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The novel had metabolized recovery with so much rigor that it had already asked all my questions and weathered all my intellectual discomforts. It documented what Wallace called the “grudging move toward maybe acknowledging that this unromantic, unhip, clichéd A.A. thing — so unlikely and unpromising … this goofy slapdash anarchic system of low-rent gatherings and corny slogans and saccharine grins and hideous coffee” might actually offer hope, in its simplicity and its slogans, in its church-basement coffee and its effusion of anonymous and unqualified love.
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