Admire Her From Afar Quotes

she is admired from afar. These admirers court her in secret, in the safety of their dreams.

I am jealous. I’m envious of the easy options all the rest of you enjoy. To date someone or not to date someone? Does she like him? Does he like her? You can try out whatever you like and change your minds at any time. Everyone is available to everyone else. Me? I might be permitted to admire someone from afar, to harbor a yearning in secret, but to act on it would cost me everything.

That red-headed man thought she was a fraud! ‘Making assumptions about others is rude,’ Kusha read in Learn Basic Manners. Not making assumptions is a basic manner. Why would a High Grade—a war hero, the King of Mesmerizers—not know the basic manners? How does she make such a dreadful first-impression, though? For the first time in her life, in her current memory, Kusha knows how it feels to be misunderstood by a stranger. Especially if you know the stranger so well from afar, you admire his voice, you collect his speeches, you even own all the books he wrote and all the cheap fakes of the paintings he rarely drew. “First impression matters, sweetie. Letting people see who you are matters. Better tell the truth than a lie. And the worst is a lie that they assume from your actions, sweetie …” Kusha closes her eyes, attempting to shut off Meera’s voice.

You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.

Do not fall in love with the moon, they said. I fell in love anyway, and they would all laugh. They could not see her beauty. No one would believe me if I said the moon breathed life into me, that it was here, inside her, where I found myself again. They wouldn’t be able to understand. And no one could ever love her as deeply as I did. No one else was made for it, and those who were like me weren’t brave enough. No ordinary being was created to fall in love with the moon, only that of the aberrant. The strange. They said you couldn’t know the moon, touch it, kiss it, make love to it. You could only watch from the dark trenches of the earth, admire it from afar. Yet, still, I fell in love with the moon. And she, too, fell in love with me.

But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized. My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?” “I left early,” he says. “You? John Ambrose McClaren cut school?” He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.” I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?” “If you want.” I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear. Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April. “I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe. I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.

They were such proud people. Such proud, handsome people, too, she thought, staring into his bright hazel eyes. He appeared as uncertain as she did and hung back to study her. “You need not fear me,” he spoke up first. “Whoever said I feared you? Maybe I only wanted to stand back for a moment to admire you from afar,” she retorted, keeping her voice light and playful. Flirtatious.

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry. Around

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry.

When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.…’” Cath closed the book and let it fall on Levi’s chest, not sure what happened next. Not sure she was awake, all things considered. The moment it fell, he pulled her into him. Onto him. With both arms. Her chest pressed against his, and the paperback slid between their stomachs. Cath’s eyes were half closed, and so were Levi’s—and his lips only looked small from afar, she realized, because of their doll-like pucker. They were perfectly big, really, now that she had a good look at them. Perfectly something. He nudged his nose against hers, and their mouths fell sleepily together, already soft and open. When Cath’s eyes closed, her eyelids stuck. She wanted to open them. She wanted to get a better look at Levi’s too-dark eyebrows, she wanted to admire his crazy, vampire hairline—she had a feeling this was never going to happen again and that it might even ruin what was left of her life, so she wanted to open her eyes and bear some witness. But she was so tired. And his mouth was so soft. And nobody had ever kissed Cath like this before. Only Abel had kissed her before, and that was like getting pushed squarely on the mouth and pushing back. Levi’s kisses were all taking. Like he was drawing something out of her with soft little jabs of his chin. She brought her fingers up to his hair, and she couldn’t open her eyes. Eventually, she couldn’t stay awake. “I’m sorry, Penelope.” “Don’t waste my time with sorries, Simon. If we stop to apologize and forgive each other every time we step on each other’s toes, we’ll never have time to be friends.

She is everything I had imagined she would be after admiring her from afar for so long. She is cute, funny, and a walking disaster zone, but no one is steadier on their feet than me, so I can keep her from tumbling.

I fell in love anyway, and they would all laugh. They could not see her beauty. No one would believe me if I said the moon breathed life into me, that it was here, inside her, where I found myself again. They wouldn’t be able to understand. And no one could ever love her as deeply as I did. No one else was made for it, and those who were like me weren’t brave enough. No ordinary being was created to fall in love with the moon, only that of the aberrant. The strange. They said you couldn’t know the moon, touch it, kiss it, make love to it. You could only watch from the dark trenches of the earth, admire it from afar.

With the way the setting sun diffuses across her face, it becomes apparent that Blake Tanner isn’t the young and hopeful rodeo star I once admired from afar. She’s hardened. But it doesn’t stop her from being the most beautiful woman I’ve laid my eyes on.

Hillary was even better. Like many people, I’d spent the 1990s observing the Clintons from afar. I’d admired Bill’s prodigious talent and intellectual firepower. If I wasn’t always comfortable with the specifics of his so-called triangulations—signing welfare reform legislation with inadequate protections for those who couldn’t find jobs, the tough-on-crime rhetoric that would contribute to an explosion in the federal prison population—I appreciated the skill with which he had steered progressive policy making and the Democratic Party back toward electability. As for the former First Lady, I found her just as impressive, and more sympathetic. Maybe it was because in Hillary’s story I saw traces of what my mother and grandmother had gone through: all of them smart, ambitious women who had chafed under the constraints of their times, having to navigate male egos and social expectations. If Hillary had become guarded, perhaps overly scripted—who could blame her, given the attacks she’d been subjected to? In the Senate, my favorable opinion of her had been largely confirmed. In all our interactions, she came across as hardworking, personable, and always impeccably prepared. She also had a good, hearty laugh that tended to lighten the mood of everyone around her.

Good Morning, My Happiness, As the sun rises, I find myself thinking of you, hoping that your day will be as beautiful and radiant as you are. I pray to Allah to fill your day with joy, love, and countless moments of happiness. May everything you touch today turn into something extraordinary, and may your heart remain light and full of peace. Scarlett, you are the embodiment of grace and beauty, both inside and out. You inspire not just with your talent but with the kindness and authenticity that shine through everything you do. I hope today brings you closer to all your dreams and fills your life with reasons to smile. Please, be safe and take care of yourself and Rose. She is your greatest treasure, your light, and your legacy. The bond you share with her is a testament to the strength and love that define you as a person. Cherish these moments, for they are the foundation of memories she will carry with her forever. My love for you is beyond words, an admiration that grows every day. I wish I could be there to make your mornings brighter, to show you how much you mean to me. But even from afar, my heart is with you, wishing you all the happiness this world has to offer. Scarlett, never forget how special you are to those who truly see you for who you are. I love you, and I always will. With all my prayers and love, Someone who cherishes you endlessly