Adult Funny Quotes

We've searched our database for all the quotes and captions related to Adult Funny. Here they are! All 100 of them:

Those sweet lips. My, oh my, I could kiss those lips all night long. Good things come to those who wait.
Jess C. Scott (The Intern)
The human body is the best work of art.
Jess C. Scott
A fit, healthy body—that is the best fashion statement
Jess C. Scott
Rejection is an opportunity for your selection.
Bernard Branson
Please, touch me, I pray.
Jess C. Scott (The Intern)
I don't like hello. It makes me sound like I have dementia, like I've never heard a phone ring before and I don't know what's supposed to happen next. Hello?
Rainbow Rowell (Fangirl)
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
The stuff adults tell you not to do is the easiest.
Ned Vizzini (It's Kind of a Funny Story)
I was born with an adult head and a tiny body. Like a 'Peanuts' character.
Jon Stewart
I guess I like things that take time and attention. More worthwhile that way.
Huntley Fitzpatrick (My Life Next Door)
If you want me obedient, prince, kill me and carry my corpse.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
What I notice is that every adult or child I give a new set of Crayolas to goes a little funny. The kids smile, get a glazed look on their faces, pour the crayons out, and just look at them for a while....The adults always get the most wonderful kind of sheepish smile on their faces--a mixture of delight and nostalgia and silliness. And they immediately start telling you about all their experiences with Crayolas.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
No bikinis on a first date.” He nods. “I’m sure that’s a rule. Or should be. For my sisters anyway.
Huntley Fitzpatrick (My Life Next Door)
When they’re together, the world could fall apart around them and they’d never notice or care as long as they have each other. About Alex and Brittany.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Could the two people who are making out please be quiet?" the Colonel asked loudly from his sleeping bag. "Those of us who are not making out are drunk and tired.
John Green (Looking for Alaska)
This is Sailor Supergirl,” George says. “She knows all about black holes.
Huntley Fitzpatrick (My Life Next Door)
When I turn back to Jase, he’s again beaming at me. “You’re nice.” He sounds pleased, as if he hadn’t expected this aspect of my personality.
Huntley Fitzpatrick (My Life Next Door)
If we had to earn our age by thinking for ourselves at least once a year, only a handful of people would reach adulthood.
Mokokoma Mokhonoana
This funny thing happens when you graduate college. You hear so much about being an adult that you start to feel like you have to become a different person overnight, that growing up means being not you. And you concentrate so hard on living up to the term "adult" that you forget growing up happens by living, not by sheer force of will.
Cora Carmack (Finding It (Losing It, #3))
Right. Because if you have trouble putting ketchup and mustard on a hot dog, you should totally move on to saving lives.
Huntley Fitzpatrick (My Life Next Door)
Life is a process during which one initially gets less and less dependent, independent, and then more and more dependent.
Mokokoma Mokhonoana
There’s always time for arguin’ when you’re a Fuentes.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
It's funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.
Paula Poundstone
I squinted at her. “You’re an adult.” “You’re an adult too.” “But you’re an older adult. You’ve had more practice.” Mom leaned back and laughed.
Ilona Andrews (White Hot (Hidden Legacy, #2))
It's funny how when you're little, you miss all the little lies. They float right past you, but you don't wonder about them much. For a long time, you think this is just something adults still do after being kids - pretend. Then one day you wake up and realize most of the world you're in is built on someone's make-believe.
V.C. Andrews (Misty (Wildflowers, #1))
I’m not going anywhere until you hear me out.” Oh, please no. Anything except having to listen to her lecture. I push the button that calls the nurse. “Can we help you, Alex?” a voice bellows through the speaker. “I’m bein’ tortured.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Jase props himself up on an elbow, looking at me for a minute without saying anything. His face gets an unreadable expression, and I wish I could take back walking over. Then he observes, “I’m guessing that’s a uniform.” Crap. I’d forgotten I was still wearing it.
Huntley Fitzpatrick (My Life Next Door)
A question that always makes me hazy is it me or are the others crazy' Albert Einstein
Victoria Ward (The Unconventional Life of Jenna Jaghe)
One of the most jolting days of adulthood comes the first time you run out of toilet paper. Toilet paper, up until this point, always just existed. And now it's a finite resource, constantly in danger of extinction, that must be carefully tracked and monitored, like pandas?
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
So why are you so mad at me for kissing you?” “Because you took too long. If you'd done that, say, three years ago, we wouldn't have only had one kiss before we both get horribly mutilated.
Rusty Fischer (Ushers, Inc.)
You were lookin’ at me like you wanted to kiss me.” I force a laugh. “Yeah, right,” I say sarcastically. “Nobody’s watchin’ if you want to, you know, try it. Not to brag, but I’m somewhat of an expert.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
My humor is so dirty I could masturbate to it.
Aleksandra Ninković (Write like no one is reading)
Skulduggery." "Fletcher." Fletcher stuck out his hand. Skulduggery observed it for a moment. "I'm sorry, what are we doing now?" "Shaking hands," Fletcher said. "Like adults. I just want you to know that this past year has changed me. I've grown, as a person. I'm not the same Fletcher you used to know. "You look a lot like him." "Well, yeah, but-" "And you have the same ridiculous hair." "Can we just shake hands?" "Of course we can," Skulduggery said, and they shook. "Now what?" "I, uh...I don't really know. What do adults usually do after they shake hands?" "Generally, the first thing they do is let go." "Oh, right," Fletcher said, and Skulduggery took his hand back. "So, Skulduggery, how have you been? You're looking well. That's a really nice tie. "It's blue." "And such a nice shade." Skulduggery looked at Valkyrie. "You promised me he wouldn't be annoying.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Thank you adult mittens, for allowing me to give people the finger without them knowing it.
Jimmy Fallon (Thank You Notes)
We’re adults. I might be a little more of an adult if you’re counting years but I bet I have a lower IQ, so that puts us pretty much even.
Robyn Carr (My Kind of Christmas (Virgin River, #18))
Don’t try and make me feel better, Alex. I hate you.” “I hate you, too.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I swam through the thick, smelly, greyish ocean of pressure toward nowhere.
Darin C. Brown (The Taste of Despair (The Master of Perceptions, #3))
Because she left him a MySpace message that was semi-flirty, and then today he was very vague about what he was doing. So I headed over to his house and waited outside until he left. And now he’s at McDonald’s, and I’m following him to see where else he’s going.” MySpace is seriously going to be responsible for everyone losing their minds.
Lauren Barnholdt (Two-Way Street)
Adults who use big words in order to seem intelligent are annoying, especially those who are not intelligent.
Mokokoma Mokhonoana
And all those things you listed right now, they’re things Garrett and I do together. Dude, you don’t want me. You want me and Garrett.
Elle Kennedy (The Mistake (Off-Campus, #2))
What are you boys doing?” she asks, as if we’re still little kids messing around. “Arguin’,” Carlos says matter-of-factly.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
Fuck you!” “Right here?” He crossed his arms. “That definitely wouldn’t help your getting over me.
Stacey Marie Brown (Darkness of Light (Darkness, #1))
She ignores me, so I cup my hands over my mouth and do something I haven’t done in years— barnyard sounds.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
Well, you know that old saying, “Keep your friends close and make out with your enemies.
Shae Ross (Lace Up)
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books. “I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing. “Me too,” he replies. Another cab cruises past like a shark. “Where are you actually going?” My voice rings down the empty street. “I just told you. I’m going out stalking.” “What, on foot?” I come closer by another six paces. “You were going to walk?” “I was going to run down the middle of the street like the Terminator.” The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop. “You’re on foot, after all. Stilts.” He gestures at my sky-high shoes. “It gives me a few extra inches of height to look through your garbage.” “Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin. “Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
Sally Thorne (The Hating Game)
It's funny. You take adults, they look lousy when they're asleep and they have their mouths way open, but kids don't. Kids look alright. They can even have spit all over the pillow and they still look alright.
J.D. Salinger (The Catcher in the Rye)
Ben walks in the room and asks, “What were you guys doing?” Nikki says “Nothing” at the same time I say, “Your sister and I were just makin’ out.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
A text pops up on the screen. It’s from Luis. I can’t help but grin when I read his perfectly thought-out message. Luis: Hey
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
The average adult hates being treated like a child, unless it suits them.
Mokokoma Mokhonoana
Whoa, who was that?” “Madison Stone,” Kiara mutters. “Introduce me to her.” “Why?” Because I know it’ll annoy the shit out of you.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Sylvia grabs my sleeve. “He’s a looker.” “I know. The problem is, he knows it, too.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
He slid over to me and grabbed me closer to him. My smile fell from my face with the unexpectedness of it. His hands cupped my face, his lips hovering above mine. “You seriously want to know, Tess?” He closed the space and claimed my mouth with an urgent, hot, delving kiss. He smiled. “You are sexy, in your own goofball way, you’re sweet and beautiful and smart and funny and, although you kiss to the point where I feel like I want to go back for seconds, you’re my best friend, and that’s why I don’t want to tap that.
C.J. Duggan (The Boys of Summer (Summer, #1))
I think adults must get sort of worn away over time, like rocks out at sea, but remain who they are, just slower and grayer with those funny vertical wrinkles in front of their ears. But the young are a different shape from one week to the next. To know us is to run alongside us, like someone trying to shout through the window of a moving train.
Eve Chase (Black Rabbit Hall)
Look, if I were straight, you'd be grandparents before your time. You should be relieved that I'm gay. Aren't you grateful?
Hayden Thorne (Mimi Attacks (Masks, #5))
Carlos, are we in complete understanding with each other?” “Yeah,” I say. “As long as it’s not in your house and you don’t know about it, you’re okay with us messin’ around.” “I know you’re joking with me. You are joking with me, aren’t you?” “Maybe.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
Luis is right there.” I point to the corner of the yard, where my little brother is the centre of attention doing imitations of barnyard animals. I have yet to inform him that talent isn’t as much of a chick magnet when you get into junior high.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Depression is a funny thing. Some days you have the strength to get up out of bed and attempt to live your life as a normal human being, but others…you just don’t want to leave your room and socialize with the outside world—the world that you hate on days like this. You stay secluded in a tiny space, left alone to the thoughts that eat at your brain until you finally sit down and let them be thought.
Ashley Earley (The Darkest Light)
someone like Grace. Someone exactly like Grace, with her Ted Bundy rants and her calming presence and—hello, irony.
Elle Kennedy (The Mistake (Off-Campus, #2))
I’m sorry. I didn’t mean to be a dickhead. Well, I did.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You look like a hot tamale.” “That’s not really a compliment.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
You’ve got a big ego, Fuentes.” “That’s not all I’ve got.
Simone Elkeles
Listen, I didn’t ask for a face and body girls find attractive. But thanks to the mixture of my parents’ DNA, I’ve got them, and I’m not ashamed to use ’em.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
What's a triumph is that you woke up this morning and decided to live. That's a triumph.
Ned Vizzini (It's Kind of a Funny Story)
It’s funny how books can change you. You open up a book and one minute you are who you’ve always been, then you read some random passage and you become someone else.
Brian Joyce
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
...which, of course, is how I developed my love for both Kabuki theater and marshmallow Peeps.
Jimmy Gownley (Amelia Rules! Volume 6: True Things Adults Don't Want Kids to Know (Amelia Rules! #6))
It was me–a dangerous cocktail of pissed off and hurt.”–Ember (Darkness Of Light)
Stacey Marie Brown (Darkness of Light (Darkness, #1))
The average adult has had sex innumerable times more than they have formed an opinion of their own.
Mokokoma Mokhonoana (The Use and Misuse of Children)
I’m waiting with baited breath to hear that silver tongue of yours.
Jodie B. Cooper (A Dragon's Dream of Love)
Well sue me for staring. I'd be willing to scrub away my shame on his washboard abs.
Tia Giacalone (Hey Sunshine (Hey Sunshine, #1))
I am an adult now (sort of, kind of, not really).
Nina Kenwood (It Sounded Better in My Head)
And if he was kind and friendly and funny, and if he told you about places so beautiful that you wanted to go with him to see them, and if he listened to you talk like he actually cared about what you were saying? And if he tried to protect you when other people tried to tell you what to do, as if they owned you? And if he has the handsomest face you've ever seen, no matter if the skin has been damaged, because he's just lovely even so?
Caroline Leech (Wait for Me)
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us.
Osamu Dazai (Schoolgirl)
That’s the funny thing about guns; even untrained hands can feel powerful using them. But take that gun away and you’re left with nothing but a coward whose only skill is how to blindly pull a trigger.
Jennifer Wilson (Rising (New World #1))
It doesn't matter if it's the real world or fictional," I insisted. "Crushes are the best part of liking someone, and they are completely safe. You get all the benefits of fantasising about someone, but none of the he-loves-me-he-loves-me-not drama. It's all the good parts with none of the parts that make you lie awake at night all angsty.
Liz Czukas (Ask Again Later)
She would have to ride the nightmare in her sleep. Only that would keep it material, or enable her to dematerialize with it.
Piers Anthony (Ogre, Ogre (Xanth #5))
Scientist say that music can change the speed of a heartbeat. They failed to add: so can a text message.
Holly Smale (Model Misfit (Geek Girl, #2))
His eyes are a hazy swirl of gray, like a thick mass of clouds gathering before an impending storm
Elle Kennedy (The Deal (Off-Campus, #1))
It’s not really wine,” he said. “It’s Diet Coke. And if anyone ever serves you brown wine with a foamy head, send it back.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Can you put your hands on my crotch?” “Why, hell no, I cannot.” I didn’t remember anything like this happening in Pride and Prejudice.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Así es. ¿Sabes?, Bianca di Angelo no es la única que tiene un hermano irritante. Ya va siendo hora de que conozcas a mi muy irresponsable gemelo. Apolo. - Artemisa.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
What’s with all those tattoos? Makes you look like a hooligan.” “I suspect I am a hooligan.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
You realize people like you and Trav are going to fight, right?" America said, filing her nails as she chewed the huge wad of gum in her mouth. I turned over on the bed. "You are officially fired. You are a terrible conscious.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I love you, Tess McGee. I don’t do big funny or heartfelt speeches in front of people at birthday parties, but I’m excellent in private alcoves in beer gardens.” He paused. “Okay, that sounded really bad, what I mean is …” I kissed him into silence. I pressed my forehead against his with a sigh. “I love you, too, Toby. In fact, that’s what I was going to tell you before we walked into the beer garden. Right before the really bad singing started.” Toby chuckled. He let out a sigh of relief. “Ready to reminisce?” I whispered my final word before he closed the distance. “Always.
C.J. Duggan (The Boys of Summer (Summer, #1))
Grow up with me,Let’s run in fields and through the dark together,Fall off swings and burn special things,And both play outside in bad weather,Let’s eat badly,Let’s watch adults drink wine and laugh at their idiocy,Let’s sit in the back of the car making eye contact with strangers driving past,Making them uncomfortable,Not caring, not swearing, don’t look,Let’s both reclaim our superpowers, The ones we all have and lose with our milk teeth,The ability not to fear social awkwardness,The panic when locked in the cellar, still sure there’s something down there,And while picking through pillows each feather,Let’s both stay away from the edge of the bed,Forcing us closer together,Let’s sit in public, with ice-cream all over both our faces,Sticking our tongues out at passers-by,Let’s cry, let’s swim, let’s everything,Let’s not find it funny, lest someone falls over,Classical music is boring,Poetry baffles us both,There’s nothing that’s said is what’s meant,Plays are long, tiresome, sullen and filled With hours that could be spent rolling down hills and grazing our knees on cement,Let’s hear stories and both lose our innocence,Learn about parents and forgiveness,Death and morality,Kindness and heart,Thus losing both of our innocent hearts,But at least we wont do it apart,Grow up with me.
Keaton Henson
I’m trying to decide whether to tell you two to get a room or go barf in the trash can,” Emma said. “I’m leaning toward the second choice. You are both getting way too weird. And gross.” Cal barked out a laugh and slid his fingers down my arm to entwine with mine. His touch, and Emma’s comments, only made me blush more. Looks like Emma saw Cal lick my face after all. Now that wasn’t awkward or anything.
E.J. Stevens (Legend of Witchtrot Road (Spirit Guide, #3))
Okay, okay. So. First things first. Aaaaaaaaaaaaahhhhhhhh! Second thing: I should probably say “thank you” for saving my life. Say it and then follow it up with something funny like… okay. Spinach joke. Spinach joke. Shit. Um… Oh, I know! What do anal sex and spinach have in common? If you’re forced to have either as a child, you won’t want it as an adult. Holy fucking Christ. What the fuck is wrong with me? There is no way I can make a spinach/molesting joke! I am a monster. Think of something else. Think of anything else!
T.J. Klune (Tell Me It's Real (At First Sight, #1))
His hands still on his shoulders. “Hi,” he says. “Sorry.” “For what?” “For the fact that you are such a big flirt.” He laughs. “You’re the one in my lap. I was just sitting here minding my own business.” “Just the plane, then?” “Of course.” I try to stand up, but he pulls me back down again. “Man, the plane is really bumpy today,” he says.
Kasie West (The Distance Between Us (Old Town Shops, #1))
- Obviously, we're hoping that the weather forecasters are wrong, the way they tend to be about ninety-eight percent of the time A few adults chuckled at that lameness. I remember thinking, hoping, that I would never turn into the kind of person who though weather jokes were funny.
Siobhan Vivian (The Last Boy and Girl in the World)
My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being. But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it. Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level. Hell, Astrid was Olympic level in every possible way.
Emmy Laybourne
Nobody in the world understood our suffering. In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone.
Osamu Dazai (Schoolgirl)
Acting on desire is more like a craft, a science, an art. It takes careful mindful practice. Be patient and quiet. Listen, observe, take notes. Figure out what you want, privately, and then choose to want it, publicly. Put your desire out in the open. I want to go swimming. I want to bake bread. I want to paint a picture. I want to build a chair. I want to write a book. You act and then you fail. Over and over. And it’s better to start failing when you’re young, when all you lose is an ice-cream cone or a basketball game or an afternoon of fun. When you’re older, the stakes are higher. If adults don’t know how to want, then they lose a love, a career, a life.
David Barringer (There's Nothing Funny About Design)
She was sad and lost and alone in the dark," Cecil said. "She needed somebody to hold her." "And you think she's going to get tired of that?" "You did," Cecil said. "You shut me right out." "It was your decision, not mine," Dave said. "You are the dearest thing in life to me. You're bright and funny and gentle and decent and full of life. And I will never get tired of you, and neither will Chrissie. It's not up to her anyway. You're the adult. Tell her the truth -- that it was an act of kindness that got out of hand." "I can't hurt her like that," Cecil said. "It will hurt more the longer you let it go on.
Joseph Hansen (Early Graves (Dave Brandstetter, #9))
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth. You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly. At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be. You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you. Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
Christopher Paul Curtis (Bud, Not Buddy)
Why was he doing this? So that life could continue in the metro? Right. So that they could grow mushrooms and pigs at VDNKh in the future, and so that his stepfather and Zhenkina’s family lived there in peace, so that people unknown to him could settle at Alekseevskaya and at Rizhskaya, and so that the uneasy bustle of trade at Byelorusskaya didn’t die away. So that the Brahmins could stroll about Polis in their robes and rustle the pages of books, grasping the ancient knowledge and passing it on to subsequent generations. So that the fascists could build their Reich, capturing racial enemies and torturing them to death, and so that the Worm people could spirit away strangers’ children and eat adults, and so that the woman at Mayakovskaya could bargain with her young son in the future, earning herself and him some bread. So that the rat races at Paveletskaya didn’t end, and the fighters of the revolutionary brigade could continue their assaults on fascists and their funny dialectical arguments. And so that thousands of people throughout the whole metro could breathe, eat, love one another, give life to their children, defecate and sleep, dream, fight, kill, be ravished and betrayed, philosophize and hate, and so that each could believe in his own paradise and his own hell . . . So that life in the metro, senseless and useless, exalted and filled with light, dirty and seething, endlessly diverse, so miraculous and fine could continue.
Dmitry Glukhovsky (Metro 2033)
You know, I think some people fear that if they like the wrong kind of book, it will reflect poorly on them. It can go with genre, too. Somebody will say, “I won’t read science fiction, or I won’t read young adult novels”—all of those genres can become prisons. I always find it funny when the serious literary world will make a little crack in its wall and allow in one pet genre writer and crown them and say, “Well Elmore Leonard is actually a real writer.” Or “Stephen King is actually a really good writer.” Generally speaking, you know you’re being patronized when somebody uses the word “actually
Elizabeth Gilbert
It’s said that sport is the civilised society’s substitute for war, and also that the games we play as children are designed to prepare us for the realities of adult life. Certainly it’s true that my brother thrived in the capitalist kindergarten of the Monopoly board, developing a set of ruthless strategies whose success is reflected in his bank balance even to this day. I, on the other hand, can still be undone by the kind of ridiculous sentimentality that would see me sacrifice anything, anything, in order to have the three matching red-headed cards of Fleet Street, Trafalgar Square and The Strand sitting tidily together on my side of the board.
Danielle Wood (Rosie Little's Cautionary Tales for Girls)
The porpoises and whale themselves, in their quests for entertainment, often created problems. One summer a fashion developed in the training tanks (I think Keiki started it) for leaning out over the tank wall and seeing how far you could balance without falling out. Several animals might be teetering on the tank edge at one time, and sometimes one or another did fall out. Nothing much happened to them, except maybe a cut or a scrape from the gravel around the tanks; but of course we had to run and pick them up and put them back in. Not a serious problem, if the animal that fell out was small, but if it was a 400-pound adult bottlenose, you had to find four strong people to get him back, and when it happened over and over again, the people got cross. We feared too, that some animal would fall out at night or when no one was around and dry out, overheat, and die. We yelled at the porpoises, and rushed over and pushed them back in when we saw them teetering, but that just seemed to add to the enjoyment of what I'm sure the porpoises thoguht of as a hilariously funny game. Fortunately they eventually tired of it by themselves.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us. And they would see how we always experienced the same embarrassment of being ignored. It's not as though we only care about the present. If you were to point to a faraway mountain and say, If you can make it there, it's a pretty good view, I'd see that there's not an ounce of untruth to what you tell us. But when you say, Well, bear with it just a little longer, if you can make it to the top of that mountain, you'll have done it, you are ignoring the fact that we are suffering from a terrible stomachache—right now. Surely one of you is mistaken to let us go on this way. You're the one who is to blame.
Osamu Dazai (Schoolgirl)