Adverts Quotes

The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void. We are back in the Byzantine situation, where idolatry calls on a plethora of images to conceal from itself the fact that God no longer exists. That's why the slightest technical hitch, the slightest slip on the part of a presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.

People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.

Flowers, after love, must have been the best advert planet Earth had going for it.

The death of a billionaire is worth more to the media than the lives of a billion poor people.

Page after page, advert after advert. Lipsticks, undies, tinned food, patent medicines, slimming cures, face-creams. A sort of cross-section of the money world. A panorama of ignorance, greed, vulgarity, snobbishness, whoredom and disease.

I turn around and there he is, like some freaking walking tattooed Hugo Boss advert. I spin back to Zeth. “Really? Really? You brought Rebel?

Ask any Ferrari, Porsche or Ray-Ban salesperson about their average customer and you will very likely hear that he is not, as the adverts would have us believe, a virile young footballer with shiny hair, a rippling six pack and a trouser pouch like a new punch bag. He is, in fact, a middle-aged bloke wearing more chins than he started life with and carrying the clear evidence of forty years of beer and pies slung across his midriff.

A newspaper is an oversized book with adverts and an expiry date.

Sinister is Latin for 'left', making it the sort of enjoyable schoolboy pun that is such an advert for mixed-gender education.

Advertising is 48% distraction; 4% information; and 48% manipulation.

Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment. "The most demanding part of living a lifetimes as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity." Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. "Pursue, keep up with, circle round and round your life....Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.

I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.

And it was strange because he was calling, "Christopher. . . ? Christopher. . . ?" and I could see my name written out as he was saying it. Often I can see what someone is saying written out like it is being printed on a computer screen, especially if they are in another room. But this was not on a computer screen. I could see it written really large, like it was on a big advert on the side of a bus. And it was in my mother's handwriting

I'd always understood that the past did not die just because we wanted it to. The past signed to us: clicks and cracks in the night, misspelled words, the jargon of adverts, the bodies that attracted us or did not, the sounds that reminded us of this or that. The past was not a thread trailing behind us but an anchor. That was why I looked for you all these years, Sarah. Not for answers, condolences; not to ply you with guilt or set you up for a fall. But because – a long time ago – you were my mother and you left.

No, it's not advertising; it's mind control

A whisper is more interesting than shouts, the hidden more appealing than the advertized, & the insinuated more convincing than the proclaimed.

I’d always understood that the past did not die just because we wanted it to. The past signed to us: clicks and cracks in the night, misspelled words, the jargon of adverts, the bodies that attracted us or did not, the sounds that reminded us of this or that. The past was not a thread trailing behind us but an anchor.

Or to advertent comic effect, if you’re Groucho Marx: “One morning I shot an elephant in my pajamas. How he got into my pajamas, I’ll never know.

Acknowledgements! My thanks to Hollywood When you showed me John Rambo Stitching up his arm with no anaesthetic And giving them “a war they won’t believe” I knew then my calling, the job for me Thanks also to the recruitment adverts For showing me soldiers whizzing around on skis And for sending sergeants to our school To tell us of the laughs, the great food, the pay The camaraderie I am, dear taxpayer, forever in your debt You paid for my all-inclusive pilgrimage One year basking in the Garden of Eden (I haven’t quite left yet) Thanks to Mum and thanks to Dad Fuck it, Thanks to every parent Flushing with pride for their brave young lads Buying young siblings toy guns and toy tanks Waiting at the airport Waving their flags

We can have everything we want as long as what we want is a life spent searching for exhausting work that doesn't pay enough, shopping for things we don't need and sticking to a set of social and sexual rules that turn out, once you plough through the layers of trash and adverts, to be as rigid as ever.

The adult members of society adverted to the Bible unreasonably often. What arcana! Why did they spread this scandalous document before our eyes? If they had read it, I thought, they would have hid it. They didn't recognize the vivid danger that we would, through repeated exposure, catch a case of its wild opposition to their world.

Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment.

True heroism is a priori incompatible with audience or applause or even the bare notice of the common run of man. In fact,’ he said, ‘the less conventionally heroic or exciting or adverting or even interesting or engaging a labor appears to be, the greater its potential as an arena for actual heroism, and therefore as a denomination of joy unequaled by any you men can yet imagine.

As to why God had singled out John D. Rockefeller for such spectacular bounty, Rockefeller always adverted to his own adherence to the doctrine of stewardship—the notion of the wealthy man as a mere instrument of God, a temporary trustee of his money, who devoted it to good causes. “It has seemed as if I was favored and got increase because the Lord knew that I was going to turn around and give it back.”73

Because, George thought as she sat there with her eyes closed back before Christmas in Mrs Rock's self-consciously comfortable chair in the counselling office, how can it be that there's an advert on TV with dancing bananas unpeeling themselves in it and teabags doing a dance, and her mother will never see that advert? How can that advert exist and her mother not exist in the world? She didn't say it out loud, though, because there wasn't a point. It isn't about saying. It is about the hole which will form in the roof through which the cold will intensify and after which the structure of the house will begin to shift, like it ought, and through which George will be able to lie every night in bed watching the black sky.

I stomped down the hallway, twisted the latch on the front door, and yanked it open. ‘Are you… “Ozzy Zig”?’ said Guy Fawkes, in a thick Brummie accent. ‘Who wants to know?’ I said, folding my arms. ‘Terry Butler,’ he said. ‘I saw your ad.’ That was exactly what I’d hoped he was going to say. Truth was, I’d been waiting a long time for this moment. I’d dreamed about it. I’d fantasised about it. I’d had conversations with myself on the shitter about it. One day, I thought, people might write newspaper articles about my ad in the window of Ringway Music, saying it was the turning point in the life of John Michael Osbourne, ex-car horn tuner. ‘Tell me, Mr Osbourne,’ I’d be asked by Robin Day on the BBC, ‘when you were growing up in Aston, did you ever think that a simple advert in a music shop window would lead to you becoming the fifth member of the Beatles, and your sister Iris getting married to Paul McCartney?’ And I’d answer, ‘Never in a million years, Robin, never in a million years.’ It was a f**king awesome ad.

It’s always surprised me that people fall for shampoo adverts that say it revitalises the hair. Hair has never had any life in it that can be revitalised. Hair’s dead, a cuticle of keratin growing out of a follicle. It’s got as much of life and you in it as the excrement you squeeze out. Hair is history, it’s what you’ve been, eaten and done. And you can’t go back. Grete’s perm was a mummified past, a permafrost, frightening as death itself.

It's ok to understand other people. But it's not enough. Advertence is necessary too. Because it's easy to understand abstract person if you're not a victim but outside observer. Imagine you say to friend who needs your help: "I understand the man who stole from you because he was starved". Or that: "I understand that scumbag who raped you because his wife ran out on him and he wanted to blow off steam". Only most hard-hearted person can say that.

A television set in Florida refused to let itself be turned off; until its owners took an axe to it, it continued, on or off, presenting inferior music and stale movies and endless, maddening advertising, and even under the axe, with its last sigh, it died with the praises of a hair tonic on its lips.

It’s futile to attempt to prevent young people from accessing porn on the internet. But that doesn’t mean that we can’t offset its impact with clear, targeted education to provide them, at least, with an alternative narrative and to prevent what they have seen from crystallizing into unquestioned, accepted assumptions. We might not be able to protect young women from the barrage of Photoshopped images and objectifying adverts regularly bombarding them, but we can at least arm them with the tools to analyse and rationalize the manipulation – and in so doing offset at least some part of the impact. There

More than that, these adverts sell a dubious world view. They sell the idea that science is not about the delicate relationship between evidence and theory. They suggest, instead, with all the might of their international advertising budgets, their Microcellular Complexes, their Neutrillium XY, their Tenseur Peptidique Végétal and the rest, that science is about impenetrable nonsense involving equations, molecules, sciencey diagrams, sweeping didactic statements from authority figures in white coats, and that this sciencey-sounding stuff might just as well be made up, concocted, confabulated out of thin air, in order to make money. They sell the idea that science is incomprehensible, with all their might, and they sell this idea mainly to attractive young women, who are disappointingly under-represented in the sciences.

If it were not for advertising, only a negligible fraction of prepubescent boys who do would know what a pantyliner or a tampon is.

The mainstream news is focused on producing articles that produce advertising revenue.

He is often one of five writers behind a funny woman’s big film, and has so many Instagram followers that he sometimes does adverts for PrEP.

Nosotros escuchábamos a los Adverts y a los Jam, a los Stranglers, los Clash y los Sex Pistols. Aunque en las fiestas, la gente ponía a la ELO, o a 10cc o, incluso, a Roxy Music.

I suppose the best advert for abortion is just a silent thirty second shot of Chris Moyles

16th century advertisements cannot market 21st century products. Look for what is necessary at the present moment.

A church service starts and ends with a prayer. A magazine starts and ends with an advert.

As she did so, a bullet fizzed by her ear and an advert that implied the secret to a long and happy life was well-conditioned hair shattered.

What are Facebook and other social media but adverts for how we’d like to be seen?

I am in doubt as to the propriety of making my first meditations in the place above mentioned matter of discourse; for these are so metaphysical, and so uncommon, as not, perhaps, to be acceptable to every one. And yet, that it may be determined whether the foundations that I have laid are sufficiently secure, I find myself in a measure constrained to advert to them. I had long before remarked that, in relation to practice, it is sometimes necessary to adopt, as if above doubt, opinions which we discern to be highly uncertain, as has been already said; but as I then desired to give my attention solely to the search after truth, I thought that a procedure exactly the opposite was called for, and that I ought to reject as absolutely false all opinions in regard to which I could suppose the least ground for doubt, in order to ascertain whether after that there remained aught in my belief that was wholly indubitable. Accordingly, seeing that our senses sometimes deceive us, I was willing to suppose that there existed nothing really such as they presented to us; and because some men err in reasoning, and fall into paralogisms, even on the simplest matters of geometry, I, convinced that I was as open to error as any other, rejected as false all the reasonings I had hitherto taken for demonstrations; and finally, when I considered that the very same thoughts (presentations) which we experience when awake may also be experienced when we are asleep, while there is at that time not one of them true, I supposed that all the objects (presentations) that had ever entered into my mind when awake, had in them no more truth than the illusions of my dreams. But immediately upon this I observed that, whilst I thus wished to think that all was false, it was absolutely necessary that I, who thus thought, should be somewhat; and as I observed that this truth, I think, therefore I am ["cogito ergo sum"], was so certain and of such evidence that no ground of doubt, however extravagant, could be alleged by the sceptics capable of shaking it, I concluded that I might, without scruple, accept it as the first principle of the philosophy of which I was in search

Nearly six years after Alicia was admitted, the position of forensic psychotherapist became available at the Grove. As soon as I saw the advert, I knew I had no choice. I followed my gut—and applied for the job.

The statement of Mr. Justice Holmes of the Supreme Court of the United States, in the Oklahoma Bank case, is significant: “We cannot say that the public interests to which we have adverted, and others, are not sufficient to warrant the State in taking the whole business of banking under its control. On the contrary we are of opinion that it may go on from regulation to prohibition except upon such conditions as it may prescribe.

went away for a week recently, and when I got back and checked my e-mail, I had eight hundred and forty-three messages. Eight hundred and forty of these were adverts for Viagra, and the other three were pictures of lots of love cats.

I often imagine what sort of position Nightwing might seek out were she not currently torturing us as headmistress of Spence Academy for Young Ladies. Dear Sirs, her letter might begin. I am writing to inquire about your advert for the position of Balloon Popper. I have a hatpin that will do the trick neatly and bring about the wails of small children everywhere. My former charges will attest to the fact that I rarely smile, never laugh, and can steal the joy from any room simply by entering and bestowing upon it my unique sense of utter gloom and despair. My references in this matter are impeccable. If you have not fallen into a state of deep melancholia simply by reading my letter, please respond to Mrs. Nightwing (I have a Christan name but no one ever has leave to use it) in care of Spence Academy for Young Ladies. If you cannot be troubled to find the address on your own, you are not trying your very best. Sincerely, Mrs. Nightwing.

I picked up a mug with the complicated name of a medication stamped across the side, and a slogan about Treating Today for Tomorrow. They're handed out to places like this by visiting drug companies. Last time I went in the office to borrow the Nursing Dictionary, I counted three mugs, a mouse mat, a bunch of pens, two Post-it note booklets and the wall clock - all sporting the brands of different medicines. It's like being in prison and having to look at adverts for fucking locks.

Despite women's experience or knowledge of sexual violence, despite whatever is going on in their marriages and how their husbands behave, women are expected to engage with enthusiasm in sex. [Women] have to make a separation between the sex in which they 'let go' and become enthusiastic and the rape they experienced last night or the pornographic advert they saw on the underground this morning. What is required is either a mind/body split or an eroticising of the oppression itself.

People talk about a moral compass and I think that is it. We always know the right and wrong for ourselves, the north and south. You have to trust it, Anton. People can tell you all kinds of wrong directions, lead you around any corner. You can’t trust any of that. You can’t even trust me. What do they say in car adverts? About the navigation system? Comes as standard . Everything you need to know about right and wrong is already there. It comes as standard. It’s like music. You just have to listen.

All this talk about organic farming, adverts for free-range chickens and happy pigs… isn’t it more unethical of me to eat a happy pig? Surely it’s better if I eat a pig that’s lived a terrible life than one of those carpe diem pigs with a family and friends? The farmers say happy pigs taste better, so I can only assume that they wait until the pig has just fallen in love, maybe just after it’s had kids, when it’s at its absolute happiest, and then it gets shot in the head and vacuum packed. How ethical is that?

Lost,” I say, dropping the photo on to the counter. “I’ve lost Elizabeth.” She pauses a moment and straightens to look at the photo. “Oh, was it an advert you wanted?” Breath floods into my lungs. “Yes. Yes, that’s it. I wanted to place an advert.” “I’ll get you a form. Awful, cats, aren’t they?” I nod, feeling as though I’ve missed some part of the conversation. I nod, but I quite like cats, and I wonder what this woman has against them. “I remember when my auntie lost her Oscar. She was frantic. Missing for weeks, he was. Found him in a beach hut in the end. Have you asked your neighbours to look in their sheds?” I stare at the woman. I can’t imagine finding Elizabeth in a shed. But perhaps it is a good suggestion. Perhaps it’s just me it doesn’t make sense to. I borrow a pen and write beach hut on a scrap of paper.

To add insult to injury there’s a television at the end of the ward. It’s unavoidable, and even more unbearable than usual as it’s constantly tuned to ITV, so there are adverts. I wonder if hell is like this? I’d definitely prefer lakes of sulphur and at least being able to swim about in them.

The problem with trying to find your happiness through avoidance is the nature of reality. Reality simply does not allow us to evade unwanted experiences. Sure, we might be able to escape a few {...] but the evasive life often comes at a cost, like having to live your life in terror. Even if we can successfully ward off some terrifying experiences, we can not advert them all. Particularly, the most unpleasant ones: sickness, old age and death. If our strategy has been to flea unpleasant circumstances, when they come to meet us - as they surely will - our suffering will be great indeed.

A vast province has now subsisted, and subsisted in a considerable degree of health and vigor for near a twelvemonth, without Governor, without public Council, without judges, without executive magistrates. How long it will continue in this state, or what may arise out of this unheard-of situation, how can the wisest of us conjecture? Our late experience has taught us that many of those fundamental principles, formerly believed infallible, are either not of the importance they were imagined to be, or that we have not at all adverted to some other far more important and far more powerful principles, which entirely overrule those we had considered as omnipotent.

Yes.” Theo nodded. “Yes, I know who he is.” He studied the advert with obvious interest. “The Grove? Isn’t that where they sent Alicia Berenson? After she killed her husband?” “Alicia Berenson?” “The painter … who won’t talk.” “Oh—I remember.” Mariana gave him an encouraging smile. “Maybe you should apply for the job? Get her talking again?

These people, I’m afraid, include those who suffer from ‘wheat intolerance’. I know there is such a thing, which can afflict even the sturdiest, most no-nonsense of souls and causes the consumption of foods containing wheat to bring on unpleasant symptoms that, while not at the same level as an allergic reaction, the sufferer would still want to do something about, such as stopping eating wheat, and that wouldn’t necessarily make them a tedious, attention-seeking wuss. However, I think the vast majority of people who cite the condition are tedious, attention-seeking wusses who mistake the normal symptoms of daily life – feeling sluggish after meals, tired in the morning, hungry before breakfast and generally not as though they want to leap around like someone in an advert – for there being something wrong with them. It’s not just wheat they’re intolerant of, it’s everything. They’re so dissatisfied with the sensation of being human, with the world’s constant assaults on the temples that are their bodies, that they’re now unwilling even to coexist with a grain.

And the more she says the words ‘fallopian tubes’ the less real they are. They sound like some long-forgotten musical instrument from a Pacific Island and I can hear the advert for an album of fallopian tube classics on TV: “From the foothills of Fallopia, the haunting sound of the fallopian tubes brings alive all your favourite anthems from the world’s greatest artists....

Alguém, criança ou não, que obedeça apenas movido pelo temor, perderá autonomia e terá uma personalidade adoentada. Há, por exemplo, dois tipos básicos de pais/mães: aqueles que apavoram os filhos e aqueles que os alertam. Uma criança está, digamos, em cima de um muro; o adulto apavorador gritará: “Desça daí porque você vai cair!”, enquanto que o adulto orientador dirá: “Cuidado, pois você pode cair”. O primeiro faz uma profecia; o segundo adverte.

People don't really trust advertisement they trust people. A large percentage of people make purchase decisions based on their friends review than just from advertisers. Brands that rely sole on adverts to sell, will eventually fade out. You need to get people to talk about your brand in a more positive manner without twisting their arms. If you fake it your will fade. So, focus on relationship marketing, because customers are the best brand ambassadors

All this talk about organic farming, adverts for free-range chickens and happy pigs...isn't it more unethical of me to eat a happy pig? Surely it's better if I eat a pig that's lived a terrible life than one of those carpe diem pigs with a family and friends? The farmers say happy pigs taste better, so I can only assume that they wait until the pig has just fallen in love, maybe just after it's had kids, when it's at its absolute happiest, and then it gets shot in the head and vacuum packed. How ethical is that?

People love pretty much the same things best. A writer looking for subjects inquires not after what he loves best, but after what he alone loves at all. ... Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment.

If there was one kind of hat Terry despised above all others, it was the baseball cap. There was nothing wrong with children wearing it, of course, but whenever he saw it on the head of an adult it seemed to symbolize everything that he most hated about America, even more potently than the figure of Mickey Mouse or the latest Coke adverts or the hordes of giant yellow ‘M’s which were even now beginning to advance across Britain like an unchecked virus. And even worse, Kingsley was wearing it back to front. This, without doubt, was the ultimate badge of imbecility.

This lad is an elite European coach. One of a select group of about half a dozen managers working in the world game today. The other five only take jobs with clubs that guarantee squads and trophies that will further enhance their already muscular CVs. Klopp doesn’t seem to need that in his life. He is truly a throwback. A contradiction in many senses – for instance he seems to have no problem being a shameless shill in doing adverts for some heavy weight corporations (Puma, Opel and others) and yet it is hard to escape the conclusion that here is a man on a mission that represents something more honest.

I know not how I contrived to get the subject of immortality introduced. He said he never had entertained any belief in religion since he began to read Locke and Clarke. I asked him if he was not religious when he was young. He said he was, and he used to read The Whole Duty of Man; that he made an abstract from the catalogue of vices at the end of it, and examined himself by this, leaving out murder and theft and such vices as he had no chance of committing, having no inclination to commit them. This, he said, was strange work; for instance, to try if, notwithstanding his excelling his schoolfellows, he had no pride or vanity. He smiled in ridicule of this as absurd and contrary to fixed principles and necessary consequences, not adverting that religious discipline does not mean to extinguish, but to moderate, the passions; and certainly an excess of pride or vanity is dangerous and generally hurtful. He then said flatly that the morality of every religion was bad, and, I really thought, was not jocular when he said that when he heard a man was religious, he concluded he was a rascal, though he had known some instances of very good men being religious. This was just an extravagant reverse of the common remark as to infidels.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

They are examin’d skeptickally. “Not from the Press, are you?” “ ’Pon my Word,” cry both Surveyors at once. “Drummers of some kind’s my guess,” puts in a Countryman, his Rifle at his Side, “am I right, Gents?” “What’ll we say?” mutters Mason urgently to Dixon. “Oh, do allow me,” says Dixon to Mason. Adverting to the Room, “Why aye, Right as a Right Angle, we’re out here to ruffle up some business with any who may be in need of Surveying, London-Style,— Astronomickally precise, optickally up-to-the-Minute, surprisingly cheap. The Behavior of the Stars is the most perfect Motion there is, and we know how to read it all, just as you’d read a Clock-Face. We have Lenses that never lie, and Micrometers fine enough to subtend the Width of a Hair upon a Martian’s Eye-ball. This looks like a bustling Town, plenty of activity in the Land-Trades, where think yese’d be a good place to start?” with an amiability that Mason recognizes as peculiarly Quaker,— Friendly Business.

What, I wonder, does the reader know of large families? More important, how much can he stand hearing on the subject, from me? I must say at least this much: If you're an older brother in a large family (particularly where, as with Seymour and Franny, there's an age difference of roughly eighteen years), and you either cast yourself or just not very advertently become cast in the role of local tutor or mentor, it's almost impossible not to turn into a monitor, too. But even monitors come in individual shapes, sizes, and colors. For example, when Seymour told one of the twins or Zooey or Franny, or even Mme Boo Boo (who was only two years younger than myself, and often entirely the Lady), to take off his or her rubbers on coming into the apartment, each and all of them knew he mostly meant that the floor would get tracked up if they didn't and that Bessie would have to get out the mop. When I told them to take off their rubbers, they knew I mostly meant that people who didn't were slobs. It was bound to make no small difference in the way they kidded or ragged us separately. Но, питам се, какво знае читателят за многочислените семейства? И което е по-важното, ще изтърпи ли не друг, а аз да му обясня този въпрос? Мога да кажа поне следното: ако си по-голям брат в многочислено семейство (в което разликата между Сиймор и Франи е горе-долу осемнайсет години) и сам си поел или някой е имал непредпазливостта да ти възложи ролята на наставник и опекун, почти невъзможно е да не се превърнеш и в надзирател. Но дори надзирателите се произвеждат в различни форми, размери и цветове. Така например, когато Сиймор кажеше на близнаците, на Зуи или Франи или дори на мадам Бу Бу (която е само две години по-малка от мен) да си събуват галошите, преди да влязат в апартамента, всеки от тях възприемаше думите му така: не се ли събуете, ще оставите стъпки по пода и после Беси ще трябва да се трепе с парцала. А когато аз им кажех да си събуят галошите, те го приемаха като обида: който не се събува е палачор. Оттук произтичаше и разликата в начина, по който те се шегуваха с него и с мен.

In the ideal detective story the reader is given all the clues yet fails to spot the criminal. He may advert to each clue as it arises. He needs no further clues to solve the mystery. Yet he can remain in the dark for the simple reason that reaching the solution is not the mere apprehension of any clue, not the mere memory of all, but a quite distinct activity of organising intelligence that places the full set of clues in a unique explanatory perspective. By insight, then, is meant not any act of attention or advertence or memory, but the supervening act of understanding. It is not any recondite intuition but the familiar event that occures easily and frequently in the moderately intelligent, rarely and with diffuculty only in the very stupid. In itself it is so simple and obvious that it seems to merit the little attention that commonly it receives. At the same time, its function in cognitional activity is so central that to grasp it in its conditions, its working, and its results, is to confer a basic yet startling unity on the whole field of human inquiry and human opinion.

Do you have any ritual things you do before a race?” My dad did. He always had to wear black boxer shorts and socks. Before every race, he would also have a plain egg omelet for breakfast. I never did learn why. “Yep.” I wait, but he doesn’t expand. “Well…are you gonna tell me what it is?” Arms on the table, he leans forward. “Okay.” He lets out a breath. “I have to eat a bar of Galaxy chocolate before each race.” “Really?” I smile. “Why?” Eyes on me, he rests back in his seat, keeping his hands on the table. “After we first moved to England, I don’t know if it was the pressure or being in a different country or what, but I wasn’t winning races. I was coming in fourth at best. I was panicking because Dad had given up so much by moving us to England, and I was getting frustrated because I knew I was capable of more. “Anyway, on this particular day, I was hungry because I’d forgotten to eat, and my dad was all, ‘You will lose this race on an empty stomach.’ So, he went off to get me something to eat. Anyway, he came back, telling me there was only this shitty vending machine. Then, he held out a bar of Galaxy chocolate, and I was like, ‘What the hell is that? I’m not eating that. It’s women’s chocolate. Men don’t eat Galaxy. They eat Yorkie.’ You remember the adverts?” “I do.” I laugh, loving the way he’s telling the story. He’s so animated with his eyes all lit up. “So, my dad got pissed off and said, ‘Well, they haven’t got any men’s chocolate, so eat the bloody women’s chocolate, and shut the hell up!’” I snort out a laugh. “So, what did you do?” “Sulked for about a minute, and then I ate the fucking bar of Galaxy, and it was the best chocolate I’d ever tasted—not that I admitted that to my dad at the time. Then, I got in my kart and won my first ever race in England.” He smiles fondly, and I can see the memory in his eyes. “And since then, before every race, my dad buys me a bar of Galaxy from a vending machine, and I eat it. It’s my one weird thing.” “But what if there isn’t any Galaxy chocolate in a vending machine? Or worse, there isn’t a vending machine?” He leans forward, a sexy-arse smile on his face. “There’s always a vending machine, Andressa, and there’s always a bar of Galaxy in it.” “Ah.” The power of being Carrick Ryan.

The real crisis of capitalism is that product development lags so far behind the best insights of advertising. Since the 1960s, advertising has worked out just how much we need help with the true challenges of life. It has fathomed how deeply we want to have better careers, stronger relationships, greater confidence. In most adverts, the pain and the hope of our lives have been superbly identified, but the products are almost comically at odds with the problems at hand. Advertisers are hardly to blame. They are, in fact, the victims of an extraordinary problem of modern capitalism. While we have so many complex needs, we have nothing better to offer ourselves, in the face of our troubles, than, perhaps, a slightly more accurate chronometer or a more subtly blended perfume. Business needs to get more ambitious in the creation of new kinds of “products,” in their own way as strange-sounding today as a wristwatch would have been to observers in 1500. We need the drive of commerce to get behind filling the world—and our lives—with goods that really can help us to thrive, flourish, find contentment, and manage our relationships well.

Social networks including Facebook, Twitter and Pinterest took a step closer to offering ecommerce on their own platforms this week, as the battle to win over retailers hots up. Facebook announced on Thursday it is trialling a “buy” button to allow people to purchase a product without ever leaving the social network’s app. The initial test, with a handful of small and medium-sized businesses in the US, could lead to more ecommerce companies buying adverts on the network. It could also allow Facebook to compile payment information and encourage people to make more transactions via the platform as it would save them typing in card numbers on smartphones. But the social network said no credit or debit card details will be shared with other advertisers. Twitter acquired CardSpring, a payments infrastructure company, this week for an undisclosed price as part of plans to feature more ecommerce around live events or, as it puts it, “in-the-moment commerce experiences”. CardSpring connects payment details with loyalty cards and coupons for transactions online and in stores. The home of the 140-character message hired Nathan Hubbard, former chief executive of Ticketmaster, last year to work on creating an ecommerce product. It has since worked with Amazon, to allow people to add things to their online basket by tweeting, and with Starbucks to encourage people to tweet to buy a coffee for a friend.

...[T]hough the whole point of his "Current Shorthand" is that it can express every sound in the language perfectly, vowels as well as consonants, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable and quite legible script serve also as a Shorthand reduced it in his own practice to the most inscrutable of cryptograms. His true objective was the provision of a full, accurate, legible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of Shorthand, which he called the Pitfall system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts of speeches for you to copy, and schools where experienced teachers coached you up to the necessary proficiency. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six-penny manual, mostly in his lithographed handwriting, that was never vulgarly advertized, may perhaps some day be taken up by a syndicate and pushed upon the public as The Times pushed the Encyclopaedia Britannica; but until then it will certainly not prevail against Pitman.

Pulling out something surprising about the topic or disagreeing with conventional wisdom. E.g. Why improving your selling skills will lose you sales. Adding some form of quantification or ranking. E.g. The top 3 reasons you’re losing sales. In this case curiosity is aroused because subscribers want to find out what you think are the top 3 reasons and whether they agree with what they’d have picked. Harnessing an emotion. E.g. 7 ways big corporates try to stop you succeeding. In this case tapping in to potential anger and suspicion about large corporates. Linking the topic to something unexpected. E.g. What Jeremy Clarkson taught me about marketing. The curiosity is in wanting to know what a TV celebrity could know about a topic they’re not usually associated with. Hooking in to news and current affairs. E.g. How to achieve Olympic performance in your organisation. Health warning: these can often go stale fast, especially if lots of people make the same analogies. If you’re linking to the news, try to make it a less common story. Name drop a known expert in your field. E.g. David Ogilvy’s best performing adverts. People are curious to see behind the scenes of what a well-known industry expert thinks and does. Admit your mistakes. E.g. My WORST sales meeting ever. A mixture of wanting to know what to avoid themselves and a little schadenfreude at hearing what you did wrong means these emails often get a very high open rate.

Remember depending on another is not the same as a dependency, but sometimes the two are easily confused and without proper balance, it is easy to build a dependency or either become overly independent. But being overly independent also puts a strain on a relationship. This type of independence can stem from the fear of losing yourself within the relationship. This fear brings about erratic behavior and subconscious sabotage in order to advert losing yourself.

him at the door, vocal and upset at being left alone all night. Mathew gathers him in his arms and perches on the bottom of the stairs for a few minutes, stroking him, but really he is comforting himself. Upstairs, he showers, goes directly to his bedroom and logs on to the Blackweb as he walks. There is a tech support advert waiting for him. He accepts. “Greetings. You are Burning Crusade. I am the Lich King.

Freeing us from the obligation to get involved, fiction (and I would argue, memoirs...) allow us to enter wholeheartedly into the events described. We are as Keen puts it, in a 'safe zone'. These are not charity adverts crafted to manipulate our emotions with a view to making us take specific action. We do not have to watch our back or prepare out excuses in the thick of a story...And no one will judge us for failing to do any of these things, because the people and situations we have been reading about do not (or no longer exist). With the best will in the world, there is nothing we can do to change them- however much we might like to ...chuck Fantine a bob or two. We cannot even begin to try.

what happened was that one of the engineers must have heard the Sunkist vocal tape and for reasons best known to himself – shits and giggles, probably – cobbled together a bootleg, a Sunkist ‘Blue Monday’ take for fun. He obviously gave it to someone, who gave it to someone . . . until eventually it ended up with Sunkist, who grabbed it, put their logo on it, did an edit using some of the ‘Touched by the Hand of God’ video and issued it as an official advert. We protested and they ended up pulling the ad, but of course by that time the damage had been done and, like it or not, we’d advertised Sunkist. To add insult to injury, we never got paid for it. Not a cent. It’s still up on YouTube, check it out.

The situation got worse when they came back to her apartment after and someone put on music. An advert interrupted during a moment when I was the person nearest the laptop, and so somebody said to me—quite threateningly, I felt—Put something else on. Obviously I forgot every song I have ever heard in my entire life. In one swift tug, like the tablecloth trick where everything is supposed to remain on the table gone wrong, every name of every artist disappeared too. The only keywords I could think of were the ones on a toy keyboard-and-tape-recorder combo I'd been given as a child, and I hadn't known their meaning even then. Bossa nova, for example. I said I couldn't think of anything, any music, except silence, and retreated to the corner of the room, pretending to busy myself by scouring the bookcase there, which held little gatherings of figurines as well as Mizuko's many books.

The faint glow from his sword illuminated unpleasant things; Offler the Crocodile God was a cosmetics advert compared to some of the things the people of Tsort worshipped. In alcoves along the way were statues of creatures apparently built of all the bits God had left over.

The internet sets clickbait traps, tempting you in because, come on, who doesn’t want to know what their favourite soap star from the 1980s looks like now? You won’t believe it, right? So you spend 20 minutes clodhopping through a maze of clickbait trash, accidentally clicking an advert or two on your way through the minefield, and the end result is, well, not quite as truly amazing as the headline said. She looks kind of the same but a bit older. Meanwhile, 20 minutes of your life have ebbed away and you feel the need to go and have a shower to scrub away the stench of gullibility.

Two large, soft traveling bags weighed down his shoulders by their straps. Holo adverts blossomed into life around him. He walked lightly, scanning the people waiting for the shuttle. Food smells came out of the fast eateries across from the gate. The air hummed with the noise of business.

I never thought about a job in astronomy until I saw a job advert advertising one. It was in the Canary Islands, working for the UK Government’s Particle Physics and Astronomy Research Council (PPARC). Wow! That sounded so cool! I applied, got flown out for an interview on the island and took the job. I felt like I had won the lottery, as I was being paid to do something I was interested in and living on the beautiful island of La Palma. I started my career fixing broken vacuum cleaners at the city hospital, it was quite a change!

Advertisers control the news.

People talk about a moral compass and I think that is it. We always know the right and wrong for ourselves, the north and south. You have to trust it, Anton. People can tell you all kinds of wrong directions, lead you around any corner. You can’t trust any of that. You can’t even trust me. What do they say in car adverts? About the navigation system? Comes as standard. Everything you need to know about right and wrong is already there. It comes as standard. It’s like music. You just have to listen.

Loving intimacy with God is impossible if the conscience is stained with a deliberate habit of sin, for that is a direct denial of love of God and a definite withdrawal of part of our heart and our life from Him. Even an habitual infringement of a rule, in which we deliberately persist after we have adverted to it, makes it impossible for us to try to look God in the face, so to speak, to go into His presence with that readiness of heart for His service, which is the secret of all true devotion and prayer.

Circassian Bloom was first advertised during the eighteenth century. A typical advert, as seen in a 1772 edition of London’s Public Advertiser, begins by declaring that ‘Circassians are the most beautiful Women in the World’. To enhance their beauty, the advert states that Circassian ladies have long been accustomed to using a ‘liquid bloom’ to bring colour to their cheeks. An enterprising Englishman claims to have duplicated the secret of this liquid bloom via an extract from a Circassian vegetable.

No advertence will aid us unless and until we're prepared to see our own imperfections. To see and to accept our own shortfalls, we need honesty and intrepidity.

This negative attitude to Christianity is accompanied, in the post-Christian era, by a positive attitude of atheistic humanism. We do not mean, of course, that men are explicitly promoting a doctrine or philosophy of atheistic humanism; relatively little importance is attributed to such a philosophy. We are speaking, rather, of a change in the basic convictions of contemporary man, a change in the very context in which all their thinking takes place. We are speaking of an ideology that is unquestioningly adopted, a spontaneously accepted frame of reference, something that is usually implicit and rarely is consciously adverted to. It is the basis for a vision of the world that all accept and for a common language and a norm by which behavior is judged. It shows through in the newspapers and advertising, in our approach to contemporary society, in the content of radio broadcasting, film, and political speeches, and in the platforms of all groups whether leftist or rightist. The ideological content of this attitude can be summed up, I think, as follows. First of all, man is the measure of all things. Henceforth nothing is to be judged in relation to an absolute or a revelation or a transcendent reality. Everything is to be judged by its relation to man and is therefore as relative as man himself. both judge and criterion for judgment. In judging and making decisions he is thrown back on his own resources, and the only basis on which he can build is his own accomplishments. He knows of no higher court of appeals and no source of pardon, for he is alone on earth and is alone responsible for all that happens.

Impregnadas nas diferentes ameaças epidêmicas impostas pelos vampiros, estão inquietações que perpassam esse olhar crítico para as escolhas que nós, humanos, estamos continuamente fazendo. Se o vampiro ficcional, esse monstro que tanto nos revela e adverte sobre nós mesmos, insiste de maneira tão enfática no viés pandêmico-apocalíptico na contemporaneidade, talvez seja pelo inconveniente fato de que se torna cada vez mais evidente que “o surto mais grave no planeta Terra é o da espécie Homo sapiens” e que, caso continuemos a fazer as mesmas escolhas equivocadas, teremos que lidar com a o fato de que “eis a verdade em relação aos surtos: eles acabam”.

Angela Liberatore Melbourne | Unlocking the Power of Programmatic Advertising: Real-Time Optimization and Precision.........Programmatic advertising means that the purchase and sale of the advertising space happen through a real-time process with the help of algorithms and data analysis. This method helps adjust where the adverts should go, thus reaching the correct users at the right time, which is important in managing cost and increasing precision. Other methods, such as Real-Time Bidding (RTB), basically mean that the advertising company can bid for the advertisement placement to be done involving changes that can be made on a real-time basis depending on the results.

Hello all, Why must we be confused by all this online scammers when we all know that there has never been any other oracle apart from the the great spell casters called lama lama oracle temple, The great oracle and also i my self called kuq ya that is greatest of all, Kuq ya means GREATEST AMONG ALL THE SPELL CASTERS. This oracle has been in existence for so many years even before i was born i inherited it from my great grand father. Since we have been existing we have never failed in solving any kind of problem anyone must have been having cos we know the spirits that we serve we never lets us down, We perform various sacrifice to this spirits from time to time to make our powerful and doings effective. This temple is out on the internet to tell all of you that is wasting your time and also your hard earned money dealing with all this hungry souls that called themselves spell casters by bring cause to themselves by claiming to be what they are not, We advise you all that you should stop it as it is not right to do such, Because those spell casters that called themselves different names / temples are scammers,You will do this greatest oracle good by doing that.They are scammers and all those testimony there are posted by them also and not the people they have help,They are doing all this to get money to fed there-self and there family members !!! BE WARNED ALL OF YOU THAT NEED HELP FROM SPELL CASTERS AS IT IS BECAUSE OF ALL OF YOU WE HAVE DECIDED TO COME ONLINE TO REDUCE AND STOP ALL THIS FAKE SPELL CASTERS, AS WE GOT PERMISSION FROM THE FBI !!.. I have made so many of them online that are spoiling this great temple good work go back to the sea and some blind. I am Dr Kuq Ya the messenger to the great oracle of Nigeria,Indian,Indonesia,Singapore,UK,USA,Uganda,japan,Spain,Germany,Paris,Dubai,South Africa. To mention but a few..We are know well there as the great temple that has helped them get many of there ANCESTRAL problems solve in recent times. But we are also extending this great offer to those that have any kind of problem, when i mean any kind of problem i mean any problem at all you might be having in this life,Such as getting your lover back,you want to be rich, you feel like using charms on someone to get something you like from him or her or getting your scam many back, wining a lottery, to mention but a few. KUQ YA IS HERE FOR YOUR SERVICES AND PLEASE STOP DEALING WITH THOSE SO CALLED SPELL CASTERS THAT HAVE REALLY MESSED UP THIS WORK ONLINE. I HAVE NEVER BEEN ONLINE,BUT THE PRESIDENTS OF THE ABOVE COUNTRIES CALLED ME ON PHONE AND ALSO PERSONALLY HOLD A MEETING AND THEY ASK ME THE MESSENGER TO START ADVERTING AND TELL ALL ABOUT THIS GREATEST ORACLE THAT IS SO DURABLE, PERFECT, MARVELOUS, AND GOOD WORKS TO AVOID THIS SCAMMING THAT IS GOING ON ONLINE. I WILL BE ENDING HERE NOW, IF YOU HAVE ANYTHING BOTHERING YOUR MIND AND YOU NEED PERMANENT SOLUTION TO IT WITHOUT ANY SIDE EFFECT OR HARM, KINDLY SEND AN EMAIL TO THE FOLLOWING EMAIL ADDRESS: great.spellcaster@yahoo.com Thanks and may the spirits guide you to read and understand what i said and also we will be awaiting response from you all that have problems that want it solve at once.Thanks for your patronage as you come. To enhance fast communication, Kindly send down your Name : Country: State: Address: More about the kind of help you want here: Phone number: Age: Gender : Job: and any other information's you know it will be so helpful on the kind of work and help you wish for here. Because we solve any kind of problem in this life. NOTE : MY GMAIL ACCOUNT IS NOW BAD AS YOU CAN ONLY GET ME ON THIS EMAIL : great.spellcaster@yahoo.com. So don't contact me via me gmail account. And also our spell casting here has no side effect, As it is just to grant you your heart desires without any problem.

But because libel, almost alone among civil torts, did not require the alleged victim to prove that he or she had suffered damage or financial loss, the fact that a mere few hundred people in Alabama had read the offending advert did not matter.

Terrorist groups will not, in most instances, openly recruit from universities or the well developed areas that politicians and business leaders are always focusing on. They will not flight newspaper or TV adverts, but will use belief systems riding on the back of disadvantages, poverty and problems that have remained unaddressed in particular communities, tribal and religious ideologies. They will recruit the most vulnerable to harm and attack the most vulnerable, in order to spite leaders and authorities.

With that complexion and all that hardware in his mouth, the teenager looked like a walking birth control advert.

Poetry Should Be {Couplet} Poetry should be a commission atoning for life's acts of omission. Poetry should be advertent invention to contend with a world of contention. Poetry should be an undermining of that clichéd, overplayed silver lining.

Goodby, Silverstein & Partners, the legendary San Francisco-based ad agency behind such classic campaigns as “Got Milk” and the Foster Farm Chickens, had found itself in a funk—and felt increasingly irrelevant in an emerging, transmedia world of social networking, user-generated content, mobile, Internet video, and more. So a few years ago, the agency set an ambitious goal to completely revamp itself for the digital age. “Our goal is to be unrecognizable twelve months from now,” creative director Jamie Barrett said at the time. The idea: transform an agency known primarily for eye-popping television spots into one badass, multiplatform marketing machine. It was well worth the effort. In less than a year, Goodby saw revenues leap 20 percent to $102 million. At the start of its transformation effort, 80 percent of the twenty-five-year-old agency’s revenues came from traditional advertising campaigns, while less than 20 percent came from digital initiatives. Today, after three years of reinvention, those numbers are nearly flip-flopped, with 60 percent of revenues now coming from digital initiatives, and 40 percent from traditional. Now, a team once vexed by what it called “Crispin Envy”—for all the attention Crispin Porter + Bogusky receives for its groundbreaking work in digital media—has found its own footing, and then some. While many have driven the transformation, no one has received more credit as a catalyst for change than Derek Robson, forty-two, whom Goodby recruited from adverting agency powerhouse Bartle Bogle Hegarty in London.

ITI website portal to create new ITI College website as per NCVT norms, manageable from admin and multiple themes to select, free adverts etc. Price starts with Rs. 4999' iticolleges dot com/

I have been reminded that back in the day, eating was to provide fuel for work, a necessity of life as mundane as bathing or sleeping. Pleasurable, sure, but when did it become such an obsession?   We are bombarded daily with adverts, images, ideas and offers, all urging us to eat more, eat better, eat different, eat cheaply, and then ironically the list of diets available to us to help balance the overconsumption are so varied and many that they are too numerous to list.   Here’s an exercise: try to name six members of the current cabinet. Most people struggle after three. Now try naming me six diets. Easy, huh?   As a food lover and writer, I can say that the eating, preparation and sourcing of food has been a lifelong pleasure. I believe that one of the greatest expressions of love is to cook for someone.   For

A consciência é uma voz interior que nos adverte de que alguém pode estar olhando

It is painful to advert to these things. But our forefathers, though wise, pious, and sincere, were nevertheless, in respect to Christian charity, under a cloud. And, in History, truth should be held sacre, at whatever cost . . .especially against the narrow and futile patriotism, which, instead of pressing forward in pursuit of truth, tajes pride in walking backwards to cover the slightest nakedness of our forefathers.

It is frequently quite easy for people to recognize that they can move from a dull dialogue to a much more varied and colorful one by expressing feelings that they are aware of. Sometimes, however, we are not aware of the feelings that are there to be expressed. A director can then be helpful by asking: “Do you remember the last time that prayer was exciting or interesting for you? What were you talking about?” And then: “What happened to that topic?” Often after pondering such questions, we recognize that prayer went dull when a difficult topic came up between God and us, and we chose not to pursue it. The prayer will remain dull until we come back to that topic. When we do, the change from dullness to new interest is often dramatic. This characteristic of the dialogue with God in prayer can keep prayer firmly linked to the dialogue with God in life outside prayer. If a man is troubled by the way his wife and he are interacting, for example, and yet does not permit himself even to advert to the trouble in prayer, he may well find that his prayer is boring. The prayer, in other words, lets him know that he is not being himself with God. Attention to the quality of the dialogue with God helps us discern where we may be blinding ourselves to the light in our lives. Thus, one of the major criteria for the authenticity of our prayer and our lives is: “Is the dialogue working?” In other words, “Do I have something to say to God that means something to me? Is God somehow communicating to me something that seems to mean something to God?” If these questions cannot be answered affirmatively, the person would do well to ask God what has gone wrong. “Is there something you want to say to me that I don’t want to hear? Or is there something I don’t want to tell you?” By paying attention to the quality of the dialogue the person can learn to become more and more deeply transparent with God. The procedure could not be simpler. When we are expressing attitudes that are real and deep within us and relevant to our lives, prayer will be alive and engaging. When we are not, prayer will go dead. The director who has become accustomed to the fact that very often difficulties in prayer are due to the suppression of important attitudes and feelings does not quickly encourage directees to accept at face value statements like: “I had no time for prayer,” or “I prayed only on the run.” The director tends to ask what was happening the last time the prayer was alive.   M