A Thousand Acres Quotes

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I loved Ophelia: forty thousand brothers Could not, with all their quantity of love, Make up my sum. What wilt thou do for her?... 'Swounds, show me what thou'lt do: Woo't weep? woo't fight? woo't fast? woo't tear thyself? Woo't drink up eisel? eat a crocodile? I'll do't. Dost thou come here to whine? To outface me with leaping in her grave? Be buried quick with her, and so will I: And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart! Nay, an thou'lt mouth, I'll rant as well as thou.
William Shakespeare
I was depressed, but that was a side issue. This was more like closing up shop, or, say, having a big garage sale, where you look at everything you've bought in your life, and you remember how much it meant to you, and now you just tag it for a quarter and watch 'em carry it off, and you don't care. That's more like how it was.
Jane Smiley (A Thousand Acres)
The fact is that the same sequence of days can arrange themselves into a number of different stories.
Jane Smiley (A Thousand Acres)
Have you reckon'd a thousand acres much? have you reckon'd the earth much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.
Walt Whitman (Song of Myself)
And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle— And a broken laugh, and a thousand memories, And not a single regret.
Edgar Lee Masters (Spoon River Anthology)
I suspected that there were things he knew that I had been waiting all my life to learn.
Jane Smiley (A Thousand Acres)
What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
Daddy thinks history starts fresh every day, every minute, that time itself begins with the feelings he’s having right now. That’s how he keeps betraying us, why he roars at us with such conviction.
Jane Smiley (A Thousand Acres)
We’re not going to be sad. We’re going to be angry until we die. It’s the only hope.
Jane Smiley (A Thousand Acres)
Had I faced all the facts It seemed like I had but actually you never know just by remembering how many there were to have faced.
Jane Smiley (A Thousand Acres)
Have you reckon’d a thousand acres much? have you reckon’d the earth much? Have you practis’d so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.
Walt Whitman (Leaves of Grass)
But even though I felt her presence, I also felt the habitual fruitlessness of thinking about her. Her images, partly memories of her, partly memories of photos I had seen of her, yielded no new answers to old mysteries.
Jane Smiley (A Thousand Acres)
Your own endurance might be a pleasant fiction allowed you by others who’ve really faced the facts.
Jane Smiley (A Thousand Acres)
It’s the twenty-first century; no one goes by Betsy anymore,” Tom said. “But even if they did, there’s usually context. If you’re saying, ‘Betsy has the results from the lab,’ it’s probably the human. If it’s ‘Betsy just got pissed off and burned down twenty thousand acres of jungle,’ it’s probably the kaiju.
John Scalzi (The Kaiju Preservation Society)
She dressed to look good, and I dressed for obscurity.
Jane Smiley (A Thousand Acres)
He laughed with a kind of mirthless bark.
Jane Smiley (A Thousand Acres)
Jane Smiley’s Pulitzer Prize–winning novel A Thousand Acres, reveals what can happen
Hope Edelman (Motherless Daughters: The Legacy of Loss)
It wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole life nevertheless spent that life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens, and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also clothes, and fashions, and ideas, and interesting vices, songs, and knowledge, and something which, if looked at in the right light, was called civilization. That was what civilization meant. It meant the city.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
I always feel a little guilty when I break bad news to someone, because that energy, of knowing something others don’t, sort of puffs you up.
Jane Smiley (A Thousand Acres)
what it feels like to resist without seeming to resist, to absent yourself while seeming respectful and attentive.
Jane Smiley (A Thousand Acres)
Shame is a distinct feeling. I couldn’t look at my hands around the coffee cup or hear my own laments without feeling appalled, wanting desperately to fall silent, grow smaller. More than that, I was uncomfortably conscious of my whole body, from the awkward way that the shafts of my hair were thrusting out of my scalp to my feet, which felt dirty as well as cold. Everywhere, I seemed to feel my skin from the inside, as if it now stood away from my flesh, separated by a millimeter of mortified space.
Jane Smiley (A Thousand Acres)
I'm a rich man, Brick, yep, I'm a mighty rich man. Y'know how much I'm worth? Guess, Brick! Guess how much I'm worth! Close to ten million in cash an' blue chip stocks, outside, mind you, of twenty-eight thousand acres of the richest land this side of the valley Nile! But a man can't buy his life with it, he can't buy back his life with it when his life has been spent, that's one thing not offered in the Europe fire-sale or in the American markets or any markets on earth, a man can't buy his life with it, he can't buy back his life when his life is finished... Big Daddy: (pp. 65)
Tennessee Williams (Cat on a Hot Tin Roof)
And so, each day, several thousand more acres of our countryside are eaten by the bulldozers, covered by pavement, dotted with suburbanites who have killed the thing they thought they came to find.
Jane Jacobs (The Death and Life of Great American Cities)
Yellowstone, a place so special and awe-inspiring that after exploring it in 1871, the Hayden Expedition conceived of the original concept of the world’s first national park—a set-aside of 2. 2 million acres containing more than ten thousand thermal features, canyons, waterfalls, and wildlife—so no man or corporation could ever own it.
C.J. Box (Free Fire)
I picked up one and then a second and then a third of these stones, finding them at about the rate of one stone to the acre. And here is where my adventure became magical, for in a striking foreshortening of time that embraced thousands of years, I had become the witness of this miserly rain from the stars. the marvel of marvels was that there on the rounded back of the planet, between this magnetic sheet and those stars, a human consciousness was present in which as in a mirror that rain could be reflected.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Things you can buy with half a million dollars: a car that looks more like a space creature than a car. A designer platinum purse to carry a small dog. A small dog. A performance by your favorite musical artist for your birthday. A diamond-encrusted bottle of Dominican rum. A mansion. A yacht. A hundred acres of land. Houses, but not homes. All four years of college or beautician school & certificate. Five hundred flights to the Dominican Republic. A half million Dollar Store chess sets, with their accompanying boxes. A hundred thousand copies of Shakespeare's The Tempest. Apparently a father.
Elizabeth Acevedo (Clap When You Land)
It is hard to know whether an air of self-confidence precedes or follows success.
Jane Smiley (A Thousand Acres)
They throw themselves on the waters of the world, and they know they will be borne up.
Jane Smiley (A Thousand Acres)
I ended up with forty acres; I ended up with a broken fiddle-- And a broken laugh, and a thousand memories, and not a sin- gle regret.
Ronald Everett Capps (Off Magazine Street)
Ginny,
Jane Smiley (A Thousand Acres)
So all I have is the knowledge that I saw! That I saw without being afraid and without turning away, and that I didn’t forgive the unforgivable. Forgiveness is a reflex for when you can’t stand what you know. I resisted that reflex. That’s my sole, solitary, lonely accomplishment.
Jane Smiley (A Thousand Acres)
...I had been with my father so constantly for so long that I knew less and less about him with every passing year. Every meaningful image was jumbled together with the countless moments of our daily life defeating my efforts to gain some perspective.
Jane Smiley (A Thousand Acres)
One of the few freedoms that we have as human beings that cannot be taken away from us is the freedom to assent to what is true and to deny what is false. Nothing you can give me is worth surrendering that freedom for. At this moment I'm a man with complete tranquillity...I've been a real estate developer for most of my life, and I can tell you that a developer lives with the opposite of tranquillity, which is perturbation. You're perturbed about something all the time. You build your first development, and right away you want to build a bigger one, and you want a bigger house to live in, and if it ain't in Buckhead, you might as well cut your wrists. Soon's you got that, you want a plantation, tens of thousands of acres devoted solely to shooting quail, because you know of four or five developers who've already got that. And soon's you get that, you want a place on Sea Island and a Hatteras cruiser and a spread northwest of Buckhead, near the Chattahoochee, where you can ride a horse during the week, when you're not down at the plantation, plus a ranch in Wyoming, Colorado, or Montana, because truly successful men in Atlanta and New York all got their ranches, and of course now you need a private plane, a big one, too, a jet, a Gulfstream Five, because who's got the patience and the time and the humility to fly commercially, even to the plantation, much less out to a ranch? What is it you're looking for in this endless quest? Tranquillity. You think if only you can acquire enough worldly goods, enough recognition, enough eminence, you will be free, there'll be nothing more to worry about, and instead you become a bigger and bigger slave to how you think others are judging you.
Tom Wolfe (A Man in Full)
Seeing him somewhere was always a pleasure, like taking a drink of water.
Jane Smiley (A Thousand Acres)
At sixty miles per hour, you could pass our farm in a minute, on County Road 686, which ran due north into the T intersection at Cabot Street Road.
Jane Smiley (A Thousand Acres)
However much these acres looked like a gift of nature, or of God, they were not. We went to church to pay our respects, not to give thanks.
Jane Smiley (A Thousand Acres)
Mother’s estate—our estate—a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
When I went to first grade and the other children said that their fathers were farmers, I simply didn't believe them. I agreed in order to be polite, but in my heart I knew that those men were impostors, as farmers and as fathers, too. In my youthful estimation, Laurence Cook defined both categories. To really believe that others even existed in either category was to break the First Commandment.
Jane Smiley (A Thousand Acres)
Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
Charles Dickens (A Tale of Two Cities)
I always think that things have to happen the way they do happen, that there are so many inner and outer forces joining at every event that it becomes a kind of fate. I learned from studying Buddhism that there’s beauty, and certainly a lot of peace, in accepting that.” I sniffed. A smile twinkled sheepishly across his face. “Okay, okay,” he said, “how about this? If you worry about it, you draw it to you.
Jane Smiley (A Thousand Acres)
I looked at her without replying. For me it had been more like being a passenger in a car that was going out of control. For three months we’d been swerving across the road, missing light poles and oncoming vehicles. Now the car was under control again,
Jane Smiley (A Thousand Acres)
Wait till you see-at the same time that your family is dying for lack of bread-a hundred thousand acres of wheat-millions of bushels of food-grabbed and gobbled by the Railroad Trust, and then talk of moderation. That talk is just what the Trust wants to hear. It ain't frightened of that. There's one thing only it does listen to, one things it is frightened of-the people with dynamite in their hands,-six inches of plugged gaspipe. That talks.
Frank Norris (The Octopus: A Story of California)
I had a burden lift off me that I hadn't even felt the heaviness of until then, and it was the burden of having to wait and see what was going to happen.
Jane Smiley (A Thousand Acres)
I dream about standing in the lunch line naked. It's always the lunch line in ninth grade. Nakedness dreams are very common. I suppose they are.
Jane Smiley (A Thousand Acres)
Each day they expend innumerable foot-pounds of energy—enough to plough thousands of acres, build miles of road, put up dozens of houses—in mere, useless walking.
George Orwell (Down and Out in Paris and London)
The lake i had grown up on was protected by thousands of acres of private forests. It kept out the reality of a harsher world and surrounded me with fun and privilege
Michael Gates Gill (How Starbucks Saved My Life: A Son of Privilege Learns to Live Like Everyone Else)
I loved the house the way you would any new house, because it is populated by your future.
Jane Smiley (A Thousand Acres)
Labeling them, in fact, prevented knowing them.
Jane Smiley (A Thousand Acres)
You know when we came out of the clinic, and we saw those flower beds that we hadn’t seen when we were walking in? That was so unexpected, I think it made me delirious somehow. And then it seemed like if we just threw off all restraints and talked wildly and ate wildly and shopped wildly, it would just turn up the delirium, and make it even better, or permanent somehow...
Jane Smiley (A Thousand Acres)
We came to the corner, waited for the light, and crossed. I had no idea where we were going. I said, “I didn’t realize you were so depressed.” “I was depressed, but that was a side issue. This was more like closing up shop, or, say, having a big garage sale, where you look at everything you’ve bought in your life, and you remember how much it meant to you, and now you just tag it for a quarter and watch ’em all carry it off, and you don’t care. That’s more like how it was.
Jane Smiley (A Thousand Acres)
...and that's how the tournament started, the Million Dollar World Series of Monopoly... ...Jess and Pete thought alike -- like city boys, my father would have said, looking for the payoff in a situation rather than the pitfall. Rose and Ty and I played like farmers, looking for pitfalls, holes, drop-offs, something small that will tip the tractor, break it, eat into your time, your crop, the profits that already exist in your mind, and not only as a result of crop projections and long-range forecasts, but also as an ideal that has never been attained, but could be this year.
Jane Smiley (A Thousand Acres)
But now I saw with fresh conviction that is was us, all of us, who were failing, and the hallmark of our failure was the way we ate with our heads down, hungrily, quickly, because there was nothing else to do at the table
Jane Smiley (A Thousand Acres)
cram's with praise, and make's As fat as tame things. One good deed dying tongueless Slaughters a thousand waiting upon that. Our praises are our wages; you may ride's With one soft kiss a thousand furlongs ere With spur we heat an acre.
William Shakespeare (The Winter's Tale)
Her idea was that there was no such thing as provocation, that no matter what she did, Pete simply should not hit her, and therefore if he did hit her he was entirely wrong, and therefore she was perfectly free to do whatever she wanted. The result was that I lived in fear for her. Once she said, “If it were you being hit, you wouldn’t be afraid, either. You’d be mad, I promise.
Jane Smiley (A Thousand Acres)
Werner Pfennig grows up three hundred miles northeast of Paris in a place called Zollverein: a four-thousand-acre coalmining complex outside Essen, Germany. It’s steel country, anthracite country, a place full of holes. Smokestacks fume and locomotives trundle back and forth on elevated conduits and leafless trees stand atop slag heaps like skeleton hands shoved up from the underworld.
Anthony Doerr (All the Light We Cannot See)
Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.
Chuck Palahniuk (Lullaby)
My respiration and inspiration.... the beating of my heart.... the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and darkcolored sea-rocks, and of hay in the barn, The sound of the belched words of my voice.... words loosed to the eddies of the wind, A few light kisses.... a few embraces.... a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hillsides, The feeling of health.... the full-noon trill.... the song of me rising from bed and meeting the sun. Have you reckoned a thousand acres much? Have you reckoned the earth much? Have you practiced so long to learn to read? Have you felt so proud to get at the meaning of poems?
Walt Whitman (Leaves of Grass)
I think you’ll find that’s very good wine,” he said. “I know we don’t get much of a chance to judge good wine in the States now, but I got this from a friend of mine that’s in the business.” “Oh, you always have someone in the trade,” Brett said. “This fellow raises the grapes. He’s got thousands of acres of them” “What’s his name?” asked Brett. “Veuve Cliquot?” “No,” said the count. “Mumms. He’s a baron.
Ernest Hemingway (The Sun Also Rises)
Daddy thinks history starts fresh every day, every minute, that time itself begins with the feelings he’s having right now. That’s how he keeps betraying us, why he roars at us with such conviction. We have to stand up to that, and say, at least to ourselves, that what he’s done before is still with us, still right here in this room until there’s true remorse. Nothing will be right until there’s that.” “He looks so, sort of, weakened.” “Weakened is not enough. Destroyed isn’t enough. He’s got to repent and feel humiliation and regret. I won’t be satisfied until he knows what he is.” "Do we know what we are?" "We know we aren’t him. We know that to that degree we don’t yet deserve the lowest circle of hell.
Jane Smiley (A Thousand Acres)
It was ... disconcerting to examine your charts before a proposed flight only to find that in many cases the bulk of the terrain over which you had to fly was bluntly marked: 'UNSURVEYED.' It was as if the mapmakers had said, 'We are aware that between this spot and that one, there are several hundred thousands of acres, but until you make a forced landing there, we won't know whether it is mud, desert, or jungle -- and the chances are we won't know then!
Beryl Markham (West with the Night)
…it was even more disconcerting to examine your charts before a proposed flight only to find that in many cases the bulk of the terrain over which you had to fly was bluntly marked: ‘UNSURVEYED.’ It was as if the mapmakers had said, ‘We are aware that between this spot and that one, there are several hundred thousands of acres, but until you make a forced landing there, we won’t know whether it is mud, desert, or jungle – and the chances are we won’t know then!
Beryl Markham
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
t wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole lives nevertheless spent their life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also its clothes, and fashions and ideas and interesting vices, songs and knowledge and something which if looked at in the right light, was called civilization. That’s what civilization meant. It meant the city.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
The rituals surrounding vacations among Manhattan's wealthiest and best-connected citizens are strange and specific. By vacations I don't mean country houses, which are part of the regular ebb and flow of life and which are frequently subjects for complaint - The kids never want to go! The caretaker missed the roof leak! The pipes froze! - as though having a six-thousand-square-foot, cedar-shingled cottage on five acres overlooking the ocean is nothing more or less than a constant test of character.
Anna Quindlen (Rise and Shine)
FIDDLER JONES The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, Why, fiddle you must, for all your life. What do you see, a harvest of clover? Or a meadow to walk through to the river? The wind's in the corn; you rub your hands For beeves hereafter ready for the market; Or else you hear the rustle of skirts. Like the girls when dancing at Little Grove. To Cooney Potter a pillar of dust Or whirling leaves meant ruinous drouth; They looked to me like Red-Head Sammy Stepping it off, to Toor-a-Loor. How could I till my forty acres Not to speak of getting more, With a medley of horns, bassoons and piccolos Stirred in my brain by crows and robins And the creak of a will-mill – only these? And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle – And a broken laugh, and a thousand memories, And not a single regret.
Edgar Lee Masters (Spoon River Anthology)
Polio has been virtually forgotten by now, but in the first half of the twentieth century, it was a plague of almost biblical proportions. Tens of thousands of innocent children and young adults were killed, crippled, or paralyzed. Polio, a powerful form of viral meningitis, cut a wide and ruthless swath through an entire generation of Americans. Carol
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
Cath thought of Levi's warmth against her arm last night. And his ten thousand smiles. And his forty-acre foreheard.
Rainbow Rowell
It was imperative that the growing discord in our family be made to appear minor. The indication that my father truly was beside himself was the way he had carried his argument with us to others. But we couldn’t give in to that—we were well trained. We knew our roles and our strategies without hesitation and without consultation. The paramount value of looking right is not something you walk away from after a single night. After such a night as we had, in fact, it is something you embrace, the broken plank you are left with after the ship has gone down.
Jane Smiley (A Thousand Acres)
We watched the swimmers and sunbathers and I thought about this. Had I faced all the facts? It seemed like I had, but actually, you never know, just by remembering, how many facts you were allowed to have faced. Your own endurance might be a pleasant fiction allowed you by others who've really faced the facts. The eerie feeling this thought gave me made me shiver in the hot wind.
Jane Smiley (A Thousand Acres)
Even in Minnesota, where the winter was a big topic of conversation and a permanent occasion for people’s heroic self-regard, it was only winter on the highway a few hours out of the year. The rest of the time, traffic kept moving. Snow and rain were reduced to scenery nearly as much as any other kind of weather, something to look out the window at but nothing that hindered you. The
Jane Smiley (A Thousand Acres)
Since its sudden birth the city had expanded, swallowing up acre upon acre of the surrounding grasslands and drawing thousands into its domain. Hardly built on the most advantageous ground, miles from the open waters, decades from the mines at the mountain summits, it yet remained the only settlement of note on the isle. This sprawling mass of a city, once a compact kingdom, was now the keystone of the Castilian Empire.
R.D. Shanks (A Reverie of Brothers)
When people first came to the West, particularly from the owned and fought-over farmlets of Europe, and saw so much land to be had for the signing of a paper and the building of a foundation, an itching land-greed seemed to come over them. They wanted more and more land—good land if possible, but land anyway. Perhaps they had filaments of memory of feudal Europe where great families became and remained great because they owned things. The early settlers took up land they didn’t need and couldn’t use; they took up worthless land just to own it. And all proportions changed. A man who might have been well-to-do on ten acres in Europe was rat-poor on two thousand in California.
John Steinbeck (East of Eden)
It is 2009, and sugar consumption continues to increase globally. Sucrose is a toxin and has no nutritional value to the human body. Isn't that a little strange? Particularly, since sugar cane is grown upon thousands of acres of land to produce sucrose. Eight hundred and thirty million people in the world are undernourished, and 791 million of them live in so-called developing countries. Hence, what nourishing foods could these acres potentially grow if (a) sugar cane were no longer in high demand from the U.S. (as well as the rest of the top consumers--Brazil, Australia, and the EU) and (b) the land was used specifically to grow nourishing foods for the population in the global South?
A. Breeze Harper
Otherwise, my life passed in a blur, that blessing of urban routine. The sense of distinct events that is so inescapable on a farm, where every rainstorm is thick with odor and color, and usefulness and timing, where omens of prosperity or ruin to come are sought in every change, where any of the world’s details may contain the one thing that above all else you will regret not knowing, this sense lifted off me. Maybe another way of saying it is that I forgot I was still alive.
Jane Smiley (A Thousand Acres)
Machines are created making it possible to manufacture more in an hour than used to be manufactured in a month; more is produced by the labor of one man than was formerly produced by the labor of a thousand men; fertilizers are available whereby an acre of land can be made to produce from two to three or even four times what it formerly produced; various other inventions and scientific achievements which God has seen fit to disclose to man from time to time make their appearance; but instead of bringing prosperity, ease and comfort, they have meant unemployment; they have meant idleness; they have meant starvation; they have meant pestilence; whereas they should have meant that hours of labor were shortened, that toil was decreased, that more people would be able to consume, that they would have time for pleasure, time for recreation—in fact, everything that could have been done by science and invention and wealth and progress in this country should have been shared among the people. . .
Huey Long (Every Man a King: The Autobiography of Huey P. Long)
Pommes de Terre” The plow; the raw September earth; the massive-haunched and mighty-hoofed old bay clomping and farting down the furrow; Father holding the plow, my brother the reins, and me with a sack following, gathering the fruits of the overturned soil – the earth apples… Richly abundant, brown fat potatoes, thick as stars, appearing like miracles out of the barren, weedy, stony patch, thousands of big hefty solid spuds, bushel after bushel, a hundred bushels per acre, a mass of treasure from the earth… How our hands and eyes delighted in that harvest, how gladly we dragged our bulging gunnysacks to the wagon…a wagonful of potatoes! Dark, crusted with dirt, soil, earth, cool to the touch, good to eat even raw; we plowed the shabby-looking field and turned up nuggets, plenty, abundance, more than we needed, riches unimagined…
Edward Abbey
But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane.
Daniel Nayeri (Everything Sad Is Untrue (a true story))
The creative mind is the most potent force on earth. No oil well, gold mine, or thousand-acre farm can compete with the wealth-producing possibilities of a creative idea. Creativity is the brain at its best. Mental illness is the opposite. It reflects a brain struggling to manage even the most ordinary challenges of everyday life. Yet madness and genius, the worst and the best the brain can do, both depend on dopamine. Because of this basic chemical connection, madness and genius are more closely connected to each other than either is to the way ordinary brains work.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the outskirts of town. 'Copse' as in 'a thicket of small trees.' 'Hurst' as in 'hillock, knoll, or mound.' And 'bourne' as in 'brook or stream.' All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn't have just been called Shady Acres, which is what it was. Apparently people aren't willing to pay a hundred and fifty thousand dollars for a home that doesn't sound like it's part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, with the British gentry.
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
There was a man who was in Hell and about to be re-incarnated, and he said to the King of Re-incarnation, “If you want me to return to the earth as a human being, I will go only on my own conditions.” “And what are they?” asked the King. The man replied, “I must be born the son of a cabinet minister and father of a future ‘Literary Wrangler’ (the scholar who comes out first at the national examinations). I must have ten thousand acres of land surrounding my home and fish ponds and fruits of every kind and a beautiful wife and pretty concubines, all good and loving to me, and rooms stocked to the ceiling with gold and pearls and cellars stocked full of grain and trunks chockful of money, and I myself must be a Grand Councilor or a Duke of the First Rank and enjoy honor and prosperity and live until I am a hundred years old,” And the King of Re-incarnation replied, “If there was such a lot on earth, I would go and be re-incarnated myself, and not give it to you!
Lin Yutang (Lin Yutang: The Importance Of Living)
Los Angeles in 1912 was a sprawling flatland stretching between the ocean and the mountains. Within a thirty-five-mile radius, there were forty incorporated towns, and it was close to impossible to know where one ended and another began. While the southern California land boom of the 1880s had not brought the number of people who swarmed northern California in the Gold Rush, it had induced a variety of characters to seek out the sun and a new life. Families determined to create their own little utopias bought several hundred or thousands of acres at a time, primarily from the Spanish land grants that still dominated the area, infusing the new communities with their Midwestern values.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
What was shocking were the rewards my father's cousins had gathered in the intervening couple of decades. They farmed now on thousands of acres, not hundreds. They drove fancy pickup trucks, owned lakefront property and second homes. A simple Internet search offered the truth of where their riches had come from: good ol' Uncle Sam. Recently I clicked again on a database of farm subsidy payments, and found that five of my father's first cousins had been paid, all told, $3 million between 1995 and 2005 - and that on top of whatever they'd earned outright for the sale of their corn and soybeans. They worked hard, certainly. They'd saved and scrimped through the lean years. They were good and honorable yeoman, and now they'd come through to their great reward: a prime place at the trough of the welfare state. All that corn syrup guzzled down the gullets of America's overweight children, all that beef inefficiently fattened on cheap feed, all that ethanol being distilled in heartland refineries: all of it underwritten by as wasteful a government program as now exists this side of the defense industry. In the last ten years, the federal government has paid $131 million in subsidies and disaster insurance in just the county [in Minnesota] where I grew up. Corn is subsidized to keep it cheap, and the subsidies encourage overproduction, which encourages a scramble for ever more ways to use corn, and thus bigger subsidies - the perfect feedback loop of government welfare.
Philip Connors
Against the dark screen of night, Vimes had a vision of Ankh-Morpork. It wasn’t a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who’d never see it in their whole life nevertheless spent that life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed… …and gave back the dung from its pens, and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also clothes, and fashions, and ideas, and interesting vices, songs, and knowledge, and something which, if looked at in the right light, was called civilization. That was what civilization meant. It meant the city. Was
Terry Pratchett (Night Watch (Discworld, #29))
His wife, Electra, was a capable helpmeet, although—like himself— a dreamer of dreams and a private dabbler in romance. The first thing she did, after her marriage—child as she was, aged only nineteen— was to buy an acre of ground on the edge of the town, and pay down the cash for it—twenty-five dollars, all her fortune. Saladin had less, by fifteen. She instituted a vegetable garden there, got it farmed on shares by the nearest neighbor, and made it pay her a hundred per cent. a year. Out of Saladin's first year's wage she put thirty dollars in the savings-bank, sixty out of his second, a hundred out of his third, a hundred and fifty out of his fourth. His wage went to eight hundred a year, then, and meantime two children had arrived and increased the expenses, but she banked two hundred a year from the salary, nevertheless, thenceforth. When she had been married seven years she built and furnished a pretty and comfortable two-thousand-dollar house in the midst of her garden-acre, paid half of the money down and moved her family in. Seven years later she was out of debt and had several hundred dollars out earning its living.
Mark Twain (The $30,000 Bequest and Other Stories)
What a sad and frightening time it was. Thousands of firefighters and other rescue workers swarmed the sixteen-acre disaster zone, searching for survivors. The area, which became known as Ground Zero, was extremely dangerous. Underground fires smoldered, and the smoke was a toxic mix of melted plastic, steel, lead, and many poisonous chemicals. Few of the rescue workers had on proper protective clothing or masks. And as it quickly became clear, there were not very many survivors to find. Only fourteen people were pulled out of the rubble alive, all within the first twenty-four hours of the collapse. About 50,000 people had been working in the buildings that day. Two thousand and sixteen died. Also among the dead: 343 firefighters and 60 police officers who were in or near the
Lauren Tarshis (I Survived the Attacks of September 11th, 2001)
July I watch eagerly a certain country graveyard that I pass in driving to and from my farm. It is time for a prairie birthday, and in one corner of this graveyard lives a surviving celebrant of that once important event. It is an ordinary graveyard, bordered by the usual spruces, and studded with the usual pink granite or white marble headstones, each with the usual Sunday bouquet of red or pink geraniums. It is extraordinary only in being triangular instead of square, and in harboring, within the sharp angle of its fence, a pin-point remnant of the native prairie on which the graveyard was established in the 1840’s. Heretofore unreachable by scythe or mower, this yard-square relic of original Wisconsin gives birth, each July, to a man-high stalk of compass plant or cutleaf Silphium, spangled with saucer-sized yellow blooms resembling sunflowers. It is the sole remnant of this plant along this highway, and perhaps the sole remnant in the western half of our county. What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked. This year I found the Silphium in first bloom on 24 July, a week later than usual; during the last six years the average date was 15 July. When I passed the graveyard again on 3 August, the fence had been removed by a road crew, and the Silphium cut. It is easy now to predict the future; for a few years my Silphium will try in vain to rise above the mowing machine, and then it will die. With it will die the prairie epoch. The Highway Department says that 100,000 cars pass yearly over this route during the three summer months when the Silphium is in bloom. In them must ride at least 100,000 people who have ‘taken’ what is called history, and perhaps 25,000 who have ‘taken’ what is called botany. Yet I doubt whether a dozen have seen the Silphium, and of these hardly one will notice its demise. If I were to tell a preacher of the adjoining church that the road crew has been burning history books in his cemetery, under the guise of mowing weeds, he would be amazed and uncomprehending. How could a weed be a book? This is one little episode in the funeral of the native flora, which in turn is one episode in the funeral of the floras of the world. Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life. * * *
Aldo Leopold (Aldo Leopold: A Sand County Almanac & Other Writings on Conservation and Ecology (Library of America, #238))
Early naturalists talked often about “deep time”—the perception they had, contemplating the grandeur of this valley or that rock basin, of the profound slowness of nature. But the perspective changes when history accelerates. What lies in store for us is more like what aboriginal Australians, talking with Victorian anthropologists, called “dreamtime,” or “everywhen”: the semi-mythical experience of encountering, in the present moment, an out-of-time past, when ancestors, heroes, and demigods crowded an epic stage. You can find it already by watching footage of an iceberg collapsing into the sea—a feeling of history happening all at once. It is. The summer of 2017, in the Northern Hemisphere, brought unprecedented extreme weather: three major hurricanes arising in quick succession in the Atlantic; the epic “500,000-year” rainfall of Hurricane Harvey, dropping on Houston a million gallons of water for nearly every single person in the entire state of Texas; the wildfires of California, nine thousand of them burning through more than a million acres, and those in icy Greenland, ten times bigger than those in 2014; the floods of South Asia, clearing 45 million from their homes. Then the record-breaking summer of 2018 made 2017 seem positively idyllic. It brought an unheard-of global heat wave, with temperatures hitting 108 in Los Angeles, 122 in Pakistan, and 124 in Algeria. In the world’s oceans, six hurricanes and tropical storms appeared on the radars at once, including one, Typhoon Mangkhut, that hit the Philippines and then Hong Kong, killing nearly a hundred and wreaking a billion dollars in damages, and another, Hurricane Florence, which more than doubled the average annual rainfall in North Carolina, killing more than fifty and inflicting $17 billion worth of damage. There were wildfires in Sweden, all the way in the Arctic Circle, and across so much of the American West that half the continent was fighting through smoke, those fires ultimately burning close to 1.5 million acres. Parts of Yosemite National Park were closed, as were parts of Glacier National Park in Montana, where temperatures also topped 100. In 1850, the area had 150 glaciers; today, all but 26 are melted.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Earlier, when I drove to Gray Horse, I’d been startled by the sight of bison roaming through the prairie with their bowed heads and massive woolly bodies supported seemingly impossibly on narrow legs. In the nineteenth century, bison were extinguished from the prairie, but in recent years they have been reintroduced by conservationists. The media mogul Ted Turner had been raising bison on a forty-thousand-acre ranch between Fairfax and Pawhuska—a ranch that in 2016 was bought by the Osage Nation.
David Grann (Killers of the Flower Moon: Adapted for Young Readers: The Osage Murders and the Birth of the FBI)
There was a nook in the house that contained what they called the Turkish Room, which was for intimate conversation. And when my mother had her sixth birthday, her grandmother led her into the Turkish Room. They were both named Inez. And on that day Big Inez gave Little Inez a plantation all her own. Two thousand acres. Then her little sister came running in and said, “Grandmother, can I have a plantation too?” And Big Inez looked down and said, “Child, your name is Alice. You were named for your Yankee grandmother. Go ask your Yankee grandmother for a plantation.
Adam Gopnik (The Moth)
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity. This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies. And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology. Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world. Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation. Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests? What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
In the end Carson’s men leveled and burned untold thousands of acres of crops—by his estimation nearly 2 million pounds of food, most of it in its prime, ready for harvest. The impact of this obliteration had a built-in time lag; it would not really show itself until the autumn, when the Navajos would face the coming cold in the grip of inevitable famine. Carson only had to be patient. At one point in his August logs, he pondered the fate of a particular band whose cornfields had just fallen under his blade and torch. “They have no stock,” he writes in a tone devoid of either pleasure or remorse, “and were depending entirely for subsistence on the corn destroyed by my command on the previous day.” The loss, he predicts, “will cause actual starvation, and oblige them to come in and accept emigration to the Bosque Redondo.
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
Laissez faire! Let things alone! have said the judges of the camp. Careers are open; and although the field is covered with corpses, although the conqueror stamps on the bodies of the vanquished, although by supply and demand, and the combinations and monopolies in which they result, the greater part of society becomes enslaved to the few, let things along — for thus has decreed fair play. It is by virtue of this beautiful system that a parvenu, without speaking of the great lord who receives counties as his heritage, is able to conquer with ready money thousands of acres, expel those who cultivate his domain, and replace people and their dwellings with wild animals and rare trees. It is thus that a tradesman, more cunning or intelligent, or, perhaps, more favored by luck than his fellows, is enabled to become master of an army of workers, and as often as not to starve them at his pleasure.
Élisée Reclus
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
Charles Dickens (A Tale of Two Cities)
A look passed between Genevieve, Kaya, and I, a silent knowledge relating back to the warning Anansi had given us that Paine was growing corn here, recalling a vision I had not long ago about acres and acres of the stuff stretching on for miles beneath a moonlit sky, about so many lessons gleaned in the Divine Rite Academy as children regarding the “Devil’s Grain” and how to spot it and its many forms by sight and smell, so that we would always avoid it if it should ever reappear on this earth. That yellow sweet temptress. Its siren song was near impossible to avoid, even though I’d never once tasted it. But somehow I knew exactly how it would taste, how its rough grit would crunch between my teeth like grains of sand, as if it had been imprinted into my genes from so many ancestors going back thousands of years who were gluttons for those kernels of gold. We could drive it to extinction or turn it into a monster that would drive us to extinction, but it would always be a part of us, waiting for resurrection. I could tell by the way the women gazed at the platter of golden medallions that they were having a similar fight in their minds. Just one bite. One little taste. It wouldn’t be so bad. And then we could move on.
Allison M. Dickson (The Last Supper)
The Republican Roosevelt wanted to fight plutocrats as well as anarchists. Their plunder of oil, coal, minerals, and timber on federal lands appalled him, in his role as the founder of America’s national parks. Corporate criminals, carving up public property for their private profit, paid bribes to politicians to protect their land rackets. Using thousand-dollar bills as weapons, they ransacked millions of acres of the last American frontiers. In 1905, a federal investigation, led in part by a scurrilous Secret Service agent named William J. Burns, had led to the indictment and conviction of Senator John H. Mitchell and Representative John H. Williamson of Oregon, both Republicans, for their roles in the pillage of the great forests of the Cascade Range. An Oregon newspaper editorial correctly asserted that Burns and his government investigators had used “the methods of Russian spies and detectives.” The senator died while his case was on appeal; the congressman’s conviction was overturned by the U.S. Supreme Court on grounds of “outrageous conduct,” including Burns’s brazen tampering with jurors and witnesses. Burns left the government and became a famous private eye; his skills at tapping telephones and bugging hotel rooms eventually won him a job as J. Edgar Hoover’s
Tim Weiner (Enemies: A History of the FBI)
Nothing in the period that followed was too good for the Rouge; it had the best blast furnaces, the best machine tools, the best metal labs, the best electrical systems, the most efficient efficiency experts. At its maturity in the mid-twenties, the Rouge dwarfed all other industrial complexes. It was a mile and a half long and three quarters of a mile wide. Its eleven hundred acres contained ninety-three buildings, twenty-three of them major. There were ninety-three miles of railroad track on it and twenty-seven miles of conveyor belts. Some seventy-five thousand men worked there, five thousand of them doing nothing but keeping it clean, using eighty-six tons of soap and wearing out five thousand mops each month. By the standards of the day the Rouge was, in fact, clean and quiet. Little was wasted. A British historian of the time, J. A. Spender, wrote of its systems: “If absolute completeness and perfect adaptation of means to end justify the word, they are in their own way works of art.” Dissatisfied with the supply and quality of the steel he was getting from the steel companies, Ford asked how much it would cost to build a steel plant within the Rouge. About $35 million, Sorensen told him. “What are you waiting for?” said Ford. Equally dissatisfied with both the availability and the quality of glass, he built a glass factory at the Rouge as well. The
David Halberstam (The Reckoning)
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
Mark Twain (Following the Equator)