Admissions Essays Quotes

It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get -- the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke -- that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens...and it opens outward: we've been inside what we wanted all along. Das ist komisch.

An apology is also an admission of guilt

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

The other thing you can do is write a strong personal essay which lets admissions people inside your life, your heart, and your world. ... Anyway, it can be hard to figure out what to write about, so here are a few suggestions: ... 5. Reasons it's wrong to be racist even though it makes sense to you.

But when the bad day in your week finally arrives—and it comes to all—by which I mean, that particular moment when your sufferings, as puny as they may be in the wider scheme of things, direct themselves absolutely and only to you, as if precisely designed to destroy you and only you, at that point it might be worth allowing yourself the admission of the reality of suffering, if not for yourself, exactly, then in preparation for that next painful bout of videoconferencing, so that you don’t roll your eyes or laugh or puke while listening to what some other person seems to think is pain.

In poems, equally as in philosophic disquisitions, genius produces the strongest impressions of novelty while it rescues the most admitted truths from the impotence caused by the very circumstance of their universal admission.

Who, for example, would have ever predicted that the high school student who uses too many verbs in her college admissions essay is likely to make lower grades in college? Or that the poet who overuses the word I in his poetry is at higher risk of suicide? Or that a certain world leader’s use of pronouns could reliably presage whether he’d lead his country into war? By looking more carefully at the ways people convey their thoughts in language we can begin to get a sense of their personalities, emotions, and connections with others.

Brave New World founded my nascent moral philosophy and became the subject of my college admissions essay, in which I argued that happiness was not the point of life.

I wonder whether, just as we take recertification exams every few years, we might be required, at intervals, to rewrite our medical school admissions essays, to articulate at each stage of our careers just what sort of doctors we aspire to be. Origin myths are meant to be retold and reinterpreted again and again.

All praise of Civilization, or Art, or Contrivance, is so much dispraise of Nature ; an admission of imperfection, which it is man's business, and merit, to be always endeavouring to correct or mitigate.

The Count of Monte Cristo, Edgar Allan Poe, Robinson Crusoe, Ivanhoe, Gogol, The Last of the Mohicans, Dickens, Twain, Austen, Billy Budd…By the time I was twelve, I was picking them out myself, and my brother Suman was sending me the books he had read in college: The Prince, Don Quixote, Candide, Le Morte D’Arthur, Beowulf, Thoreau, Sartre, Camus. Some left more of a mark than others. Brave New World founded my nascent moral philosophy and became the subject of my college admissions essay, in which I argued that happiness was not the point of life. Hamlet bore me a thousand times through the usual adolescent crises. “To His Coy Mistress” and other romantic poems led me and my friends on various joyful misadventures throughout high school—we often sneaked out at night to, for example, sing “American Pie” beneath the window of the captain of the cheerleading team. (Her father was a local minister and so, we reasoned, less likely to shoot.) After I was caught returning at dawn from one such late-night escapade, my worried mother thoroughly interrogated me regarding every drug teenagers take, never suspecting that the most intoxicating thing I’d experienced, by far, was the volume of romantic poetry she’d handed me the previous week. Books became my closest confidants, finely ground lenses providing new views of the world.

Men create oppositions, which are not; and put them into new terms, so fixed, as whereas the meaning ought to govern the term, the term in effect governeth the meaning. There be also two false peaces, or unities: the one, when the peace is grounded, but upon an implicit ignorance; for all colors will agree in the dark: the other, when it is pieced up, upon a direct admission of contraries, in fundamental points. For truth and falsehood, in such things, are like the iron and clay, in the toes of Nebuchadnezzar’s image; they may cleave, but they will not incorporate.

How has my industry raised prices at this rate without improving the product? At a few elite institutions, including NYU, we’ve leveraged scarcity. More than a business strategy, it’s become a fetish—believing you are a luxury brand instead of a public servant. Ivy Leagues have acceptance rates of 4–10%. A university president bragging about rejecting 90% of applicants is tantamount to a homeless shelter taking pride in turning away 90% of the needy that arrive each night. And this is not about standards or brand dilution. In an essay explaining his decision to stop conducting application interviews for his alma mater, Princeton, journalist Bryan Walsh observed, “The secret of elite college admissions is that far more students deserve to attend these colleges than are admitted, and there is virtually no discernible difference between those who make it and the many more who just miss out.” In support, he offered this statement from Princeton’s own dean of admissions: “We could have admitted five or six classes to Princeton from the [applicant] pool.”4 So, with a $26 billion endowment, the question becomes, Why wouldn’t you?

In two months, I think, my college job will end. In two months I will have no office, no college, no salary, no home. Everything will be different. But, I think, everything already is. When Alice dropped down the rabbit-hole into Wonderland she fell so slowly she could take things from the cupboards and bookshelves on the walls, look curiously at the maps and pictures that passed her by. In my three years as a Cambridge Fellow there’d been lectures and libraries and college meetings, supervisions, admissions interviews, late nights of paper-writing and essay-marking, and other things soaked in Cantabrian glamour: eating pheasant by candlelight at High Table while snow dashed itself in flurries against the leaded glass and carols were sung and the port was passed and the silver glittered upon dark-polished refectory tables. Now, standing on a cricket pitch with a hawk on my hand, I knew I had always been falling as I moved past these things. I could reach out and touch them, pick them off their shelves and replace them, but they were not mine. Not really ever mine. Alice, falling, looked down to see where she was headed, but everything below her was darkness.

To speak to Him thus is easier by nature for woman than for man because a natural desire lives in her to give herself completely to someone. When she has once realized that no one other than God is capable of receiving her completely for Himself and that it is sinful theft toward God to give oneself completely to one other than Him, then the surrender is no longer difficult and she becomes free of herself. Then it is also self-evident to her to enclose herself in her castle, whereas, before, she was given to the storms which penetrated her from without again and again; and previously she had also gone into the world in order to seek something abroad which might be able to still her hunger. Now she has all that she needs; she reaches out when she is sent, and opens up only to that which may find admission to her.

In one of the notebooks he carried with him, Nietzsche wrote, "We have art lest we perish from the truth." For those leading afterlives, the unadorned facts of what's happened to them can be brutish to bear on their own terms. Contextualizing that hardship through our intellects and imaginations is a critical salve, an act of transforming our perception that can guide and color how we experience our lives. We can knead our experiences into a larger arc, providing the cohesion that helps us form new narrative identities. Or we can look deeper into our afterlives until we ferret out a way of construing them that rouses our spirits or points them toward salvation. In her essay collection The White Album, Joan Didion delivered a pronouncement that was a natural descendants to Nietzsche's line, an admission of how desperately we rely on the subjective fictions we construct: "We tell ourselves stories in order to live." Those stories--whether they take the form of redemption narratives, personal parables, or the pearlescent beliefs we kneel before each day like shrines offering eternal grace--can elevate our lives and serve as the vessels of private deliverance.

Excuses are admissions of lack of Faith, lack of appreciation, lack of love, and an open confession of laziness!

In the early days of America’s democracy, education and literacy were the prerequisites for establishing a connection to the body politic. In a world where communication was dominated by the printed word, those who learned to read also learned to write. Gaining the ability to receive ideas was automatically accompanied by the ability to send ideas, expressing your own thoughts in the same medium through which you took in the thoughts of others. The connection, once established, was two-way. As Thomas Jefferson wrote, “The art of printing secures us against the retrogradation of reason and information.” In practice, the use of the printing press was mainly by the elites in America’s early decades, and the scurrilous, vitriolic attacks of that age certainly rivaled the worst of any modern political attacks. Nevertheless, the easy accessibility to the printed word opened up avenues of participation in the dialogue of democracy for people like Thomas Paine, who had neither family wealth nor political influence—other than what he gained with the eloquence of his writing. The age of printed pamphlets and political essays has long since been replaced by television—a distracting and absorbing medium that seems determined to entertain and sell more than it informs and educates. If the information and opinions made available in the marketplace of ideas come only from those with enough money to pay a steep price of admission, then all of those citizens whose opinions cannot be expressed in a meaningful way are in danger of learning that they are powerless as citizens and have no influence over the course of events in our democracy—and that their only appropriate posture is detachment, frustration, or anger.

It is true that we arrive at contradictions when we describe the perceived world. And it is also true that if there were such a thing as a non-contradictory thought, it would exclude the world of perception as a simple appearance. But the question is precisely to know whether there is such a thing as logically coherent thought or thought in the pure state...One of Kant's discoveries, whose consequences we have not yet fully grasped, is that all our experience of the world is throughout a tissue of concepts which lead to irreducible contradictions if we attempt to take them in an absolute sense or transfer them into pure being, and that they nevertheless found the structure of all our phenomena, of everything which is for us...I wish only to point out that the accusation of contradiction is not decisive, if the acknowledged contradiction appears as the very condition of consciousness...There is a vain form of contradiction which consists in affirming two theses which exclude one another at the same time and under the same aspect. And there are philosophies which show contradictions present at the very heart of time and of all relationships. There is the sterile non-contradiction of formal logic and the justified contradictions of transcendental logic. The objection with which we are concerned would be admissible only if we could put a system of eternal truths in the place of the perceived world, freed from its contradictions.

May we not think of the two friends together in a College chamber, Addison of slender frame, with features wanting neither in dignity nor in refinement, Steele of robust make, with the radiant 'short face' of the 'Spectator', by right of which he claimed for that worthy his admission to the Ugly Club. Addison reads Dryden, in praise of whom he wrote his earliest known verse; or reads endeavours of his own, which his friend Steele warmly applauds. They dream together of the future; Addison sage, but speculative, and Steele practical, if rash. Each is disposed to find God in the ways of life, and both avoid that outward show of irreligion, which, after the recent Civil Wars, remains yet common in the country, as reaction from an ostentatious piety which laid on burdens of restraint; a natural reaction which had been intensified by the base influence of a profligate King. Addison, bred among the preachers, has a little of the preacher's abstract tone, when talk between the friends draws them at times into direct expression of the sacred sense of life which made them one.

Hence there is no free admission to the process of enlightenment - it is always paid at a psycho-traumatic cost. Only such individuals as always already bring along much more injury than could be caused by mere cognitive attacks on their narcissistic system have an apparently free backstage pass to it. Such candidates, like the highly talented of a special type, obtain their degree in wound studies free of charge. For them psychical sacrifices that only affect the cognitive immunity-shield appear to be forms of relief - for which reason they move about in the region of obscure theory like fish in water.

What a temptation, at certain moments, to turn one's back on this bleak, fleshless world! But this time is ours, and we cannot live hating ourselves...Admission of ignorance, rejection of fanaticism, the limits of the world and of man, the beloved face, and finally beauty...It lies in the struggle between creation and inquisition.

What are you looking for when you read students’ essays? • What are some of the things you hate to see in an application? • Is demonstrated interest a factor in your admission decision? • Are admission decisions need-blind? • What kind of student does well here? What kind of student doesn’t do well here? • Did you attend this college? What has changed since you’ve been here? • What changes do you see taking place on campus in the next five years? • What are recent alumni doing? • What do you think your school is best known for? • How would you describe the typical student here? • How does the school help freshmen adjust to college? • How is academic advising handled? • Are there on-campus jobs available for students? • How are roommates assigned? • What is the Internet situation? Is the entire campus wireless? Do you support Macs or PCs? • How do meal plans work? • How much of a role does the surrounding community play in students’ daily life?

The best essays are honest slice-of-life stories, both entertaining and serious, that tell admissions officers something they don’t learn from another part of the application.

The hierarchies of shame in high school are at least as complex and unforgiving as those in an eighteenth-century Puritan hamlet,

Three months after Mara’s overdose, the pear tree in our back yard that has not yielded a single pear for ten years suddenly begins bearing fruit.

No one wants to hear that you can do all the right things and not get into Harvard, Stanford, Princeton, Caltech, MIT.

My mom barged in on my shower this morning because she came up with another idea I could write about for the Common App essay. And you know what it was? How I’m a great big sister to Teddy. As if admissions counselors care about that.

Culpa" may mean "fall," but implies responsibility. A culpable woman is a capable woman, and an admission of guilt is the price of admission into a life of free will.

James Baldwin’s words—“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.

College admission is arbitrary and howlingly unfair. As a matter of fact, it’s a lot like life.

failing in an ambitious undertaking—and delving into the reasons for failing—is far more interesting than succeeding.

How do you avoid the English Trap? First, and perhaps most obviously, write in the first person. Get used to the idea of talking and writing about yourself. One technique I recommend: write your first draft as if you’re talking to your best friend. This will help you lay the groundwork.    Second, don’t pontificate. Admissions officers don’t care how much you know about Robinson Crusoe or Elizabeth Bennett. They care how much you know about yourself.   Finally, avoid formulas at all costs. Don’t let your personality fade into an English teacher’s notion of essay structure. Let it shine.

gratuitous

the ultimate admissions goal is to be so selective as to take no one at all

I find the idea of a world without meaning terrifying. I studied literature and continue to read indiscriminately and greedily, like I'm sinking and books are a lifeline. Literature provides reassurance that the world is not a meaningless place. It offers a mirror and a shield, a reflection of my own lived experience and a promise that our struggles matter.