Achilles And Patroclus Quotes

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That is — your friend?" "Philtatos," Achilles replied, sharply. Most beloved.
Madeline Miller (The Song of Achilles)
We reached for each other, and I thought of how many nights I had lain awake loving him in silence.
Madeline Miller (The Song of Achilles)
I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S. "Go," she says. "He waits for you." In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
Madeline Miller (The Song of Achilles)
I will never leave him. It will be this, always, for as long as he will let me.
Madeline Miller (The Song of Achilles)
I will never leave him. It will be this, always, for as long as he will let me. If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. “Patroclus,” he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
Achilles’ eyes lift. They are bloodshot and dead. “I wish he had let you all die.
Madeline Miller (The Song of Achilles)
We are all there, goddess and mortal and the boy who was both.
Madeline Miller (The Song of Achilles)
When I am dead, I charge you to mingle our ashes and bury us together.
Madeline Miller (The Song of Achilles)
Patroclus,'' Achilles tilted his face up with a gentle finger under his chin. ''I would recognise you in total darkness, were you mute and I deaf. I would recognise you in another lifetime entirely, in different bodies, different times. And I would love you in all of this, until the very last star in the sky burnt out into oblivion''.
Madeline Miller (The Song of Achilles)
Patroclus, he says, Patroclus. Patroclus. Over and over until it is sound only.
Madeline Miller (The Song of Achilles)
Bury us, and mark our names above. Let us be free.
Madeline Miller (The Song of Achilles)
Achilles weeps. He cradles me, and will not eat, nor speak a word other than my name.
Madeline Miller (The Song of Achilles)
This is what Achilles will feel like when he is old. And then I remembered: he will never be old.
Madeline Miller (The Song of Achilles)
As for the goddess’s answer, I did not care. I would have no need of her. I did not plan to live after he was gone.
Madeline Miller (The Song of Achilles)
He looked different in sleep, beautiful but cold as moonlight. I found myself wishing he would wake so that I might watch the life return.
Madeline Miller (The Song of Achilles)
Those seconds, half seconds, that the line of our gaze connected, were the only moment in my day that I felt anything at all.
Madeline Miller (The Song of Achilles)
I conjure the boy I knew. Achilles, grinning as the figs blur in his hands. His green eyes laughing into mine. Catch, he says. Achilles, outlined against the sky, hanging from a branch over the river. The thick warmth of his sleepy breath against my ear. If you have to go, I will go with you. My fears forgotten in the golden harbor of his arms. The memories come, and come. She listens, staring into the grain of the stone. We are all there, goddess and mortal and the boy who was both.
Madeline Miller (The Song of Achilles)
I think: this is what I will miss. I think: I will kill myself rather than miss it. I think: how long do we have?
Madeline Miller (The Song of Achilles)
I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.
Madeline Miller (The Song of Achilles)
And overpowered by memory Both men gave way to grief. Priam wept freely For man - killing Hector, throbbing, crouching Before Achilles' feet as Achilles wept himself, Now for his father, now for Patroclus once again And their sobbing rose and fell throughout the house.
Homer (The Iliad)
When he was gone, would I be like Achilles, wailing over his lost lover Patroclus? I tried to picture myself running up and down the beaches, tearing at my hair, cradling some scrap of old tunic he had left behind. Crying out for the loss of half my soul. I could not see it. That knowledge brought its own sort of pain.
Madeline Miller (Circe)
We cannot say who will survive the holocaust of memory.
Madeline Miller (The Song of Achilles)
This is how I think of us, when I remember our nights at Troy: Achilles and I beside each other, Phoinix smiling and Automedon stuttering through the punch lines of jokes, and Briseis with her secret eyes and quick, spilling laughter.
Madeline Miller (The Song of Achilles)
I have done it,” she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. ACHILLES, it reads. And beside it, PATROCLUS. “Go,” she says. “He waits for you.
Madeline Miller (The Song of Achilles)
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death.
Madeline Miller (The Song of Achilles)
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. “Patroclus,” he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
Patroclus,' he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
We reached for each other and I thought of how many nights I had lain awake in this room loving him in silence.
Madeline Miller
Will you tell me who hurt you? I imagine saying, 'You.' But that is nothing more than childishness.
Madeline Miller (The Song of Achilles)
Indeed, he seemed utterly unaware of his effect on the boys around him.
Madeline Miller (The Song of Achilles)
He looked different in sleep, beautiful but cold as moonlight.
Madeline Miller (The Song of Achilles)
Those seconds, half seconds, that the line of our gaze connected, were the only moment in my day that I felt anything at all. The sudden swoop of my stomach, the coursing anger. I was like a fish eyeing the hook.
Madeline Miller (The Song of Achilles)
Then the best part of him died, and he was even more difficult after that. [...] “What was his best part?” “His lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.
Madeline Miller (Circe)
Peleus acknowledged this. "Yet other boys will be envious that you have chosen such a one. What will you tell them?" "I will tell them nothing." The answer came with no hesitation, clear and crisp. "It is not for them to say what I will do.
Madeline Miller (The Song of Achilles)
The heat rose up my neck, wrapped fingers over my face. His hair fell around me, and I could smell nothing but him. The grain of his lips seemed to rest a hairsbreadth from mine.
Madeline Miller (The Song of Achilles)
...all the grace I saw then was his own: simple, unadorned, glorious.
Madeline Miller (The Song of Achilles)
The mightiest kings have had their minions; Great Alexander loved Hephaestion, The conquering Hercules for Hylas wept; And for Patroclus, stern Achilles drooped. And not kings only, but the wisest men: The Roman Tully loved Octavius, Grave Socrates, wild Alcibiades.
Christopher Marlowe (Edward II)
In Troy they fought over Helen like children but Achilles mourned Patroclus the way a soul mourns a body.
Trista Mateer (Aphrodite Made Me Do It)
Do not let what you gained this day be so easily lost.' - Chiron
Madeline Miller (The Song of Achilles)
My fears forgotten in the golden harbour of his arms.
Madeline Miller (The Song of Achilles)
He weeps as he lifts me into our bed. My corpse sags; it's warm in the tent, and the smell will come soon. He does not seem to care. He holds me all night long, pressing my cold hands to his mouth.
Madeline Miller (The Song of Achilles)
No one would remember his glory, or his honesty, or his beauty; all his gold would be turned to ashes and ruin.
Madeline Miller (The Song of Achilles)
The difference between being Achilles and almost being Achilles is the difference between living and dying.
Thomas C. Foster (How to Read Literature Like a Professor)
Achilles weeps. He craddles me, and will not eat, nor speak a word other than my name. I see his face as if through water, as a fish sees the sun. His tears fall, but I cannot wipe them away. This is my element now, the half-life of the unburied spirit.
Madeline Miller (The Song of Achilles)
As for the goddess' answer. I did not care. I would have no need of her. I did not plan to live after he was gone
Madeline Miller (The Song of Achilles)
what was his best part?' 'his lover patroclus
Madeline Miller (Circe)
In the silence, I can hear Phoinix’s breaths, labored with the exertion of speaking so long. I do not dare to speak or move; I am afraid that someone will see the thought that is plain on my face. It was not honor that made Meleager fight, or his friends, or victory, or revenge, or even his own life. It was Cleopatra, on her knees before him, her face streaked with tears. Here is Phoinix’s craft: Cleopatra, Patroclus. Her name built from the same pieces as mine, only reversed.
Madeline Miller (The Song of Achilles)
Patroclus. I have given enough to them. I will not give them this.
Madeline Miller (The Song of Achilles)
Forget him. What is treasure? Or Briseis, or honor, or anything? Next to the life of the one I loved best and dearest? My beloved, my only Patroclus.
Stephen Fry (Troy (Stephen Fry's Great Mythology, #3))
What had Deidameia thought would happen, I wondered, when she had her women dance for me? Had she really thought I would not know him? I could recognize him by touch alone, by smell, I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.
Madeline Miller (The Song of Achilles)
And you think that no one but me can kill Hector.' 'Yes.' I said. 'And you think to steal time from the Fates?' 'Yes.' 'Ah.' A sly smile spread across his face; he had always loved defiance. 'Well, why should I kill him? He's done nothing to me.' For the first time then, I felt a kind of hope.
Madeline Miller (The Song of Achilles)
Will you come with me?' he asked. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to troy and I would follow, even into death.
Madeline Miller (The Song of Achilles)
We were silent a moment. 'So, which of the suitors would you have picked?' I shoved him, and he laughed
Madeline Miller (The Song of Achilles)
She thought that she had power to drive a wedge between us, but she had nothing.
Madeline Miller (The Song of Achilles)
I let him hold me, let him press us length to length so close that nothing might fit between us.
Madeline Miller (The Song of Achilles)
I had seen the way he looked at Deidameia; or rather the way he did not. It was the same way he had looked at the boys in Phthia, blank and unseeing. He had never, not once, looked at me that way.
Madeline Miller (The Song of Achilles)
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body. "Get away from him," he says. "I am almost finished. He does not deserve to lie in filth." "I would not have your hands on him." Her eyes are sharp with tears. "Do you think you are the only one who loved him?" "Get out. Get out!" "You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!" Achilles screams, and shatters a serving bowl. "Get out!" Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!" The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!" "You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!" Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!" Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you." The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
Madeline Miller (The Song of Achilles)
The Triumph Of Achilles In the story of Patroclus no one survives, not even Achilles who was nearly a god. Patroclus resembled him; they wore the same armor. Always in these friendships one serves the other, one is less than the other: the hierarchy is always apparent, though the legends cannot be trusted-- their source is the survivor, the one who has been abandoned. What were the Greek ships on fire compared to this loss? In his tent, Achilles grieved with his whole being and the gods saw he was a man already dead, a victim of the part that loved, the part that was mortal.
Louise Glück
I listened and did not speak. Achilles' eyes were bright in the firelight, his face drawn sharply by the flickering shadows. I would know it in dark or disguise, I told myself. I would know it even in madness.
Madeline Miller (The Song of Achilles)
He was watching me closely, reading my face over and over, like a priest searching the auguries for an answer. I could see the slight line in his forehead that meant utmost concentration. Something shifted in me then, like the frozen surface of the Apidanos in spring. I had seen the way he looked at Deidameia; or rather the way he did not. It was the same way he had looked at the boys in Phtia, blank and unseeing. He had never, not once, looked at me that way.
Madeline Miller (The Song of Achilles)
Patroclus, in Achilles' arms, enlighten'd all with stars,
Homer
Patroclus. I have given enough to them. I will not give them this.” After that, there was nothing more to say.
Madeline Miller (The Song of Achilles)
He stands apart with Patroclus, his beloved through all eternity, and Patroclus - who loves Achilles but not as much as he is loved - waits for Achilles to move. His deference to Achilles is different from that of others, They honour and respect him, keep a wise distance, because Achilles was better than the rest. Better at being human. Fighting, singing, speaking, raging (oh, he is good at that still). Killing. But Patroclus alone is humbled by Achilles' love. Only a fool thinks that to be more loved than loving gives you power. Only a fool vaunts it and displays his own littleness by bragging to his friends and making capricious demands of his lover. Patroclus isn't a fool. He knows that he is less than Achilles even in this. Humbled by the intensity of Achilles' love he loves him back with all his large, though lesser, heart.
Elizabeth Cook (Achilles)
Our goddess of the moon is gifted with magic, with power over the dead. She could banish the dreams, if she wished. She did not.
Madeleine Miller
That is my mother's lyre,' I almost said. The words were in my mouth, and behind them others crowded close. 'That is my lyre.
Madeline Miller (The Song of Achilles)
Achilles shook him. "Just come back.
Pat Barker (The Silence of the Girls (Women of Troy, #1))
And then I remembered: he will never be old.
Madeline Miller (The Song of Achilles)
She's like cream, she's that soft. Once her thighs are around you, you'll forget your own name.
Madeline Miller (The Song of Achilles)
And then I remembered, he will never be old.
Madeline Miller (The Song of Achilles)
Several things happened at once then. Achilles - for it was Achilles - dropped Deidameia's hand and flung himself joyously at me, knocking me backwards with the force of his embrace.
Madeline Miller (The Song of Achilles)
With a roar he throws Antilochus from him, knocks down Menealus. He falls on the body. The knowledge rushes up in him, choking off breath. A scream comes, tearing its way out. And then another, and another. He seizes his hair in his hands and yanks it from his head. Golden strands dall onto the bloody corpse. Patroclus, he says, Patroclus. Patroclus. Over and over untill it is sound only. Somewhere Odysseus is kneeling, urging food and drink. A fierce red rage comes, and he almost kills him there. But he would have to let go of me. He cannot. He holds me so tightly i can feel the faint beat of his chest, like the wings of a moth. An echo, the last bit of spirit tethered to my body. A torment.
Madeline Miller (The Song of Achilles)
FOR THE FIRST TIME since my death, he falls into a fitful, trembling sleep. Achilles. I cannot bear to see you grieving. His limbs twitch and shudder. Give us both peace. Burn me and bury me. I will wait for you among the shades. I will— But already he is waking. “Patroclus! Wait! I am here!” He shakes the body beside him. When I do not answer, he weeps again.
Madeline Miller (The Song of Achilles)
The presence of the other boys did not comfort me; our dead come for their vengeance regardless if witnesses.
Madeleine Miller
I am not a lord, Patroclus Menoitiades.” My head jerked up at the sound of my father’s name. “I am a centaur, and a teacher of men. My name is Chiron.
Madeline Miller (The Song of Achilles)
Until this moment I had been a prince, expected and announced. Now I was negligible.
Madeline Miller (The Song of Achilles)
Je ne le quitterai jamais. Je serai à lui pour toujours, autant qu'il voudra de moi.
Madeline Miller (The Song of Achilles)
You think you killed me, Hector,’ Patroclus gasped. ‘But it took the god Apollo to do that. Euphorbus was next. You, famous Hector, noble Hector, were just the third. All you did is finish me off. I die knowing that your fate will be settled by one greater than any … by my Achilles.
Stephen Fry (Troy (Stephen Fry's Great Mythology, #3))
Patroclus" It was the name my father had given me, hopefully but injudiciously, at my birth, and it tasted of bitterness on my tonge. "Honor of the father," it meant. I waited for him to make a joke out of it, some witty jape about my disgrace. He did not. perhaps, I thought, he is too stupid to.
Madeline Miller (The Song of Achilles)
Sometimes, after long intervals, I have thought to feel the slight stir of an approach, a touch as light as the contact of eyelashes and warm as the hollow of a hand. And the shade of Patroclus appears at Achilles' side..
Marguerite Yourcenar (Memoirs of Hadrian)
He was on his side, watching me. I had not heard him turn. I never hear him. He was utterly motionless, that stillness that was his alone. I breathed, and was aware of the bare stretch of dark pillow between us. He leaned forward. Our mouths opened under each other, and the warmth of his sweetened throat poured into mine. I could not think, could not do anything but drink him in, each breath as it came, the soft movements of his lips. It was a miracle.
Madeline Miller (The Song of Achilles)
For Achilles, the death of Patroclus pushed him into a fury, but it was not only grief that drove him. It was also a sense of shame and guilt because he had not been there to protect his friend. Sometimes men in combat feel this sort of survivor’s guilt even though, realistically, they could have done nothing to prevent their comrade’s death.
Nel Noddings (Peace Education: How We Come to Love and Hate War)
He was watching me closely, reading my face over and over, like a priest searching the auguries for an answer. I could see the slight line in his forehead that meant utmost concentration. Something shifted in me then, like the frozen surface of the Apidanos in spring. I had seen the way he looked at Deidameia; or rather the way he did not. It was the same way he had looked at the boys in Phthia, blank and unseeing. He had never, not once, looked at me that way.
Madeline Miller (The Song of Achilles)
In Homers Ilias scheint Thetis jedenfalls keine Einwände gegen die Beziehung ihres Sohnes Achilles zu Patrokles gehabt zu haben. Und Königin Olympias von Makedonien (eine der mächtigsten Frauen der Antike, die angeblich ihren Mann ermorden ließ) hatte offenbar nichts dagegen, als ihr Sohn Alexander der Große seinen Geliebten Hephaestion zum Essen nach Hause brachte.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
When he was gone, would I be like Achilles sailing over his lost lover Patroclus? I tried to picture myself running up and down the beaches, tearing at my hair, cradling some scrap of old tunic he had left behind. Crying out for the loss of half my soul.
Madeline Miller (Circe)
When he was gone, would I be like Achilles, wailing over his lost lover Patroclus? I tried to picture myself running up and down the beaches, tearing at my hair, cradling some scrap of old tunic he had left behind. Crying out for the loss of half my soul.
Madeline Miller (Circe)
And let Apollo drive Prince Hector back to battle, breathe power back in his lungs, make him forget the pain that racks his heart. Let him whip the Achaeans in headlong panic rout and roll them back once more, tumbling back on the oar-swept ships of Peleus' son Achilles. And he, will launch his comrade Patroclus into action and glorious Hector will cut him down with a spear in front of Troy, once Patroclus has slaughtered whole battalions of strong young fighting men and among them all, my shining son Sarpedon. But then - enraged for Patroclus - brilliant Achilles will bring Prince Hector down. And then, from that day on, I'll turn the tide of war: back the fighting goes, no stopping it, ever.
Homer (The Iliad)
More than a hygenic method of disposing of the dead, cremation enabled lovers and comrades to be mingled together for eternity: The ashes of Domitian were mingled with those of Julia; of Achilles with those of Patroclus; All Urnes contained not single ashes; Without confused burnings they affectionately compounded their bones; passionately endeavouring to continue their living Unions. And when distance of death denied such conjunctions, unsatisfied affections concieved some satisfaction to be neighbours in the grave, to lye Urne by Urne, and touch but in their names.
Catharine Arnold (Necropolis: London and Its Dead)
But feeling fear was not the same as lacking courage. Anyone could be brave if he felt no fear. The Trojans murmured that this was true of Achilles, this was why he was so lethal. He rode into battle on his chariot, with no care whether he lived or died. None at all. He cared only for the safety of his friend, for Patroclus
Natalie Haynes (A Thousand Ships)
Although Achilles wore no armour, the mere sight of him, standing high on the embankment, bathed in an unearthly light and uttering the most piercing and monumental battle-cry was enough to scatter the Trojans. Three times Achilles yelled his terrible war cry. The Trojans and even their horses were filled with fear. In triumph the Achaeans bore the body of Patroclus back to their camp.
Stephen Fry (Troy (Stephen Fry's Great Mythology, #3))
Agamemnon posted guards to watch Troy every hour of every day. We were all waiting for something - an attack, or an embassy, or a demonstration of power. But Troy kept her gates shut, and so the raids continued. I learned to sleep through the day so that I would not be tired when he returned; he always needed to talk then, to tell me down to the last detail about the faces and the wounds and the movements of men. And I wanted to be able to listen, to disgest the bloody images, to paint them flat and unremarkable onto the vase of posteriry. To release him from it and make him Achilles again.
Madeline Miller (The Song of Achilles)
And Patroclus, Shaking the voice out of his body, says: ‘Big mouth. Remember it took three of you to kill me. A god, a boy, and, last and least, a prince. I can hear Death pronounce my name, and yet Somehow it sounds like Hector. And as I close my eyes I see Achilles’ face With Death’s voice coming out of it.’ Saying these things Patroclus died. And as his soul went through the sand Hector withdrew his spear and said: ‘Perhaps.
Christopher Logue (War Music: An Account of Homer's Iliad)
I was astonished at her words, and said: 'Is this really true, O thou wise Diotima?' And she answered with all the authority of an accomplished sophist: 'Of that, Socrates, you may be assured;-think only of the ambition of men, and you will wonder at the senselessness of their ways, unless you consider how they are stirred by the love of an immortality of fame. They are ready to run all risks greater far than they would have run for their children, and to spend money and undergo any sort of toil, and even to die, for the sake of leaving behind them a name which shall be eternal. Do you imagine that Alcestis would have died to save Admetus, or Achilles to avenge Patroclus, or your own Codrus in order to preserve the kingdom for his sons, if they had not imagined that the memory of their virtues, which still survives among us, would be immortal? Nay,' she said, 'I am persuaded that all men do all things, and the better they are the more they do them, in hope of the glorious fame of immortal virtue; for they desire the immortal.
Plato
She's like cream, she's that soft. Once her thighs are around you, you'll forget your own name. The boys' voices had been sharp with excitement, their color high. But when I tried to imagine what they spoke of, my mind slid away, like a fish who would not be caught. Other images came in their stead. The curve of a neck bent over a lyre, hair gleaming in firelight, hands with their flickering tendons. We were together all day, and I could not escape: the smell of the oils he used on his feet, the glimpses of skin as he dressed.
Madeline Miller (The Song of Achilles)
A significant number of human cultures have viewed homosexual relations as not only legitimate but even socially constructive, ancient Greece being the most notable example. The Iliad does not mention that Thetis had any objection to her son Achilles’ relations with Patroclus. Queen Olympias of Macedon was one of the most temperamental and forceful women of the ancient world, and even had her own husband, King Philip, assassinated. Yet she didn’t have a fit when her son, Alexander the Great, brought his lover Hephaestion home for dinner.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
His gaze, which had been following the circling fruit, flickered to mine. I did not have time to look away before he said, softly but distinctly, “Catch.” A fig leapt from the pattern in a graceful arc towards me. It fell into the cup of my palms, soft and slightly warm. I was aware of the boys cheering. One by one, Achilles caught the remaining fruits, returned them to the table with a performer’s flourish. Except for the last, which he ate, the dark flesh parting to pink seeds under his teeth. The fruit was perfectly ripe, the juice brimming. Without thinking, I brought the one he had thrown me to my lips. Its burst of grainy sweetness filled my mouth; the skin was downy on my tongue. I had loved figs, once.
Madeline Miller (The Song of Achilles)
The third feature which is of importance for romantic subjectivity within its mundane sphere is fidelity. Yet by ‘fidelity’ we have here to understand neither the consistent adherence to an avowal of love once given nor the firmness of friendship of which, amongst the Greeks, Achilles and Patroclus, and still more intimately, Orestes and Pylades counted as the finest model. Friendship in this sense of the word has youth especially for its basis and period. Every man has to make his way through life for himself and to gain and maintain an actual position for himself. Now when individuals still live in actual relationships which are indefinite on both sides, this is the period, i.e. youth, in which individuals become intimate and are so closely bound into one disposition, will, and activity that, as a result, every undertaking of the one becomes the undertaking of the other. In the friendship of adults this is no longer the case. A man’s affairs go their own way independently and cannot be carried into effect in that firm community of mutual effort in which one man cannot achieve anything without someone else. Men find others and separate themselves from them again; their interests and occupations drift apart and are united again; friendship, spiritual depth of disposition, principles, and general trends of life remain, but this is not the friendship of youth, in the case of which no one decides anything or sets to work on anything without its immediately becoming the concern of his friend. It is inherent essentially in the principle of our deeper life that, on the whole, every man fends for himself, i.e. is himself competent to take his place in the world. Fidelity in friendship and love subsists only between equals.
Georg Wilhelm Friedrich Hegel
There is a guard standing behind me. And then I hear footsteps. “Nicki,” I say. She’s wearing a white shirt and a navy blue skirt. Her Nike 130s are white with a blue Swoosh. “Carrie.” “You feeling all right?” I say. “How’s your ankle? How’s your back? Any injuries I should exploit?” Nicki laughs. “Unfortunately for you, I’m feeling one hundred percent.” “Good,” I say. “The win will be sweeter.” Nicki shakes her head. “I read an interview with you years ago, when I was still a kid,” she says. “Where you said your father called you ‘Achilles.’ ” “Yeah,” I say. “The greatest of the Greeks.” “I was always jealous of that. That sense of destiny you seemed to have. Do you remember what Achilles said to Hector after Hector killed Patroclus?” It has been a long time since I’ve actually read The Iliad. I shake my head. She smiles. “He says, ‘There can be no pacts between men and lions. I will make you pay in full for the grief you have caused me.’ 
Taylor Jenkins Reid (Carrie Soto Is Back)
Imagine such a happiness. Like drinking wine your whole life, instead of water. Like having Achilles to run your errands.” I did not know the name. His voice rolled like a bard’s: Achilles, prince of Phthia, swiftest of all the Greeks, best of the Achaian warriors at Troy. Beautiful, brilliant, born from the dread nereid Thetis, graceful and deadly as the sea itself. The Trojans had fallen before him like grass before the scythe, and the mighty Prince Hector himself perished at his ash-spear’s end. “You did not like him,” I said. Some inward amusement touched his face. “I appreciated him, in his way. But he made a terrible soldier, however many men he could bleed. He had a number of inconvenient ideas about loyalty and honor. Every day was a new struggle to yoke him to our purpose, keep him straight in his furrow. Then the best part of him died, and he was even more difficult after that. But as I said, his mother was a goddess, and prophecies hung on him like ocean-weed. He wrestled with matters larger than I will ever understand.” It was not a lie, but it was not truth either. He had named Athena as his patron. He had walked with those who could crack the world like eggs. “What was his best part?” “His lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.
Madeline Miller (Circe)
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
Madeline Miller (The Song of Achilles)
I was witness to events of a less peaceful character. One day when I went out to my wood-pile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants, that it was not a duellum, but a bellum, a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black. The legions of these Myrmidons covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battle-field I ever trod while the battle was raging; internecine war; the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely. I watched a couple that were fast locked in each other's embraces, in a little sunny valley amid the chips, now at noonday prepared to fight till the sun went down, or life went out. The smaller red champion had fastened himself like a vice to his adversary's front, and through all the tumblings on that field never for an instant ceased to gnaw at one of his feelers near the root, having already caused the other to go by the board; while the stronger black one dashed him from side to side, and, as I saw on looking nearer, had already divested him of several of his members. They fought with more pertinacity than bulldogs. Neither manifested the least disposition to retreat. It was evident that their battle-cry was "Conquer or die." In the meanwhile there came along a single red ant on the hillside of this valley, evidently full of excitement, who either had despatched his foe, or had not yet taken part in the battle; probably the latter, for he had lost none of his limbs; whose mother had charged him to return with his shield or upon it. Or perchance he was some Achilles, who had nourished his wrath apart, and had now come to avenge or rescue his Patroclus. He saw this unequal combat from afar—for the blacks were nearly twice the size of the red—he drew near with rapid pace till he stood on his guard within half an inch of the combatants; then, watching his opportunity, he sprang upon the black warrior, and commenced his operations near the root of his right fore leg, leaving the foe to select among his own members; and so there were three united for life, as if a new kind of attraction had been invented which put all other locks and cements to shame. I should not have wondered by this time to find that they had their respective musical bands stationed on some eminent chip, and playing their national airs the while, to excite the slow and cheer the dying combatants. I was myself excited somewhat even as if they had been men. The more you think of it, the less the difference. And certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment's comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed. For numbers and for carnage it was an Austerlitz or Dresden. Concord Fight! Two killed on the patriots' side, and Luther Blanchard wounded! Why here every ant was a Buttrick—"Fire! for God's sake fire!"—and thousands shared the fate of Davis and Hosmer. There was not one hireling there. I have no doubt that it was a principle they fought for, as much as our ancestors, and not to avoid a three-penny tax on their tea; and the results of this battle will be as important and memorable to those whom it concerns as those of the battle of Bunker Hill, at least.
Henry David Thoreau (Walden)