A Woman Who Smells Good Quotes

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If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
He grinned. "You're jealous." I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good." "I stared at her because she smelled strange." "Strange how?" "She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive." "I never get fussy and possessive." He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?" "Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?" He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?" I laughed. Curran's eyes focused. He was concentrating on something. "You're taking a mental inventory of all people working on the third floor, aren't you?" His expression went blank. I'd hit the nail on the head. I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back. "Is it Jordan?" "I just picked a random floor," I told him. "You're nuts, you know that?" He put his arm around me. "Look who is talking.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Who are you, Martin Eden? he demanded of himself in the looking- glass, that night when he got back to his room. He gazed at himself long and curiously. Who are you? What are you? Where do you belong? You belong by rights to girls like Lizzie Connolly. You belong with the legions of toil, with all that is low, and vulgar, and unbeautiful. You belong with the oxen and the drudges, in dirty surroundings among smells and stenches. There are the stale vegetables now. Those potatoes are rotting. Smell them, damn you, smell them. And yet you dare to open the books, to listen to beautiful music, to learn to love beautiful paintings, to speak good English, to think thoughts that none of your own kind thinks, to tear yourself away from the oxen and the Lizzie Connollys and to love a pale spirit of a woman who is a million miles beyond you and who lives in the stars! Who are you? and what are you? damn you! And are you going to make good?
Jack London (Martin Eden)
You see, Ross, in every right marriage, in every good marriage a woman has to be three things, don't she? She's got to be a wife and look after a man's comforts in the way a man should be looked after. Then she's got to bear his children and get all swelled up like a summer pumpkin and then often-times feed them after and smell of babies and have them crawling all about her . . . But then, third, she has also to try and be his mistress at the same time; someone he is still interested in; someone he wants, not just the person who happens to be there and convenient; someone a bit mysterious . . . someone whose knee or -- or shoulder he wouldn't instantly recognize if he saw it beside him in bed. It's -- it's impossible.
Winston Graham (The Black Moon (Poldark, #5))
How could a woman who was that beautiful, who smelled that good, who had such perfectly lovely teeth and bright eyes, be so thoroughly, completely, entirely, stark raving mad?" ~ Robert Cameron
Lynn Kurland (With Every Breath (MacLeod, #7; de Piaget/MacLeod, #14))
I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
My husband has no more consideration for me than a dog, she said. He goes off and screws little girls with the other men and we sit home like good little women and wash their shirts and pack their bags for their sex trips. We keep their houses warm and clean for when they’re ready to come home and shower off some other woman’s perfume before tucking their children into bed. For years I’ve pretended I don’t know where he goes, or who those girls are on the phone, but every time he comes home, I lie there in bed beside my husband, who doesn’t touch me, who doesn’t talk to me, who doesn’t love me, and I pretend I can’t smell some twenty-year-old’s body on him
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
He loves me so he hurts me To try and make me good. It doesn't work. I'm just too bad And don't do what I should. My memory has so many different sections and, like all survivors, there are so many compartments with so many triggers. I'll remember a smell which reminds me of a man which reminds me of a place which reminds me of another man who I think was with a woman who had a certain smell — and I'm back to square one. This is the case for most survivors, I believe. When we try to put together our pasts, the triggers are many and varied, the memories are disjointed — and why wouldn't they be? We were children. Even someone with an idyllic childhood who is only trying to remember the lovely things which happened to them will scratch their head and wonder who gave them that doll and was it for Christmas or their third birthday? Did they have a party when they were four or five? When did they go on a plane for the first time? You see, even happy memories are hard to piece together — so imagine how hard it is to collate all of the trauma, to pull together all of the things I've been trying to push away for so many years.
Laurie Matthew (Groomed)
He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman. This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Dear good guy I can hear your cries I can feel your pain I can smell your frustration I can see the confusion in your eyes Confused about how women see you In a land of women tired of being played They still take you as a joke and think you’re all games They play you like they were played They can’t see the seriousness in your eyes When you call her “Queen” and ask for her heart And you cry for commitment, they back out and shut down Treat you like the bad guys treated them It’s so ironic You hate seeing these ladies get their hearts stomped on Their minds toyed with It’s killing you because you’ve done it to women yourself you’ve seen other guys do it You want to save them from the destruction But like a child who refuses to obey their mother’s wisdom, until they are wise enough to understand through experience They won’t value you until they get burned playing with the fire of curiosity Some of them crave destruction They crave the fun that these fellas who will degrade them have to offer They are being guided by curiosity and their wisdom is foolishness Fight the urge to become like the men these ladies who lack understanding chase after Don’t let rejection consume your heart and cause you to crumble Being a promiscuous man who lacks self-respect and morals is overrated Find peace with being the underdog Your type is needed in this world, my good friend Hold on There are women out there who are in search for someone like you One of them will be the one who appreciates the detailed things about you the previous women called corny There are women out there who will value your honesty, your character, your loyalty Hold on, my friend Narrow is the right path You are on the right path, my friend Your time will come in due time You will not just be getting a girl, you will be getting a woman who will be willing to finish off this life’s journey with you You are not alone I am with you and I understand the hardships you face, the doubt, the anger I want you to know you are doing a great job at being you Do not give up Stand firm and continue to be different You will be an example to many although you are in the minority Corruption
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
In the mid-1800s, Dr. Ignaz Philipp Semmelweis noticed that new mothers who were treated by midwives fared much better than those who were treated by trainee doctors, who also handled and dissected cadavers. He believed that sticking one’s hands into a dead body and then directly into a laboring woman was dangerous. So, Semmelweis issued a mandate that hands must be washed between the two activities. And it worked! Rates of infection dropped from one in ten to one in a hundred within the first few months. Unfortunately, the finding was rejected by much of the medical establishment of the time. One of the reasons it was so hard to get doctors to wash up? The stench of “hospital odor” on their hands was a mark of prestige. They called it “good old hospital stink.” Quite simply, decayed corpse smell was a badge of honor they had no intention of removing.
Caitlin Doughty (Will My Cat Eat My Eyeballs? And Other Questions About Dead Bodies)
This is madness,” he whispered against her ear. But he made no move to let her go. Her reply was an incoherent, confused moan, and her body became slightly more pliant in his arms, allowing him to mold her even closer to his form. He knew he should stop, knew he damned well shouldn’t have started, but his blood was racing with need, and she felt so . . .so . . . So good. He groaned, his lips leaving hers to taste the slightly salty skin of her neck. There was something about her that suited him like no woman ever had before, as if his body had discovered something his mind utterly refused to consider. Something about her was . . . right. She felt right. She smelled right. She tasted right. And he knew that if he stripped off all of her clothes and took her there on the carpet on the floor of his study, she would fit underneath him, fit around him— just right. It occurred to Anthony that when she wasn’t arguing with him, Kate Sheffield might bloody well be the finest woman in England. Her arms, which had been imprisoned in his embrace, slowly edged up, until her hands were hesitantly resting on his back. And then her lips moved. It was a tiny thing, actually, a movement barely felt on the thin skin of his forehead, but she was definitely kissing him back. A low, triumphant growl emerged from Anthony’s mouth as he moved his mouth back to hers, kissing her fiercely, daring her to continue what she’d begun. “Oh, Kate,” he moaned, nudging her back until she was leaning against the edge of the desk. “God, you taste so good.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Sugar,” Jake said, “I’ve wanted you since the first time you sassed me.” “I wanted to punch you in the nose.” He laughed and kissed her forehead. “My advertising skills left something to be desired.” “You rooked three unsuspecting women.” “I know.” He kissed her lips, taking his time. “I’m offering you a chance for payback.” “And that payback is sex?” He smelled awesome, like a hot, sexy man who’d been in a kitchen trying to please her. Or maybe please himself. With Jake, you never knew. He pulled her tighter against him, kissing her slowly, thoroughly. “I’d do my damnedest to make you a happy woman the second time I sold you something.” Sugar looked into Jake’s eyes. He was too hot, too sexy, almost taking her breath away. “I think your gravy’s burning.” “Nice try. I turned it off.” He tugged her hips against him, kissing her as if he’d never tasted anything as good as her mouth. Sugar moaned and let Jake hike her up on his waist. “If I’m moving too fast, say so. I’ll back off and feed you the best shrimp and steak dinner you’ve ever had. Just good friends breaking bread together.” Sugar gasped as Jake sank his teeth gently into her lower lip. Heat and warmth filled her, stealing her desire to tell him no about anything. “I’m not really that hungry.” His smile turned dangerous. “I am.
Tina Leonard (Hotter than Texas (Pecan Creek, #1))
The Captain wouldn’t know donkeys from trained baboons. How can a sailor know of good breeding?” She narrowed her eyes and studied them again as if discovering something new this time. “But, then again, their posture is exceptional. They stare at me as if I were beneath them. But they’re filthy and smell like pigs. They need cleaning up, that’s for certain. A hot bath and scrubbed several times. Fresh clothes and clean hair… perhaps they might shape up into something presentable. You there.” She pointed at Rikar. “You look greatly displeased. Where are you from? Tell me your story.” Rikar raised his haughty eyes to the woman. “Who rules this place? We’re no slaves.“ The soldier cuffed Rikar. “Answer the lady!”  “None of that violence is needed. Get out of here, I can handle them. Go on, now.” She shooed the soldier away and turned back to Rikar as if measuring his worth. “A young prince? The lot of you from royalty… I can see it in your eyes. The arrogance and the irritation. No slave would ever dare hold such feelings. What are you doing here in
John Forrester (Fire Mage (Blacklight Chronicles, #1))
...She is the Life/Death/Life force, she is the incubator. She is intuition, she is far-seer, she is deep listener, she is loyal heart. She encourages humans to remain multilingual; fluent in the languages of dreams, passion, and poetry. She whispers from night dreams, she leaves behind on the terrain of a woman’s soul a coarse hair and muddy footprints. These fill women with longing to find her, free her, and love her. “She is ideas, feelings, urges, and memory. She has been lost and half forgotten for a long, long time. She is the source, the light, the night, the dark, and daybreak. She is the smell of good mud and the back leg of the fox. The birds which tell us secrets belong to her. She is the voice that says, ‘This way, this way.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
He heard the back door open and close. Carol, of course. Smelled her before he could see her. He’d never asked them when the affair began but always presumed it ran along invisible tracks parallel to his parents’ marriage. Mum had the painting and he had Carol. Truce. /It’s hard being born here, breathing this air. It becomes part of you, whether you want it to or not. Those lights become dawn and dusk. Mum used to say that. Did she? We were friends once. I never knew that. In the early days, we were. But the she seemed to withdraw. Rarely went out with your dad anymore. Maybe it was being a new mum. I reckon you were enough for her. Lucky Dora, we used to say. Ellis put his arm around her shoulder./ It was hard for us, wasn’t it? Getting to know each other? We know each other now, said Ellis. Yeah. And you know you’re too good for him. I know, said Carol, and they laughed. Do you think he’s alright? said Ellis, looking back to the house. Course he is. He’s just used to being a bastard. He’s one of them men who discovered later on that he’s got a heart.
Sarah Winman (Tin Man)
Grace handed the rose back to the old vendor; then she turned and started to walk away. After a few steps, unable to resist the fragrance still in her mind, she stopped and came back. "Hungarian, right?" she asked the vendor as she pointed to the bucket of pinkish roses, spying Patrick's curiosity. "They're roses, lady," he said. Grace bent over and stuck her face right into the heads of the entire bucketful of sweet-scented pinkish flowers. "Rosa gallica officinalis, definitely," she said mostly to herself. "I'm betting from east of the Danube, probably in the plains around Scabolcs-Szatmar-Bereg," Grace pronounced with a pretty good East European accent. She smelled them again, pulled herself away, and again mumbled to herself aloud. "Great depth. Would make a killer base note in a spicy summer parfum." She looked again at Patrick and pointed to the pinkish flowers in the bucket, and quickly walking away, she stated with a professional tone: "Those are nice." Undoubtedly, Patrick noted, this was a woman much more interested in roses than in the men who presented them.
Jeffrey Stepakoff (The Orchard)
I sipped my hot, sweet, milky tea, feeling myself settle, center. I couldn't possibly stay in a state of high emotion, and there was a lot to get through in the next few days or weeks. Right this minute, I could enjoy this table in a bakery in a small English village. The place was clearing out, and the chelsea bun beckoned. It was a coil of pastry laced with currants and a hint of lemon zest, quite sweet. I gave it the attention it deserved, since a person couldn't be pigging out on pastries and eggs and bacon all the time. Not me, anyway. Unlike my slender mother, I was built of rounder stuff, and I hadn't been able to walk as much as was my habit. In the meantime, the tea was excellent, served in a sturdy silver pot with a mug that didn't seem to match any other mug on the tables. The room smelled of yeast and coffee and cinnamon and the perfume of a woman who had walked by. Light classical music played quietly. From the kitchen came voices engaged in the production of all the goods in the case. A rich sense of well-being spread through me, and I realized that my leg didn't hurt at all.
Barbara O'Neal (The Art of Inheriting Secrets)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
March 1953 saw a surge in arrests and convictions of people charged with “anti-Soviet agitation” for expressing satisfaction with Stalin’s death or otherwise denigrating him. A forty-four-year-old Muscovite named S. M. Telenkov, who worked at a scientific institute, drunkenly proclaimed in a commuter train, “What a fine day it is today; today we buried Stalin. There’ll be one less scoundrel around and now we can get back to living.” R. S. Rybalko, a twenty-eight-year-old working-class woman from Rostov Oblast, was convicted of using profanity in regard to Stalin. Ya. I. Peit, who had been forcibly resettled in Kazakhstan, was sentenced for destroying and stomping on a portrait of Stalin after an official mourning ceremony. Upon hearing of Stalin’s death, P. K. Karpets, a thirty-two-year-old railroad worker from the Ukrainian city of Rovno, swore and exclaimed, “Smell that? The corpse is already stinking.” Ye. G. Gridneva, a forty-eight-year-old female railroad worker from Transcaucasia, was not able to contain herself and commented to a coworker, “A dog dies a dog’s death. It’s good that he died. There won’t be any kolkhozes and life will be a little easier.”7
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Any program about highlighting benevolence, protecting the innocent, or sacrificing time to help the underdog grew in popularity. Included in our list of reality viewing were shows about police or bounty hunters apprehending evil criminals. These too became some of the most-watched programs. To sum it all up, our entertainment is often centered on the good of humanity. Sales and Marketing 101 teaches us that a product must feel, look, sound, taste, or smell good in order to succeed in the marketplace. It must elevate the consumer’s senses or emotions to a better and happier state. We know that good items will sell. After all, who would want to purchase something bad? And only twisted people would desire to procure evil. We hear comments such as “he’s a good man” or “she’s a good woman,” and we normally accept this evaluation at face value. The vulnerable quickly let down their guard and embrace every statement or action from those proclaimed to be good as safe and trustworthy. But are these assessments always accurate? Could we ever fall into the delusional state of calling what’s right wrong or what’s wrong right? Doesn’t everybody know the difference? And we certainly could never fall into the deceived state of calling good evil or evil good. Correct?
John Bevere (Good or God?: Why Good Without God Isn't Enough)
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
You smell good. Who’s this ‘guy’ you’re meeting? Are you back on the market?” He wiggled both blond eyebrows at me. “Does that mean Doc Nyce is no longer petting your cat?” I frowned. “Petting my cat?” What did Bogart, our vegetarian cat, have to do with Doc? Jeff leaned in for another sniff. “I’m really good at petting cats, too.” Oh, dear Lord! My brain had finally dipped low enough into the gutter to catch Jeff’s meaning. I shoved him back a step. “Doc is still petting my …” No! Just walk away, doofus. I started to do just that, but then stopped and turned back. In case Tiffany was going to be hearing the play-by-play of my run-in with Jeff, I wanted to clarify things so the red-headed siren wouldn’t get any ideas about trying to steal Doc away from me. We’d done that song and dance before, and there would be no encores on that score. “Doc Nyce is still my boyfriend,” I announced. Sheesh, “boyfriend” was such a silly word for a woman my age. “I mean, we’re a definite couple in all the ways.” Jeff grinned. “Which ways are those?” “You know, the ‘couple’ ways.” When he just stared at me with a dumb grin, I added, “Boom, boom, out goes the lights.” His laughter rang out loud and clear, catching the attention of people on the opposite side of the street. “I’m not sure if you know this, Violet Parker, but that old song actually refers to landing a knock-out punch.” Thinking back on all the times I’d pinched, elbowed, and tackled Doc, including the black eye I’d accidentally given him, I shrugged. “Sex with Doc is amazingly physical. He’s a real heavy hitter under the sheets, delivering a solid one-two sock-’em every time.” I wasn’t sure what I was alluding to by this point, but I kept throwing out boxing slang to fill the void. “I’d give you the real dirty blow-by-blow, but we don’t sell ringside tickets for our wild sex matches.” His jaw gaped. “No kidding?” Before my big mouth unleashed another round of idiotic sex-boxing ambiguities, I said, “See you around, Jeff.
Ann Charles (Never Say Sever in Deadwood (Deadwood #12))
A winnowing fan was droning away in one of the barns and dust poured out of the open door. On the threshold stood the master himself, Alyokhin, a man of about forty, tall, stout, with long hair, and he looked more like a professor or an artist than a landowner. He wore a white shirt that hadn't been washed for a very long time, and it was tied round with a piece of rope as a belt. Instead of trousers he was wearing underpants; mud and straw clung to his boots. His nose and eyes were black with dust. He immediately recognised Ivan Ivanych and Burkin, and was clearly delighted to see them. 'Please come into the house, gentlemen,' he said, smiling, 'I'll be with you in a jiffy.' It was a large house, with two storeys. Alyokhin lived on the ground floor in the two rooms with vaulted ceilings and small windows where his estate managers used to live. They were simply furnished and smelled of rye bread, cheap vodka and harness. He seldom used the main rooms upstairs, reserving them for guests. Ivan Ivanych and Burkin were welcomed by the maid, who was such a beautiful young woman that they both stopped and stared at each other. 'You can't imagine how glad I am to see you, gentlemen,' Alyokhin said as he followed them into the hall. 'A real surprise!' Then he turned to the maid and said, 'Pelageya, bring some dry clothes for the gentlemen. I suppose I'd better change too. But I must have a wash first, or you'll think I haven't had one since spring. Would you like to come to the bathing-hut while they get things ready in the house?' The beautiful Pelageya, who had such a dainty look and a gentle face, brought soap and towels, and Alyokhin went off with his guests to the bathing-hut. 'Yes, it's ages since I had a good wash,' he said as he undressed. 'As you can see, it's a nice hut. My father built it, but I never find time these days for a swim.' He sat on one of the steps and smothered his long hair and neck with soap; the water turned brown. 'Yes, I must confess...' Ivan Ivanych murmered, with a meaningful look at his head. 'Haven't had a wash for ages,' Alyokhin repeated in his embarrassment and soaped himself again; the water turned a dark inky blue.
Anton Chekhov (Gooseberries and Other Stories (The Greatest Short Stories, Pocket Book))
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it. It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have. Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation? Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland. This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders. And, as usual, I wasn’t the least bit ready for it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Celia froze. She couldn't believe it-Proper Pinter was kissing her. Hard, boldly, with more feeling than the duke. Good heavens. Stung by the challenge he'd laid down, she fumbled for the pistol in her reticule, but she'd just got it in her hand when he whispered hoarsely against her lips, "Sweet God, Celia..." He'd never called her by only her Christian name. He'd certainly never said it so...desperately. It made her hesitate with the pistol in her hand. He took her mouth once more, and her world shifted on its axis as his kiss became wilder, more consuming. This wasn't about a challenge anymore-not when he kissed her is if her mouth held the secret to eternity. Such lovely, drugging kisses made her blood dance through her veins. His mouth slanted over hers, and his tongue swept the seam of her lips with an urgency that made her throat ache. Remembering how Ned had kissed her, she parted her lips for him. He went still for the briefest instant. Then with a groan, he slipped his tongue into her mouth. Ohhh, that was amazing. When Ned had done it she'd found it messy and disgusting, but Mr. Pinter's kiss was as opposite to Ned's as sun was to rain. Slow and sensual, he dove inside with hot strokes that had her eager for more. How could this be happening to her? With him? Who could ever have guessed that the passionless Mr. Pinter could kiss so very passionately? Scarcely aware of what she did, she slipper her free hand up to clutch his neck. He pressed into her, flattening her against the wall as he ravished her mouth with no remorse. His whiskers abraded her chin, his mouth tasted of champagne, and the smell of orange trees sweetened the air around them. It was delicious...it was intoxicating. Paradise. She forgot the pistol in her other hand, forgot that they were in full view of anyone who might be outside the orangery windows, forgot that he'd just been lecturing her as if she were some ninnyhammer. Because he was kissing her now as if she were an angel. His angel. And Lord help her, but she wanted him to keep kissing her like that forever. But a noise from the nearby stove-the crackle of a log as it settled-seemed to jerk him to his senses. He tore his lips from hers and stared down at her a moment, his eyes wild, his breathing heavy. A change came over his face, turning his expression to cold stone. "You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
Claire… It is not what you think. Won’t you please allow me to explain? Please. Allow me to speak with you.” It was more tempting than she liked. “There is nothing to say. We both know what I saw.” She paused. “Now go away.” Her tone was as aloof as she could manage between tears that would not stop. She saw the handle turn. “Don’t you dare!” She took a pre-emptive step back. But he did dare. The door opened slowly. “Are you…dressed?” “Of course, I am dressed!” she said furiously. “I am packing. Kindly have a carriage ordered.” It was a lie but he would not know that. Her case was still open on the window seat. He pushed the door open wider. He did not look like a man who had come from the arms of another woman. His face was not flushed with desire. It looked rather drawn in fact. But what did she know of such things? Perhaps that woman had merely exhausted him. “I did not invite her here, Claire. I did not even know she was coming.” He pushed locks of dark hair from his eyes. Claire bit her lip, thinking of how she had looked forward to touching those waves, brushing it possessively off his face herself. “Serafina does what she pleases. As you can see, she has no sense of propriety or discretion. She believes she owns Isabel and I even still. Even though, after her unforgiveable actions, she quite thoroughly relinquished rights to us both some time ago. I do not believe Isabel has pardoned her yet. I certainly will not.” He looked at her, eyes wide and beseeching. Not a hint of pride or arrogance. “She does not want me to be happy without her, Claire,” he said softly. “She must have found out I was to be married and she came with all haste. This is exactly what she was hoping for—or nearly so. When you walked in…” “Oh? Nearly so?” Fury twisted inside her. “I apologize for intruding so unexpectedly, for interrupting your passionate liaison. I suppose if Isabel and I had not walked in, you would still be there even now. On the floor together perhaps.” Thomas looked taken aback, then angry. “Of course not! Do you really think me so…? Is that what you believe, Claire? You did exactly what Serafina hoped you would do. Reacted with anger and jealousy, blamed me, and stormed out.” “Jealousy!” Claire exclaimed, drawing herself up. “I assure you—I am not jealous in the least. If she wants you, she is welcome to have you. I did not want you in the first place, as you will recall.” He flinched. If she did not know better, she might almost have believed him to be hurt. She swallowed hard. “What have I to be jealous of? The fact that you prefer your mistress to…” Oh, no. Her voice was catching in her throat. “…to… me…” She hiccupped embarrassingly, tears flowing over. All of a sudden Thomas’s arms were around her, holding her firmly to his chest. “Claire… No, no…” he whispered. Her cheek was pressed up rather roughly against his tailcoat. He smelled so good. She closed her eyes, her body relaxing against him. There was another smell there. An overpoweringly sweet scent of lilacs. She pushed herself away, hands against his chest. “You smell of her.” He looked horrified. Horrified that he did? Or horrified that she had noticed? Did he smell of her from head to toe? Claire felt nauseous.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
I had a great many adventures on my trip." She glanced back at him, her eyelashes fluttering in womanly enticement. "You'd be astonished to hear them all." How did she do that? Beckon him with a glance, ensuring that he would trail after her like a lovesick swain? Two days ago she'd scarcely had the courage to look him in the eyes. A few kisses- a few very good kisses- and she was flirting. She added, "Someday I'll tell you... if you ask nicely." A cascade of climbing roses blossomed on trellises they passed, and she stopped and, with tender fingers, lifted a blossom. She smiled down at the furling petals, then, closing her eyes, she sniffed it deeply. "I love roses, especially yellow roses. They're not cherished like red roses, but they're invariably cheerful. Add them to a bouquet of lavender, and they make a heavenly smell and a beautiful display. Put them in a vase by themselves, and they nod and smile at everyone who passes.
Christina Dodd (One Kiss From You (Switching Places, #2))
A loud clunk resounded behind her. She glanced over her shoulder, expecting to see her husband. Instead she looked straight into Red Buffalo’s black eyes. For an instant her heart stopped beating. She stared at him. He stared back. His arms were laden with firewood. One piece lay at his feet. Very slowly he hunkered down and began unloading the rest. At last Loretta found her voice. “Get out of here!” “I bring you wood,” he replied softly in English. Even Loretta knew warriors didn’t demean themselves by gathering firewood; it was woman’s work. Red Buffalo was humbling himself, making her a peace offering. She didn’t care. “I don’t want your filthy wood. Take it and leave.” He continued his task as if she hadn’t spoken. Rage bubbled up Loretta’s throat. She leaped to her feet and strode toward him. “I said get out of here! Take your damned wood with you!” Just as she reached him, Red Buffalo finished emptying his arms and rose. He was a good head shorter than Hunter, but he dwarfed Loretta. She fell back, startled, wondering if he could smell her fear. Lifting her chin, she cut him dead with her eyes. He inclined his head in a polite nod and turned to walk away. “I said take your wood with you!” she called after him. “I don’t want it!” Picking up a log, she chucked it at him. It landed on end and bounced, hitting Red Buffalo’s calf. He stopped and turned, his face expressionless as he watched her throw the remainder of the firewood in his direction. Saying nothing, he began to pick up the firewood. To Loretta’s dismay, he returned to her firepit and began unloading the logs there in a neat pile. From the corner of her eye, she could see neighbors gathering to find out what all the commotion was about. Heat scalded her cheeks. She couldn’t believe Red Buffalo was humiliating himself like this. “Don’t,” she said raggedly. “Go away, Red Buffalo! Go away!” He tipped his head back. Tears glistened on his scarred cheeks. “Hunter has cut me from his heart.” “Good! You’re an animal!” Red Buffalo winced as if she had struck him. “He has forbidden me to enter his lodge until you take my hand in friendship.” “Never!” Appalled, Loretta retreated a step. “Never, do you hear me?” Red Buffalo slowly rose, brushing his palms clean on his breeches. “He is my brother--my only brother.” “You expect me to feel sorry for you? How dare you come near me? How dare--” Her voice broke, and she spun away, running inside the lodge. Heedless of Amy, who was sitting up on her pallet, Loretta threw herself onto the bed. Knotting her fists, she stifled her sobs against the fur. Hatred coursed through her, hot, ugly, and venomous, making her shake. Take his hand in friendship? Never, not as long as she lived.
Catherine Anderson (Comanche Moon (Comanche, #1))
George Orwell argued that there are many prejudices we can get over, but smell repulsion is one of the most difficult. By turns frisky and indolent, Jicky by Guerlain has the personality of a cat. Mitsouko by Guerlain is as delicate as spiced tea with a drop of milk. Habanita by Molinard signifies comfort - like being stuck in a cafe in Paris on a cold day, comfortably trapped in a room filled with cigarette smoke, an old lady violet-scented dusting powder and the aroma of buttery baked goods. L'Aimant by Coty is warm and sweet, like cut plums sauteed in butter and brandy and sprinkled with candied violets. Femme by Rochas smells like the inside of a woman's butter-soft suede purse that has accumulated the feminine smells of perfume, lipstick and other womanly objects. This classic fruit chypre smells like softness. Caleche by Hermes is like red lipstick for the outdoorsy aristocrat who can't otherwise be bothered to wear makeup. Caleche is a perfume for the woman who doesn't have to try too hard. It's the epitome of Parisian chic, reserved, elegant and well thought out without being fussy.
Barbara Herman
Last night, when he had been showing her how to refasten the bowline, she had feigned incompetence at the simple knot. It was a schoolgirl’s trick, but the poor, honest man had been completely deceived. He’d stood behind her, with her in the circle of his arms and take her hands to guide them through the easy motions. Heat had flushed through her, and her knees had actually trembled at his closeness. A wave of dizziness had washed through her; she had wanted to collapse on the deck and pull him down on top of her. She’d gone still in his loose embrace, praying to every god she’d ever heard of that he would know what she so hotly desired and act on it. This, this was what she was supposed to feel about the man she was joined to, and had never felt at all! “Do you understand it now?” he’d asked her huskily. His hands on hers pulled the knot firm. “I do,” she’d replied. “I understand it completely now.” She hadn’t been speaking of knots at all. She’d dared herself to take half a step backward and press her body to his. She dared herself to turn in the circle of his arms and look up into his whiskery beloved face. Cowardice paralyzed her. She could not even form words. For a time that was infinitely brief and forever, he stood there, enclosing her in a warm, safe place. All around her, the night sounds of the Rain Wilds made a soft music of water and bird and insect calls. She could smell him, a male musky smell, “sweaty” as Sedric would have mocked it, but incredibly masculine and attractive to her. Enclosed by his embrace, she felt a part of his world. The deck under her feet, the railing of the ship, the night sky above her, and the man at her back connected her to something big and wonderful, something that was untamed and yet home to her. Then he had dropped his arms and stepped back from her. The night was warm and muggy, the insects chirred and buzzed, and she heard the night call of a gnat-chaser. But it had all seemed separate from her then. Last night, as now, she knew herself for the mousy, scholarly little Bingtown woman she undoubtedly was. She’d sold herself to Hest, prostituted out her ability to bear a child for the security and position that he had offered. She’d made the deal and signed on it. A Trader was only as good as his word, so the saying went. She’d given her word. What was it worth? Even if she took it back now, even if she broke it faithlessly, she’d still be a mousy, little Bingtown woman, not what she longed to be. She could scarcely bear to consider what she longed to be, not only because it was so far beyond her but because it seemed a childishly extravagant dream. In the dark circle of her arms, she closed her eyes and thought of Althea, wife to the captain of the Paragon. She’d seen that woman dashing about the deck barefoot, wearing loose trousers like a man. She’d seen her standing by her ship’s figurehead, the wind stirring her hair and a smile curving her lips as she exchanged some sort of jest with the ship’s boy. And then Captain Trell had bounded up the short ladder to the foredeck to join them there. She and the captain had moved without even looking at each other, like a needle drawn to a magnet, their arms lifting as if they were the halves of the god Sa becoming whole again. She’d thought her heart would break with envy. What would it be like, she wondered, to have a man who had to embrace you when he saw you, even if you’d just risen from a shared bed a few hours earlier? She tried to imagine herself as free as that Althea woman, running barefoot on the decks of the Tarman.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
Here it is,” Daisy said, producing a needle-thin metallic shard from her pocket. It was the metal filing that Annabelle had pulled from Westcliff’s shoulder when exploding debris had sent bits of iron flying through the air like grapeshot. Even Lillian, who was hardly disposed to have any sympathy for Westcliff, winced at the sight of the wicked-looking shard. “Annabelle told me to throw this into the well and make the same wish for Lord Westcliff that I did for her.” “What was the wish?” Lillian demanded. “You never told me.” Daisy regarded her with a quizzical smile. “Isn’t it obvious, dear? I wished that Annabelle would marry someone who truly loved her.” “Oh.” Contemplating what she knew of Annabelle’s marriage, and the obvious devotion between the pair, Lillian supposed the wish must have worked. Giving Daisy a fondly exasperated glance, she stood back to watch the proceedings. “Lillian,” her sister protested, “you must stand here with me. The well spirit will be far more likely to grant the wish if we’re both concentrating on it.” A low laugh escaped Lillian’s throat. “You don’t really believe there’s a well spirit, do you? Good God, how did you ever become so superstitious?” “Coming from one who recently purchased a bottle of magic perfume—” “I never thought it was magic. I only liked the smell!” “Lillian,” Daisy chided playfully, “what’s the harm in allowing for the possibility? I refuse to believe that we’re going to go through life without something magical happening. Now, come make a wish for Lord Westcliff. It’s the least we can do, after he saved dear Annabelle from the fire.” “Oh, all right. I’ll stand next to you—but only to keep you from falling in.” Coming even with her sister, Lillian hooked an arm around her sister’s slim shoulders and stared into the muddy, rustling water. Daisy closed her eyes tightly and wrapped her fingers around the metal shard. “I’m wishing very hard,” she whispered. “Are you, Lillian?” “Yes,” Lillian murmured, though she wasn’t precisely hoping for Lord Westcliff to find true love. Her wish was more along the lines of, I hope that Lord Westcliff will meet a woman who will bring him to his knees. The thought caused a satisfied smile to curve her lips, and she continued to smile as Daisy tossed the sharp bit of metal into the well, where it sank into the endless depths below.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
For me, this was the first hint that the liturgy might be the cure for spiritual loneliness. Though I felt inadequate and alone during my prayer crisis, I was not alone. Much of American spiritual life trudges through the muck of solitary spirituality. Twenty years ago, Robert Bellah described this phenomenon in Habits of the Heart, with his now famous description of one woman: Sheila Larson is a young nurse who has received a good deal of therapy and describes her faith as “Sheilaism.” This suggests the logical possibility of more than 235 million American religions, one for each of us. “I believe in God,” Sheila says. “I am not a religious fanatic. I can’t remember the last time I went to church. My faith has carried me a long way. It’s Sheilaism. Just my own little voice.” “My little voice” guides many lonely people to and through New Age, wicca, Buddhism, labyrinths, Scientology, yoga, meditation, and various fads in Christianity—and then creates a new Sheilaism from the fragments that have not been discarded along the way. I love Sheila Larson precisely because she articulates nearly perfectly my lifelong struggle: “I believe in God. I am not a religious fanatic…. My faith has carried me a long way. It’s Sheilism. Just my own little voice.” The difference between Sheila and me is that she has the courage of her convictions: she knows her faith is very personal and so hasn’t bothered with the church. I like to pretend that my faith is grounded in community, but I struggle to believe in anything but Markism. Fortunately God loves us so much he has made it a “spiritual law” that Sheilism or Markism become boring after awhile. The gift of the liturgy—and it is precisely why I need the liturgy—is that it helps me hear not so much “my little voice” but instead the still, small voice (Psalm 46). It leads away from the self and points me toward the community of God.
Mark Galli (Beyond Smells and Bells: The Wonder and Power of Christian Liturgy)
Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I’ve come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love.” She thought she should say something witty here. She said, “Really?” “I know it seems absurd. At first, you and I were the last match possible. I cannot name the moment when my feelings altered. I recall a stab of pain the afternoon we played croquet, seeing you with Captain East, wishing like a jealous fool that I could be the man you would laugh with. Seeing you tonight…how you look…your eyes…my wits are scattered by your beauty and I cannot hide my feelings any longer. I feel little hope that you have come to feel as I do now, but hope I must.” He placed his gloved hand on top of hers, as he had in the park her second day. It seemed years ago. “You alone have the power to save me this suffering. I desire nothing more than to call you Jane and be the man always by your side.” His voice was dry, cracking with earnestness. “Please tell me if I have any hope.” After a few moments of silence, he popped back out of his chair again. His imitation of a lovesick man in agony was very well done and quite appealing. Jane was mermerized. Mr. Nobley began to test the length of the room again. When his pacing reached a climax, he stopped to stare at her with clenched desperation. “Your reserve is a knife. Can you not tell me, Miss Erstwhile, if you love me in return?” Oh, perfect, perfect moment. But even as her heart pounded, she felt a sense of loss, sand so fine she couldn’t keep it from pouring through her fingers. Mr. Nobley was perfect, but he was just a game. It all was. Even Martin’s meaningless kisses were preferable to the phony perfection. She was craving anything real--bad smells and stupid men, missed trains and tedious jobs. But she remembered that mixed up in the ugly parts of reality were also those true moments of grace--peaches in September, honest laughter, perfect light. Real men. She was ready to embrace it now. She was in control. Things were going to be good. She stared at the hallway and thought of Martin. He’d been the first real man in a long time who’d made her feel pretty again, whom she’d allowed herself to fall for. And not the Jane-patended-oft-failed-all-or-nothing-heartbreak-love, but just the sky-blue-lean-back-happy-calm-giddy-infatuation. She looked at Mr. Nobley and back at the hallway, feeling like a pillow pulled in two, her stuffing coming out. “I don’t know. I want to, I really do…” She was replaying his proposal in her mind--the emotion behind it had felt skin-tingling real, but the words had sounded scripted, secondhand, previously worn. He was so delicious, the way he looked at her, the fun of their conversations, the simple rapture of the touch of his hand. But…but he was an actor. She would have liked to play into this moment, to live it wholeheartedly in order to put it behind her. An unease stopped her. The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this.
Shannon Hale (Austenland (Austenland, #1))
A First Kiss from Vexing the Highlander by Terry Spear in Enchanting the Highlander: Feeling panicked, she was afraid she wouldn’t make it down the corridor to her room in time before she was caught. Alban must have assumed the same thing and suddenly moved her against the wall with his hot body pressing indecently close and held her hostage. “Forgive me,” he breathed against her cheek. And then he moved his warm lips against her mouth and kissed her. A lady with the right upbringing would never, ever kiss a gentleman—or an untitled Highlander—let alone do so in the king’s own castle when he planned to marry her off to one of his loyal lords. She would never have kissed Alban back—or so she told herself—except to pretend she was not who she was, rather just a servant girl having a good time with one of the king’s honored guests. Yet, she gave into the kiss as if she’d been trained in the art of kissing, which, with the way Alban was kissing her back, she found it easy to follow his lead. She soaked up the feel of his warm mouth against hers, and the smoldering flame that ignited low in her belly and fanned the heat all the way through her, despite the chill in the corridor. His chest pressed against her breasts, making them tingle with the most delicious need. His manhood stirred against her waist, and she realized why her mother had warned her and her sister never to kiss a gentleman in such a manner. Indeed, not until she was wed to him, for she felt urges she’d never known she could experience. Womanly urges that compelled her to take this further. She wrapped her arms around his neck, Alban’s mouth smiling slightly against her lips, as she pressed him tighter. She thought if he was as close as he could be, whoever was about to pass them by—hopefully without stopping to speak—would not see her, as tall as Alban was. Though she was hoping the Highlander would not presume she was always this forward with a man whether she knew him or not. Yet she was thrilled beyond measure to enjoy his attentions, even if it was just to keep her reputation intact. But if the man stopped to speak with Alban, and the Highlander quit kissing her to speak with the person in kind, her character would be in tatters. “Ahem,” the male said, but continued to walk on by. She didn’t dare glance in his direction to see if she knew the man. Alban didn’t either, but she wasn’t sure if it was because he was so wrapped up in kissing her, or because he was afraid to reveal who she was. If Alban hadn’t been holding her so close, she would have melted right into the stone floor, her body boneless. His breathing was as labored as hers, his heartbeat pounding just as fast. He didn’t make a move to release her, waiting while the footfalls faded away. He smelled of summer and the woods, of freshly-washed, earthy male. And then the footsteps were gone. Yet even then, Alban didn’t let her go. “Wait, just a moment more.
Terry Spear (Enchanting the Highlander)
Shelby, you should run for your life, I’m not kidding. I’ve never been reliable where women are concerned. And I’m not real well fixed with brakes, either. God, I really don’t want to hurt you.” “Are you trying to scare me again, Luke?” “Yeah, I’m trying to scare you. Warn you. Use your head, Shelby. You’re young, you’re sweet, and I’m just an irresponsible, horny bastard. You’d be making a mistake, getting mixed up with me.” She traced his ear with a finger. “Well, Luke, I’m already a little mixed up with you. And you got yourself mixed up with me.” “Shelby, I’m temporary at best. I’m not staying here.” “Me, neither. Is that it?” He sighed and shook his head. “I’ve been known to run through women like sharks run through scuba divers. I wouldn’t be good for you.” “Are you sleeping with a lot of women right now?” she asked him. He hadn’t been with a woman in so long, he had a hard time remembering the last one. That fact alone made him even more vulnerable to Shelby’s incredibly seductive charm. “There has been only one woman on my mind. My brain is like a frickin’ missile and if you don’t move out of the target, I’m afraid I’m going to end up doing some things you might hate me for later. And then your Uncle Walt is going to shoot me.” It only made her chuckle. “Do you always warn your women not to get involved with you before you swoop down and devour them?” “Never. That could keep me from getting laid. But I worry about you. You need to fall in love, I can smell it on you. And I don’t fall in love. I don’t put down roots and I don’t make commitments.” “You know something, Luke?” she asked, smiling. “I think maybe you’re more worried you might fall in love with me than the other way around.” “See, you shouldn’t think like that—” “I just said maybe. It’s not like I expect it.” “You don’t?” “I’m going to travel and go to school. You’re going to fix up your cabins and sell them. You’ve been very clear. You’ve warned me a hundred times. And now, I’m just warning you.” “You want a fling? With a guy like me? Who’s too old for you?” She just laughed and he wanted to shake her. “You are pretty old,” she said. “Pretty soon, all these long warnings won’t even be necessary.” She tilted her head back and laughed. His
Robyn Carr (Temptation Ridge)
Talon.” Her voice reached him just as he began the first note of his death song and his heart leaped. “Talon. Can you hear me?” He tried to open his eyes, but they were weighed down with mud. He smelled her. She was very close. He wanted to reach out to her, but he was so tired. “Talon.” Something warm and alive brushed his lips. Her caress was sweet and powerful. Feather-light, it jolted him with the intensity of a lightning bolt. If he didn’t hold on to her, the cold mud would seep into his nose and throat and choke the life from him. “Talon . . . don’t die,” she whispered. He opened his eyes just as she kissed him a second time with infinite tenderness. She gasped as he threw his good arm around her and crushed her against him. She was warm and alive. Vision or flesh and blood woman, she’d not leave him. Talon pressed his mouth against hers with searing heat. “Talon,” she cried, as she struggled free of his embrace and stood trembling, apparently unsure whether to run or fling herself back into his arms. “You’re . . . you’re awake,” she managed. A slow smile spread over his face. She covered her mouth with her hand. Her lips were tingling. “I was afraid . . .” she began. “I mean . . . I thought that you . . .” She put distance between them. “Your fever was very high,” she said quickly. “We . . . I was afraid that you—” “I am not dead, Becca,” he said hoarsely. “I . . . can see that.” Unconsciously, she rubbed her mouth. “You . . . you kissed me,” she whispered. “You kissed me first.” She felt giddy. “I did, didn’t I?” He closed his eyes again. “We must talk of this later,” he murmured. “Now, I can’t seem to keep my eyes open.” She reached for the brimming cup of medicine his sister had left when she went out. “You . . . you must have something to drink,” she said. “Are you in pain?” He made a sound that might have been either a low groan or a chuckle. “A man who was not a warrior of the Mecate Shawnee might say that.” “You fought with a bear,” she reminded him. “What shame is there to admit that you hurt? You’re human, aren’t you?” His black eyes snapped open with the intensity of a steel trap. “A Shawnee? Human?” he challenged. “Do you hear what you say?” “By Christ’s wounds, Talon! You’re as human as I am.” He sighed and his eyelids drifted closed. “Remember that, Becca . . . remember. I am just a man. A man . . . who cannot . . . cannot hate his . . . prisoner.
Judith E. French (This Fierce Loving)
YOU ARE PRECIOUS   A young woman named June volunteered at a church agency that served the poor and homeless of her city. One day June met George, who had come in to receive some help. Winter was coming and he needed a jacket and some shoes to help keep him warm. He took a seat in the chapel because the waiting room was crowded and noisy. When he indicated he wanted a Bible, June went to get one for him while he waited his turn in the clothing room. When she returned with a Bible, she sat down to talk to him for a while. George looked like he was in his late ’50s or early ’60s. June noticed his thin hair beginning to gray and the deep lines which marked his face. His hands were stiff and he had lost part of one finger. Although it was 1:30 in the afternoon, he smelled slightly of alcohol. He was a short, slight man, and he spoke softly. He had come into the agency alone, and June wondered if he had any family—anyone who cared that he existed. June wrote George’s name in the front of his Bible along with the date. Then she showed him the study helps in the back, which would help him find key passages. As they talked, the thought occurred to June: George is one of God’s very precious creatures. She wondered if George knew that. She wondered how long it had been since someone had told him. What if no one had ever told him he was precious to God—and to all God’s other children as well? George had very little influence or stature, but God spoke to June through him that day, “My children need to know they are precious to Me. Please tell them that.” Since then, she has made that message a part of every encounter she has at the church agency. Ask the Lord how you might share the message, “You are precious to God,” with others today through your words and actions.   SINCE THOU WAST PRECIOUS IN MY SIGHT, THOU HAST BEEN HONOURABLE, AND I HAVE LOVED THEE. ISAIAH 43:4 KJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
You’ll be no good to that pretty watchmaker if you are dead on your feet. That shirt smells. Go change while I pack this last batch up.” Zack wolfed down another dumpling, drained the glass of milk in one draw, then wiped his mouth with the back of his hand. “I am already late, and I’m not changing my shirt.” He grinned as he imagined the expression on Mollie’s face when she tasted her first homemade pierogi. Someday he wanted to drape her in pearls and fill her evenings with music and dancing, but for now, the best thing was to fill her with a decent meal. “Zachariasz, I am not having that girl think I raised a son who does not put on a starched shirt to court a woman. Go change, and I will pack this up.” “Mama, the people in that church live in squalor and sleep on the ground. They don’t care if my shirt isn’t starched.” It was the wrong thing to say to a woman who carried the fate of Polish cultural identity on her shoulders. “I care,” she said. She hustled up the staircase to his bedroom, muttering over her shoulder. “My son went to Yale and works for the finest merchant in the city. He won’t call on a girl stinking like a laborer.” There was no help for it. Zack vaulted up the stairs, tearing his shirt open and shrugging out of it as he went. He tossed it on the bed and grabbed a gleaming white shirt from his mother’s outstretched hands. She beamed with pride as she handed him a pair of cuff links. “I swear, old woman, you would try a saint’s patience,” he muttered as he fastened the onyx cuff link. “This shirt is going to be covered with a layer of soot by the time I get back.” “Bring the watchmaker back with you. We have plenty of room, and it is foolish for her to be sleeping with all those strangers in the church.
Elizabeth Camden (Into the Whirlwind)
He took it off, and she could see his hair was damp with sweat, as was his shirt on closer inspection. He mustn’t have bothered showering after his training session. Juliet’s belly tightened. There was just something about a sweaty man that had always done it for her. Good sweaty. Not the festering-for-hours-never-worn-deodorant kind. The healthy kind worked up through hard physical labour. The primal survival kind that attracted a woman to the type of man who could keep her in mammoth stew and furs. It clearly didn’t matter how sophisticated humans thought they were or how far they’d come. Hundreds of thousands of years of evolution and it still got down to how a man smelled. Mother Nature was one crazy bitch.
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
The place smelled of piss and mildew and stale beer. There was something else, too: the acrid sweat of the strung out—a smell that reminded me of the little cantinas in Bolivia where people in the coca trade use booze to come down from the powder cloud that gets them through the long shifts. If broken souls had an odor, they’d smell like the Cellar. A single bar on the right ran the entire length of the building: twelve bar stools, five occupied by men. And to the left of the bar was a group of tables, one of which propped up three people—two women and a guy—who looked like they were passed out. The bartender, a good-looking young woman with a ponytail, was yelling at a man whose elbows were propped on the bar. He stomped outside after the reaming, and I headed toward his abandoned seat. The
Erik Storey (Nothing Short of Dying (Clyde Barr, #1))
Our Dutch hostess—or rather, the woman we are hoping will host us once we show up on her doorstep—is known to everyone but me. And though I had been warned about Johanna Hoffman’s friendliness and large dogs, there is no way to be truly prepared for either. When the door to her canal house opens, three dogs that look as though they each weigh more than I do spill out, followed by a plump, bright-faced woman in a pink dress that matches the bows around each dog’s neck. When she sees Felicity, she screams. In spite of not having anything in her hands, I swear she somehow still drops a vase. She throws her arms around Felicity, squeezing her so hard she nearly lifts her off the ground. “Felicity Montague, I thought you were dead!” “Not dead,” Felicity says. One of the dogs tries to wedge itself between the two of them, tail wagging so furiously it makes a thumping drumbeat against the door frame. A second snuffles its nose against my palm, trying to flip my hand onto the top of its head in an encouragement to pet. “It’s been years. Years, Felicity, I haven’t heard from you in years.” She takes Felicity’s face in her hands and presses their foreheads together. “Hardly a word since you left! What on earth are you doing here? I can’t believe it!” She releases Felicity just long enough to turn to Monty and throw open her arms to him. “And Harold!” “Henry,” he corrects, the end coming out in a wheeze as she wraps him in a rib-crushing hug. The dog gives up nudging my hand and instead mashes its face into my thigh, leaving a trail of spittle on my trousers. “Of course, Henry!” She lets go of him, turns to me, and says with just as much enthusiasm, “And I don’t know who you are!” And then I too am being hugged. She smells of honey and lavender, which makes the embrace feel like being wrapped in a loaf of warm bread. “This is Adrian,” Felicity says. “Adrian!” Johanna cries. One of the dogs lets out a long woof in harmony and the others take up the call, an off-key, enthusiastic chorus. She releases me, then turns to Felicity again, but Felicity holds up a preemptive hand. “All right, that’s enough. No more hugs.” She brushes an astonishing amount of dog hair off the front of her skirt, then says brusquely, “It’s good to see you, Johanna.” In return, Johanna smacks her on the shoulder. “You tell me you’re going to Rabat with some scholar and then you never come back and I never hear a single word! Why didn’t you write? Come inside, come on, push the dogs out the way, they won’t bite.” As we follow her into the hallway and then the parlor, she’s speaking so fast I can hardly understand her. “Where are you staying? Wherever it is, cancel it; let me put you up here. Was your luggage sent somewhere? I can have one of my staff collect it. We have plenty of room, and I can make up the parlor for you, Harry—” “Henry,” Monty corrects, then corrects himself. “Monty, Jo, I’ve told you to call me Monty.” She waves that away. “I know but it always feels so terribly glib! You were nearly a lord! But I’m happy to set you up down here so you needn’t navigate the stairs on your leg—gosh, what have you done to it? Your lovely Percy isn’t here, is he? Though we’ll have to do something so the dogs don’t jump on you in the night. They usually sleep with Jan and me, but they get squirrely when we have company. One of Jan’s brokers from Antwerp stayed with us last week and he swears he locked the bedroom door, but somehow Seymour still jumped on top of him in the middle of the night. Poor man thought he was being murdered in his bed. Please sit down—the dogs will move if you crowd them.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Who was the artist? The line of her body was slim and softly feminine in a way that spoke to every one of his senses. Her hair, a rich mahogany had smelled wonderful, though he'd be hard-pressed to describe just exactly what it smelled like... fresh, he would have said, Or clean. Or sweet. But none of those words really seemed to apply, precisely. How he loved discovering the unique smell of a woman... a good place to start discovering it, he knew, was the nape of the neck. But there were other delightful places, too. He smiled, a wicked, private smile, which faded when he remembered he was not to be discovering the smells of females while he was in Barnstables. You were bloody quiet, she'd said. As though he'd thwarted her. He gave a bark of delighted laughter. It rather sounded like something he would have said.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
If someone left you, you had to answer with silence. She bore the scent of a mixture of oriental spices and the sweetness of flowers and honey. Dreams are the interface between the worlds, between time and space. He calls books freedoms. And homes too. They preserve all the good words that we so seldom use. Tango is a truth drug. It lays bare your problems and your complexes, but also the strengths you hide from others so as not to vex them. Saudade. It is the sense of being loved in a way that will never come again. It is a unique experience of abandon. It is everything that words cannot capture. They say that men who are at one with their bodies can sense and smell when a woman wants more from life than she is getting. Another woman found it incredibly erotic when I backed pate en croute. Aromas do funny things to the soul. Habit is a vain and treacherous goddess. She lets nothing disrupt her rule. She smothers one desire after another: the desire to travel, the desire for a better job or a new love. She stops us from living as we would like, because habit prevents us from asking ourselves whether we continue to enjoy doing what we do. Books can do many things but not everything. We have to live the important things, not read them. It was the season for truffles and literature. The countryside was redolent of wild herbs and glowed in autumnal rust reds and wine yellows.
Nina George (The Little Paris Bookshop)
I will say three things about my experience: first, it felt good to be doing something for other people. I spend so much time thinking about my troubles that I often feel very bad about life. But when I was handing out sandwiches, it made my problems go away for a time. It made me feel useful to the world in a simple way. Second, the Church may not be all bad. I met one old woman who had been doing this every week for the last forty-eight years. Even if God does not exist, this woman has been doing good in His name so maybe it does not really matter. I only wish the Church were more like her and less like the priests who abuse their powers. Third, the slums were not as bad as everyone makes them seem. There was not as much garbage as I expected, it did not smell as bad as I thought it would, and the people did not seem to be as miserable as I have been led to believe they are. Yes, it is VERY crowded and unsanitary and hot. But people still go to work, they still watch TV and look at the Internet through their phones, they still bathe and wash their laundry, they still have children that laugh and play and cry, they still love their families. Life persists.
Randy Ribay (Patron Saints of Nothing)
Nietzsche's 'On the Genealogy of Morality' and especially its third essay 'What do ascetic ideals mean' is to my mind, not only an abstract discussion of an issue but also a memoir, a description of his family's home ambiance and pedagogical practices. In one section, describing the defeatist, self-righteous outlook on life, Nietzsche has the word 'poison' appear four times. Going into details of glances and sighs typical locutions, makes the reader almost visualize Nietzsche's windowed mother and unmarried aunts, economically dependent on the goodwill of his grandmother, using their weakness to tyrannize the child, trying to make him a well-behaved, disciplined, adult-like boy — 'the little pastor', as he was called by his school friends. 'They wander around among us like personifications of reproach, like warnings to us — as if health, success, strength, pride, and a feeling of power were already inherently depraved things, for which people must atone some day, atone bitterly. How they thirst to be hangmen! Among them there are plenty of people disguised as judges seeking revenge. They always have the word 'Justice' in their mouths, like poisonous saliva, with their mouths always pursed, always ready to spit at anything which does not look discontented and goes on its way in good spirits. [ . . .] The sick woman, in particular: no one outdoes her in refined ways to rule others, to exert pressure, to tyrannize.' The mother-poison connection is also supported by a passage, mentioned before in trying to solve Nietzsche's riddle 'as my own father I am already dead, as my own mother I still live and grow old'. In it, he described the horrible treatment he received from his sister and mother, who were described as canaille (rabble), hellish machine and a poisonous viper. What is the nature of poisoning? It consists of exposing a victim, imperceptibly, to a harmful material, sometimes camouflaged as beneficial (when mixed with food or drink), without the possibility of resisting or avoiding it, resulting in diminished strength, health, and energy, or even death. In fact, the psychologist Alice Miller used the term 'poisonous pedagogy' to describe emotionally damaging child-raising practices, intended to manipulate the character of children though force, deception, and hypocrisy. Nietzsche was sensitized to such poison in his childhood and could smell it anytime he felt pressure to conform, or experienced disrespect for his separateness and individuality.
Uri Wernik
The groom curses in the bathroom, a dropped metal thing. I have a sister now, too, I think. To Clover, I say, “When he what?” “He waited until I was on the phone,” she says. “I guess he thought that’d be a good way for him to.” “For him to what?” “For him to. He shot himself.” She describes the smell of burning, the smear of blood still on her. The groom draws the curtains, revealing the lake and sky. I clamber under the sheets, still naked. Thousands of miles above, a plane glides out from a bank of navy clouds. Clover says, the nurses. The name of the hospital. The plane reveals itself again. I think of the passengers, feet swinging over plastic seats, watching movie screens above the city’s grid. The conflation of tin and sky. For a moment, Danny is a small thing seen from thousands of miles above. I’m not certain I know him or the woman on the phone who is overcome with tears. I tell her I’ll come to the hospital and hang up. “One of my clients shot himself,” I say. “He’s at the hospital.” “He’s alive?” the groom says. “No,” I say. He frowns. “If he’s dead, he wouldn’t be at the hospital.” “He was still alive when they … Is this the fucking point?” “I don’t know why I’m arguing. I’m sorry.
Marie-Helene Bertino (Parakeet)
Dennis sniffed. He smelled the boy! Sniff, sniff, sniff. He followed the nice smelly boy. Up and around and down, down, down the big hill. He saw an elephant! No. It was not a real elephant. It was a spinning sign. Sniff, sniff, sniff. Dennis still smelled the boy. He smelled something else, too. Sniff, sniff, sniff! What’s that smell? Chocolate! Dennis had smelled it many times. Dennis had never tasted chocolate. Good things dropped on the kitchen floor all the time. Waffles, crackers, granola bars, cereal were delicious. But when chocolate dropped on the floor, the cone giver always took it away. The woman who gave him the cone never let him have any chocolate. Sniff, sniff, sniff! The boy had chocolate! The boy always dropped things. This was his big chance to get chocolate! Find the boy…find the chocolate! Find the boy…find the chocolate!
Russell Ginns (Samantha Spinner and the Boy in the Ball)