Adam Savage Quotes

We've searched our database for all the quotes and captions related to Adam Savage. Here they are! All 100 of them:

I reject your reality and substitute my own.
Adam Savage
The difference between screwing around and science is writing it down.
Adam Savage
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he's seen. What a frightened monster she was.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
When in doubt, C-4.
Adam Savage
Failure is always an option
Adam Savage
Gravity. It's not just a good idea; it's the law!
Adam Savage
Jack of all trades, master of none, though often better than a master of one.
Adam Savage
Am I missing an eyebrow?
Adam Savage
I believe that rules do not make us moral; loving each other makes us moral.
Adam Savage
sticks and stones can only break bones; but words can shatter the soul
Adam Savage
It doesn’t matter if you’re a model maker, a potter, a dancer, a programmer, a writer, a political activist, a teacher, a musician, a milliner, whatever. It’s all the same. Making is making, and none of it is failure.
Adam Savage (Every Tool's A Hammer: Life Is What You Make It)
Bad spellers of the world untie!
Adam Savage
My workplace is wherever I'm making something, which could be in a field in gold country, or in an abandoned warehouse on a military base.
Adam Savage
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he'd seen. What a frightened monster she was
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I love lists. Always have. when I was 14, I wrote down every dirty word I knew on file cards and placed them in alphabetical order. I have a thing about about collections, and a list is a collection with purchase. (Wired Magazine, "Step One: Make a List", October 2012)
Adam Savage
When we say we need to teach kids how to “fail,” we aren’t really telling the full truth. What we mean when we say that is simply that creation is iteration and that we need to give ourselves the room to try things that might not work in the pursuit of something that will.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Ronan pointed at the cart. "Get in there." "What?" He just continued pointing. Adam said, "Give me a break. This is a public parking lot." "Don't make this ugly, Parrish." As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs. Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?" "C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead. With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it. The three of them came to a stop. "Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth." Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy. "You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming." Adam picked himself up before he got driven over. "When?" Ronan grinned.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Captain Smek himself appeared on television for an official speech to humankind. [...] 'Noble Savages of Earth,' he said. 'Long time we have tried to live together in peace.' (It had been five months.) 'Long time have the Boov suffered under the hostileness and intolerableness of you people. With sad hearts I now concede that Boov and humans will never to exist as one.' I remember being really excited at this point. Could I possibly be hearing right? Were the Boov about to leave? I was so stupid. 'And so now I generously grant you Human Preserves - gifts of land that will be for humans forever, never to be taken away again, now.' [...] So that's when we Americans were given Florida. One state for three hundred million people. There were going to be some serious lines for the bathrooms.
Adam Rex (The True Meaning of Smekday)
You will wear the féth fiada until this is done, Amadan.” “Bloody hell,” Adam muttered savagely. “I hate being invisible.” “And Keltar,” Aoibheal said in a voice like sudden thunder, with a glance up at the balustrade. “Henceforth I would advise against tampering with my curses. Perform the Lughnassadh ritual now or face my wrath.” “Aye, Queen Aoibheal,” Dageus and Drustan replied together, stepping our from behind stone columns bracketing the stairs. Adam smiled faintly. He should have known no Highlander would flee, only retreat to a higher vantage – take to the hills, in a manner of speaking – waiting in silent readiness should battle be necessary.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
There is no skill in the world, I have since discovered, at which you get better the less sleep you have.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Wrong turns are part of every journey. They are, as Kurt Vonnegut was fond of saying, “dancing lessons from God,” and the last thing we want to do is give our kids two left feet.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
I began furiously making lists, and more lists, until I was making lists of lists . . . .
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
The best part of making a list is, you guessed it, crossing things off.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Greg Broadmore's fertile and twisted imagination has conjoined multiple genres, memories, and a sharp sense of pulp, colonialist nostalgia/parody in this lavish, fully realized, imaginative tour-de-force. It's Jules Verne meets Fritz Lang meets Tintin. It's beyond Steampunk. It's clearly an insatiable passion for the talismans of a bygone civilization and it's slavish addiction to the early industrial age in all it's filigreed, ignorant glory. Greg has raised the bar.
Adam Savage
I have concluded through careful empirical analysis and much thought that somebody is looking out for me, keeping track of what I think about things, forgiving me when I do less than I ought. Giving me strength to shoot for more than I think I’m capable of. I believe they know everything that I do and think, and they still love me, and I’ve concluded, after careful consideration, that this person keeping score is me.
Adam Savage
the accommodation of a European prince does not always so much exceed that of an industrious and frugal peasant as the accommodation of the latter exceeds that of many an African king, the absolute master of the lives and liberties of ten thousand naked savages.
Adam Smith (The Wealth of Nations: Books I-III)
Self-doubt never leaves the attentive craftsperson, so you best make friends with it.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
This is one of the main reasons I believe that adolescence can be so fraught for so many. Just as we start to catch the barest glimpses of our true selves and begin to understand what it is about the world that fascinates and intrigues us, we often run right into people who aren’t ready to be encouraging and can be downright hostile to someone being “different.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
It has always been a mystery to me how Adam, Eve, and the serpent were taught the same language. Where did they get it? We know now, that it requires a great number of years to form a language; that it is of exceedingly slow growth. We also know that by language, man conveys to his fellows the impressions made upon him by what he sees, hears, smells and touches. We know that the language of the savage consists of a few sounds, capable of expressing only a few ideas or states of the mind, such as love, desire, fear, hatred, aversion and contempt. Many centuries are required to produce a language capable of expressing complex ideas. It does not seem to me that ideas can be manufactured by a deity and put in the brain of man. These ideas must be the result of observation and experience.
Robert G. Ingersoll (Some Mistakes of Moses)
We are tired of living under this tyranny. We cannot endure that our women and children are taken away And dealt with by the white savages. We shall make war. . . . We know that we shall die, but we want to die. We want to die.
Adam Hochschild (King Leopold's Ghost)
Humanity's savageness is what makes it civilized. Technology, trade, computers, space travel. All are products of competition and conflict.
Adam Burch (Song of Edmon (Fracture World #1))
the reports of which were so harrowing—forced abortions, amputations, communal executions—that I invented the blood harvesting as a less savage stand-in,
Adam Johnson (The Orphan Master's Son)
Self-Reliance,” Ralph Waldo Emerson says: “To believe your own thought, to believe that what is true for you in your private heart is true for all men—that is genius.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Obsession is the gravity of making. It moves things, it binds them together, and gives them structure.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
What, for example, could be more calculated to produce brutal wife-beaters than long practice of savage cruelty towards the other animals?" -Edith Ward
Carol J. Adams (The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory)
it was only the normal Angst that periodically takes undergraduates into its grip, particularly when they have essays to write, but it had seemed a dark and savage weight at the time.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
and a workman, even of the lowest and poorest order, if he is frugal and industrious, may enjoy a greater share of the necessaries and conveniences of life than it is possible for any savage to acquire.
Adam Smith (The Wealth of Nations [Illustrated])
Think on your Red Indians, Adam, think on the treaties you Americans abrogate & renege on, time & time & time again. More humane, surely & more honest, just to knock the savages on the head & get it over with?
David Mitchell (Cloud Atlas)
This is exactly the trap you don’t want to fall into when it comes to deadlines: you don’t want to cast them as the villain. What you want to do is embrace them, because at a certain point more time does not equal better output.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
How is it possible to manage a group of dozens of artists to keep to a cohesive vision? At dinner that night I asked Guillermo how he did it. “You have to give everyone complete autonomy within a narrow bandwidth,” he replied. What he meant was that after you get their buy-in on the larger vision, you need to strictly define their roles in the fulfillment of that vision, and then you need to set them free to do their thing. You want the people helping you to be energized and involved; you want them contributing their creativity, not just following your orders. Giving them creative autonomy rewards their individual genius while keeping them oriented to the North Star of your larger shared vision.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Government is a plain, simple, intelligent thing, founded in nature and reason, quite comprehensible by common sense [the Dissertation continued]. . . . The true source of our suffering has been our timidity. We have been afraid to think. . . . Let us dare to read, think, speak, and write. . . . Let it be known that British liberties are not the grants of princes or parliaments . . . that many of our rights are inherent and essential, agreed on as maxims and established as preliminaries, even before Parliament existed. . . . Let us read and recollect and impress upon our souls the views and ends of our more immediate forefathers, in exchanging their native country for a dreary, inhospitable wilderness. . . . Recollect their amazing fortitude, their bitter sufferings—the hunger, the nakedness, the cold, which they patiently endured—the severe labors of clearing their grounds, building their houses, raising their provisions, amidst dangers from wild beasts and savage men, before they had time or money or materials for commerce. Recollect the civil and religious principles and hopes and expectations which constantly supported and carried them through all hardships with patience and resignation. Let us recollect it was liberty, the hope of liberty, for themselves and us and ours, which conquered all discouragements, dangers, and trials.
David McCullough (John Adams)
Old Rekohu’s claim to singularity, however, lay in its unique pacific creed. Since time immemorial, the Moriori’s priestly caste dictated that whosoever spilt a man’s blood killed his own mana - his honor, his worth, his standing & his soul. No Moriori would shelter, feed, converse with, or even see the persona non grata. If the ostracized murderer survived his first winter, the desperation of solitude usually drove him to a blowhole on Cape Young, where he took his life. Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam first tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rekohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and where only, were those elusive phantasms, those noble savages, framed in flesh & blood!” (Henry, as we later made our back to the Musket confessed, “I could never describe a race of savages too backwards to throw a spear as ‘noble.
David Mitchell (Cloud Atlas)
Now I love lists. I like long detailed lists. I like big unruly lists. I like sorting unsorted lists into outline form, then separating out their topics into lists of their own. Every single project I do involves the making of lists. I make them for organization, of course, but I also make them for assessment, for momentum as a stress reliever, and, counterintuitively, as a means to improve my creativity and free my thinking. There are daily lists, there are project lists. There are “things to order” lists. I make lists of pieces of research that I want together, lists of people I am collaborating with . . . . I make lists of things I need to purchase, things I need to find, and when all of those objects are going to get to me. And hopefully, finally, there are “homestretch” lists, that tell me I’m reaching the end.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
After years of working with missionaries, I am tempted to conclude that their endeavors merely prolong a dying race's agonies for ten or twenty years. The merciful plowman shoots a trusty horse grown too old for service. As philanthropists, might it not be our duty to likewise ameliorate the savages' sufferings by hastening their extinction? Think of your Red Indians, Adam, think on the treaties you Americans abrogate & renege on, time & time & time again. More humane, surely & more honest, just to knock the savages on the head & get it over with?
David Mitchell (Cloud Atlas)
Adam searched out old friends from the neighborhood. They drank beer together in the garden of the Stag & Hounds, trading stories and trying their best to ignore the inescapable truth - that the ties that once bound them were loosening by the year and might soon be gone altogether.
Mark Mills (The Savage Garden)
Ford leaped to the controls—only a few of them made any immediate sense to him so he pulled those. The ship shook and screamed as its guidance rocket jets tried to push it every which way simultaneously. He released half of them and the ship spun round in a tight arc and headed back the way it had come, straight toward the oncoming missiles. Air cushions ballooned out of the walls in an instant as everyone was thrown against them. For a few seconds the inertial forces held them flattened and squirming for breath, unable to move. Zaphod struggled and pushed in manic desperation and finally managed a savage kick at a small lever
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Elected fifth president of the United States, Monroe transformed a fragile little nation - "a savage wilderness," as Edmund Burke put it - into "a glorious empire." Although George Washington had won the nation's independence, he bequeathed a relatively small country, rent by political factions, beset by foreign enemies, populated by a largely unskilled, unpropertied people, and ruled by oligarchs who controlled most of the nation's land and wealth. Washington's three successors - John Adams, Thomas Jefferson, and James Madison - were mere caretaker presidents who left the nation bankrupt, its people deeply divided, its borders under attack, its capital city in ashes.
Harlow Giles Unger (The Last Founding Father: James Monroe and a Nation's Call to Greatness)
Whether I'm on a deadline, or I'm distracted by other things going on in my life, or I just need to get through this thing in order to move on to something I'm more passionate about, I will unsheathe the pencil, move a delicious new blank piece of paper into the battlefield, and set myself to drawing in the fight to bring my idea to life.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
nothing we make ever turns out exactly as we imagined; that this is a feature not a bug; and that this is why we do any of it. The trip down any path of creation is not A to B. That would be so boring. Or even A to Z. That’s too predictable. It’s A to way beyond zebra. That’s where the interesting stuff happens. The stuff that confounds our expectations. The stuff that changes us.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Engaging with my environment opened my eyes to the never-ending flow of ideas. But there's even another way to find inspiration, on that I have leaned on more and more as I've gotten older and more experienced: DIGGING RIGHT THROUGH THE BOTTOM OF THE RABBIT HOLE, by which I mean, going as deep as humanly possible on something you care greatly about, something you can't stop thinking about.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
On the afternoon of Tuesday, August 14, 1984, three children—Germaine (“Jamie”) Elinor Rowan, Adam Robert Ryan and Peter Joseph Savage, all aged twelve—were playing in the road where their houses stood, in the small County Dublin town of Knocknaree. As it was a hot, clear day, many residents were in their gardens, and numerous witnesses saw the children at various times during the afternoon, balancing along the wall at the end of the road, riding their bicycles and swinging on a tire swing.
Tana French (In the Woods (Dublin Murder Squad, #1))
In a religion that holds the flesh accursed, woman becomes the devil's most fearsome temptation. Tertullian writes: 'Woman, you are the devil's doorway. You have led astray one whom the devil would not dare attack directly. It is your fault that the Son of God had to die; you should always go in mourning and in rags.' St. Ambrose: 'Adam was led to sin by Eve and not Eve by Adam. It is just and right that woman accept as lord and master him whom she led to sin.' And St. John Chysostom: 'Among all the savage beasts, none is found so harmful as woman.
Simone de Beauvoir (The Second Sex)
Whenever we’re driven to reach out and create something from nothing, whether it’s something physical like a chair, or more temporal and ethereal, like a poem, we’re contributing something of ourselves to the world. We’re taking our experiences and filtering it through our words or our hands, or our voices or our bodies, and we’re putting something in the culture that didn’t exist before. In fact, we’re not putting what we make into the local culture, what we make IS the culture. Putting something in the world that didn’t exist before is the broadest definition of making, which means all of us can be makers. Creators.
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
And now he learned how men can consider other men as beasts and that the easiest way to get along with such men was to be a beast. A clean face, an open face, an eye raised to meet an eye—these drew attention and attention drawn brought punishment. Adam thought how a man doing an ugly or a brutal thing has hurt himself and must punish someone for the hurt. To be guarded at work by men with shotguns, to be shackled by the ankle at night to a chain, were simple matters of precaution, but the savage whippings for the least stir of will, for the smallest shred of dignity or resistance, these seemed to indicate that guards were afraid of prisoners, and Adam knew from his years in the army that a man afraid is a dangerous animal. And Adam, like anyone in the world, feared what whipping would do to his body and his spirit. He drew a curtain around himself. He removed expression from his face, light from his eyes, and silenced his speech. Later he was not so much astonished that it had happened to him but that he had been able to take it and with a minimum of pain. It was much more horrible afterward than when it was happening. It is a triumph of self-control to see a man whipped until the muscles of his back show white and glistening through the cuts and to give no sign of pity or anger or interest. And Adam learned this.
John Steinbeck (East of Eden)
Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rēkohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and here only, were those elusive phantasms, the noble savages, framed in flesh & blood!
David Mitchell (Cloud Atlas)
Now, an important word from our Minister of Defense: Certainly the loudspeaker in each and every apartment in North Korea provides news, announcements, and cultural programming, but it must be reminded that it was by Great Leader Kim Il Sung's decree in 1973 that an anti-raid warning system be installed across this nation, and a properly functioning early-warning network is of supreme importance. The Inuit people are a tribe of isolate savages that live near the North Pole. Their boots are called mukluk. Ask your neighbor later today, what is a mukluk? If he does not know, perhaps there is a malfunction with his loudspeaker, or perhaps it has for some reason become accidentally disconnected. By reporting this, you could be saving his life the next time the Americans sneak-attack our great nation.
Adam Johnson (The Orphan Master's Son)
Incrimination and heady elation, cutting capers in the misty vapours, havoc and ravage hurrah for the savage life precarious, life so various, life nefarious and temerarious, pulling faces, fierce grimaces, leaving traces in rocky places, pieces and faeces all over the fleece is that a yow's shoulder they've left there to moulder stuck up on a boulder? Much to learn, Rowf, in the fern, of great concern, for this is the point of no return. Those who kill sheep should mind where they sleep, when there's nothing to hear the shot-gun is near, the curse of the farmer is likely to harm yer, a scent in the morning is sent for a warning, at a cloud on the sun a wise dog will run, it's the sharp and alert who avoid being hurt and a dog that's gone feral is living in peril. Those with blood on their paws and wool in their jaws should heed these old saws.
Richard Adams (Plague (The) Dogs)
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
In The Descent of Man, Darwin says: With savages, the weak in body or mind are soon eliminated; and those that survive commonly exhibit a vigorous state of health. We civilized men, on the other hand, do our utmost to check the process of elimination; we build asylums for the imbecile, the maimed, and the sick; we institute poor laws; and our medical men exert their utmost skill to save the life of everyone to the last moment. There is reason to believe that vaccination has preserved thousands who from a weak constitution would formerly have succumbed to smallpox. Thus the weak members of civilized society propagate their kind. No one who has attended to the breeding of domestic animals will doubt that this must be highly injurious to the race of man. It is surprising how soon a want of care, or care wrongly directed, leads to the degeneration of a domestic race; but excepting in the case of man himself, hardly anyone is so ignorant as to allow his worst animals to breed. This is pure Malthus. So is the demurral: “[We could not] check our sympathy, even at the urging of hard reason, without deterioration in the noblest part of our nature … We must therefore bear the undoubtedly bad effects of the weak surviving and propagating their kind…” None of this is abstract or general or innocent of political history or implication. The Descent of Man (1871) is a late work which seems to be largely ignored by Darwinists now.
Marilynne Robinson (The Death of Adam: Essays on Modern Thought)
The ownership of land is not natural. The American savage, ranging through forests who game and timber are the common benefits of all his kind, fails to comprehend it. The nomad traversing the desert does not ask to whom belong the shifting sands that extend around him as far as the horizon. The Caledonian shepherd leads his flock to graze wherever a patch of nutritious greenness shows amidst the heather. All of these recognise authority. They are not anarchists. They have chieftains and overlords to whom they are as romantically devoted as any European subject might be to a monarch. Nor do they hold as the first Christians did, that all land should be held in common. Rather, they do not consider it as a thing that can be parceled out. “We are not so innocent. When humanity first understood that a man’s strength could create good to be marketed, that a woman’s beauty was itself a commodity for trade, then slavery was born. So since Adam learnt to force the earth to feed him, fertile ground has become too profitable to be left in peace. “This vital stuff that lives beneath our feet is a treasury of all times. The past: it is packed with metals and sparkling stones, riches made by the work of aeons. The future: it contains seeds and eggs: tight-packed promises which will unfurl into wonders more fantastical than ever jeweller dreamed of -- the scuttling centipede, the many-branched tree whose roots, fumbling down into darkness, are as large and cunningly shaped as the boughs that toss in light. The present: it teems. At barely a spade’s depth the mouldy-warp travels beneath my feet: who can imagine what may live a fathom down? We cannot know for certain that the fables of serpents curving around roots of mighty trees, or of dragons guarding treasure in perpetual darkness, are without factual reality. “How can any man own a thing so volatile and so rich? Yet we followers of Cain have made of our world a great carpet, whose pieces can be lopped off and traded as though it were inert as tufted wool.
Lucy Hughes-Hallett (Peculiar Ground)
It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Nerissa,” he called after the retreating pair. She turned and looked at him, her eyes wounded, the tears still wet upon her face. “It is bad enough that you would marry a man so far beneath you,” he said. “It is bad enough that you would marry a man that your family does not accept, a man for whom you have thrown away your birthright, heritage and country, a man who will never be able to keep you in the comfort and luxury in which you’ve been raised and to which you’ve been accustomed.” He waited for his words to sink in, and then he dropped the killing blow. “But for you to knowingly walk off with an accused killer, a man who murdered his very best friend….” Bang. He saw the fatal shot hit home as the blood drained from the Parasite’s face. “I don’t know what you’re talking about,” Nerissa said uncertainly, and tried to continue on. “Don’t you? Do you mean this vermin you’ve wed hasn’t told you?” Lucien’s smile was coldly triumphant. “Josiah Brown. A duel, 1776. You shot him, didn’t you, O’ Devir? Your very best friend in the world, and all over a woman you both purported to love.” The blows he’d dealt the Irishman during the fight were nothing compared to the damage his words now caused, and Lucien felt a dark and savage satisfaction as he watched stunned denial and fear, yes fear, steal the color from that rascal’s hated face. “Dolores Foley was the wench’s name, wasn’t it? And she’s dead now, too.” The Irishman looked as though he’d been stabbed through the heart with a knitting needle. “I didn’t kill her.” “Of course you didn’t,” Lucien said loftily, and gave a dramatic sigh. “You didn’t need to. But you did kill Brown, you were convicted and sentenced to hang, and it was only your friend John Adams’s brilliance that got you out of the noose in an appeal that should never have been made.” O’ Devir flushed with rage. “Ye know nothin’ of what happened.” “Oh, I know all of it. Have you told my sister about this particular little… tidbit of your past?” By the dawning horror in Nerissa’s face, he had not. “I think we’ve all heard enough,” Brendan said, nodding for his wife to join him as he took the duke by the elbow and tried to force him away. “Some things are over and done with, and that’s one of them.” “Ah, well… always best to know everything there is to know about a person before you marry them,” Lucien murmured. His smile was pitiless and cold. “You’re correct, Merrick. It is time to leave.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
discovered on a deserted footpath in a Dorset seaside town late on a cold November night. She has been stabbed through the heart. It seems like a simple crime for DCI Sophie Allen and her team to solve. But not when the victim’s mother is found strangled the next morning. The case grows more complex as DCI Sophie Allen discovers that the victims had secret histories, involving violence and intimidation. There’s an obvious suspect but Detective Allen isn't convinced. Could someone else be lurking in the shadows, someone savagely violent, looking for a warped revenge?
Taylor Adams (No Exit)
Copies of the New Canaan are extremely rare. Savage, in his notes to Winthrop (vol. i. p. *34), said that he had then, before 1825, never heard of but one copy, “which was owned by his Excellency John Q. Adams.” It is from that copy that the present edition is printed. Mr. Adams purchased it while in Europe prior to the year 1801.
Thomas Morton (The New English Canaan of Thomas Morton with Introductory Matter and Notes: A Bold Exploration of Colonial Encounters and Cultural Differences)
When the steer was freed, McCann, having no horse at hand, climbed into the wagon, while the rest of us sought safety in our saddles, and gave him a wide berth. When he came to his feet he was sullen with rage and refused to move out of his tracks. Priest rode out and baited him at a distance, and McCann, from his safe position, attempted to give him a scare, when he savagely charged the wagon. McCann reached down, and securing a handful of flour, dashed it into his eyes, which made him back away; and, kneeling, he fell to cutting the sand with his horns. Rising, he charged the wagon a second time, and catching the wagon sheet with his horns, tore two slits in it like slashes of a razor. By this time The Rebel ventured a little nearer, and attracted the steer's attention. He started for Priest, who gave the quirt to his horse, and for the first quarter mile had a close race. The steer, however, weakened by the severe treatment he had been subjected to, soon fell to the rear, and gave up the chase and continued on his way to the herd.
Andy Adams (10 Masterpieces of Western Stories)
lies Tierra del Fuego, the southernmost tip of Chile. There, in 1830, Captain Robert Fitzroy docked an exploration vessel, and as part of hostile negotiations seized three Fuegians, boys named el’leparu and o’run-del’lico, and a girl named yok’cushly. They were given absurd English names—York Minster, Jemmy Button, Fuegia Basket—as part of a bizarre colonial experiment to see if these savages could be “civilized.” Fitzroy took them to England (a fourth named Boat Memory was also taken, but died of smallpox after they arrived; his real, Fuegian name is lost).
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
When he visited his and Adam’s old bedroom, the thread of disapproval he’d felt during his proposal of a memorial became a rope, as he saw the savage absence not only of Adam but of himself. So when he shut the door on his family and stepped out into the rain it was an already belated act.
Toni Morrison (God Help the Child)
Savages are dangerous neighbours and unprofitable customers, and if they remain as degraded denizens of our colonies, they become a burden upon the State.
Adam Hochschild (King Leopold's Ghost)
Among the well-intentioned men who were woefully backward in finance, if forward-looking in politics, were Hamilton’s three most savage critics of the 1790s: Jefferson, Madison, and Adams. These founders adhered to a static, archaic worldview that scorned banks, credit, and stock markets. From this perspective, Hamilton was the progressive figure of the era, his critics the conservatives.
Ron Chernow (Alexander Hamilton)
One of the most pernicious aspects of standard world-historical narratives is precisely that they dry everything up, reduce people to cardboard stereotypes, simplify the issues (are we inherently selfish and violent, or innately kind and co-operative?) in ways that themselves undermine, possibly even destroy, our sense of human possibility. ‘Noble’ savages are, ultimately, just as boring as savage ones; more to the point, neither actually exist. Helena Valero was herself adamant on this point. The Yanomami were not devils, she insisted, neither were they angels. They were human, like the rest of us.
David Graeber (The Dawn of Everything: A New History of Humanity)
30 EDMUND BURKE What sort of a thing must be a nation of ferocious and sordid barbarians, destitute of religion, honor, or manly pride, possessing nothing at present, and hoping for nothing hereafter? Their liberty is not liberal. Their science is presumptuous ignorance. Their humanity is savage and brutal. 31 JOHN ADAMS  Hence, they could never be governed but by force since neither virtue, prudence, wisdom, nor anything else sufficed to restrain their passions.
Steven Rabb (The Founders' Speech to a Nation in Crisis: What the Founders would say to America today.)
Hochschild is at pains to convince the reader that anyone opposing the EIC was good, whether brutal slave trader, inveterate cannibal, fetish priest, or ethnic-cleansing warlord. His treatment of the 1895 rebellion by native soldiers at a military camp named Luluabourg in the southern savannah strains to portray the rebels as noble savages pining for freedom and a return to pastoral life. In his telling, the Belgian commander Mathieu Pelzer was a “bully” who “used his fists” and thus got his comeuppance at breakfast with a knife to the throat. Actually, Pelzer had nothing to do with it. The rebels were former soldiers for a black slave king. The EIC had brought them to the southern camp to reintegrate them as government soldiers. But their loss of royal prerogatives to whore, steal, and maim caused them to rebel. The group never exceeded 300 (Hochschild speculates that it reached 2,500) and petered out in the northern jungles in 1897, a rag-tag criminal gang gone to seed.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Dr Hanwell spoke quietly to Adam. “It is better if my wife is not present. She has the kindest of hearts and I have long seen her as a paragon amongst women. Yet I have to own that her manner afrights even the most confident servant. If she is in the room, few, I fear, will speak freely. Though, as you have seen, Jane is little, she can be fierce when her passions are aroused. She feels such a motherly regard for the young man lying upstairs that I would not give much hope for any who might offer him hurt in her presence. If I did not have a better regard for her sex and stature than she has herself, I would suggest setting her to guard the house alone. No malefactor would pass that barrier without grave injury.” As
William Savage (The Code for Killing (Dr Adam Bascom #2))
Fie on what is proper! You can have no idea how much ideas of what is proper grate on any woman with spirit, sir. I said unfortunately and that is what I meant.
William Savage (The Code for Killing (Dr Adam Bascom #2))
See? You are not as dull as you pretend, given some pushing.
William Savage (The Code for Killing (Dr Adam Bascom #2))
Your mother’s friends spend their time exchanging gossip for the most part. They are rich, yet few are clever beyond the little needed to manipulate their husbands or current lovers.
William Savage (The Code for Killing (Dr Adam Bascom #2))
that is indeed a tale to gladden any lawyer’s heart. A rival claimant to a title and a fortune! A marriage that may have been bigamous—perhaps deliberately so. A spurned wife now seeking her due. It takes little skill to prophesy years of legal claims and counter-claims, while the courts plod their elephantine steps through an undergrowth of facts and speculation and whole tribes of lawyers grow rich on the costs.
William Savage (A Shortcut to Murder (The Dr Adam Bascom Mysteries Book 3))
It’s well known that we lawyers will send you an account for the time expended in wishing you good day.
William Savage (A Shortcut to Murder (The Dr Adam Bascom Mysteries Book 3))
He greeted her with grave good manners and she replied with equal formality.  It was too much for Adam’s mother, who proved unable to contain her laughter.  ‘I imagine a condemned criminal and the hangman would show more warmth in their greeting than the two of you,’ she said, wiping tears from her eyes. ‘You are, I declare, as solemn as owls.
William Savage (An Unlamented Death (Mysteries of Georgian Norfolk, #1))
reminded him of Miss LaSalle’s behaviour the day before and his mother’s odd remarks about it. Miss LaSalle had not been present when he breakfasted, but she could not be unwell or she would not now be out visiting with his mother. His mother seemed to believe he should know why her lady companion was behaving in such a strange manner. How could he? He had hardly spoken to the woman and then only in his mother’s presence. Why on earth could women not be straightforward, like men were? Why should they expect you to guess at their concerns and interpret their moods accurately? If a woman wanted you to understand something important, would it not be far more logical to raise the matter openly? Somehow, it always seemed that the prettier the woman, the more she demanded that the men around her should be able to read her mind.
William Savage (A Shortcut to Murder (The Dr Adam Bascom Mysteries Book 3))
London is a devilish bad place for a young attorney to establish himself. Lawyers there are near as abundant as fleas—” “And just as unwelcome,” his sister said.
William Savage (A Shortcut to Murder (The Dr Adam Bascom Mysteries Book 3))
Being in London made him feel breathless. There were so many people, so much noise and so many smells, many of them sadly rank. He supposed the inhabitants grew used to it, but he could not imagine what it would be like to have to cope with such a crowded mass of humanity every day.
William Savage (The Code for Killing (Dr Adam Bascom #2))
Norwich is somewhat turbulent at present,” Adam said. “Maybe that is what they sensed.” “Norwich is always turbulent. Your county is known for the pig-headed, contrary, undisciplined nature of its inhabitants, Bascom. They are eager in little save to have everything their own way.
William Savage (The Code for Killing (Dr Adam Bascom #2))
Do not frighten our guest, Alice,” Miss Jempson said softly, “and do not embarrass me with thy exaggerations. Like many a grand lady, Doctor, Lady Alice defends herself when nervous by assuming a most aggressive manner.
William Savage (The Code for Killing (Dr Adam Bascom #2))
Although it is not my place to comment on your behaviour, I do feel that you might try to show a more friendly face to the world.” “Perhaps I might,” Adam irritated now, “if the world showed a better face towards me.” “Why should it, sir? I’m sure the world has more to worry about than the opinion you hold of it. It has always seemed to me that the world is much like a mirror. Scowl at it and the face you see scowls back. Smile and it will assume a more cheerful visage in return.
William Savage (The Code for Killing (Dr Adam Bascom #2))
I promise I will give you many more opportunities to vent your bad temper in my direction if you wait but a little.
William Savage (The Code for Killing (Dr Adam Bascom #2))
I cannot understand how you have reached almost to your thirtieth year and remained so ignorant of women, my son,” she said. “I am sure it is none of my doing. Perhaps if you had older sisters …” “What?” Mrs Bascom leaned forward and patted her son’s hand. “Never mind, Adam,” she said. “One day, God willing, a woman will be willing to take you in hand and address your education in the ways of our sex. This is not a task a mother can do.” She paused for a moment in reflection. “God send her great strength though, for I fear she will need it.
William Savage (The Code for Killing (Dr Adam Bascom #2))
The moment had arrived. Adam and Lady Alice were left alone in the hallway. The trouble was that Adam could think of nothing to say. He stared, but kept silent. Lady Alice, if anything, looked even more apprehensive then he did. Thus, the time passed, each second at least three times its normal length.
William Savage (A Tincture of Secrets and Lies (Dr Adam Bascom #4))
After many years of valuing his head over his heart, should he even be as certain of his own feelings as he thought he was? People talked about love enough, but he’d never heard anyone define it in a rigorous, scientific manner.
William Savage (A Tincture of Secrets and Lies (Dr Adam Bascom #4))
Miss LaSalle was of the right age, tolerably pretty
William Savage (A Tincture of Secrets and Lies (Dr Adam Bascom #4))
today was Sunday. Most respectable families would likely either still be in church or chapel. The Dissenting ministers especially had a reputation for lengthy sermonising. Others would have returned home to various pastimes suitable for the Sabbath. Only heathens like himself and the inevitable idlers and loafers would be abroad.
William Savage (The Code for Killing (Dr Adam Bascom #2))
So, what news we have here! You have another mystery – quite a complicated one, as it seems to me – and you now have a beautiful young woman to assist you. I have always enjoyed your company, Bascom, but you may be sure I will relish it even more from now on.
William Savage (The Code for Killing (Dr Adam Bascom #2))
I was foolish enough to accept a commission as a major. I imagined pomp and riding at the head of a fine body of men. What I have got is drudgery and constant problems with discipline. I tell you, these local men will never cause the French anywhere near as much trouble as they are causing me.
William Savage (The Code for Killing (Dr Adam Bascom #2))
The Marshall twins’ assertion that Betsy’s attractiveness had been matched by looseness of morals was mere jealousy and spite. Betsy had been more beautiful than either of them and that was sin enough to damn her in their eyes. They would never accept young men might prefer her for sensible reasons.
William Savage (A Tincture of Secrets and Lies (Dr Adam Bascom #4))
In the end, Adam was forced to settle for his least favourite option — patience.
William Savage (A Tincture of Secrets and Lies (Dr Adam Bascom #4))
Now you admit the situation, it is clear she has begun to enter your affections and you long to speak of her.” “You go too far, Lassimer. I will admit she is a fine woman …” “Hah! You speak of her as if she were a horse! ‘Fine woman’ indeed.
William Savage (The Code for Killing (Dr Adam Bascom #2))
Miss LaSalle does possess a quiet beauty, I admit. Not the showy magnificence of the supposed darlings of the ton. The kind of beauty that consists in wonderful eyes, hair that shines, an unblemished complexion and a figure suitable for a sculptor to relish …” “My, my,” Peter interrupted, “ I have never known you poetic before. This is serious!” “Hush!” Adam said. “I will not repeat myself. Yes, Miss LaSalle is beautiful – or I judge her so – but she is far more remarkable in the quickness and power of her mind.” “Fiddle-de-dee to a woman’s mind,
William Savage (The Code for Killing (Dr Adam Bascom #2))
Maude tore her eyes away from the picture and met her ghastly reflection in the mirror. She could no longer recognize herself. Where was the girl, happy, content, and hopelessly optimistic about life? She was no longer there. She was gone to never come back. Murdered like her parents. Her parents had been murdered. They had died in a cell, mistreated, tortured. Their blood had been spilled. The Earth had drunk their blood. Rivers of blood had flowed from their lifeless bodies. They had been butchered like animals. Horrific images flashed through Maude’s brain as she envisioned her parents, Aaron and Danielle. They had names and faces now. She now understood why the Ruchets had been so reluctant to tell her the truth. How could she bear it? Suddenly, she laughed a laugh she didn’t recognize. It resembled a savage growl. She felt like she hated her parents. How could they save the world and not save her? They had thrust her to their “friends.” Robert Ruchet was her mother’s best friend. How was this even possible? It didn’t make any sense. How could Robert be anyone’s friend let alone her mother’s? Maude stopped laughing. Her hands shook uncontrollably. She couldn’t stop shaking all over as if possessed. There
Anna Adams (A French Girl in New York (The French Girl, #1))
The completeness in me would not let this [missing of the lunchbox] stand. Once I caught the bug to fill out the frame of the 2001 Heywood Floyd tabloid that I have in my head, I couldn't shake off my desire, my need to obtain one of these lunch boxes. And if I could not buy it, well, then I would just going to build my own from scratch, which is what I need
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Never underestimate the power of loving women, doctor. Most males can break the bonds of instruction or coercion with ease, but the sight of a woman snuffling over your ingratitude will reduce almost all to helpless obedience.
William Savage (A Shortcut to Murder (The Dr Adam Bascom Mysteries Book 3))