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George Alfred Henty (1832–1902), who began his writing career in the 1860s. Henty – educated at Westminster and Caius, Cambridge, the son of a wealthy stockbroker – had been commissioned in the Purveyor’s Department of the army, and gone to the Crimea during the war. There he had drifted into journalism, sending back reports for the Morning Advertiser and the Morning Post before catching fever and being invalided home. He continued to work in the Purveyor’s Department until the mid-Sixties, when the life of the war correspondent and the writer of boys’ adventure stories seemed overwhelmingly more interesting and better paid. Four generations of British children grew up with Henry’s irresistible stories, beautifully produced, bound and edited, on their shelves. The Henty phenomenon – over seventy titles celebrating imperialistic derring-do – really belongs to the 1880s, but deserves a mention here not only because of his radical and political views, but because of the direction taken by his career as a writer. The Henty story, by the time he had got into his stride, followed the formula that a young English lad in his early teens, freed from the shackles of public school or home upbringing by the convenient accident of orphanhood, finds himself caught up in some thrilling historical episode. The temporal sweep is impressive, ranging from Beric at Agincourt to The Briton: a story of the Roman Invasion; but the huge majority are exercises in British imperialist myth-building: By Conduct and Courage, A Story of the Days of Nelson, By Pike and Dyke, By Sheer Pluck, A Tale of the Ashanti War, Condemned as a Nihilist, The Dash for Khartoum, For Name and Fame: or through the Afghan Passes, Jack Archer, A Tale of the Crimea, Through the Sikh War. A Tale of the Punjaub (sic); The Tiger of Mysore, With Buller in Natal, With Kitchener in the Soudan, and so on.
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A.N. Wilson (The Victorians)