β
Autumn is a poem - while you fall for everything, you remember that there is something worth dying for.
β
β
Laura Chouette
β
We were never supposed to be in love; for everything that exists inside a heart eventually dies.
β
β
Laura Chouette (Profound Reverie)
β
They danced wildly in the forest, swaying with the tall trees and the howling wind.
β
β
N.H. Kleinbaum (le cercle des poetes disparus"")
β
We always hide something of ourselves whenever we create something.
β
β
Laura Chouette
β
I can not be a part of myself -
for everything that creates my soul
incompletes my heart.
β
β
Laura Chouette
β
Beautiful things are quiet beings.
β
β
Laura Chouette (When Dusk Falls)
β
While we kept on dancing
our souls delicately embraced.
β
β
Laura Chouette
β
A reverie is one soul's river -
a word is one heart's vein.
β
β
Laura Chouette
β
What we outlive
becomes our cage
eventually.
β
β
Laura Chouette
β
Everything dies once - only love dies twice.
β
β
Laura Chouette
β
I kept every letter - only to be reminded of the wrong one's words can cause.
β
β
Laura Chouette
β
There is no crown without guilt -
and there is no mercy without a kingdom.
β
β
Laura Chouette
β
There is no crown without guilt.
β
β
Laura Chouette
β
A crown is heavy
without mercy -
and yet the darkness
painted the gold with jewels.
β
β
Laura Chouette
β
Silver may paint your words - but gold speaks in a way that outlives the greatest poets.
β
β
Laura Chouette
β
And our own darkness became our kingdom; while the light burnt up each one of our hearts as an act of mercy and revolt - for nothing is build on ashes and too much is written about the fallen ones.
β
β
Laura Chouette
β
School of Resentment is a term coined by critic Harold Bloom to describe related schools of literary criticism which have gained prominence in academia since the 1970s and which Bloom contends are preoccupied with political and social activism at the expense of aesthetic values.[1]
Broadly, Bloom terms "Schools of Resentment" approaches associated with Marxist critical theory, including African American studies, Marxist literary criticism, New Historicist criticism, feminist criticism, and poststructuralismβspecifically as promoted by Jacques Lacan, Jacques Derrida and Michel Foucault. The School of Resentment is usually defined as all scholars who wish to enlarge the Western canon by adding to it more works by authors from minority groups without regard to aesthetic merit and/or influence over time, or those who argue that some works commonly thought canonical promote sexist, racist or otherwise biased values and should therefore be removed from the canon. Bloom contends that the School of Resentment threatens the nature of the canon itself and may lead to its eventual demise. Philosopher Richard Rorty[2] agreed that Bloom is at least partly accurate in describing the School of Resentment, writing that those identified by Bloom do in fact routinely use "subversive, oppositional discourse" to attack the canon specifically and Western culture in general.
β
β
Harold Bloom
β
I dared to dance along broken lines
and I cut myself once again -
only to rewrite your words with meaning.
β
β
Laura Chouette
β
I kept every letter - only to be remembered of the wrong one's words can cause (to the heart).
β
β
Laura Chouette
β
Love is too much for our generation.
β
β
Laura Chouette
β
Those deserted lines of love and painΒ
kept your love wandering
Β - and by that alive -Β
so that one dayΒ
some restless thoughtΒ
would stumble upon your eternity.
β
β
Laura Chouette (Profound Reverie)
β
Some break their hearts themselves
only to be healed of the wrong love faster.
β
β
Laura Chouette (Profound Reverie)
β
Time means nothing when you are in love.
β
β
Laura Chouette (Profound Reverie)
β
My love is so fragile; and still it chooses your hands to bloom.
β
β
Laura Chouette (Profound Reverie)
β
Don't ever let the scars on your heart define the way you love.Β
β
β
Laura Chouette (Profound Reverie)
β
You can only hold onto a soul forever when you touched it with all your heart.
β
β
Laura Chouette (Profound Reverie)
β
Everything
outside of our mind is endless -
so why limit oneself?
β
β
Laura Chouette (Profound Reverie)
β
We can rest on each other's hearts - yet our dreams keep on wondering.Β
β
β
Laura Chouette (Profound Reverie)
β
And the home we build for our love
ended up keeping it out of its own walls.
β
β
Laura Chouette (Profound Reverie)
β
I wrote so much about our love
that the feeling itself turned into art.
β
β
Laura Chouette (Profound Reverie)
β
While we keep on dancing
our souls delicately embrace.
β
β
Laura Chouette (Profound Reverie)
β
You can not create something without love and expect it to be great.
β
β
Laura Chouette
β
Forgetting someone you once loved:
itβs like erasing something of yourself forever
-freely;
Being someone else for a second
that will change a lifetime.
You let go.
You feel lost.
You will love again.
β
β
Laura Chouette
β
When I was young,
I only painted flowers;
Once I became older
I learnt that flowers meant hope.
We give them when we meet someone
for the first time,
and we give them
to bury someone
as a final goodbye.
β
β
Laura Chouette
β
I missed so many chances to meet the right one
by missing you too much.
β
β
Laura Chouette (Profound Reverie)
β
Simple feelings surviving
while everything else breaks so fast -
touching the edgesΒ
just to feel something.
β
β
Laura Chouette (Profound Reverie)
β
I wanted to write about someone I miss -Β
and even the ink refused to remember -
so, in the end, I was leftΒ
with nothing but empty pages;
with the greatest words in my mind.
β
β
Laura Chouette (Profound Reverie)
β
I always tried to hold on to the beautiful things, never realising that true beauty lies in letting go.
β
β
Laura Chouette
β
I can not kiss you
unless you unraveled
every line of my heart
and declared with your lips
the beauty of our unfading love.
β
β
Laura Chouette
β
VALLEY
The valleys climb towards the sky in the early morning hours - seeking horizon's lines;
More than the gravestones do with all the memory lined neatly up and half-forgotten - nearly washed away.
Our sun is doomed to meet both.
β
β
Laura Chouette
β
October creeps into the room
through faint grey light
that stopped dancing on the windowsill
since July left.
Being haunted by silence
makes the air grow weary
and faintly colder.
I hear the noise of people
walking in solitude,
thinking to themselves about othersβ
sitting alone in between their steps.
Company of ghosts on lonely eves,
threading through the rustling of leaves.
I can write down what haunts me,
yet I cannot read the ones who do.
October.
β
β
Laura Chouette
β
OCTOBER MORNINGS
How your eyes gleamed like emeralds once autumn's first day arrived, how amber was the glance that met my tired eyes.
Like silk was the light of morning that came through half-shut doors and made a line of gold upon our bedroom floor.
Silent creeks
empty hallways full of doubt, the room is empty now.
β
β
Laura Chouette
β
CHIANTI
The yellow sun lays low upon the fields that are covered in dry grass.
Soft is the rain that falls in the distance yet does not dare to come near the places where summer lives and dies.
The haze is the aftermath of the kiss summer shared with the land so gracefully.
And now, I may kiss your wine-stained lips within September's pale delight.
β
β
Laura Chouette
β
OUR OLYMP
At this altitude of wavering faith and dying stars our love could not stand a chance;
it disappears slowly within my rhymes sky.
Fading along the pale darkness like a path of crumbling anecdotes on old crumpled philosophers' notes.
I can not see the moon anymore - neither I can imagine the place where it should rest tonight
in the sky of ours, where it used to be so bright.
The Gods themselves dare not make a home at this height of our hearts, for even the immortals would refuse to hold sacred a place so high.
Even our wishes refuse to fall at the mountains feet, still climbing, trembling, and slowly loosing
- defeat.
β
β
Laura Chouette
β
PRISONS/GARDENS
Cages are made
for people living on the outside to catch things evil, beautiful or just unaccepted;
Nothing ever outgrows the space of captivity nor does it ever bloom.
If we ever offered some light to the shadows we hide we could have a whole garden within our society by now.
β
β
Laura Chouette
β
CROSSROAD
Lights flicker above the crossroad shining in green now and then for people who won't cross and red for others - which won't stop;
The dull grey splits the city in pieces of lines and corners, sometimes outshined by heavy rain and flooded glimpses of chaos;
Broken glass upon crimson roads empty silence and nothing to say - while the city sleeps on and will awake, eventually.
β
β
Laura Chouette
β
SAN GIMIGNANO
The towers align the hills like crowns of heavy stones;
Empty are the dreams of the ones that built them long ago.
The thirst for power still stands frozen in its tracks - the only witnesses of it stand high against the silver sky.
The distance gets smaller, and the towers become higher.
So many have fallen,
laying their family's name to rest, in gentle forgetfulness.
β
β
Laura Chouette
β
A POET'S HOMAGE TO FLORENCE
What heart dares to look upon a city so golden and is not moved to write a single line?
Whose soul can bear such beauty
and not praise it with all its words?
May there be poets without a page left, artists with no colour to give a memory of you; and even lovers who refuse to burn?
My love, your likeness is like marble that makes the altar of paradise.
β
β
Laura Chouette
β
PIECES OF LIGHT
I see the art of each heart reflecting the mirror
that the world put it in front of - for so long that the lines so once so clear became hate for everything we see - blurring out the real;
Seeing a thousand lights reflecting one's own means nothing anymore, now that we live by the one offered by the world;
The price of being a small part of everyone's standard is being praised so, we may break into one single piece.
β
β
Laura Chouette
β
THE MEADOWS OF MEDEA
'The meadows lay weeping with tears like an emerald's gleam; while every nightingale is seeking the shelter of its only willow's green.
And silently,
my step falls on leaves
that carry me much further than I'd dream; for willows and thoughts are fading slowly while everything eternal is not seen - and yet they keep
so many of us in good company - for some can not be on their own, nor can they be free.
So I found peace,
the one eternal each one seeks
and so I left my soul for emerald's gleam; while the meadows still lay weeping with grief over my grave so quietly for it lays beneath the shadow of its only willow's green.
β
β
Laura Chouette
β
3 A.M. SAINTS
It is 3 a.m. again
and you are showing me all of your sins
by holding up your scars to the starless sky.
Painting the entire universe with gold
and clothing my velvet heart in purple -
we become saints within
those unholy hours close to dawn.
Still, the world is spinning -
even though it feels a little slower now -
while the silence carries us away
into the next day.
β
β
Laura Chouette
β
BLOOMING SCARS
Those flowers dance around vour marble bust like they were fearing October's kiss - gently they laugh and fall asleep on vour stone veins and cold lips.
For they love their names written upon your chest in
gold
for your heart may be broken, yet it is searching for something untold.
They do not know that silver mends the scars that the years formed and the cracks on your skin the sun caused -
so silent, still, and weary are the blossoms with whom my love for you is betrothed.
β
β
Laura Chouette
β
Autumn sharpens the night air
and paints the morning gold
on the edge of winterβs silver breath,
dancing delicately between life and death,
between 4 pm and 3 am.
β
β
Laura Chouette
β
THE ART OF EVERYONE
And autumn died long before the sun touched the last leaf;
for death forgets every winter for as long as summer blossoms for itself;
For the art of everyone is close to the idea and dwells in thoughts.
For every thought rises in the morning - and every beginning
is the closest to us in the end, and eventually takes
a lifetime to complete itself.
β
β
Laura Chouette
β
FLORENCE
Soft emerald valleys lay in crimson light beneath the rolling hills;
the waters of the Arno gleam like bronze the city's vein, so still.
Each artist at the shore of the river stares in wonder and delight - how far do the lines reach across the bridge, beyond their work?
One may seek rest under the cypresses and soft light of the August amber sun - here, at his grave, the city walls lay high around the garden, he knew once as paradise.
His dark eyes still seem to pierce the lines of the hills,
like he searches for his soul - still;
(somewhere between the Arno and the nightfall).
The trees - heavily laid with summer's fruit - stand high above the city in marble glance.
Clear is now the dark sky - full of shards which dreamers call the stars.
β
β
Laura Chouette
β
SIENA
I wander down the steps along the walls of bricks and high houses -
down to the waters that lay deep.
Streaming down from the hill on which the old city was built with a tower standing high, that reaches up
not far from the grave that these waters lay in.
Alabaster is the hand that reaches in it and cold is the heart that touches the pale divine.
Beating fast after climbing back to the light and narrow streets - I found now what it seeks.
Descending down, down to the hidden stream - oh Siena, my goddess without a pomegranate seed.
β
β
Laura Chouette
β
A SIMPLE DRAFT
Sometimes a simple draft
can make a poet whole
that is left with half a heart
and feelings for a hundred
it would take to bear.
A few words can cover
the whole world,
creating light for the darkest of lines
one can call a home or paradise -
only a few can also lay bare their soul.
β
β
Laura Chouette
β
STARVING PIECES
A heart starved of love will break itself
and shed the pieces quickly - so it has less to feed with love.
β
β
Laura Chouette
β
CHURCH WINDOWS ARE MY MIRRORS
Blessed are the scars and the holiness of our hearts.
Only saints break it without remorse for sinners, I expect nothing else but playing their part with our gentle soul.
Church windows are my mirrors and prayers my gate to heavens end - I find everything by losing myself-nothing was ever lost from the beginning.
β
β
Laura Chouette
β
THE SHEETS & THE LIGHT
Sombre echoes
that mark the dawning greying on the hill;
the steep streets still wet from rain the small buildings look emptier with each day passing on;
Thoughts are done passing rounds counting circles inside my head.
Pale mirror-faces
crossing me on the way back to the place that felt like home - falling back in time.
β
β
Laura Chouette
β
COLOURS IN THE MIRROR
One day my pride will outlive myself and whatever remains of its colours will be remembered by others - for I was always my true self.
I live too little for things that make me dream & care too much for fears that sleep in between the fine lines of my weary mind - so write me gentle words, for it may break.
My diversity should not be a mistake but a celebration of identity & guiding light to others who ache to leave the numbness of Β»pretending-to-beΒ«.
We are not broken mirrors that hurt the world by showing our true reflection;
we are merely hearts used to rejection - yet, their words will only blur but not break our shine.
β
β
Laura Chouette
β
ATHENA
They fall silently.
the steps of her arrival - crossing snow so pale even the morning sky would fade into nightfall's amber;
For she has entered the palace of gold - her hair braided with hope and tainted with red leaves
which colours remind of a hanged man's rope - for her name is war
and her crown is crafted out of grief.
β
β
Laura Chouette
β
WEDNESDAY MIRAGE
How far do they reach the rivers of our grieve - far beyond the horizon and deep into a soul;
Suffering can feel like drowning in numbness and being awake for days;
It's roots growing further then our mind can go and make dark a heart that once was full of light;
β
β
Laura Chouette
β
EDINBURGH
Sombre echoes
that mark the dawning
that is greying on the hills;
the steep streets still wet from rain
the small buildings look emptier with
each day passing on;
thoughts are done
passing rounds -
counting circles
inside my head.
pale faces of familiar strangers
crossing me on the way back
to a place that used to feel like home -
falling back in time.
β
β
Laura Chouette
β
THE BALLADE OF SUMMER'S FALL
Hues of pale green, on delicate olive branches the soft rustling of somberness along the fields of gold that lay themselves to gentle rest after another long summer.
I have nothing to bury under them
except my own heart -that is my soul's greatest regret, once my lines begin to fill in autumn, under the velvet gloom of shortening days.
The admiration of the Florentine sun had doomed my words to become eventually a remembrance once September falls in October's pale hands.
I shall have nothing to grieve for
once the winter arrives, coming over the distant hills and laying bare the orchards along his way.
I doomed them to become ruins by overthinking, hoping - at least once too often - for change;
So, let it be then.
I will mourn my mere passion for life in the presence of death - though my art may be eternal.
β
β
Laura Chouette
β
ASBOLUTION
Our paradise is not made out of worldly things but of the broken fragments of heaven - laced with doubt and forgiveness;
Nearly silent we promise each other absolutisation for every promise we ever dared to make with words and deeds - yet I feel incomplete.
β
β
Laura Chouette
β
PERSEPHONE (the spring ballade)
Every heart
is blooming upon a field of doubt and the flowers autumn reaps
- he knows every name about.
They grow
never in line, although
always in the shape of each soul of every lonesome doubt.
So whenever
I wander along my sorrow's path the horizon behind me glows crimson with all the broken hearts it carries on.
A thought
yet not dreamt is a love unplanted by hands of grieve - For each who does not bloom by now is long lost in summer's eyes,
For autumn
reaps but does not give a single tear to water the ground in which he steers sometimes so aimlessly.
β
β
Laura Chouette
β
WE ARE OUR OWN CREATION
How high a sinful mind can wander before it reaches heaven?
How deep a second love can run before it is forgiven?
How many lines a poet can write before being criticised?
How many lines can a painter create before being copied?
I say, there is no limit to any of these for we are still our own creation.
β
β
Laura Chouette
β
At a certain point,
you no longer hope;
you just keep on existing.
One day at a time,
for the rest of your life.
And that feeling
is not shallow but runs deepβ
deeper than any happiness
or love could ever run.
A vein is a mere line
poets like me used to write on
and a lifeline where sailors
swim towards at night.
If we keep on writing and giving,
we grow on that existing line
with millions of words that save hope -
and thus give existence and life.
β
β
Laura Chouette
β
And autumn died long before the sun touched the last leaf;
for death forgets every winter for as long as summer blossoms for itself;
For the art of everyone is close to the idea and dwells in thoughts.
For every thought rises in the morning - and every beginning
is the closest to us in the end, and eventually takes
a lifetime to complete itself.
β
β
Laura Chouette
β
MARBLE GRAVES
The silver moon stands silent between two cypresses - its light leaning against the walls of the old palazzo that lays in ruin.
Hidden behind olive groves lays the tomb of forgotten men and unsung heroes.
Their souls found peace
within the Allgrove's of singing cicadas and rustling long grass.
The marble is heavy
and their graves cool and dark - deep is their sleep eternal their demise.
The moon is slowly covered by a shroud of clouds, cypresses now lay in darkness - silence.
β
β
Laura Chouette
β
CONFESSION
Sometimes
I feel like the lines of mine
are in the way of every love
that tries to cross the last bridge
I have left leading to my heart.
For I burned every other one
while numbing the wounds
the fire caused -
setting alight to all that is left of me.
I must admit
that I kept on to the match,
long after it burned down
and reached my fingertips.
β
β
Laura Chouette
β
AMBER HEART'S
Amber chases the night sky
like the stars became fire and gold -
and the moon is falling ever closer
to the sun he loves so much;
So there is not much pain
with the world to share,
yet we begin to doubt our love
and forget our hearts need care.
Still, we wish upon the stars
to fall faster in love than we did out,
so we won't try and pull back
for broken hearts are heavy and hard to catch.
So while the constellations fade
and our souls disappear in their entanglement
we hope to learn what it means
to truly live again the least.
β
β
Laura Chouette
β
QUIET WRITING
Quiet
does not mean
that we have nothing to say,
or that we leak the power of speech -
we rise up and tell our truths
even if it feels like people don't like it the least;
Writing
is our means
to have something to tell
when we lost our voice suddenly
we still stand behind our truths
even if it feels like people
won't like it.
Beautifully
are the quiet lines
written with thunder
and silent boldness -
for we can have a revolution
inside the pages of nowadays.
β
β
Laura Chouette
β
DYSTOPIA
Dark, early streets and high walls of empty houses a lonesome bird singing a hollow duet with its own echo -
autumn feels like spring once you have lost everything and stand with nothing to hold onto at winter's edge -
walkways glooming in buzzing orange neon light imitating fallen leaves, making the city's concrete jungle a forest -
soon November is here, crawling along the pavement and dulling the grey of the ruins they call buildings -
sudden flickering accompanied by loud buzzing: the lights went out while winter's edge cuts violently through the streets & building cracks -
the bird stopped singing.
β
β
Laura Chouette
β
THE MONSTER & THE MAN
One obstacle pierces his soul and calls him down the dark road - heavy sighing he must carry on and at last, the thorn is retrieved
- with agony in his brown eyes - he suddenly sees:
Fever dreams, scarlet on blue velvet, like ink drowning in words - words drowning inside his veins - words that pleaded in vain - words so scarlet... so stained.
Empty lines for empty souls that carry too much inside; empty pages for empty hands with nothing else to hide
nor to control the beast inside his soul.
β
β
Laura Chouette
β
It is okay if you change every once in a while; even the sky needs to let go of its stars
to give the sun a home for a while.
β
β
Laura Chouette (Profound Reverie)
β
A sea of unspoken words; waiting for a reason to meet the shore for the first time.
β
β
Laura Chouette (Profound Reverie)
β
Love is a delicate suffering.
β
β
Laura Chouette (Profound Reverie)
β
Some hearts will never burn as bright as the memories do.
β
β
Laura Chouette
β
The most beautiful solitude I ever felt
was when I got lostΒ
in something I once loved.
β
β
Laura Chouette (Profound Reverie)
β
Let your love bleed all over those pages;Β
in the end, all it can be is a work of artΒ
(- but never a mistake).
β
β
Laura Chouette (Profound Reverie)
β
The mountains fell in love
Β with the sky -Β
while knowing the oceanΒ
is much nearer;Β
and still,Β
they loved it the same.
β
β
Laura Chouette (Profound Reverie)
β
Some bury their feelingsΒ
in the hope that flowers bloom;
(and too many of us dieΒ
while waiting forever).
β
β
Laura Chouette (Profound Reverie)
β
The meadows lay weeping
with tears like an emeralds gleam;
while every nightingale is seeking
the shelter of its only willow's green.
-
And silently,
my step falls on leaves
that carry me much further than I'd dream;
for willows and thoughts are fading slowly
while everything eternal is not seen
and yet they keep
so many of us in good company
for some can not be on their own,
nor can they be free.
-
So I found peace,
the one eternal each one seeks
and so I left my soul for emerald's gleam;
while the meadow still lays weeping
with grief over my grave so quietly
for it lays beneath the shadow
of its only willow's green.
β
β
Laura Chouette (Profound Reverie)
β
Memories are not always a prison -
sometimes they can be a key too.
β
β
Laura Chouette (Profound Reverie)
β
Champagne lips and tired eyes
under endless velvet skies β
a love living only for the highs.
β
β
Laura Chouette (Profound Reverie)
β
I'm trapped in a Salvador Dali painting
β
β
Dan Brown (The da Vinci Code (Robert Langdon, #2))
β
She lived with too many ghosts inside her mind -
maybe that's why she became one herself in the end.
β
β
Laura Chouette (Profound Reverie)
β
Hues of pale green, on delicate olive branches
the soft rustling of somberness along the fields of gold that lay themselves to gentle rest
after another long summer.
I have nothing to bury under them
except my own heart -that is my soul's greatest regret, once my lines begin to fill in autumn,
under the velvet gloom of shortening days.
The admiration of the Florentine sun
had doomed my words
to become eventually a remembrance
once September falls in October's pale hands.
I shall have nothing to grieve for
once the winter arrives, coming over the distant hills and laying bare the orchards along his way.
I doomed them to become ruins by overthinking, hoping - at least once too often - for change;
So, let it be then.
I will mourn my mere passion for life in the presence of death -
though my art may be eternal.
β
β
Laura Chouette
β
What our love dreads the most
is the fear of never loving -
not the thought of following
the wrong heart.
β
β
Laura Chouette (Profound Reverie)
β
And between allΒ
those eternities
you realise that art & love
my be the only thingsΒ
that stay long enoughΒ
inside one's soul
to make an impression.
β
β
Laura Chouette (Profound Reverie)
β
While others feared the ghosts of the past, she fell in love with them.
β
β
Laura Chouette (Profound Reverie)
β
Art completes our hearts.
β
β
Laura Chouette (Profound Reverie)
β
Shallow are the hearts
that bloom beside empty dreams.
β
β
Laura Chouette (Profound Reverie)
β
It may baffle outsiders why poets would be so ingratiating, since there is no audience to ingratiate us to. That is because the poet's audience is the institution. We rely on the higher jurisdiction of academia, prize jury panels, and fellowships to gain social capital. A poet's precious avenue for mainstream success is through an award system dependent on the painstaking compromise of a jury panel, which can often guarantee that the anointed book will be free of aesthetic or political risk.
β
β
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
β
In one's ordinary life, there must always be a place for something exceptional, like poetry... or love.
β
β
Laura Chouette
β
In one's ordinary life, there must always be a place for poetry.
β
β
Laura Chouette
β
A writerβs heart
does not only hold scars caused by love,
but also those that cross
the lines of unsaid words
and fully-lived, unspoken feelings.
Life is merely a tragedy to a writer,
something that must occur
like the final line of a book,
and like an ink stain that inevitably
taints the fingers of a poet.
Real love, too, must be attained
In the same way.
β
β
Laura Chouette