Afghan Beauty Quotes

Plants can feel pressure and emotion. When something is said or done with intention, a plant can respond. So every day we tell our tree that it is beautiful, it will get more and more beautiful. I hope that tree knew how beautiful I thought it was.

Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.

Afghans love beautiful things, but we have seen so much ugliness, we sometimes forget how wonderful a thing like a flower is

You never do fully recover “You.” You will never have another relationship exactly like the one we had. You will become more for the loss of me and you will move forward into a New You. The You I helped you to become. All you can do now is to begin to create the beautiful New You that has been born from your love and from your loss.

When she looks at my photo she thinks she is looking at me but she knows that I am also looking at her. When she dreams of me she knows that I am dreaming of her too. People who can see things from other points of view can understand this better than most. We always go where we think your attention goes. We know you are looking into our eyes because that is where the power is, even in a photo. The eyes are where the eternal fire of the soul resides. So the next time you look at a photo of your best friend, put yourself in their shoes and see how beautiful you are!

The Afghan sky, under which the most beautiful idylls on earth were woven, grew suddenly dark with armored predators; its azure limpidity was streaked with powder trails, and the terrified swallows dispersed under a barrage of missiles. War had arrived. In fact, it had just found itself a homeland...

Believe me when I tell you this. It will just take a little time and you will one day find that all your loves have merged together. You will be surprised because you will find yourself laughing or smiling over a memory of me and that’s when you will know that your tears will soon subside. I want you to be free to love again and to be happy when you are reminded of me! You’ll get there, you’ll see, and it will be sweet and beautiful with a few sentimental tears now and again for all the loves you have had.

Eros (or call it lust if you will), is like a beautiful, magnificent Afghan Hound! A pure white Afghan Hound commanding respect and honor! But if you take the Afghan Hound and lock it in a small cage, shun it and look upon it badly, treat it as a pestilence and wish that it would die; that same creature of beauty will become a vile, unrepentant, dark creature of the shadows! Untrusting, hidden in the corner, aggressive... something that will harm others and yourself! But is this the nature of the creature, is this the fault of the creature? Or are YOU the one who has created the monster that it has become? And this is my philosophy: that we are both corporeal and incorporeal beings, therefore, the same amount of good intent MUST be given to both our soul and our body!

You don’t want to think about it but it’s the first thing on your mind. You say, “We made THE APPOINTMENT.” You avoid the word “euthanasia” because it makes everything too real. It is a beautiful word, really. It is Greek for “easy death” and it is true, there is no easier death than this. It is unfortunate that, once again, people are so afraid of death in all its forms that they find it so difficult even when the time of death is peaceful.

se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.

is no room left in my heart for anything but the beautiful faces of my village girls. You have to know, how you will see her face with the light of the sun and the moon reflecting in her eyes. Wait and hope with all your vain fancies and dreams to see her face on a cloudy dark night.

This sufficed: the overwhelming monument to the man who had not feared the poverty and grandeur of the steppe, so alien to all human measure. I breathed deep and tried, despite all, to salute life...

What were the present and future to him, he who did not fear the sandstorm? Did he know what fortune and misfortune mean, and what our tortured hearts called hope?

Haven't we all experienced a mutuality of respect, acceptance, affirmation, trust, and hope in a brief and simple meeting with a "perfect stranger"? And haven't we known that there was something holy about the experience? ....I remember the Afghan driver who refused to let me pay because I had been interested in his story, and in the listening had, as he told me, become his friend.... These are simply moments, but beautiful, and to find them we need only to be open to them: to the event and the echo. I think what we realize when we think back on such encounters is that not just one of us, but both of us, gave something and received something: something caring and respectful, trusting and hopeful. This, I believe, is one kind of encounter with God.

As soon as my girls were old enough to hold scissors, I taught them how to cut fabric into blocks for us to piece together into family quilts for them to keep so I can pass along my love of quilting, and my grandmother’s love of quilting, to the next generation. Jep’s granny was a quilter and a knitter. She kept her hands busy, and when I knew her, she was always sitting on the couch, knitting something. She knitted an afghan for every new grandchild, and Merritt got two afghans because she was named after her great-grandmother. I want to pass on a legacy of creativity and of taking something that seems of little value and transforming it into something beautiful. Our quilts are like our lives, each with a different story, each a little tattered and torn, but each unique and beautiful in the way the patterns, colors, and designs come together. Quilting is becoming a lost art that I never want to lose. To me, quilts are the perfect combination of love and art.

George Alfred Henty (1832–1902), who began his writing career in the 1860s. Henty – educated at Westminster and Caius, Cambridge, the son of a wealthy stockbroker – had been commissioned in the Purveyor’s Department of the army, and gone to the Crimea during the war. There he had drifted into journalism, sending back reports for the Morning Advertiser and the Morning Post before catching fever and being invalided home. He continued to work in the Purveyor’s Department until the mid-Sixties, when the life of the war correspondent and the writer of boys’ adventure stories seemed overwhelmingly more interesting and better paid. Four generations of British children grew up with Henry’s irresistible stories, beautifully produced, bound and edited, on their shelves. The Henty phenomenon – over seventy titles celebrating imperialistic derring-do – really belongs to the 1880s, but deserves a mention here not only because of his radical and political views, but because of the direction taken by his career as a writer. The Henty story, by the time he had got into his stride, followed the formula that a young English lad in his early teens, freed from the shackles of public school or home upbringing by the convenient accident of orphanhood, finds himself caught up in some thrilling historical episode. The temporal sweep is impressive, ranging from Beric at Agincourt to The Briton: a story of the Roman Invasion; but the huge majority are exercises in British imperialist myth-building: By Conduct and Courage, A Story of the Days of Nelson, By Pike and Dyke, By Sheer Pluck, A Tale of the Ashanti War, Condemned as a Nihilist, The Dash for Khartoum, For Name and Fame: or through the Afghan Passes, Jack Archer, A Tale of the Crimea, Through the Sikh War. A Tale of the Punjaub (sic); The Tiger of Mysore, With Buller in Natal, With Kitchener in the Soudan, and so on.

​I stood there, on the gatehouse with the floodplain of the Kahan River in front of me and with raindrops softly pocking the stone parapet around my feet, and I looked and I thought.  Pakistan is a complex land, far more complex than its portrayal in the media would suggest, and Rohtas is the perfect example of its convoluted, tangled past.  It was built by a Pashtun hailing from the other side of the subcontinent in order to prevent a deposed fellow Muslim ruler from returning from exile and to keep another Muslim tribe suppressed and docile.  It contains the private residence of a later Moghul Emperor’s Hindu general and an abandoned Hindu temple, all but swallowed up by an encroaching jungle, and was later captured by the Sikhs who ruled over a large swathe of what is now Pakistan from 1799 to 1849; the nearby gurdwara testified to their presence.  Even the style of the fort’s construction told the same story: it contained elements of Persian, Afghan, Hindu and Turkish architectural forms.  The fort is a relic from a previous era, a time before the concept of the nation-state, a time when empires rose and fell, when warlords could carve out kingdoms for themselves which might last for a decade or for three centuries, a time of profound cultural and religious ferment.

The heart of evil beats in Afghanistan. When men hold every advantage, neither wealth, nor beauty, nor intelligence, nor education, nor strength, nor family can compete with gender. Women have only prayer and hope as allies.