Ahs Murders House Quotes

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Pretty soon there'll be a new kind of murderer, who will kill without any reason at all, just to prove that it doesn't matter, and his accomplishment will be worth no more and no less than Beethoven's last quartets and Boito's Requiem-- churches will fall, Mongolian hordes will piss on the map of the West, idiot kings will burp at bones, nobody'll care and then the earth itself'll disintegrate into atomic dust (as it was in the beginning) and the void still the void won't care, the void'll just go on with that maddening little smile of its that I see everywhere, I look at a tree, a rock, a house, a street, I see that little smile-- That 'secret God-grin' but what a God is this who didn't invent justice?--So they'll light candles and make speeches and the angels rage. Ah but 'I don't know, I don't care, and it doesn't matter' will be the final human prayer.
Jack Kerouac (Desolation Angels)
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
Mark Twain (The Adventures of Huckleberry Finn)
I wish we could put Nathan and Ellena and Travis on our walk.” Ashley sighed. “It just doesn’t seem complete without them.” “They’re on our walk.” Taking Ashley’s notebook, Roo calmly pointed to the neatly lettered, neatly organized tour script. “See? Right here. Magnolia Gallery. Opera house fire.” “That’s not what I mean. Each of them really, really loved somebody very much. That’s what I want people to remember.” Ashley put a hand over her heart. “The loves that never die.” “The loves that made people die.” Parker downed another swig of cough medicine, capped the bottle, then slid it into the back pocket of his jeans. “Sorry, Ash, but that’s not the way of the world. If you tell their real stories, people will only remember all the dumb mistakes they made. Like…oh, you know…torture and murder and arson and treason and--” “Ah, yes,” Roo acknowledged coolly. “Parker Wilmington, the last of the true romantics.” Retrieving her notebook, Ashley hugged it to her chest. Her sigh was more wistful this time. “I know you’re right. I mean, we can’t ever give away their real secrets. Not on the Walk of the Spirits…not to anybody…not ever. I mean, Nathan and Ellena and Travis lived and sacrificed and died, protecting those secrets about themselves. If we told their secrets, it would be like betraying them all over again.” “Or we could call the tabloids and paparazzi,” Parker deadpanned. “They pay big money for secrets and betrayals.” “Parker Wilmington, if I told even half your secrets and betrayals, I’d be a very rich woman!” Even Parker looked amused as the group broke into raucous applause. Looking entirely pleased with herself, Ashley curtsied, then motioned them all toward the Brickway.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
excitement. Shelley picked it up, opened it, and glanced at its muddled contents. “Quite right, Mr. Fairhurst,” he admitted. “Well, that clinches the whole affair. Mr. Wallace has Miss Arnell here in Yorkshire. And they can’t be very far away, judging by the heat of the coffee in the pot on the breakfast-table downstairs.” “How are you going to catch them?” asked Henry. “Watch me and see,” answered Shelley. He ran down the stairs, the others following him helter-skelter. Out of the front door Shelley ran; Cunningham, who was a burly man, puffed in his wake, and the others straggled along in the rear. Shelley paused in front of the house, anxiously scanning the gravel, which was loosely thrown on the little private road which led from the main road up to the house itself, and up which they had driven a mere few minutes earlier. “Ah!” he exclaimed at length. “Here we are. See, Cunningham?” Henry Fairhurst peered at the two detectives, as they looked at the ground. “Yes,” said Cunningham. “An old Dunlop with a patch. That should be easy enough to follow.” “Good,” answered Shelley. “In the car, quickly, gentlemen, if you don’t mind. We’re close to them now, and we shall soon have them.” Soon they were in the car, and Shelley gave his instructions to the driver. “Drive down to the main road as fast as you can,” he
John Rowland (Murder in the Museum)
frame Tom for the two murders. What did he have against Tom?’ ‘Ah,’ Richard said, ‘you’re right. He didn’t have anything against Tom. Not really. But I remembered something that your solicitor said when she showed me Grandfather William’s will. She said that when Freddie died, the trust would automatically be dissolved and would then be inherited in its entirety by Freddie’s firstborn, assuming that that person was over the age of eighteen, of sound mind and body, and – crucially – had no unspent prison time. ‘That’s why Matthew worked so hard to pin the murders on his brother. Because the moment we arrested Tom, he’d be stopped from inheriting anything. And when Tom was then convicted of double murder – as I’m sure he would have been, considering the evidence against him, both direct and indirect – then he’d have ended up in prison. Tom would have been ineligible to inherit. The whole estate would automatically have passed on to the next oldest child, Matthew. And seeing as Matthew has always been on record as wanting to sell the plantation, it wouldn’t have even begun to look suspicious when he then sold the plantation for five million dollars. ‘So Matthew wasn’t just killing the only two people in the world he thought knew his secret shame. He was also making sure he inherited five million dollars. And five million dollars is always an incentive to commit murder. Don’t you think, Sylvie?’ A few minutes later, Richard emerged from the shower room to see Dwayne and Fidel already guarding the locked boot of the Police jeep where a handcuffed Matthew was sitting inside. From the way his shoulders were heaving up and down, Richard could see that he was crying. As for Camille, she’d taken Andy Lucas off to the shade of a palm tree and was talking to him. ‘Detective Inspector?’ a voice said from behind Richard. Richard turned and saw Hugh standing by the entrance to the shower room with Rosie and Tom. As for Sylvie, she was already heading back to the main house on her own. ‘I’m sorry,’ Hugh said. ‘That you saw our family…like this. That you saw what we’re really like.’ Richard knew that there was nothing he could say that would make Hugh feel any better.
Robert Thorogood (Death Knocks Twice (Death in Paradise, #3))
Jeremy sounds reflective. 'Ah, How could I forget? All our friends thought we'd died' Jack looks like murder. 'I hate you Moxie.' She batters her eyelashes. 'Love you too, sweetcakes.
C.G. Drews
But the beans—ah, the beans. And the pickles—oh, the pickles. And the grapefruit juice, and the coffee, and the Dr. Jekyllish formulation of all that Austin had so cavalierly tossed into his maw left no doubt in his head that nature was not only calling—she was screaming bloody murder.
Herman Raucher (Maynard's House)
Come here; let me look at you.” Mum gestured imperiously, and after a moment’s hesitation, Shinobu bent down so that she could cup his face in her small, delicate fingers. She stared up at him, dark gaze piercing. He stayed still, but behind his back I saw his hands find each other and his fingers lace together, as if it was an effort not to fidget. I didn’t blame him.   “Rachel also says that you helped save her and did a lot of other heroic things. I think you must have a great deal of character to have survived everything that’s happened to you, Shinobu, and I’m very grateful for all that you’ve done for my family. But I’m fully aware that you’ve been hanging out in my house with my underage daughter completely unsupervised the whole time I’ve been gone. I will be keeping my eye on you from now on.”   Shinobu nodded respectfully, not moving out of my mother’s grasp. I couldn’t stand it.   “Mum! Shinobu’s been a − a perfect gentleman!”   “And I was there at least some of the time,” my father put in.   “There is no such thing as a perfect gentleman, Mio. And you don’t count, Takashi. You can never tell when Mio’s lying about anything.” She fixed her eyes back on Shinobu. “I’m not saying that I don't approve. But if you’re the sort of young man that I want for my daughter – and I think you are – you won’t have a problem with me looking out for her. When this mess is sorted out, we can get to know each other properly.”   Shinobu nodded again. Mum smiled at him and slid her hands down to pat his shoulders, and he smiled back, his expression a little dazed. Damn. Dazzled by Mum Power.   “‘This mess’ being … the imminent apocalypse?” my dad asked, apparently unable to leave well enough alone.   Mum ignored his tone magnificently. “Yes, that. Now, could anyone else murder a sandwich and a cup of tea? Because I’ve had a heck of a day.”   Jack and Hikaru, who’d retreated to the till area with Ebisu during the family drama, crept out. Jack raised her hand. “I’m starving.”   “Me too,” Hikaru said.   “Ah, the appetites of the young,” Ebisu said, smiling serenely as he limped towards my mother and offered her his hand. “It is a pleasure to meet you, Mrs Yamato. You are almost exactly as I had imagined. Let’s go upstairs to my flat and see what we can find to eat, yes?”   “You might want to put me in charge of that,” my dad said, hurrying after them. “She’s a terrible cook.”   “Stuff it,” my mum retorted as Ebisu led her away. “I’m still not talking to you.”   And just like that, our motley crew had another member. My mum.   Sweet baby Jebus, how did this happen?
Zoë Marriott (Frail Human Heart (The Name of the Blade, #3))
The first time I met the blues People, you know I was walkin', I was walkin' down through the woods Yes, the first time, the first time I met you, blues Blues you know I was walkin', I was walkin' down through the woods Yes, I've watched my house burnin' blues Blues, you know you done me, you done me all the harm that you could The blues got after me People, you know they ran me from tree to tree Yes, the blues got after me Blues, you know you ran me, ran me from tree to tree Yes, you should-a heard me beg ya, blues Ah, blues, don't murder me Yes, good mornin', blues Blues, I wonder, I wonder what you're doin' here so soon Yes, good mornin', good mornin', good mornin', mister blues Blues, I wonder, I keep wonderin' what you're doin' here so soon Yes, you know you'll be with me every mornin', blues Every night and every noon Oh, yeah
Buddy Guy