Adventures In Odyssey Quotes

Yea, and if some god shall wreck me in the wine-dark deep, even so I will endure… For already have I suffered full much, and much have I toiled in perils of waves and war. Let this be added to the tale of those.

The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he onced dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself.

But they could neither of them persuade me, for there is nothing dearer to a man than his own country and his parents, and however splendid a home he may have in a foreign country, if it be far from father or mother, he does not care about it.

During the twenty years of Odesseus' absence, the people of Ithaca retained many recollections of him but never felt nostalgia for him. Whereas Odysseus did suffer nostalgia, and remembered almost nothing. ..... For four long books of the Odyssey he had retraced in detail his adventures before the dazzled Phaeacians. But in Ithaca he was not a stranger, he was one of their own, so it never occurred to anyone to say, 'Tell us!

if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim-that is the paramount goal.

As you set out on your journey to Ithaca, pray that your journey be a long one, filled with adventure, filled with discovery. Laestrygonians and Cyclopes, the angry Poseidon--do not fear them: you'll never find such things on your way unless your sight is set high, unless a rare excitement stirs your spirit and your body. The Laestrygonians and Cyclopes, the savage Poseidon--you won't meet them so long as you do not admit them to your soul, as long as your soul does not set them before you. Pray that your road is a long one. May there be many summer mornings when with what pleasure, with what joy, you enter harbors never seen before. May you stop at Phoenician stations of trade to buy fine things, mother of pearl and coral, amber and ebony, and voluptuous perfumes of every kind-- buy as many voluptuous perfumes as you can. And may you go to many Egyptian cities to learn and learn from those who know. Always keep Ithaca in your mind. You are destined to arrive there. But don't hurry your journey at all. Far better if it takes many years, and if you are old when you anchor at the island, rich with all you have gained on the way, not expecting that Ithaca will give you wealth. Ithaca has given you a beautiful journey. Without her you would never have set out. She has no more left to give you. And if you find her poor, Ithaca has not mocked you. As wise as you have become, so filled with experience, you will have understood what these Ithacas signify.

The fairy tale is accused of giving children a false impression of the world they live in. But I think no literature that children could read gives them less of a false impression. I think what profess to be realistic stories for children are far more likely to deceive them. I never expected the real world to be like the fairy tales. I think that I did expect school to be like the school stories. The fantasies did not deceive me: the school stories did. All stories in which children have adventures and successes which are possible, in the sense that they do not break the laws of nature, but almost infinitely improbable, are in more danger than the fairy tales of raising false expectations… This distinction holds for adult reading too. The dangerous fantasy is always superficially realistic. The real victim of wishful reverie does not batten on the Odyssey, The Tempest, or The Worm Ouroboros: he (or she) prefers stories about millionaires, irresistible beauties, posh hotels, palm beaches and bedroom scenes—things that really might happen, that ought to happen, that would have happened if the reader had had a fair chance. For, as I say, there are two kinds of longing. The one is an askesis, a spiritual exercise, and the other is a disease.

Lily white’s petals are at my feet anticipating the moment in which adventure and odyssey meet.

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did. All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale.

So here, Floyd told himself, is the first generation of the Spaceborn; there would be more of them in the years to come. Though there was sadness in this thought, there was also a great hope. When Earth was tamed and tranquil, and perhaps a little tired, there would still be scope for those who loved freedom, for the tough pioneers, the restless adventurers. But their tools would not be ax and gun and canoe and wagon; they would be nuclear power plant and plasma drive and hydroponic farm. The time was fast approaching when Earth, like all mothers, must say farewell to her children.

In The Odyssey, we find instead the story of a man whose grand adventure is simply to go back to his own home, where he tries to turn everything back to the way it was before he went away. For this hero, mere survival is the most amazing feat of all.

We are all on a life journey, a personal sojourn. Many people believe this one brief "strut across the stage" of life is it. Once dead, that's the end of the story. Not so. The soul lives on. We could take this all on faith – and many religions tell us to do just that, but how much better would it be to discover one's own spiritual odyssey for one's self.

In this land to fail of marvels only for an hour were the strangest marvel.

Mungkinkah ada tempat dimana orang saling menghormati kebebasan orang lain?

Ada kecenderungan hukum mengabaikan tanggung jawab pribadi dan memungkinkan orang menerima ganti rugi hanya karena rasa simpati dan persepsi tentang kekayaan.

There we understood that our vocation, our true vocation, was to move for eternity along the roads and seas of the world. Always curious, looking into everything that came before our eyes, sniffing out each corner but only ever faintly — not setting down roots in any land or staying long enough to see the substratum of things; the outer limits would suffice. As all the sentimental themes the sea inspires passed through our conversation, the lights of Antofagasta began to shine in the distance, to the northeast. It was the end of our adventure as stowaways, or at least the end of this adventure now that our boat was returning to Valparaíso. ESTA VEZ, FRACASO this time, disaster I can see him now clearly, the drunk captain, like all his officers and the owner of the vessel alongside with his great big mustache, their crude gestures the results of bad wine. And the wild laughter as they recounted our odyssey. “Hey listen, they’re tigers, they’re on your boat now for sure, you’ll find out when you’re out to sea.” The captain must have let slip to his friend and colleague this or some similar phrase. We

He always made a point of mentioning that he was reading the Odyssey on his iPad. Books are an obsolete technology! he’d say. Get with the times. Homer on an iPad, now that’s an adventure.

The odyssey of the Precious Cargo continued. The clouds remained threatening, and now and then there would be spells of rain, which the purposive wind would whip spitefully against the narrow boat.

There was hope for peace, but there will be no peace here. Not soon. There was hope for quiet, but there will be no quiet here. Not in this generation. The foundations of the home we founded are somewhat shaky, and repeating earthquakes rattle it. So what we really have in this land is an ongoing adventure. An odyssey. The Jewish state does not resemble any other nation. What this nation has to offer is not security or well-being or peace of mind. What it has to offer is the intensity of life on the edge. The adrenaline rush of living dangerously, living lustfully, living to the extreme. If a Vesuvius-like volcano were to erupt tonight and end our Pompeii, this is what it will petrify: a living people. People that have come from death and were surrounded by death but who nevertheless put up a spectacular spectacle of life. People who danced the dance of life to the very end.

She glanced between the captain and the admiral. Just like her brother said, it all finally made sense. "Oooooh," Alex said. "I get it now. Auburn Sally is based on Goldilocks, and the admiral is based on Jack. 'Starboardia' is a love story! That's so sweet!" Conner grunted like his sister had just insinuated something very crude. "Excuse me," he said defensively. "'Starboardia' is a pirate adventure! It might have elements of love, but it is absolutely not a love story!" Alex raised an eyebrow at him. "Sure," she said mockingly.

It is a story, as the first word of the original Greek tells us about "a man" (andras). He is not "the" man, but one of many men-- albeit a man of extraordinary cognitive, psychological, and military power, one who can win any competition, outwit any opponent, and manage, against all odds, to survive. The poem tells us how he makes his circuitous way back home across stormy seas after many years at war. We may expect the hero of an "epic" narrative to confront evil forces, perform a superhuman task, and rescue vast numbers of people from an extraordinary kind of threat. Failing that, we might hope at least for a great quest unexpectedly achieved, despite perils all around; an action that saves the world, or at least changes it in some momentous way-- like Jason claiming the Golden Fleece, Launcelot glimpsing the Holy Grail, Aeanas beginning the foundation of Rome. In 'The Odyssey', we find instead the story of a man whose grand adventure is simply to go back to his own home, where he tries to turn everything back to the way it was before he went away. For this hero, mere survival is the most amazing feat of all.

The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he once dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself.

O dear, soft people, full of meat and blood, with white beds and airy rooms waiting you each night, how can I make you know what it is to suffer as you would suffer if you spent a weary night on London's streets? Believe me, you would think a thousand centuries had come and gone before the east paled into dawn; you would shiver till you were ready to cry aloud with the pain of each aching muscle; and you would marvel that you could endure so much and live. Should you rest upon a bench, and your tired eyes close, depend upon it the policeman would rouse you and gruffly order you to 'move on.' You may rest upon the bench, and benches are few and far between; but if rest means sleep, on you must go, dragging your tired body through the endless streets. Should you, in desperate slyness, seek some forlorn alley or dark passageway and lie down, the omnipresent policeman will rout you out just the same. It is his business to rout you out. It is a law of the powers that be that you shall be routed out. But when the dawn came, the nightmare over, you would hale you home to refresh yourself, and until you died you would tell the story of your adventure to groups of admiring friends. It would grow into a mighty story. Your little eight-hour night would become an Odyssey and you a Homer. Not so with these homeless ones who walked Poplar Workhouse with me. And there are thirty-five thousand of them, men and women, in “London Town this night. Please don't remember it as you go to bed; if you are as soft as you ought to be, you may not rest so well as usual. But for old men of sixty, seventy, and eighty, ill-fed, with neither meat nor blood, to greet the dawn unrefreshed, and to stagger through the day in mad search for crusts, with relentless night rushing down upon them again, and to do this nights and days- O dear, soft people, full of meat and blood, how can you ever understand?

Praise for THIS TENDER LAND “If you liked Where the Crawdads Sing, you’ll love This Tender Land by best-selling author William Kent Krueger. This story is as big-hearted as they come.” —Parade Magazine “If you’re among the millions who raced through Where the Crawdads Sing this year and are looking for another expansive, atmospheric American saga, look to the latest from Krueger.” —Entertainment Weekly “Rich with graceful writing and endearing characters… this is a book for the ages.” —The Denver Post “There are very few books (or movies, for that matter) that you can describe as ‘epic.’ But This Tender Land is just that.… This story will make you look at the world from a variety of viewpoints, as you watch these lost souls befriend one another in order to form their own unbreakable family unit.” —Suspense Magazine “[The characters’] adventures are heartstirring and their view of our complex nation, in particular the upper Midwest, is encyclopedic, if an encyclopedia could stir your heart as well as your brain.” —Sullivan County Democrat “Reminiscent of Huck and Jim and their trip down the Mississippi, the bedraggled youngsters encounter remarkable characters and learn life lessons as they escape by canoe down the Gilead River in Minnesota.” —Bookpage “Long, sprawling, and utterly captivating, readers will eat up every delicious word of it.” —New York Journal of Books “Krueger has crafted an American saga, epic in scope, a glorious and grand adventure that speaks of the heart and history of this country.” —Addison Independent (Vermont) “More than a simple journey; it is a deeply satisfying odyssey, a quest in search of self and home. Richly imagined and exceptionally well plotted and written, the novel is, most of all, a compelling, often haunting story that will captivate both adult and young adult readers.” —Booklist “Absorbing and wonderfully paced, this fictional narrative set against historical truths mesmerizes the reader with its evocations of compassion, courage, and self-discovery.… This Tender Land is a gripping, poignant tale swathed in both mythical and mystical overtones.” —Bob Drury, New York Times bestselling author of The Heart of Everything That Is “This Tender Land is a moving portrait of a time and place receding from the collective memory, but leaving its mark on the heart of what the nation has become.” —CrimeReads

Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.

The longing for odysseys and faraway adventure is in our genes.

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Others went further: on one of Stanley’s expeditions, James Jameson, heir to an Irish whiskey fortune, bought an eleven-year-old girl so he could sketch her being dismembered and eaten.

~ Security is mostly a superstition. It does not exist in nature, nor do the children of men as a whole experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure, or nothing. ~ Helen Keller

An obsession is a pleasure that has attained the status of an idea.” I believe that to lend a book is an incitement to theft. Superstition and the art of libraries are tightly entwined. The search for others—to text, to email, to Skype, or to play with—establishes our own identities. We are, or we become, because someone acknowledges our presence. Perhaps all intercourse—with pictures, with books, with people, with the virtual inhabitants of cyberspace—breeds sadness because it reminds us that, in the end, we are alone. Because my childhood was largely nomadic, I liked to read about settled lives running their ordinary course. And yet, I was aware that without disruption there would be no adventure. “The gods weave misfortunes for men,” King Alcinous says in the Odyssey, “so that the generations to come will have something to sing about.” Don Quixote has attained the state of perfect readership, knowing his books by heart in the strictest sense of the word. Loss helps you remember, and loss of a library helps you remember who you truly are. “We must be grateful that we don’t know what the great books were that perished in Alexandria, because if we knew what they were, we’d be inconsolable.” Losing things is not so bad because you learn to enjoy not what you have but what you remember. You should grow accustomed to loss. Buenos Aires has always been a city of books, ever since its foundation. I remember the curious pride I felt when our history teacher told us that Buenos Aires had been founded with a library.

Diana, princess of the Amazons, was going to save the world.

Valerie reached up and pulled off her earrings. “These are no longer a symbol of us!” she said, and threw the earrings into the grass behind her. Another girl joined her and started raising her own symbols in the air. She picked up a pair of pantyhose and threw them away. Another girl threw her purse about 30 feet. They’d obviously been told beforehand to bring all the symbols of girlhood because everyone seemed to have something to throw away—jewelry, acrylic nails, perfume, and makeup. Patty raised up a can of hairspray and shot it out into the air, waving it to show the stream. Just then, Mark, head of Clean Up Kidsboro, flew out of a nearby bush. He had obviously been watching them to make sure they finished the bathroom. But now, I had a feeling he thought the feminists had gone too far. “Hey! Stop that!” he yelled. Most of the girls ignored him, including Patty, who continued spraying. “Those are harmful chemicals!” he protested. She continued to ignore him. “Stop spraying!” he yelled, jumping up and snatching the can from her hand. Some of the girls finally noticed that there was a boy present, and their frenzy came to an abrupt halt. “What are you people doing?” Mark shouted. “You’re killing us! My organization is relying on you. You’re supposed to be digging a latrine, not spraying deadly chemicals in the air!” “We’re just about to dig,” Patty said. “Well, get started, then! You’ve only got 24 hours, or we lose our funding!” “How about it, girls?” Valerie shouted, trying to regain the momentum

with no organization at all. It was as if nomadic people wandered in, pitched a tent where they would, and lived.

So here, Floyd told himself, is the first generation of the Spaceborn; there would be more of them in the years to come. Though there was sadness in this thought, there was also a great hope. When Earth was tamed and tranquil, and perhaps a little tired, there would still be scope for those who loved freedom, for the tough pioneers, the restless adventures. But their tools would not be ax and gun and canoe and wagon; they would be nuclear power plant and plasma drive and hydroponic farm. The time was fast approaching when Earth, like all mothers, must say farewell to her children.

However, one cannot ignore the folklore of the times; the story of the Odyssey and other legends recounting the adventure and dangers of travelling through the Dardanelles and Bosporus, the legends of the Argonauts and Heracles, the nymph of Arethusa, and the goddess of Syracuse.[23] Centuries of overseas ventures undoubtedly produced a pioneering spirit among the Greeks. I am in agreement with A.G. Woodhead’s emphasis on the ‘general spirit of adventure’ that permeated ‘the dawn of classical Hellas’, and his observation that ‘many of the colonies had their origins in purely individual enterprise or extraordinary happenings.’[24] He writes: ‘This personal element, indeed, probably deserves more stress than it has received. It is fashionable to look for great impersonal causes and trends which, singly or in combination, produce a human response, and the economic considerations already discussed fall into that category.

We convinced EarthLink to pay us $125,000 to become “the official Internet Service Provider of the Parks Department.” We used that money to pay to build a new website to help New Yorkers take advantage of everything offered at their parks. We owed EarthLink attention and media coverage in return. So we built a forty-foot-by-forty-foot giant spiderweb of rope in Times Square. We dressed Henry in a sequined silver suit and top hat, put him on a riser obscured by dry ice, and blasted the theme song to 2001: A Space Odyssey out of the giant speaker they use for New Year’s Eve as he ascended the web to launch the new Parks Department website, paid for by EarthLink. The same approach worked for policy initiatives. We staged elaborate funerals for trees murdered by people (cut down illegally by construction crews or poisoned by people who thought their views were obstructed by trees). One time, Henry chained himself to a tree in Union Square Park to try to prevent its demise. This all helped fuel legislation through the city council making arborcide a crime.

I do not remember much about that final moment before my great adventure, my personal odyssey, began. What I do recall was a feeling of a most calm serenity enveloping me, an at-peace well-being filtering into my very core. All was done. All was right with the world. All was going to be just fine. Come what may during the next one thousand miles, we—my dogs and I—could handle and profit from each and every one of the experiences awaiting us.

There is no shame in being who you are, where you are, right here and now. All that matters is your efforts each day to improve. We have a problem to solve, so lay your anxieties aside and focus on the reality you face in this present moment, not on the ideal scenario you had hoped for.

HOW MANY TIMES DO I HAVE TO TELL YOU: PRIDE IS UNBECOMING TO HUMANS. ONLY CATS AND DRAGONS DO IT JUSTICE.

In the current technological era we are more vulnerable to manipulation via confirmation bias than ever. Take the YouTube algorithm. It recommends videos to you on the basis of those you’ve already watched by analyzing the viewing habits of people who clicked on the same video. It predicts that you are more likely to enjoy their favorite content than a completely random selection of videos, which turns out to be a fair assumption. The trouble is, there are concerns that it can have the effect of plunging the viewer into a confirmation bias odyssey. If you watched a video about aliens visiting rural America and intrusively probing local farmhands, then you are fairly likely to be interested in other bonkers conspiracy theories, such as that the Earth is flat, and that vaccines cause autism. Before long, you may find yourself presented with videos of people telling you that school shootings in the US were faked, and that the 9/11 terrorist attacks on the World Trade Center towers were perpetrated by the US government. People who believe such things are more likely to distrust the government anyway, and to be on the political right. In the run-up to the US presidential election in 2016, virulently anti-Hillary Clinton videos were viewed six times more than anti-Donald Trump videos.

Marriage may appear as the culmination of adventure to some people, but to me, it is the dawn of an extraordinary odyssey. It is the genesis of an epic journey, where two souls unite to conquer life's grandest challenges hand in hand. So you know what? Embrace it as the thrilling prologue to a story filled with passion, devotion, and boundless love, where every day promises a new chapter of breathtaking adventures together.

The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he once dreamed, sees life as a tragedy; for has has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself.

Romance is an adventurous odyssey. Falling in love in an experience unlike any other. Love stories capturing the madness, struggles, anguish, excitement, adventure, passion, hope, relief, and wonder of that journey give us an opportunity to experience the magic all over again. Perpetuating myths of addiction, simplistic and formulaic prescription, and manipulation and exploitation of innate human emotions are at best insulting to the reader if not downright unseemly.

Romance is an adventurous odyssey. Falling in love is an experience unlike any other.

Events such as this are not just movies, but genuine adventures; the films themselves when removed from their context amount to nothing. The company, the mood, the venue—they’re as integral to a moviegoing memory as they are to a romantic meal, a thrilling concert, a great ball game. Think

This was the greatest day ever. This morning as you walked to school, you saved a child’s life by pulling him out of the way of an oncoming bus. Then you got an A-plus on a huge biology test even though you studied for only forty-five seconds. Then you were named Student of the Millennium in your school. With the award you were given a brand-new sports car, an all-expenses-paid trip to the moon, and a statue of yourself that will grace the courtyard at your school for all eternity. Then you hit the game-winning home run for your school’s baseball team. There happened to be a major-league scout in the stands, and he wants you to be the new cleanup hitter for the New York Yankees. Your starting salary will be eight billion dollars. What a day! It was so good that you went home that night, sat on your bed, and told . . . no one. Of course not! If you had a day like that, you would tell everyone! You’d throw a party for six hundred of your closest friends to announce what happened. Right? Well, becoming a Christian is actually way better than all of those things. The statue and the eight billion dollars will fade away some day. But the decision to follow Jesus will mean something for all eternity.

Uniformed soldiers rolled out a red carpet. A band stood at attention ready to play. Thousands of people waited outside the gates, jittery with excitement over the king’s arrival. Inside, a fancy dinner and big party had been prepared. That’s how a visiting king should be treated. Yet when the King of Kings arrived on earth, He was born in a humble stable. The Lord of the Universe made His appearance, and almost everyone slept through it.

The idea of the dictatorship of the proletariat expresses in particular our desire to find ready made in history a resolution of history's horrors, to think of history as an Odyssey, to return to a solution already given in things, or at least to base our will on a movement of things. If one takes away this ideology, what remains? Only revolutionary movements which indeed avoid the alternatives of personal dictatorship and democratic consultation because they are a resistance, because they are not a recognized power, but which have no other reason for existing than to create one, which therefore do something other than what they want to do. The abortion of the French Revolution, and of all the others, is thus not an accident which breaks a logical development, which is to be attributed to the particularities of the rising class, and which will not take place when the rising class is the proletariat: the failure of the revolution is the revolution itself. Revolution and its failure are one and the same thing.

Across the ages and regardless of geography, in everything that really matters, it bears repeating that we are all members of a SINGLE human family—a family of intrepid adventurers who have been exploring the world in one form or another for the best part of a million years.18 In the course of this long odyssey we’ve moved so far apart, across oceans, over mountains, and to the opposite ends of jungles, deserts, and ice caps that we’ve forgotten how closely related we in fact are. In this sense, like the simple human message of the burials, the message of genetics also speaks to a hidden unity within our apparent diversity—and sometimes in ways that defy our expectations.