Ahs Hotel Quotes

From a very early time, I understood that I only learn from things I don’t like. If you do things you like, you just do the same shit. You always fall in love with the wrong guy. Because there’s no change. It’s so easy to do things you like. But then, the thing is, when you’re afraid of something, face it, go for it. You become a better human being.” What’s the cost? “Ah, a big one. Lots of loneliness, my dear. If you’re a woman, it’s almost impossible to establish a relationship. You’re too much for everybody. It’s too much. The woman always has to play this role of being fragile and dependent. And if you’re not, they’re fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave. So, lots of lonely hotel rooms, my dear.

Terry didn’t really do deference around famous people. I was once in a position, in Dublin, to introduce him to Bono from U2, explaining, as I did so, that Bono owned the hotel we were standing in. ‘Ah, good,’ Terry said to Bono. ‘Can you get me a milkshake?’ Which he did.

I lean down to kiss her smiling lips, heft my bag, and shoulder into the hotel room. “Wow. Place looks just how we left it.” “Yup.” Jameson pops her P with a loud smack. “Same bed, same dresser, same tiny bathroom.” “Ah yes, the tiny bathroom of sin, scene of all masturbatory emissions.” My laugh fills the outdated hotel room as I walk to the dresser to set my things down.

Fredrick gazed into the deep blue eyes of Jackson for a few seconds before answering. “I’d like the best room in the hotel.”
 “We have hundreds of rooms here, and all of them are the best.”
 “How can they all be number one? Only one can be number one.”
 “Ah, this is true. And this is false. What’s the best to you may be worst to someone else. Since every room here is completely different, each room is number one to someone, even if that same room is number two to someone else.”


Mind the faeries,” Brian said with a grin. “Christ, it’s been years since I stepped into a country wood. Roarke, do you remember when we skinned those Germans in the hotel, then hid out for two days with travelers in the wood down in Wexford till the heat was off?” “Jesus, I’m standing right here,” Eve pointed out. “Cop.” “There was that girl,” Brian continued, unabashed. “Ah, the sultry beauty. And no matter how I tried to charm her, she only had eyes for you.” “Again, right here. Married.” “It was long ago and far away.

¡Ah, es difícil encontrar esa huella de Dios en medio de esta vida que llevamos, en medio de este siglo tan contentadizo, tan burgués, tan falto de espiritualidad, a la vista de estas arquitecturas, de esta política, de estos hombres! ¿Cómo no había yo de ser un lobo estepario y un pobre anacoreta en medio de un mundo, ninguno de cuyos fines comparto, ninguno de cuyos placeres me llama la atención? No puedo aguantar mucho tiempo ni en un teatro ni en un cine, apenas puedo leer un periódico, rara vez un libro moderno; no puedo comprender qué clase de placer y de alegría buscan los hombres en los hoteles y en los ferrocarriles totalmente llenos, en los cafés repletos de gente oyendo una música fastidiosa y pesada; en los bares y varietés de las elegantes ciudades lujosas, en las exposiciones universales, en las carreras, en las conferencias para los necesitados de ilustración, en los grandes lugares de deportes[...] Y lo que, por el contrario, me sucede a mí en las raras horas de placer, lo que para mí es delicia, suceso, elevación y éxtasis, eso no lo conoce, ni lo ama, ni lo busca el mundo más que si acaso en las novelas; en la vida, lo considera una locura.

Ah'm sittin in the hotel bar waitin oan Fiona. Thinkin aboot her heart-melting smile and that sexy, concentrated frown when she evaluates books and the comments made by lecturers. Whenever she comes into a room, ma spirits soar. What ah feel is delight, pure and simple. Our life is all passionate kisses and soft wells of laughter. Ah love watchin her in class; even though we're shaggin, it's still great tae just look at her.

Magnus threw the curtains open and stepped onto the balcony of the hotel room. "Ah, Venice. There is no city in the world like you." Alec trailed him outside and leaned over the railing. His gaze followed a gondola snaking along the canal and disappearing around a corner. "It's a bit smelly." "That's the ambiance." Alec grinned. "Well, the ambiance is pretty strong.

War in Europe, a speech by Hitler, trouble in Poland, these were the topics of the day. What piffle! You warmongers, you old folks in the lobby of the Alta Loma Hotel, here is the news, here: this little paper with all the fancy legal writing, my book! To hell with that Hitler, this is more important than Hitler, this is about my book. It won't shake the world, it won't kill a soul, it won't fire a gun, ah, but you'll remember it to the day you die, you'll lie there breathing your last, and you'll smile as you remember the book. The story of Vera Rivken, a slice out of life.

The coincidences turn up down to the smallest details. There is, for instance, a character who has covered the mirrors with handkerchiefs. Apparently this happens somewhere in Ulysses, too. And they said, Ah! This is where he got that. Where I got it was when I was in a hotel in Panama and I had washed my handkerchiefs and spread them on the windows and the mirrors to dry—they almost look pressed when they’re peeled away that way—a Panamanian friend came in and said, “All the mirrors are covered. Who’s dead? What’s happened?” I said, “No, I’m just drying my handkerchiefs.” Then I found the same incident in McTeague in what? 1903 or 1905, whenever McTeague was written. This always strikes me as dangerous—finding “sources.

What can I be thinking of? Just imagine my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name out loud; it is a romantic one, utterly inappropriate to the typically modern environment in which we now stand. Ah, if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of some wild ocean, there would be some glamour in proclaiming my identity in the silence of the night, or in the midst of lightning and thunder as a hurricane swept the seas! But here in a third-floor suite of the Royal Palace Hotel, surrounded by telephones and electric lights, and standing by a window overlooking the Champs Elysees-> it would be positively anachronistic!" He took a card out of his pocket and drew near the little writing desk. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the princess uttered a little cry she could not repress, he did just that. "And now, Princess," he went on, compelling her to retreat before him as he moved to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!

The idea behind both concepts is that there must be an accounting, a ledger in the hearts and histories of a family. As if accepting a sum or taking a life will fill the void of the loss of a loved one." "It can't fill the void, but it can make things even," Adam said. "No. It does not. What you get is a deficit of two." "Then both are at an equal loss." Adam took a deep drag on his beer. "And how does this loss serve the memory of the loved one?" "It doesn't ... [v]engeance is selfish," Adam continued. "I've never tried to hide that." "Ah," Philip said. "Now we get to the heart of it. Adam, here is my question for you. Would you trade your claim to vengeance to set your brother free?" Talia watched the muscle twitch in Adam's jaw. It was a hard question, an impossible, painful question, especially after learning that Jacob had chosen his current state. Jacob had chosen to take the lives of his parents. He had reduced Adam's world to a haunted hotel with a group of mad scientists. Maybe she should say something. Change the subject. Seen any naked pictures of me today?

We both took some adjusting to Egyptian notions of friendliness. Stepping outside our Cairo hotel, we were greeted by a host of amiable young men saying, ‘Where you from, mis-tah? Australia? Ah, my brother, he is in Australia! From Sydney, yes? No? Ah, Adelaide! So too my brother! Adelaide is a very fine city, yes, very fine. And your name, mis-tah? Ah, San-dee! My brother, he too is called San-dee! He is an astrophysicist! Please, we are friends! Come to my shop and drink tea!’ Three out of five such invitations will surely lead straight to a carpet or perfume shop, where you will be badgered into buying wares at a very special low price, as is fitting between friends. But the other two are likely to lead to a long, gentle afternoon drinking mint tea in some tiny home, being shown the family albums, meeting the wife and five kids and, sure enough, being shown a photo of the improbable brother, San-dee, standing outside Adelaide University and waving a degree in astrophysics at the camera.

My phone starts ringing. I glance at it. Kennedy. “I’m gonna prove it right now,” I say, shaking the phone at him, “by choosing my family over a drink with your dumb ass.” We go our separate ways as I answer the call. “Hello?” “Hey, you,” Kennedy says, her voice quiet. “How was your day?” “Long,” I say. “Yours?” “It was okay,” she says. “Sorry I didn’t answer when you called earlier. I wanted to, but Maddie insisted I didn’t.” My stomach drops. “Is she still mad?” “No.” She sighs. “She heard Meghan say you should always play hard to get, because it’ll make a guy want you more if he has to wait. So she said not to answer yet and then you’ll love us even more.” “Well, who can argue with that?” “Right? Which means I can’t talk long. I just wanted to see how you were doing.” “I appreciate it,” I say. “I’m actually heading back to the hotel to get some sleep. Just got out of a meeting.” “A meeting-meeting or like… a meeting?” “Whichever of those is for alcoholics.” “Ah, well, that’s good.” She pauses. “I’m gonna go before she catches me. Have a good night.” “Goodnight, baby.

Yes. She makes all our pastry, and does all our cooking.’ ‘Do she though?’ said Mr. Barkis. He made up his mouth as if to whistle, but he didn’t whistle. He sat looking at the horse’s ears, as if he saw something new there; and sat so, for a considerable time. By and by, he said: ‘No sweethearts, I b’lieve?’ ‘Sweetmeats did you say, Mr. Barkis?’ For I thought he wanted something else to eat, and had pointedly alluded to that description of refreshment. ‘Hearts,’ said Mr. Barkis. ‘Sweet hearts; no person walks with her!’ ‘With Peggotty?’ ‘Ah!’ he said. ‘Her.’ ‘Oh, no. She never had a sweetheart.’ ‘Didn’t she, though!’ said Mr. Barkis. Again he made up his mouth to whistle, and again he didn’t whistle, but sat looking at the horse’s ears. ‘So she makes,’ said Mr. Barkis, after a long interval of reflection, ‘all the apple parsties, and doos all the cooking, do she?’ I replied that such was the fact. ‘Well. I’ll tell you what,’ said Mr. Barkis. ‘P’raps you might be writin’ to her?’ ‘I shall certainly write to her,’ I rejoined. ‘Ah!’ he said, slowly turning his eyes towards me. ‘Well! If you was writin’ to her, p’raps you’d recollect to say that Barkis was willin’; would you?’ ‘That Barkis is willing,’ I repeated, innocently. ‘Is that all the message?’ ‘Ye-es,’ he said, considering. ‘Ye-es. Barkis is willin’.’ ‘But you will be at Blunderstone again tomorrow, Mr. Barkis,’ I said, faltering a little at the idea of my being far away from it then, and could give your own message so much better.’ As he repudiated this suggestion, however, with a jerk of his head, and once more confirmed his previous request by saying, with profound gravity, ‘Barkis is willin’. That’s the message,’ I readily undertook its transmission. While I was waiting for the coach in the hotel at Yarmouth that very afternoon, I procured a sheet of paper and an inkstand, and wrote a note to Peggotty, which ran thus: ‘My dear Peggotty. I have come here safe. Barkis is willing. My love to mama. Yours affectionately. P.S. He says he particularly wants you to know - Barkis is willing.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Ah, I overlooked two things. When we invite people to enter a training track, we always tell them why we have selected or approved them. It’s very, very important for everyone to know that they’ve been observed and what we’ve seen and appreciated in them. So many of our people come out of families and homes where no one ever tells them that they are valuable for anything except earning money. So if this hotel can be the one place where they learn that they are competent and valued, we want that to happen.

On Taking My First Girlfriend to Las Vegas “Vegas? I don’t get it, neither of you are old enough to gamble. You’re not old enough to drink. The only thing you’re old enough to do is rent a hotel and—ah, I gotcha. That’s smart.

Ah, we have middle management already. Behold civilization, Urmagon Beta. Soon you’ll have overpriced coffee stops, seedy love hotels, and monks signing autographs

Clare also got to know author and adventurer Fitzroy Maclean (one of the many supposed ‘inspirations’ for James Bond) during his stint with the SOE in Cairo. Paddy Leigh Fermor was another of the colourful SOE characters whom she could not avoid meeting at the SOE boys’ wild parties, which took place in a grand rented mansion in the Gezira district, and whose guests ranged from the British ambassador to Egypt’s King Farouk. It was true that the SOE did not always maintain the low profile one might have assumed from a supposedly secret organisation. There was usually always at least one SOE representative, drink in hand, on the Shepheard’s hotel veranda. And the location of the SOE headquarters was the worst kept secret in the city. Fitzroy Maclean recounted his first visit, when having whispered the street address to a ‘villainous-looking’ taxi driver the Egyptian just nodded – ‘ah, you want Secret Service …

What offer could I possibly refuse from a kidnapper and a murderer?’ ‘Ah, sarcasm, the easiest form of humor and the trait of an ordinary mind. Your predictability never ceases to amuse me, Dulac. Classifications aside, I’ve arranged for us to meet in Belize City, tomorrow evening. I’ve reserved a ticket in your name for the morning flight to New York. The connecting flight to Belize City gets in at 4 p.m.’ ‘Why in hell’s name would I go anywhere to meet you?’ ‘Because I have something here that you want.’ ‘If you’re talking about the diary—’ ‘Dulac, trust me. I guarantee you will accept my offer. Oh, and don’t bother calling Roquebrun. I’m told he’s enjoying the Vatican’s money in a five star brothel in Kuala Lumpur.’ ‘Bastard. Out of curiosity, who ratted? Garcia?’ ‘Must be, although that’s also irrelevant now.’ ‘Not to me. If you didn’t, Garcia must have ordered the contract to whack me.’ ‘Why don’t you ask him? By the way, I booked your room at the Hotel Mirador and I’ve deposited $10,000 USD in your Paris bank account, for incidentals. You’re probably thinking you’ll need company. Shall we meet in the hotel restaurant, say at 7 p.m.? Oh, and Dulac, time is pressing. Don’t disappoint me.’ The line went dead. ‘Go for it,’ said Karen over the phone. ‘What have you got to lose?’ ‘Try two miserable days flying half way round the planet on a quack call from a murdering psychopath.’ ‘Like it or not, in one way or another, he’s always kept his promise.’ ‘That’s a strange way of looking at it,’ said Dulac. ‘At first, I thought he wanted to sell me the diary, but why go through all that trouble? He can send it directly to the Vatican. There’s something else, but why me?’ ‘Bizarre as it may seem, you’re probably the only one he can trust.’ ‘I’ve checked the reservations and they’re confirmed and paid for. And I received ten grand in my account. I suppose if he wanted me dead, he would just hire another hit man.’ Dulac took a drag from his Gitane. First, I’ve got to call Gina again. Then I have some unfinished business in Belize.’ ‘If you don’t mind, this time I won’t go with you. But do be careful, Thierry.’ ‘Don’t worry, I’ll have professional backup.’ Chapter

Hardly,” Erica replied, before Zoe or I could. “This place is a dump.” Alexander’s good cheer faltered. When he smiled again, he looked far more apologetic. “Ah, yes. Well, there’s been quite a bit of belt-tightening at the Agency lately. We have to keep an eye on the budget for missions now. Not like the good old days. Once, when I was on a mission in Gstaad, I rented the executive suite of the Hotel Beauxville for six weeks. . . .” “And he wonders why the CIA doesn’t have any money anymore,” Erica muttered. “But this place isn’t so bad,” Alexander said spiritedly. “Sure, it’s a little cramped. And it’s cold. And it’s unlikely that the sheets have been washed in the last few weeks. And there’s barely any water pressure in the showers. And . . .” Alexander frowned. “What was my point again?” “This place isn’t so bad,” I reminded him.

She’d also noted that the volume was stamped Property of the Longboat Hotel, Scarborough and the bookmark was a folded copy of a bill for a week’s stay directed to the account of Mr. and Mrs. A.H. Dalziel.

Mona recognized the voice. It was the groundhog, Mr. Gibson. He was supposed to be in bed! She found him just outside the ballroom, staring at his shadow on the wall. “Mr. Gibson, can I help you?” asked Mona. “Oh! Is the party over?” The groundhog turned around. He was holding a small sweet-smelling pillow in one paw and a cup in another. His nose was shiny and sticky with honey. “Yes,” said Mona. “It finished a while ago. But if you’re still hungry, I can find you something to eat.” She knew how important it was that the hibernators were well fed. “So kind of you. The staff at the Heartwood is always so thoughtful. You even gave us gifts.” He shook the lavender pillow. “But no, I am stuffed,” he said, patting his stomach. “Even my shadow is full.” He chuckled, then gave a big yawn. Before Mona knew it, he’d fallen asleep right on his feet! Mona smiled and leaned her broom against the wall. “Come on,” she said, gently waking him. “Let’s get you to bed.” “Ah, so kind, so kind,” replied Mr. Gibson. The groundhog trundled sleepily after Mona, down the hallway, through the lobby, to the stairs. He kept on mumbling to himself, “Ah, shadow, come along, too. Bed for both of us.” His shadow, and Mona’s too, did follow them down the staircase, bobbing on the wall in the light cast by the glowworms. Down, down, down Mona and Mr. Gibson went, past the kitchen, laundry, and staff bedrooms to the suites deep underground, nestled between the Heartwood’s roots. The hallway was darker here, earthy and cool. There were special vents that carried air from outside to keep the rooms just the right temperature. Too cold and the guests wouldn’t be able to sleep. Too warm and they might think it was spring and wake up early.

Ah, but it is hard to find this track of the divine in the midst of this life we lead, in this besotted humdrum age of spiritual blindness, with its architecture, its business, its politics, its men! How could I fail to be a lone wolf, and an uncouth hermit, as I did not share one of its aims nor understand one of its pleasures? I cannot remain for long in either theater or picture-house. I can scarcely read a paper, seldom a modern book. I cannot understand what pleasures and joys they are that drive people to the overcrowded railways and hotels, into the packed cafés with the suffocating and oppressive music, to the Bars and variety entertainments, to World Exhibitions, to the Corsos. I cannot understand nor share these joys, though they are within my reach, for which thousands of others strive. On the other hand, what happens to me in my rare hours of joy, what for me is bliss and life and ecstasy and exaltation, the world in general seeks at most in imagination; in life it finds it absurd. And in fact, if the world is right, if this music of the cafés, these mass enjoyments and these Americanised men who are pleased with so little are right, then I am wrong, I am crazy. I am in truth the Steppenwolf that I often call myself; that beast astray who finds neither home nor joy nor nourishment in a world that is strange and incomprehensible to him.

And anyway, if she's all that liberated, why doesn't she go down to the bar and pick someone up? I'm sure it's entirely possible. It's just that most women don't do it. And why don't they do it?' she asked, with a sudden return of assurance. 'It's because they prefer the old myths, when it comes to the crunch. They want to believe that they are going to be discovered, looking their best, behind closed doors, just when they thought that all was lost, by a man who has battled across continents, abandoning whatever he may have had in his in-tray, to reclaim them. Ah! If only it were true,' she said, breathing hard, and spearing a slice of kiwi fruit which remained suspended on her fork as she bent her head and thought this one out.

Terry didn’t really do deference around famous people. I was once in a position, in Dublin, to introduce him to Bono from U2, explaining, as I did so, that Bono owned the hotel we were standing in. ‘Ah, good,’ Terry said to Bono. ‘Can you get me a milkshake?’ Which he did.

[Editor’s Note: Snorri Sturluson has had issues with accuracy in the past. To ensure this is not an issue with this and other interviews recorded in this book, a raven scribe accompanied him to his meetings. The transcripts therefore include impartial observations as well as the conversations themselves.] SNORRI STURLUSON: Thank you, my lord, for agreeing to talk with me. I’m certain readers will be extremely interested in whatever you say. ODIN: Probably. SS: May I ask my first question? O: You just did. SS [laughing delightedly]: Oh, you got me that time! Wise and witty, all in one package! But now to the question. Odin, tell us, in your own words…what was it like when you lost your eye? O [cheerfully]: I didn’t lose it, Snorri. I gouged it out with my own fingers. SS [looking green]: In…deed. And, erm, what was that like? O: Not fun. But I got something worthwhile in exchange for it. SS: And that was? O: This cool eye patch. SS: Ah. Nothing else?

Ah, comrade, thought the Count. Now, there was a word for the ages... When the Count was a boy in St. Petersburg, one rarely bumped into it. It was always prowling at the back of a mill or under the table in a tavern, occasionally leaving its paw marks on the freshly printed pamphlets that were drying on a basement floor. Now, thirty years later, it was the most commonly heard word in the Russian language. A wonder of semantic efficiency, comrade could be used as a greeting, or a word of parting. As a congratulations, or a caution. As a call to action, or a remonstrance. Or it could simply be the means of securing someone’s attention in the crowded lobby of a grand hotel. And thanks to the word’s versatility, the Russian people had finally been able to dispense with tired formalities, antiquated titles, bothersome idioms—even names! Where else in all of Europe could one shout a single word to hail any of one’s countrymen be they male or female, young or old, friend or foe?

What is this “I” that human beings are so attached to? It’s pure romance, the greatest of fictions and confabulations. Can you hold it or taste it? Can you define it or even see it? “What am I?” asks a man. Oh, ho, a better question might be, “What am I not?” How often have you heard someone say, “I’m not myself today?” Or, “I didn’t mean to say that?” No? Ha, ha, here I am dancing, dancing—am I the movement and genius of my whole organism or merely the sense of selfness that occupies the body, like a beggar in a grand hotel room? Am I only the part of myself that is noble, kind, mindful and strong? Which disapproves and disavows the “me” that is lustful, selfish, and wild? Who am I? Ah, ah, “I am” says the man. I am despairing, I am wild, I do not accept that I am desperate and wild. Who does not accept these things? I am a boy, I am a man, I am father, hunter, hero, lover, coward, pilot, asarya and fool. Which “I” are you—Danlo the Wild? Where is your “I” that changes from mood to mood, from childhood to old age? Is there more to this “I” than continuity of memory and love of eating what you call nose ice? Does it vanish when you fall asleep? Does it multiply by two during sexual bliss? Does it die when you die—or multiply infinitely? How will you ever know? So, it’s so, you will try to watch out for yourself lest you lose your selfness. “But how do I watch?” you ask. Aha—if I am watching myself, what is the “I” that watches the watcher? Can the eye see itself? Then how can the “I” see itself? Peel away the skin of an onion and you will find only more skins. Go look for your “I”. Who will look? You will look. Oh, ho, Danlo, but who will look for you?

Ah, kamu, Dhar. Orang lain cenderung memecahkan masalah supaya merdeka, kamu malah beternak masalah dan membiarkan dirimu terjajah olehnya.