Affair Sad Quotes

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I do believe in simplicity. It is astonishing as well as sad, how many trivial affairs even the wisest thinks he must attend to in a day; how singular an affair he thinks he must omit. When the mathematician would solve a difficult problem, he first frees the equation of all incumbrances, and reduces it to its simplest terms. So simplify the problem of life, distinguish the necessary and the real. Probe the earth to see where your main roots run.
Henry David Thoreau
People don't read any more. It's a sad state of affairs. Reading's the only thing that allows you to use your imagination. When you watch films it's someone else's vision, isn't it?" [Interview in The Independent, 15 October 2005]
Lemmy Kilmister
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
If love makes you sad, you acquire a little depth, a little compassion. If it makes you happy, you learn how to be joyous. Every relationship should color your soul to a certain degree, don't you think? Every friendship, every love affair - each one should build up the chambers of your heart the way a sea creature builds the chamber of his shell.
Sharon Shinn (Jovah's Angel (Samaria, #2))
She had assumed they would see each other every day but she hadn’t really thought about the implications of having an affair with a married man. It wasn’t going to be a normal relationship.
Kassandra Cross (Carrie's First Time (Carrie #1))
I don’t know why we take our worst moods so much more seriously than our best, crediting depression with more clarity than euphoria. We dismiss peak moments and passionate love affairs as an ephemeral chemical buzz, just endorphins or hormones, but accept those 3 A.M. bouts of despair as unsentimental insights into the truth about our lives.
Tim Kreider (We Learn Nothing)
Universe, not again. You can't cause another tragedy in my life.
Sharon Carter (Love Auction: Too Risky to Love Again)
we were in her big oak bed facing south so much of the rest of the time that I memorized each wrinkle in the drapes and especially all the cracks in the ceiling. I used to play games with her with that ceiling. "see those cracks up there?" "where?" "look where I'm pointing..." "o.k." "now, see those cracks, see the pattern? it forms and image. do you see what it is?" "umm, umm ..." "go on, what is it?" "I know! It's a man on top of a woman!" "wrong. it's a flamingo standing by a stream." . . . we finally got free of one another. it's sad but it's standard operating procedure (I am constantly confused by the lack of durability in human affairs). I suppose the parting was unhappy maybe even ugly. it's been 3 or 4 years now and I wonder if she ever thinks of me, of what I am doing?
Charles Bukowski (The People Look Like Flowers at Last)
No amount of worrying can change the future. Go easy on yourself, for the outcome of all affairs is determined by God's decree. If something is meant to go elsewhere, it will never come your way, but if it is yours by destiny, from you it cannot flee.
Umar ibn Al-Khattab
Ahh, love, why is it so easy to let you in, but so difficult to let you out? Why couldn’t you subsist only two-sided?
Pawan Mishra (Coinman: An Untold Conspiracy)
Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend, Nor services to do, till you require. Nor dare I chide the world-without-end hour Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour When you have bid your servant once adieu; Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But, like a sad slave, stay and think of nought Save, where you are how happy you make those. So true a fool is love that in your will, Though you do any thing, he thinks no ill.
William Shakespeare (Shakespeare's Sonnets)
It’s a sad state of affairs when I’m the one bringing sanity to the equation
M.A. George (Relativity (Proximity, #2))
Authors go on writing books, and so we go on reading them. It is a sad state of affairs.
Elizabeth Aston (Mr. Darcy's Daughters (Darcy #1))
A nation forgetting its own laughter is in a sad state of affairs
Sherry Marie Gallagher (Boulder Blues: A Tale of the Colorado Counterculture)
You see," he said sadly, "you have no instincts." "It was intelligence you were requiring just now," I pointed out. "The two often go together," said Poirot enigmatically.
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
You know, it's a sad and unfortunate state of affairs that you have to live in a world where eight-year-olds refuse to believe in anything that they cannot touch or measure, and anyone who happens to see a thing that is invisible to most people is immediately branded a lunatic.
Caitlín R. Kiernan (Daughter of Hounds)
Don't fucking move," Jacob said, pressing the gun into Nick's back.
Sharon Carter (Love Auction: Too Risky to Love Again)
Bored women join clubs and volunteer. Sad women have affairs.
Jill Alexander Essbaum (Hausfrau)
The end of all things--a book, a life, a summer, a marriage, the last bite of cake, the last of innocence lost, a love affair--is always sad, at least a little bit sad, because it is the end, the end of that.
Binnie Kirshenbaum (The Scenic Route)
In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. "Whatever it takes.") This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. "Be good to her," Julian tells Clay. "She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room.
Bret Easton Ellis (Imperial Bedrooms)
You have an affair because you are not getting what you want from your loved one. You want more: more love, more sex, more attention, more fun. You want someone to look at you with lust - after years of laundry - transforming you into something radiant. You want it, you need it, you owe it yourself to get it. To live any other way is to be muffled and gray and marching meaninglessly toward death. You want what she gave you at the start (but what you had hoped would expand and intensify instead of shrinking until you find yourself so sad, so resentful, you can barely stand to be you). You have an affair to get for yourself what you wish would come from the person you love the most. And then you have broken her heart and she can never give you any of it ever again.
Ariel Levy (The Rules Do Not Apply)
In a love affair, most seek an eternal homeland. Others, but very few, eternal voyaging. These latter are melancholics, for whom contact with mother earth is to be shunned. They seek the person who will keep far from them the homeland’s sadness. To that person, they remain faithful.
Walter Benjamin (One Way Street And Other Writings)
Seems to me you put too much stock in the affairs of children. It probably didn’t mean anything.” “Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
She could hardly tell him it was because the child had been born a girl, destined from birth to be bound and gagged, to never be free. And she seemed to have sensed it far sooner than most. Sadly, the poor fool seemed to believe that she could actually do something about it.
Sonali Dev (A Bollywood Affair (Bollywood, #1))
the child had been born a girl, destined from birth to be bound and gagged, to never be free. And she seemed to have sensed it far sooner than most. Sadly, the poor fool seemed to believe that she could actually do something about it.
Sonali Dev (A Bollywood Affair (Bollywood, #1))
Because a new love affair always gives hope, the irrational mortal loneliness is always crowned, that thing I saw (that horror of a snake emptiness) when I took the deep iodine deathbreath on the Big Sur beach is now justified and hosannah'd and raised up like a sacred urn to Heaven in the mere fact of the taking off of clothes and clashing wits and bodies in the inexpressibly nervously sad delight of love- don't let no old fogies tell you otherwise, and on top of that nobody in the world even ever dares to write the true story of lovem it's awful, we're stuck with a 50% incomplete literature and drama- lying mouth to mouth, kiss to kiss in the pillow dark, loin to loin in unbelievable surrendering sweetness so distant from all our mental fearful abstractions it makes you wonder why men have termed God antisexual somehow- the secret underground truth of mad desire hiding under fenders under buried junkyards throughout the world, never mentioned in newspapers, written about haltingly and like corn by authors and painted tongue in cheek by artists, agh, just listen to Tristan und Isolde by Wagner and think of him in a Bavarian field with his beloved naked beauty under fall leaves.
Jack Kerouac (Big Sur)
we finally got free of one another. it's sad but it's standard operating procedure (I am constantly confused by the lack of durability in human affairs).
Charles Bukowski (The People Look Like Flowers at Last)
It's a sad state of affairs when we make fun of people for reading instead of making reading fun for people.
Jen Selinsky
Is the burden of independent thought wearing you down? Do you dread the indecision that awaits every time you open your wardrobe? Are you embarrassed by your reticence when you hear other people discuss current affairs, music, relationships, etcetera? Don't worry, you're not alone. Help is just a pair of clippers away! We've helped thousands of sad losers avoid confronting their loneliness and inadequacy, and we can do the same for you. We'll tell you what to wear. We'll tell you what to think. We'll tell you what music to listen to. and most importantly, we'll bring you together with lots of people exactly the same as yourself — it's just like having friends!
Christopher Brookmyre (A Big Boy Did It and Ran Away)
There are some people who say they’re able to ‘compartmentalize’ things, as though it is possible to put negative or distressing thoughts into neat mental drawers to be taken out only at a psychologically convenient time. It’s a beguiling idea, but I’ve never bought it. In my experience, sadness and regret seek into one’s consciousness willy-nilly, or they suddenly leap out at you with a snarl. The only real remedy is time…
Isabel Wolff (A Vintage Affair)
As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days—four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory
Vladimir Nabokov
when the kingdom of God is manifested, it’s obvious. It looks like Jesus. But America as a nation has clearly never looked remotely like Jesus. There was nothing distinctively Christlike about the way America was “discovered,” conquered, or governed in the early years. To the contrary, the way this nation was “discovered,” conquered, and governed was a rather typical, barbaric, violent, kingdom-of-the-world affair. The immoral barbarism displayed in the early (and subsequent) years of this country was, sadly, pretty typical by kingdom-of-the-world standards. The fact that it was largely done under the banner of Christ doesn’t make it more Christian, any more than any other bloody conquest done in Jesus’ name throughout history (such as the Crusades and the Inquisition) qualifies them as Christlike.
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
Loneliness is such a sad affair.
Karen Carpenter
Fewer and fewer people are raised outside of cities as the decades progress. Nature is sometimes not available for generations of children. Sad state of affairs.
Efrat Cybulkiewicz
It was an unnatural time to be awake, ... It meant nothing good. He associated it with emergency, bereavement, conspiracy, flight; the sad skulk away at the end of a one-night affair.
Robert Harris (Archangel)
In Snow Country, Yasunari Kawabata, the first of Japan’s two Nobel laureates, describes the sad and sorry love affair of a geisha from the country and an intellectual from the city. It’s
Nancy Pearl (Book Lust: Recommended Reading for Every Mood, Moment, and Reason)
Are you what is called a lucky man? Well, you are sad every day. Each day has its great grief or its little care. Yesterday you were trembling for the health of one who is dear to you, today you fear for your own; tomorrow it will be an anxiety about money, the next day the slanders of a calumniator, the day after the misfortune of a friend; then the weather, then something broken or lost, then a pleasure for which you are reproached by your conscience or your vertebral column; another time, the course of public affairs. Not to mention heartaches. And so on. One cloud is dissipated, another gathers. Hardly one day in a hundred of unbroken joy and sunshine. And you are of that small number who are lucky! As for other men, stagnant night is upon them.
Victor Hugo (Les Misérables)
I do believe in simplicity. It is astonishing as well as sad, how many trivial affairs even the wisest thinks he must attend to in a day;…so simplify the problem of life, distinguish the necessary and the real.
Henry David Thoreau
He gained height, grew thin, the hair on his temples had begun to grey, but, now as then, he had none of that useful sense of proportion, nor could he ever develop anything of the sort, which might have helped him distinguish between the continuous flux of the universe of which he constituted a part (though a necessarily fleeting part) and the passage of time, the perception of which might have led to an intuitive and wise acceptance of fate. Despite vain efforts to understand and experience what precisely his 'dear friends' wanted from each other, he confronted the slow tide of human affairs with a sad incomprehension, dispassionately and without any sense of personal involvement, for the greater part of his consciousness, the part entirely given over to wonder, had left no room for more mundane matters, and (to his mother's inordinate shame and the extreme amusement of the locals) had ever since then trapped him in a bubble of time, in one eternal, impenetrable and transparent moment. He walked, he trudged, he flitted - as his great friend once said, not entirely without point - 'blindly and tirelessly... with the incurable beauty of his personal cosmos' in his soul [...]
László Krasznahorkai (The Melancholy of Resistance)
It is a sad state of affairs that I do not know of any astronomer who fully understands the energy in their own daily environment. Until that changes, Dark Energy will always be a mystery to the astronomical community.
Steven Magee
The picture would remind Oliver of the morning when I first spoke out. Or of the day when we rode by the berm pretending not to notice it. Or of that day we'd decided to picnic there and had vowed not to touch each other, the better to enjoy lying in bed together the same afternoon. I wanted him to have the picture before his eyes for all time, his whole life, in front of his desk, of his bed, everywhere. Nail it everywhere you go, I thought.
André Aciman (Call Me by Your Name)
She must be fooled by the bad boy persona. Maybe she has a sad homelife, restricted from doing things that make her happy, so she’s trying to find life and a thrill in someone dangerous. If only it means she feels a little less dead inside.
H.D. Carlton (Satan's Affair)
No amount of worrying can change the future. Go easy on yourself, for the outcome of all affairs is determined by God's decree. If something is meant to go elsewhere, it will never come your way, but if it is yours by destiny, from you it cannot flee.
Umar Ibn Al-Khattaab
Shod Omnivorism; it pretty much sums up the current state of the world. I find the word 'shod' deeply descriptive; it conjures such an archaic barbaric feeling, of being shackled and tamed, captive and downtrodden. Omnivorism is the concept that every living and non-living thing on this planet is a potential meal, and God forbid that anyone should question another’s right to eat whatever, whoever and however they desire. Shod and Omnivorism together truly emphasise the sad disequilibrium of the dominant prevailing human mindset.
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
When you're a child, your best friend in the world is the kid who lives next door. It doesn't occur to you then that this is a matter of arbitrary circumstance. When you grow up you like to imagine that your friendships have a more substantial basis - common interests, like-mindedness, some genuine affinity. It's always a sad revelation that when a good friend acquires a girlfriend or a husband and disappears. You realize that,for them, your friendships was always only a matter of convenience, a fallback, and they simply don't need you anymore. There's nothing especially cynical about this; people are drawn to each other because they're giving each other something they both need, and they drift apart when they aren't getting it or don't need it anymore. Friendship have natural life spans, like love affairs or favorite songs.
Tim Kreider (We Learn Nothing)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find his path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea the story as it comes. And, when one discusses an affair - a long, sad affair - one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
Ford Madox Ford (The Good Soldier)
Don't ya'll have anything better to do than to mess with Myles?" she asked. "Sadly, Mom, they don't," Myles said. It's the only respite they have from their monotonous, inconsequential tedium of an existence." Amir's eyes widened. "Duck, Pop! He's gonna big word us to death." Amir lifted his forearm. "Thesaurus-shields up!
Marcus Major (A Family Affair)
What makes today’s popular atheism so depressing is neither its conceptual boorishness nor its self-righteousness but simply its cultural inevitability. It is the final, predictable, and unsurprisingly vulgar expression of an ideological tradition that has, after many centuries, become so pervasive and habitual that most of us have no idea how to doubt its premises or how to avert its consequences. This is a fairly sad state of affairs, because those consequences have at times proved quite terrible.
David Bentley Hart (The Experience of God : Being, Consciousness, Bliss)
Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend, Nor services to do till you require. Nor dare I question with my jealous thought Where you may be or your affairs suppose, But like a sad slave stay and think of nought Save where you are, how happy you make those.
Allison Pearson (I Don't Know How She Does It (Kate Reddy, #1))
A man in trouble laments that he did not listen to his teachers, and thus he finds himself in a sad state, utter ruin. A candid admission of a blunder is refreshing and not often heard in human affairs. It is the saint alone who is large-minded enough to think and speak in this way. This is part of his authenticity. The person who is swift to hear and slow to respond is a stranger to an all-knowing illuminism. He believes that others, too, have some truth, and he is willing to be instructed by them. He is ready for the mind of God.
Thomas Dubay
You see,” he said sadly, “you have no instincts.” “It was intelligence you were requiring just now,” I pointed out. “The two often go together,” said Poirot enigmatically.
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
He smiled sadly. “No girlfriend. No kids. Nobody.
Joël Dicker (The Truth About the Harry Quebert Affair)
Don’t let yourself be eaten up by ambition. Otherwise you’ll be left with a lonely heart and a bunch of sad words.
Joël Dicker (The Truth About the Harry Quebert Affair)
For this great sickness that is upon us no one person is responsible, and no Christian is wholly free from blame. We have all contributed, directly or indirectly, to this sad state of affairs. We have been too blind to see, or too timid to speak out, or too self-satisfied to desire anything better than the poor average diet with which others appear satisfied.
A.W. Tozer
For a happy life,it's best we should ignore &overlook things,people,incidents,affairs & matters.It is not necessary that we show a reaction to everything. Step back & ask yourself if the matter is really worth responding to.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Dearest . . . I am writing you once more now, night . . . brings a silence that helps me talk to you, and I wonder . . . could you be remembering too, sad dreams . . . of this strange love affair. My dear . . . although life may never let us meet again, and we—because of fate—must always live apart . . . I swear, this heart of mine will be always yours . . . my thoughts, my whole life, forever yours . . . just as this pain . . . belongs . . . to you . . .
Manuel Puig (Kiss of the Spider Woman: The Queer Classic Everyone Should Read)
Long handwritten note deep in our pockets Words, how little they mean when we're a little too late I stood right by the tracks, your face in my head Good girls, hopeful they'll be and long they will wait In dreams I meet you in warm conversation We both wake in lonely beds, different cities And time is taking its sweet time erasing you And you've got your demons, and, darling, they all look like me Distance, timing, breakdown, fighting Silence, the train runs off its tracks Kiss me, try to fix it, could you just try to listen? Hang up, give up and for the life of us we can't get back A beautiful magic love there What a sad beautiful tragic, beautiful tragic, beautiful love affair
EJR
I had checked my phone every hour, waiting for his call, worried he had forgotten because I knew how upset he would be, but also hoping he wouldn't call so I could indulge in my sadness, give shape to my anger, feel that dark twinge of satisfaction.
Sanaë Lemoine (The Margot Affair)
These days, my preferred method of sexual satisfaction is masturbation. Not to toot my own horn or anything, but I’m amazing at tooting my own horn. Without a doubt, I’m the most satisfying sexual partner I’ve ever had, which is a sad state of affairs.
Leisa Rayven (Professor Feelgood (Masters of Love, #2))
I loved men and was going mad with suppressed desire. It pushed me into a series of affairs with dubious jazz musicians. Sex was not what I imagined. It was tension, scent and prosaic misalliance. It was sweet and sad revelation, and all expectation dashed.
James Ellroy (Perfidia)
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
And as we walk back down the street, me gingerly clutching what at this point constitutes my entire collection, my father says, ‘One day, when you’re all grown up and I’m not here any more, you’ll remember the sunny day we went to the market together and bought a boat.’ My throat feels tight because, as soon as he says it, I am already there. Standing on another street, without my father, trying to get back. And yet I’m here, with him. So I try to soak up every aspect of the moment, to help me get back when I need to. I feel the weight of the chunky parcel under my arm, and the warmth of the sun, and my father’s hand in mine. I smell the flowers with their sharp undertang of cheap hot dog, and taste the slick of toffee on my teeth, and hear the chattering hagglers. I feel the joy of an adventurous Saturday with my father and no school, and I feel the sadness of looking back when it is all gone. When he is gone.
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
My wife and I knew Captain and Mrs Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever.
Ford Madox Ford (The Good Soldier)
I give in,” she gasped. “What has turned your evening into such a dreadful affair?” “What or whom?” “‘ Whom’?” she echoed, tilting her head as she looked at him. “This grows even more interesting.” “I can think of any number of adjectives to describe all of the ‘whoms’ I have had the pleasure of meeting this evening, but ‘interesting’ is not one of them.” “Now, now,” she chided, “don’t be rude. I did see you chatting with my brothers, after all.” He nodded gallantly, tightening his hand slightly at her waist as they swung around in a graceful arc. “My apologies. The Bridgertons are, of course, excluded from my insults.” “We are all relieved, I’m sure.” Simon cracked a smile at her deadpan wit. “I live to make Bridgertons happy.” “Now that is a statement that may come back to haunt you,” she chided. “But in all seriousness, what has you in such a dither? If your evening has gone that far downhill since our interlude with Nigel, you’re in sad straits, indeed.” “How shall I put this,” he mused, “so that I do not completely offend you?” “Oh, go right ahead,” she said blithely. “I promise not to be offended.” Simon grinned wickedly. “A statement that may come back to haunt you.” She blushed slightly. The color was barely noticeable in the shadowy candlelight, but Simon had been watching her closely. She didn’t say anything, however, so he added, “Very well, if you must know, I have been introduced to every single unmarried lady in the ballroom.” A strange snorting sound came from the vicinity of her mouth. Simon had the sneaking suspicion that she was laughing at him. “I have also,” he continued, “been introduced to all of their mothers.” She gurgled. She actually gurgled. “Bad show,” he scolded. “Laughing at your dance partner.” “I’m sorry,” she said, her lips tight from trying not to smile. “No, you’re not.” “All right,” she admitted, “I’m not. But only because I have had to suffer the same torture for two years. It’s difficult to summon too much pity for a mere evening’s worth.
Julia Quinn (The Duke and I (Bridgertons, #1))
Like the North Star, you’ve been the constant in my life. You’ve been my companion in good and bad, my support in happy and sad, while distance fulfilled its role with utmost dexterity… the role of strengthening our foundation for seven years of a long-distance affair! I could always see your face, deep in the cove by the clamouring sea of distance… every time I closed my eyes.
Debalina Haldar
Seems to me you put too much stock in the affairs of children. It probably didn’t mean anything.” “Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.
John Steinbeck (East of Eden)
As he tore his eyes from the books to meet hers, he was, as a matter of fact, nearly overwhelmed by sadness. It gusted over him. He felt almost unbearably lonely. He wondered if he was flawed on some deep level, whether – in spite of all the friends who seemed to think he was a good guy (and he was a pretty good friend), in spite of being a fairly decent son – there was something terribly wrong with him. Did romance reveal some truth, fundamental lack, a coldness, that made him shrink back at just the moment when reciprocity was called for?
Adelle Waldman (The Love Affairs of Nathaniel P.)
Are you what is called a happy man? Well! you are sad every day. Each day has its own great grief or its little care. Yesterday you were trembling for a health that is dear to you, to-day you fear for your own; to-morrow it will be anxiety about money, the day after to-morrow the diatribe of a slanderer, the day after that, the misfortune of some friend; then the prevailing weather, then something that has been broken or lost, then a pleasure with which your conscience and your vertebral column reproach you; again, the course of public affairs.
Victor Hugo (Les Misérables)
The gentleman offered her a fond smile. "I apologize, mademoiselle, but we are closing our doors soon. What you ask is simply impossible." "Improbably perhaps. But not impossible. I will wait outside all night if need be. It is a sad state of affairs when a girl must resort to threats in order to be given the attention she is due." She folded her ungloved hands in her lap. "If I'm outside all night, I hope it weighs on your conscience." "Rather uncompromising of you, mademoiselle," he said. "Hmmmm. Rather like looking in the mirror, I'd wager.
Renée Ahdieh (The Damned (The Beautiful, #2))
Who in the world relies on me for anything? No one. I can blame myself, and I do, but I also think the failure is general. People our age used to get married and have children and conduct love affairs, and now everyone is still single at thirty and lives with housemates they never see. Traditional marriage was obviously not fit for purpose, and almost ubiquitously ended in one kind of failure or another, but at least it was an effort at something, and not just a sad sterile foreclosure on the possibility of life. Of course if we all stay alone and practise celibacy and carefully police our personal boundaries, many problems will be avoided, but it seems we will also have almost nothing left that makes life worthwhile. I guess you could say the old ways of being together were wrong—they were!—and that we didn’t want to repeat old mistakes—we didn’t. But when we tore down what confined us, what did we have in mind to replace it? I offer no defence of coercive heterosexual monogamy, except that it was at least a way of doing things, a way of seeing life through. What do we have now? Instead? Nothing. And we hate people for making mistakes so much more than we love them for doing good that the easiest way to live is to do nothing, say nothing, and love no one.
Sally Rooney (Beautiful World, Where Are You)
Women Ain't Hood Ornament (The Sonnet) Why should women have to give up, Their name when they get married, As if they are not real people, But hood ornament to their husband! Why should a child be identified only, By their father's name, not mother's, Who by the way is the root of creation, Who is the actual almighty creator! It is a sad state of affairs when, Morons peddle moronity as tradition. Shame on us for sustaining such savagery, As we do not put our backbone to action! Each couple must determine the parameters of their relationship, not some ragged tradition. Only norm that matters is love, for in love lies emancipation.
Abhijit Naskar (Himalayan Sonneteer: 100 Sonnets of Unsubmission)
A boat beneath a sunny sky, Lingering onward dreamily In an evening of July – Children three that nestle near, Eager eye and willing ear, Pleased a simple tale to hear – Long has paled that sunny sky: Echoes fade and memories die: Autumn frosts have slain July. As a child, I don’t understand exactly what it is about. I can’t read the significance of Alice reaching the final square and becoming a queen. But I feel the sadness in the poem, and, in this later now, I know why. It’s because everything is in the present tense, even though it cannot all be; either some of it has passed, or some of it hasn’t happened yet. The sky is sunny, but it has paled. The boat is lingering, but it is gone. It’s July, but it’s autumn. This is a riddle, a paradox. Lewis Carroll must be either looking back into the past, feeling the sunshine and the drifting boat as if he were still there . . . or looking forward from the present, imagining a time when the sky and the boat and the summer will have vanished. Which is it? Doesn’t matter. Wherever he stands, he feels both at once. The current, the retrospective, the projected, all are written in the present tense because they are all, always, mixed up together. Because, even as something is happening, it is gone. Ubi sunt qui ante nos fuerunt? Where is the boat? Where is the summer? Where are the children?
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
But there was that essence everyone forgets when a love recedes into the past - how it was, how it felt and tasted to be together through seconds, minutes and days, before everything that was taken for granted was discarded then overwritten by the tale of how it all ended, and then by the shaming inadequacies of memory. Paradise or the inferno, no one remembers anything much. Affairs and marriages ended long ago come to resemble postcards from the past. Brief note about the weather, a quick story, funny or sad, a bright picture on the other side. First to go, Roland thought as he walked towards her house, was the elusive self, precisely how you were yourself, how you appeared to others.
Ian McEwan (Lessons)
I wonder if all these bad things will change when I’m a high schooler…” “At the very least, they most certainly won’t change if you intend to remain the way you are.” Way to go, Yukinoshita-san! Not going easy on the young'un just after you finished apologizing to her! “But it’s enough if the people around you change,” I remarked. “There’s no need to force yourself to hang out with others.” “But things are hard on Rumi­-chan right now and if we don’t do something about it…” Yuigahama looked at Rumi with eyes full of concern. In response, Rumi winced slightly. “Hard, you say… I don’t like that. It makes me sound pathetic. It makes me feel inferior for being left out.” “Oh,” said Yuigahama. “I don’t like it, you know. But there’s nothing you can do about it.” “Why?” Yukinoshita questioned her. Rumi seemed to have some trouble speaking, but she still managed to form the right words. “I… got abandoned. I can’t get along with them anymore. Even if I did, I don’t know when it’ll start again. If the same thing were to happen, I guess I’m better off this way. I just­” She swallowed. “­don’t wanna be pathetic…” Oh. I get it. This girl was fed up. Of herself and of her surroundings. If you change yourself, your world will change, they say, but that’s a load of crap. When people already have an impression of you, it’s not easy to change your pre­existing relationships by adding something to the mix. When people evaluate each other, it’s not an addition or subtraction formula. They only perceive you through their preconceived notions. The truth is that people don’t see you as who you truly are. They only see what they want to see, the reality that they yearn for. If some disgusting guy on the low end of the caste works his arse off on something, the higher ones just snicker and say, “What’s he trying so hard for?” and that would be the end of it. If you stand out for the wrong reasons, you would just be fodder for criticism. That wouldn’t be the case in a perfect world, but for better or worse, that’s how things work with middle schoolers. Riajuu are sought for their actions as riajuu, loners are obligated to be loners, and otaku are forced to act like otaku. When the elites show their understanding of those beneath them, they are acknowledged for their open-mindedness and the depth of their benevolence, but the reverse is not tolerated. Those are the fetid rules of the Kingdom of Children. It truly is a sad state of affairs. "You can’t change the world, but you can change yourself". The hell was up with that? Adapting and conforming to a cruel and indifferent world you know you’ve already lost to – ultimately, that’s what a slave does. Wrapping it up in pretty words and deceiving even yourself is the highest form of falsehood.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
At last, he began to discourse of fortune and human affairs. "Is it meet," said he, "for him that knows he is but man, in his greatest prosperity to pride himself, and be exalted at the conquest of a city, nation, or kingdom, and not rather well to weigh this change of fortune, in which all warriors may see an example of their common frailty, and learn a lesson that there is nothing durable or constant? For what time can men select to think themselves secure, when that of victory itself forces us more than any to dread our own fortune? and a very little consideration on the law of things, and how all are hurried round, and each man's station changed, will introduce sadness in the midst of the greatest joy. Or can you, when you see before your eyes the succession of Alexander himself, who arrived at the height of power and ruled the greatest empire, in the short space of an hour trodden underfoot- when you behold a king, that was but even now surrounded with so numerous an army, receiving nourishment to support his life from the hands of his conquerors- can you, I say, believe there is any certainty in what we now possess whilst there is such a thing as chance? No, young men, cast off that vain pride and empty boast of victory; sit down with humility, looking always for what is yet to come, and the possible future reverses which the divine displeasure may eventually make the end of our present happiness.
Plutarch (Parallel Lives)
[How does it happen that this man, so distressed at the death of his wife and his only son, or who has some great lawsuit which annoys him, is not at this moment sad, and that he seems so free from all painful and disquieting thoughts? We need not wonder; for a ball has been served him, and he must return it to his companion. He is occupied in catching it in its fall from the roof, to win a game. How can he think of his own affairs, pray, when he has this other matter in hand? Here is a care worthy of occupying this great soul, and taking away from him every other thought of the mind. This man, born to know the universe, to judge all causes, to govern a whole state, is altogether occupied and taken up with the business of catching a hare.
Blaise Pascal (Pascal's Pensées)
A socialist member from Glasgow, John McGovern, delivered the most pointed attack of the day, going so far as to criticize Churchill’s practice of visiting bombed cities. He said, “When we have got to the stage when the Prime Minister has to parade himself through every bombed area in the country, and has to sit on the back of a wagonette waving his hat on a stick like a ‘Doodles’ at the circus—well, it has come to a very sad state of affairs when representatives of the Government are not so sure of the opinions of the people of the country.” McGovern professed to have no confidence in the war or the government, adding, “And, while I have a tremendous admiration for the oratorical powers of the Prime Minister, who can almost make you believe that black is white, I have no faith in his achieving anything of lasting benefit to humanity.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20 Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
The Funeral of Sarpedon Zeus is heavy with grief. Sarpedon is dead at Patroclus’ hands and, right now, the son of Menoetius and his Achaeans are setting out to steal the corpse and desecrate it. But Zeus will not allow it. He had left his beloved child alone and now he’s lost – for such the Law demanded. But at least he will honour him in death. Behold: he sends Phoebus down to the field with orders to care for the body. Phoebus lifts the hero’s corpse with reverence and pity, and bears him to the river. He washes away the blood and dust and closes the wounds, careful not to leave a scar; he pours balm of ambrosia over the body and clothes him in resplendent Olympian robes. He blanches the skin and with a comb of pearl straightens the raven-black hair. He lays him out, arranging the lovely limbs. The youth seems a king, a charioteer, twenty-five or twenty-six years old – relishing his moment of victory, with the swiftest stallions, upon a golden chariot in a grand competition. Phoebus, completing his assignment, calls on his two siblings, Sleep and Death, commanding them to carry the body to Lycia, land of riches. So the two brothers, Sleep and Death, set out on foot to transport the body to Lycia, land of riches. And at the door of the king’s palace they hand over the glorious body and return to their affairs. As they receive him into the palace they begin laments and tributes, processions and libations flowing from sacred vessels and everything that befits such a sad funeral; then skilled craftsmen from the city and artists well known for their work in marble arrive to fashion the tomb and the stele.
Constantinos P. Cavafy (Selected Poems)
Our political discourse has degenerated into anxieties about whether giving benefits to those people over there will take money out of the pockets of my kind of people over here, even when the changes are those from which we would all benefit." "The church is one of the few remaining institutions in the American scene that normalizes the effects of slavery, with most Christians preserving these segregated spaces in the interests of cultural comfort. Racially separate churches violate the interdependence that should characterize authentic Christian communities. Further, this individualism blocks churches from the blessings of gifts preserved in separate traditions. For example, segregated white churches celebrate the confessions and the rich legacies of the intellectual giants of the faith, but too often preach a weak and disembodied gospel that reduces spirituality to symbolism, and that separates material concerns from moral choices and the pursuit of righteousness." "Indeed, we have reached a sad state of affairs when we are all unwilling to be challenged when we go to church." "We should not move too quickly to a cheap reconciliation that forgets the past rather than honoring it as a clay vessel that contains a refined treasure bearing witness to the presence of Jesus at the margins. We need to make space for the histories of ethnic pain to be shared and revered among whites and all peoples of color, and to be instructed by them. That is, we need to understand how our past impinges on the present before we can move forward together toward our future. We cannot be who we are called to be unless we can gain access to the treasures of the gospel that have been preserved in the separate traditions of now segregated ethnic churches. We will not testify to the glory of God and the manifold riches of his mercy to the nations until we do.
Love L. Sechrest
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away.
Steve McHugh (With Silent Screams (Hellequin Chronicles, #3))
A woman paralyzed by her own selfishness and triviality, a woman who knew she should love her life more than she did but couldn’t seem to love her life beyond a few odd inconsequential incidents. It is, in fact, time to start dating again. But Dan has no idea what that means for a gay man well into his thirties who has neither money nor abs. - if you’re delivering a song, there are instances when the veil of the ordinary falls away and you are, fleetingly, a supernatural being, with music rampaging through you and soaring out into a crowd. You connect, you’re giving it, you’re the living sweat-slicked manifestation of music itself, the crowd feels it as piercingly as you do. Always, almost always, you “spot a girl. She doesn’t need to be pretty. She’s the love of somebody’s life (you hope she is), and for those few seconds she’s the love of yours, you’re singing to her and she’s singing back to you, by raising her arms over her head and swinging her hips, adoring you or, rather, adoring some being who is you and the song combined, able to touch her everywhere. It’s the briefest of love affairs. - Isabel is embarrassed about her sadness. She’s embarrassed about being embarrassed about her sadness, she who has love and money. She tries looking discreetly into her bag for a Kleenex, without anything that could be called frantic rummaging. She ponders the prospect that decadent unhappiness might, in its way, be worse than genuine, legitimate despair. Which is, as she knows, a decadent question to pose at all. - members of a biological aristocracy - Dan is taken by a tremor of scorn twisted up with painful affection, as if they were two names for the same emotion - but that’s my narcissism speaking ive been working on the idea that there are other people in the world - Beyond lust there’s a purity, you know? Does it ever get to be too late? If neither of you abuses the dog (should they finally get a dog?) or leaves the children in the car on a hot day. Does it ever become irreparable? If so, when? How do you, how does any“one, know when they cross over from working through this to it’s too late? Is there (she suspects there must be) an interlude during which you’re so bored or disappointed or ambushed by regret that it is, truly, too late? Or, more to the point, do we arrive at it’s too late over and over again, only to return to working through this before it’s too late arrives, yet again? Do you think we ever really survive our childhoods? Most mothers think their children are amazing and singular people. Most mothers are wrong about that. You’re beautiful in your own skin. You brought with you into the world some kind of human amazingness, and you can depend on it, always. Please try not to ever let anybody talk you out of that. She says, “You’re not in love with me.” “Trust me. I’ve had a lot of experience at not being in love with people. I’ve been not in love with pretty much everybody, all my life.” She wonders how many women think more kindly and, all right, more lustfully toward their husbands after they’ve left them. Maybe someone’s done a study. “If you’re determined to be insulted.
Michael Cunningham (Day)
Happiness in a tablet. This is our world. Prozac. Paxil. Xanax. Billions are spent to advertise such drugs. And billions more are spent purchasing them. You don’t even need a specific trauma; just “general depression” or “anxiety,” as if sadness were as treatable as the common cold. I knew depression was real, and in many cases required medical attention. I also knew we overused the word. Much of what we called “depression” was really dissatisfaction, a result of setting a bar impossibly high or expecting treasures that we weren’t willing to work for. I knew people whose unbearable source of misery was their weight, their baldness, their lack of advancement in a workplace, or their inability to find the perfect mate, even if they themselves did not behave like one. To these people, unhappiness was a condition, an intolerable state of affairs. If pills could help, pills were taken. But pills were not going to change the fundamental problem in the construction. Wanting what you can’t have. Looking for self-worth in the mirror. Layering work on top of work and still wondering why you weren’t satisfied—before working some more. I knew. I had done all that. There was a stretch where I could not have worked more hours in the day without eliminating sleep altogether. I piled on accomplishments. I made money. I earned accolades. And the longer I went at it, the emptier I began to feel, like pumping air faster and faster into a torn tire.
Anonymous
Last time we went to the Ferryboat, I looked around at the families of upmarket beachgoers, at their healthy children expertly peeling prawns and drinking organic lemonade, and I tried to tell myself that everyone has sadnesses, that some of the adults would be hideously miserable in their marriages, that people would be having affairs and drinking too much and addicted to gambling, that lives would be on the verge of falling apart, families breaking up, businesses going bankrupt.
Emily Barr (The Sleeper)
But what none of these girls realised was that their fate had already been decided by their new guardians, the Commissioners of the Native Affairs Department. Sadly, in only a couple of weeks from then, Nora and Eva would find that instead of returning north as they hoped, they would be sent further south to work as domestics on dairy farms. This would also be their introduction to exploitation and deception; a hard step along the path of life that would have so many twists and turns. As for returning home to their loved ones, well, that would not happen for many, many years.
Doris Pilkington (Rabbit-Proof Fence)
Demons and their Hell are quite different from the Dungeon Dimensions, those endless parallel wastelands outside space and time. The sad, mad Things in the Dungeon Dimensions have no understanding of the world but simply crave light and shape and try to warm themselves by the fires of reality, clustering around it with about the same effect—if they ever broke through—as an ocean trying to warm itself around a candle. Whereas demons belong to the same space-time wossname, more or less, as humans, and have a deep and abiding interest in humanity’s day-to-day affairs. Interestingly enough, the gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that’s where they believe, in their deepest heart, that they deserve to go. Which they won’t do if they don’t know about it. This explains why it is important to shoot missionaries on sight.
Terry Pratchett (Eric (Discworld, #9))
She saw how the weight of his mistake, the affair, weighed down on him and he cried, brushing the tears on his cheeks away brusquely; his eyes rimmed with dark circles looked haunted.
Soulla Christodoulou (Broken Pieces of Tomorrow: Strong women don't give up...They find a way through tears and thrills to love again...)
There were temporary and local reprieves: plagues, climate fluctuations, or warfare intermittently culled the population and freed up land, enabling survivors to improve their nutritional intake—and to bring up more children, until the ranks were replenished and the Malthusian condition reinstituted. Also, thanks to social inequality, a thin elite stratum could enjoy consistently above-subsistence income (at the expense of somewhat lowering the total size of the population that could be sustained). A sad and dissonant thought: that in this Malthusian condition, the normal state of affairs during most of our tenure on this planet, it was droughts, pestilence, massacres, and inequality—in common estimation the worst foes of human welfare—that may have been the greatest humanitarians: they alone enabling the average level of well-being to occasionally bop up slightly above that of life at the very margin of subsistence.
Nick Bostrom (Superintelligence: Paths, Dangers, Strategies)
There is no generosity, true acts of goodness, or love without clear-sightedness. I began writing searching for wisdom, questioning from whence it comes. I now repent in dust and ashes. Age-old anxiety weighed heavily on my weakened soul. Sadness and bitter awareness of the futility of living an immoral life forced rigorous self-examination, renunciation of artificial goals and idols. I sought to eradicate a ludicrous egotistic self. I am filled with inscrutable yearning to live a heighted quality of existence that the superior men in history attained by recognizing that their former life was an illusion. In the dead of night, when we speak truths that elude airing in daylight, I torched the castle that housed my solipsistic being that sought fulfillment of its selfish needs. In the second half of existence, I hope to drop attachments, the destructive desires of wanting, and begin a journey seeking intellectual fulfillment of an artistic being. I wish to live in perfect harmony by organizing all that life proffers and conducting personal affairs in a coordinated manner, which the inherent chaos of the world cannot disturb.
Kilroy J. Oldster (Dead Toad Scrolls)
You have an affair because you are not getting what you want from your loved one. You want more: more love, more sex, more attention, more fun. You want someone to look at you with lust—after years of laundry—transforming you into something radiant. You want it, you need it, you owe it to yourself to get it. To live any other way is to be muffled and gray and marching meaninglessly toward death. You want what she gave you at the start (but what you had hoped would expand and intensify instead of shrinking until you find yourself so sad, so resentful, you can barely stand to be you). You have an affair to get for yourself what you wish would come from the person you love the most. And then you have broken her heart and she can never give you any of it ever again.
Jami Attenberg (All Grown Up)
she would have been disappointed if he had not demonstrated such idealism, for he was yet to reach twenty-one; youth without optimism, without a strong sense of the possible, would represent a very sad state of affairs.
Jacqueline Winspear (A Lesson in Secrets (Maisie Dobbs, #8))
Along the rough cobbled streets that had served so well in surprise attacks and buccaneer landings, weeds hung from the balconies and opened cracks in the whitewashed walls of even the best-kept mansions, and the only signs of life at two o’clock in the afternoon were languid piano exercises played in the dim light of siesta. Indoors, in the cool bedrooms saturated with incense, women protected themselves from the sun as if it were a shameful infection, and even at early Mass they hid their faces in their mantillas. Their love affairs were slow and difficult and were often disturbed by sinister omens, and life seemed interminable. At nightfall, at the oppressive moment of transition, a storm of carnivorous mosquitoes rose out of the swamps, and a tender breath of human shit, warm and sad, stirred the certainty of death in the depths of one’s soul. And
Gabriel García Márquez (Love in the Time of Cholera)
By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship. The more disgruntled Hunter became over the situation, the more he glowered, and the more he glowered, the more uneasy Loretta was in his presence. The worst part was, Hunter couldn’t blame her. Their bargain hung over them like a dark cloud, her promises binding her to him yet holding them apart. He knew she dreaded the moment when he would confront her, demanding that she lie with him. With each passing day, the prospect seemed to grow more frightening to her. Hunter was perceptive enough to realize that waiting patiently for her to come around wasn’t abetting him in his cause, yet he couldn’t bring himself to force her, either.
Catherine Anderson (Comanche Moon (Comanche, #1))
Patience. Over the next five days, Hunter’s became as elusive as dandelion fuzz caught in a high wind. He was living with not one but two angry yellow-hairs, Loretta because he refused to take Amy home and had made mention of the possibility that he might marry more than one woman. Amy because he was forcing Swift Antelope’s company upon her. On all counts, Hunter felt justified and carried on with implacable determination, trying to ignore the glares to which he was treated every time he set foot inside his lodge. By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship.
Catherine Anderson (Comanche Moon (Comanche, #1))
Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man.
Catherine Anderson (Comanche Moon (Comanche, #1))
It is a sad state of affairs in the USA that for the sick and the poor that jail offers better benefits than the freedom of no healthcare, bills that cannot be paid and starvation.
Steven Magee
Every film or drama, no matter based on the sad, happy or humorous story, has its end. Similarly, life events and affairs of any kind, have an ending; nothing is everlasting.
Ehsan Sehgal
freedom” is neither inherently good nor inherently just, and descends into the murky gray that already embroils everything else in our lives. Each positive freedom we enforce strips away a negative freedom, and each negative freedom we guarantee eliminates a corresponding positive freedom. This sad state of affairs is often referred to as the Paradox of Positive Liberty.11
Will Larson (An Elegant Puzzle: Systems of Engineering Management)