Adjacent Quotes

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If I have a near-beer, I’m near beer. And if I’m near beer, I’m close to tequila. And if I’m close to tequila, I’m adjacent to cocaine.
Craig Ferguson
They say that 'home is where the heart is.' I think it is where the house is, and the adjacent buildings.
Emily Dickinson
He jumped to the adjacent table and America squealed and clapped, elbowing me. I shook my head; I had died and woken up in High School Musical.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The Firefly universe was anchored in a sector adjacent to the Star Wars galaxy, with a detailed re-creation of the Star Trek universe in the sector adjacent to that.
Ernest Cline (Ready Player One (Ready Player One, #1))
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
I'm not interested in being anyone's plaything right now. "I believe I'm asking to be yours." Shaking her head, she fought a smile and looked up at me. "Stop being cute." "Meet me upstairs." "What? No." "The empty ballroom adjacent to the restrooms. It's up the stairs and to your right.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
The doors of heaven and hell are adjacent and identical.
Nikos Kazantzakis (The Last Temptation of Christ)
God, what had we done? It didn't really matter. Piper had been the kind of friend with whom I didn't have to fill in the spaces with random conversation. It was okay to just be with her. She knew that sometimes I needed that - to not have to take care of anyone or anything, to simply exist in my own space, adjacent to hers.
Jodi Picoult (Handle with Care)
The most successful companies make the core progression—to first dominate a specific niche and then scale to adjacent markets—a part of their founding narrative.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
I miss him, my lady.” “Well, he is now living adjacent. You can hardly miss him all that much.” “True. But we are no longer compatible—I am a werewolf; he is a vampire.” “So?” “So we cannot dance the same dance we used to.” Biffy was so sweet when he tried to be circumspect. Alexia shook her head at him. “Biffy, and I mean this in the kindest way possible: then you should change the music.” “Very good, my lady.
Gail Carriger (Heartless (Parasol Protectorate, #4))
What are you doing?” Celaena lifted another piece of paper. “If His Pirateness can’t be bothered to clean for us, then I don’t see why I can’t have a look.” “He’ll be here any second,” Sam hissed. She picked up a flattened map, examining the dots and markings along the coastline of their continent. Something small and round gleamed beneath the map, and she slipped it into her pocket before Sam could notice. “Oh, hush,” she said, opening the hutch on the wall adjacent to the desk. “With these creaky floors, we’ll hear him a mile off.” The hutch was crammed with rolled scrolls, quills, the odd coin, and some very old, very expensive-looking brandy. She pulled out a bottle, swirling the amber liquid in the sunlight streaming through the tiny porthole window. “Care for a drink?
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The bounds of a personality are not reproducible by a sharp black line, but...each of us flows imperceptibly into adjacent people and things.
Edith Wharton
Pick up a pinecone and count the spiral rows of scales. You may find eight spirals winding up to the left and 13 spirals winding up to the right, or 13 left and 21 right spirals, or other pairs of numbers. The striking fact is that these pairs of numbers are adjacent numbers in the famous Fibonacci series: 1, 1, 2, 3, 5, 8, 13, 21... Here, each term is the sum of the previous two terms. The phenomenon is well known and called phyllotaxis. Many are the efforts of biologists to understand why pinecones, sunflowers, and many other plants exhibit this remarkable pattern. Organisms do the strangest things, but all these odd things need not reflect selection or historical accident. Some of the best efforts to understand phyllotaxis appeal to a form of self-organization. Paul Green, at Stanford, has argued persuasively that the Fibonacci series is just what one would expects as the simplest self-repeating pattern that can be generated by the particular growth processes in the growing tips of the tissues that form sunflowers, pinecones, and so forth. Like a snowflake and its sixfold symmetry, the pinecone and its phyllotaxis may be part of order for free
Stuart A. Kauffman (At Home in the Universe: The Search for the Laws of Self-Organization and Complexity)
In the world “out there,” there are no verbs, no speech events, and no adjacency pairs. There are particles of matter moving around in certain recurrent and yet not fully predictable patterns. We interpret such experiences as and through symbolic means, including linguistic expressions. That’s what it means to be human.
Duranti a Alessandro (Linguistic Anthropology: A Reader)
Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.' I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.' Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....' I looked at him. 'You haven't really got a clue, have you?' 'No.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
By the moonlight he watched his wife for the last time. His hand sought the adjacent flesh and sorrow paralleled desire in the immense complexity of love.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas. This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training. So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems. The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam. Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists. The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done. The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s. On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
Michael G. Kramer (A Gracious Enemy)
Other virtual worlds soon followed suit, from the Metaverse to the Matrix. The Firefly universe was anchored in a sector adjacent to the Star Wars galaxy, with a detailed re-creation of the Star Trek universe in the sector adjacent to that. Users could now teleport back and forth between their favorite fictional worlds. Middle Earth. Vulcan. Pern. Arrakis. Magrathea. Discworld, Mid-World, Riverworld, Ringworld. Worlds upon worlds.
Ernest Cline (Ready Player One (Ready Player One, #1))
All their doors remained simple doors, on/off switches in the flow between two adjacent places, binarily either open or closed, but each of their doors, regarded thus with a twinge of irrational possibility, became partially animate as well, an object with a subtle power to mock, to mock the desires of those who desired to go far away, whispering silently from its door frame that such dreams were the dreams of fools.
Mohsin Hamid (Exit West)
That's my school. I worked harder to get in than I did for anything else, ever. I went there because, coming out of it, I'd be able to be President. Or a lawyer. Rich, that's the point. Rich and successful. And look where it got me. One stupid year and here I am with not one, but two bracelets on my wrist, next to a shrink in a room adjacent to a hall where there's a guy named Human Being walking around. If I keep doing this for three more years, where will I be? I'll be a complete loser. And what If I keep on? What if I do okay, live with the depression, get into College, do College, go to Grad School, get the Job, get the Money, get Kids and a Wife and a Nice Car? What kind of crap will I be in then? I'll be completely crazy.
Ned Vizzini (It's Kind of a Funny Story)
Planetary exploration satisfies our inclination for great enterprises and wanderings and quests that has been with us since our days as hunters and gatherers on the East African savannahs a million years ago. By chance—it is possible, I say, to imagine many skeins of historical causality in which this would not have transpired—in our age we are able to begin again. Exploring other worlds employs precisely the same qualities of daring, planning, cooperative enterprise, and valor that mark the finest in military tradition. Never mind the night launch of an Apollo spacecraft bound for another world. That makes the conclusion foregone. Witness mere F-14s taking off from adjacent flight decks, gracefully canting left and right, afterburners flaming, and there’s something that sweeps you away—or at least it does me. And no amount of knowledge of the potential abuses of carrier task forces can affect the depth of that feeling. It simply speaks to another part of me. It doesn’t want recriminations or politics. It just wants to fly.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Being adjacent to that much beauty—more than adjacent; immersed in, pierced by it—was the point. The physical risks were footnotes.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
As I swam toward a bend in the canyon, the river became increasingly shallow. In a patch of sunlight, two longnose gars, relics of the Paleozoic era, hovered in the silted waters. I stood to walk along the adjacent shorelines, crossing the river time and again as each bank came to an end, until finally, for one brief moment, I forgot in which country I stood. All around me the landscape trembled and breathed as one.
Francisco Cantú (The Line Becomes a River: Dispatches from the Border)
The Trump administration is a transnational crime syndicate masquerading as a government. The foundation of this edifice was formed not when Trump took office, but decades before, through prolonged engagement with criminal or criminal-adjacent actors linked to hostile regimes, in particular, the Kremlin and its oligarch network.
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
Lissa's hotel suite had a expansive living room and work area, with an adjacent bedroom accessible through frosted-glass French doors. Serena nodded towards them."How about I just go in there?" A smart idea. Provided privacy but kept her close by. Then, Serena realised her implications, and she blushed. " I mean...unless you guys want to go in there and I'll-" "No," exclaimed Lissa, growing more and more embarrassed. "This is fine. We'll stay in here. We're just talking.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
So, fine, maybe he was almost fond of her. Fond-adjacent.
Sangu Mandanna (The Very Secret Society of Irregular Witches)
while the father storms through adjacent rooms ranting with the force of kingdom come, not caring anymore what might snap us in its jaw
Tracy K. Smith (Life on Mars: Poems)
Farther down our street real houses exist—large mansions with many rooms and long front yards. But at least we live next to the rich. We live Rich Adjacent. Papi pulls into
Lilliam Rivera (The Education of Margot Sanchez)
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight go this body against my back and the corner of his mouth brushed adjacent my ear. "How human you are," he whispered.
Jes Dory (Isle (Isle #1))
Or perhaps your marriage is more of a covalent bond,” she said, sketching a new structural formula. “And if so, lucky you, because that means you both have strengths that, when combined, create something even better. For example, when hydrogen and oxygen combine, what do we get? Water—or H2O as it’s more commonly known. In many respects, the covalent bond is not unlike a party—one that’s made better thanks to the pie you made and the wine he brought. Unless you don’t like parties—I don’t—in which case you could also think of the covalent bond as a small European country, say Switzerland. Alps, she quickly wrote on the easel, + a Strong Economy = Everybody Wants to Live There. In a living room in La Jolla, California, three children fought over a toy dump truck, its broken axle lying directly adjacent to a skyscraper of ironing that threatened to topple a small woman, her hair in curlers, a small pad of paper in her hands. Switzerland, she wrote. Move.
Bonnie Garmus (Lessons in Chemistry)
All the while, I could hear the trickle of conversation going on between the adults in the kitchen nearby, my parents’ laughter ringing easy and loud over the yard. I watched my brother in the flow of a sweaty game with a group of boys on the adjacent street corner. Everyone seemed to fit in, except for me. I look back on the discomfort of that moment now and recognize the more universal challenge of squaring who you are with where you come from and where you want to go. I also realize that I was a long way, still, from finding my voice.
Michelle Obama (Becoming)
I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless.
Susan Hill (Howards End Is on the Landing: A Year of Reading from Home)
Every genuinely new technology has a genuinely new way of breaking – and every now and then, those malfunctions open a new door to the adjacent possible. Sometimes the way a new technology breaks is almost as interesting as the way it works.
Steven Johnson (How We Got to Now: Six Innovations That Made the Modern World)
70 per cent to avoid a humiliating defeat (to our reputation as a guarantor) – 20 per cent to keep South Vietnam (and the adjacent territory) from Chinese hands – 10 per cent to permit the people of South Vietnam to enjoy a better, freer way of life’.
Max Hastings (Vietnam: An Epic History of a Divisive War 1945-1975)
The more you try to force it, I learned, the less likely you are to succeed. True missions, it turns out, require two things. First you need career capital, which requires patience. Second, you need to be ceaselessly scanning your always-changing view of the adjacent possible in your field, looking for the next big idea. This requires a dedication to brainstorming and exposure to new ideas. Combined, these two commitments describe a lifestyle, not a series of steps that automatically spit out a mission when completed.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
People look out for each other, and being Marianne’s best friend and suspected sexual partner has elevated Connell to the status of rich-adjacent
Sally Rooney (Normal People)
Likewise, the simple adjacency of warm bodies supplies the deepest of animal comfort.
Lionel Shriver (We Need to Talk About Kevin)
The texts are pristine, printed in colors so brilliant, the ink looks fresh. Every few feet, a spine pushes in between adjacent texts, like a new book has just been birthed. It’s a living library.
Romina Garber (Lobizona (Wolves of No World, #1))
Every element of the circus blends together in a wonderful coalescence. Acts that have been training in separate countries on separate continents now perform in adjacent tents, each part melding seamlessly into a whole. Each costume, each gesture, each sign on each tent is more perfect than the last.
Erin Morgenstern (The Night Circus)
I learned that female professors and departmental secretaries are the natural enemies of the academic world, as I was privileged to overhear discussions of my sexual orientation and probable childhood traumas from ten to ten-thirty each morning through the paper-thin walls of the break room located adjacent to my office. By these means I learned that although I was in desperate need of a girdle, I was better off than one of the other female professors, who would never lose all that baby weight by working all of the time. As
Hope Jahren (Lab Girl)
all that a world could be, no matter what, is, somewhere, in some way. fullness of possibles, consistency. no matter which talking head, mine for example, adjacent to my body and why not against my face, the angel's, the black shadow face itself, but all the seats are taken, all the worlds unavailable to you.
Jacques Roubaud (Plurality of Worlds of Lewis (French Literature Series))
You can only pretend that you're already dead and thus free yourself up to focus on three things: 1) finding and killing the enemy, 2) communicating the situation and resulting actions to adjacent units and higher headquarters, and 3) triaging and treating your wounded. If you love your men, you naturally think about number three first, but if you do you're wrong. The grim logic of combat dictates that numbers one and two take precedence.
Donovan Campbell (Joker One: A Marine Platoon's Story of Courage, Leadership, and Brotherhood)
Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
Daniel José Older (Shadowshaper (Shadowshaper Cypher, #1))
Then his singing paused, and he stood for a moment to cry out softly in the vernacular of the region: 'Blest be Adonoi Elohim, King of All, who maketh bread to spring forth from the earth,' in a sort of nasal bleat. The bleat being finished, he sat again, and commenced eating. The wanderer had come a long way indeed, thought Brother Francis, who knew of no adjacent realm governed by a monarch with such an unfamiliar name and such strange pretensions.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
I took several long walks in the Wright and adjacent Taylor Valleys. I did not feel insignificant on these journeys, dwarfed or shrugged off by the land, but superfluous. It is a difficult landscape to enter, and to develop a rapport with. It is not inimical or hostile, but indifferent, utterly remote, even as you stand in it. The light itself is aloof.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Then we looked back and saw where the clear line of Dracula’s castle cut the sky; for we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains was far below it. We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side. There was something wild and uncanny about the place. We could hear the distant howling of wolves. They were far off, but the sound, even though coming muffled through the deadening snowfall, was full of terror.
Bram Stoker
Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny,' where the apparently supernatural is revealed as illusory, or 'the marvelous,' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic.
Howard Kerr (The Haunted dusk: American supernatural fiction, 1820-1920)
The caste system thrives on dissension and inequality, envy and false rivalries, that build up in a world of perceived scarcity. As people elbow for position, the greatest tensions arise between those adjacent to one another, up and down the ladder.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean!
Comte de Lautréamont (Maldoror and the Complete Works)
Still another factor is compatibility with vested interests. This book, like probably every other typed document you have ever read, was typed with a QWERTY keyboard, named for the left-most six letters in its upper row. Unbelievable as it may now sound, that keyboard layout was designed in 1873 as a feat of anti-engineering. It employs a whole series of perverse tricks designed to force typists to type as slowly as possible, such as scattering the commonest letters over all keyboard rows and concentrating them on the left side (where right-handed people have to use their weaker hand). The reason behind all of those seemingly counterproductive features is that the typewriters of 1873 jammed if adjacent keys were struck in quick succession, so that manufacturers had to slow down typists. When improvements in typewriters eliminated the problem of jamming, trials in 1932 with an efficiently laid-out keyboard showed that it would let us double our typing speed and reduce our typing effort by 95 percent. But QWERTY keyboards were solidly entrenched by then. The vested interests of hundreds of millions of QWERTY typists, typing teachers, typewriter and computer salespeople, and manufacturers have crushed all moves toward keyboard efficiency for over 60 years.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Scholars make things very easy for themselves. They stick a couple of old potsherds together, search for one or two adjacent cultures, stick a label on the restored find and—hey, presto!—once again everything fits splendidly into the approved pattern of thought.
Erich von Däniken (Chariots of the Gods)
The adjacent possible” is theoretical biologist Stuart Kauffman’s wonderful term for all the myriad paths unlocked by every novel discovery, the multitude of universes hidden inside something as simple as an idea. 27 Abundance is one of those simple ideas. Its time has come. It
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
I attended a breakfast meeting with Fielding...half way through...the cork of nausea abruptly popped in my throat. I only just made it to the adjacent can, which was large and acoustical; my imitation of an exploding hippopotamus came through the closed door in full quadraphonic. I got one or two funny glances on my return ..and if I were them, I'd enjoy the spectacle. It does my poor ticker good to see someone really totalled.
Martin Amis (Money)
didn’t have a quinceañera at a country club. I’m American-adjacent. With a father who makes—made— enough money to keep me in the school uniform but not enough to contribute to the annual fundraiser or to send me on any of the international trips or to give me a brand-new car over Christmas
Elizabeth Acevedo (Clap When You Land)
Maud Shade was eighty when a sudden hush Fell on her life. We saw the angry flush And torsion of paralysis assail Her noble cheek. We moved her to Pinedale, Famed for its sanitarium. There she'd sit In the glassed sun and watch the fly that lit Upon her dress and then upon her wrist. Her mind kept fading in the growing mist. She still could speak. She paused, and groped, and found What seemed at first a serviceable sound, But from adjacent cells impostors took The place of words she needed, and her look Spelt imploration as she fought in vain To reason with the monsters in her brain.
Vladimir Nabokov (Pale Fire)
Built-in shelves line my bedroom, adjacent to my Japanese platform bed, purchased for its capacious rim, the better to hold those books that must be immediately accessible. Yet still they pile on my nightstand, and the grid of shelves continues in floor-to-ceiling formation across the wall, stampeding over the doorway in disorderly fashion, political memoirs mixed in with literary essays, Victorian novels fighting for space with narrative adventure, the Penguin classics never standing together in a gracious row no matter how hard I try to impose order. The books compete for attention, assembling on the shelf above the sofa on the other side of the room, where they descend by the window, staring back at me. As I lie in bed with another book, they lie in wait.
Pamela Paul (My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues)
The nurses were busybodies, I could hear them scurrying about in the rooms adjacent to ours. They were telling jokes and laughing. Their happiness pissed me off. Stop fucking laughing, I thought, my kokum's lying here dead...She wrote up a report and closed my kokum's eyes, then walked out of the room and summoned a doctor. In the room beside us, another nurse was still laughing. Sometimes I don't like how life goes on. And sometimes I don't think it should.
Joshua Whitehead (Jonny Appleseed)
action of the brain. It seemed easy to me. I never once mistook his finger for the bay. I'll bet that if he had used the phrases: "Gaze, as it were, unpreoccupied, outward—or rather laterally—in the direction of the horizon, underlaid, so to speak, with the adjacent fluid inlet," and "Now, returning—or rather, in a manner, withdrawing your attention, bestow it upon my upraised digit"—I'll bet, I say, that Henry James himself could have passed the examination.
O. Henry (Sixes and Sevens (Serapis Classics))
torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities (Bantam Classics))
Nay, I'll conjure too. Romeo! humours! madman! passion! lover! Appear thou in the likeness of a sigh: Speak but one rhyme, and I am satisfied; Cry but 'Ay me!' pronounce but 'love' and 'dove;' Speak to my gossip Venus one fair word, One nick-name for her purblind son and heir, Young Adam Cupid, he that shot so trim, When King Cophetua loved the beggar-maid! He heareth not, he stirreth not, he moveth not; The ape is dead, and I must conjure him. I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh And the demesnes that there adjacent lie, That in thy likeness thou appear to us!
William Shakespeare (Romeo and Juliet)
He explained that this was a test of the action of the brain. It seemed easy to me. I never once mistook his finger for the bay. I’ll bet that if he had used the phrases: “Gaze, as it were, unpreoccupied, outward — or rather laterally — in the direction of the horizon, underlaid, so to speak, with the adjacent fluid inlet,” and “Now, returning — or rather, in a manner, withdrawing your attention, bestow it upon my upraised digit” — I’ll bet, I say, that Henry James himself could have passed the examination.
O. Henry (Delphi Complete Works of O. Henry (Illustrated))
I am leaving this tower and returning home. When I speak with family, and comments are always the same, 'Won't you be glad to get back to the real world?' This is my question after two weeks of time, only two weeks, spent with prairie dogs, 'What is real?' What is real? These prairie dogs and the lives they live and have adapted to in grassland communities over time, deep time? What is real? A gravel pit adjacent to one of the last remaining protected prairie dog colonies in the world? A corral where cowboys in an honest day's work saddle up horses with prairie dogs under hoof for visitors to ride in Bryce Canyon National Park? What is real? Two planes slamming into the World Trade Center and the wake of fear that has never stopped in this endless war of terror? What is real? Forgiveness or revenge and the mounting deaths of thousands of human beings as America wages war in Afghanistan and Iraq? What is real? Steve's recurrence of lymphoma? A closet full of shoes? Making love? Making money? Making right with the world with the smallest of unseen gestures? How do we wish to live And with whom? What is real to me are these prairie dogs facing the sun each morning and evening in the midst of man-made chaos. What is real to me are the consequences of cruelty. What is real to me are the concentric circles of compassion and its capacity to bring about change. What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conundrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another.
Terry Tempest Williams
The Firefly universe was anchored in a sector adjacent to the Star Wars galaxy, with a detailed re-creation of the Star Trek universe in the sector adjacent to that. Users could now teleport back and forth between their favorite fictional worlds. Middle Earth. Vulcan. Pern. Arrakis. Magrathea. Discworld, Mid-World, Riverworld, Ringworld. Worlds upon worlds.
Ernest Cline (Ready Player One (Ready Player One, #1))
Why, sir,' said the lawyer, 'if the persecution were tortious, and if it happened at sea, or even on fresh water or reasonably damp land, the Admiralty court would no doubt have cognizance.' 'Pray, sir,' said Stephen, 'just how damp would the land have to be?' 'Oh, pretty damp, pretty damp, I believe. The judge's patent gives him power to deal with matters in, upon, or by the sea, or public streams, or freshwater ports, rivers, nooks and places between the ebb and flow of the tide, and upon the shores and banks adjacent - all tolerably humid.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
Brayen had wanted to go out Saturday, but that was the day I'd promised to drive Adrian to San Diego. Brayden compromised on breakfast, catching me before I hit the road, and we went out to a restaurant adjacent to one of Palm Springs' many lush golf resorts. Although I had long since offered to pull my share, Brayden continued picking up the bills and doing all the driving. As he pulled up in front of my dorm to drop me off afterward, I saw a surprising and not entirely welcome sight awaiting me: Adrian sitting outside on a bench, looking bored.
Richelle Mead (The Golden Lily (Bloodlines, #2))
With relish, Kevin explained the boy’s claim to fame: An elderly couple in an adjacent apartment had complained about how loudly he played his CDs of the Monkees at three in the morning. The next weekend, the couple’s daughter discovered her parents in their bed, slit from crotch to throat. “That’s appalling,” I said. “I can’t believe anyone still listens to the Monkees.
Lionel Shriver (We Need to Talk About Kevin)
Fuchsia took three paces forward in the first of the attics and then paused a moment to retie a string above her knee. Over her head vague rafters loomed and while she straightened herself she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
History can be ironic, particularly with regard to the invention of traditions in general and traditions of language in particular. Few people have noticed, or are willing to acknowledge, that the Land of Israel of biblical texts did not include Jerusalem, Hebron, Bethlehem, or their surrounding areas, but rather only Samaria and a number of adjacent areas—in other words, the land of the northern kingdom of Israel. Because
Shlomo Sand (The Invention of the Land of Israel: From Holy Land to Homeland)
Scientific breakthroughs, as we just learned, require that you first get to the cutting edge of your field. Only then can you see the adjacent possible beyond, the space where innovative ideas are almost always discovered. Here’s the leap I made as I pondered Pardis Sabeti around the same time I was pondering Johnson’s theory of innovation: A good career mission is similar to a scientific breakthrough—it’s an innovation waiting to be discovered in the adjacent possible of your field. If you want to identify a mission for your working life, therefore, you must first get to the cutting edge—the only place where these missions become visible.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Think Small, Act Big.” It’s in this understanding of career capital and its role in mission that we get our explanation for this title. Advancing to the cutting edge in a field is an act of “small” thinking, requiring you to focus on a narrow collection of subjects for a potentially long time. Once you get to the cutting edge, however, and discover a mission in the adjacent possible, you must go after it with zeal: a “big” action.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting. A room intended for lovemaking. She took a step farther inside. Behind her, the door closed softly on its own. No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood. “For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.” Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them. “When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.” “Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.” She shook her head. “What would be the use?” A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.” “For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours. “I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
You can put any kind of judgment you want on the way you feel, but that won’t make it go away. Unfortunately you can’t insult your feelings out of existence. Trust me. People try all the time. If it worked, we’d know about it by now.
Catherine Ryan Hyde (Heaven Adjacent)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Because it’s everything a person needs to live a decent life. It has a stove for heat. A fridge to keep your food cold and a stove to cook it when you’re ready to eat it. It has a bathtub and a shower to get you clean after your chores and a bed to lie down in at the end of the day. And that’s all a person really needs. And I think the whole trouble with us is that we think we need so much more.” “It’s nice to have more than just the basics of survival.” “Is it? Maybe. I don’t know. I think it’s a trap. We have all this ‘stuff.’ And we think we need it. But it never feels like enough, and we only end up working to defend it, and to get more.
Catherine Ryan Hyde (Heaven Adjacent)
Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.
Gilles Deleuze
We like to think of innovation as striking us in a stunning eureka moment, where you all at once change the way people see the world, leaping far ahead of our current understanding. I’m arguing that in reality, innovation is more systematic. We grind away to expand the cutting edge, opening up new problems in the adjacent possible to tackle and therefore expand the cutting edge some more, opening up more new problems, and so on. “The truth,” Johnson explains, “is that technological (and scientific) advances rarely break out of the adjacent possible.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Because horizon is the end of vision, and because every move we make gives the field an aspect we couldn't have noticed before, what lies beyond the horizon cannot be known. (Otherwise it would be within the horizon.) As with the angelic messenger, there is no control over what comes into our vision... There are experiences and new information that will show the familiar as strange the comforting as dangerous, the adjacent as distant. Moreover, not every shift of the viewer will reveal something significant. It can be just more of the same, or nothing worth reflecting on. And yet without that shift, we begin to lose our vision altogether: what is seen over and over again ceases to be seen. What doesn't appear in a fresh way will be thought changeless and ordinary, no longer a stimulus to thought. Learning is reduced to mere repetition and can only confirm what has already been known. Friendships become static, empty of expectations of the future. The outcome of all our efforts become predictable. All mysteries can be explained. All dimensions and measurements hold. To be aware of our horizons is to live in wonder.
James P. Carse (The Religious Case Against Belief)
Dark myths and suburban legends roam like living things through the halls of Leeds High School, whispered in stairwells over bubblegum-tinted tongues ; scrawled on the wall of the secret room above the auditorium stage ; argued over in the shaded courtyard adjacent to the cafeteria, buoyed on grey-brown clouds of cigarette smoke. There’s the Weird House up on Tremens Terrace, haunted by a trio of cannibalistic fiends with a taste for wayward boys. And the coven of teachers, including Mr. Gauthier (Chemistry) and Miss Knell (English), who cavort with a charred-skin devil in the glass-walled natatorium after dark.
Josh Malerman (Lost Signals)
Post-Racial. Trans–Jim Crow. Epi-Traumatic. Alt-Reparational. Omni-Restitutional. Jingoistic Body-Positive. Sociocultural-Transcendental. Indigenous-Ripostic. Treaty of Fort Laramie–Perpendicular. Meta-Exculpatory. Pan-Political. Uber-Intermutual. MLK-Adjacent. Demi-Arcadian Bucolic. That is the vernacular of the inclusive, hyphenated, beau-American destiny we’re manifesting here! You and me! Book by book we’re making it happen! But it doesn’t happen by planting flags and picking at the scabbed-over wounds of a certain Dispossessed Neo-Global Cultural demographic committed at the hands of a onetime possibly improprietous proto-nation.
Jason Mott (Hell of a Book)
The noble old synagogue had been profaned and turned into a stable by the Nazis, and left open to the elements by the Communists, at least after they had briefly employed it as a 'furniture facility.' It had then been vandalized and perhaps accidentally set aflame by incurious and callous local 'youths.' Only the well-crafted walls really stood, though a recent grant from the European Union had allowed a makeshift roof and some wooden scaffolding to hold up and enclose the shell until further notice. Adjacent were the remains of a mikvah bath for the ritual purification of women, and a kosher abattoir for the ritual slaughter of beasts: I had to feel that it was grotesque that these obscurantist relics were the only ones to have survived. In a corner of the yard lay a pile of smashed stones on which appeared inscriptions in Hebrew and sometimes Yiddish. These were all that remained of the gravestones. There wasn't a Jew left in the town, and there hadn't been one, said Mr. Kichler, since 1945.
Christopher Hitchens (Hitch 22: A Memoir)
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities)
When I wasn’t in the barn garden, helping out, sorting seeds or checking hoses I’d spend time alone, usually in the bathroom adjacent to Joel’s room, staring into the shattered mirror as my hand gently caressed my baby bump. More often than not I would cry. Not because my pregnancy upset me, or that my hormones were getting the better of me, but because I missed Joel, my baby’s father. That the baby would grow up without a dad made me anxious. Then again, if he had survived, what irreparable damage would he have suffered and how would his pain translate to his child? Jesus, I was studying myself in the very mirror he’d smashed the night he chose to take his own life. The bump had grown slowly in the last couple of months. With these limited resources, I didn’t have the privilege of eating whatever I craved. Had that been the case, I was sure I would have been bigger by now. Still, I tried to eat as well and as often as I could and the size of my belly had proven that my attempts at proper nutrition were at least growing something in there. Nothing made me happier than feeling my baby move. It was a constant source of relief for me. In our present circumstances, with no vitamins and barely any meat products save the recent stash of jerky Earl had found in an abandoned trailer, my diet consisted of berries, lettuce, and canned beans for the most part. Feeling the baby move inside me was an experience I often enjoyed alone. I would think of Joel then as well. Imagining his hand on my belly, with mine guiding his to the kicks and punches.
Michael Poeltl (Rebirth (The Judas Syndrome, #2))
I’m starting to see that we make choices at an early age,” Roseanna continued, “when we’re too young to know what will make us happy. But they’re more or less permanent choices. They don’t have to be, I guess. But somehow we end up thinking they have to be. It’s hard to make a change after so many years, and we don’t want to let people down by breaking our promises. But what we do to those poor people is worse. We blame them for the fact that we’re not happy. Because that’s easier than blaming ourselves. Because if we blame ourselves, then we have to fix it, and that’s a tricky thing.
Catherine Ryan Hyde (Heaven Adjacent)
Some of my readers may have an interest in being informed whether or no any portions of the Marshalsea Prison are yet standing. I did not know, myself, until the sixth of this present month, when I went to look. I found the outer front courtyard, often mentioned here, metamorphosed into a butter shop; and I then almost gave up every brick of the jail for lost. Wandering, however, down a certain adjacent 'Angel Court, leading to Bermondsey', I came to 'Marshalsea Place:' the houses in which I recognised, not only as the great block of the former prison, but as preserving the rooms that arose in my mind's-eye when I became Little Dorrit's biographer. The smallest boy I ever conversed with, carrying the largest baby I ever saw, offered a supernaturally intelligent explanation of the locality in its old uses, and was very nearly correct. How this young Newton (for such I judge him to be) came by his information, I don't know; he was a quarter of a century too young to know anything about it of himself. I pointed to the window of the room where Little Dorrit was born, and where her father lived so long, and asked him what was the name of the lodger who tenanted that apartment at present? He said, 'Tom Pythick.' I asked him who was Tom Pythick? and he said, 'Joe Pythick's uncle.
Charles Dickens (Little Dorrit)
He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare. "Lay down, Lady. Please . . . it's awful cold tonight. Please lay down." The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest. "They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside." He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered. The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them.
Lorraine Heath (Sweet Lullaby)
Dear Pinterest, When we first started dating, you lured me in with Skittles-flavored vodka and Oreo-filled chocolate chip cookies. You wooed me with cheesy casseroles adjacent to motivational fitness sayings. I loved your inventiveness: Who knew cookies needed a sugary butter dip? You did. You knew, Pinterest. You inspired me, not to make stuff, but to think about one day possibly making stuff if I have time. You took the cake batter, rainbow and bacon trends to levels nobody thought were possible. You made me hungry. The nights I spent pinning and eating nachos were some of the best nights of my life. Pinterest, we can’t see each other anymore. You see, it’s recently come to my attention that some people aren’t just pinning, they are making. This makes me want to make, too. Unfortunately, I’m not good at making, and deep down I like buying way more. Do you see where I’m going with this? I’m starting to feel bad, Pinterest. I don’t enjoy you the way I once did. We need to take a break. I’m going to miss your crazy ideas (rolls made with 7Up? Shut your mouth). This isn’t going to be easy. You’ve been responsible for nearly every 2 a.m. grilled cheese binge I’ve had for the past couple of years, and for that I’ll be eternally grateful. Stay cool, Pinterest. PS. You hurt me. PPS. I’m also poor now. Xo Me 10
Bunmi Laditan (Confessions of a Domestic Failure)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
Peggotty had a basket of refreshments on her knee, which would have lasted us out handsomely, if we had been going to London by the same conveyance. We ate a good deal, and slept a good deal. Peggotty always went to sleep with her chin upon the handle of the basket, her hold of which never relaxed; and I could not have believed unless I had heard her do it, that one defenceless woman could have snored so much. We made so many deviations up and down lanes, and were such a long time delivering a bedstead at a public-house, and calling at other places, that I was quite tired, and very glad, when we saw Yarmouth. It looked rather spongy and soppy, I thought, as I carried my eye over the great dull waste that lay across the river; and I could not help wondering, if the world were really as round as my geography book said, how any part of it came to be so flat. But I reflected that Yarmouth might be situated at one of the poles; which would account for it. As we drew a little nearer, and saw the whole adjacent prospect lying a straight low line under the sky, I hinted to Peggotty that a mound or so might have improved it; and also that if the land had been a little more separated from the sea, and the town and the tide had not been quite so much mixed up, like toast and water, it would have been nicer. But Peggotty said, with greater emphasis than usual, that we must take things as we found them, and that, for her part, she was proud to call herself a Yarmouth Bloater. When we got into the street (which was strange enough to me) and smelt the fish, and pitch, and oakum, and tar, and saw the sailors walking about, and the carts jingling
Charles Dickens (David Copperfield)
Fuchsia took three paces forward in the first of the attics and then paused a moment to re-tie a string above her knee. Over her head vague rafters loomed and while she straightened her-self she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room. This high, narrow avenue wound down the centre of the first attic before suddenly turning at a sharp angle to the right. The fact that this room was filled with lumber did not mean that she ignored it and used it only as a place of transit. Oh no, for it was here that many long afternoons had been spent as she crawled deep into the recesses and found for herself many a strange cavern among the incongruous relics of the past. She knew of ways through the centre of what appeared to be hills of furniture, boxes, musical instruments and toys, kites, pictures, bamboo armour and helmets, flags and relics of every kind, as an Indian knows his green and secret trail. Within reach of her hand the hide and head of a skinned baboon hung dustily over a broken drum that rose above the dim ranges of this attic medley. Huge and impregnable they looked in the warm still half-light, but Fuchsia, had she wished to, could have disappeared awkwardly but very suddenly into these fantastic mountains, reached their centre and lain down upon an ancient couch with a picture book at her elbow and been entirely lost to view within a few moments.
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
But Hans Beimler survived Dachau, escaping certain death just hours before the SS ultimatum expired. With the help of two rogue SS men, apparently, he squeezed through the small window high up in his cell, passed the barbed wire and electric fence around the camp, and disappeared into the night.7 After Private Steinbrenner unlocked Beimler’s cell early the next morning, on May 9, 1933, and found it empty, the SS went wild. Sirens sounded across the grounds as all available SS men turned the camp upside down. Steinbrenner battered two Communist inmates who had spent the night in the cells adjacent to Beimler, shouting: “Just you wait, you wretched dogs, you’ll tell me [where Beimler is].” One of them was executed soon after.8 Outside, a huge manhunt got under way. Planes circled near the camp, “Wanted” posters went up at railway stations, police raids hit Munich, and the newspapers, which had earlier crowed about Beimler’s arrest, announced a reward for recapturing the “famous Communist leader,” who was described as clean-shaven, with short-cropped hair and unusually large jug ears.9 Despite all their efforts, Beimler evaded his hunters. After recuperating in a safe house in Munich, he was spirited away in June 1933 by the Communist underground to Berlin and then, in the following month, escaped over the border to Czechoslovakia, from where he sent a postcard to Dachau telling the SS men to “kiss my ass.
Nikolaus Wachsmann (KL: A History of the Nazi Concentration Camps)
Bumblebees detect the polarization of sunlight, invisible to uninstrumented humans; put vipers sense infrared radiation and detect temperature differences of 0.01C at a distance of half a meter; many insects can see ultraviolet light; some African freshwater fish generate a static electric field around themselves and sense intruders by slight perturbations induced in the field; dogs, sharks, and cicadas detect sounds wholly inaudible to humans; ordinary scorpions have micro--seismometers on their legs so they can detect in darkness the footsteps of a small insect a meter away; water scorpions sense their depth by measuring the hydrostatic pressure; a nubile female silkworm moth releases ten billionths of a gram of sex attractant per second, and draws to her every male for miles around; dolphins, whales, and bats use a kind of sonar for precision echo-location. The direction, range, and amplitude of sounds reflected by to echo-locating bats are systematically mapped onto adjacent areas of the bat brain. How does the bat perceive its echo-world? Carp and catfish have taste buds distributed over most of their bodies, as well as in their mouths; the nerves from all these sensors converge on massive sensory processing lobes in the brain, lobes unknown in other animals. how does a catfish view the world? What does it feel like to be inside its brain? There are reported cases in which a dog wags its tail and greets with joy a man it has never met before; he turns out to be the long-lost identical twin of the dog's "master", recognizable by his odor. What is the smell-world of a dog like? Magnetotactic bacteria contain within them tiny crystals of magnetite - an iron mineral known to early sailing ship navigators as lodenstone. The bacteria literally have internal compasses that align them along the Earth's magnetic field. The great churning dynamo of molten iron in the Earth's core - as far as we know, entirely unknown to uninstrumented humans - is a guiding reality for these microscopic beings. How does the Earth's magnetism feel to them? All these creatures may be automatons, or nearly so, but what astounding special powers they have, never granted to humans, or even to comic book superheroes. How different their view of the world must be, perceiving so much that we miss.
Carl Sagan (Shadows of Forgotten Ancestors)
So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner (10:04)
Bless me, readers, for I have published. It's been five years since my last book. Greetings, fellow sinners! If you picked up a copy of this book, it means you are either: 1) wracked with guilt and are looking for penance, or 2) need to spend over $10.00 at the airport newsstand so you can use your credit card. Either way, welcome to Stephen Colbert's Midnight Confessions. As America's foremost TV Catholic, it was natural for me to do a segment inspired by the church. After all, the Catholic Church and late night TV actually have a lot in common: our shows last about an hour, we're obsessed with reaching younger demographics, and the hosts are almost always men. This religious-adjacent tome contains all my favorite confessions from The Late Show. These are things that aren't necessarily sins, but I do feel guilty about them. For instance, repackaging material from the show and selling it in a book. I've always been a big fan of confession. The confessional is a great place to go to relieve yourself of your sins. Unless you're claustrophobic, in which case it's a suffocating death trap of despair! And while most confession books just give you run-of-the-mill mortal sins, I go one step further and provide you with mortal sins, venial sins, deadly sins, and even sins of omission (Notice that the previous sentence didn't have a period!) This book is a throwback to a simpler life when people would go to a priest to confess their sins. As opposed to how it's done now - getting drunk and weeping to Andy Cohen on Bravo. Confessing your sins is a great way to get things off your chest. Second only to waxing. The only downside is that you get introduced to it as a kid, before you have any juicy sins to confess. Oh, you stole a cookie? That's adorable, Becky. Come back when you total your dad's Chevy. Now you might be asking yourself, "What if I'm not Catholic - can I still enjoy this book?" Of course. After all, no matter what religion you are - be it Jewish, Muslim, Lutheran, Pagan, or SoulCycle - we all have things to feel guilty about. For example, not being Catholic.
Stephen Colbert (Stephen Colbert's Midnight Confessions)
Unnecessary Creation gives you the freedom to explore new possibilities and follow impractical curiosities. Some of the most frustrated creative pros I’ve encountered are those who expect their day job to allow them to fully express their creativity and satisfy their curiosity. They push against the boundaries set by their manager or client and fret continuously that their best work never finds its way into the end product because of restrictions and compromises. A 2012 survey sponsored by Adobe revealed that nearly 75 percent of workers in the United States, United Kingdom, Germany, France, and Japan felt they weren’t living up to their creative potential. (In the United States, the number was closer to 82 percent!) Obviously, there’s a gap between what many creatives actually do each day and what they feel they are capable of doing given more resources or less bureaucracy. But those limitations aren’t likely to change in the context of an organization, where there is little tolerance for risk and resources are scarcer than ever. If day-to-day project work is the only work that you are engaging in, it follows that you’re going to get frustrated. To break the cycle, keep a running list of projects you’d like to attempt in your spare time, and set aside a specific time each week (or each day) to make progress on that list. Sometimes this feels very inefficient in the moment, especially when there are so many other urgent priorities screaming for your attention, but it can be a key part of keeping your creative energy flowing for your day-to-day work. You’ll also want to get a notebook to record questions that you’d like to pursue, ideas that you have, or experiments that you’d like to try. Then you can use your pre-defined Unnecessary Creation time to play with these ideas. As Steven Johnson explains in his book Where Good Ideas Come From, “A good idea is a network. A specific constellation of neurons—thousands of them—fire in sync with each other for the first time in your brain, and an idea pops into your consciousness. A new idea is a network of cells exploring the adjacent possible of connections that they can make in your mind.”18
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing. He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now. He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes. She was stumbling in her own world now, as he sat beside her bed. He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble. He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other. He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world". He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.
Teufel Damon
Summary of Rule #4 The core idea of this book is simple: To construct work you love, you must first build career capital by mastering rare and valuable skills, and then cash in this capital for the type of traits that define compelling careers. Mission is one of those traits. In the first chapter of this rule, I reinforced the idea that this trait, like all desirable career traits, really does require career capital—you can’t skip straight into a great mission without first building mastery in your field. Drawing from the terminology of Steven Johnson, I argued that the best ideas for missions are found in the adjacent possible—the region just beyond the current cutting edge. To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed. The little-bets strategy, I discovered as my research into mission continued, is not the only way to make a mission a success. It also helps to adopt the mindset of a marketer. This led to the strategy that I dubbed the law of remarkability. This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking. In sum, mission is one of the most important traits you can acquire with your career capital. But adding this trait to your working life is not simple. Once you have the capital to identify a good mission, you must still work to make it succeed. By using little bets and the law of remarkability, you greatly increase your chances of finding ways to transform your mission from a compelling idea into a compelling career.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
According to Bartholomew, an important goal of St. Louis zoning was to prevent movement into 'finer residential districts . . . by colored people.' He noted that without a previous zoning law, such neighborhoods have become run-down, 'where values have depreciated, homes are either vacant or occupied by color people.' The survey Bartholomew supervised before drafting the zoning ordinance listed the race of each building's occupants. Bartholomew attempted to estimate where African Americans might encroach so the commission could respond with restrictions to control their spread. The St. Louis zoning ordinance was eventually adopted in 1919, two years after the Supreme Court's Buchanan ruling banned racial assignments; with no reference to race, the ordinance pretended to be in compliance. Guided by Bartholomew's survey, it designated land for future industrial development if it was in or adjacent to neighborhoods with substantial African American populations. Once such rules were in force, plan commission meetings were consumed with requests for variances. Race was frequently a factor. For example, on meeting in 1919 debated a proposal to reclassify a single-family property from first-residential to commercial because the area to the south had been 'invaded by negroes.' Bartholomew persuaded the commission members to deny the variance because, he said, keeping the first-residential designation would preserve homes in the area as unaffordable to African Americans and thus stop the encroachment. On other occasions, the commission changed an area's zoning from residential to industrial if African American families had begun to move into it. In 1927, violating its normal policy, the commission authorized a park and playground in an industrial, not residential, area in hopes that this would draw African American families to seek housing nearby. Similar decision making continued through the middle of the twentieth century. In a 1942 meeting, commissioners explained they were zoning an area in a commercial strip as multifamily because it could then 'develop into a favorable dwelling district for Colored people. In 1948, commissioners explained they were designating a U-shaped industrial zone to create a buffer between African Americans inside the U and whites outside. In addition to promoting segregation, zoning decisions contributed to degrading St. Louis's African American neighborhoods into slums. Not only were these neighborhoods zoned to permit industry, even polluting industry, but the plan commission permitted taverns, liquor stores, nightclubs, and houses of prostitution to open in African American neighborhoods but prohibited these as zoning violations in neighborhoods where whites lived. Residences in single-family districts could not legally be subdivided, but those in industrial districts could be, and with African Americans restricted from all but a few neighborhoods, rooming houses sprang up to accommodate the overcrowded population. Later in the twentieth century, when the Federal Housing Administration (FHA) developed the insure amortized mortgage as a way to promote homeownership nationwide, these zoning practices rendered African Americans ineligible for such mortgages because banks and the FHA considered the existence of nearby rooming houses, commercial development, or industry to create risk to the property value of single-family areas. Without such mortgages, the effective cost of African American housing was greater than that of similar housing in white neighborhoods, leaving owners with fewer resources for upkeep. African American homes were then more likely to deteriorate, reinforcing their neighborhoods' slum conditions.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)