Absurd Funny Quotes

CALVIN: Isn't it strange that evolution would give us a sense of humor? When you think about it, it's weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it's funny. Don't you think it's odd that we appreciate absurdity? Why would we develop that way? How does it benefit us? HOBBES: I suppose if we couldn't laugh at the things that don't make sense, we couldn't react to a lot of life.

Some stories have to be written because no one would believe the absurdity of it all.

My love is meatloaf flavored. I just wish my meatloaf was also meatloaf flavored.

One last thing," he said. "Stop looking for me." "I'm not looking for you." I scoffed. He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful." We stood face-to-face, both of us breathing hard. The sirens were so close now. "What am I supposed to tell the police?" I said. "You're not going to talk to the police." "Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions." He gave an ironic snort. "Blackmail? You've changed, Angel.

I was the captain of the latent paranoid softball team. We used to play all the neurotics on sunday morning. Nailbiters against the bedwetters, and if you've never seen neurotics play softball, it's really funny. I used to steal second base, and feel guilty and go back.

Maruman does not loll.

Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.

Women need a reason to have sex, while men just need an angle

W-what do you want?" I asked, thankful that my voice only trembled a little bit. That Cat Didn't blink. "Human," he said, and if a cat could sound patronizing, this one nailed it, "think about the absurdity of the question. I am resting in my tree, minding my own business and wondering if I should hunt today, when you come flying in like a bean sidhe and scare off every bird for miles around. Then, you have the audacity to ask what I want." He sniffed and gave me a very catlike stare of disdain. "I am aware that mortals are rude and barbaric, but still.

—Then, said Cranly, you do not intend to become a protestant? —I said that I had lost the faith, Stephen answered, but not that I had lost self-respect. What kind of liberation would that be to forsake an absurdity which is logical and coherent and to embrace one which is illogical and incoherent?

If a picture paints a thousand words, then a naked picture paints a thousand words without any vowels....

It is naturally a sign of inner liberation when a patient can squarely recognize his difficulties and take them with a grain of humor. But some patients at the beginning of analysis make incessant jokes about themselves, or exaggerate their difficulties in so dramatic a way that they will appear funny, while they are at the same time absurdly sensitive to any criticism. In these instances humor is used to take the sting out of an otherwise unbearable shame.

The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves

It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.

You look absurd in that outfit." "Absurdly dashing, I agree.

It's not hard to fail...it's hard to accept you failed...but once that's out of the way, it's pretty smooth sailing

Manners without sincerity, is called polite society

I unwrapped my love for her like one might unwrap leftovers. Gotta eat up the old stuff first, as a cannibal might say in a retirement home.


If it's the thought that counts, then ignorance must use a calculator

I've knitted myself a hat, it's plum red with an appealing lace pattern, I figured that a few air holes would be nice now that it's spring. I put it on and feel like a cranberry in the snow, and I wonder if they can see me from the moon. Me and the Great Wall.

Approximately eighteen hours after my kiss with Jack Campbell—my kiss with Jack Campbell—I am sitting at a card table with Pooja in the front entrance of the school behind our veritable army of baked goods, overanalyzing the situation to such an absurd degree, it is now less of a kiss and more of an FBI investigation.

Dave? This is John. Your pimp says bring the heroin shipment tonight, or he'll be forced to stick you. meet him where we buried the Korean whore. The one without the goatee." That was code. It meant "Come to my place as soon as you can, it's important.

Yes, I know," Isadora said, and then read her poem, leaning forward so Carmelita Spats would not overhear: "I would rather eat a bowl of vampire bats than spend an hour with Carmelita Spats." The Baudelaires giggled and then covered their mouths so nobody would know they were laughing at Carmelita. "That was great," Klaus said. "I like the part about the bowl of bats.

I love full on, like 65 mph in a handicapped parking spot.


In the sudden silence, the crunching became absurdly loud, the demolition of small artificially flavored rice puffs filling the entire living room

That´s the problem with planning a late night supper after the opera, not only does the hero or the heroine die singing, but you end up famished after the last notes of the finale.

Mr. A calls me into his office and says he's got bad news and bad news, and which do I want first. I say the bad news.

it can't be wrong, if it feels so wrong

We know that there are many animals on this continent not found in the Old World. These must have been carried from here to the ark, and then brought back afterwards. Were the peccary, armadillo, ant-eater, sloth, agouti, vampire-bat, marmoset, howling and prehensile-tailed monkey, the raccoon and muskrat carried by the angels from America to Asia? How did they get there? Did the polar bear leave his field of ice and journey toward the tropics? How did he know where the ark was? Did the kangaroo swim or jump from Australia to Asia? Did the giraffe, hippopotamus, antelope and orang-outang journey from Africa in search of the ark? Can absurdities go farther than this?

I'm gonna go put my earplugs in and practice piano for hours until my fingers bleed. I practice the piano with the focus of Helen Keller—and nothing can distract me from the scent of the music. -Karen Quan and Jarod Kintz

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about magic seems to be talking as much about writing or art as it is about supernatural events. A grimmoir for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman. I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy. At the moment the people who are using Shamanism and magic to shape our culture are advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They’re not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the job of the artist to give the audience what the audience wants. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artists. It is the job of artists to give the audience what they need.

The universe had no choice but to create intelligent life so that there would be someone else that could simply laugh at how unbelievably, ridiculously and senselessly huge the universe is and how utterly insignificant the rest of us are.

Loving someone is sticking a pin through a voodoo doll and not hitting any vital organs

If bliss are a type of potato, then ignorance can be french-fried

At age 6 I was born without a face.

If you need me, I'm here. If I am not here, why would you need me for?

It's funny, I wonder why we like being praised. There's no money in it. Fame? How famous could we get? . . . Aren't humans absurd? I suppose we like praise for its own sake. The way children like ice cream. It's an inferiority complex, that's what it is. Praise assuages our insecurities. And ridiculously so.

Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves." She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse. "How awfully presumptuous of you to think I'd let you." "You will," he insisted soothingly. She gaped at him. "Please continue," he urged. "I'm aching to hear the rest." "You're as arrogant as usual." "You missed it, though." "I absolutely did not," she asserted. He grinned. "You missed my arrogance almost as much as I missed your impudence, little one." "That's absurd." "I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.

I think horror is a good genre for exploring anything, because everything is pretty horrifying. And I think the most effective horror things, and even maybe the most ineffective ones, are pretty absurd, and usually pretty funny.

Well, Nero," Genghis said, "I just wanted to give you this rose-a small gift of congratulations for the wonderful concert you gave us last night!" "Oh, thank you," Nero said, taking the rose out of Genghis's hand and giving it a good smell. "I was wonderful, wasn't I?" "You were perfection!" Genghis said. "The first time you played your sonata, I was deeply moved. The second time, I had tears in my eyes. The third time, I was sobbing. The fourth time, I had an uncontrollable emotional attack. The fifth time-" The Baudelaires did not hear about the fifth time because Nero's door swung shut behind them.

The Law of Moronic Ubiquity: Anything in the universe that is generally considered to be idiot-proof will eventually be ruined by an idiot.

If you don't fall down now and again, it just means the training wheels are working

The groomer wasn’t provided any dental care or skin care and that’s the truth. Just ask his dentdermatautologist, he’ll tell you.

The only difference between me and a madman is that he has the certification

Be nice to people on your way up, because you'll land on them on your way down

I like gross generalizations...I also like disgusting specifics!

There's always someone we'd love to kill, the trick is to make it not look like an accident

You always miss 100% of the shots you don't order

In America, there's no idea so patently absurd that it can't catch on.

Get your head out of your ass, you already reek of hypocrisy, so why add notes to the fragrance?

Old houses make funny noises. One time I stayed in a decaying place that made sounds like John Waite's 1984 radio hit "Missing You." Personally, I liked it, but the 13 ducks I was sharing a bathtub with didn't agree, so they made me take them to the luxury hotel known as Motel 6.

In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention.

It is not funny that anything else should fall down; only that a man should fall down. Why do we laugh? Because it is a gravely religious matter: it is the Fall of Man. Only man can be absurd: for only man can be dignified.

There spoke the race!" he said; "always ready to claim what it hasn't got, and mistake its ounce of brass filings for a ton of gold-dust. You have a mongrel perception of humor, nothing more; a multitude of you possess that. This multitude see the comic side of a thousand low-grade and trivial things--broad incongruities, mainly; grotesqueries, absurdities, evokers of the horse-laugh. The ten thousand high-grade comicalities which exist in the world are sealed from their dull vision. Will a day come when the race will detect the funniness of these juvenilities and laugh at them--and by laughing at them destroy them? For your race, in its poverty, has unquestionably one really effective weapon--laughter. Power, money, persuasion, supplication, persecution-- these can lift at a colossal humbug--push it a little--weaken it a little, century by century; but only laughter can blow it to rags and atoms at a blast. Against the assault of laughter nothing can stand. You are always fussing and fighting with your other weapons. Do you ever use that one? No; you leave it lying rusting. As a race, do you ever use it at all? No; you lack sense and the courage.

New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him. Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways. This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls. Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket. Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent. A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks. And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first. I rest my case.

If I could fly, I would soar all the way up to the window of a plane carrying a suitcase in my hand, then I’d motion toward the plane’s door and make an annoyed face at the terrified passengers. I have a feeling I would do this a lot.

She giggled when it was funny and when it wasn’t and when she was about to kick ass. It was just who she was. She didn’t laugh to cover nervousness. It was because she found most things in life to be strangely awesome and absurd at the same time.

People are funny. I don't get people like I don't get most things. I get myself, but not them. You would've thought that because I was a person if I got myself, I would get them. But nobody seems to get each other, and everybody seems to get me even less.

Dance critics all over the world have called my body moves, “Sculpturesque,” “As full of motion as a Rodin statue,” and “Like watching Helen Keller eat Jell-O with her elbows.” My dancing is so still and silent that it belongs on a shelf in a library, next to other great literature.

The situation was absurd. He wore riding boots with spurs. Her hair tumbled about her like a shaggy pony's. They were in the schoolroom with the furniture pushed about higgledy-piggledy. But in that instant, she would have danced a fandango with a rose in her teeth if Lochinvar had asked her to.

It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.

Mountains could be what happens when Father Earth eats something that doesn’t agree with him. When he burps, mountains pop up." "That’s absurd," Keselo said, trying not to laugh. "If you’ve got a better theory, I’d be happy to hear it," Red-Beard said mildly. "Anyway, a burp isn’t anything but air that boils up out of a man’s stomach, so Father Earth’s mountains have chunks of empty air in the middle of them—burps that didn’t quite manage to make it to the surface, you understand.

The most absurd thing of the whole affair was that we were never engaged. He just started showing up Sunday after Sunday and now expected to marry me. I never went out alone (or chaperoned) with him anywhere, I never even smiled at him. If that is all it takes to be engaged then I could have been married off to a hedgehog if it showed up every Sunday.

I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.

The Law of Logical Insanity: Anything that can easily be explained using common sense and rational thought is probably too simplistic and therefore false and untrue.

Love isn't two matching unicycles. Love is a bicycle—and mine just got stolen.


If you see the light at the end of the tunnel, you’re looking through binoculars the wrong way

like a blustered Bostonian sheep blubbering about being sheared at the ba ba

The hummingbird realized that this was a psychological tightrope that he had to navigate carefully, so he did it sideways because this was the only way he could move when perched

life was absurd, down to the deepest foundations of it, so there was always something funny in the middle of whatever hell was blowing up around you at the moment.

A self reflection : Do you know who I am? Do you know who you are?!

A brick and a blanket together create a blick. That’s it. That’s all I got.

You can sit on a brick, and milk a cow with a blanket.

Treat me like a king and I'll treat you like a queen..........Treat me like a queen and off with your head

And to make matters worse, the two deer shining the lanterns inside the ambulance’s headlights were tired and explained through an intercom system that would not be working again until the morning.

as he buzzed his wings with excitement, eyeing and eyeyanging the containers more closely, which he always did when looking at anything because he used both the dark and light part of his eyes to see.

There was a time, before I wound up here, when I would have thought all this was funny. When I was a member of the world, and not a member of “the club.” The world just loves to laugh at the absurdity of insanity. I

It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls--as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows back enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all ,may be just how much horror the human mind can stand and still maintain a wakeful, staring unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor beings to reassert itself.

For a beverage, you asked for some “cherry-assed Kool Aid.” Okay, now you’re just adding “assed” in places where it doesn’t even make sense. Regardless, we will fulfill your request for Cherry Kool-Aid. However, Halle Berry will not be pouring it from her mouth into yours. For dessert, you asked for your mother’s homemade peach cobbler. It is highly unorthodox for someone other than the prison kitchen staff to prepare a final meal. Also, you killed her about eight years ago, remember? So you’ll have to settle for Hostess.

There will be others, many others. You’ll try desperately to digest a single word through the acronym-laden gibberish, while beginning to wonder what the point of all this is, and also why you didn’t feel that staple you just sent into your thigh. You usually do. You’ll wonder what your company even does. After six years, you have no idea what an information system is, do you? Maybe you should ask. Maybe that’s how this ends. You’ll imagine how poetic it would be to simply unmute yourself and say, “Sorry to interrupt, guys, but what’s an information system?” Still, your mind will drift further, envisioning how much more tolerable this call would be if you could just slowly masturbate during it. So you do. You masturbate during it. And it’s beautiful. Masturbating, invisible within your three-walled fortress. Invisible… invisible… practically invisible.

Well, once again we are invaded. And, humiliatingly, by a lifeform which is absurd. My colleague Tim Powers once said that Martians could invade us simply by putting on funny hats, and we'd never notice. It's a sort of low-budget invasion. I guess we're at the point where we can be amused by the idea of Earth being invaded. (And this is when they really zap you.

The mummy felt betrayed, like when a spouse agrees on a movie you decided to watch only to put on a different movie as you go to the bathroom, having to sit through the whole movie and not argue about it because it’s not worth fighting over, just boiling up inside and remembering it for later when they want their coffee with half-and-half, knowing that you put 2-percent milk in there and they won’t know, but you will.

I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.

the soldier-police were predictably increasing their presence around all Chain-Gang All-Stars events and many politicians had already appeared before holostreams to implore nonviolence. An absurd thing for the murderous state to plead for, but, as always, the massive violence of the state was “justice,” was “law and order,” and resistance to perpetual violence was an act of terror. It would have been funny if there weren’t so much blood everywhere.

I hated how sometimes life threw you a curveball—how you thought you were going to make some money selling a stolen tiger to make your dad proud, but then all the sudden there were drugs instead of money and then you were probably going to relapse mostly because you didn’t want to disappoint your best friend who had recently drawn a very funny cartoon about an octopus on your ass cheeks that would not come off your body no matter how hard you scrubbed.

Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.

Damn," he said. "Have you been stuffing yourself with desserts just to prolong the suspense?" She failed to note the humor in his tone. All she gathered from his remark was that he still didn't believe she was pregnant. "You've found me out at last," she snapped. "I'm merely giving birth to a pastry." "That's not funny,Becca." "Neither was your absurd remark. Do you really think I like that my body is going to be disfigured? I hate it, but not as much as I hate you!

while people go on chatting about a million and one things I mostly sit and observe with ascended understandings as they bring up the topic of death and of a person dying I listen quietly while often accidentally smiling at the absurdity of anybody ever believing in death I don't mean to be insensitive towards a body's last breath a higher Reality laid bare, bodily expiration is of no account with this revelation incalculable life fears we surmount the Sage is notorious for finding strange things funny giggling at horrors and ridiculous events not so sunny sometimes a straight face is merely for show but spy the glint in his eye about a truth you don’t know an unfounded assumption is that we only live once not a Mystic throughout history has avowed this occurrence Christian ones may not have mentioned being reborn again they also didn't deny it—their teaching was kept plain just as the Buddha intentionally avoided the God concept ultimately not essential, under the rug reincarnation is swept

She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.

The nineteenth-century connection is now clear. The nineteenth century is the last time when it was possible for an educated person to admit to believing in miracles like the virgin birth without embarrassment. When pressed, many educated Christians today are too loyal to deny the virgin birth and the resurrection. But it embarrasses them because their rational minds know it is absurd, so they would much rather not be asked. Hence, if somebody like me insists on asking the question, it is I who am accused of being ‘nineteenth-century’. It is really quite funny, when you think about it.

According to Mark 11:12-13, God's messengers were not the only ones who were incompetent: 'He [Jesus] was hungry. And on seeing in the distance a fig tree in leaf, he went to see if he could find anything on it. When he came to it, he found nothing but leaves, for it was not the season for figs.' Imagine Jesus, the divine, holy, wisest of the wise not knowing that figs were out of season. Now allegedly Jesus could have performed a miracle and made figs magically appear, but he preferred sour grapes instead: Then he said to the tree, 'May no one ever eat fruit from you again.' (Mark 11:14)

O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.

He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.

When I was a kid watching comedians on TV and listening to their records they were the only ones that could make it all seem okay. They seemed to cut through the bullshit and disarm fears and horror by being clever and funny. I don't think I could have survived my childhood without watching stand-up comics. When I started doing comedy I didn't understand show business. I just wanted to be a comedian. Now, after twenty-five years of doing stand-up and the last two years of having long conversations with over two hundred comics I can honestly say they are some of the most thoughtful, philosophical, open-minded, sensitive, insightful, talented, self-centred, neurotic, compulsive, angry, fucked-up, sweet, creative people in the world.

Spain is my favorite country mais ça m'empêche que Paris est toujours ma ville préférée. I long to be again among all those foolish people, running for métros and jumping off of buses and dodging motorcycles and having traffic jams and admiring all that crazy statuary in all those absurd parks. I weep for the fishy ladies in the Place de la Concorde. Spain is not like that at all. Whatever else Spain is, it is not frivolous. I think, really, that I would stay in Spain forever--if I had never been to Paris. Spain is very beautiful, stony and sunny and lonely. Buy by and by you get tired of olive oil and fish and castanets and tambourines--or, anyway, I do. I want to come home, to come home to Paris. It's funny, I've never felt anyplace was home before.

Jesus… is this about him? Hastings?” “No, this is about you.” She points at me. “You and your innocent act… and your money, and your things. The words you say—the jokes, the laughs, the smiles you give her that she eats right up, and ugh, your face.” “My face?” “Your stupid fucking face,” she says, running her hands through her hair as she groans, those words startling me. Kennedy doesn’t curse. “Your face is everywhere. I’m sick of it!” “You’re sick of my face.” “Yes!” “There’s not much I can do about that.” “You can get out of my head,” she says. “Stop being there all the time!” I laugh at that, because it’s so damn absurd, but that’s the wrong thing to do. Her eyes narrow as she stares me down, looking like she wants to hit me right now. “I hate you,” she says, her voice shaking. “I’ve never hated someone as much as I hate you, Jonathan.” Those words, they wake me right up. I’m no longer laughing. There’s nothing funny about it. I got under her skin, and with the two of us already on shaky ground, I know that’s dangerous. She turns to leave, like she’s going to walk away, but I grab her arm to stop her. “Come on, don’t be like that…” “Don’t touch me,” she says, ripping from my grasp. I let go as I stand up, stepping toward her. “Just… wait a minute… talk to me.” “There’s nothing left to say.” “I’ll be goddamned.” I grab her arm again before she can walk out. “You can’t tell me you hate me and then leave. That’s bullshit. You bust up in here while I’m asleep to yell at me…” “You deserve it!” “Maybe so, but still…” “Still nothing,” she says, turning to me again, getting right in my face. “I hate you. That’s it. There’s nothing else to say. I hate everything about you. Your voice, your face… I hate it. Why aren’t you going away?” “Because I can’t,” I tell her, “and I’m pretty sure you don’t really want me to.” She scoffs. “You’re upset,” I say, “but you’re lying to yourself if you think you want me gone.” “I do.” “You don’t.” “Leave.” “No.” “Go away.” “I’m not.” As soon as that last word leaves my lips, she’s on me, slamming into me, her lips pressing against mine. She’s kissing me, and I’m so fucking stunned that it takes me a moment to react, a moment to consider kissing her back. She moans and wraps her arms around my neck, clinging to me damn near aggressively as she kicks the door closed.

You could speak on my behalf. Try to persuade him.” His black eyes glittered. “I’m afraid I’m only a messenger.” “Please,” I said. “I do not want them here, truly. I am not being funny.” “No,” he said, “you are not. You are being very dull. Use your imagination, they must be good for something. Take them to your bed.” “That is absurd,” I said. “They would run screaming.” “Nymphs always do,” he said. “But I’ll tell you a secret: they are terrible at getting away.” At a feast on Olympus such a jest would have been followed by a roar of laughter. Hermes waited now, grinning like a goat. But all I felt was a white, cold rage. “I am finished with you,” I said. “I have been finished a long time. Let me not see you again.” If anything, his grin deepened. He vanished and did not return. It was no obedience. He was finished with me too, for I had committed the unpardonable sin of being dull. I could imagine the stories he was telling of me, humorless, prickly, and smelling of pigs. From time to time, I could sense him just out of sight, finding my nymphs in the hills, sending them back flushed and laughing, giddy from the great Olympian who had shown them favor. He seemed to think I would go mad with jealousy and loneliness, and turn them into rats indeed. A hundred years he had been coming to my island, and in all that time he had never cared for more than his own entertainment.

It’s a rare company I visit these days that doesn’t have a Dilbert cartoon posted somewhere. I guess the message of these cartoons is “Our company is in some ways like Dilbert’s company, ” or, even worse, “My boss is in some ways like Dilbert’s boss.” When I encounter these cartoons, I always want to find the person who posted them and ask, “Yes, but are you like Dilbert?” Are you keeping your head down? Are you accepting senseless direction when it’s offered? Are you letting the bureaucracy dominate at the expense of the real goals? If so, I’d like to tell that person, then you’re part of the problem. At the risk of being a total killjoy, I propose that you look at the next Dilbert cartoon that falls under your eye in a totally different way. I propose that you ask yourself about Dilbert’s role in whatever corporate nonsense is the butt of the joke. Ask yourself, How should Dilbert have responded? (The real Dilbert, of course, never responds at all.) How could Dilbert have made this funny situation distinctly nonfunny? What could he have done to put an end to such absurdities? There is always an obvious answer. Sometimes the action is one that would get Dilbert fired. It’s easy (and fair) to blame lousy management on lousy managers. But it’s not enough. It’s also necessary to blame the people who allow themselves to be managed so badly. At least partly at fault for every bad management move is some gutless Dilbert who allows it to happen.

It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.

God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.