Acid Victim Quotes

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Where does it all begin? History has no beginnings, for everything that happens becomes the cause or pretext for what occurs afterwards, and this chain of cause and pretext stretches back to the Palaeolithic age, when the first Cain of one tribe murdered the first Abel of another. All war is fratricide, and there is therefore an infinite chain of blame that winds its circuitous route back and forth across the path and under the feet of every people and every nation, so that a people who are the victims of one time become the victimisers a generation later, and newly liberated nations resort immediately to the means of their former oppressors. The triple contagions of nationalism, utopianism and religious absolutism effervesce together into an acid that corrodes the moral metal of a race, and it shamelessly and even proudly performs deeds that it would deem vile if they were done by any other.
Louis de Bernières (Birds Without Wings)
He isn't my prince,' said Marra acidly. 'If you plan to kill him, he is. Your victim. Your prince. All the same. You sink a knife in to someone's guts, you're bound to them in that moment. Watch a murderer go through the world and you'll see all his victims trailing behind him on black cords, shades of ghosts waiting for their chance.
T. Kingfisher (Nettle & Bone)
It was tragic to be a burn victim—oil, acid, dowry disputes, cruel in-laws, all that—though what was expected next was a humble, pained exit, feminine in its sorrow, in its sense of proportion. In other words, what was expected was invisibility. For the woman to disappear. But Poornima refused, or rather, she never even considered it. She walked down the street, she held her head high, she wore no mangalsutra, she had no male escort, she was iron in her purpose, imperial in her poise.
Shobha Rao (Girls Burn Brighter)
A year or so earlier I had been to the Sky River Rock Festival in rural Washington, where a dosen stone-broke freaks from Seattle Liberation Front had assembled a sound system that carried every small note of an acoustic guitar - even a cough or the sound of a boot drooping on the stage - to half-deaf acid victims huddled under bushes a half mile away. But the best technicians available to the National DAs' convention in Vegas apparently couldn't handle it. Their sound system looked like something Ulysses S. Grant might have triggered up to addres his troops during the Siege of Vicksburg. The voices from up front crackled with a fuzzy, high-pitched urgency, and the delay was just enough to keep the words disconcertingly out of phaze with the speaker's gestures. (Fear and Loathing in Las Vegas, p. 73)
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Where does it all begin? History has no beginnings, for everything that happens becomes the cause or pretext for what occurs afterwards, and this chain of cause and pretext stretches back to the palaeolithic age, when the first Cain of one tribe murdered the first Abel of another. All war is fratricide, and there is therefore an infinite chain of blame that winds its circuitous route back and forth across the path and under the feet of every people and every nation, so that a people who are the victims of one time become the victimisers a generation later, and newly liberated nations resort immediately to the means of their former oppressors. The triple contagions of nationalism, utopianism and religious absolutism effervesce together into an acid that corrodes the moral metal of a race, and it shamelessly and even proudly performs deeds that it would deem vile if they were done by any other.
Louis de Bernières (Birds Without Wings)
But there was a monster lurking in the deepest, blackest corners of his soul. An angry, slathering, vengeful beast, who had a mouth full of butcher knives and a tongue that dripped acid. A monster who ached for freedom. A monster that longed to flay the very soul from his victims, that monster was called the Darkrider.
Michael B. Patterson (The Darkrider)
The eyeless tick climbs onto a grass stem to await the smell of butyric acid emanating from mammalian skin. Since experiments have shown that this arachnid can go for eighteen years without food, the tick has ample time to meet a mammal, drop onto her victim, and gorge herself on warm blood. Afterward she is ready to lay her eggs and die.
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
Much of the Irish landscape is dominated by peat bogs; the anaerobic and acidic conditions in the densely packed earth mean that the past in Ireland can be subject to macabre resurrection. Peat cutters occasionally churn up ancient mandibles, clavicles, or entire cadavers that have been preserved for millennia. The bodies date as far back as the Bronze Age, and often show signs of ritual sacrifice and violent death. These victims, cast out of their communities and buried, have surfaced vividly intact, from their hair to their leathery skin. The poet Seamus Heaney, who harvested peat as a boy on his family’s farm, once described the bogs of Ireland as “a landscape that remembered everything that had happened in and to it.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Yossarian went to bed early for safety and soon dreamed that he was fleeing almost headlong down an endless wooden staircase, making a loud, staccato clatter with his heels. Then he woke up a little and realized someone was shooting at him with a machine gun. A tortured, terrified sob rose in his throat. His first thought was that Milo was attacking the squadron again, and he rolled off his cot to the floor and lay underneath in a trembling, praying ball, his heart thumping like a drop forge, his body bathed in a cold sweat. There was no noise of planes. A drunken, happy laugh sounded from afar. 'Happy New Year, Happy New Year!' a triumphant familiar voice shouted hilariously from high above between the short, sharp bursts of machine gun fire, and Yossarian understood that some men had gone as a prank to one of the sandbagged machine-gun emplacements Milo had installed in the hills after his raid on the squadron and staffed with his own men. Yossarian blazed with hatred and wrath when he saw he was the victim of an irresponsible joke that had destroyed his sleep and reduced him to a whimpering hulk. He wanted to kill, he wanted to murder. He was angrier than he had ever been before, angrier even than when he had slid his hands around McWatt's neck to strangle him. The gun opened fire again. Voices cried 'Happy New Year!' and gloating laughter rolled down from the hills through the darkness like a witch's glee. In moccasins and coveralls, Yossarian charged out of his tent for revenge with his .45, ramming a clip of cartridges up into the grip and slamming the bolt of the gun back to load it. He snapped off the safety catch and was ready to shoot. He heard Nately running after him to restrain him, calling his name. The machine gun opened fire once more from a black rise above the motor pool, and orange tracer bullets skimmed like low-gliding dashes over the tops of the shadowy tents, almost clipping the peaks. Roars of rough laughter rang out again between the short bursts. Yossarian felt resentment boil like acid inside him; they were endangering his life, the bastards!
Joseph Heller (Catch-22)
when you speak about feminism they like to hit you with things i call 'what about's– what about women in the middle east what about women in third world countries what about focusing on them and not the problems here and this all sounds good in theory yes we need to help them yes we need to help young girls trapped in child marriages yes we need to help women marred by acid attacks yes we need to help victims of human trafficking yes we need to help women who wil be imprisioned beaten killed for speaking out about their sexual assault for getting an abortion for leaving an abusive husband yes we need to help them of couse we do it is our job as decent humans to help them but we can help them and help ourselves at the same time we can help young girls in child marriages and we can fight to end the objectification of young girls here we can help women marred by acid attacks and we can work harder to arrest abusers and assailants here we can help victims of human trafficking and we can stop stigma and violence against sex workers here we can help women who will be imprisioned for speaking out about their sexual assault beaten for getting an abortion killed for leaving an abusive husband and we can also help women who will be imprisioned for killing their pimp and captor beaten for refusing to have sex killed for rejecting a man here women are still getting hurt here there is still not total equality here they say what about this what about that what about them i say well what about here they say nothing because that they mean when they say what about the middle east what about the third world countries what about them is what about sitting down what about shutting up what about not saying anything at all
Catarine Hancock (how the words come)
If the intellectuals in the plays of Chekhov who spent all their time guessing what would happen in twenty, thirty, or forty years had been told that in forty years interrogation by torture would be practiced in Russia; that prisoners would have their skulls squeezed within iron rings;1 that a human being would be lowered into an acid bath;2 that they would be trussed up naked to be bitten by ants and bedbugs; that a ramrod heated over a primus stove would be thrust up their anal canal (the “secret brand”); that a man’s genitals would be slowly crushed beneath the toe of a jackboot; and that, in the luckiest possible circumstances, prisoners would be tortured by being kept from sleeping for a week, by thirst, and by being beaten to a bloody pulp, not one of Chekhov’s plays would have gotten to its end because all the heroes would have gone off to insane asylums. Yes, not only Chekhov’s heroes, but what normal Russian at the beginning of the century, including any member of the Russian Social Democratic Workers’ Party, could have believed, would have tolerated, such a slander against the bright future? What had been acceptable under Tsar Aleksei Mikhailovich in the seventeenth century, what had already been regarded as barbarism under Peter the Great, what might have been used against ten or twenty people in all during the time of Biron in the mid-eighteenth century, what had already become totally impossible under Catherine the Great, was all being practiced during the flowering of the glorious twentieth century—in a society based on socialist principles, and at a time when airplanes were flying and the radio and talking films had already appeared—not by one scoundrel alone in one secret place only, but by tens of thousands of specially trained human beasts standing over millions of defenseless victims. Was it only that explosion of atavism which is now evasively called “the cult of personality” that was so horrible?
Aleksandr Solzhenitsyn (The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation)
Shades of Nightmare on Blood Lake,” Wanda whispered. “Thank the gods we’re not in that flick. Still, we’d be okay,” Lucas said confidently. “None of us have had sex, none of us are naked, and none of us are going to go get a beer. We’re outside the formula!”              “What formula? What in the hell are you talking about?” I asked. “It’s a slasher flick,” Lucas answered. “You could always tell who the psycho killer was going to get next. Anyone who’d just had sex, was naked, or said ‘I’m going to go get a beer’ inevitably died right after.” “That’s the victim profile, idiot,” Wanda said acidly. “We‘re still in the basic plot set up! The whole movie took place at an abandoned campground. We’re doomed!” “Guys, right now, the most dangerous thing out here is the pissed-off sophomore in the back seat with a loaded paintball gun!” I said, voice rising until I was almost yelling. “Now, let me out!
Ben Reeder (The Demon's Apprentice (The Demon's Apprentice, #1))
The assassin took an antidote just before firing a capsule of gaseous prussic acid into the face of the victim.
John W. Whiteside III (Fool's Mate: A True Story of Espionage at the National Security Agency)
Curse" May breath for a dead moment cease as jerking your head upward you hear as if in slow motion floor collapse evenly upon floor as one hundred and ten floors descend upon you. May what you have made descend upon you. May the listening ears of your victims their eyes their breath enter you, and eat like acid the bubble of rectitude that allowed you breath. May their breath now, in eternity, be your breath. * Now, as you wished, you cannot for us not be. May this be your single profit. Of your rectitude at last disenthralled, you seek the dead. Each time you enter them they spit you out. The dead find you are not food. Out of the great secret of morals, the imagination to enter the skin of another, what I have made is a curse.
Frank Bidart
replied, and thought of Cathy Jones. “Touch that door handle, and I’ll let go,” she’d said, whilst balancing herself on the extreme edge of a chair, her fingers tucked beneath a noose she’d fashioned from torn bedsheets. It had taken ninety minutes to talk her out of it, he recalled, and when he’d finally left the room, he’d vomited until there was nothing but acid left in his stomach. Acid, and the burning shame of knowing that a part of him had wanted her to die. Even while he’d talked her out of it, employing every trick he knew to keep her alive, the deepest, darkest part of his heart had hoped his efforts would fail. Connor watched some indefinable emotion pass across Gregory’s face, and decided not to press it. “Briefing’s about to start,” he said, and left to join his brother at the front of the room. Casting his eye around, Gregory could see officers from all tiers of the Garda hierarchy, as well as various people he guessed were support staff or members of the forensics team. At the last minute, an attractive, statuesque woman with a sleek blonde bob flashed her warrant card and slipped into the back of the room. Precautions had been taken to ensure no errant reporters found their way inside, and all personnel were required to show their badge before the doors were closed. Niall clapped his hands and waited while conversation died down. “I want to thank you all for turning out,” he said. “It’s a hell of a way to spend your weekend.” There were a few murmurs of assent. “You’re here because there’s a killer amongst us,” he said. “Worse than anything we’ve seen in a good long while—not just here, but in the whole of Ireland. There’s no political or gang-related motivation that we’ve found, nor does there seem to be a sexual motivation, but we can’t be sure on either count because the killer leaves nothing of themselves behind. No blood, no fingerprints, no DNA that we’ve been able to use.” He paused, gathering his thoughts. “Contrary to what the press have started calling him, the ‘Butcher’ isn’t really a butcher at all. It’s our view that the murders of Claire Kelly and her unborn child, and of Aideen McArdle were perpetrated by the same person. It’s also our view that this person planned the murders, probably weeks or months in advance, and executed their plans with precision. There was little or no blood found, either at the scene or on the victims’ bodies, which were cleaned with a careful eye for detail after the killer dealt one immobilising blow to the head, followed by a single knife wound to the heart. These were no frenzy attacks, they were premeditated crimes.” One of the officers raised a hand. “Is there any connection between the victims?” she asked. “Aside from being resident in the same town, where they were casual acquaintances but shared no immediate family or friends, they were both female, both married homemakers and both mothers.” “Have you ruled out a copycat?” another one asked, and Niall
L.J. Ross (Impostor (Alexander Gregory Thrillers, #1))
At first, it made me so angry that she, as I saw it, took this gross offense to both her and her career lying down. She should have made a giant stink, she should have fought back, she should have, she should have, she should have. So often, the onus of these situations is placed on the victims. You shouldn’t have been wearing that miniskirt if you didn’t want to get groped. You shouldn’t have been rude to that cop if you didn’t want to get harassed. You should have said something when your boss was making sexual advances. You should have fought harder, been smarter, been more careful. The truth is that these situations shouldn’t happen at all. Milicent Patrick should have triumphantly returned from the Creature tour and gone on to a long and successful career designing monsters for Universal Studios. Yes, it would have been absolutely badass if she marched into Bud Westmore’s office and dumped a bucket of manure on his head. Yes, it would have been amazing if she went back to all those newspapers who interviewed her and gave them a new story about what a turd Bud Westmore was. But why was I being so hard on her? Wasn’t she allowed to say “fuck this”? At what point are women forgiven for not being supernaturally resilient Amazons who spend all their waking hours fighting injustice? Milicent was thirty-seven and had been working in and out of male-dominated artistic industries for fifteen years. She had a more successful and varied creative career than many people could dream of. My frustration with her was just a way of protecting my broken heart. I needed to forgive her and direct my anger at a place where, instead of corroding my insides like battery acid, it could actually accomplish something.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
Dahmer then cut the flesh off. He started by stripping the flesh from the arms and biceps, then the chest, and worked his way down to the feet. He sliced all the strips of flesh into small pieces and placed them into approximately three bags. He was careful not to place too much in each bag, about twenty-five pounds worth each. In the beginning, he then wrapped the skeleton in a sheet and pounded it into small parts with a sledgehammer, placing the upper torso in one bag and the lower in another. However, after he hit upon the idea of dissolving his victims in the muriatic acid, he simply dropped the dismembered skeletal remains into the industrial drum he had purchased. There, the acid would do its work. This was his usual pattern. “I normally used five double-wrapped garbage bags to dispose of a single body.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
I bought a small floor freezer about a week before that to store the bodies of my victims if I was pressed for time or too tired to dispose of them right away. This was the first time I used it. I folded his body into it and kept it there for a few weeks before I cut off the flesh and placed him in the muriatic acid. I kept the head and tried to dry it out after boiling it like the other one I told you about, but the oven must have been too hot because the skull started exploding, so I had to throw it in the acid. I remember feeling the whole event was a waste of time because I couldn’t keep anything of him and that was the whole point, to keep them with me.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
Dahmer explained how he met fourteen-year-old Konerak Sinthasomphone at the Grand Avenue Mall, just like his brother before him. He offered him a hundred bucks to come home with him and take some nude photos. He gave him the drugged drink and performed oral sex on him while he was drugged. He diluted the muriatic acid with some water and injected it into the boy’s brain after drilling two small holes in the top of his head. The victim didn’t die like the other ones, and appeared to be sleeping, so Dahmer left the apartment and went up the street to a local tavern to buy some more beer. The boy apparently woke up and tried to escape because as Dahmer returned, he saw the victim standing in the street surrounded by the police and onlookers. “I already told you how I duped the officers into believing that everything was all right. After they left, I injected another solution into his brain to render him even more helpless, but he died. I was disappointed but got busy severing the flesh from the both of them, double bagged it, and threw it in the trash. I kept both of their skulls because I wanted something to remember them by and felt it was a waste to throw everything out.” I could hear the disappointment in Dahmer’s voice as he spoke.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
The list was astounding. There were ten heads in all: one full head in the refrigerator, four skulls in a small floor freezer, three painted skulls in metallic colors, and two that were bone-dry white. Those that were still relatively identifiable were matched with either police or family photos. The large blue hermetically sealed industrial drum from the bedroom contained severed human flesh and four completely dismembered bodies covered in a solution of muriatic acid. There were sets of hands, a human scalp, and two well-preserved penises found in plastic pails hidden in the closet. A four-drawer metal filing cabinet from the living room contained the entire skeletal structure of a victim. The bones inside had been treated with the various solvents and were immaculately clean. There was a variety of knives. One had a large contoured black plastic handle with a six-inch serrated blade and the word Bushwacker molded into it. There was a small drill with several bits, numerous handsaws, forks, plates, and a stovetop broiler adapter, all encrusted with human bone and flesh and trace blood evidence.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
Murphy interrupted. “Just one more question, Jeff. The medical examiner says he noticed flesh had been severed from the feet of the victims found in the blue drum. What about it?” Dahmer knowingly nodded. “Well, the flesh on the bottom of the feet is extremely tough. I found that by cutting off the sole and heel, it was easier for the muriatic acid to work on the bones of the foot.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
He thought for a while before beginning. “I think it was October of 1990. I was walking on Wisconsin Avenue when I met him. I struck up a conversation and asked if he wanted to come home to my apartment for some cocktails. I also mentioned that I would pay him a hundred dollars if he let me take some nude pictures of him. He agreed, and we walked to my apartment, where we engaged in some light sex and I gave him the drink. Soon he was out, and I made love to him for about an hour or so. I decided that I would kill him, and used my hands to strangle him until he stopped breathing.” Murphy interrupted by placing the Polaroid picture found on the table in the apartment. It depicted the victim straddled on his back over the side of a bathtub. There was an incision made from the bottom of his chin to the top of his genitals. The viscera was pulled out of the body and lying, as if on display, on top of the torso. The colored Polaroid was shocking. The moist, red entrails glistened, revealing the intestines and internal organs. “What’s this all about?” Murphy said, pointing to the ghastly sight. Dahmer picked it up and shrugged. “I wanted a picture of his insides, so I placed him in the bathroom and cut him open. I pulled the viscera from his body with my hands. The look and feel of it gave me unbelievable pleasure, and I masturbated and made love to him by placing my penis in it, like having intercourse.” He took a long, slow drag from his cigarette without looking up as the rest of us sat in silence. We had identified our sixth victim: David Thomas. Murphy, serious as ever, finally broke the silence. “How did you dispose of this one? Did you keep any of his parts?” Dahmer answered that he became leery of placing the bones and flesh in the trash for fear of discovery. This is when he began to use the muriatic acid. He tried to save the skull by boiling it; however, he wanted to speed up the drying process and used a higher oven temperature. The increased heat popped the skull into smaller sections. Because it was ruined, he threw it into the acid. There were no remaining parts of this victim.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
like me, to be alive is to be overly aware, with no filters, no defense, like it’s always raining acid and you have no skin. The question then becomes how much awareness can you take?” “Georgia said it was usually about feelings of anger, shame, and guilt.” “All of the above,” he said. “Things I’ve done in the past haunt me. That’s the thing about the past; it won’t ever leave you the hell alone. It’s noisiest at about three in the morning when I can’t sleep for agonizing over the shitty things I’ve done. In theory, I can atone for my bad behavior, as long as my victims are still alive. Unfortunately, I feel the most guilty about things I didn’t do when I had the chance, for people who are now gone. And that’s just guilt; we’ve still got anger and shame to deal with.” “I guess I never thought about the difference between shame and guilt.” “Shame is an unslayable dragon. How can you atone for who you are?” “But what’s wrong with who you are?
Pamela Grandstaff (Hollyhock Ridge (Rose Hill Mysteries #7))
So long as we are blind to our inner tyrant, we blame an outer tyrant, some person or some system, for victimizing us. That maintains the split because victim and tyrant are dependent on each other, and together they must be healed. Either/or thinking is symptomatic of this split. It is patriarchal thinking and maintains the destructive status quo. It allows people to smile benignly and say, "I don't know what you’re going on about,” when they themselves have had a medically inexplicable heart attack or their own cedars are dying of acid rain. Broken hearted or terrified, they smile, unaware.
Marion Woodman (The Ravaged Bridegroom: Masculinity in Women (Studies in Jungian Psychology By Jungian Analysts, 41))
He would drill holes into the skulls of his living victims, then inject hydrochloric acid or boiling water into the frontal lobe area of their brains. When these experiments failed to achieve the desired result, Dahmer simply dispatched the unfortunate victim,
Robert Keller (The Deadly Dozen: America's 12 Worst Serial Killers)
Everything was beautiful until the insanity began. The CIA got into the business of altering human behavior in 1947. Project Paperclip, an arrangement made by CIA Director Allen Dulles and Richard Helms, brought 1,000 Nazi specialists and their families to the United States. They were employed by military and civilian institutions. Some Nazi doctors were brought to our hospitals and colleges to continue further experimentation on the brain. American and German scientists, working with the CIA, then the military, started developing every possible method of controlling the mind. Lysergic Acid Diethylmide, LSD, was discovered at the Sandoz Laboratories, Basel, Switzerland, in 1939 by Albert Hoffman. This LSD was pure. No other ingredients were added. The U.S. Army became interested in LSD for interrogation purposes in 1950. After May 1956 until 1975, the U.S. Army Intelligence and the U.S. Chemical Corps experimented with hallucinogenic drugs. The CIA and Army spent $26,501,446 “testing” LSD, code-named EA 1729, and other chemical agents. Contracts went out to 48 different institutions for testing. The CIA was part of these projects. They concealed their participation by contracting to various colleges, hospitals, prisons, mental hospitals and private foundations. The LSD I will refer to is the same type that the CIA tested. We shall be speaking of CIA-LSD, not pure LSD. Government agents had the ability to induce permanent insanity, identical to schizophrenia, without physician or family knowing what happened to the victim.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
While dining, the bats inject their victims with an anticoagulant enzyme to keep the nutrients flowing smoothly. And what might this glycoprotein be called? Draculin, of course. You may consume it yourself one day. Draculin’s four-hundred-plus amino acids are many times stronger than any other known anticoagulant; as a consequence, a drug derived from it, desmoteplase, has been approved for victims of stroke or heart attack.
Michael Sims (Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories)