β
A man on foot, on horseback or on a bicycle will see more, feel more, enjoy more in one mile than the motorized tourists can in a hundred miles.
β
β
Edward Abbey (Desert Solitaire)
β
Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.
β
β
Edward Abbey (Desert Solitaire)
β
If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vultureβthat is immortality enough for me. And as much as anyone deserves.
β
β
Edward Abbey (Desert Solitaire)
β
Wilderness. The word itself is music.
β
β
Edward Abbey (Desert Solitaire)
β
A man could be a lover and defender of the wilderness without ever in his lifetime leaving the boundaries of asphalt, powerlines, and right-angled surfaces. We need wilderness whether or not we ever set foot in it. We need a refuge even though we may never need to set foot in it. We need the possibility of escape as surely as we need hope; without it the life of the cities would drive all men into crime or drugs or psychoanalysis.
β
β
Edward Abbey (Desert Solitaire)
β
Men come and go, cities rise and fall, whole civilizations appear and disappear-the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break....I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
Where all think alike there is little danger of innovation.
β
β
Edward Abbey (Desert Solitaire)
β
An economic system which can only expand or expire must be false to all that is human.
β
β
Edward Abbey (Desert Solitaire)
β
Water, water, water....There is no shortage of water in the desert but exactly the right amount , a perfect ratio of water to rock, water to sand, insuring that wide free open, generous spacing among plants and animals, homes and towns and cities, which makes the arid West so different from any other part of the nation. There is no lack of water here unless you try to establish a city where no city should be.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
A crude meal, no doubt, but the best of all sauces is hunger.
β
β
Edward Abbey (Desert Solitaire)
β
We need the possibility of escape as surely as we need hope.
β
β
Edward Abbey (Desert Solitaire)
β
The extreme clarity of the desert light is equaled by the extreme individuation of desert life forms. Love flowers best in openness and freedom.
β
β
Edward Abbey (Desert Solitaire)
β
Each thing in its way, when true to its own character, is equally beautiful. (p 41)
β
β
Edward Abbey (Desert Solitaire)
β
So I lived alone.
The first thing I did was take off my pants. Naturally.
β
β
Edward Abbey (Desert Solitaire)
β
Balance, that's the secret. Moderate extremism. The best of both worlds.
β
β
Edward Abbey (Desert Solitaire)
β
The fire. The odor of burning juniper is the sweetest fragrance on the face of the earth, in my honest judgment; I doubt if all the smoking censers of Dante's paradise could equal it. One breath of juniper smoke, like the perfume of sagebrush after rain, evokes in magical catalysis, like certain music, the space and light and clarity and piercing strangeness of the American West. Long may it burn.
β
β
Edward Abbey (Desert Solitaire)
β
A giant thirst is a great joy when quenched in time.
β
β
Edward Abbey (Desert Solitaire)
β
If industrial man continues to multiply his numbers and expand his operations he will succeed in his apparent intention, to seal himself off from the natural and isolate himself within a synthetic prison of his own making.
β
β
Edward Abbey (Desert Solitaire)
β
most of my wandering in the desert i've done alone. not so much from choice as from necessity - i generally prefer to go into places where no one else wants to go. i find that in contemplating the natural world my pleasure is greater if there are not too many others contemplating it with me, at the same time.
β
β
Edward Abbey (Desert Solitaire)
β
No more cars in national parks. Let the people walk. Or ride horses, bicycles, mules, wild pigs--anything--but keep the automobiles and the motorcycles and all their motorized relatives out. We have agreed not to drive our automobiles into cathedrals, concert halls, art museums, legislative assemblies, private bedrooms and the other sanctums of our culture; we should treat our national parks with the same deference, for they, too, are holy places. An increasingly pagan and hedonistic people (thank God!), we are learning finally that the forests and mountains and desert canyons are holier than our churches. Therefore let us behave accordingly.
β
β
Edward Abbey (Desert Solitaire)
β
Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless.
β
β
Edward Abbey (Desert Solitaire)
β
Of all the featherless beasts, only man, chained by his self-imposed slavery to the clock, denies the elemental fire and proceeds as best he can about his business, suffering quietly, martyr to his madness. Much to learn.
β
β
Edward Abbey (Desert Solitaire)
β
There's another disadvantage to the use of the flashlight: like many other mechanical gadgets it tends to separate a man from the world around him. If I switch it on my eyes adapt to it and I can see only the small pool of light it makes in front of me; I am isolated. Leaving the flashlight in my pocket where it belongs, I remain a part of the environment I walk through and my vision though limited has no sharp or definite boundary.
β
β
Edward Abbey (Desert Solitaire)
β
Gaze not too long into the abyss, lest the abyss gaze into thee.
β
β
Edward Abbey (Desert Solitaire)
β
Wilderness and motors are incompatible and the former can best be experienced, understood and enjoyed when the machines are left behind where they belong -- on the superhighways and in the parking lots, on the reservoirs and in the marinas.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
Industrial tourism is a threat to the national parks. But the chief victims of the system are the motorized tourists. They are being robbed and robbing themselves. So long as they are unwilling to crawl out of their cars they will not discover the treasures of the national parks and will never escape the stress and turmoil of the urban-suburban complexes which they had hoped, presumably, to leave behind for a while.
β
β
Edward Abbey (Desert Solitaire)
β
All things are in motion, all is in process, nothing abides, nothing will ever change in this eternal moment.
β
β
Edward Abbey (Desert Solitaire)
β
Congress is always willing to appropriate money for more and bigger paved roads, anywhere -- particularly if they form loops.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
Beyond atheism, nontheism. I am not an atheist but an earthiest. Be true to the earth.
β
β
Edward Abbey (Desert Solitaire)
β
Water, water, water... There is no shortage of water in the desert but exactly the right amount...unless you try to establish a city where no city should be.
β
β
Edward Abbey (Desert Solitaire)
β
This sweet virginal primitive land will metaphorically breathe a sigh of relief --like a whisper of wind--when we are all and finally gone and the place and its creations can return to their ancient procedures unobserved and undisturbed by the busy, anxious, brooding consciousness of man.
β
β
Edward Abbey (Desert Solitaire)
β
Standing there, gaping at this monstrous and inhumane spectacle of rock and cloud and sky and space, I feel a ridiculous greed and possessiveness come over me. I want to know it all, posess it all, embrace the entire scene intimately, deeply, totally...
β
β
Edward Abbey (Desert Solitaire)
β
Late in August the lure of the mountains becomes irresistible. Seared by the everlasting sunfire, I want to see running water again, embrace a pine tree, cut my initials in the bark of an aspen, get bit by a mosquito, see a mountain bluebird, find a big blue columbine, get lost in the firs, hike above timberline, sunbathe on snow and eat some ice, climb the rocks and stand in the wind at the top of the world on the peak of Tukuhnikivats.
β
β
Edward Abbey (Desert Solitaire)
β
If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument.
β
β
Edward Abbey (Desert Solitaire)
β
If I had been as capable of trust as I am susceptible to fear I might have learned something new or some truth so very old we have all forgotten it.
β
β
Edward Abbey (Desert Solitaire)
β
A man could be a lover and defender of the wilderness without ever in his lifetime leaving the boundaries of asphalt, powerlines, and right-angled surfaces. We need wilderness whether or not we ever set foot in it. We need a refuge even though we may never need to go there.
β
β
Edward Abbey (Desert Solitaire)
β
We are preoccupied with time. If we could learn to love space as deeply as we are now obsessed with time, we might discover a new meaning in the phrase to live like men.
β
β
Edward Abbey (Desert Solitaire)
β
In that moment of truce, of utter surrender, when the rabbit still alive offers no resistance but only waits, is it possible that the rabbit also loves the owl?
β
β
Edward Abbey (Desert Solitaire)
β
The red dust and the burnt cliffs and the lonely sky- all that which lies beyond the end of the roads.
β
β
Edward Abbey (Desert Solitaire)
β
All things excellent are as difficult as they are rare, said a wise man. If so, what happens to excellence when we eliminate the difficulty and the rarity?
β
β
Edward Abbey (Desert Solitaire)
β
Vanity, vanity, nothing but vanity: the itch for naming things is almost as bad as the itch for possessing things.
β
β
Edward Abbey (Desert Solitaire)
β
You can't see anything from a car; you've got to get out of the goddamn contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbrush and cactus. When traces of blood begin to mark your trail, you'll see something, maybe.
β
β
Edward Abbey (Desert Solitaire)
β
We need wilderness whether or not we ever set foot in it. We need a refuge even though we may never need to go there. I may never in my life get to Alaska, for example, but I am grateful that itβs there. We need the possibility of escape as surely as we need hope; without it the life of the cities would drive all men into crime or drugs or psychoanalysis.
β
β
Edward Abbey (Desert Solitaire)
β
They cannot see that growth for the sake of growth is a cancerous madness, that Phoenix and Albuquerque will not be better cities to live in when their populations are doubled again and again. They would never understand that an economic system which can only expand or expire must be false to all that is human.
β
β
Edward Abbey (Desert Solitaire)
β
How to pry the tourists out of their automobiles, out of their back-breaking upholstered mechanized wheelchairs and onto their feet, onto the strange warmth and solidity of Mother Earth again? This is the problem which the Park Service should confront directly, not evasively, and which it cannot resolve by simply submitting and conforming to the automobile habit.
β
β
Edward Abbey (Desert Solitaire)
β
The beauty of Delicate Arch explains nothing, for each thing in it's way, when true to it's own character, is equally beautiful. If Delicate Arch has any significance it lies, I will venture, in the power of the odd and unexpected to startle the senses and surprise the mind out of their ruts of habit, to compel us into a reawakened awareness of the wonderful-that which is full of wonder.
β
β
Edward Abbey (Desert Solitaire)
β
Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk-walk-WALK upon our sweet and blessed land!
β
β
Edward Abbey (Desert Solitaire)
β
my god! i'm thinking, what incredible shit we've put up with most of our lives - the domestic routine (same old jobs, insufferable arrogance of elected officials, the crafty cheating and the slimy advertising of the businessman, the tedious wars in which we kill our buddies instead of our real enemies back home in the capital, the foul diseased and hideous cities and towns we live in, the constant petty tyranny of automatic washers and automobiles and tv machines and telephones -! ah christ!, i'm thinking, at the same time that i'm waving goodby to that hollering idiot on shore, what intolerable garbage and what utterly useless crap we bury ourselves in day by day, while patiently enduring at the same time the creeping strangulation of the clean white collar and the rich but modest four-in-hand garrote)
β
β
Edward Abbey (Desert Solitaire)
β
Paradise is not a garden of bliss and changeless perfection where the lions lie down like lambs (what would they eat?) and the angels and cherubim and seraphim rotate in endless idiotic circles, like clockwork, about an equally inane and ludicrous -- however roseate -- unmoved mover. That particular painted fantasy of a realm beyond time and space which Aristotle and the church fathers tried to palm off on us has met, in modern times, only neglect and indifference passing on into oblivion it so richly deserved, while the paradise of which I write and wish to praise is with us yet, the the here and now, the actual, tangible, dogmatically real earth on which we stand.
β
β
Edward Abbey (Desert Solitaire)
β
Men come and go, cities rise and fall, whole civilizations appear and disappearβthe earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break.
β
β
Edward Abbey (Desert Solitaire)
β
It's a great country: you can say whatever you like so long as it is strictly true--nobody will ever take you seriously.
β
β
Edward Abbey (Desert Solitaire)
β
The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
β
β
Edward Abbey (Desert Solitaire)
β
i was accused of being against civilization, against science, against humanity. naturally, i was flattered and at the same time surprised, hurt, a little shocked. he repeated the charge. but how, i replied, being myself a member of humanity (albeit involuntarily, without prior consultation), could i be against humanity without being against myself, whom i love - though not very much; how can i be against science, when i gratefully admire, as much as i can, thales, democritus, aristarchus, faustus, paracelsus, copernicus, galiley, kepler, newton, darwin and einstien; and finally, how could i be against civilization when all which i most willingly defend and venerate - including the love of wilderness - is comprehended by the term
β
β
Edward Abbey (Desert Solitaire)
β
The automobile, which began as a transportation convenience, has become a bloody tyrant (50,000 lives a year), and it is the responsibility of the park service, as well as that of everyone else concerned with preserving both wilderness and civilization, to begin a campaign of resistance.
β
β
Edward Abbey (Desert Solitaire)
β
For chrissake folks what is this life if full of care we have no time to stand and stare? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not?
β
β
Edward Abbey (Desert Solitaire)
β
Let our people travel light and free on their bicyclesβnothing on the back but a shirt, nothing tied to the bike but a slicker, in case of rain. Their
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
We need the possibility of escape as surely as we need hope; without it the life of the cities would drive all men into crime or drugs or psychoanalysis.
β
β
Edward Abbey (Desert Solitaire)
β
But the love of wilderness is more than a hunger for what is always beyond reach; it is also an expression of loyalty to the earth, the earth which bore us and sustains us, the only home we shall ever know, the only paradise we ever needβif only we had the eyes to see. Original sin, the true original sin, is the blind destruction for the sake of greed of this natural paradise which lies all
β
β
Edward Abbey (Desert Solitaire)
β
To refute the solipsist or the metaphysical idealist all that you have to do is take him out and throw a rock at his head: if he ducks heβs a liar. His logic may be airtight but his argument, far from revealing the delusions of living experience, only exposes the limitations of logic.
β
β
Edward Abbey (Desert Solitaire)
β
The sun is rising through a yellow, howling wind. Time for breakfast. Inside the trailer now, broiling bacon and frying eggs with good appetite, I hear the sand patter like rain against the metal walls and brush across the windowpanes. A fine silt accumulates beneath the door and on the window ledge. The trailer shakes in a sudden gust. All one to me -- sandstorm or sunshine I am content, so long as I have something to eat, good health, the earth to take my stand on, and light behind the eyes to see by.
β
β
Edward Abbey (Desert Solitaire)
β
it will be objected that a constantly increasing population makes resistance and conservation a hopeless battle. this is true. unless a way is found to stabilize the nation's population, the parks can not be saved. or anything else worth a damn. wilderness preservation, like a hundred other good causes, will be forgotten under the overwhelming pressure of a struggle for mere survival and sanity in a completely urbanized, completely industrialized, ever more crowded environment. for my own part i would rather take my chances in a thermonuclear war than live in such a world.
β
β
Edward Abbey (Desert Solitaire)
β
The night flows back, the mighty stillness embraces and includes me; I can see the stars again and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation.
β
β
Edward Abbey (Desert Solitaire)
β
Wilderness, wilderness...We scarcely know what we mean by the term, though the sound of it draws all whose nerves and emotions have not been irreparably stunned, deadened, numbed by the caterwauling of commerce, the sweating scramble for profit and domination.
β
β
Edward Abbey (Desert Solitaire)
β
Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless. Therefore the frogs, the toads, keep on singing even though we know, if they don't, that the sound of their uproar must surely be luring all the snakes and ringtail cats and kit foxes and coyotes and great horned owls toward the scene of their happiness.
β
β
Edward Abbey (Desert Solitaire)
β
I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description.
β
β
Edward Abbey (Desert Solitaire)
β
We have agreed not to drive our automobiles into cathedrals, concert halls, art museums, legislative assemblies, private bedrooms and the other sanctums of our culture; we should treat our national parks with the same deference, for they, too, are holy places. An increasingly pagan and hedonistic people (thank God!), we are learning finally that the forests and mountains and desert canyons are holier than our churches. Therefore let us behave accordingly.
β
β
Edward Abbey (Desert Solitaire)
β
The itch for naming things is almost as bad as the itch for possessing things. Let them and leave them alone--they'll survive for a few more thousand years, more or less, without any glorification from us.
β
β
Edward Abbey (Desert Solitaire)
β
Mountains complement desert as desert compliments city, as wilderness compliments and completes civilization.
β
β
Edward Abbey (Desert Solitaire)
β
The romantic view, while not the whole of truth, is a necessary part of the whole truth.
β
β
Edward Abbey (Desert Solitaire)
β
There is something about the desert.β¦ There is something there which the mountains, no matter how grand and beautiful, lack; which the sea, no matter how shining and vast and old, does not have.
β
β
Edward Abbey (Desert Solitaire)
β
To all accusations of excessive development the administrators can reply, as they will if pressed hard enough, that they are giving the public what it wants, that their primary duty is to serve the public not preserve the wilds. "Parks are for people" is the public relations slogan, which decoded means that the parks are for people-in-automobiles. Behind the slogan is the assumption that the majority of Americans, exactly like the managers of the tourist industry, expect and demand to see their national parks from the comfort, security and convenience of their automobiles.
Is this assumption correct? Perhaps. Does that justify the continued and increasing erosion of the parks? It does not.
β
β
Edward Abbey (Desert Solitaire)
β
The cactus of the high desert is a small grubby, obscure and humble vegetable associated with cattle dung and overgrazing, interesting only when you tangle with it the wrong way. Yet from this nest of thorns, this snare of hooks and fiery spines, is born once each year a splendid flower. It is unpluckable and except to an insect almost unapproachable, yet soft, lovely, sweet, desirable, exemplifying better than the rose among thorns the unity of opposites
β
β
Edward Abbey
β
I discovered that I was not opposed to mankind but only to man-centeredness, anthropocentricity, the opinion that the world exists solely for the sake of man; not to science, which means simply knowledge, but to science misapplied, to the worship of technique and technology, and to that perversion of science properly called scientism; and not to civilization but to culture.
β
β
Edward Abbey (Desert Solitaire)
β
I am convinced now that the desert has no heart, that it presents a riddle which has no answer, and that the riddle itself is an illusion created by some limitation or exaggeration of the displaced human consciousness.
β
β
Edward Abbey (Desert Solitaire)
β
Surely it is no accident that the most thorough of tyrannies appeared in Europeβs most thoroughly scientific and industrialized nation. If we allow our own country to become as densely populated, overdeveloped and technically unified as modern Germany we may face a similar fate.
β
β
Edward Abbey (Desert Solitaire)
β
All men are brothers, we like to say, half-wishing sometimes in secret it were not true. But perhaps it is true. And is the evolutionary line from protozoan to Spinoza any less certain? That also may be true. We are obliged, therefore, to spread the news, painful and bitter though it may be for some to hear, that all living things on earth are kindred.
β
β
Edward Abbey (Desert Solitaire)
β
Lavender clouds sail like a fleet of ships across the pale green dawn; each cloud, planed flat on the wind, has a base of fiery gold.
β
β
Edward Abbey (Desert Solitaire)
β
If you wish to see it as it should be seen, don't wait - there's little time. How do you get there? Well, I couldn't tell you.
β
β
Edward Abbey (Desert Solitaire)
β
Civilization flows; culture thickens and coagulates, like tired, sick, stifled blood.
β
β
Edward Abbey (Desert Solitaire)
β
Where there is no joy there can be no courage; and without courage all other virtues are useless.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
What reason have we Americans to think that our own society will necessarily escape the world-wide drift toward the totalitarian organization of men and institutions?
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
Itβs a great country: you can say whatever you like so long as it is strictly trueβnobody will ever take you seriously.
β
β
Edward Abbey (Desert Solitaire)
β
Reason is and ought to be, as Hume said, the slave of the passions.
β
β
Edward Abbey (Desert Solitaire)
β
A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us - like rock and sunlight and wind and wildflowers - that out there is a different world, older and greater and deeper by far than ours, a world which sustains the little world of man as sea and sky surround and sustain a ship. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous, then all which shaped it is marvelous, and our journey here on Earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
β
β
Edward Abbey
β
A venturesome minority will always be eager to set off on their own, and no obstacles should be placed in their path; let them take risks, for Godsake, let them get lost, sunburnt, stranded, drowned, eaten by bears, buried alive under avalanchesβthat is the right and privilege of any free American.
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
In the first place you can't see anything from a car; you've got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you'll begin to see something, maybe. Probably not.
β
β
Edward Abbey (Desert Solitaire)
β
Suppose we were planning to impose a dictatorial regime upon the American peopleβthe following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on Californiaβs shore, at the end of the open road. Shine, perishing republic.
β
β
Edward Abbey (Desert Solitaire)
β
The new dam, of course, will improve things. If ever filled it will back water to within sight of the Bridge, transforming what was formerly an adventure into a routine motorboat excursion. Those who see it then will not understand that half the beauty of Rainbow Bridge lay in its remoteness, its relative difficulty of access, and in the wilderness surrounding it, of which it was an integral part. When these aspects are removed the Bridge will be no more than an isolated geological oddity, an extension of that museumlike diorama to which industrial tourism tends to reduce the natural world.
β
β
Edward Abbey (Desert Solitaire)
β
These various interests are well organized, command more wealth than most modern nations, and are represented in Congress with a strength far greater than is justified in any constitutional or democratic sense. (Modern politics is expensiveβpower follows money.)
β
β
Edward Abbey (Desert Solitaire)
β
Like a god, like an ogre? The personification of the natural is exactly the tendency I wish to suppress in myself, to eliminate for good. I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it's possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description. To meet God or Medusa face to face, even if it means risking everything human in myself. I dream of a hard and brutal mysticism in which the naked self merges with a non-human world and yet somehow survives still intact, individual, separate. Paradox and bedrock.
β
β
Edward Abbey (Desert Solitaire)
β
Such things for example as the grasp of a childβs hand in your own, the flavor of an apple, the embrace of friend or lover, the silk of a girlβs thigh, the sunlight on rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the windβwhat else is there? What else do we need?
β
β
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
β
Light. Space. Light and space without time, I think, for this is a country with only the slightest traces of human history. In the doctrine of the geologists with their scheme of ages, eons and epochs all is flux, as Heraclitus taught, but from the mortally human point of view the landscape of the Colorado is like a section of eternity- timeless. In all my years in the canyon country I have yet see a rock fall, of its own volition, so to speak, aside from floods. To convince myself of the reality of change and therefore time I will sometimes push a stone over the edge of a cliff and watch it descend and wait- lighting my pipe- for the report of its impact and disintegration to return. Doing my bit to help, of course, aiding natural processes and verifying the hypotheses of geological morphology. But am not entirely convinced.
β
β
Edward Abbey (Desert Solitaire)
β
It seems to me possible, even probable, that many of the nonhuman undomesticated animals experience emotions unknown to us. What do the coyotes mean when they yodel at the moon? What are the dolphins trying so patiently to tell us? Precisely what did those two enraptured gopher snakes have in mind when they came gliding toward my eyes over the naked sandstone? If I had been as capable of trust as I am susceptible to fear I might have learned something new or some truth so very old we have all forgotten it. They
β
β
Edward Abbey (Desert Solitaire)
β
The wind will not stop. Gusts of sand swirl before me, stinging my face. But there is still too much to see and marvel at, the world very much alive in the bright light and wind, exultant with the fever of spring, the delight of morning. Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom.
β
β
Edward Abbey (Desert Solitaire)
β
Revealing my desert thoughts to a visitor one evening, I was accused of being against civilization, against science, against humanity. Naturally I was flattered and at the same time surprised, hurt, a little shocked. He repeated the charge. But how, I replied, being myself a member of humanity (albeit involuntarily, without prior consultation), could I be against humanity without being against myself, whom I loveβthough not very much; how can I be against science, when I gratefully admire, as much as any man, Thales, Democritus, Aristarchus, Faustus, Paracelsus, Copernicus, Galileo, Kepler, Newton, Darwin and Einstein; and finally, how could I be against civilization when all which I most willingly defend and venerateβincluding the love
β
β
Edward Abbey (Desert Solitaire)
β
Let men in their madness blast every city on earth into black rubble and envelope the entire planet in a cloud of lethal gasβthe canyons and hills, the springs and rocks will still be here, the sunlight will filter through, water will form and warmth shall be upon the land and after sufficient time, no matter how long, somewhere, living things will emerge and join and stand once again, this time perhaps to take a different and better course. I have seen the place called Trinity, in New Mexico, where our wise men exploded the first atomic bomb and the heat of the blast fused sand into a greenish glassβalready the grass has returned, and the cactus and the mesquite.
β
β
Edward Abbey (Desert Solitaire)
β
The ancient canyon art of Utah belongs in that same international museum without walls which makes African sculpture, Melanesian masks, and the junkyards of New Jersey equally interestingβthose voices of silence which speak to us in the first world language. As for the technical competence of the artists, its measure is apparent in the fact that these pictographs and petroglyphs though exposed to the attack of wind, sand, rain, heat, cold and sunlight for centuries still survive vivid and clear. How much of the painting and sculpture being done in America today will lastβin the merely physical senseβfor even a half-century?
β
β
Edward Abbey (Desert Solitaire)
β
Down at the beginning of the new road, at park headquarters, is the new entrance station and visitor center, where admission fees are collected and where the rangers are going quietly nuts answering the same three basic questions five hundred times a day: (1) Whereβs the john? (2) How longβs it take to see this place? (3) Whereβs the Coke machine? Progress has come at last to the Arches, after a million years of neglect. Industrial Tourism has arrived. What
β
β
Edward Abbey (Desert Solitaire)
β
Old foot trails may be neglected, back-country ranger stations left unmanned, and interpretive and protective services inadequately staffed, but the administrators know from long experience that millions for asphalt can always be found; Congress is always willing to appropriate money for more and bigger paved roads, anywhereβparticularly if they form loops. Loop drives are extremely popular with the petroleum industryβthey bring the motorist right back to the same gas station from which he started.
β
β
Edward Abbey (Desert Solitaire)
β
But taking my meal outside by the burning juniper in the fireplace with more desert and mountain than I could explore in a lifetime open to view, I was invited to contemplate a far larger world, one which extends into a past and into a future without any limits known to human kind. By taking off my shoes and digging my toes into the sand I made contact with that larger world - an exhilarating feeling which leads to equanimity. Certainly I was still by myself, so to speak - there were no other people around and there still are none - but in the midst of such a grand tableau it was impossible to give full and serious consideration to Albuquerque. All that is human melted with the sky and faded out beyond the mountains and I felt, as I feel - is it a paradox? - that a man can never find or need better companionship than that of himself.
β
β
Edward Abbey (Desert Solitaire)