Academy Awards Quotes

people see so many movies that when they finally see one not so bad as the others, they think it's great. an Academy Award means that you don't stink quite as much as your cousin.

The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day." [Academy Award ceremony, March 2, 2014]

The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day.

Pass me the Academy Award. I don’t know how I did it, but hysterical-girl tears sprung from my eyes as I ran out of the room and down the grand staircase.

Dr. Upward was one of those Academy Award-winning Asses of Arrogance you find in educational administration, law or medicine.

A true friend will be there to congratulate you when you win an Academy Award and will also be there to hold your hair back when you're puking your guts out in the bathroom stall two minutes later! So keep your eyes peeled for the hair-holding kind.

Host: For those of you just tuning in, our guests tonight are the amazing Murder Magician, and his lovely minion, The Assistant... Assistant: Charmed, I'm sure Host: Who recently killed The Rumor. And you were awarded the Oppenheimer prize for villainy at last week's annual summit for dastardly deeds-- what are you going to do with all that money? Murder Magician: Well, I'm so glad you asked that-- because I spent all the money on this giant MURDERBOT, and I've been dying to show it off! Assistant: It's true... every penny. Host: Wow! That's impressive! So what does it do? Murder Magician: Well, Mr. Clark... it murders people. Laughter. Murder Magician: I'm serious. Assistant: He is.

Lonely people want to be dead, yet we’re still not quite ready to go—we don’t want to miss the action; we want to see who wins next year’s Academy Awards.

If you were going to give a gold medal to Count Olaf, you would have to lock it up someplace before the awarding ceremony, because Count Olaf was such a greedy and evil man that he would try to steal it beforehand.

Does John Green have a Hollywood Star? A John Green does but he is not me. He was a composer who won five Academy Awards for scoring such movies as An American in Paris and West Side Story. Although today he is mostly forgotten which is a nice reminder that no matter what you do the tides of time will wash away your sandcastles. So there's no sense in reaching for some foolhardy notion of immortality when there is real work to be done with real people, right now.

Ignore the dimples, Tory, he’s an award winning dickasaurus.

In 1960, Joy wrote of her experiences raising Elsa in the bestselling book Born Free which was adapted into an Academy award-winning film. In 1980 Joy was tragically murdered on her reserve, but her conservation work continues through the Elsemere Trust.

I think the hardest thing about writing is writing." [Interview clip in the In Memoriam section of the 85th Academy Awards ceremony, Feb. 24, 2013]

everything from Hairspray to the Academy Awards. They were also my co-conspirators on my 2006 Broadway show, Fame

But you had to know you were talented,' I tell her. 'You had been nominated for an Academy Award three times by that point.' 'You're using reason,' Evelyn says, smiling at me. 'It doesn't always work.

Wanna go to the movies? They're showing It Happened One Night at Le Champo." Just because I haven't gone out doesn't mean I haven't pored over the glorious Pariscope. "They're showing what? And I'm not gonna tell you how badly you just butchered that theater's name." "It Happened One Night. Clark Gable and Claudette Colbert.Won five Academy Awards.It was a big deal." "In what century?" "Ha ha. Honestly, you'll like it. I hear it's great." Rashmi rubs her temples. "I don't know. I don't really like old movies. The acting is so, 'Hey buddy,ol' pal. Let's go wear our hats and have a big misunderstanding.

We lose our gratitude so easily in this commerce-driven world, and take for granted our health, friendships, food, warm shelter, running water, etc. We can become so spoiled that we actually feel the universe is conspiring against us if we aren’t being handed an Academy Award, or if we aren’t as famous as U2.

The sublime Academy Award winning actor, Halle Berry, told a group of reporters in London in 2004 when she was promoting Cat Woman, "Being thought of as a beautiful woman has spared me nothing in life. No heartache, no trouble. Love has been difficult. Beauty is essentially meaningless and it is always transitory".

When my mother was alive, I was the daughter first and everything else second.... That's what made her death so painful. My mother was a big part of my life and a big reason why I did what I did. I've always derived a lot of energy from being a good daughter.... When she was gone, I suddenly thought, Why am I doing this? For whom? Losing my mom was really hard on me. I remember going to the Academy Awards shortly after she died and thinking, Well I'm all dressed up, and my mother won't see me.

Well, bingo, his name popped up in the database on this crime ring’s computer as one of their own. Sloane, Wilma, KazuKen, Celi-hag, BunnyMuff, were all part of the illegal and criminal cyber-bullying ring that used blackmail to extort celebrities and famous authors, musicians, schools like Aunt Sookie Acting Academy for money or they will post lies, false rumors, photo shopped fake photos, and accusations of fake awards, fake credentials on the internet. They did that to Summer and tried to do that with Aunt Sookie, apparently. But as seemingly innocent as they seem, using young girls’ photos as their supposed fake identities, they really were part of a larger crime ring.”, Loving Summer by Kailin Gow

He also starred in The Blob, The Magnificent Seven, The Great Escape, Love with a Proper Stranger, Nevada Smith, and The Sand Pebbles, for which he received an Academy Award nomination for Best Actor. Other features include, Le Mans, The Getaway, Towering Inferno, The Reivers, Tom Horn, The

The world is glacial when it comes to recognising talent.

Since change is constant, you wonder if people crave death because it’s the only way they can get anything really finished. The agent’s yelling that no matter how great you look, your body is just something you wear to accept your Academy Award. Your hand is just so you can hold your Nobel Prize. Your lips are only there for you to air-kiss a talk show host.

The foundation of Hollywood alchemically turned celluloid into gold and insincerity into an art form.

Emotions are reserved for juries and, in that case, a good lawyer can really lay them on when the time is right, better than the best Academy Award winning actor

Academy Award-winning song “Let It Go,” performed by Idina Menzel, inspired countless

I put on such a theatrical performance that I should receive an Academy Award nomination for Most Dramatic Meltdown in a Family Convo.

So what are you wearing to the Academy Awards, Jean? Remember, it’s watched by people all over the world.” “As little as possible.

The Nobel Prize, An Olympics Gold Medal, The Academy Award (Oscars), The Pulitzer Prize or any other award or prize for that matter are nothing when compared to winning 'Her' heart.

Tin Toy went on to win the 1988 Academy Award for animated short films, the first computer-generated film to do so. To celebrate, Jobs took Lasseter and his team to Greens, a vegetarian restaurant in San Francisco.

The Lion King? It's just a kid's film. Just a kid's film?!? Yeah, just a kid's film with an IMDB rating of 8.5, 2 Academy Awards and 2 Golden Globes, that's been adapted into THE most successful West-end musical of all time, generating a gross profit of 8 million pounds and counting. "But maybe it's just a kid's film because it doesn't deal with any mature films" said fucking nobody ever. The Lion King is the greatest anthropomorphic assault upon the theme of mortality that Western culture has ever produced. It is so complex that your tiny, shriveled, and scrotum of a brain wouldn't dare to fathom it. So no, it is not just a kid's film, it is Shakespear with fur!

The Oscar statue which is given to actors who win an Academy Award for their roles in film essentially represents the alchemical transformation of a person from a mere mortal into an enlightened, perfected, and transcended “god.

As Frances Marion rose to accept the Academy Award for Screenwriting for her original story The Big House, she became the first woman writer to win an Oscar. Since 1917, she had been the highest-paid screenwriter in Hollywood—male or female—and was hailed as “the all-time best script and story writer the motion picture world has ever produced.” Just forty and “as beautiful as the stars she wrote for,” Frances was already credited with writing over one hundred produced films.

I started showing them some of Tommy’s greatest acting hits. “Oh my God,” one of them said, laughing. “This is so terrible.” Another one, looking back so as not to be overheard by anyone, said, “Seriously, Greg. Does he think this is serious? This is real?” “Completely,” I said. “Tommy thinks this is the next Streetcar Named Desire.” “What’s he planning to do with this movie?” “Submit it to the Academy Awards.” Everyone laughed, but I wasn’t kidding. That was Tommy’s stated goal.

Even though he had lived in Monroe County his whole life, Walter McMillian had never heard of Harper Lee or To Kill a Mockingbird. Monroeville, Alabama, celebrated its native daughter Lee shamelessly after her award-winning book became a national bestseller in the 1960s. She returned to Monroe County but secluded herself and was rarely seen in public. Her reclusiveness proved no barrier to the county’s continued efforts to market her literary classic—or to market itself by using the book’s celebrity. Production of the film adaptation brought Gregory Peck to town for the infamous courtroom scenes; his performance won him an Academy Award. Local leaders later turned the old courthouse into a “Mockingbird” museum. A group of locals formed “The Mockingbird Players of Monroeville” to present a stage version of the story. The production was so popular that national and international tours were organized to provide an authentic presentation of the fictional story to audiences everywhere. Sentimentality about Lee’s story grew even as the harder truths of the book took no root.

Jorja felt great after her session with the crew from physical therapy. She'd never been one for acting, but if Cat could have seen her, she'd have offered her the Academy Award for "Best Performance by a Previously Dead Person in a Reincarnated Body." Jorja chuckled at the thought...

and dozens of tips for theme decorating, table settings, background music, and more. Whatever the occasion, we have the plan. Choose from a Formal Dinner when you want to impress, or an Academy Awards Supper when you’re into fun and fantasy. Or how about a Romantic Dinner for Two with that special someone? Many of the menus can be prepared before the party. And although all the recipes featured in each menu are included, you can save time and effort by purchasing some precooked and ready-to-serve items. The main thing is to get as much done ahead of time as possible, so

On Friday evening Martin and Mona went to the United Artists Theatre to see a film already being mentioned for the Academy award. It had three stars, ran a hundred and ten minutes, and bored them both to petrifaction. (In brief, the award was in the bag.) The Case of the Seven of Calvary

But what finally undid me was when Ariana came whistle-toning in with excitement because she had spent the previous evening playing charades at Tom Hanks’s house. That was the moment I broke. I couldn’t take it anymore. Music performances and magazine covers…whatever, I’ll get over it. But playing a family game at National Treasure, two-time Academy Award-winner and six-time nominee Tom Hanks’s house? I’m done. From that moment on, I didn’t like her. I couldn’t like her. Pop star success I could handle, but hanging out with Sheriff Woody, with fucking Forrest Gump? This has gone too far.

Call me Ace. That’s what my friends call me.” they both look up at me in question and I laugh, remembering just how young they really are,before I nudge my head slightly toward Ashton.Eric takes Ashton’s hand first, gesturing him forward like he’s got a secret to whisper in his ear. Of course, a five-year-old’s whisper might as well be through a megaphone. “What’s wrong with you?Livie’s really pretty for a girl.”I try not to laugh. Ashton’s eyes flicker to me and there’s a mischievous twinkle in them. A twinge of panic hits me. Of all the ways he could answer this question . . . “I’ve tried, little buddy. But Livie doesn’t like me very much.” “She’s your friend but she doesn’t like you? Why not?” Derek asks, a deep frown creasing his forehead. Ashton shrugs. “I don’t know. I’ve tried as hard as I can, but . . .” then his shoulders slouch a bit and his smile falters, playing the role of wounded boy to Academy Award perfection. e twins cock their heads and stare at me in eerie unison. “Why don’t you like him, Livie?” Derek asks. And I have turned into the villain here.

Every year I try to reread Doris Lessing’s slim 1987 polemic (originally a lecture series), Prisons We Choose to Live Inside. In the book, this “epicist of the female experience,” as the Swedish Academy put it when awarding her the Nobel Prize in Literature in 2007, reminds us how difficult it is to detach ourselves from the mass emotions and social conditions of the age we’re born into; all of us, male and female, are “part of the great comforting illusions, and part illusions, which every society uses to keep up its confidence in itself.

the satisfaction of success doesn’t come from achieving your goals, but from struggling well. To understand what I mean, imagine your greatest goal, whatever it is—making a ton of money, winning an Academy Award, running a great organization, being great at a sport. Now imagine instantaneously achieving it. You’d be happy at first, but not for long. You would soon find yourself needing something else to struggle for.

Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.

What are you doing?” I dropped the dress and whirled around. Stephen stood in the doorway of the closet, looking at me steadily. “Nothing,” I said, crossing my arms. “It’s a beautiful dress.” “It’s my mother’s. What are you doing in her closet?” I struggled to come up with something, anything that made the tiniest bit of sense. “She came to see me today,” I blurted. “Told me to stay away from you. She said I wasn’t good enough to date you. I didn’t believe her.” I paused for dramatic effect. “But now I look at your big house with your mother’s fancy walk-in closet. Any one of these dresses cost more than my whole wardrobe. And I’m thinking maybe she’s right. I can’t compete with the rich girls. I don’t belong in this world.” Pass me the Academy Award. I don’t know how I did it, but hysterical-girl tears sprung from my eyes as I ran out of the room and down the grand staircase.

There is a song, Noreen," he said tenderly. "It was nominated for an Academy Award. I can't sing, enamorada, but the words say that when a man loves a woman, really loves her, he can see his unborn children in her eyes." - "To my shame, I saw my sons in your eyes the day I found you in the kitchen at your aunt's house," he whispered, watching her face color. "And I was married. What a living hell it was, to know such a sin and be unable to repent it." (Diana Palmer)

Between 1900 and 1930, the percentage of PhDs awarded to women doubled, and then, for three decades, it fell.6 The gains made by women in the beginning of the twentieth century were lost, everywhere, as women who had fought their way into colleges and graduate programs found that they were barred from the top ranks of the academy. No structural changes had been made that would have allowed women to pursue a life of the mind while raising children: many quit; many were kicked out; most gave up.

When it comes to the selections, I heard several observers claim that the Academy was embracing “nostalgia” by honoring The Artist and Hugo. Give me a break! Hugo represents cutting-edge storytelling by a world-class director—in 3-D, no less. The Artist dares to revisit a form of cinema that was abandoned in the late 1920s. The Academy members admired these films for making the past seem immediate and relevant. That has nothing to do with nostalgia; it has everything to do with great moviemaking, which is what the Academy Awards are all about.

When people speak these days, about an inevitable “Clash of Civilizations” in our world, what they often mean, I fear, is an inevitable “Clash of Religions.” But I would use different terminology altogether. The essential problem, as I see it, in relations between the Muslim world and the West is “A Clash of Ignorance.” And what I would prescribe -- as an essential first step -- is a concentrated educational effort. Address by His Highness the Aga Khan to the Tutzing Evangelical Academy Upon Receiving the "Tolerance" Award - 20 May 2006 (Tutzing, Germany)

Sick Boy : It's certainly a phenomenon in all walks of life. Mark "Rent-boy" Renton : What do you mean? Sick Boy : Well, at one time, you've got it, and then you lose it, and it's gone forever. All walks of life: George Best, for example. Had it, lost it. Or David Bowie, or Lou Reed... Mark "Rent-boy" Renton : Some of his solo stuff's not bad. Sick Boy : No, it's not bad, but it's not great either. And in your heart you kind of know that although it sounds all right, it's actually just shite. Mark "Rent-boy" Renton : So who else? Sick Boy : Charlie Nicholas, David Niven, Malcolm McLaren, Elvis Presley... Mark "Rent-boy" Renton : OK, OK, so what's the point you're trying to make? Sick Boy : All I'm trying to do is help you understand that The Name of The Rose is merely a blip on an otherwise uninterrupted downward trajectory. Mark "Rent-boy" Renton : What about The Untouchables? Sick Boy : I don't rate that at all. Mark "Rent-boy" Renton : Despite the Academy Award? Sick Boy : That means fuck all. Its a sympathy vote. Mark "Rent-boy" Renton : Right. So we all get old and then we can't hack it anymore. Is that it? Sick Boy : Yeah. Mark "Rent-boy" Renton : That's your theory? Sick Boy : Yeah. Beautifully fucking illustrated.

I realized that all of them—like me, like everyone—make mistakes, struggle with their weaknesses, and don’t feel that they are particularly special or great. They are no happier than the rest of us, and they struggle just as much or more than average folks. Even after they surpass their wildest dreams, they still experience more struggle than glory. This has certainly been true for me. While I surpassed my wildest dreams decades ago, I am still struggling today. In time, I realized that the satisfaction of success doesn’t come from achieving your goals, but from struggling well. To understand what I mean, imagine your greatest goal, whatever it is—making a ton of money, winning an Academy Award, running a great organization, being great at a sport. Now imagine instantaneously achieving it. You’d be happy at first, but not for long. You would soon find yourself needing something else to struggle for. Just look at people who attain their dreams early— the child star, the lottery winner, the professional athlete who peaks early. They typically don’t end up happy unless they get excited about something else bigger and better to struggle for. Since life brings both ups and downs, struggling well doesn’t just make your ups better; it makes your downs less bad. I’m still struggling and I will until I die, because even if I try to avoid the struggles, they will find me.

Filming was done outside San Antonio, Texas. The scale of the production was vast and complex. Whole battlefields were scrupulously re-created on the plains of Texas. Wellman deployed as many as five thousand extras and sixty airplanes in some scenes—an enormous logistical exercise. The army sent its best aviators from Selfridge Field in Michigan—the very men with whom Lindbergh had just flown to Ottawa—and stunt fliers were used for the more dangerous scenes. Wellman asked a lot of his airmen. One pilot was killed, another broke his neck, and several more sustained other serious injuries. Wellman did some of the more dangerous stunt flying himself. All this gave the movie’s aerial scenes a realism and immediacy that many found almost literally breathtaking. Wellman captured features of flight that had never been caught on film before—the shadows of planes moving across the earth, the sensation of flying through drifting smoke, the stately fall of bombs, and the destructive puffs of impact that follow. Even the land-bound scenes were filmed with a thoughtfulness and originality that set Wings apart. To bring the viewer into a Parisian nightclub, Wellman used a boom shot in which the camera traveled through the room just above table height, skimming over drinks and between revelers, before arriving at the table of Arlen and Rogers. It is an entrancing shot even now, but it was rivetingly novel in 1927. “Wings,” wrote Penelope Gilliatt simply in The New Yorker in 1971, “is truly beautiful.” Wings was selected as best picture at the very first Academy Awards ceremony in 1929. Wellman, however, wasn’t even invited to the ceremony.

At Starfleet Academy, there is a simulated test for trainee crews called the Kobayashi Maru, named after a ship marooned in the Klingon Neutral Zone. Your job is to decide whether to try and rescue it, thereby risking war with the Klingons, or sacrifice it to collateral damage. It’s a purpose-built no-win situation designed to show that sometimes decisions needing to be made don’t necessarily have a clear-cut right and wrong road, a best course of action and a worst course of action. Some things you can’t win –it’s how you don’t win that counts. If you’re going to not win, then do it with style, integrity and aplomb. Not with misery, depression and defeat. Not by cheating the system the way Kirk did –by surreptitiously reprogramming the simulator so that it was possible to rescue the freighter. The irony is, he was awarded a commendation, for ‘original thinking’. The Kobayashi Maru wasn’t one for fancy semantic solutions. Nor was it for cheating on; that defeated the lesson to be learned. It was to prove a point. That you can’t win ’em all, champ.

While the picture houses were struggling to maintain their audiences, things were not going terribly well on the production side of the business either. The previous November unions representing the craft trades—painters, carpenters, electricians, and the like—had secured something called the Studio Basic Agreement, which granted them important and costly concessions. The studios were now terrified of being squeezed similarly by actors and writers. With this in mind, thirty-six people from the creative side of the industry met for dinner at the Ambassador Hotel in Los Angeles in January 1927 and formed a kind of executive club to promote—but even more to protect—the studios. It was a reflection of their own sense of self-importance that they called it the International Academy of Motion Picture Arts and Sciences, elevating the movies from popular entertainment to something more grandly artistic, scientific, and literally academic. In the second week of May, while the world fretted over the missing airmen Nungesser and Coli, the academy was formally inaugurated at a banquet at the Biltmore Hotel in Los Angeles. (The idea of having an awards ceremony was something of an afterthought, and wasn’t introduced until the academy’s second anniversary dinner in 1929.)

evidence suggests that its popularity spread from Disney’s 1958 Academy Award–winning documentary White Wilderness, which highlighted this unusual and unnatural behavior. Although it was later discovered that the filmmakers had flown in the featured lemmings from Canada and had actually tossed them off the cliffs by hand, it was too late to reverse this morbid misconception.

The house we were renting that spring belonged to Sara Mankiewicz, Herman Mankiewicz’s widow, who was traveling for six months, and although she had packed away the china she did not want used along with Herman Mankiewicz’s Academy Award for Citizen Kane (you’ll have friends over, she had said, they’ll get drunk, they’ll want to play with it) she had left out her Minton dinner plates, the same pattern as the Minton tiles that line the arcade south of Bethesda Fountain in Central Park, for me to use.

No other supporting player won three Academy Awards, and you would be hard-pressed to name another character actor whose performances frequently overwhelmed those of ostensible leads like Joel McCrea and Barbara Stanwyck in Banjo on My Knee. “We’re supporting you. Be nice to us,” McCrea and Stanwyck joked with Brennan. Those stars had the fights of their lives trying to stay on equal terms with old Walter. Sure, other character actors have had their star turns—especially in television, which gave Ward Bond in Wagon Train, Raymond Burr in Perry Mason, and Harry Morgan in M.A.S.H. their respective moments of fame—but no character actor other than Brennan dominated the Hollywood century of popular entertainment, or attained the iconic status he achieved. To follow Brennan—beginning with his career as a seven-dollar-a-day extra—is to learn all you need to know about Hollywood and its mythologizing of the American dream. Walter Brennan became an archetype, not a stereotype.

April 4: At the Academy Awards, Some Like It Hot receives only one award, for costume design. Ben Hur wins eleven awards.

The Academy Award set a pattern for Brennan, who had perfected a persona that could be crusty, ornery, and outspoken, but also charming, comical, and always in the service of the hero as companion, conscience, and counselor. Brennan

Nothing much changed in Walter Brennan’s domestic life even after he won his Academy Award and received rave reviews for both Come and Get It and Banjo on My Knee. He remembered hurrying home with his gold statuette, strutting in his borrowed tuxedo, and asking his wife how it felt to be married to an Academy Award winner. Ruth gave him a look and said, “Turn out the lights and go to bed. I lived with you when you didn’t have a dime.” His rare moment of bragging caught her off guard, and he had never spoke of stardom. It all seemed just work to him—or so Ruth supposed. Years later, she admitted she had not taken in the honor bestowed on her husband.

Christ never told his disciples that they would get an Academy Award for their performances, but He did tell them to expect to have troubles.

Brennan’s third Academy Award for his performance in The Westerner was announced during the making of Sergeant York. To the actor’s surprise, no one on the set said anything to him when he arrived. “I didn’t expect the gang to fall all over me, but I did anticipate some congratulations,” Walter said. “When nobody said a word I was first surprised, then hurt, and finally mad.” Then he walked into his dressing room packed with flowers; a huge green 3 had been painted on his flower wreathed mirror.

Susan came down the hall in a white dress that fit her well. She looked like she was receiving an Academy Award for stunningness. I

William Brennan did not live to see his son, now a remarkable transformative actor, win his first Academy Award, for Come and Get It, the first time the award for supporting actor was given. Edward Arnold’s superb performance of a less than sympathetic character was not even recognized with a nomination. Walter said he was surprised at receiving the award and had not planned to attend the ceremony, but his studio insisted, giving him evening clothes when he said he did not have a dress suit. As a result, he remembered, “I stepped up to receive that unexpected Oscar in tux Number 34 from the Western Costume Company.

On the eve of America’s entrance into World War II, Walter Brennan embodied fundamental decency and democratic virtues that made him indispensable to Cooper’s signature Everyman roles. Brennan’s performance in Sergeant York (September 27, 1941) foreshadows the country’s emergence from isolationism into a reluctant, then confirmed internationalism. Although Brennan received an Academy Award nomination for his work in Sergeant York, his low-key style is barely mentioned in later accounts of the film, which focus on Gary Cooper as Alvin York, a backwoods Tennessee conscientious objector who overcomes religious objections to war to become the nation’s greatest war hero. Brennan’s Pastor Pile persuades York to fight for his principles, to abide by the law and register for the draft, and then to serve in the army after he is denied conscientious objector status.

February 21: Marilyn arrives on the set at 10:30 a.m. Academy Award nominations have just been announced, but her performance in Some Like It Hot has not been acknowledged. Nevertheless, Marilyn happily congratulates Simone Signoret on her nomination for Room at the Top

She pretends to be an actress, even though she hasn’t even done enough acting to be a wannabe. But she’s a real Academy Award winning manipulator.

The reviews of Kentucky boosted Brennan to an even higher level in the Hollywood echelon. The Hollywood Reporter (December 15) summed up the sentiment of the time: “Walter Brennan, who has already carved a large niche for himself in the movie hall of fame, has himself a really grand and glorious triumph as a Kentucky gentleman and horse breeder. A real persona and thoroughly lovable one, he wraps up the picture neatly with his capable acting and beautiful characterization and is a tribute to the South. And Hollywood gossip columnist Louella Parsons did not mind campaigning for Brennan, calling his performance a “standout” that “might well earn him an Academy Award.

No congratulatory telegram, no party—just a one-sentence acknowledgment when Brennan bumped into him: “Hey, Walter, that’s a pretty nice thing you did winning that.” In retrospect, Brennan had to laugh: “Can you imagine! The academy award and he acted like it was a prize in a box of crackerjacks.” Actually, this was a typical Goldwyn ploy. He always worried that actors under contract would begin making demands after they became successful. When David Niven was assigned his first role on the Goldwyn lot, he arrived to find another young hopeful, Dana Andrews, dressed in the same outfit that Niven was to wear. When Niven asked what was going on, the perplexed Andrews could only say that Goldwyn had directed him to show up on set in the clothes provided for him. Goldwyn later confessed that he was sending a message to Niven: “You can be replaced!

Undoubtedly, David did give some brilliant performances in London. Among these was his rendition of Rachmaninoff’s Third Piano Concerto in D Minor in July 1969, for which he was awarded the Dannreuther Prize for best performance of a piano concerto at the Royal College of Music for that year. However, the way it is depicted in Shine—as a dramatic scene in which David collapses on stage while playing, causing him to suffer a mental breakdown and then to return directly to Perth—is entirely fictional. Firstly, David had already played the piece in public several times before, for example, in Perth and Melbourne in 1964. Secondly, David did not collapse. Thirdly, he stayed in London for another year after this performance, giving several other concerts, among them Rachmaninoff’s Third Piano Concerto again, on March 24, 1970, at the Duke’s Hall at the Royal Academy of Music in Marylebone Road. Fourthly, the onset of his illness was slow, both predating and postdating this concert, and his condition was almost certainly connected with a history of chronic mental illness in the Helfgott family. And fifthly, he did not blame his “daddy.

I knew you would help me. When I realized you’d arrived so early, I thought you were a gift from God. And now it seems I was right.” She grins again as she resumes her packing, and I smile weakly at her. What if this falls apart? She’s already writing her Academy Award thank you speech and nothing’s fixed yet. If she knew my track record for screwing everything up…

On the set, Walter provoked Spencer Tracy’s ire. Katie (Katharine Hepburn) didn’t have “good judgment” or common sense, Brennan told Tracy. Walter was referring to her attacks on Senator Joseph McCarthy. Tracy turned icy, and the next day director John Sturges discovered Tracy and Brennan were no longer speaking to one another. The estranged actors addressed one another through intermediaries. Sturges remembered this exchange: [Tracy to Sturges] Would you ask Mr. Brennan to not get in my key light? [Brennan to Sturges] Tell Mr. Tracy if he hit his mark, I wouldn’t be in his key light. At one point Brennan turned his back on Tracy and held up three fingers, signifying that he had three Academy Awards. Tracy had two.

Then Brennan finally was awarded a bravura role, winning his second Academy Award for his Technicolor performance as Peter Goodwin in Kentucky (December 30, 1938). Goodwin is an unreconstructed Confederate who can never forget that a Unionist killed his father. Loretta Young and Richard Greene are the ostensible stars of this horse opera, but as the Newsweek reviewer put it, the romance is a “synthetic affair.

Motion picture producers were well aware of audiences who now looked to Walter Brennan to spice up the action, to do something that would entertain them in pictures that were otherwise commonplace. Even in a major A film starring Spencer Tracy as the explorer Henry M. Stanley, Brennan was added for comic relief—in effect because he was Walter Brennan, screenwriter Philip Dunne recalled. When Brennan and Tracy, both Academy Award winners, appeared on the set of Stanley and Livingston, the huge assemblage of extras applauded both men.

She said she wants to stand out.” “You stand out when a dress enhances your beauty. You have to wear the dress. The dress can’t wear you. That’s why so many people choose their Academy Awards dresses wrong. They look at the dress’s beauty, not their beauty in the dress.

Before his death, A.C. had taken to answering to Atticus and signing his name that way when anyone asked him to autograph his daughter's novel; the year after he died, Gregory Peck carried his pocket watch as he accepted the Academy Award for best actor.

I keep pretending to be all of those images, and from years and years of practice, I become a great actor. If I have a broken heart, I tell myself, “It doesn’t hurt. I don’t care.” I am lying. I am pretending. I could almost win an Academy Award for my performance. What a character, what a drama! And I could say that the drama of my life begins when I agree that I am not good enough — when I hear my teachers, my family, the television tell me, “Miguel, you have to be this way,” but I am not.

With young Bobby Stack as her coach, Lombard learned the ways of the shotgun. It was a skill that would pay off later as would her association with the boy who would grow up to be Academy Award-nominated actor Robert Stack. Until the day he died, Stack would be in love with her and never attempt to hide it.

Sometimes the adage of the simplest things in life being the best (jokes included) is true as evidenced by Fibber’s pithy comment on the Old Timer’s short career of being shot out of a cannon: “You mean, they fired you and then you quit.” In the tag Jim and Marian acknowledge the contribution of Ken Darby, who eventually will win three Oscars of his own, in helping “Zip-a-Dee-Doo-Dah” win the 1947 Academy Award for Best Song.

ANYONE WITH 16 YRS OF SOBRIETY SHOULD GET A FUCKING OSCAR

Pulp Fiction was a major success, commercially and critically,” according to Scott Cooper Florida, “It was Quentin Tarantino’s masterpiece. Winning the Palme d'Or at Cannes in 1994, the movie was also nominated for seven Academy Awards, including Best Picture, and even won Best Original Screenplay.

The Chamber of Secrets and The Order of the Phoenix are the only two movies not nominated for an academy award.

Walt Disney's Academy Award for Snow White was one regular oscar with seven smaller ones to represent the dwarves

The six-foot-two-inch Academy Award–nominated actor Hugh Jackman routinely needs to gain and lose weight for different film roles. When he needed to lose twenty pounds for the film Les Miserables, he followed a low-carbohydrate diet. When he needed to pack on muscle for his role as Wolverine in 2013, he used intermittent fasting.

Nathaniel Bowditch… the father of American Navigation was born on March 26, 1773, in Salem, Massachusetts. At the age of ten; he left school to work in his father's cooperage, before becoming a bookkeeping apprentice, to a ship chandler. At fourteen years of age he taught himself Algebra and later Calculus. He poured over books critical to the development of Astronomy, such as those written by Sir Isaac Newton. He also corrected thousands of calculation errors in John Hamilton Moore’s book “The New Practical Navigator.” As a young man he learned Latin and French allowing him to read foreign technical books and translated Pierre Simon de Laplace’s book on mathematics and theoretical astronomy. In 1795, Bowditch went to sea on his first voyage as a ship's clerk and yeoman. By his fifth voyage at sea he was promoted to Captain and was a part owner of the vessel. Following this voyage, he returned to Salem in 1803, resuming his studies. In 1802, his book The American Practical Navigator was first published. That same year, Harvard University awarded Bowditch an honorary Master of Arts degree. His tireless academic work earned him a significant standing, including acceptance to the “American Academy of Arts and Sciences.” In 1806, Bowditch was offered the “Chair of Mathematics and Physics at Harvard” as well as at the “United States Military Academy and the University of Virginia.” His encyclopedia of navigation “The American Practical Navigator,” usually just referred to by his name “Bowditch,” still serves as a valuable handbook on oceanography and meteorology, and contains useful tables and a maritime glossary. Without a doubt it is the finest book on Navagation ever written.

What’s in an Orange? Cuba has encouraged foreign investments in agriculture. The Cuban citrus industry was started during the 1960’s to supply the former Soviet Union, as well as other socialist countries in Eastern Europe, with oranges and grapefruit. After the economic crash and the restructuring of the Soviet Union, the demand for citrus crops fell off by about half. In 1994, the National Citrus Corporation was founded in Cuba, and is now known as the “Fruit Trees Enterprise Group.” It consists of 13 nationally owned citrus enterprises, a commercial company and 4 processing plants. Cítricos Caribe S.A. has three cold storage facilities and exports to contracted foreign vendors. A Chilean venture and a Greek-British consortium, both affected by the decline of demand, halted their operations in 2014. However an Israel company has successfully developed huge citrus and tropical fruit plantations on the island, with most of their crops being sold in Europe. Israeli orange groves stretch for miles in the Matanzas Province, east of Havana. The province known chiefly for its white sandy beaches and resorts also has the massive BM Corporation, based in Tel Aviv, operating huge citrus groves and one of its packinghouses there. Its modern processing factory is located in the middle of 115,000 acres of groves. It is known as the world’s largest citrus operation. Read the award winning bock that is at all the US Military Academies,

Seawater One” The book worth waiting for has finally been published and is now available at Amazon.com, Barnes&Noble.com, BooksAMillion.com as well as Independent Book Stores & Distributors! “Seawater One” is a graphic coming-of-age book written by Award Winning Captain Hank Bracker, who received two “FAPA” silver medals for “The Exciting Story of Cuba” in 2016. In June of 2016 Captain Hank Bracker was selected to be Hillsborough County’s author of the month…. He swept the field with three “FAPA” bronze, silver and gold medals, for “Suppressed I Rise” in August of 2017 and has now completed the long awaited “Seawater One”! Starting in pre-World War II Hamburg, Germany, “Seawater One” traces Captain Hank Bracker’s adventurous time from the depression years, to his youth on the streets of Jersey City. Without inhibitions he relates the life he led in a bygone era. Follow his first voyage to sea on a foreign cargo passenger ship and his education at Admiral Farragut Academy in New Jersey and then at Maine Maritime Academy where he learned much more than just the art of seamanship. This book begins with a short history of Germany and Captain Hank’s early life in America. It recounts his childhood years but soon escalates to the red hot accounts of his erotic discoveries. It’s a book that you will enjoy and perhaps even identify with. Certainly it demonstrates that life should be lived to the fullest!

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It’s always amusing to me, you take a book, say, To Kill a Mockingbird, throw away three quarters of it and win an Academy Award for best adapted screenplay. But if you take a screenplay and add three quarters of original material to it––which is a much, much more difficult piece of writing––well, that’s by definition ‘hackwork.’ And it’s much harder, having done both, to take a screenplay and make a book out of it than [to] take a terrific book and make a screenplay out of it.

Every year at the Academy Awards the most notable prize is for “Best Picture.” The media speculate on it for weeks prior to the broadcast, and most viewers stay up well past their bedtimes to see it awarded. There is a far less hyped award on the night: the one for film editing. Let’s face it: most viewers flip the channel or go into the kitchen to refill their popcorn bowl when the winner of “Best Film Editing” is announced. Yet what most people don’t know is that the two awards are highly correlated: since 1981 not a single film has won Best Picture without at least being nominated for Film Editing. In fact, in about two-thirds of the cases the movie nominated for Film Editing has gone on to win Best Picture.

The original flagship for the company was the MS City of New York, commanded by Captain George T. Sullivan, On March 29, 1942, she was attacked off the coast of Cape Hatteras, North Carolina, by the German submarine U-160. The torpedo struck the MS City of New York at the waterline under the ship’s bridge, instantly disabling her. After allowing the survivors to get into lifeboats the submarine sunk the ship. Almost two days after the attack, a destroyer, the USS Roper, rescued 70 survivors, of which 69 survived. An additional 29 others were picked up by USS Acushnet, formerly a seagoing tugboat and revenue cutter, operated by the U.S. Coast Guard. All these survivors were taken to the Naval Base in Norfolk, Virginia. Almost two weeks later, on April 11, 1942, a U.S. Army bomber on its way to Europe spotted a lifeboat drifting in the Gulf Stream. The boat contained six passengers: four women, one man and a young girl plus thirteen crew members. Tragically two of the women died of exposure. The eleven survivors picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers died as well as one armed guard and sixteen crewmen. Photo Caption: the MS City of New York Hot books by Captain Hank Bracker available at Amazon.com “Salty & Saucy Maine,” is a coming of age book that recounts Captain Hank Bracker’s formative years. “Salty & Saucy Maine – Sea Stories from Castine” tells many sea stories of Captain Hank’s years at Maine Maritime Academy and certainly demonstrates that life should be lived to the fullest! In 2020 it became the most talked about book Down East! “The Exciting Story of Cuba -Understanding Cuba’s Present by Knowing Its Past” ISBN-13: 978 1484809457. This multi-award winning history of Cuba is written in an easy-to-read style. Follow in the footsteps of the heroes, beautiful movie stars and sinister villains, who influenced the course of a country that is much bigger than its size! This book is on the shelf as a reference book at the American Embassy in Havana and most American Military and Maritime Academies.

Sundown Towns After Reconstruction and before the civil rights era, signs like the one in our story popped up on the outskirts of thousands of small towns across the country, warning “colored people” to keep moving. This created a huge problem for the Black traveler and inspired an annual publication guidebook from 1936 to 1966 for African American motorists, called The Negro Motorist Green Book, or just the Green Book, after its editor, Victor Hugo Green. It also inspired the title of the Academy Awards’ 2019 winner for Best Picture.

Who are we, the people who have ADHD? We are the problem kid who drives his parents crazy by being totally disorganized, unable to follow through on anything, incapable of cleaning up a room, or washing dishes, or performing just about any assigned task; the one who is forever interrupting, making excuses for work not done, and generally functioning far below potential in most areas. We are the kid who gets daily lectures on how we’re squandering our talent, wasting the golden opportunity that our innate ability gives us to do well, and failing to make good use of all that our parents have provided. We are also sometimes the talented executive who keeps falling short due to missed deadlines, forgotten obligations, social faux pas, and blown opportunities. Too often we are the addicts, the misfits, the unemployed, and the criminals who are just one diagnosis and treatment plan away from turning it all around. We are the people Marlon Brando spoke for in the classic 1954 film On the Waterfront when he said, “I coulda been a contender.” So many of us coulda been contenders, and shoulda been for sure. But then, we can also make good. Can we ever! We are the seemingly tuned-out meeting participant who comes out of nowhere to provide the fresh idea that saves the day. Frequently, we are the “underachieving” child whose talent blooms with the right kind of help and finds incredible success after a checkered educational record. We are the contenders and the winners. We are also imaginative and dynamic teachers, preachers, circus clowns, and stand-up comics, Navy SEALs or Army Rangers, inventors, tinkerers, and trend setters. Among us there are self-made millionaires and billionaires; Pulitzer and Nobel prize winners; Academy, Tony, Emmy, and Grammy award winners; topflight trial attorneys, brain surgeons, traders on the commodities exchange, and investment bankers. And we are often entrepreneurs. We are entrepreneurs ourselves, and the great majority of the adult patients we see for ADHD are or aspire to be entrepreneurs too. The owner and operator of an entrepreneurial support company called Strategic Coach, a man named Dan Sullivan (who also has ADHD!), estimates that at least 50 percent of his clients have ADHD as well.

At the same time, black entertainers have long been rewarded and often restricted to roles that adhere to caste stereotype. The first African-American to win an Academy Award, Hattie McDaniel, was commended for her role as Mammy, a solicitous and obesely desexed counterpoint to Scarlett O’Hara, the feminine ideal, in the 1939 film Gone with the Wind. The Mammy character was more devoted to her white family than to her own, willing to fight black soldiers to protect her white enslaver.

Kingsley tells me you’re famous,” she said, dropping her toy bag on the floor and tossing her coat aside. “I am. Very famous.” He leaned back resting on his hands. “Want to see my Oscar?” “Never met a man who named his cock Oscar before.” “I meant my Academy Award.” “Oh, then no.” Her client blanched and Nora smiled. God, she did love putting the rich and famous in their place. And their place was, of course, at her feet. “It’s a big deal to get an Oscar,” he protested. “Yeah, well, I have no idea who the fuck you are and I don’t give a damn about your Grammy.” “Oscar.” “And quite frankly, I don’t care who you are. But I hear you’re an asshole who treats his assistants like shit, and I think you’re probably going to have to be punished for that. Say ‘Yes, Mistress’ if you agree.” He swallowed hard. “Yes, Mistress.” “Good boy. Now get naked and bend over the table. Let’s find out how an Oscar-winner screams.

Während 메리트카지노 die NBA voll in Gang ist, werden die New Jersey-Kunden von Golden Nugget keine Wetten auf NBA-Spiele setzen können. Das Boardwalk Casino und das NBA Team der Houston Rockets teilen den gleichen Eigentümer - Tilman Fertitta. Der in Texas geborene Milliardenmeister kaufte die Rockets bereits im Oktober 2017 um 2,2 Milliarden Dollar. Nach dem Sportwettengesetz von New Jersey können die Besitzer von Sportteams alle Arten von Sportarten außer dem Sport oder der Liga, in dem der Interessenkonflikt besteht, 메리트카지노 anbieten. Golden Nugget hofft, staatliche Gesetzgeber davon zu überzeugen, es ihm zu erlauben, Wetten auf NBA-Spiele zu bieten, ohne die mit den Rockets zu tun. Das ist der Fall in Nevada, wo Herr Fertita in seinen Spielvorgängen NBA Wetten auf alle Teams anbietet, außer auf seine eigenen. Trotz des Mangels an NBA Wetten haben die Golden Nugget Atlantic City Bettoren noch viele Optionen mit Major League 메리트카지노 Baseball und March Madness gleich um die Ecke. Außerdem ist das digitale Sportbuch des Casinos live vor der Academy Awards Zeremonie des Sonntags und wird sicherlich sehen, ziemlich viel, da Betoren zu wetten, wer die Gewinner in den 24 Kategorien werden. web homepage : savewcal.net

No internet?" I was stunned. No digital camera. No cell phone. No Google. No drugs. No wine. Why it was almost like my mother's house in 1972.

Autism Speaks organization. For the nonprofit’s first ten years, none of its board members were openly autistic, and at the same time, many autistic people vocalized that they did not want to be cured. Similarly, in 2009, the organization put out an ad directed by Academy Award–winning director Alfonso Cuarón titled “I Am Autism,” which depicted autism as a menacing force. “I know where you live and guess what? I live there too,” the voice-over said, adding that it worked faster than deadly diseases like pediatric AIDS, cancer, and diabetes combined. “And if you are happily married, I will make sure that your marriage fails,” the voice went on, pledging to bankrupt families (there is some irony, of course, that a millionaire executive’s charity would put out such an ad). The ad ultimately faced massive pushback, and it was removed from its website.

Dr. Redelmeier put his hunch into action and devised a study in which he determined the age of death of every Academy Award winner and the runners-up. The finding: winners outlive the runners-up by almost four years.

In 1948 Paul Müller was awarded the Nobel Prize in Physiology or Medicine “for his discovery of the high efficiency of DDT as a contact poison against several arthropods,” with the citation concluding that “without any doubt, the material has already preserved the life and health of hundreds of thousands” (fig. 2.4). And that total number of saved lives kept on growing: in 1970 the National Academy of Sciences’ Committee on Research in the Life Sciences concluded that “to only a few chemicals does man owe such a great debt as to DDT” because in less than two decades of use, it had prevented 500 million deaths from malaria, and the compound became one of the new tools (besides the new short-stalked, high-yielding wheat and rice cultivars receiving increasing amounts of synthetic nitrogenous fertilizers) in the global quest to eradicate hunger, malnutrition, and diseases.

It was awards season, and a friend, Kiwi Smith, was throwing a party at her house in Los Feliz for Adèle Exarchopoulos, the star of Blue Is the Warmest Colour. This is something people do during awards season, they have parties for people and films, inviting members of the Academy, hoping the support will lead to votes.