Acropolis Quotes

On the Acropolis, he’d thought she’d seen too much sun for a woman but in the courtyard, under the moon, her face, neck, and arms were as pale as the moon goddess. Allowing himself to imagine it was the moon goddess leading him upward was a way of climbing to the second story.

The Greeks had invented democracy, built the Acropolis and called it a day.

Somewhere along the way your wires got crossed. Your brain decided that you’re not worth people’s time and effort, and that if you ask for anything, they won’t just say no, they’ll also leave you.” He says it matter-of-fact, like he’s Archimedes of Syracuse repeating his findings about upward buoyant forces to the acropolis for the tenth time. “That’s not how love works, Elsie. But don’t worry for now. I’ll show you.

Until we meet again at the Acropolis, bro. I’ll be the one killing giants.

Sejarah telah mengajar bahawa semakin indah dan rumit gaya senirupa, maka semakin menandakan kemerosotan budi dan akal; Acropolis Yunani, Persepolis Iran, dan Piramid-piramid Mesir tiada menyorotkan sinaran budi dan akal. Dalam menilai peranan dan kesan Islam, ciri-ciri yang harus dicari oleh mereka bukan pada tugu dan candi, pada pahatan dan wayang - ciri-ciri yang mudah dipandang mata jasmani - akan tetapi pada bahasa dan tulisan yang sebenarnya mencarakan daya budi dan akal merangkum pemikiran.

There were nights for instance, especially in August, where the view of the full moon from the top of the Acropolis hill or from a high terrace could steal your breath away. The moon would slide over the clouds like a seducing princess dressed in her finest silvery silk. And the sky would be full of stars that trembled feebly, like servants that bowed before her. During those nights under the light of the August full moon, the city of Athens would become an enchanted kingdom that slept lazily under the sweet light of its ethereal mistress.

When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.

Across the distance, the Acropolis museum cradled within its protective walls its legendary treasures, lulling them to a peaceful sleep under the eerie light from the heavens. Yet, through the large window, the five Caryatids stood alert on their strong platform. The ageless maidens with the long braided hair down their backs remained awake even at this hour gazing across to the Acropolis, full of nostalgia for their sacred home. Inside their marble chests, they nurtured as always, precious hope for the return of their long lost sister.

She stepped out onto the balcony, transfixed by the breathtaking view of the Parthenon perched atop the Acropolis. Calmness swept throughout her whole body. She felt that the ruins were speaking to her, insisting that she live in the moment. It suddenly occurred to her that she was breathing in the very same air that the ancient Greeks had once breathed.

The Acropolis is ringed with great siege weapons-onagers ' 'More onagers?' Frank protested. 'Did they have a sale on them or something?

the good are not so by nature...For if they were, this would follow: if the good were so by nature, we would have people who knew which among the young were good by nature; we would take those whom they had pointed out and guard them in the Acropolis, sealing them up there much more carefully than gold so that no one could corrupt them, and when they reached maturity they would be useful to their cities.

Kekrops leaned away from Hazel as if she somehow offended him. ‘Millennia ago, we were driven underground by the two-legged humans, but I know the ways of the city better than any. I came to warn you. If you try to approach the Acropolis aboveground, you will be destroyed.’ Jason stopped nibbling his cake. ‘You mean … by you?’ ‘By Porphyrion’s armies,’ said the snake king. ‘The Acropolis is ringed with great siege weapons – onagers.’ ‘More onagers?’ Frank protested. ‘Did they have a sale on them or something?’ ‘The Cyclopes,’ Hazel guessed. ‘They’re supplying both Octavian and the giants.’ Percy grunted. ‘Like we needed more proof that Octavian is on the wrong side.

Johnson phoned first thing this morning,” he said. “Apparently a new name came to him in a dream last night.” I rolled my eyes. “A dream?” “He’s serious,” Woodell said. “He’s always serious.” “He says he sat bolt upright in bed in the middle of the night and saw the name before him,” Woodell said. “What is it?” I asked, bracing myself. “Nike.” “Huh?” “Nike.” “Spell it.” “N-I-K-E,” Woodell said. I wrote it on a yellow legal pad. The Greek goddess of victory. The Acropolis.

There were mountains; there were valleys; there were streams. She climbed the mountains; roamed the valleys; sat on the banks of streams.....when, from the mountain-top, she beheld, far off, across the Sea of Marmara the plains of Greece, and made out (her eyes were admirable) the Acropolis with a white streak or two which must, she thought, be the Parthenon, her soul expanded with her eyeballs, and she prayed she might share the majesty of the hills, know the serenity of the plains, etc. etc., as all such believers do.

Life isn't about getting what we want. It's about turning the crappy cards we're dealt into a winning hand,

Bravery is being afraid of something and facing it anyway.

The ruins stood above the hissing traffic like some monument to doomed expectations.

When I first left Oregon I was most excited about two things on my itinerary. I wanted to pitch the Japanese my Crazy Idea. And I wanted to stand before the Acropolis.

The blood of Olympus watered the ancient stones. The Acropolis groaned and shifted as the Earth Mother woke.

Every barbarian must give the Acropolis its chance once.

Hesychius wrote that Hekate was worshipped by the title of Propylaia (at the gateway) at the Propylaea of the Acropolis of Athens.

Almost everything of importance to tourists is within a few blocks of the Acropolis, in the Plaka, Monastiraki, Syntagma, and Psyrri neighborhoods.

Acropolis Loop” pedestrian walkway bordering the base of the Acropolis.

Love isn’t about happy endings where knowing every day from here on out will be full of sunshine and rainbows. Love is about obstacles, about travelling through life together despite them. Obstacles make us stronger.

In Athens, you’ll save money buying the Acropolis combo-ticket, which covers a number of ancient sites (buy at a less-crowded site to save time). City transit passes (for multiple rides or all-day usage) decrease your cost per ride.

Characteristic of the overall difference between Boston and New York, the population at the Acropolis was far less forlorn. Its customers were just those who, for whatever reason, wanted to eat coffee-shop food at very strange hours.

Out the window in the distance, contradicting the prairie, a mirage of downtown Chicago ascended to a kind of lurid acropolis, its light as if from nightly immolation warped to the red end of the spectrum, smoldering as if always just about to explode into open flames.

The top sights—the Acropolis, Ancient Agora, Acropolis Museum, and National Archaeological Museum—deserve about two hours apiece. Two days total is plenty of time for the casual tourist to see the city’s main attractions and have a little time left over for exploring (or to add more museums).

What the Acropolis in Athens looked like, including the Parthenon of the gods, is best told today at the British Museum in London, which houses the marble statuary removed by Lord Elgin, the British ambassador to Constantinople in 1801-05, and sold at a knockdown price (only 23 million dollars in our money) to the British Museum a couple of decades later. Although Elgin had or bought the permission of the Turkish sultan then ruling Greece, some contemporaries, including the poet and pro-Greek activist Lord Byron, already denounced the Elgin Marbles as 'pillage.' So the Greek government has claimed since the 1970s, but the British won't return them.

This marks an important shift in the function of the north slope, no longer just a source of secure and plentiful water but a place of shrines, worship, and visitation. In a very real sense, this evolution into a place of commemoration and devotion marks the expansion of the sacred space of the Acropolis down its slopes and the opening up of the Sacred Rock to the larger community. This

Out past the pimple of Lycabettus Hill the concrete apartment blocks in shades of beige, grey and white glinted in the morning sunlight, as if shards of broken glass had been strewn in among them.

But the Athenians did things differently. Their democracy was direct. In other words, they didn’t vote for someone else to turn out and make decisions for them. On days when the Ekklesia – or Assembly – was held, the citizens of Athens walked to the Pnyx, a hill near the Acropolis (and a Scrabble-player’s delight, now that proper nouns are allowed), listened to arguments for and against, say, a military expedition to Syracuse, and then they voted for or against the proposal themselves, by show of hands.

From gallery-grave and the hunt of a wren-king to Low Mass and trailer camp is hardly a tick by the carbon clock, but I don't count that way nor do you: already it is millions of heartbeats ago back to the Bicycle Age, before which is no After for me to measure, j ust a still prehistoric Once where anything could happen. To you, to me, Stonehenge and Chartres Cathedral, the Acropolis, Blenheim, the Albert Memorial are works by the same Old Man under different names : we know what He did, what, even, He thought He thought, but we don't see why.

It is impossible to imagine how painful the journey through Athens would have been. As they went, they would have walked through the same streets and squares where their heroes—Socrates, Plato, Aristotle—had once walked and worked and argued. They would have seen in them a thousand reminders that those celebrated times were gone. The temples of Athens were closed and crumbling and many of the brilliant statues that had once stood in them had been defaced or removed. Even the Acropolis had not escaped: its great statue of Athena had been torn down.

Fafhrd and the Mouser thought of Karnak and its obelisks, of the Pharos lighthouse, of the Acropolis, of the Ishtar Gate in Babylon, of the ruins of Khatti, of the Lost City of Ahriman, of those doomful mirage-towers that seamen see where are Scylla and Charybdis. Of a truth, the architecture of the strange structure varied so swiftly and to such unearthly extremes that it was lifted into an insane stylistic realm all its own. Mist-magnified, its twisted ramps and pinnacles, like a fluid face in a nightmare, pushed upward toward where the stars should have been.

We set out early that morning to inspect the ruins of the Acropolis. I know I shall never forget how extraordinarily pure the atmosphere was that morning. It seemed as though the world were not very old but very, very young, almost as though the world had been newly created. There was a taste of earliness in the air, a feeling of freshness, exhilarating my senses, exalting my spirit. How shall I tell you, dear Diary, the way the sky looked? It was almost as though I had moistened the tip of my pen in a shallow bowl full of milk, so delicate was the blue in the dome of the heavens.

In the same quarter are other ancient temples, and not far off is the fountain now called Enneacrounos, or the Nine Conduits, from the form given to it by the tyrants, but originally, before the springs were covered in, Callirrhoe, or the Fair Stream. The water of this fountain was used by the ancient Athenians on great occasions, it being near the original city; and at marriage rites and other ceremonies the custom is still retained. To this day the Acropolis or Citadel is called by the Athenians Polis, or City, because that neighbourhood was first inhabited. (Book 2 Chapter 15.5-6)

Bless you, for many a hundred years we have not fought for our honour; we have lived merely to nurse our insides. The Persian wars were really trifles, but for a vigorous people Salamis, Thermopylæ, and the Acropolis mean the bloom of all the noblest and soundest instincts, and as long as these instincts are valued, and a people believes that it has certain qualities to uphold, and a past, a present, and a future to be proud of, these names will be surrounded by a certain glamour. And a poet can write a poem on Thermopylæ and imprint it with the feelings of his own time, as Leopardi has done in his ‘Ode to Italy.’ Do you remember I read it to you in Rome?

When they (Lacedaemonians) had retreated, the Athenians posted guards to keep watch both by land and sea, a precaution which they maintained throughout the war. They then passed a decree reserving of the treasure in the Acropolis a thousand talents: this sum was set apart and was not to be expended unless the enemy attacked the city with a fleet and they had to defend it. In any other case, he who brought forward or put to the vote a proposal to touch the money was to be punished with death. They also resolved to set apart yearly a hundred triremes, the finest of the year, and to appoint trierarchs for them; these they were only to use at the same time with the money, and in the same emergency. (Book 2 Chapter 24)

They had just docked in Greece and the passengers learned they would be quarantined and not be allowed to go ashore... "It was the bitterest disappointment we had yet experienced. To lie a whole day in sight of the Acropolis, and yet be obliged to go away without visiting Athens! Disappointment was hardly a strong enough word to describe the circumstances....At eleven o'clock at night, when most of the ship's company were abed, four of us stole softly ashore in a small boat, a clouded moon favoring the enterprise...Once ashore and seeing no road, we took a tall hill to the left of the distant Acropolis for a mark, and steered straight for it over all obstructions...The full moon was riding high in the cloudless heavens now. We sauntered carelessly and unthinkingly to the edge of the lofty battlements of the citadel, and looked down---- a vision! And such a vision! Athens by moonlight!

Mark Silk apparently had imagined that he was going to have his father around to hate forever. To hate and hate and hate and hate, and then perhaps, in his own good time, after the scenes of accusation had reached their crescendo and he had flogged Coleman to within an inch of his life with his knot of filial grievance, to forgive. He thought Coleman was going to stay here till the whole play could be performed, as though he and Coleman had been set down not in life but on the southern hillside of the Athenian acropolis, in an outdoor theater sacred to Dionysus, where, before the eyes of ten thousand spectators, the dramatic unities were once rigorously observed and the great cathartic cycle was enacted annually. The human desire for a beginning, a middle, and an end—and an end appropriate in magnitude to that beginning and middle—is realized nowhere so thoroughly as in the plays that Coleman taught at Athena College. But outside the classical tragedy of the fifth century B.C., the expectation of completion, let alone of a just and perfect consummation, is a foolish illusion for an adult to hold.

As to the general situation, he (Pericles) repeated his previous advice; they must prepare for war and bring their property from the country into the city; they must defend their walls but not go out to battle; they should also equip for service the fleet in which lay their strength.Their allies should be kept well in hand, for their power depended on the revenues which they derived from them; military successes were generally gained by a wise policy and command of money.The state of their finances was encouraging; they had on an average six hundred talents of tribute coming in annually from their allies, to say nothing of their other revenue; and there were still remaining in the Acropolis six thousand talents of coined silver.(The whole amount had once been as much as nine thousand seven hundred talents, but from this had to be deducted a sum of three thousand seven hundred expended on various buildings, such as the Propylaea of the Acropolis, and also on the siege of Potidaea.) Moreover there was uncoined gold and silver in the form of private and public offerings, sacred vessels used in processions and games, the Persian spoil and other things of the like nature, worth at least five hundred talents more. (Book 2 Chapter 13.2-4)

Meanwhile, the king of Athens was invited to the mess hall for a "get to know you" meeting. "Please take a seat," Jason offered. Kekrops wrinkled his nose. "Snake people do not sit." "Please remain standing," Leo said. He cut the cake and stuffed a piece in his mouth before Piper could warn him it might be poisoned, or inedible for mortals, or just plain bad. "Dang!" He grinned. "Snake people know how to make Bundt cake. Kind of orangey, with a hint of honey. Needs a glass of milk." "Snake people do not drink milk," Kekrops said. "We are lactose intolerant reptiles. "Me too!" Frank said. "I mean . .. lactose intolerant. Not a reptile. Though I can be a reptile sometimes-" "Anyway," Hazel interrupted, "King Kekrops, what brings you here? How did you know we'd arrived?" "I know everything that happens in Athens," Kekrops said. "I was the city's founder, its first king, born of the earth. I am the one who judged the dispute between Athena and Poseidon, and chose Athena to be the patron of the city." "No hard feelings, though," Percy muttered. Annabeth elbowed him. "I’ve heard of you, Kekrops. You were the first to offer sacrifices to Athena. You built her first shrine on the Acropolis. "Correct." Kekrops sounded bitter, like he regretted his decision. "My people were the original Athenians- the gemini." "Like your zodiac sign?" Percy asked. "I'm a Leo." "No, stupid," Leo said. "I'm a Leo. You're a Percy.

The mainland of Greece was dark; and somewhere off Euboea a cloud must have touched the waves and spattered them—the dolphins circling deeper and deeper into the sea. Violent was the wind now rushing down the Sea of Marmara between Greece and the plains of Troy. In Greece and the uplands of Albania and Turkey, the wind scours the sand and the dust, and sows itself thick with dry particles. And then it pelts the smooth domes of the mosques, and makes the cypresses, standing stiff by the turbaned tombstones of Mohammedans, creak and bristle. Sandra’s veils were swirled about her. “I will give you my copy,” said Jacob. “Here. Will you keep it?” (The book was the poems of Donne.) Now the agitation of the air uncovered a racing star. Now it was dark. Now one after another lights were extinguished. Now great towns—Paris—Constantinople—London—were black as strewn rocks. Waterways might be distinguished. In England the trees were heavy in leaf. Here perhaps in some southern wood an old man lit dry ferns and the birds were startled. The sheep coughed; one flower bent slightly towards another. The English sky is softer, milkier than the Eastern. Something gentle has passed into it from the grass–rounded hills, something damp. The salt gale blew in at Betty Flanders’s bedroom window, and the widow lady, raising herself slightly on her elbow, sighed like one who realizes, but would fain ward off a little longer—oh, a little longer!—the oppression of eternity. But to return to Jacob and Sandra. They had vanished. There was the Acropolis; but had they reached it? The columns and the Temple remain; the emotion of the living breaks fresh on them year after year; and of that what remains?

The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III

The Greeks rebult Athens, building the incredible Acropolis and the blackened columns of the original Parthenon were set into the walls. The Greeks would never forgive or forget the Persian attack and the Greek tribes vowed revenge on Xerxes empire. It would be a twenty year old Alexander who took revenge.

Bravery is moving forward when it's easier to stay behind.

Man often becomes what he believes himself to be. If I keep on saying to myself that I cannot do a certain thing, it is possible that I may end by really becoming incapable of doing it. On the contrary, if I have the belief that I can do it, I shall surely acquire the capacity to do it even if I may not have it at the beginning.” ~Mahatma Gandhi~

I look down at Emma, at the back of her neck, at the way she reaches up to rub bloody tears from her cheeks. I am a gargoyle. I have the ability to turn to stone, but I'm definitely not made from rock.

Rough, like a serrated knife, cuts. It leaves scars. Rough people feel more than most, are passionate, angry, and determined.

What is clear is that Solomon’s Temple, in its size and magnificence, and in its location within the fortified walls of a royal upper city or acropolis, had very little to do with the pure religion of Yahweh which Moses brought out of the wilderness.

However, the Glory of GOD can be experienced everywhere on the Earthly Plane: I remember when I went to see the Phantom of the Opera in Los Angeles, I thought it was one of the most profound Spiritual experiences of my life! I felt like I was lifted up into the fifth dimension for three hours! Traveling in Europe to visit the Sistine Chapel, Louvre Museum, the Acropolis, the Holy Land, and other sacred sites! Watching the birds, rabbits, butterflies, chipmunks from my window where I work in the mornings! Watering the garden and tuning into the plant spirits and devas! Communing with nature! GOD is everywhere!

The city of Athens was originally named after the serpentine god of the city Cecrops—the founder of Athens who still leaves his name upon his temple mound the Acropolis.

As much as I love what I do and consider it worthwhile, I cannot escape the suspicion that what we do as mental health professionals is not as good as the healing that in other cultures has been rooted in the native soil of the returning soldier's community. Our culture has been notably deficient in providing for reception of the Furies of war into community. For better or for worse, the health care system has been given this role -- along with the prisons, where a disproportionate number of men incarcerated since the Vietnam War have been veterans. We must create our own new models of healing which emphasize communalization of the trauma. Combat veterans and American citizenry should meet together face to face in daylight, and listen, and watch, and weep, just as citizen-soldiers of ancient Athens did in the theater at the foot of the Acropolis. We need a modern equivalent of Athenian tragedy. Tragedy brings us to cherish our mortality, to savor and embrace it. Tragedy inclines us to prefer attachment to fragile mortals whom we love, like Odysseus return from war to his aging wife, Penelope, and to refuse promised immortality.

The pages of history go silent. But the stones of Athens provide a small coda to the story of the seven philosophers. It is clear, from the archaeological evidence, that the grand villa on the slopes of the Acropolis was confiscated not long after the philosophers left. It is also clear that it was given to a new Christian owner. Whoever this Christian was, they had little time for the ancient art that filled the house. The beautiful pool was turned into a baptistery. The statues above it were evidently considered intolerable: the finely wrought images of Zeus, Apollo and Pan were hacked away. Mutilated stumps are now all that remain of the faces of the gods; ugly and incongruous above the still-delicate bodies. The statues were tossed into the well. The mosaic on the floor of the dining room fared little better. Its great central panel, which had contained another pagan scene, was roughly removed. A crude cross pattern, of vastly inferior workmanship, was laid in its place. The lovely statue of Athena, the goddess of wisdom, suffered as badly as the statue of Athena in Palmyra had. Not only was she beheaded she was then, a final humiliation, placed face down in the corner of a courtyard to be used as a step. Over the coming years, her back would be worn away as the goddess of wisdom was ground down by generations of Christian feet. The ‘triumph’ of Christianity was complete.

unlikely this current Greek administration is responsible for the state of the Acropolis and Parthenon. The destruction we observe was wreaked centuries before. Perhaps the government has left the evidence of past plunder and warfare intentionally intact as a warning about the vagaries of history. After all, some of the Parthenon’s greatest portable

Acropolis.

So here we are in the Capitol of the United States of America on Capitol Hill, the acropolis of our nation. It is a building like no other in the land, wherein the highest aspirations of a free and open society have been written into law, generation after generation, where, time and again, brave and eloquent words have changed history, and where the best and some of the worst of human motivations have been plainly on display.

To me, quotes function as the sunscreen against a writers brilliance. As soon as I cannot stand to look at the magnificence of the acropolis of pure thought the writer managed to doll out in the cognizant chaos - I quote him, and by doing so I am discharged and freed. On the other hand, even while I do acknowledge that some things cannot be quoted, I vehemently distrust any writer whose army of quotes does not consist of impeccable warriors but the sort of bootless canon fodder that caused one to write in the first place, wishing to circumlocute that strappant lot. No writer can ever recover from bad quotes. I check the army of quotes, and if it has no sporting chance against a simple pack of butter then I will simply never ever read this person. One often hears short stories are the benchmark of great writers, but if you ask me, I'd rather first look at their quotes.

The political beauty of our online age is that it’s now actually feasible—and urgently necessary—to reengage the public in just this way. In Aristotle’s time, Athenian citizens assembled on the Pnyx hillside near the Acropolis to cast their ballots. For most of American history, elected representatives came together in the Congress to cast votes in the name of the people. Yet that kind of representation is now in name only, except if you happen to be a wealthy campaign contributor. In the coming age of e-governance, however, direct democracy will once again become feasible, and indeed inevitable.

Are you Fester?” The man had forearms like marble columns at the Acropolis. The beer mug looked like a shot glass in his enormous hand. “Who wants to know?” “Who do you think? Me.

He was going to escort us to the Temple of Jupiter and the Theseion and other places as soon as we had had our fill of the Acropolis. We never went to these places, of course. We told him to drive into town, find a cool spot and order some ice cream.

A typical Uneeda newspaper advertisement from 1905 read: If you will eat more Uneeda Biscuit You can do more work Enabling you to earn more money, So that you can buy more Uneeda Biscuit Do more work and earn still more Money

Imagine an enormous palace, as big as the Parthenon on the Acropolis. Inside the palace, countless massive columns rise up to the vaulted ceiling, each one blazing with the blue-white light of a fluorescent tube. And you, you are just a microbe on the palace’s floor.

It was now, I realized almost with a shock, October; perhaps the most beautiful month of the year in Rome. The trees had changed into a hundred shades of red and gold. Sometimes an unearthly pearly light washed the city, sharp and clear like a spring morning on the Acropolis, and in the evening that curious pinkish flush in the streets, which lasts only from dusk to darkness, seemed to be accentuated. Masses of splendid fat grapes, black and white, filled the street stalls. They reminded me that Bacchic revels made respectable by church processions—a collaboration that would not have surprised Gregory the Great—were taking place in the wine towns of the Castelli Romani, where the grape harvest had now been gathered. Some pungent whiff of this Virgilian moment seemed to enter Rome in the morning with those odd-looking wine carts and their rows of little barrels, the driver sitting up beneath a huge ribbed umbrella, in shape like the shell of some shabby and discredited Aphrodite. They trundled into Trastevere and replenished the tavern cellars with more than usual jollity and it was often in my mind to go out to Frascati and look up my friends of the wine vaults who were, I supposed, now knee deep in the new vintage: but I never did so.

Athena in her armour can be understood as a sign that women can and must be protected. The Goddess herself needs protection, if she is to survive the perils of a patriarchal era. Athena’s skills of strategic protection and clever defense are vital to women who—like Athena herself—are prisoners of patriarchy. She is the Goddess of protected spaces: the walled city, the castle, the acropolis, and the women’s wisdom and culture contained therein. As guardian and protectress, Athena in antiquity was ‘envisaged as a caring and feminine, not to say maternal, figure.

person anywhere in Europe would have had a solid grounding in the classics. Certainly the coiner of addict did. Is it an exaggeration to say that Latin and Greek were known quantities in households with more books than a lone family bible? Probably, but if a member of such a household completed any kind of undergraduate or postgraduate work, there would have been significant accumulated exposure to the classical languages, and the cultures they represented, and their stories, their myths and their legends. Obviously old Gabriel Fallopius knew all that stuff. Certainly Friedrich Sertürner knew all about the Greek god of dreams. (And was probably ready to argue for forty-five minutes why it was indeed dreams, not sleep.) In the eighteenth and nineteenth centuries, anyone educated in Germany as a pharmacist would have known that kind of thing. Which meant Felix Hoffmann did, too. So why did he call it heroin? Even before I learned it was so, I always vaguely assumed ‘hero’ was ancient Greek. It just sounded right. I further vaguely assumed even in modern times the word might signify something complicated, central and still marginally relevant in today’s Greek heritage. Naively I assumed I was proved right, the first time I came to New York, in 1974. I ate in Greek diners with grand and legacy-heavy names like Parthenon and Acropolis, and from Greek corner delis, some of which had no name at all, but every single establishment had ‘hero sandwiches’ on the menu. This was partly simple respect for tradition, I thought, like the blue-and-white take-away coffee cups, and also perhaps a cultural imperative, a ritual genuflection, but probably most of all marketing, as if to say, eat this mighty meal and you too could be a legend celebrated for millennia. Like Wheaties, the breakfast of champions. But no. ‘Hero’ was a simple phonetic spelling in English of the Greek word ‘gyro’. It was how New Yorkers said it. A hero sandwich was a gyro sandwich, filled with street-meat thinly carved from a large wad that rotated slowly against a source of heat. Like the kebab shops we got in Britain a few years later. Central to modern culture, perhaps, but not to ancient heritage. Even

the urban space was dominated by the imposing rock known as the Acropolis

the temples on the Acropolis and the recently completed Theatre of Dionysus.

Having left not one of them alive, they stripped the temple of its treasures and burnt everything on the Acropolis.

Sigurd motions him to wait and ducks his head to listen to his com. Cassius is not having it and grabs my hand and drags me after him away from the courtyard. Sigurd rushes after. “My friends. They say they will come to us.” “Where?” Cassius shouts. Sigurd points up to the acropolis in the distance, the highest place in the tiered city. Cassius’s expression falls. “Anywhere but here!” I shout. “I’ll fly you,” he says. “Did you not see the Golds?” I ask. His face hardens and his eyes settle on the pedestrian bridge that links the sealift station to the city. He leans down to say over the noise: “I am your shield. Stay in my shadow.” Sigurd fires at something behind us. “Move.” The two armored men and I set off at a run.

Of an August day in Paris the choice hour is from six to seven in the evening. The choice promenade is the Seine between the Pont Alexandre III and the Pont de l'Archevêché. If one walks down the quays of the Rive Gauche toward Notre-Dame first, and then turns back on the Rive Droite, he has the full glory of the setting sun before him and reaches the Place de la Concorde just in time to get a glimpse up the Champs Élysées toward the Arc de Triomphe as the last light of day is disappearing. I am not yet old enough to have taken this walk a thousand times, but when I have I am sure that it will present the same fascination, the same stirring of soul, the same exaltation that it does to-day. Choose, if you will, your August sunset at the seashore or in the mountains. There you have nature unspoiled, you say. But is there not a revelation of God through animate as well as inanimate creation? If we can have the sun going down on both at the same time, why not? Notre-Dame may be surpassed by other churches, even in France. But Notre-Dame, in its setting on the island that Is the heart and center of this city, historically and architecturally that high water mark of human endeavor, cannot be surpassed. Standing on the bridge between the Morgue and the Ile St-Louis, and looking towards the setting sun, one sees the most perfect blending of the creation of God and the creation of the creatures of God that the world affords. And it is not because I have not seen the sunset from the Acropolis, from the Janiculum, from the Golden Horn, and from the steps of El Akbar, that I make this statement. Athens, Rome, Constantinople, Cairo- these have been, but Paris is.

The church was no less beautiful because I had climbed the Acropolis, but my state of mind was no longer the same as it had been in the days when we systematically combed the Ile de France in an aged secondhand car. Neither of us was really taking it in.

Once every year for four days the tens of thousands of Athenian citizens sat in the open air on the stone seats at the side of the Acropolis and from sunrise to sunset watched the plays of the competing dramatists. All that we have to correspond is a Test match. The manner in which the drama arrived will tell us something valuable about Test matches and (for the moment let us whisper it) the way Test matches arrived may start a trail into that vexed question: the origin of Greek drama. There are so many that another wouldn't hurt.

It makes Celia furious that around ninety percent of the women on Italian TV are fabulous specimens with great legs, superb chests and hair as glossy as a mink's pelt, and that every prime-time programme, whether it be a games show or football analysis, seems to require the presence of an attractive young woman with no discernible function other than to be decorative. She shakes her head in disbelief at the shopping channels, with their delirious women screaming about the wonders of the latest buttock-firming apparatus, and bald blokes in shiny suits shouting ‘Buy my carpets! Buy my jewellery, for God's sake!' hour after hour after hour. She can't resolve the contradictions of a country where spontaneous generosity is as likely to be encountered as petty deviousness; where a predilection for emetically sentimental ballads accompanies a disconcertingly hard-headed approach to interpersonal relationships (friends summarily discarded, to be barely acknowledged when they pass on the streets); where veneration for tradition competes with an infatuation with the latest technology, however low the standard of manufacture (the toilet in Elisabetta's apartment wouldn't look out of place on the Acropolis, but it doesn't flush properly; her brother-in-law's Ferrari is as fragile as a newborn giraffe); where sophistication and the maintenance of ‘la bella figura’ are of primary importance, while the television programmes are the most infantile and demeaning in the world; where there's a church on every corner yet religion often seems a form of social decoration, albeit a form of decoration that's essential to life - 'It's like the wallpaper is holding the house up,’ Celia wrote from Rome. She'll never make sense of Italy, but that's the attraction, or a major part of it, which is something Charlie will never understand, she says. But he does understand it to an extent. He can understand how one might find it interesting for a while, for the duration of a holiday; he just doesn't understand how an English person - an English woman, especially - could live there.

Cleomenes to his shame and embarrassment found himself blockaded on the Acropolis

souvenir tablecloths bearing images of the Acropolis,

When we retake the ancient places, I will cover the Acropolis in snow.

It is no wonder that historians trace the birth of Western civilization to these jewels of the Aegean, Ionian, and Mediterranean seas. The Greek Isles are home to wide-ranging and far-reaching cultural traditions and mythic tales, not to mention the colorful history and unforgettable vistas that still draw thousands of tourists to the region every year. Minoan ruins stand alongside Byzantine churches and Crusader fortresses. Terra-cotta pots spilling over with hibiscus flowers adorn blinding-white stucco houses that reflect the sun’s dazzling light. Fishing villages perched upon craggy cliffs overlook clusters of colorful boats in island harbors. Centuries-old citrus and olive groves dot the hillsides. Lush vegetation and rocky shores meet isolated stretches of sand and an azure sea. Masts bob left and right on sailboats moored in secluded inlets. Each island is a world unto itself. Although outsiders and neighbors have inhabited, visited, and invaded these islands throughout the centuries, the islands’ rugged geography and small size have also ensured a certain isolation. In this environment, traditional ways of life thrive. The arts--pottery, glass blowing, gem carving, sculpture, and painting, among others--flourish here today, as contemporary craft artists keep alive techniques begun in antiquity. In the remote hilltop villages of Kárpathos, for example, artisans practice crafts that date back eons, and inhabitants speak a dialect close to ancient Greek. Today, to walk along the pebbled pathways of a traditional Greek mountain village or the marbled streets of an ancient acropolis is to step back in time. To meander at a leisurely pace through these island chains by boat is to be captivated by the same dramatic landscapes and enchanted islets that make the myths of ancient Greece so compelling. To witness the Mediterranean sun setting on the turquoise sea is to receive one of life’s greatest blessings.

There were, on a window ledge, photos of Emenike squinting in front of the Sistine Chapel, making a peace sign at the Acropolis, standing at the Colosseum, his shirt the same nutmeg color as the wall of the ruin. Obinze imagined him, dutiful and determined, visiting the places he was supposed to visit, thinking, as he did so, not of the things he was seeing but of the photos he would take of them and of the people who would see those photos.