Absalom Absalom Quotes

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If happy I can be I will, if suffer I must I can.
William Faulkner (Absalom, Absalom!)
Great wits are to madness near allied And thin partitions do their bounds divide.
John Dryden (Absalom and Achitophel)
I was wrong. I admit it. I believed that there were things which still mattered just because they had mattered once. But I was wrong. Nothing matters but breath, breathing, to know and to be alive.
William Faulkner (Absalom, Absalom!)
I am older at twenty than a lot of people who have died.
William Faulkner (Absalom, Absalom!)
I dont hate it he thought, panting in the cold air, the iron New England dark; I dont. I dont! I dont hate it! I dont hate it!
William Faulkner (Absalom, Absalom!)
You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying or having to keep on trying and then all of a sudden it's all over.
William Faulkner (Absalom, Absalom!)
Tell about the South. What's it like there. What do they do there. Why do they live there. Why do they live at all.
William Faulkner (Absalom, Absalom!)
Great wits are sure to madness near allied, and thin partitions do their bounds divide.
John Dryden (Absalom and Achitophel)
But far more numerous was the herd of such, Who think too little, and who talk too much.
John Dryden (Absalom and Achitophel)
...surely there is something in madness, even the demoniac, which Satan flees, aghast at his own handiwork, and which God looks on in pity..
William Faulkner (Absalom, Absalom!)
O my son Absalom,' Bean said softly, knowing for the first time the kind of anguish that could tear such words from a man’s mouth. 'my son, my son Absalom. Would God I could die for thee, O Absalom, my son. My sons!
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
...only the peak feels so sound and stable that the beginning of the falling is hidden for a little while...
William Faulkner (Absalom, Absalom!)
Must I at length the Sword of Justice draw? Oh curst Effects of necessary Law! How ill my Fear they by my Mercy scan, Beware the Fury of a Patient Man.
John Dryden (Absalom and Achitophel)
Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both:---touch and touch of that which is the citadel of the central I-Am's private own: not spirit, soul; the liquorish and ungirdled mind is anyone's to take in any any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too.

William Faulkner (Absalom, Absalom!)
it takes an awful lot of character to quit anything when you are losing,
William Faulkner (Absalom! Absalom!)
That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less; and its resultant sum is usually incorrect and false and worthy only of the name of dream.
William Faulkner (ABSALOM, ABSALOM!)
...women will show pride and honor about almost anything except love ...
William Faulkner (Absalom, Absalom!)
In God ’tis glory: And when men aspire, ’Tis but a spark too much of heavenly fire.
John Dryden (Absalom and Achitophel)
...like old married people who no longer have anything in common, to do or to talk about, save the same general weight of air to displace and breathe and general oblivious biding earth to bear their weight...
William Faulkner (Absalom, Absalom!)
Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm
William Faulkner (Absalom, Absalom!)
For whatsoe'er their sufferings were before, That change they covet makes them suffer more. All other errors but disturb a state; But innovation is the blow of fate.
John Dryden (Absalom and Achitophel)
Nor is the people's judgment always true: The most may err as grossly as the few.
John Dryden (Absalom and Achitophel)
I, the dreamer clinging yet to the dream as the patient clings to the last thin unbearable ecstatic instant of agony in order to sharpen the savor of the pain’s surcease, waking into the reality, the more than reality, not to the unchanged and unaltered old time but into a time altered to fit the dream which, conjunctive with the dreamer, becomes immolated and apotheosized
William Faulkner (Absalom, Absalom!)
She turned; she bruised under her heel the scaly head of this dark suspicion-as terrifying to her as his guilt was to him. 'O Absalom, my Absalom! Come, come, we will not entertain such a thought. God himself would not urge it upon a mother.
Theodore Dreiser (An American Tragedy)
Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm…
William Faulkner
...probably by that time he had learned that there were three things and no more: breathing, pleasure, darkness; and without money there could be no pleasure, and without pleasure it would not even be breathing but mere protoplasmic inhale and collapse of blind unorganism in a darkness where light never began.
William Faulkner (Absalom, Absalom!)
He lived out there, eight miles from any neighbor, in a masculine solitude in what might be called the half-acre gunroom of a baronial splendor.
William Faulkner (Absalom, Absalom!)
It's because she wants it told he thought so that people whom she will never see and whose names she will never hear and who have never heard her name nor seen her face will read it and know at last why God let us lose the War: that only through the blood of our men and the tears of our women could He stay this demon and efface his name and lineage from the earth.
William Faulkner (Absalom, Absalom!)
Ah, Mr Compson said, Years ago we in the South made our women into ladies. Then the War came and made the ladies into ghosts. So what else can we do, being gentlemen, but listen to them being ghosts?
William Faulkner
It's just incredible. It just does not explain. Or perhaps that's it: they don't explain and we are not supposed to know. We have a few old mouth-to-mouth tales, we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable - Yes, Judith, Bon, Henry, Sutpen: all of them. They are there, yet something is missing; they are like a chemical formula exhumed along with the letters from that forgotten chest, carefully, the paper old and faded and falling to pieces, the writing faded, almost indecipherable, yet meaningful, familiar in shape and sense, the name and presence of volatile and sentient forces; you bring them together in the proportions called for, but nothing happens; you re-read, tedious and intent, poring, making sure that you have forgotten nothing, made no miscalculation; you bring them together again and again nothing happens: just the words, the symbols, the shapes themselves, shadowy inscrutable and serene, against that turgid background of a horrible and bloody mischancing of human affairs.
William Faulkner (Absalom, Absalom!)
Read it if you like or don't read it if you like. Because you make so little impression, you see. You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with string only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying and then all of a sudden it's all over and all you have left is a block of stone with scratches on it provided there was someone to remember to have the marble scratched and set up or had time to, and it rains on it and then sun shines on it and after a while they don't even remember the name and what the scratches were trying to tell, and it doesn't matter. And so maybe if you could go to someone, the stranger the better, and give them something-a scrap of paper-something, anything, it not to mean anything in itself and them not even to read it or keep it, not even bother to throw it away or destroy it, at least it would be something just because it would have happened, be remembered even if only from passing from one hand to another, one mind to another, and it would be at least a scratch, something, something that might make a mark on something that was once for the reason that it can die someday, while the block of stone can't be is because it never can become was because it can't ever die or perish...
William Faulkner (Absalom, Absalom!)
Beautiful lives women live—women do. In very breathing they draw meat and drink from some beautiful attenuation of unreality in which the shades and shapes of facts—of birth and bereavement, of suffering and bewilderment and despair—move with the substanceless decorum of lawn party charades, perfect in gesture and without significance or any ability to hurt.
William Faulkner (Absalom! Absalom!)
Yes, we laughed, because I have learned this at least during these four years, that it really requires an empty stomach to laugh with, that only when you are hungry or frightened do you extract some ultimate essence out of laughing just as the empty stomach extracts the ultimate essence out of alcohol.
William Faulkner (Absalom, Absalom!)
What is it? something you live and breathe in like air? a kind of vacuum filled with wraithlike and indomitable anger and pride and glory at and in happenings that occurred and ceased fifty years ago? a kind of entailed birthright father and son and father and son of never forgiving General Sherman, so that forevermore as long as your childrens' children produce children you wont be anything but a descendant of a long line of colonels killed in Pickett's charge at Manassas?" 'Gettysburg,' Quentin said. 'You cant understand it. You would have to be born there.
William Faulkner (ABSALOM, ABSALOM!)
battles lost not alone because of superior numbers and failing ammunition and stores, but because of generals who should not have been generals, who were generals not through training in contemporary methods or aptitude for learning them, but by the divine right to say 'Go there' conferred upon them by an absolute caste system
William Faulkner
Fools are more hard to conquer than persuade.
John Dryden (Absalom and Achitophel)
He had been too successful, you see; his was that solitude of contempt and distrust which success brings to him who gained it because he was strong instead of merely lucky.
William Faulkner (Absalom! Absalom!)
in a few thousand years, I who regard you will also have sprung from the loins of African kings.
William Faulkner (Absalom, Absalom!)
I love, I will accept no substitute; ...; if happy I can be I will, if suffer I must I can.
William Faulkner (Absalom, Absalom!)
escaped at last into a world of pure illusion in which, safe from any harm, she moved, lived, from attitude to attitude
William Faulkner (Absalom, Absalom!)
the face which had long since forgotten how to be young and yet absolutely impenetrable, absolutely serene: no mourning, not even grief
William Faulkner (Absalom, Absalom!)
Thus, in a Pageant Show, a Plot is made; And Peace it self is War in Masquerade.
John Dryden (Absalom and Achitophel)
I have never seen the Lord God. But I have seen Absalom alive in the tree.
William H. Gass (Omensetter's Luck)
the young girl who slept waking in some suspension so completely physical as to resemble the state before birth and as far removed from reality's other extreme as Ellen was from hers
William Faulkner (Absalom, Absalom!)
We have a few old mouth-to-mouth tales; we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable.
William Faulkner (Absalom, Absalom!)
And not only an architect, as General Compson said, but an artist since only an artist could have borne those two years in order to build a house which he doubtless not only expected but firmly intended never to see again.
William Faulkner (Absalom, Absalom!)
It (the talking, the telling) seemed (to him, to Quentin) to partake of that logic- and reason-flouting quality of a dream which the sleeper knows must have occurred, stillborn and complete, in a second, yet the very quality upon which it must depend to move the dreamer (verisimilitude) to credulity _horror or pleasure or amazement_ depends as completely upon a formal recognition of and acceptance of elapsed and yet-elapsing time as music or a printed tale.
William Faulkner (Absalom, Absalom!)
This was the mother, the dead sister Ellen: this Niobe without tears who had conceived to the demon in a kind of nightmare, who even while alive had moved but without life and grieved but without weeping, who now had an air of tranquil and unwitting desolation, not as if she had either outlived the others or had died first, but as if she had never lived at all.
William Faulkner (Absalom, Absalom!)
Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood's edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. 'The world has grown pale with thy breath.' But it was the breath of Persephone, this time; she came out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.
D.H. Lawrence (Lady Chatterley’s Lover)
-that unsleeping care which must have known that it could permit itself but one mistake; that alertness for measuring and weighing event against eventuality, circumstance against human nature, his own fallible judgement and mortal clay against not only human but natural forces, choosing and discarding, compromising with his dream and his ambition like you must with the horse which you take across country, over timber, which you control only through your ability to keep the animal from realizing that actually you cannot, that actually it is the stronger.
William Faulkner (Absalom, Absalom!)
Yes, we laughed, because I have learned this at least during these four years: that it really requires an empty stomach to laugh with, that only when you are hungry or frightened do you extract some ultimate essence out of laughing just as the empty stomach extracts the ultimate essence out of alcohol.
William Faulkner (Absalom, Absalom!)
(and your grandfather said, 'Suffer little children to come unto Me': and what did He mean by that? how, if He meant that little children should need to be suffered to approach Him, what sort of earth had He created; that if they had to suffer in order to approach Him, what sort of Heaven did He have?)
William Faulkner (Absalom, Absalom!)
Quentin did not answer, staring at the window; then he could not tell if it was the actual window or the window's pale rectangle upon his eyelids, though after a moment it began to emerge. It began to take shape in its same curious, light, gravity-defying attitude--the once-folded sheet out of the wistaria Mississippi summer, the cigar smell, the random blowing of the fireflies. "The South," Shreve said. "The South. Jesus. No wonder you folks all outlive yourselves by years and years and years." It was becoming quite distinct. He would be able to decipher the words soon, in a moment; even almost now, now, now. "I am older at twenty than a lot of people who have died," Quentin said.
William Faulkner (Absalom, Absalom!)
Ellen was in her late thirties, plump, her face unblemished still. It was as though whatever marks being in the world had left upon it up to the time the aunt vanished had been removed from between the skeleton and the skin, between the sum of experience and the envelope in which it resides, by intervening years of annealing and untroubled flesh.
William Faulkner (Absalom, Absalom!)
Yet if a Poem have a Genius, it will force its own reception in the World.
John Dryden (Absalom and Achitophel)
I thought you drove down here in a Buick," said Absalom Greer, "but it looks like you've come drivin' a hard bargain.
Jan Karon (A Light in the Window (Mitford Years, #2))
Pause, Mortal; Remember Vanity and Folly and Beware.
William Faulkner
And you came home? To die. Yes. To die? Yes. To die.
William Faulkner (Absalom, Absalom!)
the peak feels so sound and stable that the beginning of the falling is hidden for a little while
William Faulkner (Absalom, Absalom!)
sardonic cerebral pity of the intelligent for any human injustice or folly or suffering
William Faulkner (Absalom! Absalom!)
But who knows why a man, though suffering, clings, above all the other well members, to the arm or leg which he knows must come off?
William Faulkner (Absalom! Absalom!)
not even as three women, but merely as three creatures who still possessed the need to eat but took no pleasure in it, the need to sleep but from no joy in weariness or regeneration
William Faulkner (Absalom, Absalom!)
who two thousand years hence will still be throwing triumphantly off the yoke of Latin culture and intelligence of which they were never in any great permanent danger to begin with.
William Faulkner (Absalom, Absalom!)
… as though it had known to the second when I was to enter, had waited there during that entire twelve miles behind that walking mule and watched me draw nearer and nearer and enter the door at last as it had know (ay, decreed, since there is that justice whose Moloch’s palate-paunch makes no distinction between gristle bone and tender flesh) that I would enter — …
William Faulkner (Absalom, Absalom!)
But he was not a coward...not so much to the idea of pouring out human blood and life, but at the idea of waste of wearing out and eating up and shooting away material in any cause whatever.
William Faulkner (Absalom, Absalom!)
the three of us in that state where the very bones and muscles are too tired to rest, when the attenuated and invincible spirit has changed and shaped even hopelessness into the easy obliviousness of a worn garment
William Faulkner (Absalom, Absalom!)
Seriously, I do not know what to say of this book [ Absalom, Absalom!] except that it seem to point to the final blowup of what was once a remarkable, if minor, talent… this is a penny dreadful tricked up in fancy language and given a specious depth by the expert manipulation of a series of eccentric technical tricks. The characters have no magnitude and no meaning because they have no more reality than a mince-pie nightmare.
Clifton Fadiman
that we now existed in an apathy which was almost peace, like that of the blind unsentient earth itself which dreams after no flower's stalk nor bud, envies not the airy musical solitude of the springing leaves it nourishes.
William Faulkner (Absalom, Absalom!)
She accepted that--not reconciled: accepted--as though there is a breathing-point in outrage when you can accept it almost with gratitude since you can say to yourself, 'thank God, this is all; at least I now know all of it--
William Faulkner (Absalom, Absalom!)
looking out upon the whatever ogreworld of that quiet village street with the air of children born too late into their parents' lives and doomed to contemplate all human behavior through the complex and needless follies of adults
William Faulkner (Absalom, Absalom!)
that alertness for measuring and weighing event against eventuality, circumstance against human nature, his own fallible judgement and mortal clay against not only human but natural forces, choosing and discarding, compromising with his dream and his ambition like you must with the horse which you take across country, over timber, which you control only through your ability to keep the animal from realizing that actually you cannot, that actually it is the stronger.
William Faulkner (Absalom! Absalom!)
She seemed to have encompassed time. She postulated the elapsed years during which no honeymoon nor any change had taken place, out of which the (now) five faces looked with a sort of lifeless and perennial bloom like painted portraits hung in a vacuum, each taken at its forewarned peak and smoothed of all thought and experience, the originals of which had lived and died so long ago that their joys and griefs must now be forgotten even by the very boards on which they had strutted and postured and laughed and wept.
William Faulkner (Absalom, Absalom!)
resembling in his spectacles and nothing else (from the waist down the table concealed him; anyone entering the room would have taken him to be stark naked) a baroque effigy created out of colored cake dough by someone with a faintly nightmarish affinity for the perverse,
William Faulkner (Absalom, Absalom!)
And if you haven't got honor and pride, then nothing matters. Only there is something in you that doesn't care about honor and pride yet that lives, that even walks backward for a whole year just to live; that probably even when this is over and there is not even defeat left, will still decline to sit still in the sun and die, but will be out in the woods, moving and seeking where just will and endurance could not move it, grubbing for roots and such—the old mindless sentient undreaming meat that doesn't even know any difference between despair and victory.
William Faulkner (Absalom, Absalom!)
Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it's better then maybe it's fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.
William Faulkner (Absalom, Absalom!)
And so maybe if you could go to someone, the stranger the better, and give them something _a scrap of paper_ something, anything, it not to mean anything in itself and them not even to read it or keep it, not even bother to throw it away or destroy it, at least it would be something just because it would have happened, be remembered even if only from passing from one hand to another, one mind to another, and it would be at least a scratch, something, something that might make a mark on something that was once for the reason that it can die someday, while the block of stone cant be is because it never can become was because it cant ever die or perish...
William Faulkner (Absalom, Absalom!)
she died without regaining consciousness and without pain they say, and whatever they mean by that since it has always seemed to me that the only painless death must be that which takes the intelligence by violent surprise and from the rear so to speak, since if death be anything at all beyond a brief and peculiar emotional state of the bereaved it must be a brief and likewise peculiar state of the subject as well. And if aught can be more painful to any intelligence above that of a child or an idiot than a slow and gradual confronting with that which over a long period of bewilderment and dread it has been taught to regard as an irrevocable and unplumable finality, I do not know it.
William Faulkner (ABSALOM, ABSALOM!)
They stopped at one of these half-tank houses ... where they were greeted by a young girl, who herself seemed like no more than a child. - We have come to enquire after Absalom ... Have you heard nothing from him? Nothing, she said. When will he return? he asked. I do not know, she said. Will he ever return? he asked, indifferently, carelessly. I do not know she said. She said it tonelessly, hopelessly, as one who is used to waiting, to desertion. She said it as one who expects nothing from her seventy years upon the earth. No rebellion will come out of her, no demands, no fierceness. Nothing will come out of her at all save the children of men who will use her, leave her, forget her.
Alan Paton (Cry, the Beloved Country)
Speak we now of wicked counsel, for he who gives wicked counsel is a traitor. He deceives the one who trusted in him, as Achitophel did unto Absalom. But, nevertheless, his wicked counsel is first against himself. For, as says the Wise Man, “Every deceitful liar has this property in himself: that he who would harm another man, he harms himself first.
Geoffrey Chaucer (The Canterbury Tales)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
15. He has opened a pit, etc. This is the wonderful wisdom of God, that He does not punish the ungodly except with their own stratagems, He mocks them with their own mockeries, He pierces them with their own javelins, as David did with Goliath and Christ did with the devil. Thus the Jews had prepared every evil for Christ, and behold, it came upon themselves. And always God observes the rule: “No law is fairer than that the schemers of destruction perish by their own device.”8 And blessed Augustine says, “You have commanded,9 O Lord, and so it is done, that every disordered spirit be its self-punishment.”10 And in this passage (v. 16) we read: His mischief shall be turned on his own head. This is what happened to Saul, Absalom, and many others who harmed themselves when they wanted to harm others, and the fact that Saul fell on his own sword, and his armor bearer after him, is an illustration of this.
Martin Luther (Luther's Works, Vol. 10: Lectures on Psalms)
There are some things which happen to us which the intelligence and the senses refuse just as the stomach sometimes refuses what the palate has accepted but which digestion cannot compass _occurences which stop us dead as though by some impalpable intervention, like a sheet of glass through which we watch all subsequent events transpire as though in a soundless vacuum, and fade, vanish; are gone, leaving us immobile, impotent, helpless; fixed, until we can die.
William Faulkner (Absalom, Absalom!)
Elkanah Settle, celebrated as Doeg in Dryden’s Absalom and Achitophel, wrote Successio in honor of the incoming Brunswick dynasty. Warburton (or possibly Pope) in a note on Dunciad, I. 181, says that the poem was ‘written at fourteen years old, and soon after printed.’ A good instance of Pope’s economy of material will be found in the passage upon which that note bears: an adaptation of lines 4, 17 and 18 of this early poem. It was first published in Lintot’s Miscellanies, 1712.
Alexander Pope (Complete Works of Alexander Pope)
There was no one for him to tell, talk to about it, about his fear and suspicion, He trusted no man nor woman, who had no man's nor woman's love, since Ellen was incapable of love and Judith was too much like him and he must have seen at a glance that Bon, even though the daughter might still be saved from him, had already corrupted the son. He had been too successful, you see; his was that solitude of contempt and distrust which success brings to him who gained it because he was strong instead of merely lucky.
William Faulkner (Absalom, Absalom!)
Henry was the provincial, the clown almost, given to instinctive and violent action rather than to thinking who may have been conscious that his fierce provincial's pride in his sister's virginity was a false quantity which must incorporate in itself an inability to endure in order to be precious, to exist, and so must depend upon its loss, absence, to have existed at all. In fact, perhaps this is the pure and perfect incest: the brother realizing that the sister's virginity must be destroyed in order to have existed at all
William Faulkner (Absalom, Absalom!)
We have a few old mouth-to-mouth tales; we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable. —William Faulkner, Absalom, Absalom!
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
It wont be much longer now and then there wont be anything left; we wont even have anything to do left, not even the privilege of walking backward slowly for a reason, for the sake of honor and what’s left of pride. Not God; evidently we have done without Him for four years, only He just didn’t think to notify us; and not only not shoes and clothing but not even any need for them, and not only no land nor any way to make food, but no need for the food since we have learned to live without that too; and so if you dont have God and you dont need food and clothes and shelter, there isn’t anything for honor and pride to climb on and hold to and flourish. And if you haven’t got honor and pride, then nothing matters. Only there is something in you that doesn’t care about honor and pride yet that lives, that even walks backward for a whole year just to live; that probably even when this is over and there is not even defeat left, will still decline to sit still in the sun and die, but will be out in the woods, moving and seeking where just will and endurance could not move it, grabbing for roots and such – the old mindless sentient undreaming meat that doesn’t even know any difference between despair and victory.
William Faulkner (Absalom, Absalom!)
I will tell you what he did and let you be the judge. (Or try to tell you, because there are some things for which three words are three too many, and three thousand words that many words too less, and this is one of them. It can be told; I could take that many sentences, repeat the bold blank naked and outrageous words just as he spoke them, and bequeath you only that same aghast and outraged unbelief I knew when I comprehended what he meant; or take three thousand sentences and leave you only that Why? Why? and Why? that I have asked and listened to for almost fifty years.) But I will let you be the judge and let you tell me if I was right.
William Faulkner (Absalom, Absalom!)
In the stories of faith I grew up with, men were allowed a full range of emotion: King David, who calls on God to destroy his enemies. Absalom rising up against his father the king. Jonah stewing under his tree, looking out on the city God saved but he hates. Job crying out to God for his miserable fate. But the rage of good women in the Bible is all in the subtext. Nowhere is there an Eve angry for being removed from Eden and the loss of her two sons. Where is Esther, where is her horror and pain watching the genocide of her people? Or Ruth, who followed her miserable mother-in-law to a foreign land and had to listen to that lady bitching as if she felt nothing? The women allowed to have feelings in the Bible are always the villains. Michal sneering at David that he ought to put his clothes on and stop dancing like a naked fool. She is indicted for her words, but hadn’t she just been married, abandoned, and then taken back by this man? Used as a political pawn, then ignored for Bathsheba. Then there is Sarah, who beat her maidservant Hagar, blaming her for what should have rightly fallen on the shoulders of Abraham. And Job’s wife, who Biblical scholars condemn for telling her husband to curse God and die. But wasn’t she just wishing him a swift end to the suffering that they had walked through hand in hand?
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
When she ((Ellen)) shopped (there were twenty stores in Jefferson now)she unbent without even getting out of the carriage, gracious and assures and talking the most complete nonsense, voluble, speaking her bring set meaningless phrases out of the part which she had written for herself, of the duchess peripatetic with property soups and medicines among a soilless and uncompelled peasantry - a woman who, if she had the fortitude to bear sorrow and trouble, might have rise to actual stardom in the role of the matriarch arbitrating from the fireside corner of a crone the pride and destiny of her family, instead of turning at the last to the youngest member of it and asking her to protect the others.
William Faulkner (Absalom, Absalom!)
A man so various, that he seem'd to be Not one, but all Mankinds Epitome. Stiff in Opinions, always in the wrong; Was every thing by starts, and nothing long: But, in the course of one revolving Moon, Was Chymist, Fidler, States-Man, and Buffoon: Then all for Women, Painting, Rhiming, Drinking; Besides ten thousand freaks that dy'd in thinking. Blest Madman, who coud every hour employ, With something New to wish, or to enjoy! Rayling and praising were his usual Theams; And both (to shew his Judgment) in Extreams: So over Violent, or over Civil, That every man, with him, was God or Devil. In squandring Wealth was his peculiar Art: Nothing went unrewarded, but Desert. Begger'd by Fools, whom still he found too late: He had his Jest, and they had his Estate.
John Dryden (Absalom and Achitophel)
Grandeur," said Pangloss, "is extremely dangerous according to the testimony of philosophers. For, in short, Eglon, King of Moab,[Pg 167] was assassinated by Ehud; Absalom was hung by his hair, and pierced with three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how perished Crœsus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus, Perseus, Hannibal, Jugurtha, Ariovistus, Cæsar, Pompey, Nero, Otho, Vitellius, Domitian, Richard II. of England, Edward II., Henry VI., Richard III., Mary Stuart, Charles I., the three Henrys of France, the Emperor Henry IV.! You know——" "I know also," said Candide, "that we must cultivate our garden.
Voltaire (Candide)
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
When the crocus cometh forth I too will emerge and see the sun!” In the wind of March endless phrases swept through her consciousness. Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood’s edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. “The world has grown pale with thy breath.” But it was the breath of Persephone, this time; she was out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses, too, by the path, and yellow buds unfolding themselves.
D.H. Lawrence
Do you mark how the wisteria, sun-impacted on this wall here, distills and penetrates this room as though (light-unimpeded) by secret and attritive progress from mote to mote of obscurity's myriad components? That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.—See how the sleeping outflung hand, touching the bedside candle, remembers pain, springs back and free while mind and brain sleep on and only make of this adjacent heat some trashy myth or reality's escape: or that same sleeping hand, in sensuous marriage with some dulcet surface, is transformed by that same sleeping brain and mind into that same figment-stuff warped out of all experience. Ay, grief goes, fades; we know that—but ask the tear ducts if they have forgotten how to weep
William Faulkner (Absalom, Absalom!)
No one pours liquid into a cracked and broken vase which can hold nothing. Your heart is divided into as many pieces representing the cares you hold: each care is a broken piece; and do you think that God will pour his grace into such a useless vessel? Ask the wise man, who says: “The heart of a fool is like a broken vessel, and not all wisdom shall it hold.” [47]   God instills this devout and very sweet wisdom of which we speak into the hearts of the righteous, the golden vessels and cups from which he drinks our good desires, symbolized by the goblets from which King Solomon drank which were all gold. A golden vase cannot easily be broken, neither can the heart of the just be divided between different interests without urgent necessity. However, the hearts of unreflecting men are like the ill-baked clay vessels which David was given in the desert when persecuted by Absalom.[48] This clay vessel is broken because the man's exterior and worldly actions are not referred to God nor performed purely for his sake, but some are done to please men, others by the inspiration of the devil, others for pleasure or vainglory, so that his heart being divided, cannot retain the grace of devotion or the sweetness of the heavenly liquor.
Francisco De Osuna (Third Spiritual Alphabet)
April 19 Is It Not in the Least Likely? For Joab had turned after Adonijah, though he turned not after Absalom. 1 Kings 2:28 Joab stood the big test, he remained absolutely loyal and true to David and did not turn after the fascinating and ambitious Absalom, but yet towards the end of his life he turned after the craven Adonijah. Always remain alert to the fact that where one man has gone back is exactly where any one may go back (see 1 Corinthians 10:13). You have gone through the big crisis, now be alert over the least things; take into calculation the “retired sphere of the leasts.” We are apt to say—“It is not in the least likely that having been through the supreme crisis, I shall turn now to the things of the world.” Do not forecast where the temptation will come; it is the least likely thing that is the peril. In the aftermath of a great spiritual transaction the “retired sphere of the leasts” begins to tell; it is not dominant, but remember it is there, and if you are not warned, it will trip you up. You have remained true to God under great and intense trials, now beware of the undercurrent. Do not be morbidly introspective, looking forward with dread, but keep alert; keep your memory bright before God. Unguarded strength is double weakness, because that is where the “retired sphere of the leasts” saps. The Bible characters fell on their strong points, never on their weak ones. “Kept by the power of God”—that is the only safety.
Oswald Chambers (My Utmost for His Highest)
The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.
Niall Williams (History of the Rain)
All of us have the potential to be an Absalom, and all of us have the potential to be a David. Absalom felt rejected by his father, David, so he took revenge by seeking to usurp his father’s sphere of authority. David felt rejected by Absalom, but he allowed that rejection to keep him soft and crying out to God.
Bob Sorge (Dealing With The Rejection and Praise of Man)
The name's Old Testament derivation did not surprise him. Campbell's first name was Exra, and there was an Absalom and a Solomon in the camp. But no Lukes or Matthews, which Buchanan had once noted, telling Pemberton that from his research the highlanders tended to live more by the Old Testament than the New.
Ron Rash (Serena)