to reach out to him. “Do you really believe in soul mates?” “I do now.

...I just gave up trying to be a Christian... Let's face it, I ain't got the knack for holiness. Besides, I didn't have the slightest little desire to join the likes of Reverend Pelham at the dinner table for fourteen minutes, much less at the banquet table of Heaven eternally. Eternity is a mighty long time to be stuck with people who judge every word you say and think and condemn most of what you do. It struck me as pretty miserable company. And if Reverend Pelham was the kind of company God preferred to keep, well, I just hoped they'd be happy together.

I flipped to the author’s photo in the Library of America edition of O’Connor’s collected works, and forked it over. Solitary examined the photo. “Okay,” she said, handing it back, “I’ll read it.” What in Flannery O’Connor’s countenance met with Solitary’s approval? “I dunno,” she said. “She looks kind of busted up, y’know? She ain’t too pretty. I trust her.

[Bob] Dylan said, "I don't have to B.S. anybody like those guys up on Broadway that're always writin' about 'I'm hot for you and you're hot for me--ooka dooka dicka dee.' There's other things in the world besides love and sex that're important too. People shouldn't turn their backs on 'em just because they ain't pretty to look at. How is the world ever gonna get any better if we're afraid to look at these things.

Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh

The truth ain't pretty. That's how you can identify it.

There's nothing fragile about this one. That ain't a fragile nose or mouth or chin, and yet it's female, more female than them fragile-pretty types who look more like ornaments than girls.

Well, them cloths are a lot like folks. Ain't much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There's the colorful and dull, ugly and pretty, old new 'guns. But in the end we's all fabric, cut from His cloth. Fabric, and just that.

I grew up being told, "If you do marijuana you'll be a slave for the rest of your life," and it only took me ten minutes to realize smoking marijuana was pretty cool. Then it was, "If you take LSD you'll be a slave for the rest of your life. Then it got to be, "If you take cocaine, you'll be slave for life." There was a time when I thought, "Hey, I've been taking Heroin for six months and I feel fine. You know, just on weekends." I actually believed that you didn't have to become addicted. I was wrong. The most important thing out of this is, don't lie to the kids. If marijuana is not going to make you homeless and addicted, don't tell people it is, because they'll found out it doesn't, then when they get to the stuff that really WILL, they ain't gonna believe you." - Dickie Peterson

You stick a bunch of drunken murderers together, ain’t long before some turn to thieving, then to lying, then to bad language, and pretty soon to sobriety, raising families and making an honest living.

Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?" Sure," said Joad. "Less somebody stole it, like Pa stole it." Your pa stole it?" Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.

Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.” “Yes, ma’am,” I whispered.

The Big Snooze is like an overprotective Italian mother who not only doesn’t want you to ever go outside, but who wants you to live with her forever. Her intentions are good, but fully fear-based. As long as you stay inside the familiar, risk-free zone of your present reality, the Big Snooze is content, but should you try and sneak past her to attend the rockin’ party outside, your overprotective, controlling mother is going to claw, scratch, scream, bite, hurl her body in front of your rapidly approaching new life—basically she’s going to do whatever she can to stop you. And it ain’t gonna be pretty.

You think you can order me around? You're from my middle school. You shouldn't be this dumb. I've got the record for 99 victories in a row fighting guys from our school! If you lay your slimy fingers on Sawako even once, it ain't gonna be pretty.

Her youngest daughter shrugged. “Ain’t got no money, do we?” “I don’t understand. Why aren’t you pillaging like the rest of your kin?” “It was the Northlands, Da. Ain’t nothin’ to pillage but the crows in the trees.” “And snow,” their eldest added. “Lots and lots of snow.” Bram motioned to his study. “You know where I keep the gold coin.” As if on fire, their offspring made a desperate run for their father’s study, climbing over the table and fighting each other through the door. It wasn’t pretty.

Today he was Matthew McConaughey hot. “Sugar, I’ll appreciate you.” She glanced sideways at Mara. “You pretty, honey, but you ain’t no Angelina Jolie. A man like him might stray if you don’t take care of him. And I’m just the sort of woman to take in strays.

Son, you looks like a character witness for a nightmare. You ugly enough to have your face capped.” “We can’t all be pretty,” he grumbled. “Well, you ain’t no gemstone, son. You got a face for swim trunk ads.” “I’m seventy-one, Sister Paul. I’m a spring chicken compared to you. I don’t see no mens doing backflips at the door over you. At least I ain’t got enough wrinkles in my face to hold ten days of rain.

There’s a pretty good old rowboat. I’ll take you out for a row after supper.” “No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…” “Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.” Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.

When it all comes crashing down Try to understand your meanings No one said it would be easy This living, it ain't easy, oh You were sewn together with a tapestry of molecules A billion baby galaxies and wide open spaces And everything you need is here Everything you fear is here And it's holding you up It just keeps holding you up When you came up from the ground From a million little pieces You're a pretty human being

Slim, I hope you ain't sexed that pretty bitch yet. Believe me, Slim, a pimp is really a whore who's reversed the game on whores. Slim, be as sweet as the scratch. Don't be no sweeter. Always stick a whore for a bundle before you sex her. A whore ain't nothing but a trick to a pimp. Don't let em Georgia you. Always get your money in front just like a whore. Whores in a stable are like working chumps in the white man's factory..

Why, Tea Cake? Whut good do combin’ mah hair do you? It’s mah comfortable, not yourn.” “It’s mine too. Ah ain’t been sleepin’ so good for more’n uh week cause Ah been wishin’ so bad tuh git mah hands in yo’ hair. It’s so pretty. It feels jus’ lak underneath uh dove’s wing next to mah face.

The moral of the story’, he repeated, leaning forward and placing his hands flat on the desk in front of him, ‘is that every so often a natural disaster comes along, an act of God, and it blows all the dust away and when it does people can see that whatever’s left underneath ain’t so pretty. You get it?’ Denton

See all my fabric, child?” “Sure is a lot.” “Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.

He listened some more; then he come tiptoeing down and stood right between us; we could a touched him, nearly. Well, likely it was minutes and minutes that there warn't a sound, and we all there so close together. There was a place on my ankle that got to itching, but I dasn't scratch it; and then my ear begun to itch; and next my back, right between my shoulders. Seemed like I'd die if I couldn't scratch. Well, I've noticed that thing plenty times since. If you are with the quality, or at a funeral, or trying to go to sleep when you ain't sleepy—if you are anywheres where it won't do for you to scratch, why you will itch all over in upwards of a thousand places. Pretty soon Jim says:

Faye tilted her head slightly. “When was your first kill?” Winston met her stare for a long while, then exhaled. “I was nineteen, fighting a war I probably shouldn’t have been fighting, but it’s not like I knew that at the time.” “Mm. Did you regret it?” Winston grinned, but she could see the dark edges to it. “What? You think I come from some tragic backstory, blondie? That I’m a broken little boy who kills to fill that hole inside of my chest where my soul used to be? Nah. This ain’t one of them stories. I can’t dance or roll my tongue, but I can kill people pretty good. It’s the only thing I’ve ever been good at and when I lay my head down at night, I sleep like a baby. I don’t see their faces. Never have. Probably never will.” A chill spilled through her. The matter-of-fact nature of his confession scared her more than almost anything else she’d ever heard him say.

But heaven won't be like church—all the time," said Anne. "I hope it ain't," said Davy emphatically. "If it is I don't want to go. Church is awful dull. Anyway, I don't mean to go for ever so long. I mean to live to be a hundred years old, like Mr. Thomas Blewett of White Sands. He says he's lived so long 'cause he always smoked tobacco and it killed all the germs. Can I smoke tobacco pretty soon, Anne?" "No, Davy, I hope you'll never use tobacco," said Anne absently. "What'll you feel like if the germs kill me then?" demanded Davy.

Anger and bitterness can be like weeds. If you let them grow, pretty soon they take over and there ain't room for nothing else.

I heard her father hired Demi Lovato to perform. I mean, it ain’t Halsey, but it’s still pretty good.

Well, darling, don't your worry your pretty little head. I've got a type, and you ain't it.

I’m so shame of myself, I say. And the Lord he done whip me little bit too. The Lord don’t like ugly, she say. And he ain’t stuck on pretty.

you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know

How dare you say such a thing to me?” “Well, now. I’ve faced down charging bears and starving wolves and murdering Chickamaugas. Reckon the pique of a pretty miss ain’t like to daunt me.

Are you sure that I’ll be enough? These places can get pretty rough. You walk into a cake shop and then some gunslinger tells you, ‘You ain’t from around here, partner,’ and the next thing you know, you’re in the middle of the street, your horse is dead, the bad guy’s got your girl by her hair, and you’re down to one bullet.” “What is going on in your head?” “It’s a dark, lawless place, Catalina. So dark.

Cutting class,” I muttered. “That idiot.” Ben did a double-take when he spotted me, then slowly shook his head. As I drew near, he whispered something under his breath. His moron buddies exploded in laughter. I’ll kill him. Then murder him afterward. “What the hell are you doing?” Not the most diplomatic of greetings, but my temper was long gone. “Is your first class Parking Lot Maintenance?” Ben waved a hand at me. “You see what I mean?” Wallet Chain chuckled as he toked a cigarette. “That’s not very nice, sweetheart.” “You’ll never land a man like that,” added Ski Cap. “This ain’t Beantown.” “Ben?” Seething. “May I speak to you privately?” Ben rolled his eyes. “Give me a sec, guys. I’ve been naughty.” I waited until the stoners were out of earshot. “Great crew you’ve assembled.” Dripping with sarcasm. “Leave them out of this,” Ben warned. “What, I can’t even have friends, now that I’ve been kicked from the Ivory Tower?” “Maybe go to class. You might find a better peer group in there.” Ben snorted. “I’m pretty sure you have class right now, too.” Touche.

I’ll stab him,” offers Jaden as she makes a stabbing motion. “You expect me to play along?” Rob scoffs, gripping his arm protectively. “Pretty much,” replies Landon earnestly. “You’re serious?” “As a heart attack.” “No,” argues Rob. “I’m not going to let Jaden—or anyone else—skewer me.” He’s greeted with an amused silence. “Bleedin’ crime is what it is,” he mutters. “Why can’t someone else go all noble sacrifice-y? It’s because I’m English, ain’t it?

Picker studied Quick Ben as they trudged up yet another grass-backed hillside. 'You want us to get someone to carry you, Mage?' Quick Ben wiped the sweat from his brow, shook his head. 'No, it's getting better. The Barghast spirits are thick here, and getting thicker. They're resisting the infection. I'll be all right, Corporal.' 'If you say so, only you're looking pretty rough to me.' And ain't that an understatement. 'Hood's warren is never a fun place.' 'That's bad news, Mage. What have we all got to look forward to, then?' Quick Ben said nothing. Picker scowled. 'That bad, huh? Well, that's just great. Wait till Antsy hears.' The wizard managed a smile. 'You tell him news only to see him squirm, don't you?' 'Sure. The squad needs its entertainment, right?

Lots of people tried to be like Sly. Take Rick James: more than half of the shit he did was in direct imitation. But there were only two people who were capable of that kind of cool: Miles Davis and Sly. I didn’t know Miles as well, but watching Sly was a strange experience, both educational and disorienting. To me, crazy is a prerequisite for greatness. But it doesn’t have to be actual craziness. I play crazy, when in reality, I’m pretty close to sane. Sly wasn’t playing. He believed in his own abilities, but he also believed in his own legend. And while he was a real nice guy in most ways, he wouldn’t hesitate to misuse you when it came to money and drugs. Of course, he was so ahead of the game that he wouldn’t try to trick you. He’d come right out and ask you if he could misuse you.

How’s the coffee?” “She hasn’t had any yet,” Cletus answered for me, then added, “but she wants you to ask her on a date tonight, no place public. Somewhere private, for discussing things.” Jethro’s eyes widened, and he glared at his brother’s reflection in the rearview mirror, snapping, “Cletus.” “Don’t clutch your pearls at me, big brother. Look at her, for hootenanny’s sake. She’s got the hots for your ugly face, Lord help her. And I know you’ve been thinking about her, judging by how long you took in the bathroom this morning.” I clamped a hand over my mouth just as shocked laughter burst from my lips. “Dammit, Cletus,” Jethro growled, turning the ignition and shooting his brother an incendiary look. “You are the worst. Just, don’t speak. Ever. Don’t speak ever again.” Jethro’s gaze darted to me then away as he sighed, looking remorseful. “I’m so sorry.” I placed my hand on Jethro’s thigh—FYI he had a really nice thigh—to ease his mind and because I wanted to touch him. “No, no. Please don’t apologize. He’s right and he’s wrong. I do have the hots for your face, but it isn’t at all ugly.” At this Cletus snorted and grumbled, “Well, it ain’t pretty.” Jethro pressed his lips together and I could see the hint of a smile there amidst his frustration. “Glad you have the hots for my face.” “Just ask her out already,” Cletus demanded. “She ain’t doing anything tonight. You two will go out tonight.

All different colors and sizes and shapes. All of them are important. All of them deserve respect. And then every once in a while, God makes someone extra special. Someone who is more vulnerable than others, and it’s our job to protect them. To take care of them. Even when it ain’t pretty.

The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.

He went into those little gardens beneath the over-hanging, brightly-lit masses of the Savoy Hotel and the Hotel Cecil. He sat down on a seat and became aware of the talk of the two people next to him. It was the talk of a young couple evidently on the eve of marriage. The man was congratulating himself on having regular employment at last; 'they like me,' he said, 'and I like the job. If I work up—in'r dozen years or so I ought to be gettin' somethin' pretty comfortable. That's the plain sense of it, Hetty. There ain't no reason whatsoever why we shouldn't get along very decently—very decently indeed.

There Peter was, looking straight into the very eyes of God, walking the Sea of Galilee and then all of the sudden up to his neck in water. Some would argue he lacked the true believing, I say he had enough faith to go it a ways, and when he couldn't go farther Christ fetched him up. What am I saying? I'm saying that the walk to God ain't easy for the best of us. Now some would say, Preacher, if Peter had misdoubts there in the very glory of the Lord, what of us left here that ain't seen the dead raised nor the leper folk healed. All we seen is hard trial and sorrows. I'd not deny it. Burdens are plenty in this world and they can pull us down in the lamentation. But the good Lord knows we need to see at least the hem of the robe of glory, and we do. Ponder a pretty sunset or the dogwoods all ablossom. Every time you see such it's the hem of the robe of glory. Brothers and sister, how do you expect to see what you don't seek? Some claim heaven has streets of gold and all such things, but I hold a different notion. When we’re there, we’ll say to the angels, why, a lot of heaven’s glory was in the place we come from. And you know what them angels will say? They’ll say yes, pilgrim, and how often did you notice? What did you seek?

Before we returned to Harvard, I convinced my parents to take a detour to Niagara Falls. The mood in the car was heavy, and at first I regretted having suggested the diversion, but the moment Dad saw the falls he was transformed, elated. I had a camera. Dad had always hated cameras but when he saw mine his eyes shone with excitement. “Tara! Tara!” he shouted, running ahead of me and Mother. “Get yourself a picture of this angle. Ain’t that pretty!” It was as if he realized we were making a memory, something beautiful we might need later. Or perhaps I’m projecting, because that was how I felt. There are some photos from today that might help me forget the grove, I wrote in my journal. There’s a picture of me and Dad happy, together. Proof that’s possible.

I seen fellas like you before. You ain’t askin’ nothin’; you’re jus’ singin’ a kinda song. ‘What we comin’ to?’ You don’ wanta know. Country’s movin’ aroun’, goin’ places. They’s folks dyin’ all aroun’. Maybe you’ll die pretty soon, but you won’t know nothin’. I seen too many fellas like you. You don’t want to know nothin’. Just sing yourself to sleep with a song— ‘What we comin’ to?

They called me an Indian pig. Oh, and they called me a prairie n*****. Pretty colorful, enit?" "I suppose." "That one pissed me off, though. I ain't no prairie Indian. I'm from a salmon tribe, man. If they were going to insult me, they should've called me salmon n*****." "I'm surprised you can laugh about this." "It's what Indians do." "Weren't you afraid?" "Yeah, I was afraid, but I'm afraid most of the time, you know? How would you feel if a white guy like you got dropped into the middle of a black neighborhood, like Compton, California, on a Saturday night?" "I'd be very afraid." "And that's exactly how I feel living in Seattle. Hell, I feel that way living in the United States. Indians are outnumbered, Officer. Those three guys scared me bad, but I've been scared for a long time.

Pffft! I ain’t scared of no zombie. Bring it on! I don’t care if you got a deep, scary voice.” MWAHAHAHAHA! The scary laughter echoed throughout the place. Then a huge shiny figure emerged from the shadows. It was the zombie commander! Steve screamed and fainted. I don’t know if he was pretending to play dead, but he looked pretty lifeless. I nudged him a few times with my foot, but he didn’t move.

You help as much as you can—but no more. You don’t think those founding fathers wrote all those pretty words about independence just to help the poor, do you? The books are right there in the library, Jane. They did it because they didn’t want to pay taxes, to have some king tell them the price of tea. And for that, they went to war, and hundreds of people died. If that ain’t capitalism, I don’t know what is.

I grew up being told, "If you do marijuana you'll be a slave for the rest of your life," and it only took me ten minutes to realize smoking marijuana was pretty cool. Then it was, "If you take LSD you'll be a slave for the rest of your life. Then it got to be, "If you take cocaine, you'll be slave for life." I took LSD, and I wasn't a slave for life. There was a time when I thought, "Hey, I've been taking Heroin for six months and I feel fine. You know, just on weekends." I actually believed that you didn't have to become addicted. I was wrong. The most important thing out of this is, don't lie to the kids. If marijuana is not going to make you homeless and addicted, don't tell people it is, because they'll found out it doesn't, then when they get to the stuff that really WILL, they ain't gonna believe you." - Dickie Peterson

Well, you ain’t never gonna know. Casy tries to tell ya an’ you jest ast the same thing over. I seen fellas like you before. You ain’t askin’ nothin’; you’re jus’ singin’ a kinda song. ‘What we comin’ to?’ You don’ wanta know. Country’s movin’ aroun’, goin’ places. They’s folks dyin’ all aroun’. Maybe you’ll die pretty soon, but you won’t know nothin’. I seen too many fellas like you. You don’t want to know nothin’. Just sing yourself to sleep with a song— ‘What we comin’ to?’

There’s a pretty good old rowboat. I’ll take you out for a row after supper.” “No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…” “Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.” Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.” But Mae frowned. “You worried, Tuck? What’s got you? No one saw us on the way up. Well, now, wait a bit--yes, they did, come to think of it. There was a man on the road, just outside Treegap. But he didn’t say nothing.” “He knows me, though,” said Winnie. She had forgotten, too, about the man in the yellow suit, and now, thinking of him, she felt a surge of relief. “He’ll tell my father he saw me.” “He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?” “I was too scared to do anything ,” said Winnie honestly. Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said. “I guess there’s no way to make it up to you, Winnie, but I’m sure most awful sorry it had to happen like that. Who was this man you saw?” “I don’t know his name,” said Winnie. “But he’s a pretty nice man, I guess.” In fact, he seemed supremely nice to her now, a kind of savior. And then she added, “He came to our house last night, but he didn’t go inside.” “Well, that don’t sound too serious, Pa,” said Miles. “Just some stranger passing by.” “Just the same, we got to get you home again, Winnie,” said Tuck, standing up decisively. “We got to get you home just as fast as we can. I got a feeling this whole thing is going to come apart like wet bread. But first we got to talk, and the pond’s the best place. The pond’s got answers. Come along, child. Let’s go out on the water.

I don't want anyone killing me with their car. Is that too much to ask? No, it's not. Then why are so many people trying to send me to my early reward with their vehicles? Truly. I can't believe some of the stunts I see pulled out there on the road. I have to say the worst behavior you see from people is when they get a steering wheel in their hands. To the point that I believe that your car is like a brain scan of your personality. If you are a polite person or just a normal, considerate, going-along-and-along-in-life person, that's pretty evident. You get a smile and a nod from me at the next stoplight. If you are easily distracted, clumsy, or kind of off in the ozone, we're going to see that too. Please try to keep it off the sidewalk. And if you are a jackass? Well, trust me, we know. We all know. And the way you carry on, we get plenty of opportunities to comfirm that. Do you think that when you get inside your car and close the door you become magically invisible? You do not. Not even with those tinted windows you think look so cool. We can see you. And it ain't pretty.

Make the best of things the way you find 'em, says I-- that's my motto. This ain't no bad thing that we've struck here-- plenty grub and an easy life-- come, give us your hand, duke, and le's all be friends." The duke done it, and Jim and me was pretty glad to see it. It took away all the uncomfortableness and we felt mighty good over it, because it would 'a' been a miserable business to have any unfriendliness on the raft; for what you want, above all things, on a raft, is for everybody to be satisfied, and feel right and kind towards the others.

I do not have reason to smile very often.” Ky’s fingers begin tracking down the back of my hand. “Then you make a reason, Li. Don’t make excuses for living a shit life. It ain’t rocket science. You don’t like something, find something you do. Don’t like being around someone, stay the fuck away. Wanna change your life, then get off your ass, bitch and fuckin’ change it.” … “Fuck, I don’t ever get down, love my damn life, but looking at you through that window every night, as miserable as shit and glaring at us like we’re demons, even makes me wanna slit my wrists. And I’ll tell you now, I’m too fuckin’ pretty to die.

Uncle Wiggens ain't really my uncle, everyone just calls him that. He's over eighty and fought in the War Between the States. He only has one leg and one hero, General Robert E. Lee. Uncle Wiggens manages to work Lee's name into pretty much any old conversation. You might say, 'My, it's cold today,' and he'd reply, 'You think this is cold? General Lee said it didn't even qualify as chill till your breath froze on your nose and made a little icicle.' He had about five different stories of how he lost his leg, every one of them entertaining. That night I was listening to the version that involved him running five Yankees into a bear's den.

I's thinking I ought to do some reading. Might help me with my own writing." "Go down to the State Street Library. They have a whole room full of Southern writers. Faulkner, Eudora Welty—" Aibileen gives me a dry cough. "You know colored folks ain't allowed in that library." I sit there a second, feeling stupid. "I can't believe I forgot that." The colored library must be pretty bad. There was a sit-in at the white library a few years ago and it made the papers. When the colored crowd showed up for the sit-in trial, the police department simply stepped back and turned the German shepherds loose. I look at Aibileen and am reminded, once again, the risk she's taking talking to me. "I'll be glad to pick the books up for you," I say.

They was a brave on a ridge, against the sun. Knowed he stood out. Spread his arms an' stood. Naked as morning, an' against the sun. Maybe he was crazy. I don' know. Stood there, arms spread out; like a cross he looked. Four hunderd yards. An' the men - well, they raised their sights an' they felt the wind with their fingers; an' then they just lay there an' couldn' shoot. Maybe that Injun knowed somepin. Knowed we couldn' shoot. Jes' laid there with the rifles cocked, an' didn' even put 'em to our shoulders. Lookin' at him. Head-band, one feather. Could see it, an' naked as the sun. Long time we laid there an' looked, an' he never moved. An' then the captain got mad. "Shoot, you crazy bastards, shoot!" he yells. An' we jus' laid there. "I'll give you to a five-count, an' then mark you down," the captain says. Well, sir - we put up our rifles slow, an' ever' man hoped somebody'd shoot first. I ain't never been so sad in my life. An' I laid my sights on his belly, 'cause you can't stop a Injun no other place - an' - then. Well, he jest plunked down an' rolled. An' we went up. An' he wasn' big - he'd looked so grand - up there. All tore to pieces an' little. Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted, an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eating him don't never make it up to you, 'cause you spoiled somepin in yaself, an' you can never fix it up.

I did make a mistake in judging Anne, but it weren't no wonder, for an odder, unexpecteder witch of a child there never was in this world, that's what. There was no ciphering her out by the rules that worked with other children. It's nothing short of wonderful how she's improved these three years, but especially in looks. She's a real pretty girl got to be, though I can't say I'm overly partial to that pale, big-eyed style myself. I like more snap and color, like Diana Barry or Ruby Gillis. Ruby Gillis' looks are real showy. But somehow- I don't know how it is but when Anne and them are together, though she ain't half as handsome, she makes them look kind of common and overdone- something like them white June lilies she calls narcissus alongside of the big, red peonies, that's what.

But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped. He grins. "You think I'm hot?" "My mom thinks you are." Except, Mom's not the one blushing right now. "Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me. "You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school." "We could fly down on the weekend. Be back before school on Monday." I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-" "No!" Galen and Toraf shout, startling me. "Why not? I won't go too deep-" "Out of the question," Galen says, standing. "You will not get in the water while I'm gone." I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness." Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.

In terms of the Trinity, I believe in the Father and the Holy Ghost but not really Jesus that much. Yes, Jesus was pretty badass because he stood up for what he believed in and was definitely an alpha and a man of his convictions, and all that respectable shit, and he took a hell of a beating in the end, but his message was wrong. All that turn the other cheek and love thy neighbor nonsense; be a lamb and so on. It’s silly and doesn’t work. The God of the Old Testament, the Father, that guy makes a lot more sense to me. He had it in him to be mean and spiteful. I get that I was made in the image of a guy who’d fuck over a nobody like Job basically for fun and to prove a point to a rival. I get that I was made in the image of a guy who’d kick two shitheads out of the Garden of Eden for disobeying Him. I get the idea of Him laying waste to entire cities with fireballs or whatever because He didn’t very much like the type of people that lived there (though Sodom and Gomorrah seem like just the sort of places I’d like to hang out). If God is love, it ain’t Jesus’. The Father’s love, tough love, is what works. Sometimes there’s difficulty distinguishing it from hate, and that’s why it applies to the way I live my life. Jesus’ message just makes people nice, makes them pussies, and while I’m thankful for it because it’s given me the upper hand throughout my life in very Christian America, believing in it, really, would be idiotic for anyone like me, a winner. And I believe in the Holy Ghost too mostly because I’ve felt Him working through me while doing really cool shit, like playing football and writing good songs or whatever. He’s what people mean when they say God-given talent, which I have a lot of.

Look. It’s not just Black and white women who I think keep replaying middle-school angst. Working-class white men’s overidentification with Donald Trump, a man who clearly despises them, is the stuff of middle-school fantasy, too. Perhaps it is difficult to hear that electoral contests still are what they’ve always been: popularity contests. And popularity is dictated by all of the worst forms of social privilege—we are conditioned to like the people who are pretty, charming, handsome, rich, and well-connected. Donald Trump sure ain’t pretty, but he is rich and well-connected, and that means that lots of white men who will never be either of these things secretly identify with him. That’s all I’m saying—that so many of the emotional impulses that shape our engagements with powerful public figures have to do with the shit we went through in middle school. I really wish people would just go to therapy.

 I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good. Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence. “Just say it,” I mumble and finally look over. “I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.” “You know, you not saying a word took you a long time.” “It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.” I groan. “Could you not say anything for real this time?” “Sure thing, boss. I’ll just be over here, watching Hell start to thaw.” This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this. “Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.” Brody coughs a laugh and then recovers. “Sorry, go on.” “I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.” He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.” I huff and grab the papers. “I’m getting a new partner.” I walk back over to the car, praying this will be painless

She put her hands on her hips, the fool, and Ernestine moved between us, and said, very sweetly, “Adrienne? Baby? May I tell you something, lumps? Sweetie? Sweetiepie?” She put one hand very lightly against Adrienne’s cheek. Adrienne quivered but did not move. Ernestine let her hand rest and play for a moment. “Oh, sugar. From the very first day I laid eyes on your fine person, I got hung up on your Adam’s apple. I been dreaming about it. You know what I mean—? When you get hung up on something? You ain’t never really been hung up on anything or anybody, have you? You ain’t never watched your Adam’s apple move, have you? I have. I’m watching it right now. Oh. It’s delicious. I just can’t tell, sweetie, if I want to tear it out with my fingers or my teeth—ooh!—or carve it out, the way you carve a stone from a peach. It is a thing of beauty. Can you dig where I’m coming from, sugar?—But if you touch my sister, I’m going to have to make up my mind pretty quick. So”—she moved away from Adrienne—“touch her. Go on, please. Take these chains from my heart and set me free.

I'm anxious for you to meet my new boarder," Miriam said as they headed down the street. "He's such a handsome, well-mannered young man. I think you would like each other." Willow stopped short. "Wait a minute . You aren't thinking of doing some matchmaking, are you? Criminey, all I need is another man to take care of. Listen, if I wanted a beau that bad, I could hook one easy all on my own." "Oh? Then why haven't you?" "I just told you why. I don't need another man to do for. All a miner wants is a hard-working woman to slave for 'im while he chases dreams of gold and silver. Gamblers ain't much different, 'cept they're smoother talkers. They want a pretty mistress, one who don't mind working on her backside when her man's down on his luck." After a whole afternoon in Willow's company, Miriam was becoming shockproof. She merely raised a disapproving brow at this last statement. "I see your point, Willow, but has a real gentleman ever asked to court you?" "I suppose that depends on your definition of a gentleman." "Humph! I thought as much." Miriam sashayed on down the boardwalk. "You never did anwer my question," Willow reminded her, hurrying to catch up. "Are you matchmaking?" "Oh,look, we're here at the ice-cream parlor already. What flavor are you going to have?

And what of all these spices? They're worth a pretty fortune." She waves a juddering arm across the table, at the tins and glass jars and earthenware pots. All at once a shaft of thin northern light swoops over them, jolting them into luminous life: bubbled glass jars of briny green peppercorns, salted capers, gleaming vanilla pods, rusted cinnamon sticks, all leaping and glinting. The sudden startling beauty of it, the palette of hues--ocher, terra-cotta, shades of earth and sand and grass---the pale trembling light. All thoughts of running a boardinghouse vanish. I reach for a jar, lift its cork lid. The scent of bark, earth, roots, sky. And for a second I am somewhere else. "The mysterious scent of a secret kingdom," I murmur. The jar contains little pellets, brown, spherical, unexotic. How marvelous that something so plain can have such an enthralling perfume, I think. "Oh, Miss Eliza. Always the poetess! It's only allspice." Cook gives a wan smile and gestures at the ceiling, where long bunches of herbs hang from a rack. Rosemary, tansy, sage, nettles, woodruff. "And what of these? All summer I was collecting these and they still ain't properly dry." "May I lower it?" Not waiting for an answer I wind down the rack until the drying herbs are directly in front of me---a farmyard sweetness, a woody sappy scent, the smell of bruised apples and ripe earth and crushed ferns.

What a wallop of rich, full-bodied flavor! Tangy spiciness is flooding in my mouth! This ain't no sweet tea cake! Ankimo?! It's filled with ankimo monkfish liver!" "Yep! You've got it in one. This here is a special little dish I made... I dub it THE ANKIMONAKA GUTS SANDWICH!" "Wait a minute. There were no rice wafer shells or batter in the ingredient trucks! How could you make a monaka sandwich?!" "Easy enough to make your own with a little cornstarch and shiratama rice flour. Squeeze some batter between two muffin molds- like these- bake them, and voilà! You have your own instant rice wafers. It's a pretty delicate operation, though, so you've gotta be patient and careful. As for the filling, I started out by trimming and deveining some monkfish liver, then I salted it to remove its fishiness. Next, I whipped up a broth of bonito stock seasoned with soy sauce, sake and sugar and then simmered the liver. I pressed it through a strainer until it was a nice, smooth paste and mixed in my handmade Shichimi red pepper blend. After that, all that was left was to stuff the rice wafer shells with it and serve!" Light, crispy wafers and thick, sticky monkfish-liver paste! Those two and the mountain yam he mixed in with them make for marvelously contrasting textures! And their flavors! The sharp spiciness spreads its addicting tingle through my entire mouth! He struck the perfect balance between the savory umami of the bonito stock and the salty soy sauce too... Which makes the tangy spiciness of his red pepper blend stand out all the more!

Aunt Jane came around from the back of the house, her black silk cape fluttering from her shoulders, and a calico sunbonnet hiding her features in its cavernous depth. She walked briskly to the clothes-line and began patting and smoothing the quilts where the breeze had disarranged them. "Aunt Jane," I called out, "are you having a fair all by yourself?" She turned quickly, pushing back the sunbonnet from her eyes. "Why, child," she said, with a happy laugh, "you come pretty nigh skeerin' me. No, I ain't havin' any fair; I'm jest givin' my quilts their spring airin'. Twice a year I put 'em out in the sun and wind; and this mornin' the air smelt so sweet, I thought it was a good chance to freshen 'em up for the summer. It's about time to take 'em in now." She began to fold the quilts and lay them over her arm, and I did the same. Back and forth we went from the clothes-line to the house, and from the house to the clothes-line, until the quilts were safely housed from the coming dewfall and piled on every available chair in the front room. I looked at them in sheer amazement. There seemed to be every pattern that the ingenuity of woman could devise and the industry of woman put together, — "four-patches," "nine-patches," "log-cabins," "wild-goose chases," "rising suns," hexagons, diamonds, and only Aunt Jane knows what else. As for color, a Sandwich Islander would have danced with joy at the sight of those reds, purples, yellows, and greens. "Did you really make all these quilts, Aunt Jane?" I asked wondcringly. Aunt Jane's eyes sparkled with pride. "Every stitch of 'em, child," she said, "except the quiltin'. The neighbors used to come in and help some with that. I've heard folks say that piecin' quilts was nothin' but a waste o' time, but that ain't always so.

Like A Rolling Stone" Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal How does it feel? How does it feel To be without a home Like a complete unknown Like a rolling stone? You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say do you want to make a deal? How does it feel? How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? You never turned around to see the frowns on the jugglers and the clowns When they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal How does it feel? How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts But you'd better take your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Bob Dylan, Highway 61 Revisited (1965)

Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up. "What's going on?" she asked, her eyes bright. Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse. "That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class." Betty made a face. "You like poetry stuff? I thought you were into maths and science." "I like it all," Martha replied. "I love astronomy and hip-hop-" Betty rolled her eyes. "Not hip-hop again." "Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture." "No," Betty said. "You didn't make up a rap to that." "Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle: "At the centre of our system is the molten sun, A star that burns hot, Fahrenheit two billion and one. But the sun, he ain't alone in the heavenly sphere, He's got nine homeys in orbit, some far, some near. Old Mercury's crowding in 'bout as close as he can, Yo, Merc's a tiny planet who loves a tan.... Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party.... "Venus is next. She's a real hot planet, Shrouded by clouds, hot enough to melt granite. Earth is the third planet from the sun, Just enough light and heat to make living fun. Then comes Mars, a planet funky and red. Covered with sand, the place is pretty dead. Jupiter's huge! The largest planet of all! Saturn's big, too, but Uranus is small. So far away, the place is almost forgotten, Neptune's view of Earth is pretty rotten. And last but not least, Pluto's in a fog, Far away and named after Mickey's home dog. Yo, that's all the planets orbiting our sun, But the Milky Way galaxy is far from done!" When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering. "Whoa," said Chad. "Martha's awesome.

Kode’s older sister, Kira, was leaning over a display of jewelry, fisting a jade-green necklace in one hand. Her nose was two inches from the Braetic across the table, the two exchanging intimidating glares. Eena watched for a few seconds as Kira all but crawled over a pile of merchandise, her face scrunched up with resentment, yet enviably stunning as always. “Hey Kode,” the young queen whispered. “Hey, girl.” “What’s going on?” “Kira’s bartering.” Eena watched the fistful of necklace come within a whisker of smacking the merchant’s nose. “She isn’t going to hurt the guy, is she?” Kode snorted on a chuckle. “Not if the dude’s got any sense.” Validly concerned, Eena inched closer to the confrontation, straining to hear their growled dialogue. Kode and Niki crept closer too. Efren, however, stayed where he was, testing the flagpole’s ability to support his body weight. They watched the feisty Mishmorat hold up a small pouch and shake it in front of the Braetic’s eyes. Kira’s fingers curled like claws around the purse. She seemed to smirk for a second when the merchant flinched. In a blink he was back in her face again, shoving aside the purse. “What is she trying to trade?” Eena asked, her voice still hushed as though she might disturb the haggling taking place across the way. “Viidun coins,” Kode said. “Ef gave ‘em to her.” “Are they worth much?’ Kode grinned wryly, “He sure as hell don’t freakin’ think so.” Eena foresaw Niki’s disapproving smack to the back of Kode’s head before he even finished his sentence. He cursed at his girlfriend for the physical abuse, an unwise response that earned him an additional thump on the head. “Freakin’ tyrant,” Kode grumbled. “Vulgar grogfish,” Niki retorted. Still unable to hear well enough to satisfy her curiosity, Eena stole in closer to the scene of heated bartering. She stopped when Kira’s strong voice carried over the murmur of the crowd. Kode and his girlfriend were right on her heels. “This purse is worth ten of those gaudy necklaces. You oughta be payin’ me to take ‘em off your hands, Braetic!” “That alien money is worthless to me, Mishmorat. In all my life I’ve never left Moccobatran soil. And even if I were to take an interstellar trip someday, you’d never catch the likes of me on a barbarian planet like Rapador!” Kira jerked her head, causing her black, cascading hair to ripple over her shoulder. The action made the trader flinch again. His eyes tapered, appearing to fume over what he perceived as intentional bullying. “You ain’t gonna sell this crap to no one else,” the exotic Mishmorat said. “Be smart and take the money. Hell, you could make a dozen pieces of jewelry from these coins. Sell ’em all for ten times the worth of anything you got here.” The Braetic shoved his finger at Kira’s chest, breathing down her throat at the same time. “Why don’t you just take your pretty little backside away from my table and make your own Viidun jewelry. Sell it yourself and then come back with a reasonable offer for my necklace.” His palm opened flat, demanding she hand over the jade stones still in her fist. “You wanna make me?” Kira breathed. “What do you plan to do, steal it?” The merchant challenged her in a gesture, nostrils flaring. “I’m no thief, but I’m not above beating some sense into you ‘til you choose to barter like a respectable Braetic!” Caught up in the intense interaction, Kode supported his sister a little too loudly. “Teach the freakin’ crook a lesson, Sis!” Niki smacked her boyfriend upside the head without missing a beat.

Marvin stood there. ‘Out of my way little robot,’ growled the tank. ‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’ The probe extended again for a quick recheck. It withdrew again. ‘You? Stop me?’ roared the tank, ‘Go on!’ ‘No, really I have,’ said Marvin simply. ‘What are you armed with?’ roared the tank in disbelief. ‘Guess,’ said Marvin. The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation. ‘Guess?’ said the tank. ‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’ ‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’ Marvin shook his head solemnly. ‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded. ‘Far too obvious,’ admonished Marvin. ‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’ This was new to Marvin. ‘What’s that?’ he said. ‘One of these,’ said the machine with enthusiasm. From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled. ‘No,’ said Marvin, ‘not one of those.’ ‘Good though, isn’t it?’ ‘Very good,’ agreed Marvin. ‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’ 'Nice, aren’t they?’ agreed Marvin. ‘That’s what you’ve got?’ said the machine in condiderable awe. ‘No,’ said Marvin. ‘Oh,’ said the machine, disappointed, ‘then it must be …’ ‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’ ‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again. ‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’ ‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’ ‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’ ‘Yes, alright,’ said the battle machine, bracing itself. ‘Nothing,’ said Marvin. There was a dangerous pause. 'Nothing?’ roared the battle machine. ‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’ The machine heaved about with fury. ‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’ ‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’ ‘Makes you spit, doesn’t it?’ ‘Yes,’ agreed Marvin with feeling. ‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’ The electron ram stabbed out another searing blaze of light and took out the wall next to the machine. ‘How do you think I feel?’ said Marvin bitterly. ‘Just ran off and left you did they?’ the Machine thundered. ‘Yes,’ said Marvin. ‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank. It took out the ceiling of the bridge. ‘That’s very impressive,’ murmured Marvin. ‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’ It took out the floor too. ‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below. ‘What a depressingly stupid machine,’ said Marvin and trudged away.

This world will try an’ beat you and tell you you ain’t shit and treat you like the shit that you ain’t. Don’t let ‘em take yo fire. Don’t let ‘em take it wit’ nice words or wit’ a knife to yo throat. Don’t even let em get you by laying pretty tricks on you, unless you want them tricks. Even then, do everything in yo power to keep yo fire going. Fight for it. Steal it. Kill for it. You understand me?

Hustling sex for cash ain’t dangerous if you learn the tricks quick, and that means puttin’ yourself in a different mindset. Always scout for an exit for when you need it. Act confident and tough and you won’t get hurt. Being scared or nervous will get you cut up and stuffed in a fuckin’ bag.

Troy earned all of our respect,” says Garry Cobb, the Dallas linebacker. “He got killed and refused to cry. I’ve been on the field when quarterbacks cry, and it ain’t pretty. Dan Marino was a crier—‘Whose man was that! Where’s the blocking! Whah! ’ But Aikman—never. Aikman was a man.

Cloud Nine Childhood part of my life Wasn't very pretty, see (Boom, boom-boom, boom) I was born and raised In the slums of the city (Boom, boom-boom, boom) It was a one-room shack That slept ten other children beside me (Boom, boom-boom, boom) We hardly had enough food Or room to sleep (Boom, boom-boom, boom) It was hard times I needed somethin' to ease my troubled mind Ooh listen My father didn't know the meaning of work (Boom, boom-boom, boom) He disrespected mama And treated us like dirt (Boom, boom-boom, boom) I left home seeking a job That I never did find (Boom, boom-boom, boom) Depressed and down-hearted And I took to cloud nine (Boom, boom-boom, boom) I'm doing fine Up here on cloud nine Listen, one more time I'm doing fine Up here on cloud nine Folks down there tell me They say "Give yourself a chance, son Don't let life pass you by" (Woo, woo, woo-oo) But the world, around you's a rat race Where only the strongest survive It's a dog-eat-dog world And that ain't no lie (Ain't no lie) Listen, it ain't even safe no more To walk the streets at night I'm doing fine On cloud nine Let me tell you 'bout cloud nine Cloud nine You can be what you want to be Cloud Nine You ain't got no responsibility Cloud nine And every man, every man is free Cloud nine And you're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine I wanna' say I love the life I live And I'm gonna live the life I love Or be on cloud nine I, I, I, I, I, I'm ridin' high On cloud nine You're as free as a bird in flight Cloud nine There's no difference between day and night Cloud nine It's a world of love and harmony Cloud nine You're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine You can be what you want to be Cloud nine You ain't got no responsibility Cloud nine Every man in his mind is free Cloud nine You're a million miles from reality Cloud nine You can be what you want to be