Above The Rim Quotes

Love, whether it's friendship or more, is like a cup. It fills up drop by drop, until one last drop and the cup is full. The liquid hangs there almost above the rim, hangs there on surface tension alone and you know that one more drop and it will spill over.

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness--that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what--at last--I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

Above us, outlined against the brilliant sky, dragons crowded every available perching space on the Rim. And the sun made a gold of every one of them.

The way I must enter leads through darkness to darkness- O moon above the mountain's rim, please shine a little further on my path,

The eastern sky was red as coals in a forge, lighting up the flats along the river. Dew had wet the million needles of the chaparral, and when the rim of the sun edged over the horizon the chaparral seemed to be spotted with diamonds. A bush in the backyard was filled with little rainbows as the sun touched the dew. It was tribute enough to sunup that it could make even chaparral bushes look beautiful, Augustus thought, and he watched the process happily, knowing it would only last a few minutes. The sun spread reddish-gold light through the shining bushes, among which a few goats wandered, bleating. Even when the sun rose above the low bluffs to the south, a layer of light lingered for a bit at the level of the chaparral, as if independent of its source. The the sun lifted clear, like an immense coin. The dew quickly died, and the light that filled the bushes like red dirt dispersed, leaving clear, slightly bluish air. It was good reading light by then, so Augustus applied himself for a few minutes to the Prophets. He was not overly religious, but he did consider himself a fair prophet and liked to study the styles of his predecessors. They were mostly too long-winded, in his view, and he made no effort to read them verse for verse—he just had a look here and there, while the biscuits were browning.

I believe we need wilderness in order to be more complete human beings, to not be fearful of the animals that we are, an animal who bows to the incomparable power of natural forces when standing on the north rim of the Grand Canyon, an animal who understands a sense of humility when watching a grizzly overturn a stump with its front paw to forage for grubs in the lodgepole pines of the northern Rockies, an animal who weeps over the sheer beauty of migrating cranes above the Bosque del Apache in November, an animal who is not afraid to cry with delight in the middle of a midnight swim in a phospherescent tide, an animal who has not forgotten what it means to pray before the unfurled blossom of the sacred datura, remembering the source of all true visions. As we step over the threshold of the twenty-first century, let us acknowledge that the preservation of wilderness is not so much a political process as a spiritual one, that the language of law and science used so successfully to define and defend what wilderness has been in the past century must now be fully joined with the language of the heart to illuminate what these lands mean to the future.

Will it be the same in the future?  Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?

The greatest of all capabilities of a human being is to become born again.

What I Have Lived For Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness--that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what--at last--I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

The Dog-star and Aldebaran, pointing to the restless Pleiades, were half-way up the Southern sky, and between them hung Orion, which gorgeous constellation never burnt more vividly than now, as it soared forth above the rim of the landscape. Castor and Pollux with their quiet shine were almost on the meridian: the barren and gloomy Square of Pegasus was creeping round to the north-west; far away through the plantation Vega sparkled like a lamp suspended amid the leafless trees, and Cassiopeia's chair stood daintily poised on the uppermost boughs. "One o'clock," said Gabriel.

Closer and closer they came. The sight was a glorious one: two vessels racing towards each other as the sun lifted above the rim of the world.

if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim-that is the paramount goal.

Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? China

Are you not weary of ardent ways, Lure of the fallen seraphim? Tell no more of enchanted days. Your eyes have set man's heart ablaze And you have had your will of him. Are you not weary of ardent ways? Above the flame the smoke of praise Goes up from ocean rim to rim. Tell no more of enchanted days. Our broken cries and mournful lays Rise in one eucharistic hymn. Are you not weary of ardent ways? While sacrificing hands upraise The chalice flowing to the brim. Tell no more of enchanted days. And still you hold our longing gaze With languorous look and lavish limb! Are you not weary of ardent ways? Tell no more of enchanted days.

Great art is like that. You can think you're a real hard-ass, with no use for artsy-fartsy jazz and then one of the greats hits you like a bullet though the heart. People talk about Tiger Woods, or Michael Jordan but if you really want to see a dude playing above the rim, spend half an hour looking at Picasso's from between the wars. The greats don't just want to score they want to dunk in your face.

Mountains, real or not, ring this desert like the rim of an empty dinner plate. Scattered sparsely along the flat middle are small towns with names like Red Mesa, Pine Cliff, and, right in the center, Night Vale. Above Night Vale are helicopters, protecting citizens from themselves and others. Above the helicopters are stars, which are completely meaningless. Above the stars is the void, which is completely meaningful.

Over the plains of Ethiopia the sun rose as I had not seen it in seven years. A big, cool, empty sky flushed a little above a rim of dark mountains. The landscape 20,000 feet below gathered itself from the dark and showed a pale gleam of grass, a sheen of water. The red deepened and pulsed, radiating streaks of fire. There hung the sun, like a luminous spider's egg, or a white pearl, just below the rim of the mountains. Suddenly it swelled, turned red, roared over the horizon and drove up the sky like a train engine. I knew how far below in the swelling heat the birds were an orchestra in the trees about the villages of mud huts; how the long grass was straightening while dangling locks of dewdrops dwindled and dried; how the people were moving out into the fields about the business of herding and hoeing.

Built-in shelves line my bedroom, adjacent to my Japanese platform bed, purchased for its capacious rim, the better to hold those books that must be immediately accessible. Yet still they pile on my nightstand, and the grid of shelves continues in floor-to-ceiling formation across the wall, stampeding over the doorway in disorderly fashion, political memoirs mixed in with literary essays, Victorian novels fighting for space with narrative adventure, the Penguin classics never standing together in a gracious row no matter how hard I try to impose order. The books compete for attention, assembling on the shelf above the sofa on the other side of the room, where they descend by the window, staring back at me. As I lie in bed with another book, they lie in wait.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

III But may I, when alone again I have the city's crush and tangled noise-skein and the furor of its traffic all around me, may I above the mindless swirl recall sky and the gentle mountain rim on which the far-off herd curved homeward. May my spirit be hard as rock and the shepherd's life to me seem possible- the way he drifts and turns brown in the sun and with a practiced stone-throw mends his flock, whenever it frays. Steps slow, not light, his body pensive, but in his standing there, majestic. Even now a god might enter this form and not be lessened. He lingers for a while, then moves on, like the day itself, and shadows of the clouds pass through him, as though space were slowly thinking thoughts for him.

I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy—I don’t know—something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a foot–warmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver–rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. AVE! Old knitter of black wool. MORITURI TE SALUTANT. Not many of those she looked at ever saw her again—not half, by a long way.

Cam paused, staring down at her with dilated eyes, the irises bright gold rims around circles of fathomless midnight. “Amelia, love…” His kiss tasted of salt and intimacy. “Can you take a little more of me?” She fought to think above the confusion of pleasure, and shook her head jerkily. The corners of his lips deepened with a smile. He whispered, “I think you can.” His hands played over her, solicitous fingertips sliding to the place they were joined. He pressed inside her, a low rhythmic movement, and his fingers were astonishingly gentle, almost delicate, as they stroked in time to the patient thrusts. Gasping, she arched to take him deeper, and deeper still. Every time he pushed, his body rubbed hers in exactly the right way. She began to lift eagerly, anticipating each invasion, panting for it, sensation building on sensation until it culminated in a blinding swell of delight … and another … another … she felt him begin to withdraw and she moaned and twined her legs around his hips. “Amelia,” he gasped, “no, let me … I’ve got to…” Shuddering, he spent helplessly inside her, while her body gripped and stroked the hard length of him. Still locked together, Cam rolled Amelia to her side. He muttered something in Romany. Although she didn’t understand a word, it sounded highly complimentary. Limp with pleasure and exhaustion, Amelia rested her head on the solid curve of his biceps, her breath catching as she felt the occasional twitch and pulse of him in the depths of her body.

The white saucer like some full moon descends At last from the clouds of the table above; She sighs and dreams and thrills and glows, Transfigured with love. She nestles over the shining rim, Buries her chin in the creamy sea; Her tail hangs loose; each drowsy paw Is doubled under each bending knee. A long, dim ecstasy holds her life; Her world is an infinite shapeless white, Till her tongue has curled the last holy drop, Then she sinks back into the night, Draws and dips her body to heap Her sleepy nerves in the great arm-chair, Lies defeated and buried deep Three or four hours unconscious there.

Above the counter where the ranks of crisp shapes behind the glass her neat gray face her hair tight and sparse from her neat gray skull, spectacles in neat gray rims riding approaching like something on a wire, like a cash box in a store. She looked like a librarian. Something among dusty shelves of ordered certitudes long divorced from reality, desiccating peacefully, as if a breath of that air which sees injustice done

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves lonelines - that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what - at last - I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.

Who calls the Prince of the Mud?' … The snapping turtle snapped. Its head shot out to maximum extension—Eliot wouldn’t have believed anything that big could move that fast. It was like a Mack truck coming straight at them. As it bit it turned its head on one side, to take them both in one movement. Eliot reacted fast. His reaction was to crouch down and cover his face with his arms. From the relative safety of this position he felt the day grow colder around them, and he heard a crackle, which at first he took for the pier splintering in the turtle’s jaws. But the end didn’t come. 'You DARE?' Janet said. Her voice was loud now—it made the boards vibrate sympathetically under his feet. He looked up at her. She’d gone airborne, floating two feet above the pier, and her clothes were rimmed with frost. She radiated cold; mist sheeted off her skin as it would off dry ice. Her arms were spread wide, and she had an axe in each hand. They were those twin staves she wore on her back, each one now topped with an axe-head of clear ice. The turtle was trapped in mid-lunge. She’d stopped it cold; the swamp was frozen solid around it. Janet had called down winter, and the water of the Northern Marsh was solid ice as far as he could see, cracked and buckled up in waves. The turtle was stuck fast in it. It struggled, its head banging back and forth impotently. 'Jesus,' Eliot said. He stood up out of his defensive crouch. 'Nice one.' 'You DARE?' Janet said again, all imperious power. 'Marvel that you live, Prince of Shit!

1.Few romances can ever surpass that of the granite citadel on top of the beetling precipices of Machu Picchu, the crown of Inca Land.” 2The ruins of Machu Picchu are perched on top of a steep ridge in the most inaccessible corner of the most inaccessible section of the central Andes. No part of the highlands of Peru has been better defended by natural bulwarks—a stupendous canyon whose rim is more than a mile above the river, whose rock is granite, and whose precipices are frequently a thousand feet sheer.

Hello, freak,” Drake said. Lana backed away, but too late. Drake leveled his gun at her. “I’m right-handed. ’Least I used to be. But I can still hit you from this distance.” “What do you want?” Drake motioned toward the stump of his right arm. It was gone from just above the elbow. “What do you think I want?” The one time she’d seen Drake Merwin, he had made her think of Pack Leader: strong, hyper alert, dangerous. Now, the lean physique looked gaunt, the shark’s grin was a tight grimace, his eyes were red-rimmed. His stare, once languidly menacing, was now intense, burning hot. He looked like someone who had been tortured beyond endurance. “I’ll try,” Lana said. “You’ll do more than try,” he said. He convulsed in pain, face scrunched. A low, eerie moan escaped his throat. “I don’t know if I can grow a whole arm back,” Lana said. “Let me touch it.” “Not here,” he hissed. He motioned with his gun. “Through the back door.” “If you shoot me, I can’t help you,” Lana argued. “Can you heal dogs? How about if I blow his brains out? Can you heal that, freak?

a teenage Mimi lifted from her own nine-year-old shoulders to gaze at the arhats from high up and years away. Out of the gazing teen rose another, even older woman. Time was not a line unrolling in front of her. It was a column of concentric circles with herself at the core and the present floating outward along the outermost rim. Future selves stacked up above and behind her, all returning to this room for another look at the handful of men who had solved life. “Look the color,” Winston said, and all her later selves collapsed around Mimi.

It was only when it came time for bathing that he left again. He could touch her forehead, auscultate her lungs, he could bear the weight of her breast against his hand as he listened to her heart. But bathe her as she had bathed the soldiers? When he had once touched the rim of his canteen just to feel where she had pressed her lips? No: once in her ravings, her shirt had lifted to reveal her navel, her iliac crest, a little curl of hair above the symphysis, and Lucius had frozen, unable to look away. No, the thoughts of undressing her, the complex mix of fear and yearning, were too much for him to bear. But she was burning up. Better Zmudowski, uxorious philatelist, responsible paterfamilias. Lucius stood outside the door and watched the sparrows, listening to the slosh of water, the squish of sponge. Day three: the fever broke. The wound looked better, less purulent, its color less exuberant. He felt himself buoyed, only to touch her head two hours later and sink. The mercury reached the highest notches on the glass. This was worse, he thought—it meant the infection was within, unseen, a witch’s hex.

Alice haunted the mossy edge of the woods, lingering in patches of shade. She was waiting to hear his Austin-Healey throttle back when he careened down the utility road separating the state park from the cabins rimming the lake, but only the whistled conversation of buntings echoed in the branches above. The vibrant blue males darted deeper into the trees when she blew her own 'sweet-sweet chew-chew sweet-sweet' up to theirs. Pine seedlings brushed against her pants as she pushed through the understory, their green heads vivid beneath the canopy. She had dressed to fade into the forest; her hair was bundled up under a long-billed cap, her clothes drab and inconspicuous. When at last she heard his car, she crouched behind a clump of birch and made herself as small as possible, settling into a shallow depression of ferns and leaf litter.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

Time was not a line unrolling in front of her. It was a column of concentric circles with herself at the core and the present floating outward along the outermost rim. Future selves stacked up above and behind her, all returning to this room for another look at the handful of men who had solved life.

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.

Desert which is immense and from above light brown or red vast rivulets of sand with no human life. As the only land. What land is. Running alongside it and then forward is the deep blue Red Sea — with the edges of the land in very light turquoise blue rim, it is the rim. A very beautiful rim. The people are in the air. There are patches of sand in, as it goes in, the endless sea, the very light turquoise rimmed. So it could be sky, which has white rainless clouds. In the sky or it could be in the sea. Whatever is darker as shadows could be just in the air. Only in the air. Sand patches, rimmed or with the very light blue shallower sea. But only if one's there.

They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?

Sam had dark curly hair that he wore parted in the middle and bluntly cut, just above his shoulders. He wore cheap John Lennon–style wire-rimmed glasses and one of those rough hemp striped parkas that are sold in Mexico. His blue jeans were holey and faded to almost white, and he paired his Teva sandals with thick white athletic socks.

They stood there, lined up along the wall, gazing at the wonder of a sunset that blazed across the heavens. Where the sun was sinking, the skies ran with molten crimson that spread above the mountains like watercolor, changing to orange and pink, lavender and gold. A cool fire of platinum rimmed the profile of Gabriel Mountain and the dark, swelling ridges on either side. He put one arm around Dooley's shoulders and the other around Cynthia's waist. The fullness of his heart was inexpressible. All is safely gathered in . . . He knew it could not always be this way. . . No, nothing ever remained the same. If he had learned anything in life, he had learned that such moments were fragile beyond knowing. Ere the winter storms begin . . .

His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.

Out of the fog that shrouded the countryside, softening the outlines of people and things, demonstrators emerged, flags waved and speakers rose spontaneously to address spontaneous gatherings. Mostly they were people who had not been allowed to speak for years. They clambered on to piles of rock, balanced on the rims of fountains and on pedestals of statues whose removal they demanded, just as they demanded the removal of those who had bowed down before these statues. They spun visions of how everyone's life, including Pavel's own, would quickly be transformed and rise above the poverty in which it had for so long been mired. Others, who preferred actions to words, climbed onto rooftops to remove the snow-covered symbols of yesterday's power. They pulled down street signs and fastened in their place new plaques scrawled with names that until recently had been unmentionable, and they sometimes gathered threateningly under the windows of abandoned Party secretariats, ready to break in and begin, or rather complete, the purging. In every face he saw a kind of ecstasy that looked almost sexual.

Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.

Men sitting doubled up in the upper bunks smoked short pipes, swinging bare brown feet above the heads of those who, sprawling below on sea-chests, listened, smiling stupidly or scornfully. Over the white rims of berths stuck out heads with blinking eyes; but the bodies were lost in the gloom of those places, that resembled narrow niches for coffins in a white-washed and lighted mortuary. Voices buzzed louder. Archie, with compressed lips, drew himself in, seemed to shrink into a smaller space, and sewed steadily, industrious and dumb. Belfast shrieked like an inspired Dervish: — ‘... So I seez to him, boys, seez I, “Beggin’ yer pardon, sorr,” seez I to that second mate of that steamer — “beggin’ your-r-r pardon, sorr, the Board of Trade must ‘ave been drunk when they granted you your certificate!” “What do you say, you — !” seez he, comin’ at me like a mad bull... all in his white clothes; and I up with my tarpot and capsizes it all over his blamed lovely face and his lovely jacket... “Take that!” seez I. “I am a sailor, anyhow, you nosing, skipper-licking, useless, sooperfloos bridge-stanchion, you! That’s the kind of man I am!” shouts I... You should have seed him skip, boys! Drowned, blind with

- Surly clouds blacken to make fire rims at that forge where night’s being hammered, crazed mountains march to the sunset like drunken cavaliers in Messina when Ursula was fair, I would swear that Hozomeen would move if we could induce him but he spends the night with me and soon when stars rain down the snowfields he’ll be in the pink of pride all black and yaw-y to the north where (just above him every night) North Star flashes pastel orange, pastel green, iron orange, iron blue, azurite indicative constellative auguries of her makeup there that you could weigh on the scales of the golden world - The wind, the wind -

But tonight, as he traveled beneath the winter moon like someone who had been pulled out of time and life, just below the rim of eternity, he realized that what he’d heard as a child was true: the sin above all sins was to doubt God’s mercy, to deny the capacity of that heart, pierced through by the lance, to forgive. In the cold and dazzling light, Olav saw that it was this agony he had been tempted to undergo himself, to the extent that a man’s heart could mirror the heart of God—just as puddles of water in the dirt of the road could contain the image of a single star, broken and trembling, beneath the starry depths of the night sky.

As Mrs. Turner took what would be her last walk around the vegetable garden, Smarty, the ginger tabby, materialized to sit beside the flowerpot man, a position that afforded him a bird's-eye view of the petit fishpond. There was a larger, more formal water feature on the western side of the house, a rectangular pool with a leafy canopy above it and marble tiles around the rim, well-fed goldfish gleaming beneath glistening lily pads, but this little pond was far more cheerful: small and shallow, with fallen petals floating on its surface. The cat's focus was absolute as he watched for flickers of rose gold in the water, paw at the ready.

He lay under the great bearskin and stared out of the window at the stars of spring, no longer frosty and metallic, but as if they had been new washed and had swollen with the moisture. It was a lovely evening, without rain or cloud. The sky between the stars was of the deepest and fullest velvet. Framed in the thick western window, Alderbaran and Betelgeuse were racing Sirius over the horizon, the hunting dog-star looking back to his master Orion, who had not yet heaved himself above the rim. In at the window came also the unfolding scent of benighted flowers, for the currants, the wild cherries, the plums and the hawthorn were already in bloom, and no less than five nightingales within earshot were holding a contest of beauty among the bowery, the looming trees...He watched out at the stars in a kind of trance. Soon it would be the summer again, when he could sleep on the battlements and watch these stars hovering as close as moths above his face and, in the Milky Way at least, with something of the mothy pollen. They would be at the same time so distant that unutterable thoughts of space and eternity would baffle themselves in his sighing breast, and he would imagine to himself how he was falling upward higher and higher among them, never reaching, never ending, leaving and losing everything in the tranquil speed of space.

Yet these early golden almost windless days were not all passed in anxious thought: very far from it. There were mornings when the ship would lie there mirrored in a perfectly unmoving glossy sea, her sails drooping, heavy with dew, and he would dive from the rail, shattering the reflection and swimming out and away beyond the incessant necessary din of two hundred men hurrying about their duties or eating their breakfast. There he would float with an infinity of pure sea on either hand and the whole hemisphere of sky above, already full of light; and then the sun would heave up on the eastern rim, turning the sails a brilliant white in quick succession, changing the sea to still another nameless blue, and filling his heart with joy.

Occasionally we glimpse the South Rim, four or five thousand feet above. From the rims the canyon seems oceanic; at the surface of the river the feeling is intimate. To someone up there with binoculars we seem utterly remote down here. It is this know dimension if distance and time and the perplexing question posed by the canyon itself- What is consequential? (in one’s life, in the life of human beings, in the life of a planet)- that reverberate constantly, and make the human inclination to judge (another person, another kind of thought) seem so eerie… Two kinds of time pass here: sitting at the edge of a sun-warmed pool watching blue dragonflies and black tadpoles. And the rapids: down the glassy-smooth tongue into a yawing trench, climb a ten-foot wall of standing water and fall into boiling, ferocious hydraulics…

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind.These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness—that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what—at last—I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart…The whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness—that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what—at last—I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair. I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness--that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what--at last--I have found. With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved. Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer. This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.

He was just a child himself, she saw. And lonely. He was the kind of man who probably always would be. 'Would you like some cake?' she tried. His countenance brightened. He would like some cake, he realized. He would like some cake very much indeed; he would like it above anything. When Sarah brought a slice of fruitcake up on a pretty blue-rimmed plate, she found that Mary was now also in the breakfast room, sitting stiffly on an upright chair near the young clergyman; she look round, heavy-eyed, when Sarah came in. Sarah had the distinct impression that she had disturbed not a conversation but a silence. Mary must be struggling to converse with him -- Sarah could sympathize -- too much time spent with books had not fitted her to be easy with herself, and other people. The young lady got up abruptly, and went to the window, and Mr. Collins got up too, looking relieved. He took the plat from Sarah and was profuse in his thanks, but then, with Mary there, did not know what to do with the cake after all.

From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.

The court is my escape and my paradise. I love basketball. I love the way you can be exhausted and sweaty and running with nine other guys, and yet, at the risk of sounding overly Zen, you are still so wonderfully alone. On the court, nothing bothers me. I see things a few seconds before they actually happen. I love anticipating a teammate’s cut and then throwing a bounce pass between two defenders. I love the rebound, boxing out, figuring angles and positioning myself, willing the ball into my hands. I love dribbling without looking down, the feel, the sense of trust, of control, almost as though the ball were on a leash. I love catching the pass, locking my eyes on the front rim, sliding my fingers into the grooves, raising the ball above my head, cocking my wrist as I begin to leap. I love the feel as I release the shot at the apex of the jump, the way my fingertips stay on the leather until the last possible moment, the way I slowly come back to the ground, the way the ball moves in an arc toward the rim, the way the bottom of the net dances when the ball goes swish. I

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

Passing the dark, low fields just south of Harrows, Smoke saw a scarecrow that reminded him, in shape, of his mother. Inspired by it, he imagined her burning. He imagined the dresses from her closet … the curls in her blond hair … the rims of her glasses … all of it and everything blistering, bending, burning. The fire he imagined for her was blue and smelled like childhood. And childhood reminded him of the children he once knew; he imagined a girl named Merrily melted to the shape of a chair, another, Henry, sitting upon her in a classroom. He'd like to burn them all. Every face he'd ever seen. Excited now, Smoke saw the mothers of these former schoolmates rushing from their homes, desperate feet pattering on the porch boards, able to discern the smell of their own child burning above all others. Smoke would be there when they came. He'd be there with a piece of meat on a stick. Dinner over childhood's fire. Hey, Ma! This meat only gets better the longer it cooks! Moved, Smoke imagined more. Men in suits bursting into flame upon exiting church. Families sitting down to eat burnt food, blackened bread, ashen meals upon scalding-hot plates. Come on, Billy! Eat your fire! EAT YOUR FIRE!

Look at these cliffs! Some are abrupt and unpredictable. Some other are soft and with smooth slopes. Yet, they all have the same purpose: either to lure you and bring you down or to teach you how to stand up, firmly, on their rims while contemplating the horizon. Here, you have the perfect vision of the abyss beneath. the majesty of the skies above, or the endlessness of the horizon in front; but you can't see what's behind, and that's how it should be! What's the point in contemplating something that you already know and lived? Haven't your coming here made you know the paths on which you walked? That's why, what belongs to the past should remain there. The past gives us the lessons. We do not need a heavier luggage than this!

was babbling about, Maura could only guess. What she did know was that every second that passed made the air hotter, the smoke thicker, and their chances of a safe escape even more remote. “Uncle Don,” she continued, her voice as meek as she could force, “Would you put down your gun please? I’m afraid, too.” There was no response other than the pained sobbing of a man whose mind had lost control of his emotions. A wave of guilt spread over her. The signs had all been there. If she’d only been paying attention. But she hadn’t, because she was too close. She’d lost her objectivity, and now she was paying the price. She reached down and gently touched the hand that cradled the pistol. But Mellman’s wide fingers only clutched it tighter, and he looked at her, more lucid. “I can’t face it, Maura. I can’t. You go on. It’s all over for me, anyway.” The smoke curling up from around the attic floorboards joined that wafting up the stairwell, the two swirling in concert to increase the sinister haze above. Maura dropped to her knees, coughing. “No. It’s not over. You didn’t do anything wrong. Everyone knows that. Everyone knows what a good police chief you are.” Mellman turned red-rimmed eyes to her and talked through a wheezing cough. “You think so?” “Of course!” she swallowed. “My dad was the greatest, but you’re giving him some stiff competition.

shells, when immersed in the same oil at high temperature, will lose their oil, thus increasing the volume of the oil in the tank. For this method, conditioning becomes important. The equipment consists of a tank of CNSL heated to a temperature of 185- 190°C by a furnace underneath and a wire basket used to hold the nuts for immersion into the tank. The depth of the basket must be sufficient so that the rim remains well above the oil during the roasting. Immersion time can range from 1½ to 4 minutes. About 50% of the liquid is extracted from the nuts. Draining trays are needed at the end of the tank for the roasted nuts to dry and the residue oil can be returned to the tank. Caution must be taken not to heat the tank to over 200°C because at this point polymerization of the CNSL takes place. The temperature can be maintained by continuous firing. The tank should be emptied and cleaned after each day’s roasting. The life of a tank made of an eighth inch thick mild steel plate should exceed one and a half years and can be constructed locally with welding facilities. Shelling The objective of shelling is to produce clean, whole kernels free of cracks. In India, this operation has always been done manually. Other countries have difficulty in competing with the great skill and the low wages of the Indian workers.Therefore, India has enjoyed a virtual4

What is the universe, anyway? To test your knowledge of the universe, please complete the following sentence. The universe (a)   consists of all things visible and invisible—what is, has been, and will be. (b)   began 13.8 billion years ago in a giant explosion called the Big Bang and encompasses all planets, stars, galaxies, space, and time. (c)   was licked out of the salty rim of the primordial fiery pit by the tongue of a giant cow. (d)   All of the above. (Correct answer below.)

This is how I healed. Or didn't. One evening I took her down to the river. We turned off the highway and rattled slowly up the gravel road and into the heart of the canyon. The walls closed in above us, the high blue of the sky deeper, deep and dark like a river is deep. The highest rock at the rim was a strip of fire, holding the last long sun. The old gorge was a vessel and it was filling with shadow, slowly and with wind.

Now the spotlight comes on and I’m saying to myself, ‘Earvin, you don’t play the game above the rim. You play it cerebrally. You play it in an intelligent way and just be who you are.

I uh ... think I'd better go," Juliet said. "A pity, that."  He lifted the glass to his lips, his eyes watching her from above its rim. "I cannot talk you into staying, then?" "No. But I'll come back later if you like. Maybe I can bring your supper up to you or something...." "Would you? I would like that. In fact, I would like that very much indeed. Otherwise boredom will force me to read those silly letters, and I confess, Miss Paige, that I would much rather spend the time with you."  He grinned. "And Charlotte, if you will bring her." "I will bring her." "Good. I am looking forward to getting to know both my niece and her lovely mama. When you return, I want to hear all about America, your sea-crossing, everything. And I want a full report on how — Oh, dear —"  He suddenly started and blinked several times in rapid succession, as though the whiskey had just caught him very much by surprise (which in itself was no surprise, Juliet thought, given the amount he had downed and the speed with which he had consumed it). He shook his head, slowly, and tipped it back against the pillows with an apologetic little smile. "That is to say, I want a full report on how Lucien is treating you." "You shall have it then, Lord Gareth."  She plucked the empty glass from his hand and placed it back on the table. "But for now, I think you had better rest." "Yes ... I fear I have no choice about that, given the way those spirits have just hit me!  I am sorry, Miss Paige; I have no wish to be rude, it usually takes much more than three glasses to get me to this state ... but oh, isn't it strange, how the loss of a little blood seems to carry a man's vitality off with it, as well...." "I wouldn't know."  She smiled and moved forward to gently pull the sheet up over his chest. He looked up at her through his lashes and gave her a slow, sleepy smile, content to let her fuss over him, grateful for the attention, a man completely at ease in the company of a woman. "Thank you," he murmured, smiling as he let his eyes drift shut. "I think I shall enjoy ... my dreams." She

His eyes were above hers, and she saw that the golden-hazel irises were rimmed with black. “Miss Hathaway … you’re quite certain fate had no hand in our meeting tonight?” She couldn’t seem to breathe properly. “Qu-quite certain.” His head bent low. “And in all likelihood we’ll never meet again?” “Never.” He was too large, too close. Nervously Amelia tried to marshal her thoughts, but they scattered like spilled matchsticks … and then he set fire to them as his breath touched her cheek. “I hope you’re right. God help me if I should ever have to face the consequences.” “Of what?” Her voice was faint. “This.” His hand slid to the back of her neck and his mouth covered hers.

His knees had turned to water and he had had to sit down on the soft edge, his hands automatically taking her hot, dry hands while his mind, for some strange reason, instantly dredged up from his storehouse of memories his grandfather's tale of Magellan crossing a nameless sea in a still young world. He had seen, as he had looked into her eyes, the sea; depths beyond depths, and the tiny ships and white sails of grace moving along the rim of time. Almost without knowing it, without being aware that he was doing so, he kissed her fingertips one by one, as he told himself that this was what it meant, that to love was to regain the capacity to remember a world without names, to recall by virtue the whorl above the beloved's knucklebones and the blue of the veins beneath the skin the unbearable fragility of mornings in this country, to find October odors trapped in the skinfolds between her toes along with the scent of talcum powder and soap and human sweat. He moved then, without willing it, helplessly, and sank himself into the swamp of her delirium, as her fever broke and her bones melted in a cold sweat that drenched him and the bedsheets, soaking his chest, his legs, his armpits so that he thought he was making love to the monsoon and was himself dissolving into a needle spray of rain and the pungence of washed leaves and cleaned tree bark in a festival to end the dry season.

Three-thousand-year-old gossip.” “What about Aphrodite’s husband?” “Well, you know,” she said. “Hephaestus. The blacksmith. He was crippled when he was a baby, thrown off Mount Olympus by Zeus. So he isn’t exactly handsome. Clever with his hands, and all, but Aphrodite isn’t into brains and talent, you know?” “She likes bikers.” “Whatever.” “Hephaestus knows?” “Oh sure,” Annabeth said. “He caught them together once. I mean, literally caught them, in a golden net, and invited all the gods to come and laugh at them. Hephaestus is always trying to embarrass them. That’s why they meet in out-of-the-way places, like…” She stopped, looking straight ahead. “Like that.” In front of us was an empty pool that would’ve been awesome for skateboarding. It was at least fifty yards across and shaped like a bowl. Around the rim, a dozen bronze statues of Cupid stood guard with wings spread and bows ready to fire. On the opposite side from us, a tunnel opened up, probably where the water flowed into when the pool was full. The sign above it read, THRILL RIDE O’ LOVE: THIS IS NOT YOUR PARENTS’ TUNNEL OF LOVE! Grover crept toward the edge. “Guys, look.” Marooned at the bottom of the pool was a pink-and-white two-seater boat with a canopy

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

Instinctively, Cody glanced over but all he could see was the gaping silver-rimmed muzzle of a snub-nosed large caliber revolver an inch from his eye. The cylinder revolved, filled with dull lead bullets, as the trooper pulled the trigger. There was a tremendous explosion of light and thunder. He could no longer see out of his right eye, but it was more than that. There was no pain, only tremendous silence. Then he was floating, light as air, as if his lungs had filled with helium. He passed through the sheet metal roof of his pickup into the night, which was no longer cold. As he rose his eyesight was restored but he no longer had feeling in his limbs and his arms hung loose at his sides. He looked down. He could see the top of his pickup from above, the bed of his truck which was empty except for a crumpled fast-food wrapper in the corner, then the rusted metal roof of the First National Bar. The windows of his pickup strobed three more times but there was no sound and he felt nothing. Cody’s life didn’t pass before his eyes, but he clearly saw the photo of Justin in his football uniform and a vision of Jenny sleeping in bed from years before they separated the first time and he rose until he could see the river and the ribbon of highway through the valley and Jimmy and the truck driver emerge from the bar and stand on the porch and he knew what happened to those poor girls and he felt both cheated and angry at the same time and he wished he could do it all over again, everything. Especially the last five minutes. Then nothing. No sound, smell, or sight. Peace.

Avery seemed genuine, not like the player playing his game. Somehow the thought helped Kane justify this one-night stand. Kane mustered his nerve, forced himself not to consider the repercussions, and pushed Avery's jeans down his long legs until he kicked them off. Kane followed the pants to the floor, dropping to his knees, and looked up, his eyes landing on Avery's as he wrapped his fingers around the base of his shaft and directed the broad tip of Avery's cock to his mouth. He hoped the action came off as a bold move. Kane opened, sliding Avery deep into his mouth. A small taste of pre-come hit his tongue. Kane closed his eyes as Avery tangled both hands in his hair, guiding Kane in the rhythm he'd created. "Damn, that feels good." Avery breathed out the last word on a groan. Kane opened wider, willing himself to let Avery go as deep as he could. He slid his hands up Avery's thighs, then to his sac, cupping and starting a slow massage on his already retracting balls. His reward was the sound of a deep sensual moan from above. He cast his gaze up, meeting that intense amber stare yet again. He slid his hand around to grip the firm globe of Avery's ass. His fingers breached the crevice, sliding down to the rim. Avery tensed slightly at the contact, telling him everything he needed to know. Avery wasn't a regular bottom…and neither was he.

Jabril’s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsman’s mightiness, Victor devoured the captain’s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tad’s provocative expertise, coalescing with Fahrib’s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.

The Estate of Solemnity By right, it reigns in its places- in long beards Of spanish moss hanging from a live oak On a windless evening, and in the chill of new Icicles rigidly, imperceptibly lengthening. Cavern Stalagmites are almost majestic with solemnity. The black morel and the tree ear mushroom Are solemn without grief, solemn without joy, Solemn without reverence, without a single Flicker of green or lift of a wing or cry. But the most solemn, most stalwart, the least Wavering are the tors and crags, the towering desert Spires and carved pinnacles, the devoted ascents And sharp, raw rims of boulders and bluffs, the maw Of a distant cave I saw yesterday and the day before, And the grave echo there of the day and the before. Mystics and divines have always sought the pure, White-rock serenity of the silent, solemn moon Bound in its flight alone far above the peaks, far Above the earth, surrounded there forever by bevies Of giddy stars, all asparkling, all aglow.

Two-One Alpha, ready for you. Move it. We’re in kind of a hurry to find a quieter place!” Two wounded men were hauled to the helicopter first by four of their buddies, with the rest strafing the hill to keep the Taliban heads down. The fright and panic in the eyes and faces of the soldiers were clearly visible. Their screams rose above the thundering noise of the engines as they pushed the wounded in and then took up position outside the chopper to provide covering fire for the remaining men to get in. “All in. Let’s get out of here!” Leo shouted. “Grab tight. It’s going to be a rough ride boys!” John pulled the chopper into a steep climb while banking away from the hill. With no fire coming from the doorgun to keep them down, the full force and frustration of the enemy was now directed at the chopper and its occupants. They saw their prey escaping out of their hands right in front of their eyes. A burning pain shot through John’s back and legs as the body of the helicopter shuddered under the power of the two Rolls-Royce Gem turboshaft engines at full throttle. Smoke started to billow from the starboard engine. I have to get over that hill three miles away. Why am I dizzy? I have to get these boys out of trouble. I have to level the chopper and save power. I must get over that hill. I must get out of the reach of the bullets. “Doug! Doug! Can you hear me? What’s wrong man?” Leo screamed in a high-pitched, panicked voice. “Oh my God, you’ve been hit! Are you ok? Shit man, put the chopper down now. You’ll crash and kill us all!” “That hill … I have to get over it … out of range … I must get us there ...” Doug stuttered. “What was that? I can’t hear you. For God’s sake put the chopper down!” Leo shouted at the top of his voice. “Going down, going down … radio for help!” John whispered, a few seconds before everything went dark. The nightmare and the math Doug paid little heed to his passengers as he banked away from the canyon rim. Max was back there to help them. Doug had plenty on his mind, between the flashback to his crash in Afghanistan and wondering when whoever had shot two of his passengers would show up and try to shoot the chopper down here and now, over the Grand Canyon. Not to mention nursing the aging machine to do his bidding. Within minutes after takeoff from the canyon site, lying in the back of the chopper, JR and Roy were oblivious to their surroundings due to the morphine injection administered to them by Max Ellis – an ex-Marine medic and the third member of the Rossler boys’ rescue expedition. Others on the chopper had more on their minds. Raj was in his own world, eyes closed, wondering about his wife Sushma, their child, and the future. He and Sushma were not the outdoors adventure and camping types – living in a cave with other people was going to take some getting used to for them. They both grew up and had lived in the city all their lives. How was this going to work out

There are the yellow beads of the stonecrops and the twisted flags of dried irises knuckled into the hollows of moss and rubbly limestone on the waves of the low wall the ivy has climbed along them where the weasel ran the light has kindled to gold the late leaves of the cherry tree over the lane by the house chimney there is the roof and the window looking out over the garden summer and winter there is the field below the house there is the broad valley far below them all with the curves of the river a strand of sky threaded through it and the notes of bells rising out of it faint as smoke and there beyond the valley above the rim of the wall the line of mountains I recognize like a line of writing that has come back when I had thought it was forgotten

Of the many attractions that draw people to the bottom of the canyon, perhaps the most potent and beguiling is the realization that the experience is the opposite of a race—the antithesis of rushing from where you are toward someplace you think you would rather be, only to discover, once you arrive, that your true goal lies somewhere else. That is a defining characteristic of life in the world above the rim, and if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim—that is the paramount goal.

The chef decided to prepare a few large bass in his special manner for our group. He grabbed a four-pounder from the tank and within seconds had scaled it alive, gutted it, cut slits into the skin, rolled the fish in egg white and cornstarch, and wrapped the head in a water-soaked cold towel. He then inserted a wooden skewer through the gills and lowered the fish into the hot oil of a deep-fryer. The skewer, extending horizontally beyond the fish on either side, rested on the rim of the fryer, holding the head of the fish above the oil. The whole operation took a couple of minutes, at the most. The chef hurriedly placed the fish on a platter, rushed it to our table, and removed the towel from around the head. Uncooked and cold, it was still moving, the mouth opening and closing gruesomely.

The main lights of its eight great windows were darkened throughout their height; only through the slender panelled tracery above the slanting louvers the sunlight dripped rare and chill, striping the heavy beams of the bell-cage with bars and splashes of pallid gold, and making a curious fantastic patterning on the spokes and rims of the wheels. The bells, with mute black mouths gaping downwards, brooded in their ancient places.

I have never seen a public man who more quickly, shrewdly, efficiently got through a pile of Sunday newspapers than Calvin Coolidge. I was interested in his skill. It revealed a sharp mind, a lively set of brains. He rose abruptly after his morning stint of reading, walked out of the smoking-room without saying a word; indeed he had passed less than a dozen syllables during the hour and a half while we sat watching him above the rims of our papers.

I have found that my tiny church, St. Andrew Presbyterian, has given me a shape to work against--a darning egg--for the last thirty years, what with all these holes. We have a choir of eight people who open their mouths, and a huge sound comes out, a mix of joy, pain, faith and conversational exposition. Spirit rises and falls in the voices, the choir's and ours. The singing is full-throated and clear, like the sound your finger makes when you run it around the rim of a crystal glass. It is like African singing where people call from various spots and create one sound. Twenty minutes after the first cave children started kicking around the first improvised balls, people started singing. Half an hour later, they found harmonies. Even with a couple of exceptional singers in the choir, you hear a solid spirit of song, rather than how individuals personally embellish it. The rising and falling is like all of us leaning forward together, then leaning backward on our heels, then coming forward together again. Spirit flows, and the sounds keep stirring that spirit, as the breezes from the high open windows above us keep stirring the air. Sometimes the pianist hits a few false notes, or the soloist warbles, and some of us sing along enthusiastically in the wrong key and the old people's voices dim. But we all keep singing, a mix of magnificence and plainsong that is beautiful, and the hymn plays on.

From somewhere in the garden came the sound of a magpie singing, and a thousand days of childhood arrived with it. Jess glanced to her right and spotted the black-and-white bird perched atop the statue in the middle of the pond. There were magpies in England, too--- Jess had seen them often on the Heath--- but although they shared a name, they were different from their antipodean cousins: smaller, neater, prettier, and without the eerily sublime song. This magpie was looking directly at her. Jess tilted her head, watching the bird as he watched her. Suddenly, he spread his wings and flew away. She crossed the turning circle toward the lawn. The grass was still damp with dew, even though the sun was rising fast, and cool shadows stretched toward the harbor. Jess reached the edge of the pond and followed the line of its curved rim until the elegant stone lady was directly before her, kneeling as she always had, arms folded above her head, face bowed to gaze at the goldfish and lilies.

raced after him, past Fourtrees to the steep slope that led to the uplands. They bounded up, their paws made noiseless by the snow. When they reached the top, Fireheart was battered by a howling wind that turned his ears inside out. The WindClan hunting grounds looked more barren than ever, the gorse hidden by a layer of snow. “Fireheart! You know the way to the WindClan camp!” yowled Tigerclaw above the wind. “Lead us there.” He slowed to let Fireheart pass. Fireheart wondered if the deputy didn’t trust Onewhisker enough to let the WindClan warrior guide them. He looked back at Graystripe, hoping for some help, but the gray warrior had his head bowed low and his shoulders hunched miserably as the wind buffeted his thick fur. There would be little help there. Fireheart turned his eyes to StarClan and sent up a prayer for guidance. He was surprised to find that he recognized the shape of the land even beneath the snow. There was the badger set and the rock Graystripe had climbed to get a better view. He followed the contours he remembered from his journey with Graystripe until he reached the dip in the land that marked the WindClan camp. Fireheart paused at the rim of the hollow. “Down there!” he yowled. For a heartbeat the wind dropped,

This is what we do best. We add to what was learned before, raising the old questions again and again, lifting them if we can toward higher and higher ground, and ourselves with them. Why are there so many kinds of animals, and why are we among them? Probably we have been asking these questions ever since we lived in caves—when it was still the common experience of our kind to stand alone on a cliff’s rim and survey a wilderness of animals, feeling kinship in difference, difference in kinship, our eyes watchful in their large orbits, our arms outspread. The questions were born then, as we stared down, or looked up at the sky, turning to follow the turning flocks, revolving our heads on our featherless shoulders: high above the plains of our first hours, winged only with the questions.

For a fledgling heron, the sum total of reality extends only to the rim of the nest and the sky above. They have no way of grasping the danger of remaining in the nest or the prospects that lie beyond. Everything outside the nest is a feral, yawping marsh that reeks of terror and strife. The fledglings have no data suggesting that the outside world offers anything but shrieking, fathomless chaos and danger. They don’t even know they can fly.

That was when Bill floated slowly up out of the bathwater to hover a foot above the surface.The portion of the tub from which he'd risen was dark and cloudy with gargoyle grit. "Bill!" she cried. "Can't you tell I need a few minutes of privacy?" He held a hand up to shield his eyes. "You done thrashing around in here yet,Jaws?" With his other hand, he wiped some bubbles from his bald head. "You could have warned me that I was about to take a plunge underwater!" Luce said. "I did warn you!" He hopped up to the rim of the tub and tottered across it until he was in Luce's face. "Right as we were coming out of the Announcer. You just didn't hear me because you were underwater!" "Very helpful,thank you." "You needed a bath,anyway," he said. "This is a big night for you, toots." "Why? What's happening?" "What's happening,she asks!" Bill grabbed her shoulder. "Only the grandest ball since the Sun King popped off! And I say,so what if this boum is hosted by his greasy pubescent son? It's still going to be right downstairs in the largest, most spectacular ballroom in Versailles-and everybody's going to be there!" Luce shrugged. A ball sounded fine, but it had nothing to do with her. "I'll clarify," Bill said. "Everyone will be there including Lys Virgily. The Princess of Savoy? Ring a bell?" He bopped Luce on the nose. "That's you.

You have given different ways to different people all over the world. As we know, this earth is round like a wagon wheel. In a wagon wheel, all the spokes are set into the center. The circle of the wheel is round and all spokes come from the center and the center is You, Acbadadea, the Maker of All Things Above. Each spoke can be considered as a different religion of the world which has been given by You to different people and different races. All of the people of the world are on the rim of the wheel and they must follow one of the spokes to the center. The different paths have been given to us but they all lead to the same place. We all pray to the same God, to You. There are different places on the wheel so each way may look strange to someone following a different path. It is easy for people to say that their way is the best if they know all about their faith and it is good for them. But they should refrain from saying bad things about other ways that they don’t know about. There should be no hard feelings about someone else if he is following a way that leads to You. Help us to see this wisdom. It is the responsibility of each person to choose a path and to pray. It does not matter which path they choose, as long as they follow some religion. It helps to understand the sacred way of other people in order to better understand your own religion. Thomas Yellowtail

Sunrise, Grand Canyon We stand on the edge, the fall Into depth, the ascent Of light revelatory, the canyon walls moving Up out of Shadow, lit Colors of the layers cutting Down through darkness, sunrise as it Passes a Precipitate of the river, its burnt tangerine Flare brief, jagged Bleeding above the far rim for a split Second I have imagined You here with me, watching day’s onslaught Standing in your bones-they seem Implied in the record almost By chance- fossil remains held In abundance in the walls, exposed By freeze and thaw, beautiful like a theory stating Who we are is Carried forward by the x Chromosome down the matrilineal line Recessive and riverine, you like Me aberrant and bittersweet... Riding the high Colorado Plateau as the opposing Continental plates force it over A mile upward without buckling, smooth Tensed, muscular fundament, your bones Yet to be wrapped around mine- This will come later, when I return To your place and time... The geologic cross section Of the canyon Dropping From where I stand, hundreds millions of shades of terra cotta, of copper Manganese and rust, the many varieties of stone- Silt, sand, and slate, even “green River rock...”my body voicing its immense Genetic imperatives, human geology falling away Into a Depth i am still unprepared for The canyon cutting down to The great unconformity, a layer So named by the lack Of any fossil evidence to hypothesize About and date such A remote time by, at last no possible Retrospective certainties... John Barton

We are at the dawn of a new age,” said James Taggart, from above the rim of his champagne glass. “We are breaking up the vicious tyranny of economic power. We will set men free of the rule of the dollar. We will release our spiritual aims from dependence on the owners of material means. We will liberate our culture from the stranglehold of the profit-chasers. We will build a society dedicated to higher ideals, and we will replace the aristocracy of money by—” “—the aristocracy of pull,” said a voice beyond the group.

May we take you back to Jenner’s, sir? It will be tight quarters in the carriage, but I think we can manage.” “No, thank you.” Rohan walked slowly around the carriage with her. “It isn’t far. I’ll go on foot.” “I can’t leave you stranded in a London rookery.” Rohan stopped with her at the back of the carriage, where they were partially sheltered from view. “I’ll be fine. The city holds no fears for me. Hold still.” Rohan turned her face up again, one hand cradling her jaw while the other descended to her cheek. His thumb brushed gently beneath her left eye, and with surprise she felt a smudge of wetness there. “The wind makes my eyes water,” she heard herself say unsteadily. “There’s no wind tonight.” His hand remained at her jaw, the smooth band of the thumb ring pressing lightly against her skin. Her heart had begun to thump until she could hardly hear through the blood rush in her ears. The clamor of the tavern was muted, the darkness thickening around them. His fingers slid over her throat with stunning delicacy, finding secreted nerves and stroking gently. His eyes were above hers, and she saw that the golden-hazel irises were rimmed with black. “Miss Hathaway … you’re quite certain fate had no hand in our meeting tonight?” She couldn’t seem to breathe properly. “Qu-quite certain.” His head bent low. “And in all likelihood we’ll never meet again?” “Never.” He was too large, too close. Nervously Amelia tried to marshal her thoughts, but they scattered like spilled matchsticks … and then he set fire to them as his breath touched her cheek. “I hope you’re right. God help me if I should ever have to face the consequences.” “Of what?” Her voice was faint. “This.” His hand slid to the back of her neck and his mouth covered hers.

Effect: A magician sits on a chair and says, "I will be in this sitting position two feet above this chair". He then stands up and covers his legs with a blanket but you can still see his shoes. All of a sudden he feet rise up two feet in the chair, he is now in a sitting position two feet above the chair! He then floats back down, takes the blanket off and walks away. Secret: Before the levitation you have to place a paper clip between the rims of your shoes and cover it up with your trousers(pants). Step 1 Stand up and put up the blanket in front of your legs Step 2 Slip out one leg from the shoe and place it on the chair Step 3 Pull the blanket onto your shoes so they think both legs are still there, so it looks like your just standing in front of the chair. Step 4 As you lift up one leg the other shoe comes with it because of the paper clip you are using. Step 5 As you float your feet back down, put the sheet in front of your shoes so you can't see them. Step 6 Slip your feet back in behind the sheet pull your shoes apart and the clip will stay attached to one foot. Step 7 Take the blanket away and walk off.