Acura Quotes

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When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I was also curious as to who would have a car in my ex-wife’s name. As far as I knew, she only had one car in her name and that was a silver Acura.
Myiesha (Knight in Chrome Armor 2: Blaized Obsession)
The Pudgelys and the Pinkhearts and the Roundasses are all staring at her, slackjawed. She has just enough residual energy to swing into their driveway. Her momentum carries her to the top. She stops next to Mr. Pudgely’s Acura and Mrs. Pudgely’s bimbo box and steps off her plank. The spokes, noting her departure, even themselves out, plant themselves on the top of the driveway, refuse to roll backward. A
Neal Stephenson (Snow Crash)
The tunnel was massive. Its grey concrete walls were illuminated by orange bursts of light that flashed overhead. The roar of the GTR and the high-pitched whine of the turbo-charged Acura merged in an unholy mechanical scream. As they shot past the traffic at the entrance, the cars behind them slowed to a crawl. For a brief second, they were alone in the tunnel, like two shiny bullets racing down the barrel of a gun. Here on the smooth straightaway of the tunnel, Caine’s powerful GTR had the advantage. He closed the gap, pulling up next to the Acura. He saw the driver glance over at him, his brow furrowed in determination. Caine turned his eyes back to the road. A sea of blinking red tail lights filled his view: they had caught up with the tunnel traffic.
Andrew Warren (Tokyo Black (Thomas Caine #1))
ALLEVIATE UNCERTAINTY How can you reduce uncertainty and get people to un-pause? Can you lower the barrier to trial? Like Dropbox, can you leverage freemium? Like Zappos, how can you reduce the up-front costs, using test drives, renting, sampling, or other approaches to make it easier for people to experience something themselves? Rather than waiting for people to come to you, can you drive discovery? Like the Acura experience, by encouraging people who didn’t know they might be interested to check it out? Can you reduce friction on the back end by making things reversible? Like Street Tails Animal Rescue did with a two-week trial period, or as others do with lenient return policies?
Jonah Berger (The Catalyst: How to Change Anyone's Mind)
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Wizard Auto Glass of Cooksville
Un . excepcionalmente alto no te garantiza que te conviertas en un campeón del ciclismo de forma automática; sólo significa que dispones de una buena máquina de carrera. Si lo comparamos con el motor de un coche, algunas personas nacen con motores de ocho cilindros, mientras que otras nacen con cuatro. Los deportistas fuera de serie nacen con un motor de doce cilindros. Un Acura de cuatro cilindros bien conservado puede hacer morder el polvo a un V8 Corvette desatendido. Los supercoches de doce cilindros superan a todos los demás, pero pueden resultar difíciles de controlar y requerir muchos cuidados. Necesitarás una buena maquinaria para convertirte en profesional, pero no importa con qué motor empieces, puedes optimizar tu rendimiento gracias a un entrenamiento efectivo.
Chris Carmichael (Entrenamiento del ciclista: Potente, rápido y en forma con sólo 6 horas de entrenamiento a la semana (Ciclismo) (Spanish Edition))
I’ve attended some pretty glamorous events over the years, like the Costume Ball at the Met, the Golden Globes, and the Vanity Fair Oscar party. They are usually held at distinguished cultural institutions like the Met or the Annenberg Center—always beautiful spaces that are home to priceless works of art. The first thing they do when a Hollywood party rents out the place is push all the art to the corner so it doesn’t get in the way. They have to do that so there’s room for a red carpet, a bar, a prime rib carving station, a photo booth, and, for some reason, an Acura parked inside, in the middle of the party floor. There’s always a parked Acura at every major Hollywood party. Who
Mindy Kaling (Why Not Me?)
In cases where people are not aware that something exists, however, or don’t think it’s a good fit for them, driving discovery helps. Like Acura or Kiwi Crate, bringing things directly to people or using social ties to encourage trial.
Jonah Berger (The Catalyst: How to Change Anyone's Mind)
When you repeat negative self-talk, your RAS believes it’s important. Just like the red Acura, your RAS is scanning your environment for ways to affirm negative thoughts like: “I look disgusting,” “I hate my body,” “Why can’t I be pretty?” Your thoughts tell your RAS what’s important. That’s why you feel trapped in a world that feels aimed against you. Retraining your RAS to get out of the self-degradation begins in the bathroom mirror every single morning. What you say to that person in the mirror and how you treat them matters. So starting tomorrow, you better wake up every day and high five yourself, because your RAS is watching. It always is.
Mel Robbins (The High 5 Habit: Take Control of Your Life with One Simple Habit)